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Domination and Collective Creation or Creativity and Dependence:
parallels between the thought of François Perroux and Celso Furtado
Alexandre Mendes CUNHA et Gustavo BRITTO
CEDEPLAR, Federal University of Minas Gerais
VERSION PROVISOIRE NE PAS CITER
Colloque organisé par l’ISMÉA, le CIAPHS et l’IMEC en partenariat avec :
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1. Introduction
Despite significant contributions to a wide variety of subjects related to development
economics, François Perroux is not usually included in the rather exclusive club of authors of
what is now know as classical theories of development economics. His name, as well as any
part of his extensive body of work is virtually absent from the most important references of
the field throughout the second half of the twentieth century.
For instance, together with Gunnar Myrdal and Alfred Hirschman, Perroux is notably absent
from The Economics of Underdevelopment, the collection of papers and original
contributions organized by Agarwala and Singh, in the 1960s. Maybe even more noteworthy
is the complete lack of attention devoted to the author in Gerald Meier’s Pioneers in
Development [1984] as well as from Biography of a Subject: An Evolution of Development
Economics [2005], in which topics such as growth vs. development, culture, social capital,
institutions, trade, and impacts of globalization figure prominently.
This trend is in sharp contrast with what can be observed in the related fields of regional and
urban economics. In theses areas, the difficult task is to find a source a reference to Perroux is
absent. One explanation for this pattern is reasonably straightforward, given that for regional
economists Perroux's pole of development is at the very base of the learning ladder.
The consequence of this recurrent oversight is far reaching. As Higgins noted: “There exists
today a younger British, American Canadian and Australian economists who, if they know of
François Perroux at all know him only as the father of the 'growth pole' concept, and are quite
unaware of the depth and breadth of his contribution to economic thought” [Higgins, B.
(1988), p. 32)].
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One could certainly extend such anglocentric interpretation to include the totality of the field
of economics as the rest of Europe and the Americas, as many other areas, have not been
impervious to the ever-narrowing field of vision of the profession.
More importantly, however, is the fact that even within regional economics, there exists a
long lasting misinterpretation of Perroux most well known concepts. For instance, the
concepts of pole of development and of growth pole, are part of a more general theory to
which the author devoted most of his efforts. In what came to be Perroux's last writings, this
point is made very clear: “(…)[T]he concept of pole of development cannot be considered in
isolation from the general theoretical interpretation to which it belongs. On the contrary, it is
an integral part of the analysis of development, as distinct from growth” [Perroux, F. (1988),
p.50].
This is just but one of the examples of the remarkable lack of attention given to Perroux’s
work during the early years of development economics. This negligence has important
consequences in the field. At the one hand, it hides the broader influence of his ideas on the
contribution of other well-known authors. On the other, given the originality of his pursuit of
a new concept of development, it detracts from contemporaneous discussions related to new
avenues of research aimed broadening the horizons of development economics in particular
and of economic theory in general.
The objective of this paper is to start making it right by François Perroux by offering and
exploratory reading of one of the most notable exceptions to the rule noted above, that of
Celso Furtado. Furtado’s views of the inner workings economic systems in general, and of
underdevelopment and of the possibility to bring about development in particular, have been
markedly influenced by Perroux.
This influence has been recognized by Furtado in general terms. However, given that parallel
intellectual paths of the authors as well as the similarity of the themes they have embraced,
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one can speculate that the influence has been far reaching. The work, in this case is made
harder by Furtado's unusual writing stile and its parsimonious referencing for modern
standards. There are, we believe, many fruitful lines of investigation to be pursued regarding
these two authors. Here, we put forward two avenues in which the contributions of these two
authors show remarkable convergence.1
The first avenue relates to the concepts and ideas proposed by the authors in their path
throughout over half a century. In this case, the authors’ works share important characteristics
which can be illustrated by their concept and dynamics of development. From the way the
authors define development it is possible to illustrate similarities in the way their body of
work challenges the economic theory, establishes the condition of underdevelopment as an
integral part of the dynamics of the economic system, reinforces the importance of change of
economic and social structures to the processes of growth and development.
The second avenue can be defined by the broader arc described by the story of the authors in
their pursuit of an original understanding the economic system and the determinants of the
dynamics of development and growth.
In this case, the connections to be established are related to the authors' unwillingness to
analyze the socio-economic reality within the confinement of the current economics theory. In
their works the reader is permanently confronted with attempts to incorporate concepts from
other areas into the analysis. As a result, what can be seen is a process of permanently
perfecting and improving the concept of development which lead, ultimately, to the
discussion of creativity and culture. In this case, more than a parallel development of ideas, it
is possible to observe the direct influence of Perroux's thoughts on Furtado’s.
1 Albeit important, considerations regarding the author’s biographies are beyond of the scope of this paper. For
more on the intersection of their intellectual trajectories the main reference is Alain Alcouffe (2009). Other
relevant studies on the author’s biographies can be found in Gérard Destanne de Bernis (1978 and 2000) and
Carlos Mallorquin (2005).
