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C O N T E N T S
P a g e
H o w to u s e t h is b o o k 5
A b r ie f g u id e t o th e s o n g s 6
B L U E S I N T H E N I G H T 8
B y J oh n n y M e rc e r a n d H a ro ld A r le n
E M B R A C E A B L E Y O U 1 0
B y G e o r g e a nd I ra G e r s h w i n
I T D O N 'T M E A N A T H I N G ( I F I T A I N ' T G O T T H A T S W IN G ) 1 2
B y I r v in g M i ll s a n d D u k e E l l i n g to n
M Y F U N N Y V A L E N T I N E 1 4
B y R ic ha rd R o dg e r s a n d L o r e n z H a rt
L O V E I S H E R E T O S T A Y 1 6
B y G e o rg e a n d I r a G e rs hw in
S U M M E R T I M E 18
B y G e o r g e G e r s h w in , I r a G e r s hw in , D u B o s e a n d D o r o t h y H e y w a r d
B y G e o r g e a n d I r a G e r sh w in
S O M E O N E T O W A T C H O V E R M E 2 0
I ' V E G O T Y O U U N D E R M Y S K I NB y C o le P o r t e r
2 2
H O W H I G H T H E M O O N 2 6
B y N a n cy H a m il t o n a nd M o rg a n L ew is
I G E T A K I C K O U T O F Y O U 2 8
B y C o le P o r t e r
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8
C D T R A C K ~ B L U E S I N T H E N I G H T
~
Medium swing, bluesy J = 72
W o r d s b y J o h n ny M
M u s i c b y H a r o ld
My Ma-ma done tol' me L when I was in knee-pants, my Ma-ma done tor me.L.
4 C7 p 7 C#7 B~13, 3 3
J 7 )! I j J J j J J . }j J 3 j j j'-" - - - - - '-" '----'
'Son, a wo-man 'll sweet talk,_ and give ya the big eye,_
A7(~9}
7 ~
but when that sweet talk - in' done.Lc; a wo -man's a two - face,_s
10,'t1 E
G7(~9)
3
~ 4 j 4 j J
C7
IrEy§4g I;.3EJ
wor ~ri - some thing who'll leave ya t' sing the blues _ in the night.'
[ I D
13 C6 F 7 C~
,F " ~ [ r F I ' ' C ° P [ F FI I p C o C 7~
.. J JNow the rain's fall -
' ,hear the train call - in', whoo - ee, (mIn, a
16 C6 3 P # 7 ( # 1 1 ) p7 Alm G7(#5 ),iJ J __"
I ' ) F " P f I r € E '' [ TJr° 7 r F ~ FMa -ma done tor me.l L Hear that lone - some whis - tie slow in
' ,cross the tres -
19 C6 3 G7
t~
£ J Jr=-. .-.
---k ~ I~§ - - . . E• rE ; C C I -- J~ LJ F 0 / ~! 7
s"Jwhoo - ee, (my Ma-ma done to]' me,)_ A whoo -ee-duh -whoo - ee,_
22,AP9' ' & 1 rG7C #9 ) 3
[J~ 4 j J j j3
click - e - ty clack's a e - cho - in' back the blues _ In the night-
e 1939 HinIs lie.. l r : . a .
Itire'~ ~ '-reI:..it !..-.• I ! I ! S
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10
W TR A C K ~ E M B R A C E A B L E Y O U
~M u sic a nd L y r ic
G e o r g e G e rs hw in a n d I r a G e rsBossa j = 66
A6 Cdim? Bm E7 F~7
& l I i j # ¢1 t i f
j J I )J
J 1 lJ
J j' " J~
J J I j .
