David Guetta BY: Mark Affeltranger, Spencer Clemens, Natalie
Gibbs, Vanessa McCowan, Mele Moli, and Tim Simpson
Slide 3
David Guetta Group Presentation (Music 1010 Professor Craig
Ferrin) 1.Biography 2.Composition History Just a Little More Love
Titanium Turn Me On Up and Away 3.Listening Guides Just a Little
More Love Titanium Turn Me On Up and Away 4. References David
Guettas Music on rhapsody:
http://www.rhapsody.com/artist/david-guettahttp://www.rhapsody.com/artist/david-guetta
Slide 4
Biography DAVID GUETTA was born as Pierre David Guetta on
November 7th, 1967 in Paris France. He was born into a family of
Moroccan Sephardi Jewish descent. His father was a restaurateur. He
started his musical passion early, mixing his first vinyls when he
was only 13 years old. At 14 he was organizing parties in his
basement. At the age of 17 he quickly moved on to DJing in popular
nightclubs throughout Paris, starting with a club called Broad with
another DJ named DJ Kien. While he was performing at Club Broad, he
started mixing his own music and showcasing it during the evenings.
In 1987 he heard a Farley Jackmaster Funk track on the radio and it
inspired him. He recorded the track and brought a copy of it with
him to one of the clubs to play. This was a breaking point in the
popularity of the artist David Guetta.
Slide 5
About one year later Guetta and Kien decided that Club Broad
was too small to gain the attention that they yearned, so they
moved to larger venues which included Rex Club, Central World, and
Wunderland Boy. During this time, Guetta met with Robert Owens, a
Chicago native legend in house music, while he was on tour in
France in 1992. Guetta shared some of his music with Owens, and
Owens picked one and sang over it. This song, Up and Away ended up
being a minor hit in the house-music scene for the next several
years. In 1992 he also met and married his wife Cathy Guetta. He
spends a lot of his time working with his wife on promoting the
legendary F**k Me Im Famous dance parties which started in 1995 and
go on to this day. These parties are now held all over the world in
places like Miami, Las Vegas, New York, and Ibiza. For the majority
of the 90s Guetta did not have anything significant happen in his
music career other than hosting parties at several nightclubs in
France. He did become the artistic manager at a club called Le
Palace. Things started picking up for Guetta in 2001 when he
released the track, Just a Little More Love with singer Chris
Willis. This track ended up being popular for several years
throughout the house-music scene and resulted in his first debut
album also titled Just a Little More Love in 2002 on Virgin Records
which sold over 300,000 copies. During 2002 along with his first
released album he co-founded GUM Productions Record Label. In the
meantime, Guetta released a bootleg remix of David Bowies song,
Heroes and renamed his version to Just for One Day. Shortly after
he received permission from Bowie to release the track officially
and it shortly became a major hit. Now, having several major hits
on his hands, Guetta finally released a compilation in 2003
entitled, F**k Me Im Famous named after his parties he threw in
Ibiza. Link to Just a Little more love album:
http://www.rhapsody.com/artist/david-guetta/album/just-a-little-
more-love-caroline-astralwerks---cathttp://www.rhapsody.com/artist/david-guetta/album/just-a-little-
more-love-caroline-astralwerks---cat
Slide 6
With the success of this compilation he released a second album
in 2004 titled Guetta Blaster which contained four singles and
included some vocals by Chris Willis. Willis would show up again
with Guetta in 2007 when Guetta released his third debut album
titled Pop Life. The album was a big hit throughout Europe and sold
over 500,000 copies worldwide. This led him to winning the World
Music Award in 2007 for Worlds Best Selling DJ. During these years
Cathy and David had their 2 children, their son Tim Elvis Eric who
was born in 2004 and their daughter Angie born in 2007. In 2006 he
was nominated at the DJ Awards for Best House DJ but did not win
this year. However he did go on to win it in 2008, only to be
nominated again in 2009 for Best House DJ. In 2007 he was nominated
for Best International DJ and Best Ibiza Night, both of which he
won. In 2008 he was nominated as Best French Act in the MTV EMAs
but lost to Zaho. Link to Guetta Blaster:
http://www.rhapsody.com/artist/david- guetta/album/guetta-blaster
http://www.rhapsody.com/artist/david-
guetta/album/guetta-blaster
Slide 7
It wasnt until 2009 that David Guetta became very popular
internationally. He made it to the 3rd spot on the top 100 DJs in
DJ Magazine. In August 2009 he released his fourth debut album
titled One Love. This album had several hit singles including When
Love Takes Over with Kelly Rowland, Gettin Over with Chris Willis,
Sexy Bitch with Akon, and Whos That Chick? featuring Rihanna among
others. The album sold over 3 million copies by May 2011 and
reached platinum record status. Guetta won his first Grammy in 2009
in the category of Best Remixed Recording, non-classical for the
track When Love Takes Over. Guetta won his second Grammy the next