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2. Development, Underdevelopment and growth
The first area of convergence between the authors is the concept of development itself. This
perception may seem, prima facie, obvious, but as we will argue, it reveals a broader picture,
in which the proximity of other concepts and ideas become clearer.
In L’économie du XXème
siècle Perroux defines development as “la combinaison de
changements mentaux et sociaux d'une population qui la rendent apte à faire croître,
cumulativement et durablement, son produit réel global” [Perroux, F. (1964a), p. 158)]. The
definition, in itself, is rather similar to that other authors, Furtado included, insofar it is related
to the ultimate increase of a country’s domestic output. It is for no other reason, for instance,
that early development theorists devoted so much time and energy to more economic themes
such as that of productivity and productivity growth.
Similarly to other existing definitions, Perroux’s approach also includes themes which were -
and to some extent still are - on the fringe of the field of economics. For many reasons, some
of them rather pragmatic, most development theorists tended do focus on the economic
variables. On the one hand, in general terms and even more so for countries of very low levels
of income, the immediate concern was that of increasing the rate of output growth beyond that
of population. On another, the need to construct indicators and the restrictions imposed by
data availability gave the early pioneers very room for maneuvering.
Despite these factors, the Perroux chose the more tortuous path of focusing on the other type
of factors. This choice may be explained by an early understanding that, although observed
simultaneously in most cases, growth does not warrant development for a country or region.
In the absence of other transformations, output growth does not change the status of a nation.
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In this sense, development can be interpreted as a permanent process, possible for any country
at any time, regardless of its level of output.2
The difference between the two processes becomes clear when Perroux describes the process
of development in strictly economics terms [Perroux, F. (1983), p. 33-34]. According to the
author, the process involves three levels. The first, concerns the creation of networks of agents
(firms, industries, regions), which become increasing linked within a country. The second
concerns the intensification of interactions between sectors and the reorganization resulting
from the sequence of actions and feedbacks. The third is related to improvements in
effectiveness and quality of human resources, which in turn provide increasingly more
sophisticated products.
In contrast, underdevelopment is linked with the inability to link parts within the economy,
either in function of lack of economic flows or deficient transport system, resulting in
enclaves economies; the lack of interaction between sector and agents coupled with
asymmetry in economic relations abroad, which tend to be determined unilaterally; and the
misuse of human resources.
As a consequence, the increase in absolute size of the existing parts and agents within an
economy disconnected from a change in one or more of the characteristics described above
are exemplary of the distinction between growth and development. This differentiation is
crucial for the purposes of this paper, for it exposes not only the parallel development the
authors' ideas around a single axis (development/underdevelopment), but also the cross-
pollination of ideas from Perroux to Furtado during the late 1960s and early 1970s.
The distinction between growth and development is also a conspicuous mark of Furtado’s
work. However, Furtado departs from the dialectic between development and
2 Hence, the concept is similar to that of Schumpeter, although its dynamics is considerably more complex for
Perroux. For a more detailed discussion, see Higgins (1989).
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underdevelopment and, through time, as cycles of growth and industrialization fail to
overcome underdevelopment in Latin America, the author pushes the limits of economic
theory, broadening the horizons of his theory.
There are three main areas worth exploring. First, the dynamics of development is informed
by a much broader view of the functioning of economic systems as a whole. The need for a
systemic analysis permanently pushes the authors out of the limits of the standard economic
theory. Hence, the debate regarding development and underdevelopment is part of a more
audacious endeavor of unveiling the inner workings of economic systems.
Secondly, the broader view implies a distinct concept of underdevelopment as consequence of
the functioning of economics systems, as opposed to a temporary stage on the way towards
development or even a bizarre set of conditions, which define a special case. Higher levels of
development can co-exist indefinitely with lower levels of development. Even more so, lower
levels of development can be instrumental for regions and countries to attain higher levels of
development. In this sense, Perroux and Furtado distance themselves from early development
theories such as those put forward Rosenstein-Rodan, Hirschman, and Lewis, which tended to
analyze underdeveloped areas, or barriers to development, isolated conceptually from
developed areas.
Thirdly, and closely related to the previous two points, the concept of structure plays is for
both authors essential to understand, and to interfere with, the dynamics of development - as
opposed to growth. The economic structure simultaneously reflects the level as well as largely
determines a country’s possibilities of development. Hence, the process of development is the
process of structural change itself.
The dynamics of development, the dynamics of underdevelopment, and the relevance of
social-economic structures are interwoven in both authors’ theories. Albeit in different levels
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of importance and in different moments in their intellectual trajectory, one can find these three
areas of connection in the theory and concepts the authors have put forward.
For Perroux, the impossibility to use the standard economic theory to describe the dynamic of
economic systems is what drives the development of general theory of the economy. In this
theory, the concept of dominance is central to his perception that social-economic relations
are essentially asymmetric and irreversible. In sharp and open opposition to general
equilibrium theory, agents are not passive price takers. Given that markets do not work under
perfect competition, homogeneous technology and information, agents have varying degrees
of power over each other.