,I
..._.Em -brace me, my sweet em - brace a - ble you._
5 Bm Bm 7d•5) E7 Ao/9 E9su s A%
& ~ # # I~,
J t C d .r r r I , r r r 7 7 J 1 ,Em - brace me, you ir - re - place a - ble you._
9 P~m P#m7 /E D#m7(P5) G #7 C #m C#maj7 C #m7 F#9
4 1 1 D ~ F j J J I F j J J I p 0 / 7 )1 J J 2 2 f j . J
Just one look at you my heart grew tip sy in me;_
EjB E#dim7 F#m7 B9 E13 Bm7 E713
& 1 1 # # J J j J Ij j r I r I P 0 / j' ~J J IJ
,I
- - - -ou and you a - lone bring out the gyp s y in me._
O O J
17 A6 1 1 i f Cdim? Bm E7 P#7
& 1 1 # # l J J J I , J : J J I)
7 7 } J IJ f
- - - -ove al l the man - y charms a - bout you;_
21 Bm Bm7 (P5) E7 A% E9SU S A%
& 1 1 # # I P~
J 4 E d .r F r II r F r 7 7 J 1 l
a - bove all want my arms a - bout you._
Dma j ? G#m7(P5) C#7 F#m P#m(maj7 l25 p
& 1 1 # # I F r F I r F r F I t m J J J JDon't be a naugh - ty ba - by, come to pa - pa, come to
F #m 7 B9 jD# A fE Bm7(! '5) E7(1 :>9 ) A%
28 = = = = 'IRf f
& 1 1 # # n r - " 18 v
•J L A* r r F 0 / 0 / ~) I - t -
pa -pa do ' :\ly sweet em - brace a. - ble you.
o1!l1"":~ , c a . _ _ . . 1 M . . . ~ Ca. UiJ l U S A
"a" .,,!.lL~ • .s
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12
C D T RA CK m I T D O N 'T M E A N A T H I N G ( I F I T A I N ' T G O T T H A T S W I N G )
Fast swing J = 116
J DRUMS 3
~ ¢ I I I -
7 Am7
~ 'Tain't got that swing, _
11 C6 E7 (#S)
~-U F P r p I F I- doo wah, doo wah, doo wah.
15 Am7 Am6
~ F r r J I ' __
got to do IS sing,
19 C6 G7 C6)
~U r ~ r ~ I r 'doo wah, doo wah, doo wah.
23 F 6
~I t
hot;
W o r d s b y I rv in g M
M u s i c b y D u k e E l lin g
~f Am Am(maj7 )
* F I IJ J
r I F
j
rIt don't mean a thing if it
doo wah, _ doo wah, doo wah, doo wah, doo wa
Am Amlmaj" )
t•
Ij J
r I F rJ
IIt don't mean a thing, all you
D7 G7
I S;:-=.,
I cCCJ r p r p rdoo wah,_ doo wah, doo wah, doo wah, doo wa
O O _ ]
Gm7 C7
r I I r r p r p l r r p r 'It makes no djff - 'renee if__ it's sweet or
Am7 D7 G7
I )*
r I r ~ p f ' I f r p r I 0just give that rhy-thm ev - 'ry thing you got.
[928 E7 Am Am (ma j7 ) Am7 Am6
~
- I F I I J ~ r I r J F l i T p r ~1 ; 1 )
It don't mean a thing if it ain't got that swing, _
33 D7 G7 C6
~ : c C O r ID r D r u r r t : : : r r ~ r ~ I r i - I Idoo wah, _ doo wah. doo wah, doo wah, doo w ah, _ doo wah. doo wah. doo wah.
( ) 1 9 3 2 E M Mills IIIsic l ie.. l I S A . .
E ll . .. N i t s & & c u .. 1 . . II I II I I I. .: : 2 1 1 l 1 l' i ' . . .. .. .. . z : : . . . . . . 1W::sIwt C & . . . . U S A f " I I I D
.r.6MHiS!:fc;! '" ~ III =me-·1lIsc ...l[
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14
C DT R JlC K ~ M Y F U N N Y V A L E N T I N E
~
Slow/Medium tempo ~ = 88Dm
Dmlmaj']
i2J I J . )jMy fun - ny . V al - en - tine,
j
W o r d s b y L o re n z
M u s i c b y R ic h a rd R o d
Ij J J I J .sweet com - ic V al - en - tine,
I~ i1Jyou made me smile
Dmlmaj')
I J . J~JYour looks are laugh - a - ble,
13 B Pmaj1 Am?
& ~ J Wyet
17 O O J Fma j?
$ - F '
Gm?
with my heart. _
Dm7 Dm6
tz J I J~
J; J J 1
un pho - to - graph - a - ble,
B Pm6 Cll C13(P9)
q p I~. . . . . . . . - : -
1 'r tm 1
Jof art. Is YOUl·you're my
I F 'fay
F
'rite work
Gm 7 C7 F
J J I r -Is your mouthig -
21 Fmaj?
& . r : '
J~J Jure less than
I JGreek?
