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Page 1: Imagining the Future ‐‐never a sure thingbesser.tsoa.nyu.edu/howard/Talks/reimagining.pdf · Many Digital Humanies Organizaons Besser‐Reimagining Archives 18 Many Digital Humanies

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Re‐ImagingarchivesfortheDigitalScholaroftheFuture

HowardBesserDirector,NYUMovingImageArchiving

&PreservaAonProgramhBp://besser.tsoa.nyu.edu/howard/

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Re‐ImagingarchivesfortheDigitalScholaroftheFuture

•  HazardsofpredicAons•  Methodsweusetopredict•  LookingatDigitalHumaniAesforinspiraAon•  Lookingaroundustosocietalinfotrends,alliedfields,smallprojectsw/iourfield,…

•  ‐‐‐‐‐segmentaAon

•  ‐‐‐‐‐crowd‐sourcingfortagging•  ‐‐‐‐‐geo‐referencing•  ‐‐interveningwhentheworkisbeingcreated,tosavebothcontentandmetadata

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ImaginingtheFuture‐‐neverasurething

ImaginingtheFuture(1888)

•  Predic:onsthatwereborneout:

•  Unregulatedstockmarkets

•  Ab/useofcreditcards•  Riseofbigboxstores•  Socialism•  Musicdownloading

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SomeAmesourPredicAonscomealiBlelaterthanpredicted

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Newspeak:not1984,but2decadeslater

•  surgicalstrike•  collateraldamage•  smartbombs

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Newspeak:

IraqWar

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Newspeak:PredicAonsenterpopularcultureandactualworkenvironment

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•  “transiAonconsultant”

•  “reengineering”•  “right‐sizing”

Dystopianviewsofinfopurposelyhidden(JocastaNu,JediArchivist)

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ALAImagineers‐‐usingSciFitopredict/inventfuturelibraries

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ALAImagineers(1998)

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WhatdidALAImagineersgivebirthto?

•  Today’sandtomorrow’sdigitallibraries•  Melvyl,CNI

•  Standardsforinteroperability:Z39.50,DublinCore,METS

•  VisionofaninterconnectedworldofculturalinformaAon

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WheredowelooktohelpourpredicAons?

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Langlookedaroundhim,andextrapolatedfromexisAngcondiAons

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AgoodplacetolookforideastofeedpredicAonsisDigitalHumaniAes

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•  ArelaAvelynewly‐recognizedfieldofstudy•  Afieldthatreliesuponscholarlyaccesstoalargebodyofmaterialhousedinarchives

•  AfieldthathasaBractedrecogniAonfromimportantpowersources(fundingagencies,universityadministrators,academicpublishers,…)

•  Afieldthatappearstoberapidlygrowing

NEHnowhasanenAreofficedevotedtoDigitalHumaniAes

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ManyDigitalHumaniAesOrganizaAons

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ManyDigitalHumaniAesJournals(printjournalsonly,courtesyofMaBKirschenbaum)

•  1.ComputersandtheHumani:es,(U.S.)[X].

•  2.ComputersandTexts,(U.K.)[X],journal/newsleBeroftheCTICentreforTextualStudies.

•  3.JahrbuchfürComputerphilologie(München,Germany).

•  4.LiteraryandLinguis:cCompu:ng,(U.K.)[X],theofficialjournaloftheAssociaAonforLiteraryandLinguisAcCompuAng.

•  5.OfficeforHumani:esCommunica:on,Publica:ons(U.K.)[X],currently10Atlesinprint.

•  6.Revue.Informa:queetSta:s:quesdanslesSciencesHumaines(Belgium)[X].ArAclesinFrenchandEnglishconcerningtheapplicaAonsofcompuAngtechniquesandstaAsAcstothehumaniAes.

•  7.TextTechnology(Canada)[X].AjournaldedicatedtocomputertechnologiesandtheirapplicaAonstotext.

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DigitalHumaniAesLandscape

•  Largeandamorphous•  Mostbranchesrelyuponbodiesofcontent,andcomputerstohelpanalyzethatcontent

•  myownbiases‐‐towardsbranchesthataBemptacloseanalysisoftext

1973‐74IstudiedfilminParis

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Didcloseanalysis

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diagrammedshotbyshot

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AndonlymidwaythroughdidIrealizethatIwasfollowinga“new”cinematheory

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SowhenIlookatDigitalHumanites

•  InoAcestructuralapproaches•  IlookatdeconstrucAon•  Andaddingmylibrarybackground,IlookateachcinemaAcobjectassomethingtodiagrammedandindexed

•  Ilookat…

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TheTextEncodingIniAaAve

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TEILight(BenJonsonpoetry)

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TEI

•  WorksaremarkedupforstructureusingXML(muchlikeEADmark‐up)

•  makesiteasytofindtherightplacewithinawork

•  allowsacomputerprogramtohelpanalyzetheworkanditscomponentparts

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OXDB

•  ToolsforoperaAngondigitalmovies•  Annotatesadigitalmovieinconsistentways(andwithmulAplecategoriesofanimaAon)

•  Segmentsamovie,breakingitintoitscomponentparts

•  Hasgeo‐referencingbuilt‐in

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OXDB‐browsefilmlist

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OXDB‐fullrecord(canbeannotated)