year in 2010 after being nominated for 4 different categories
including; Best Dance Record, Best Remixed Recording non-
classical, Best Dance Electronic Album, and Record of the Year. His
2010 win was in the same category as his first win but for the
track Revolver, a remix of Madonnas song that he did with the DJ
Afojack. On August 30th, 2011 Guetta would release his 5th studio
album, Nothing But the Beat. This album would feature 17 all-star
cast including Akon, Nicki Minaj, Flo Rida, Taio Cruz, Snoop Dogg,
Timbaland, Chris Brown, and others. Some versions of the album even
go back to the root of Guetta being a DJ and even include a second
disc that is electronic music only. The album has already been
awarded platinum certification in Europe for selling over 1 million
albums according to IFPI. If One Love sold over 3 million copies in
just two years, imagine how many this album will sell if it has
already broken 1 million sales in less than a year. Guetta had this
to say about the album, I produced about 40 songs to get these 13
records together. I wanted every song to be huge, phenomenal.
According to the record sells he has lived up to his hopes. Link to
Nothing But the Beat Album: http://www.rhapsody.com/ artist/david-
guetta/album/nothing-but- the-beat-capitol-2
http://www.rhapsody.com/ artist/david- guetta/album/nothing-but-
the-beat-capitol-2
Slide 8
In 2010 at the World Music Awards David won 3 awards. He was
nominated for and won Worlds Best DJ, Worlds Best Producer, and
Best Selling Artist from France. Also In 2010 he brought home the
award for Best International Album of the Year for his album One
Love at the NRJ Music Awards. In 2011 he hit the number one spot on
the top one hundred for DJ Magazine. When being interviewed for the
magazine he had this to say about his music, Ive had amazing
success as a producer but I always saw myself first of all as a DJ
As much as I want to speak to a wider audience, I still want to
speak to my original audience- the clubbers, party people and the
DJs. Those who encouraged me, and are my roots. In 2011 at the
International Dance Music Awards he won Best Commercial Dance Track
and Best Music Video for Gettin Over You, along with Best Producer.
He was also again nominated at the MTV EMAs for Best Male. David
Guetta has successfully crossed the bridge in America and brought
together dance style music and rap bringing the Euro-pop sound to
America. He has created a whole new sound that is at the top of the
charts around the world. During an interview with The Vine, David
expressed his love for music, for me its about the music; I dont do
drugs, I dont drink or smoke. I just do what I love to do which is
making and playing music. He also went on in a different interview
to say, It doesnt matter if I make a beat thats going to be a song
on the radio, or if I make a record thats meant to please DJs, I
always just think of making people dance- that is my priority. With
over 5 million sales worldwide since his first release in 2001,
David Guetta has made a tremendous mark on the worlds music
industry. While still looking for a new and upcoming sound for his
next album, he is still basking in the success of Nothing But the
Beat, performing around the world. Guetta stated that he would be
working on more up and coming singles with Akon and a new album
that he is working on with Madonna. Needless to say Guetta has come
a long way from where he started and now he is at the top, doing
what he loves, making and playing music. Biography by Mark
Affeltranger and Natalie Gibbs
Slide 9
JUST A LITTLE MORE LOVE- 3:45 COMPOSITION HISTORY BY: Vanessa
McCowan Just a Little More Love was released June 10, 2002 by Gum
Prod, EMI France & Virgin Records France. Its from David
Guettas first studio album released, Just a Little More Love. Chris
Willis and Barbara Tucker are the main vocalists. Chris Willis is
an American Gospel singer whom Guetta met by accident through
friends while in Paris. David had invited Willis to the studio;
they ended up recording their first song together, Just a Little
More Love, which only took thirty minutes to record. Just a Little
More Love has hints of Ibiza house and deep soul, and in 2001 it
was a huge dance hit. It was later remixed by Wally Lopez. Link to
song:
http://www.rhapsody.com/artist/david-guetta/album/just-a-little-more-love-caroline-astralwerks---cat/track/just-a-little-more-love-
wally-lopez-remix-edithttp://www.rhapsody.com/artist/david-guetta/album/just-a-little-more-love-caroline-astralwerks---cat/track/just-a-little-more-love-
wally-lopez-remix-edit
Slide 10
TITANIUM- 4:05 COMPOSITION HISTORY BY: Vanessa McCowan Link to
song:
http://www.rhapsody.com/artist/david-guetta/album/nothing-but-the-beat-capitol-2/track/titanium-feat-siahttp://www.rhapsody.com/artist/david-guetta/album/nothing-but-the-beat-capitol-2/track/titanium-feat-sia
The song Titanium, written by David Guetta, Australian pop
singer-songwriter, Sia Furler, Giorgio Tulnfort and Afrojack was
released on August 8, 2011. It was one of three promotional songs
used from David Guettas fifth studio album, Nothing but the Beats.