J I Jto speak,
Dm(ma j1 )
I J . J 1 j
J 1 Jo pen it
don't
Stay,
BPmaj133 1 I ! f
& . jEach
: J u J-..._/
change a hair
Em?(P5)
~
r F I rlit tle Val
Am? D7(P9 ) Gm?
J J I Jd a y is \hl
for me,
Cm? F7(P9)
J Jare you
I Jnot
Gm7 C 7 F Gm7 C?
J 1 J J I J J Ja
lit- tI e weak? When you
BPmaj7 Em 7(l>S) A?(P9)
mp
I 0 lu n j
smart? But
Dm6
tz J J~
JJ 1
if you care for me.
Dm Cm? p7(P9 )
I0
l r *stay
F Em7(p5) A7("9 )
I Ijday .
o1!B J ~ , C & . K... I l S A
• C 7 Ir.fr '-:I :.lit ~ ...
p ren - tine,
en - tine's
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M us ic an d l)'rics
G e o rg e G e r s h w in a n d I r a G e r s h~ ~Ioderate swing
A9 Am7
L O V E I S H E R E T O S T A Y
Freely " = 100RHYlliM .-y' t i SECTION III
1 1 f f (E7 )
I I t J 2It's ve - ry clear
It)
D 7 G C 7
}J J I 0is here to stay;ur love
12 Bm7 E7 Al3 Am7jD D 7 F9(~11 ) E 9 A7
' t i l J j r 10 It} }J J I 0 I f r r~ I
not for a year but ev - er and a day. The ra - d i -
E7 Am7 D 7 Gmaj? C F~m7 (P5 ) B7
,,-....... ~
f 2 F I J j~ ~" P I[JF g~r r =--
and the te -Ie - phone and the mov - ies that we know may just bea
Em A7 Am7jD
tJi l ' JfIp
J j I I~ I(I
0 /
<c:>fan - cies, and in time may go.
21
' t i j Jpass - ing
dear,
Am7 D 7 G
ItiJ ) J J I0our love is here to stay;
Am7 D 7 F9(~1 l ) E 9
I t iJ ) J J I 0go - ing a long, long way.e're
33D 7 E7 Am7 D 7
' UE j
rD
F P IEJ F ~ c -Rock - ies may crum - ble, Gib - ral e tar may tum - ble,
36 C C~d im7 GjD E7 Am? D 9
' t i , J,,---.._
r I l r F r I I T Jclay, but our love is here to
© 1 9 3 8 ( r en e w e d ) C h a p p e ll & G o , U S A
W a rn e r / C h a p p e l l M u sic l t d , L on do n W 6 B B S
D 7 (E7 )
1 I ! fjI f J 2
But, oh my
Bm7 E7
I t J j fto - geth - er
A7
I t r F~D
In time the
F9 E 7
~
# 1 2 97 ,f
f rthey're on - ly made of
G 6 Bm? E 7
I 0 1 2 t. . . . . . :
stay.
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1 8
G D T R A C I ( ~ S U M M E R T I M E
(from P org y a nd B es s® )
Mu sic an d L yrics b y G e o rg e G e rs
Up-tempo swing .l = 132 Du Bose and Do ro th y H eyward and Ira G er
P#7 (#5 ) Bm 6 F#7 jC# Bm 6 F#7 jC# Bm 6 F #7 /C # Bm 6 P #7 jC #
- J _ , I j . f .---~ ~@ I t # i F r I I c- I F er E1 r I r J I J # r r
Sum - mer - time _ and the liv - in' is s y . _a Fish are
5 Em7 G Em7fB Bdim? P#jA# C#7 F #7 C9(#11)
' t i #~
a rFn.
I J C J F I; : : : = - -
If pI)0 /
jump-in'_ and the cot - ton is high. Oh, yo
9 Bm6 p#7jC# Bm6 P#7 jC# Bm6 F#7 jC# Bm E7
, ~.-.. _ . . - - . .
p r p I T I * r r r, .
F I J~ * JrDad- dy's rich_ and your Ma -rna's good look in'. So
13 D jA Bm6 E7 All
, t i f t j f1~
r r I p F ' Fhush lit - tle ba - by don ' t i you
[ ID
17 Bm6
p#7jC# Bm6
P # F !
