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THE PHOTOGRAPHS SALELONDON, ROME, NEWYORK

Wednesday 19th May 2010

Absentee BidsIf you cannot attend the auction, we will execute absentee bids (also known ascommission bids) on your behalf.Absentee bidsmust be received inwriting nolater than the day before the auction. All absentee bids will be subject to theconditions of Sale andBusiness, whichwe encourage you to read carefully.Wewill attempt to execute your bid, for the lowest possible amount, mindful of thereserve and other bids on the lot.We offer this free service as a courtesy, andwedonot accept liability for errors or failures in the execution of absentee bids.

Telephone BidsIf you make arrangements with us at least one day in advance, we will makereasonable efforts to contact you to allow you to bid by phone during theauction. All phone bids are subject to the conditions of Sale and Business,which we encourage you to read carefully. We offer this free service as acourtesy, and do not accept liability for failure to reach you, or for errors orfailures in the execution of telephone bids.

Internet BidsYou may choose to bid in the auction online through either www.the-saleroom.com or www.liveauctioneers.com. All online bids are subject both tothe conditions of Sale and Business and to the Bidder user’s terms andconditions available onourWebsite.Weencourage you to readbothcarefully.Weoffer this free service as a courtesy, and do not accept liability for any errors orfailures in the execution of any online bids, nor for any failures of technology oneither your part, the internet or our part.

EstimatesEstimates are provided as a guide only and are expressed in bold in thecurrency of the sale Session below each lot in the catalogue. For additionalconvenience, and only as a rough guide, we also show indicative currencyequivalents of the estimate in light type under each lot. These currencyequivalents are rounded and based on the following approximate exchangerates at the time of the catalogue going to print ($1.5450 = £1 = €1.1350).

Saleroom Notices andAnnouncementsCatalogue descriptions may be amended by notices and announcementsissued prior to or during the auction.These announcements may affect yourlegal rights. We will make reasonable efforts to make those notices andannouncements available to you, but it is your responsibility to be sure thatyou are aware of any such notices or announcements that relate to the lotsthat you will be bidding on, whether you are bidding live at the auction, byabsentee or phone bid or over the internet.

EuropeanArtist’s Resale RightsFor the LondonSession I andRomeSession II sales lots denotedwith the deltasymbol [δ] may be subject toArtist’s Resale Right royalties as explainedmorefully in the following Conditions of Sale and Business.

Payment

Unless otherwise agreed in advance in writing, payment is due for the threesale Sessions as follows:

(A)London Session I: Lots 1 to 199 in British Pounds(B)Rome Session II : Lots 200 to 399 in Euros(C) NewYork Session III: Lots 400 onwards inUnitedStatesDollars

In all cases, payment is due immediately after the auction and no propertywill be released unless and until we have received payment in full in clearedfunds.The purchase price will consist of the sum of the hammer price plus thebuyer’s premium plus any applicable sales or VAT taxes or other fees androyalties (such taxes and feesmay vary between the three Sessions subject tothe buyer’s location and the legislation in each of the three Session locations).You are requested to pay either a bank debit card, in cash (up to the limitallowed for by reference to the regulations in the three Session locations), bywire transfer, or by a check drawn on a bank account, and to have establisheda bank reference with us before the sale. Please note that buyers areresponsible for all bank fees. In the case of LondonSession I andRomeSessionII only you may also pay by European issued credit card (Visa and Mastercardonly) subject to an additional surcharge of 3%. Unless we have agreed inadvance inwriting, wewill not accept payment for any lot from any party otherthan the buyer of record for the lot.

ShippingAs a courtesy to our clients, we are happy to provide shipping quotes fromour adjunct shipper for books and photographs. For any lots requiringextensive packing or special export permission, we are happy to suggestoutside shipping companies.

SalesTax &VAT

(A)London Session I: VAT at the rate of 17.5% will be applied to the buyer’spremium. Lots which are daggered (†) in the catalogue are subject toVATon the hammer price as well as the buyer’s premium. Lots marked with anasterisk (*) have been imported from outside the EU to be sold at auction,and therefore the buyer must also payVAT at the reduced rate of 5% onthe hammer price.

(B)RomeSession II: VATat the rateof 20%will beapplied to thebuyer’spremiumon all lots.

(C)NewYork Session III: Purchases that are collected in NewYork or deliveredto an address in NewYork state may be subject to NewYork state salestax, which we will collect and remit. Property shipped outside NewYork

state may be subject to compensating use tax, and it is the buyer’sresponsibility to ascertain and pay all such taxes as may be due. Buyersclaiming exemption from NewYork state sales tax must supply us withthe appropriate supporting documentation prior to the release of anypurchased property.

