Download - Choral at Cadogan 2011/12

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EIGHT CONCERT SERIES19 OCTOBER 2011 – 16 MAY 2012

Choral atCadogan

2011/12

Ch ral atCad gan

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Contents4 TheTallisScholars

Magnificat

6 TheWellensianConsortBlessedCecilia

8 TheArmonicoConsortAGermanChristmasStory

10 TheChoirofStJohn’sCollege,CambridgeWhatSweeterMusic?

12 TheEricWhitacreSingersInspirations

14 NewYorkPolyphonyTudorCity

16 ExCathedraBach:ABeautifulMind

18 TheTallisScholarsFieldoftheClothofGold

ChoralatCadogan

isdelightedonceagainto

presentsomeofthebestnames

inchoralsingingtoday.Highlights

willincludeExCathedrapresentinga

completeprogrammeofBach,

includingarareopportunitytohear

someofhismotetssungoneortwotoa

part.In-the-newscomposerEric

Whitacreisrepresentedbothinan

eveningconductinghismusic,sungbyhis

owngrouptheEricWhitacreSingers,and

intheprogrammegivenbytheWellensian

Consort,winnersofChoiroftheYear

2010.UpcomingconsortNewYork

Polyphonywillgiveanexcitinglybalanced

sequenceofmasterpiecesnextMarch,

whilethechoirofStJohn’sCollege

Cambridge,celebratingtheCollege’s

500thanniversary,capturethespiritof

theChristmasseason.AndagainThe

TallisScholarswillopenandclosethe

seasonwithsomespeciallyselected

renaissancegems,familiarand

unfamiliar.Ilookforwardtoseeing

youattheHallduringourseason!

Peter Phillips,ArtisticDirector

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Contents4 TheTallisScholars

Magnificat

6 TheWellensianConsortBlessedCecilia

8 TheArmonicoConsortAGermanChristmasStory

10 TheChoirofStJohn’sCollege,CambridgeWhatSweeterMusic?

12 TheEricWhitacreSingersInspirations

14 NewYorkPolyphonyTudorCity

16 ExCathedraBach:ABeautifulMind

18 TheTallisScholarsFieldoftheClothofGold

ChoralatCadogan

isdelightedonceagainto

presentsomeofthebestnames

inchoralsingingtoday.Highlights

willincludeExCathedrapresentinga

completeprogrammeofBach,

includingarareopportunitytohear

someofhismotetssungoneortwotoa

part.In-the-newscomposerEric

Whitacreisrepresentedbothinan

eveningconductinghismusic,sungbyhis

owngrouptheEricWhitacreSingers,and

intheprogrammegivenbytheWellensian

Consort,winnersofChoiroftheYear

2010.UpcomingconsortNewYork

Polyphonywillgiveanexcitinglybalanced

sequenceofmasterpiecesnextMarch,

whilethechoirofStJohn’sCollege

Cambridge,celebratingtheCollege’s

500thanniversary,capturethespiritof

theChristmasseason.AndagainThe

TallisScholarswillopenandclosethe

seasonwithsomespeciallyselected

renaissancegems,familiarand

unfamiliar.Ilookforwardtoseeing

youattheHallduringourseason!

Peter Phillips,ArtisticDirector

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54 The Tall is ScholarsMagnif icatWednesday19October2011,7.30pm

Palestrina: Magnificat For Double Choir Pärt: Sieben Magnificat-Antiphonen Tall is: Miserere Nostri Allegri : Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Pärt: Magnificat Pärt: Nunc Dimittis Palestrina: Nunc Dimittis for double choir

Director Peter Phil l ips

The Magnificat, Mary’s song of exaltation following the

annunciation, sits together with the Nunc Dimittis at the core of

the Christian liturgy, whether in the Anglican rite of Evensong or

the Catholic Offices of Evening Prayer and Compline. Together

they frame the scope of the Christian experience – from the

joyous anticipation of Christ’s birth to the calm acceptance of

death and resurrection. Their certainty, however, leaves little room

for the human errors and doubts that also shape the Christian

journey, errors for which Ash Wednesday’s Psalm 51 – the Miserere

– is perhaps the most impassioned plea for forgiveness.

Taking these three texts as touchstones, this programme

explores the musical responses of composers divided by age and

nationality, but united by a common spiritual inspiration.