' * Dr I T " I P ( II'
, .0 / E JJ
morn - in's you're goin' to rise_
Bm 7 C #m 7(p5) P # 7 ( # 5 J
l o C = - I ? *F r rL.___3____:_j
cry. One of these
Bm6
P#7jC# Bm6
r I r t:_lJ*
f Fup sing in', then you'l
Em7jB Bdim" F#jA# C #7
I $ E 2 . ? E J r i o ? :
25 Bm6 P#7 jC# Bm 6 P#7 jC# Bm6
, ~ »j j - r ..-..._
I J E , . E l l ' r I FJ
morn-in' __ there's noth - in,
harmcan
29 D/A Bm7 s-. All Bm 6
& # f t J~ F r I ~ r ' I T I 0
Dad - d y and Mam - my stand In bv;
spread your wings L and you'll take to the sky : _ But 'til th
Jyou _ with
o1935l-.aIl521 s . e e GasillilIIIIsit.. nG e r s I II I i I ~ iIIIl 0. B o s e Aad.D IIuU Iy ~ ~ r.t.USA. c : 7~!.1t~.~
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2 0
C D T R A C K ~ S O M E O N E T O W A T C H O V E R M E
~
Moderately J = 116
M u s ic a n d ly r ic s
G e o r g e G e rs hw in a n d I r a G e rs
F f F13 BD6 BD dim7
' ~ 2F
J
r
~I~ r V
rJ
(FJ
'-'There's a some - bo - dy I'm long - ing to see.
FjA a#dim7
I v
rD
FI hope that he
F N(~5) BDmaj7 C 74 C7jG F~dim7 Gm7 D7jA BD6 Bm7d ,5) C7sus C7, ~ F P I , f 7 F T r I F,
Jr J 1
turns out to be some - one who'll watch 0- ver- - - - - - - - - - - -e. _
9 F F13 B~6 BDdim7 FjA G#dim 7 C7jG F#d im7
, . I~~
r~
I V r p r I v r D F I D r pc : E J r..__/
I'm a lit - tle lamb who's lost in the wood. I know Icould al - ways be good
13 Gm7 D7jA BP6 Bm7(P5) C 7sus C7 F F7 BP C 9 F F7
, . , - - - - - - . . . . . . .
I F J J Jr r r~~
J 1 I I) I f r1...___-
to one who'll watch o - ver me._ A I - though he
1 7 [ I D B~ FjA E 7
, .~ ~ ,-..,
~F F r r I r I T r I r I T r I r I T r I r r rmay not be the man some girls think of as hand - some, to my heart, he
22 A7 D D 7 09 C 7 ~ F F13
, . r r # r I ItS I _ A j I I, ~) r
~
J c : E j
- - - - - - -~
car - ries the key. Won't you tell him, please, to
26 Bf,6 BDdim 7 FjA G~dim7 C7jG F#d im7
, . P F P r - I p r D I T I v F p rput on some speed, fol - low my lead. Oh, how need
29 Om7 D7/A B[,6 Bm7(f,5) C''sus
, . f= : . . . . . . . . .
r I F jr J l
some - one to watch o - ver
J~ Ime. __
C 1926 ~ ~ 'C o . __ ..... ..., MIsE Co. l .Bt. l ISA
• c: '''IJitL..-.m
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2 2
C O T R A C K ~ I ' V E G O T Y O U U N D E R M Y S K I N
W o r d s a n d M u s ic b y C o le P
F 6
L A , FI
Frna j1 F 6
l
4 t A JI
so wen. Bu
Dma j ? D6
[ & ]
Medium J = 96mpC7 GIn7
'~ r I I r
C13 Fma j? Am7
. . . . - -
I r f 5 F
,
I I)I T
J1
'tyou un - d er my skin.'ve got
5 Gm7 C13 Fma j? Am7, ~ =- I E -=-- l
: J .,
4 e JI T I T a F J 'l I J 1
got you, deep in the heart of me,
9 Gm7 C 7 Fma j? Am7
, ~. . . . - -
I r J tJ J 1 I a . j I JE1 r )
- - - -eep in my heart, you're real _·ly a part of me.