It is in this context that the concept of dominant firm, sector or economy arises. Economic
relations between agents, sectors, regions and countries are thus essentially asymmetric in
nature, and the asymmetry is reproduced between countries whose agents have varying
degrees of dominance, which ultimately depends on their ability to innovate [Perroux, F.
(1964a)].
Given the that economic activities materialize in space, the process of growth and
development fostered by dominant agents give rise to the concepts of growth pole and pole of
development. The first is capable of inducing a quantitative increase of output in other areas,
while the latter is also capable of inducing a degree of qualitative improvement in other areas.
In other words, “[g]rowth operates in and through privileged points. Development 'springs up'
and 'ends in' privileged points” [Perroux, F. (1988), p. 50].
Active firms and can, and permanently do, set in motion a series of events which can lead to
lasting changes in the economic system. The knowledge of such events enables the act of
coercion, i.e., the possibility of an agent to willfully try to change the economic system by
enforcing its dominance. This perception is of paramount importance, given that it leads to the
idea of macro decisions. Dominant units, such as the state, can anticipate the effects of the use
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of coercion and use it discretionarily to align action of groups of agents which would be
otherwise incompatible.
Macro-decisions are, in a sense, are akin to planning for the pioneers of development
economics insofar it involves interfering with the economic system. This includes either direct
state intervention as a producer, or action aimed at coordinating private companies to reduce
the risk and overall cost of investment. However, the concept of a macro-decision has a higher
level of complexity provided it can also be carried out by groups of dominant agents such as
industries, sectors, nations or a fraction of nations [Perroux (1964a)].
Furtado, also departs from a criticism of the standard economic theory. However, at first, the
focus of his criticism is focused on the theory’s failure to adequately account for the
characteristics and processes the dynamics of underdeveloped countries. In particular, Furtado
points out that by focusing the analysis on distribution rather than on the production side of
economics process, standard theory can dispense with a historical perspective.
At first, Furtado works with a concept of development similar to that found in other works
from the pioneers of economic development. Development is largely equated with
productivity gains associated with capital accumulation and the incorporation of new
technologies of production. Hence, the process of development takes place through the
combination of existing factors of production, given a technology, or through new
technologies.
However, Furtado’s historical-structural analytical method renders a much richer view
underdevelopment and of the process of development itself. Given that new production
techniques are in reality introduced on pre-existing economic structures, the main task of
development theory becomes the analysis of the impacts of the introduction of new methods
of production, its repercussions in terms of productivity gains, distributive patterns and use of
the social output. Hence, beyond the apparent similarity of definitions, Furtado’s emphasis on
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the process of capital accumulation has a clearer purpose. By studying in detail how
industrialization processes took place, the author demonstrates that what was generally treated
by the growing literature as a relatively homogenous process – a process which was
commonly equated with development itself – was in and of itself the origin of the condition of
underdevelopment.
Furtado then turns to historical analysis to explain how distinct economic structures arose
from the expansion of capitalism after the Industrial Revolution. In his view, this process
takes place in three phases. The first consists in the spillover of the new methods of
production through Eastern Europe. The second phase sees such methods sprawling over
colonies of temperate climate fueled by international trade. In the thirds phase technologies
created by the industrial revolution gain space in relatively densely populated areas where a
pre-capitalist – although instrumental to capitalist structures – had already developed.
This distinction is crucial to Furtado’s concepts of development and underdevelopment, as the
phases define the type and depth of the impact of the new production techniques on the local
economy. More importantly, the phases also define the relationship between the productivity
gains associated with the process of development and the process of technological change
itself. The disconnection between the economic structure of country and the process of
technology creation generates hybrid structures in which modern and backward methods of
production co-exist.
Furtado thus argues that economic must be theory must have a separate set of concepts to
assess underdevelopment. As the process of dissemination of the productive methods of the
Industrial Revolution reach its third phase described above, it creates a distinct landscape. The
new modern activities, often associated with the pre-existent higher productivity export
sectors, co-exist with a wide variety of low productivity activities.
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In the third phase, as the waves of the industrial revolution reach former colonial areas, the
initial stimulus to industrialization is given by foreign trade, which can set off development
process without the necessity of previous accumulation of capital.
From this starting point, new combination of factors of production are possible given the
import of new technologies and machinery. The resulting rise in income is concentrated in the
trading sector, which, at the one hand, creates a rising amount of economic surplus which can
be applied to further the process of accumulation, but, on the other hand, increases the level of
income concentration.
The growth dynamics is thus unconventional in underdeveloped countries. In developed
countries, which followed processes described in phases one and two above, productivity
gains associated with capital accumulation results in a cumulative cycle of income, profits and
wage (as demand increases) growth, which channel further resources to new investments.
In underdeveloped countries, given that the growing income tends to be concentrated in the
hands of a few groups, wages remains stagnant and the process of capital accumulation
subsides. Hence, the pace of development is connected to the functional division of income.