Storage Charges

Please be advised that a storage charge of £30/€35/$50 per lot permonthmaybe levied on all purchases that you do not pay for, pick up or have shippedwithin 7 working days of the auction. In addition, after 7 working days, weaccept no responsibility for loss of or damage to any purchased property.

GLOSSARY OFTERMS

The following glossary describes the terminology used in the cataloguedescription for each lot. Every reasonable effort is made in ensuring that thestatements and terms in the catalogue are correct, but buyers are directed toour Conditions of Sales &Business and the provisions therein, specifically withregard to the LimitedWarranty. NoConsignor or Gallerymake anywarrantiesor representations with respect to any lot. Buyers are advised to contact thephotographs department for any additional information they may require.

Name ofArtistBloomsbury Auctions warrants the authorship described in the Bold Typeheadings of each lot description. Where an artist’s name and dates are sodescribed then that lot, in our best judgement, is by the artist. Every attemptis made to ensure the accuracy of the subsequent catalogue description, butthe descriptive information is not encompassed within in our LimitedWarranty. Where a lot is attributed to an artist then it is our opinion that thework may be by that artist but cannot be definitively determined to be so.

TitleWhere the title is known or inscribed on the print it is described in ItalicType,otherwise it representsacommondescriptionof the imageor simplyadescriptivetitle given by BloomsburyAuctions to describe thework.

DatesWhen only one date is given it indicates that the print is vintage.A vintage printis onemade at around the same time as the negative either by the artist or canbeconsideredas the artist’s earliest representationof thenegative.Non-vintageprints are denoted by two dates (if known); the first representing the date of thenegative and the second the approximatedate of printing.Where aprintingdatecannot be estimated thedenotation ‘printed later’ is used.BloomsburyAuctionsdoes not guarantee the dates within the general description.

MeasurementMeasurements refer to the image only and are described in centimetres(rounded to 1 decimal point) and inches (rounded to the nearest 1/8 inch)showing the height of the image followed by the width.

MediumWhere indicated, this refers to Bloomsbury Auction’s opinion on thephotographic technique thatmost closely describeshow theprintwasproduced.

FramingOnly photographs that are described in the catalogue as framed will be soldtogether with their frames though Bloomsbury Auctions takes noresponsibility for the condition or suitability of the frame. All otherphotographs are sold unframed.

Additional Information and ReferencesWhere the description lists signatures, other insignia or stamps these willusually be accompanied with information describing their location. ‘On therecto’ refers to the front of the print within the image, ‘in themargin’ refers tothe front of the print outside the image, ‘on the verso’ refers to the back of theprint and ‘on the mount’ or ‘on the reverse of the mount’ refers to the front orback of the board or othermaterial ontowhich the photograph is permanentlymounted. Known provenance of a photograph’s history may also be includedtogether with references directing the interested buyer to further informationon the photograph, the artist or the subject, though these additionalinformations are not exhaustive and cannot relied upon to be complete.

ConditionBloomsbury Auctions makes no guarantee regarding the condition of anyprint. Please refer to the photographs department directly for a writtencondition report though as all lots are offered for sale ‘as is’, interestedbuyers are strongly urged to examine lots in person.

EstimatesThe estimates in bold refer to the pre-sale estimate of the lot in the currencyof the Session of the sale and subsequent estimates in light type are providedas a currency conversion guide only. In all cases, estimates cannot beinterpreted as prices.

CopyrightBuyers are advised that all lots are sold without copyright. Images may not,under any circumstance, be reproduced without the permission of thecopyright holder.

NOTICES & INFORMATION FORTHE LONDON, ROMEAND NEWYORK SESSIONS

THE PHOTOGRAPHS SALELONDON, ROME, NEWYORK


London: Session I

commencing at 1.00 p.m.

lots 1 – 120

SpecialistSarahWheeler

Rome: Session II


lots 200 – 377

SpecialistSilvia Berselli

NewYork: Session III


lots 400 – 525

SpecialistHannah Hayden

Catalogues:£20 / €25 / $30 plus postage as [email protected]

Free live online bidding for this sale:www.the-saleroom.com www.liveauctioneers.com

IllustrationsFront cover: lot 227 | Inside front cover: lot 428 | Title page: lot 59 | Back cover: lot 446

LONDON

THE PHOTOGRAPHS SALEWednesday 19th May 2010, 1.00 p.m.Rome: 2.00 p.m. | NewYork: 8.00 a.m.

Sale No. 35719

Specialist

[email protected]

Consultants

John CummingRoland Belgrave

Exhibition

Saturday 15th May 201011.00 a.m. - 5.00 p.m.

Sunday 16th May 201011.00 a.m. - 4.00 p.m.