The original version of this song was sung by Mary J. Blige,
however when Guetta heard Sias version he felt her voice was so
incredible, he wanted her to sing it. Katy Perry was offered to
sing it however she turned it down. Sia had wanted to give this
song to someone else so she could focus more on her song writing.
Sia uses an acoustic element with Titanium, which isnt the norm for
Guetta. The Lyrics are about Inner Strength. Titanium has been in
the top ten positions in several major music markets, Australia,
France, Sweden just to name a few. It was number one in the United
Kingdom, making it Davids fifth number one single and Sias
first.
Slide 11
TURN ME ON- 3:31 COMPOSTION HISTORY BY: Mele Moli Link to song:
http://www.rhapsody.com/artist/david-guetta/album/nothing-but-the-beat-capitol/track/turn-me-on-feat-nicki-minajhttp://www.rhapsody.com/artist/david-guetta/album/nothing-but-the-beat-capitol/track/turn-me-on-feat-nicki-minaj
Just like David Guettas single Without You, Turn Me On also derives
from his fifth studio album named Nothing but the Beat. The song
was written by David Guetta, Ester Dean, and Giorgio Tuinfort. The
vocals in this record though, were created by one of the most
popular female hip-hop and rap artist Nicki Minaj. Nicki also uses
this song in her second studio album called Pink Friday: Roman
Reloaded, as a bonus song in its deluxe version. The song was
released in January of 2012. This song peaked at 4 on the Billboard
Hot 100 which makes it tie with his earlier single, Without You!
Even though this song wasnt used in GLEE like Without You it was
used to promote WWE WrestleMania XXVIII which is just as huge of a
deal as the show GLEE. Wikipedia states that Turn Me on is a
Up-tempo club song, with heavy beats and features Minaj on vocals.
Nicki Minajs Rap is amazing in this song and flows so well that
after hearing it at least twice youll have most of it memorized!
This song was such a great creation and production in the world of
music.
Slide 12
UP AND AWAY- 5:32 COMPOSITION HISTORY BY: Mele Moli Up &
Away is one of David Guettas first successful creations. In 1992,
David Guetta was promoting his music and having successful club
nights. The genre Daft Punk and Electroclash had the biggest
influence on his club music and the combinations of the two genres
are soaked in UP and Away. David Guetta was given the opportunity
in 1992 to showcase his tracks for Robert Owens a successful and
now legendary house vocalist. The track that Owens considered his
favorite was given lyrics and melody related to a girl that was
using a boy to get closer to his friend. Owens sang over the track.
The song was given the title UP and Away. In David Guettas crate
the song would wait. In 1994, Up & Away was released in France
and immediately become a minor hit! Its genre was of course
Electronic with House style. Its label was Dance Pool which is a
division of Sony. The song is licensed by R. Owens & XL
Promotion. Up & Away is still a well-known song to this day and
has been remixed 7 times into different Electronic styles. It
starts out slow but gets you up to beat and in the mood for
electronic music.
Slide 13
JUST A LITTLE MORE LOVE LISTENING GUIDE- 3:45 BT: Spencer
Clemens 0:00- The songs out with just lyrics and after a couple
seconds a faint bass noise is found and dragged out giving it a
white noise type of feel. You can tell that there is music in the
background, but it is unchanging after the initial noise of the
beat and the texture of the noise is static-y sounding. I think the
lyrics are almost monophonic because it seems like the singer is
singing without music to harmonize with. 0:18- Repetitious low
beats start at this point adding to the texture because you can
still hear the purposeful white noise in the background. At this
point in the song it seems like they are building up to something
just adding one piece after another. The singer is really giving
the song most of its range during the song still because they
rhythm seem almost background right now, but as I said are
noticeable and seem as if they are building up to something. 0:32-
At this point in the song the lyrics turn into part of the rhythm
or beat as the last syllable of the last word is dragged out, and
changed to a higher pitch beat harmonizing with the singers voice.