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OXDB‐shotsw/ifilm

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OXDB‐segmentaAonw/ifilm

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Pad.ma

•  ImplementaAonofOXDBtools•  Arepositoryofdigitalmovies

•  Atooltodaytoconsistentlyannotateadigitalmovieandbreakitintoitscomponentparts

•  Hasgeo‐referencingbuilt‐in•  Expectscrowd‐sourcingofannotaAons/metadata

Pad.ma—openingscreen

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Pad.ma‐‐browserepository

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Pad.ma—segmentaAonlinkedtometadata

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Pad.ma—locaAons,keywords,descripAonschangew/segment

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Pad.ma

Geo‐referencingwillbecomeeasierandeasier

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NeedtotakeadvantageofGPSbuiltintocameras

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NeedtointegratewithotherubiquitousapplicaAons(googlemaps)

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Lowergranularity:Geo‐locaAonwithinthesceneofafilm

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Besser‐ReimaginingArchives 43

BriAshLibrary’sSoundMap

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PreservingDigitalPublicTV

•  WorldFocus,nightlynewsshow

•  Capturemetadatawhenit’sfirstknown(duringtheproducAonprocess)

•  Automateasmuchaspossible(GPSchipsincameras)-Besser & Van Malssen (2007) Pushing Metadata Upstream

into the Content Production Process: Preliminary Studies of Public Television

SallyPoBerArchive(SP‐ARK)

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SP‐ARK—canlookthroughscenes,shotsofOrlando

ArchiveContents•  SCREENWRITING

•  »Originalnovel•  »Notes•  »Pre‐drauhandwriBennotes•  »Typednotes»Draus•  »Earliestdrau‐typewriBen

•  »EarlyparAaldrau‐handwriBen•  »OriginalhandwriBendrau•  »Reviseddrau»Finishedscreenplay•  DEVELOPMENT•  »Sketches/painAngs•  FINANCING

•  »Funding»PresentaAonbook•  »Cannesprospectus•  PRE‐PRODUCTION•  »CasAng•  »Interviews/screentests•  »ProducAondesign

•  »Costumedesign•  »Photographs•  »LocaAons•  »Photographs»Notes»Video

•  PRODUCTION

•  »Callsheets•  »Dailyprogressreports•  »PicturenegaAvereports•  »ShooAngschedule•  »Setphotography

•  »FilmsAlls•  »Behindthescenesphotos•  »ConAnuitysheets•  »Videorushes•  PREMIERE/FILMFESTIVALS•  »Interviews

•  »TVandPress•  DISTRIBUTION/PUBLICITY•  »MarkeAng•  »Selectedscenecommentary•  »Soundtrackalbum•  »FilmDVD

•  »SallyPoBer'sdiary

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SP‐ARK‐screenwriAngnotes(pre‐drau)

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SP‐ARK‐everyitemhascatalogininfoandcanalsobetaggedbyusers

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SP‐ARK‐developmentsketches

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SP‐ARK‐ScreenTest—QuenAnCrisp

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SP‐ARK‐pre‐producAoncostumedesign

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SP‐ARK‐locaAonsites

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SP‐ARK‐locaAonnotes

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SP‐ARK‐CallSheets

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SP‐ARK‐DailyProgressReports

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SP‐ARK‐PictureNegaAveReports

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SP‐ARK‐ShooAngSchedule

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SP‐ARK‐BehindScenesPhotography

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SP‐ARK‐ConAnuitySheets

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SP‐ARK‐FesAvalInterviews

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SP‐ARK‐SallyPoBerDiary

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SP‐ARK‐SallyPoBerDiary

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SP‐ARKPathways

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SP‐ARKPathways‐

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SP‐ARKPathways‐fromliststonarraAves…

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SP‐ARKPathways‐…toessays

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Broadissueswemustbeawareof

•  Futureaudience(andevenscholarship)willbemuchwidergroupthanfilmscholars(justlookattheexperienceartmuseums)

•  FuturecontentwillbemuchbroaderthannarraAvefilm(newsreels,uneditedfootage,homemovies,otherOrphans,…)

•  FutureuseswillbemuchbroaderthantypicalcriAqueofasinglefilm(clipre‐useandappropriaAon,examiningleu‐handedness,…)

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Elementstopreparefor

•  Userswillwanttofindeversmallerunitsofgranularity(andexpectustohelpwithsegmentaAon)

•  Userswillwanttogobeyondlooking,andtobringclipsintotheirowncreaAons/appropriaAons

•  Geo‐referencingwillbelow‐hangingfruit•  UserparAcipaAon(crowd‐sourcing)canallowustodomore

forless,providemulApleperspecAves,etc.

•  Interoperabilitywithotherinforesources(googlemaps,…)iscriAcal

•  RelaAonshipswithcontentcreators(toobtainmaterialandmetadatathattheymightthrowaway)iscriAcal

Futureweimaginehasitsownfuture;processofimaginingisneverfinished

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Ofcourse,ourpredicAonscanalwaysbewrong!

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FurtherInformaAon

•  hBp://besser.tsoa.nyu.edu/howard/•  hBp://0xdb.org/•  hBp://pad.ma/

•  hBp://www.sp‐ark.org/•  hBp://sounds.bl.uk/uksoundmap/index.aspx

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