Once more, the historical analysis of how industrialization starts and unfolds in each country
is essential. According to Furtado, the investment theory inevitably depends upon the division
of income between investment and consumption; it cannot be determined in abstract terms.
As Furtado would so clearly argue, “[t]he result has almost always been the formation of
hybrid structures, part of which tended to behave as a capitalist system, and another to keep
itself within the previous structure” [Furtado (1961), p.180]. The process of creation of such
hybrid, dual economies, is associated with a specific international division of labor. Rather
than development proper, what takes place is a process of capital accumulation linked with
the modernization of consumption patterns. The latter is requirement, given that the local
production must find a market. In Furtado’s view, therein lies the main problem of
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development. The late industrialization is by definition carried out with imported production
techniques which are essence inadequate to local factors of production. Such techniques were
gradually generated as the process of capital accumulation originally took place, substituting
progressively traditional structures by modern industrial activities.
Given the process described above, Furtado defines a developed country as one in which the
full employment of labor can be attained with full factor utilization. In this case, economic
growth, and productivity gains alike, is not dissociable from the process of introduction of
new production techniques. On the other hand, an underdeveloped economy is one in which
factors are permanently under-employed. Even with full utilization of capital there is
unemployment of labor. In this case, productivity gains stem from the transplantation of
known technology and from the shift of labor from traditional to modern sectors. Inefficiency
(low productivity) can either be a result of a mismatch between capital and labor, or, more
commonly, from the relative lack of capital, given that technical coefficients tend to be rigid.
Hence, the process of economic growth is associated with structural unemployment, which is
characteristic of underdeveloped countries.
3. Creativity, Collective Creation and Culture
The section above established some links between Perroux’s concept of development, in the
framework of his theory of domination, and Furtado’s own perspective, connected to his
views of underdevelopment, social heterogeneity, and planning. The works in which the
authors developed these ideas were published throughout the 1950s and 1960s. However, it is
in early 1970s that we can note a new dimension in the reflections of both authors. The
growing importance of the issue of creativity, in a broad sense, as a basic argument of
development conceptions is patent for both authors.
With regard to Furtado, the opening to this new set of ideas starts to take shape from in the
beginning of the decade, but it did not fully materialize until the publication of Creativity and
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Dependence in the Industrial Civilization, in 1978.3 Despite the strong degree of coherence of
Furtado’s themes throughout his works we believe that there is actually a significant, and
arguably bold, shift from this time on in the core of his argument regarding underdevelopment
with the inclusion of the dimensions of culture and creativity. In his last writings Furtado
suggested a type of post facto linearity to his body of work, but as we have explored
elsewhere, in the beginning of the 1970s it is possible to see Furtado as someone who, having
reached the limit of his theoretical framework, felt compelled to make a bolder move in order
to widen the analytical scope of economics.
However, in an account of his trajectory published in 1973 he stated his desire of moving to a
different direction, but clearly could not say exactly how yet. He considered himself a
researcher, looking for answers to these questions and assuming the mission of continuously
pushing forward his hypotheses in times that already revealed the narrowing of the discursive
field of economics. However, in fact, until this time, his answers did not yet fully embrace the
theme of culture and creativity as they a few years later [see Cunha, A. M. and Britto, G.
(2011)].
Perroux, on the other hand, does not experience a major repositioning of its reflection on
development throughout this period. In fact, the tenets of his argument about the phenomenon
of development were already present in its enunciation of the problem in the early 1960s.
However, it can be argued that, similarly to what happened with Furtado, there is also in
Perroux’s work a definite and deliberated opening to the themes of creativity and culture.
The similarity of the themes in the context of a more general drive to fully understand the
dynamics of economics systems raises the question connection between the authors, even
though their trajectories are predominantly autonomous. What we will argue is that Furtado,
3 The title of the book in Portuguese is Criatividade e Dependência na civilização industrial. This is the same
title of the Frech translation (Créativité et dependence) published in 1981. The English translation, however, was
published in 1983 with another title: Accumulation and Development - the logic of industrial civilization.
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as a former student and a lifelong reader of Perroux, would seek inspiration in the French
author for the shift of focus of this theoretical framework.
Even without explicit references to any of Perroux’s texts in his books, Furtado recognizes,
even if tardily, on his autobiographical writings and in a text prepared for the 6th
Conference
François Perroux, held at the Collège de France in 1994, the influence of Perroux in his work.
Extraordinarily, Furtado places this influence in that same level of that of Raul Prebish. As
pointed out by Alcouffe, there is also an indication of an influence in the opposite direction. It
is possible to argue about Perroux’s the perception of the importance of ideas Furtado,
regarding the inclusion of a footnote on the Brazilian author in one of the editions of his
L’économie du XXème
siècle [Alcouffe, A. (2009), p. 37].