The higher pitch adding in with the background type noise and the
repetitious beat is the counterpoint of lower beats. The texture
feels to reach the climax of what it was building up to, and the
song is about to show us what great thing the buildup was leading
up to. 0:41- The higher pitch beat quickly turns into three beats
descending down into what the texture felt like it was leading up
to. The tempo of the song is very fast and the quick repetitious
beat is still there acting as the foundation of the song. The
melody of the song starts bouncing around and is the melody for a
reason, it is catchy. The texture now seems like an electronic type
of funk. There are lyrics that are blended into the beat and seem
very robotic. Link to song: http://www.rhapsody.com/artist/david-
guetta/album/just-a-little-more-love-caroline-
astralwerks---cat/track/just-a-little-more-love-wally-
lopez-remix-edithttp://www.rhapsody.com/artist/david-
guetta/album/just-a-little-more-love-caroline-
astralwerks---cat/track/just-a-little-more-love-wally-
lopez-remix-edit
Slide 14
JUST A LITTLE MORE LOVE LISTENING GUIDE CONTINUED.. 1:12- The
same lyrics begin that started the song but the beat is the same
that started back around 41 seconds into the song. With the rhythm
that needed to be worked up to along with the lyrics now is the
high point of the song and harmonizes very will each other. 1:45-
The tempo is not changing at this point at moving very fast but the
beat seems to fade giving that kind of feeling that the tempo slows
down. The singer is still moving very fast which shows that the
tempo doesnt change. The great harmonization found just previously
is taken away from as they take the main beat away from this part
of the song. This gives the overall song a great contrast. This
point wouldnt be considered dissonance, but it seems like the scale
back on the beat they lead up to and lyrics to give the texture of
needing resolution. 2:13- The song is repeated to how it was around
32 seconds. The last words last syllable is dragged exactly the
same and turned into a higher pitch beat. 2:32- Now the song really
changes and goes down to just one beat. Shortly after you can hear
almost overtones faintly in the background of the original beat.
The main focus of the one beat is an interesting noise and seems
like something is moving around. 2:47- The main beat returns with
electronic funk texture and robotic lyrics played in with the beat.
3:00- Clear lyrics begin again repeating over and over until the
song completely changes and goes into a soft beat with no lyrics.
The rhythm is very simple and has a calming texture. 3:25- The beat
completely stops while the singer sings the lyrics which happen to
be the name of the song. Shortly after the main beat picks up again
and continues to the end of the song where the end is very abrupt,
and there is silence for the last couple of seconds of the
song.
Slide 15
TITANIUM 4:05 LISTENING GUIDE BY: Tim Simpson 0:00 Introduction
contains the main theme. Main theme comes in quickly. It is a
simple quadruple meter, conjunct, loud, moderate tempo and seems to
be a mix between a guitar and a piano. Electronically augmented
notes harmonize with the main theme. This help make smooth
transition into the first verse. 0:15 The Augment notes crescendo
very loud and stop witch starts the 1st verse. Beat 1 sounds on the
quarter note and drives the momentum of the song. 0:17 Sia's vocal
melody is really pretty and comes in quickly just like the song
starts. Her voice is wet with effects. 0:29 The Augment crescendo
returns and stops. Beat 2 starts I can hear 16 notes and is very
catchy. 0:42 Augment notes repeat fast, crescendo and stop at the
chorus 1. The form of the song is Verse- Chorus. Link to song:
http://www.rhapsody.com/artist/david-
guetta/album/nothing-but-the-beat-capitol-2/track/titanium-feat-siahttp://www.rhapsody.com/artist/david-
guetta/album/nothing-but-the-beat-capitol-2/track/titanium-feat-sia
0:45 Sia is harmonizing with new Augmented notes that make me feel
like there is a light mist in the air, new melody from the
piano/guitar electronic sound, kick drum that plays sporadically
and tapping sound on a ride cymbal. 1:01 The tapping becomes a
tight snare sound. 1:12 Snare sound crescendo into the last part of
the chorus..