Tickets £30, £26, £22, £18

Encorememberspay£26fortopprice

See booking information on back cover

‘You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.’The New York Times

ImAge BY erIc rIchmond

54 The Tall is ScholarsMagnif icatWednesday19October2011,7.30pm

Palestrina: Magnificat For Double Choir Pärt: Sieben Magnificat-Antiphonen Tall is: Miserere Nostri Allegri : Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Pärt: Magnificat Pärt: Nunc Dimittis Palestrina: Nunc Dimittis for double choir

Director Peter Phil l ips

The Magnificat, Mary’s song of exaltation following the

annunciation, sits together with the Nunc Dimittis at the core of

the Christian liturgy, whether in the Anglican rite of Evensong or

the Catholic Offices of Evening Prayer and Compline. Together

they frame the scope of the Christian experience – from the

joyous anticipation of Christ’s birth to the calm acceptance of

death and resurrection. Their certainty, however, leaves little room

for the human errors and doubts that also shape the Christian

journey, errors for which Ash Wednesday’s Psalm 51 – the Miserere

– is perhaps the most impassioned plea for forgiveness.

Taking these three texts as touchstones, this programme

explores the musical responses of composers divided by age and

nationality, but united by a common spiritual inspiration.

Tickets £30, £26, £22, £18

‘You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.’The New York Times

ImAge BY erIc rIchmond

76 The Wellensian ConsortBlessed Ceci l iaThursday24November2011,7.30pm

“Choir of the Year 2010”

Programme to include:

Britten: Hymn to St. Cecilia

Kodály: The Music Makers, an ode

chilcott: Everyone sang

elgar: There is sweet music

harris: Faire is the Heaven

rutter: What sweeter music

Whitacre: Her sacred spirit soars

Vaughan Wil l iams: Silence and music

Conductor christopher Finch

Winners of Choir of the Year in 2010, The Wellensian Consort pay

homage to the patron saint of music in a glorious celebration of

the gift of music. The centrepiece of this programme is Benjamin

Britten’s acclaimed choral masterpiece ‘A Hymn to St Cecilia’; a

deeply engaging work, rich in sonority and characterisation. This

is complemented by a marvellously evocative setting of ‘The Music

Makers’ by the esteemed Hungarian composer Zoltan Kodály.

This joyous celebration will be further enriched by works from

some of the 20th and 21st centuries’ greatest exponents of choral

music, including Vaughan Williams, Elgar, Rutter and Whitacre.

Tickets £30, £26, £22, £18

‘This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.’BBC Music Magazine

ImAge BY olIVer deAn

76 The Wellensian ConsortBlessed Ceci l iaThursday24November2011,7.30pm

“Choir of the Year 2010”

Britten: Hymn to St. Cecilia

Kodály: The Music Makers, an ode

chilcott: Everyone sang

elgar: There is sweet music

harris: Faire is the Heaven

rutter: What sweeter music

Whitacre: Her sacred spirit soars

Vaughan Wil l iams: Silence and music

Conductor christopher Finch

Winners of Choir of the Year in 2010, The Wellensian Consort pay

homage to the patron saint of music in a glorious celebration of

the gift of music. The centrepiece of this programme is Benjamin

Britten’s acclaimed choral masterpiece ‘A Hymn to St Cecilia’; a

deeply engaging work, rich in sonority and characterisation. This

is complemented by a marvellously evocative setting of ‘The Music

Makers’ by the esteemed Hungarian composer Zoltan Kodály.

This joyous celebration will be further enriched by works from

some of the 20th and 21st centuries’ greatest exponents of choral

music, including Vaughan Williams, Elgar, Rutter and Whitacre.

Tickets £30, £26, £22, £18

‘This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.’BBC Music Magazine

ImAge BY olIVer deAn

98 The Armonico Consort & Baroque PlayersA German Christmas StoryWednesday7December2011,7.30pm

Schütz The Christmas Oratorio

Praetorius Lutheran Mass for Christmas

Director: christopher monks

The english cornett and Sackbutt ensemble

Heirich Schütz is widely regarded as being the most important

German composer prior to JS Bach, and is also thought to have

studied with Monteverdi in Venice. The influence of Venetian

music on these composers is undoubtedly strong, and the

combination of the brilliance in the perfection of German

compositions of the time with the vibrant excitement of the

Venetian School, created works of incredible colour, drama

and melody.

