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Page 1: HERA - Opening remarks on theme of ‘Cultural Encounters’ Sean Ryder

Opening remarks on theme of ‘Cultural Encounters’

Sean RyderChair, HERA Network Board

London Briefing SessionLondon 15th March 2012

Page 2: HERA - Opening remarks on theme of ‘Cultural Encounters’ Sean Ryder

Cultural EncountersUnderstanding ‘cultural encounters’ requires that

we:• Think historically• Think spatially• Think about cultural forms: communication,

representation, language, literature, art, media, institutions, etc.

• Think theoretically

Page 3: HERA - Opening remarks on theme of ‘Cultural Encounters’ Sean Ryder

Cultural Encounters focus areas

• Call text lists possible themes and questions to be addressed by ‘Cultural Encounters’ projects

• Not prescriptive or exhaustive, only a set of suggestions!

Page 4: HERA - Opening remarks on theme of ‘Cultural Encounters’ Sean Ryder

Cultural Encounters focus areasa. Cultural encounters over time and space:• Role of CE in social imaginaries / imagined communities• Drivers of CE• Contribution of arts• Cultural transformations• Lessons of CE for shaping societal values• Cultural consequences of globalisation

Page 5: HERA - Opening remarks on theme of ‘Cultural Encounters’ Sean Ryder

Cultural Encounters focus areasb. Social and political dimensions of CE:• Historical models of cultural integration – successful and

unsuccessful• Dynamics between integration and difference• Influence of policy• Concepts of tolerance and pluralism• Linguistic diversity: effects and policy implications• Identity, belonging, citizenship

Page 6: HERA - Opening remarks on theme of ‘Cultural Encounters’ Sean Ryder

Cultural Encounters focus areasc. Translation, interpretation, mediatisation:• Adapting cultural practices as a result of CE• Transformative effects of translation• CE as stimulus to creativity• Music, art, performance, literature as barrier or facilitator• Effects of media, digital and otherwise

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Think about:• Collaboration– Collaboration should give a particular added value to

questions of culture, identity, creativity, innovation. Addressing familiar questions in new ways impossible for an individual researcher.

• Interdisciplinarity– Not a requirement or a doctrine, but an ambition to challenge

the familiar and the conventional– Interdisciplinarity rather than simple ‘multi-disciplinarity’. Not

just combining the insights of disciplines, but reaching insights which move the boundaries of the disciplines.

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Think about:• Internationalisation– A requirement. Like interdisciplinarity, research across

national boundaries should have the capacity to unfix the assumptions which form the vision-limits and comfort-zones of specific traditions and identities.

• European added value– Why will this multi-national research and partnership make a

difference? Why is it something that can’t simply be done with local or national funding? Also: this criterion not about “European” topics, but about the better research made possible though collaboration among researchers based in Europe.

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Think about:

• Transferring/exchanging the knowledge– How can your research process and/or results be linked and

disseminated to wider world outside the academy? Possibility for mutually-enriching collaboration with non-academic partners.