Slide 16
TITANIUM LISTENING GUIDE CONTINUED. 1:16 This portion of the
chorus has a strong bass line from beat 3. Beat 3 is on every
quarter note and harmonizing with an electric sound that seems to
make every bass beat fade away. The Electric sound has a small
intervals that are very subtle. 1:31 Verse 2 starts. There are
different lyrics to the same music. 2:01 Chorus 2 begins with no
change. 2:49 There's a cool sound that gives a quick finish to the
2nd chorus. She now sings a solo without any harmonizing. 3:01 The
solo vocal melody does a round melody with the augmented notes.
3:05 There new sound that reminds of chordal harmony with vocal
melody. This is the last part of the song with is another repeat of
the chorus. 3:35 Sia sings "I'm' am titanium.." four times in this
chorus making it longer. 3:50 Then once more at the very end
finalizing the song.
Slide 17
TURN ME ON LISTENING GUIDE- 3:31 BY: Spencer Clemens Link to
song:
http://www.rhapsody.com/artist/david-guetta/album/nothing-but-the-beat-capitol/track/turn-me-on-feat-nicki-minajhttp://www.rhapsody.com/artist/david-guetta/album/nothing-but-the-beat-capitol/track/turn-me-on-feat-nicki-minaj
0:00- The introduction starts out quick and ends quickly. The song
has a quadruple meter with simple division and is simple to tell
with the beat on the first count being emphasized. The tempo of the
song is very fast, but isnt filled with much music throughout the
introductory. The music is synthesized and all electronically done.
The introduction has a few simple beats before the first verse
begins, and is in a major scale. 0:15- First Verse, this song
features Nicki Minaj as the singer. The song is homophonic in
nature, and Nicki Minaj brings a really good texture to the song
that compliments and accompanies the song well. I say the song has
a really good texture because usually popular songs music will
accompany the singer, but with this song both the music and singer
accompany the other. The song is produced to where it could be just
good house music without lyrics. Also, Nicki Minaj brings great
lyrics and voice to the table that accompanies the song, but the
lyrics are good enough to have it be its own. The timbre of the
song is something that is not natural however, because the singers
voice is enhanced electronically using auto tune. For the first 15
seconds of the verse the rhythm of the song doesnt change much.
0:30- The beat starts to bounce around as Minaj gradually gets a
higher pitch, and then drops back down to gradually build up to a
higher pitch. 0:45- Chorus begins the song seems to slow down as
Minaj holds a note until the chorus. Because of the use of the
synthesizer and auto tune the first verse has a moderate range.
0:53- The chorus does a really good job of catching the listener
with catchy lyrics and rhythm. The rhythm seems to pump and makes
it easy to follow along with, and get stuck in your mind. The
chorus harmonizes well between the music and the lyrics. The
harmony is consonance throughout the chorus as well as the whole
song which gives it a nice flow without requiring a resolution.
Again because of the song involving a lot of synthesizing the
timbre does not have a lot of overtones as described in our class
e-text. Even though this portion of timbre is not present it does
not take away from the song; in fact, it gives the song its
uniqueness.
Slide 18
TURN ME ON LISTENING GUIDE CONTINUED.. 1:24- As the second
verse begins the rhythm goes back to being somewhat basic and does
not change as much. The beat does give a couple contrasting beats
that bounce around towards the end of every other measure. The beat
alone has a small range. This gives the music a good repetition to
contrast ratio that the listener can hold on to, but still be
stimulated by the contrast. The repetition also requires the Nicki
Minaj to add a lot of contrast to it, which she does. 2:02- Is
repeated as the same as the first time the chorus is sung. 2:32-
The Bridge in my opinion is the best part of the song. I especially
like the rhythm because it seems to be so simple. The beat seems to
softly echo the lyrics as notes are held by Minaj. The bridge
unfortunately does not last very long and even though the tempo
slows way down for this portion of the song it still flies by.
2:47- Because of the bridge being the best part of the song it must
be the reason why the start of the third verse is the worst part of
the song. During the third verse is really the only time in the
song where there is dissonance and needs resolution. This opinion
may be bias because I do not like this part of the song, but the
harmony is terrible as the third verse begins. The beat is a simple
low bass beat as Nicki Minaj attempts to give the third verse range
and dips low in pitch stuttering all over the place, of course of
purpose. 2:58- The resolution is as Minaj brings the pitch back to
normal right before the chorus begins. The tempo does pick back up
in the third verse where the bridge had slowed down the tempo.
3:02- I classify the ending as the chorus because it is the same
rhythm and lyrics as the chorus are song earlier. It is however,
half the length as it normally is throughout the song so it could
be classified as something different.