Tickets £30, £26, £22, £18

ImAge BY greAT BrITAIn onlIne

‘A beautiful sound’BBc radio 3

98 The Armonico Consort & Baroque PlayersA German Christmas StoryWednesday7December2011,7.30pm

Schütz The Christmas Oratorio

Praetorius Lutheran Mass for Christmas

Director: christopher monks

The english cornett and Sackbutt ensemble

Heirich Schütz is widely regarded as being the most important

German composer prior to JS Bach, and is also thought to have

studied with Monteverdi in Venice. The influence of Venetian

music on these composers is undoubtedly strong, and the

combination of the brilliance in the perfection of German

compositions of the time with the vibrant excitement of the

Venetian School, created works of incredible colour, drama

and melody.

Tickets £30, £26, £22, £18

ImAge BY greAT BrITAIn onlIne

‘A beautiful sound’BBc radio 3

1110 The Choir of St John’s College, CambridgeWhat sweeter music? Friday9December2011,7.30pm

Purcell : O sing unto the Lord

Purcell : Remember not, Lord, our offences

Purcell : Behold now praise the Lord

Purcell : O praise God in his holiness

Purcell : Hear my prayer, O Lord

Purcell : My beloved spake

rutter: What sweeter music?

Whitehead: The seven joys of Mary

cashmore: Es ist ein Ros’ entsprungen

arr. ledger: Silent night

arr. ledger: On Christmas night

rutti : I wonder as I wander

darke: In the bleak midwinter

Bullard: Glory to the Christ Child

arr. Wil lcocks: Away in a manger

arr. Wilberg: Ding dong, merrily on high

Director Andrew nethsingha Piano: John challenger and Freddie James The St John’s Sinfonia

Andrew Nethsingha writes; “Today we explore the rich, plangent

soundworld of Henry Purcell. At the interval we change the mood

to present a Christmas selection – popular favourites as well as

new works. Boys’ voices have a special emotional resonance when

evoking the fragility and innocence of Christ’s nativity.”

Tickets £30, £26, £22, £18

‘some of the most exquisite choral singing I have ever heard’International Record Review

ImAge BY Ben eAloVegA

1110 The Choir of St John’s College, CambridgeWhat sweeter music? Friday9December2011,7.30pm

Purcell : O sing unto the Lord

Purcell : Remember not, Lord, our offences

Purcell : Behold now praise the Lord

Purcell : O praise God in his holiness

Purcell : Hear my prayer, O Lord

Purcell : My beloved spake

rutter: What sweeter music?

Whitehead: The seven joys of Mary

cashmore: Es ist ein Ros’ entsprungen

arr. ledger: Silent night

arr. ledger: On Christmas night

rutti : I wonder as I wander

darke: In the bleak midwinter

Bullard: Glory to the Christ Child

arr. Wil lcocks: Away in a manger

arr. Wilberg: Ding dong, merrily on high

Director Andrew nethsingha Piano: John challenger and Freddie James The St John’s Sinfonia

Andrew Nethsingha writes; “Today we explore the rich, plangent

soundworld of Henry Purcell. At the interval we change the mood

to present a Christmas selection – popular favourites as well as

new works. Boys’ voices have a special emotional resonance when

evoking the fragility and innocence of Christ’s nativity.”

Tickets £30, £26, £22, £18

‘some of the most exquisite choral singing I have ever heard’International Record Review

ImAge BY Ben eAloVegA

1312 The Eric Whitacre SingersInspirat ionsWednesday1February2012,7.30pm

Whitacre: Sleep

Whitacre: Lux Aurumque

Whitacre: A Boy and a Girl

Conductor: eric Whitacre

A programme to include some of Whitacre’s most famous

works including ‘Sleep’, ‘Lux Aurumque’ and ‘A Boy and a

Girl’ conducted by the composer himself, performed by his

professional choir, the Eric Whitacre Singers. Alongside his own

works, Eric will conduct pieces by other composers who have

inspired him in his work.