Effectively there aren’t any quotations of Perroux’s texts of the theoretical writings of
Furtado. Even in a text written in honor of Perroux in 1994, it is more interesting to pay
attention in what Furtado leaves out of this explanation of its recognition than in what he
includes in his account. Furtado places Perroux’s influence on his work especially in terms of
the proximity to his global vision of the economy, a vision that he presents as inclusive and
non-reductive of the economic thought [Furtado, C. (1994)]. Nevertheless, Furtado does not
mention, for example, the Perroux’s connection to his understanding of the role of the state.
However, this is the topic to which Furtado gave more emphasis in an interview latter in his
life:
The thought of François Perroux was certainly the one that most influenced me, because of
the importance of his theory of “the growth pole”, which allows us to understand that
economic growth as a result of a political will. Perroux led me to think the role of the state. It
is only from the creation of the National State that we can speak of development [Furtado, C.
in Vieira, R. M. (2007), p. 420).
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However, what is particularly interesting is Furtado’s lack of reference regarding what arises
as the most preeminent point of connection between the authors ideas, namely, the importance
given to the concept of creativity.
In this case, it is important to notice that the concept of development that Perroux puts
forward in L’économie du XXème
siècle includes another line of reasoning, that of the
construction (or production) of the men by men. From early in this concept had already gone
beyond the focus on the issue of growth of the real economy towards a consideration of the
indispensable mental and social changes to the development process [Perroux, F. (1964a),
p.157-8]. Perroux also introduced the dynamic of the creation, replacing the term innovation,
with the intent distance his arguments from the highly individualistic understanding of the
dynamics of innovation contained in Schumpeter.
For Perroux’s the understanding of the collective creation was a central. In L’économie du
XXème
siècle his approach to this issue was more closely related to a economic reasoning and
directly linked to the terms of his own theory of domination. In this sense, he calls the
“collective aspect of the economic creation” as what goes on beyond the personality of an
innovative personality and can be associated with the collective creation of economic reality
in the context of modern industrial society.
This is part of a highly complex plan in which political and administrative alliances are
mixed, as well as the scientific research organized by the State. All these these aspects are
essential to promote and propagate innovations [Perroux, . (1964a)], p. 650]. Nevertheless,
Perroux also suggests a framework to analyze creativity in a broader perspective, stressing the
idea of the collective creation as a part of man’s imagination. In a dialogue with the writings
of Gaston Bachelard, Perroux argues that collective creation is the centerpiece of the
invention of a new life (“c’est-à-dire des types d’inédits équilibre et de développements
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humains”) and a new spirit (“c’est-à-dire des Neuves signification de la vie économique et un
renouvellement de la Notion habituelle de vie ‘economique’”) [Perroux, F. (1964a), p. 651].
This peculiar vision of development, and of an approach to the economic thought, creates
mechanisms to overcome individualism as an analytical framework, and can better understood
taking into account Perroux’s affiliation to the humanism. The humanist framework is in
essence what gives meaning to his global vision of the economy. Hence, there are interesting
possible connections of his work within the one of Louis-Joseph Lebret. In an obituary
dedicated to celebrating the “presence” of Lebret, Perroux summarizes the motto of his own
humanist vision of the economy in a description of the legacy of Lebret: “L’animateur de
Économie et Humanisme qui a su réunir et former des équipes nombreuses et ardentes, a été
l’un des premiers à comprendre que l’économie de tout l’homme et de tous les hommes, c’est
l’économie elle-même » [Perroux, F. (1966), p. 459-60).
However, it was not in L’économie du XXème
siècle where the themes of creativity and
collective creation would assume a definite position in the argument Perroux. Some years
later, in 1964, together with the second expanded edition of L’économie du XXème
siècle,
Industrie et création collective : I Saint-simonisme du XXème
siècle et création collective is
published. In this book, Perroux presented the ideas of Saint-Simon, considered as a modern
author, in order to examining the question of collective creation. Perroux proposes a reflection
of the “virtualités” of these issues in the last third of the twentieth century, which he interprets
as specially defined by the phenomenon of industrialization in the atomic and spatial age.
Saint-Simon also serves to Perroux as a counterpoint to the appreciation of Marx. Perroux
notes that already in the Manuscripts of 1844, Marx explained the idea of “creation of man by
human labor” (which he after would developed throughout his work), however in perspective
that as put the creation of man linked to their own work, also tends to excluded any room for a
divine dimension [Perroux, F. (1965), p. 157].
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The idea of creation to Perroux goes beyond the Marxian perspective and relies on the
complexity and multiplicity of possibilities contained in the irreducible uniqueness of every
human being. Thus, it creates a scenario in which men and mankind are constituted in a state
of “virtual creation”, producing without ceasing a permanent creative movement. In this
perspective, neither the one who creates nor the one who receives the fruit of the creation,
runs out of energy for carrying out the work itself [Perroux, F. (1965), p. 164-5].