Slide 19
UP AND AWAY LISTENING GUIDE- 5:32 BY: Tim Simpson 00:00- Starts
with clapping and short tuba sounding melody, its kind of silly.
Beat 1 sounds like low frequency piano sound, clapping and every 8
beats is a crash of the high hat. 00:18- Beat 1 starts. Beat 1
sound like a drummer tapping a rudiment pattern on a open high hat
very softly. This make you feel like the songs going to get fast.
00:25- There is a crash and beat 2 is now being played louder with
a different metallic sound. 00:40- Beat 3 starts and the clapping
is removed at the same time. It slows the whole feeling of the
song. Vocals decide to come in now. 00:55- Light solo cymbal crash
then Beat 3 connects to Be at 2 seems to have the offbeat
emphasized. Then a Augmented notes vibrate like an organ hold
steady as Robert Owen's vocal melody harmonizes with beat 2 making
a sad emotional texture. The tempo never changes. and the tempo
picks up slightly. Clapping and beats carry the music to its next
destination. The vocal melody is really pretty here. 01:23- Beat 2
ret mixed with beat 4. Beat 4 is not metallic, it's low in
frequency with short attack and release with each note. Beat 4 give
great contrast and your attention comes back to the music. There is
one vocal melody doing round melody technique and one continues the
previous melody. Both voices are Roberts voice. 01:40- Beat 4 is
faded away. One voice is singing again. 02:15- Beat 4 comes
crescendo in very lightly. 02:33- Beat 4 is removed again. 02:39-
Complete silence 02:40- Cymbal crash brings back the music. Which
is, Beat 4, Beat 3, clapping, augmented organ like notes but not
the vocal melody. 03:03- Cymbal crashes and beat 3 is removed
quickly like a razor sliced it from the rest of the song but we'll
wait and see. Beat 3 is quite important to this song and we still
have 2:34 seconds left. Theres a electronic sound sounds like
whistle, that seems to follow beat 4 but is still separate from
beat 4.
Slide 20
UP AND AWAY LISTENING GUIDE CONTINUED. 03:13- Cymbal crashes
and Beat 4 is removed. But the vocal melody returns. I'm not
pleased. I would rather have the beats then listen to vocal melody.
But, I'm in a happy mood listening to broken hearted song in a
genre that thrives on happy moods. 03:15- Beat 3 is back and the
augmented notes are now less augmented but more of quick repeating
melody, it very trance like. This melody is really fun, subtle and
screams house music. twelve seconds. 03:20- Beat 4 is back. 03:26-
2 voices that are harmonizing. one is melody with polyphonic
singing up & away and another voice that is humming or sing
just syllables. 03:39- There is a nice break from the vocals and it
just instrumentation music. 03:58- The vocal melody comes back.
04:12- Vocal harmony with three voices all Robert Owen's voice just
doing a different melody. one is doing sing a conjunct melody, one
is imitating and 3rd is doing a round melody sing "up, up and
away". 04:42- The vocal are louder and lyrics are new in this part
of the song. The once augment low frequency is now its own melody
and very important to climax of this song. As this melody continues
there are variations to it. 05:12- The song continues to at the
same tempo it started with. The low frequency piano notes playing a
really fun melody, clapping is hold steady, beat 3 and 4 are almost
one beat. 05:32- The song end suddenly.
Slide 21
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"David Guetta Releases Sia Collaboration 'Titanium'" Digital Spy.
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More Love." Discogs. N.p., n.d. Web. 17 June 2012.. "David Guetta
Awards." AceShowbiz. Ace Showbiz, 2012. Web. 4 June 2012.. "David
Guetta Biography." AceShowbiz. Ace Show Biz, 2012. Web. 4 June
2012.. "David Guetta Biography." David Guetta. Sept. 2011. Web. 4
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Discogs. N.p., n.d. Web. 17 June 2012.. "David Guetta Pictures."
Last.fm. CBS Interactive Music Group, 2011. Web. 28 June 2012.. "DJ
Awards." DJ Awards. N.p., 2009. Web. 4 June 2012..
Slide 22 . "Grammy Winning Superstar DJ/Producer David Guetta."
Positivarecords.com. USA Positiva Records, 2011. Web. 4 June 2012.
. Griffiths, David. "4Music." - News. N.p., n.d. Web. 15 June 2012
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Guetta Biography. n.d. Web. 3 June 2012. Jefferies, David. "David
Guetta on AllMusic." AllMusic. N.p., n.d. Web. 17 June 2012. .
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