Eric Whitacre is one of the most popular and performed

composers of our generation; many of his works have entered

the standard choral and symphonic repertories and have

become the subject of several scholarly works and doctoral

dissertations. His works ‘Sleep’, ‘Lux Aurumque’, and ‘A Boy and

a Girl’ are among the most popularly performed contemporary

choral works and tonight offers a rare chance to hear the

composer’s own interpretation of each.-

‘Whitacre is that rare thing, a modern composer who is both popular and original’The daily Telegraph, london

Tickets £30, £26, £22, £18

ImAge BY mArc roYce

1312 The Eric Whitacre SingersInspirat ionsWednesday1February2012,7.30pm

Whitacre: Sleep

Whitacre: Lux Aurumque

Whitacre: A Boy and a Girl

Conductor: eric Whitacre

A programme to include some of Whitacre’s most famous

works including ‘Sleep’, ‘Lux Aurumque’ and ‘A Boy and a

Girl’ conducted by the composer himself, performed by his

professional choir, the Eric Whitacre Singers. Alongside his own

works, Eric will conduct pieces by other composers who have

inspired him in his work.

Eric Whitacre is one of the most popular and performed

composers of our generation; many of his works have entered

the standard choral and symphonic repertories and have

become the subject of several scholarly works and doctoral

dissertations. His works ‘Sleep’, ‘Lux Aurumque’, and ‘A Boy and

a Girl’ are among the most popularly performed contemporary

choral works and tonight offers a rare chance to hear the

composer’s own interpretation of each.-

‘Whitacre is that rare thing, a modern composer who is both popular and original’The daily Telegraph, london

Tickets £30, £26, £22, £18

ImAge BY mArc roYce

1514 New York PolyphonyTudor CityWednesday21March2012,7.30pm

Andrew Smith: Surrexit Christus

lionel Power: Beata progenies

John dunstable: Speciosa facta es

Andrew Smith/Worcester fragments (1300): Flos regalis

Will iam cornysh: Ave Maria Mater Dei

Andrew Smith: Ave Maris Stella

Walter lambe: Stella caeli

Schubert: Vier gesange für Männerstimme, Opus 17

gregory Brown: Abschied vom Leser (New York

Polyphony commission)

gregory Brown: The Dying Californian

gerald Finzi: Thou didst delight mine eyes Opus 32

clement Janequin: La guerre (La bataille de Marignan)

Based on New York Polyphony’s acclaimed 2010 Avie Records

release, Tudor City is “a stunning tour through chant, polyphony,

and renaissance harmonies” (American Public Media). An allusion

to the historic New York neighbourhood, Tudor City highlights the

works of English composers active during the reign of the Tudor

dynasty (1485-1603), effortlessly interspersed new works written

for the quartet by Andrew Smith.

The second half of the programme explores works for male voices

by Schubert and Finzi, as well as two commissioned works by

American composer, Gregory Brown and ending with Clement

Janequin’s lively depiction of the Battle of Marignan in “La Guerre.”

‘…the perfect blend of sixteenth-century England and twenty-first century New York.’choral Fixation

Tickets £30, £26, £22, £18

ImAge BY JoAnne BouKnIghT

1514 New York PolyphonyTudor CityWednesday21March2012,7.30pm

Andrew Smith: Surrexit Christus

lionel Power: Beata progenies

John dunstable: Speciosa facta es

Andrew Smith/Worcester fragments (1300): Flos regalis

Will iam cornysh: Ave Maria Mater Dei

Andrew Smith: Ave Maris Stella

Walter lambe: Stella caeli

Schubert: Vier gesange für Männerstimme, Opus 17

gregory Brown: Abschied vom Leser (New York

Polyphony commission)

gregory Brown: The Dying Californian

gerald Finzi: Thou didst delight mine eyes Opus 32

clement Janequin: La guerre (La bataille de Marignan)

Based on New York Polyphony’s acclaimed 2010 Avie Records

release, Tudor City is “a stunning tour through chant, polyphony,

and renaissance harmonies” (American Public Media). An allusion

to the historic New York neighbourhood, Tudor City highlights the

works of English composers active during the reign of the Tudor

dynasty (1485-1603), effortlessly interspersed new works written

for the quartet by Andrew Smith.

The second half of the programme explores works for male voices

by Schubert and Finzi, as well as two commissioned works by

American composer, Gregory Brown and ending with Clement

Janequin’s lively depiction of the Battle of Marignan in “La Guerre.”