In this work Perroux works constantly with the idea of a virtual dimension, the dimension of a
possible future. In other words, he deals with “virtualités”, i.e., what exists in a potential form
in the reality, as well as the contrast between the reality and the furtherance of these
possibilities in the future. It is important to mention, least to suggest another direction in the
connected influences, that this perspective of the work with the “virtualités” is very close, in
many aspects, to the analytical framework and method of Henri Lefebvre.
Perroux moved away at that point from the issue of the “production” of man by man to
dedicated to the understanding the “creation” of man by man. For him, it is ultimately a
matter of “recognition” of man by man in terms of their shared humanity, which if something
that evokes the only truly human progress, a progress in freedom and consciousness [Perroux,
F. (1965), p. 183].
In that same year, 1964, Perroux would also published an article in which he, inclusive in the
title, foreshadows the theme of the next volume of Industrie et Création Collective. He
explores the idea of a new man, both as reality and virtuality. In the article he departs from the
perception that we not only live in a time marked by collective creations, but in one animated
by the spirit of collective creation. He develops a specific reflection on the image of this new
man, anticipating in the levels of analysis that he would developed more extensively in the
next book: the achievements of the man of the earthly achievements, the man of the progress,
and the planetary man.
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The final point is again, in other words, a reaffirmation of the identity between creation and
freedom, seeking the inspiration for this analytical movement, precisely in the images of the
most exciting performers of such creative combinations: the artists and poets. In Perroux’s
own words: « Au fond, les images de l’homme heureux, les images du Bonheur, et les images
de l’homme créateur, les images de la Création, sont des images d’un homme qui se veut
différent, d’un homme qui change et qui désire de changer parce qu’il perçoit, premièrement
sa souffrance et son inertie. Qu’il veuille changer, être nouveau sans cesse — marchant vers
quel horizon ? progressant vers quel terme ou plutôt refusant tout terme de sa progression —
c’est le plus haut témoignage de sa liberté vécue. Et qu’il ait aujourd’hui le désir et les
moyens de se changer en changeant tous les autres, par le dialogue et par la transformation de
choses, c’est une preuve des progrès de la libération de l’espèce.
(…) Chaque aube, alors, sera celle d’un premier jour de création, et nous pourrons — chacun
et tous — nous rendre ce témoignage que nous avons entrepris de surmonter le bonheur
même, au nom de la Liberté » [Perroux, F. (1964b), p. 648].
It is in fact in 1970, with publication in the same year of the second volume of In
: II - Images de l’homme nouveau et techniques collectives and of
, that finally would be presented the main arguments of
Perroux about the creativity and the collective creation.
In the second volume of Perroux continues the exploration of
the phenomenon of creativity and collective creation, evaluating what for him were the main
questions suggested by the second half of the 20th
century, with particular attention to the
collective research techniques in relation to production, to the information, and to the
techniques of the State in the domain of the industrial society.
Throughout this text it is possible to see that Perroux embodies a particular vision of
development, in terms of a collective development, marked by a humanistic and engaged
18
point of view: “Dès qu’on n’accepte plus la destruction d’êtres humains, voisinant avec des
progrès ambigus et concentrés, on est engagé dans la voie de ce développement
collectif ” [Perroux, F. (1970b), p. 115]
The general line of argumentation remains marked by the use of the “virtualités”, seeking a
treatment for the present reality mingled with the possibilities of construction of tomorrow’s
world. For the author, the substance of collective creation is always the man himself and all
the men, which effectively brings in its essence a creation full of potentialities, of
“virtualités”: “Les hommes sont en état de création virtuelle : ils sont porteurs d’images
projetantes et désirantes sans cesse renouvelées, et de techniques rationnelles qui en font des
ouvrages et des œuvres” [Perroux, F. (1970b), p. 281].
Perroux in would give another essential step. In this book he
starts from a dialogue with Marx and from an investigation of the processes of alienation in
the industrial civilization. The objective is to propose a link between collective creation and
alienation, resulting in a course to where the permanent rupture with the alienation would
follow from the humanization of society.
The general terms in which the reasoning is constructed are: creation as the opposite of
alienation and awareness of oneself and the ability to make free decisions as a basis for an
effective humanization [Perroux, F. (1970a), p. 121].
It is particularly interesting the parallel between Perroux intimate awakening from the
alienation and the social one, highlighting the importance of dialogue in this process: “La
désaliénation intime et la désaliénation sociale s’entre-conditionnent donc étroitement,
comme la création personnelle et la création collective. Le dialogue est le moyen privilégié de
cette création, parce qu’il désubjective sans chosifier, parce qu’il est une collaboration pour
l’éveil et l’autonomie réciproques, et parce qu’il est inépuisable comme la spontanéité de
l’esprit et comme les valeur que l’esprit vise” [Perroux, F. (1970a), p. 124].
