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Page 1: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Cubism• Began in 1907 by Picasso and Georges Braque

• Dedicated “to the simplification of painting”

Page 2: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

• Painting that began the cubist movement

• Influenced by African masks

• As he painted, the relationship of shapes and colors became more important than the figures

Les Demoiselles d’Avignon,The Maids of Avignon, 1907

Page 3: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Mt. St. Victoire

• Used Paul Cezanne’s ideas that all shapes in nature are based on the sphere, cone and cylinder

Page 4: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Picasso and Braque carried the idea further to paint three

dimensional objects from many different angles at one time

They believed that there

“was no one fixed view of nature”

Page 5: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Woman Seated

Page 6: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Friendship

Page 7: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Analytical Cubism• Big, flat shapes broken down even further

to small shards in monochromatic colors– Features broken apart and reassembled– Shattering pattern of geometric shapes

• No interest in perspective

• Uses neutral colors

Page 8: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Daniel-Henry Kahnweiler,

1910

Page 9: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Girl with a Mandolin

Page 10: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Portrait of Wilhelm Uhde,

1910

Page 11: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Aficionado

Page 12: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Portrait of Ambroise Vollard

Page 13: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Guitar Player, 1910

Page 14: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Accordionist, 1911

Page 15: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

Marcel Duchamp, Nude Descending A

Staircase, No. 2, 1912

Page 16: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

• One critic called it, “An explosion in a shingle factory”

• A series of movements stopped in successive stages of action–Like stop-action or

strobe light photography

Page 17: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”
Page 18: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”

• Blue 6B pencil is for scribbling on the back of your image to transfer

• Use a regular pencil or a colored pencil to trace the image onto your final paper

• You can use a regular pencil to fracture your image

• Use the gray Ebony pencil for creating value

Page 19: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”
Page 20: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”
Page 21: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”
Page 22: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”
Page 23: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”
Page 24: Cub ism Began in 1907 by Picasso and Georges Braque Dedicated “to the simplification of painting”