‘…the perfect blend of sixteenth-century England and twenty-first century New York.’choral Fixation

Tickets £30, £26, £22, £18

ImAge BY JoAnne BouKnIghT

1716 Ex CathedraBach: A Beautiful Mind

Thursday19April2012,7.30pm

Bach: Lobet den Herrn alle Heiden (BWV 230)

Bach: Cello suite No 1 in G major (BWV 1007)

Bach: Jesu, meine Freude (BWV 227)

Bach: Komm, Jesu, Komm (BWV 229)

Bach: Cello suite No 4 in Eb major (BWV 1010)

Bach: Singet dem Herrn (BMW 225)

Conductor Jeffrey Skidmore

Cello: Andrew Skidmore

ex cathedra consort and continuo

A rare opportunity to hear four of JS Bach’s motets for single

and double choir performed by one or two singers per part.

Bach’s genius has moved and inspired music-lovers and

musicians for centuries: legendary cellist Pablo Casals

described Bach as the essence of music and the cello suites as

the essence of Bach.

‘This is no ordinary group of singers’BIrmInghAm PoST

Tickets £30, £26, £22, £18

ImAge BY PAul ArThur

1716 Ex CathedraBach: A Beautiful Mind

Thursday19April2012,7.30pm

Bach: Lobet den Herrn alle Heiden (BWV 230)

Bach: Cello suite No 1 in G major (BWV 1007)

Bach: Jesu, meine Freude (BWV 227)

Bach: Komm, Jesu, Komm (BWV 229)

Bach: Cello suite No 4 in Eb major (BWV 1010)

Bach: Singet dem Herrn (BMW 225)

Conductor Jeffrey Skidmore

Cello: Andrew Skidmore

ex cathedra consort and continuo

A rare opportunity to hear four of JS Bach’s motets for single

and double choir performed by one or two singers per part.

Bach’s genius has moved and inspired music-lovers and

musicians for centuries: legendary cellist Pablo Casals

described Bach as the essence of music and the cello suites as

the essence of Bach.

‘This is no ordinary group of singers’BIrmInghAm PoST

Tickets £30, £26, £22, £18

ImAge BY PAul ArThur

1918 The Tall is ScholarsField of the Cloth of Gold

Wednesday16May2012,7.30pm

mouton: Nesciens mater cornysh: Ave Maria mouton: Ave Maria...serena mouton: Quaeramus cum pastoribus Browne: Salve regina mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos pensées Fayrfax: Agnus dei from the Missa Tecum principium mouton: Salva nos cornysh: Ah Robin cornysh: Magnificat

Director Peter Phillips

Between the 7th and 24th June 1520, in fields near Calais, there

took place one of the most spectacular political summit meetings

of all time. Henry VIII of England and Francis I of France met to seal

a treaty of friendship between their two warring countries, with no

expense spared.

The two Chapels Royal were of course in attendance, and of course

they tried to out-sing each other. As luck would have it the two choirs

were led by two exceptional composers of the period, composers to

whom the Tallis Scholars have devoted individual recordings: Jean

Mouton on the French side, and William Cornysh on the English.

The Tallis Scholars cannot by themselves, recreate the seething

atmosphere of the original meeting but we can give an idea of the

splendour of the occasion.

‘The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balance…This is music where time stands still.’Financial Times

Tickets £30, £26, £22, £18

ImAge BY AlBerT rooSenBurg

1918 The Tall is ScholarsField of the Cloth of Gold

Wednesday16May2012,7.30pm

mouton: Nesciens mater cornysh: Ave Maria mouton: Ave Maria...serena mouton: Quaeramus cum pastoribus Browne: Salve regina mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos pensées Fayrfax: Agnus dei from the Missa Tecum principium mouton: Salva nos cornysh: Ah Robin cornysh: Magnificat

Director Peter Phillips

Between the 7th and 24th June 1520, in fields near Calais, there

took place one of the most spectacular political summit meetings

of all time. Henry VIII of England and Francis I of France met to seal

a treaty of friendship between their two warring countries, with no

expense spared.

The two Chapels Royal were of course in attendance, and of course

they tried to out-sing each other. As luck would have it the two choirs

were led by two exceptional composers of the period, composers to

whom the Tallis Scholars have devoted individual recordings: Jean

Mouton on the French side, and William Cornysh on the English.

The Tallis Scholars cannot by themselves, recreate the seething

atmosphere of the original meeting but we can give an idea of the

splendour of the occasion.

‘The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balance…This is music where time stands still.’Financial Times

Tickets £30, £26, £22, £18

ImAge BY AlBerT rooSenBurg

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Choral At Cadogan 2011-2012

Bookinginformation

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