19
The result of the social awaking from the alienation would be the emancipation of man from
all the social automatisms. For Perroux, what presented at that time, as possibilities in the
horizon, was one of three “typical behaviors”: 1) the collective destruction of man; 2) the
collective “manufacturing” of man; and 3) the collective creation of man. We can effectively
learn the fundamentals of this book and some of the core of Perroux’s global vision with his
considerations on this third point: “Cette extrapolation utopique prolonge des tendances
observées ; elle a pour destination ici de mettre en pleine lumière la troisième option en
examen : la création collective de l’homme par l’homme. Celle-ci se réalise par l’invention
d’un milieu qui favorise l’épanouissement de chaque être humain et de tout l’homme en
chaque homme. Sa mis en œuvre exclut que l’homme puisse être un fabricat et qu’il puisse
jamais réaliser sa nature et reconnaître celle d’autrui en échangeant des objets, des fabricats.
C’est bien l’invention et la découverte de conditions favorable à la prise de conscience de soi
et à la formation de décisions autonomes par les hommes et par les groupes humains qui sont
revendiquées, en fin d’analyse, par tous les systèmes sociaux qui se forment à l’âge
industriel » [Perroux, F. (1970a), p. 132].
In order to understand the dialogue between the authors with respect to creativity, it must be
first said that Furtado, a clear humanistic perspective cannot be found in his texts. Furtado
undoubtedly has a humanist culture, which took shape in particular from intellectual contacts
in France since his student days. However, this does not seem to be the way through which
the thought of the two authors were interconnected..
What one can suggest is a general humanistic inclination in Furtado’s thought, but not
constituting an essential element of his analysis. In particular, in comparison with the
specificity of Perroux humanism, the Brazilian has no association to regilious thought.
The path followed by Furtado on the theme of culture, creativity and creation, are effectively
presented, as mentioned above, in the book Creativity and Dependence in Industrial
20
Civilization, published in 1978. In Bernis views, what happened was a “détour productif par la
culture”: « Mais pour comprendre son “Que faire , trop original
et trop riche pour que je ne m’y arrete pas maintenant. Se posant implicitement les questions :
“pourquoi l’innovation ici et pas ailleurs ?”, “pourquoi ce type d’innovation et pas un autre
qui aurait don
»
[Bernis, G. D. (1998), p. 64].
Furtado defined Creativity and Dependence in Industrial Civilization in the preface to the
original edition as an “academic anti-book”. As he outlined: “the problems are too broad to fit
into the test-tubes of the social sciences – though this does not prevent then from appearing in
more solemn tomes under guises suited to individual taste” [Furtado, C. (1983), p. iv].
The backbone of the text are the chapters two and three (The emergence and spread of
industrial civilization: 1 and 2), as Alfredo Bosi rightly pointed out [Bosi, A. (2008), p. 13]. In
these chapters, Furtado analyses, from a historical and structural perspective, the long run
process that results in industrial capitalism and European bourgeois hegemony. Undoubtedly,
therein lies the nucleus of Furtado’s idea of industrial civilization. The text also reveals how
the diffusion of this type of society is the propagation of the same process which led to the
industrialization of the Occident, given that in some cases the process resulted from the
reactive behavior of countries which saw their sovereignty or dominant geographical position
threatened.
It is in the second chapter, for instance, that Furtado advances in the perception of the
interrelation between progress and dehumanization of the individual in the industrial
21
civilization. This is undoubtedly an important issue to points out an approximation with
Perroux’s analytical framework: “Development is thus a process of reshaping social relations
founded on accumulation. From this viewpoint, there will be little difficulty in understanding
that if accumulation becomes an end in itself (when it becomes the basis of the social
domination system) the process of creating new social relations becomes merely a means of
achieving this end. The inexorability of progress, leading to the dehumanization of the
individual in industrial society, is an outcome of this historical process” [Furtado, C. (1983),
p. 46].
In chapter four, Furtado elaborates with a high degree of sophistication how, in
underdeveloped countries, the idea of progress gave place to that of development. He also
confronts the problem of how the industrialization in the context of dependency would not
only constitute a historical stage of a process that would lead the underdeveloped economies
to a process of development, but would not warrant any evidence that the same process would
lead to stable social structures. In particular, it is flagrant that the main example of such
process, even though there is no direct explicit reference, was the Brazilian case. Instead of
stability, Furtado describes a scenario of increasing social heterogeneity, with reflexes on
urban marginalization and political instability, which would open space to “preventive”
authoritarianism.
In this context, Furtado unveils the ideological traps that were particularly pertinent to his
country at the time, indicating the fallacy of the idea that the authoritarianism worked as an
instrument designed to foster rapid accumulation. As he argued: “Since development is an
expression of the capacity to create original solutions to the specific problems of a society,
authoritarianism frustrates true development by blocking the social processes that foster
creativity” [Furtado, C. (1983), p. 81].
22
However, it is from the fifth chapter onwards, that Furtado pondering on on the future and the
possibilities to transform the current reality. This is done in an analytical style that I akin to
“virtualités” and that, as well as Perroux, decidedly qualifies as an attitude of a realistic
utopia. Creativity becomes the key word from this part onwards, and the argument threads its
way into the next chapter (Dependence in a unified world), in which interrelation between
cultural dependence and technological dependence is made clear.