13 G m?, ~Jgot
Cll Fmaj7
J2_J) }l ) I~ I;~un _ der
~my skin. _ou _
17 G m7
, ~ F r l e
Fmaj7
¢ 7 7 f ) 5 I (t :
not to give in.ried 50 _
C7 Fdim
fl'l
I t a .ne - ver will go
Dd i r n
21
, , , " r r E r r r I ~ Fl___s__J l___3__
said to my - self, 'This af - fair
Em A7
25 ,-3---, ,-3---,
& ~ IJ J J J J J I!J J
D7(P9)
I
FI've
D7 ( [ >9 )
t j
So
D7C#5)
t JI've
D7 ( P 9 )
l F
# J } # J 1 I~j. ~)_ _ tJ t ~dar-ling, I know so well, I'vhy should I tr y to re - sist when,
29 G m? Cll, ~ t: I Jgot vou
Fma j? F 6
) J J ) I~ I; I J'---'"
un - der m\" s~ I 'd
I)1936 ~ ~ .. IIIDIItlIIISit c.,. U SA___ ' ~ lli.u . . . . as
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: : ' .J . .: ' 9 H O W H I G H T H E M O O N
Mediumlbright J = 100
W o r d s b y N a n c y H a m i lt
M u s i c b y M o r g a n L e
RHYTHM
, # SECTION
# # G ! I
3Amaj?
JF I I r
?'"
r r j Jr Fmu sic, how faint theome -where there's
7 Am7 D 7 Gma j? Gm
, ~ ~ # g o I, J q WJ I j ~. j J
J q j ~ I ~ o- - - - -
tune! Some -where there's Hea Yen , how high the moon!
12 C 7 Fmaj? Bm 7 (PS) E7 Am7 Bm7(! ,5 ) E 7
& # # # l j q J g J I J J J J Ij # ] = 1 1 J I! l, l"" P r · ttJ J
There is no moon a - bove when love is far_ a-way too, 'nl.L, it com
Bm 7 E13 C #m 7 C13 BmI l Bm7 jE E7 (1 ) 9 )
I: r r r I F r F F I F j J J
that you love me as love you. Some -where there'srue
Am7
Ifj J J I ~l()
it's where you are.
Gm
jJJ g J J I ~ ohow near, how fa r !
D 7
I:J
g j J
Some -where there's
C 7
I: J llJ q JThe dark - est
Bm7 E 1 3
Il F F rUn - til you
mu sic, _
Hea ven, _
29 Fmaj' Bm7 (~5 ) E 7 Amaj?
& ~ ~ #J J J J I J ~&D J I"night would shine if you would come., to me soon.
33 C~m7 C13 BmU Bm7 jE E7(~9) A
& ~ ~ #F F• •
I F JI J I. ,I
. ,
will, how still my heart, how high the moon.
© 1 9 40 C h ap p e ll & C o I n c, U S A
W a rn er / G h a p p e l l M u sic L td , L on do n W 6 8 B S
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28
C O T R AC K ~ I G E T A K I C K O U T O F Y O U
~
Medium swing J = 172
Gm7 C7
& ' 1
mf 3
tJ J J I J
J~
get no kick from
5Gm7 C7
3
4 - t J J J I] J j~
W o rd s a n d M u s ic b y C o le P o r t e r
Fmaj7
I ( , ' - = = -
cham - pagne. _
F Am? D7(iI9)
j IJ J
at all. So
Am7(P5) D7
I) , Jthat
Mere a I - co - ho I does - n 't
tell
3
Jshould it
C13
?'"
1 1 jrkick out
be
I rthrill me
Fmaj'
Jwhye
13 Gm7
& · Uget a
r Gm7
& qC7
J I j
a kick
.------3----,
jJ J~
Some get from
Om7 C721
& . I J J J I J<s:>
I'm sure that if
...-----3---,
J ; J
took
7- Gm7 C#m 7_)
& . ~ r e F I~ q r ~r3 3
bore me ter ri fi e - 'Iy
29 Gm7 C7
, . J j J J J ?'"
I' J Jr rget a bck OIQ[ of
OI!Ba..sIlt..U~~"T1' __ ~
true, _
F
J In I J -
of
~you? _
Fmaj7
I l l s ; :
co caine, _
I~ ~t.:._
-3
ev - en one
F
I I t
- - -too.
D7
I T ~ F3
sniff that would
Am7 D7
C d t JYet
F
-~'OlL _
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