After the exercise of retrospective analysis carried out in the seventh chapter, Furtado
concludes the book with the chapter “In search of a global view”, in which amidst a
philosophical investigation driven by the question of human freedom, he sees a myriad of
possibilities of resistance to the oppression imposed by the planetary expansion of the
industrial civilization. These possibilities take the form of social forms of organization as well
as of political activism that are themselves the most authentic manifestations of creativity.
The chapter is the most unrestrained one in an already unconventional book.
It is in this last chapter in which we can more easily and directly pointing out similarities
between the text of Furtado and Perroux’s ideas. The influence of the French author seems
clear in this chapter both in the form of conducting the argument “in search of a global vision”
(years later echoed in the title of Furtado’s text in honor of Perroux), and in particular in the
content of the argumentation, which indicates a connection between creativity and genuine
development made possible by freedom. This is the direction sought at the conclusion of the
chapter and the book: “What are at stake are the fostering of creativity in its most noble area,
which is the artistic creativity; man’s relationship with nature; and the social support required
for the reproduction of the species. In all three cases, the emerging conflicts have taken the
form of rejecting the structures of social confinement, of an affirmation of personal identity
and a demand for freedom. It is as though man despaired of ‘perfecting’ the machinery he has
created, of criticizing reason in terms derived from reason itself, of defending himself against
23
technology by inventing more technology. In shifting course, he is returning to the source, re-
establishing contact with his own secret dimensions, becoming fully aware. And he is taking
this stand on fundamentals, the very essence of the human, which if the desire for freedom
[Furtado, C. (1983), pp.193-4].
Even without recognizing explicitly Perroux influence on their own views on the issue of
creativity and culture, Furtado presents in his “Retour à la vision globale de Perroux et
Prebisch” some considerations, without indicating as their own or as Perroux’s, that helped
shaping this dialogue. He identifies, for example, the link between the idea of new cultural
values and development: « Dans sa double dimension de force génératrice de nouveaux
excédents et d’impulsion créatrice de nouvelles valeurs culturelles, ce processus libérateur
d’énergies humaines représente la dernière source de ce que nous considérons comme le
développement » [Furtado, C. (1994), p. 172].
Likewise, there is a link between cultural creativity and the multiple and unfathomable
potentialities of man: « La merveilleuse gamme de cultures qui ont surgi sur la terre témoigne
du fabuleux potentiel de créativité de l’homme. Si nous savons quelque chose du processus de
créativité culturelle, c’est exactement ceci : le possibilité de l’homme sont insondable ; a des
niveaux d’accumulation qui nous paraissent aujourd’hui extrêmement vas ont jailli des
civilisation qui, sous de nombreux aspects, n’ont pas été dépassées » [Furtado, C. (1994), p.
172].
Finally, there is the avowed intention, clearly and directly stated, to take part in the same kind
realistic utopia, which in Perroux is connected with an European humanist tradition: « En
effet, c’est par la volonté politique que l’homme est capable de dépasser cette logique
perverse et de parvenir à façonner son histoire. Ce qui est nouveau de nos jours, c’est
l’évidence de l’universalité de l’histoire, de l’interdépendance de tous les peuples. Puisqu’il
peut détruire la planète, l’homme contemporain n’a pas de salut hors d’une croissante
24
solidarité œcuménique. Les fondements de cette solidarité, nous disait François Perroux,
doivent être intelligibles à tous, susceptibles d’être communiqués rationnellement, dans la
ligne d’une pensée qui nous lie à la grande tradition humaniste européenne » [Furtado, C.
(1994), p. 180].
3. Final Considerations
There are in fact many points of connection between Furtado and Perroux in regarding to their
perceptions of development issues. Both authors are important for unconventional visions of
economic thought, having carried out, at different times of their lives, innovative reactions to
the narrowing of the economic discourse. There is a picture of reciprocal influences over
which is possible to perceive both the influence of Perroux on Furtado, but also identify
Perroux as a reader of his former student.
One of the fundamental connections between Furtado and Perroux is the influence of the latter
on the first in terms of presenting an overview of systemic economic dynamics with direct
implications for the development issue. But, more than that, there is also, as we expected have
shown here, an important and unreported connection between the two authors in the field of
creativity, culture and collective creation.
Even though the recognition of the general influence of Perroux in his work, Furtado is rather
vague in his own account. What seems to summarize meaning of these interconnections
between the themes of these pursued by the two authors is that Furtado, in a autonomous and
original way, carried with him the lessons of Perroux classes at the University of Paris.
Moreover, he constantly renewed these lessons it in the following decades by reading of
Perroux’s subsequent works, which can be found in his personal library. This influence is
responsible for a perceptibly mark of the French author, visible in different places, even if not
soundly announced, in Furtado’s creative development economics.
25
The analysis above is suggestive, however, that this agenda for thinking about development
issues, collected here based on the contributions of Celso Furtado and Fraçois Perroux, is,still
valid and increasingly urgent, particularly with regard to creativity and culture
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