Monday 17th May 20109.30 a.m. - 8.00 p.m.

Tuesday 18th May 20109.30 a.m. - 5.00 p.m.

Day of sale from 9.30 a.m.

BloomsburyAuctionsBloomsbury House24 Maddox StreetLondon,W1S 1PP

Tel: +44 (0)20 7495 9494Fax: +44 (0)20 7495 [email protected]

www.bloomsburyauctions.com

1Eadweard Muybridge (1830-1904)Camel Walking; Camel Running, 1887Two collotypes from Animal Locomotion.Plates 738 and 740 with printed credit,title, number and copyright on full sheets.24.3 x 30.2 cm. (91/2 x 117/8 in.);22.3 x 34 cm. (83/4 x 133/8 in.)

£600-800 €650-1,000$900-1,300

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2AdrienTournachon (Nadar Jeune) (1825-1903)Untitled (Studies of cows with owner), ca.1854-1856Three salt prints varnished with gelatin. Each on period card mount,signed ‘Nadar Jne’ and numbered 323, 805, 309 in the negative.Each approximately 20.4 x 28.7 cm. (8 x 111/4 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

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3Roger Fenton (1819-1869)Untitled (Salisbury Cathedral),1858Albumen print. On original mount withengraved credit.40.5 x 36.1 cm. (16 x 141/4 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

The photographer’s carriage is visible inthe lower left of the image.

4Pietro Guidi (active 1870-1880)Narcissus Papyracens Gawl, ca. 1875Albumen print. On period card mountwith printed credit, title and botanicaldescription on label pasted on the mount.27.3 x 20.7 cm. (107/8 x 81/4 in.)

£600-800 €650-1,000$900-1,300

5Roger Fenton (1819-1869)Untitled (Two views of an Englishcountry house), ca.1860Two albumen prints. Each on originalmount with engraved credit on the mount.Each approximately 32.5 x 42 cm.(123/4 x 161/2 in.)

£600-800 €650-1,000$900-1,3003

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7Adolphe Braun (1811-1877)Untitled (Panoramic AlpineViews), ca.1865Nine albumen prints. Each mounted within buff-coloured borderswith printed series title ‘Vues Panoramiques, Brevetees S.G.D.G’ andcredit ‘A. Braun à Dornach Haut-Rhin’ and printed titles in Frenchpasted on the mount.Each approximately 22.5 x 48 cm. (87/8 x 187/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

Includes views of Alpine peaks Lucerne, Grindelwald, Chamonix,Château de Chillon, and the Riffelhorn.

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6Adolphe Braun (1811-1877)Views in Switzerland, ca.186529 albumen prints each mounted withinbuff-coloured borders with printed credit‘À Braun à Dornach Haut-Rhin’ withFrench titles in ink on the mount. Boundin 4to. contemporary green morocco,cover with gilt ruling and monogram,spine gilt and titled.Book: 33.2 x 26.5 cm. (13 x 101/2 in.)Prints: 16 x 19 cm. (61/4 x 71/2 in.)

£800-1,200 €900-1,400$1,200-1,900

Includes views of Alpine peaks,snowfields, and glaciers with generalviews of Geneva, Lucerne andVevey.

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8Sgt. James McDonald (1812-1885)Group of Bedawin at the Convent ofSt. Katherine, 1869Albumen print. On period card mountwith printed credit and title on labelpasted to the mount.16.1 x 21.5 cm. (61/4 x 81/2 in.)

£800-1,200 €900-1,400$1,200-1,900

9Charles Smerdon Roe (ca.1842-1900)Hollywell, ca.1890Three platinum prints. Each remounted;two with original title in ink on label pastedon the mount.Each approximately 24 x 28.7 cm. (91/2 x 113/8 in.)

£800-1,200 €900-1,400$1,200-1,900

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10Charles Smerdon Roe (ca.1842-1900)Pauvre Fauvette, ca.1890Three platinum prints. Each remounted;two with original title in ink on labelpasted on the mount.Each approximately 15.5 x 11.5 cm. (6 x 41/2 in.)

£800-1,200 €900-1,400$1,200-1,900

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11Henry Peach Robinson (1830-1901)Waiting at the Stile, ca.1871Mammoth-plate albumen composite print.54.2 x 41.4 cm. (213/8 x 161/4 in.)

£500-700 €550-800$750-1,100

Provenance: Margaret Harker collection, Petworth

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12Julia Margaret Cameron (1815-1879)The Dream, 1869Albumen print. On period card mount with giltline border. Signed, titled and dated ‘FreshwaterApril 1869’ in pencil and annotated in ink‘From life Registered Photograph Copyright’on the mount.33 x 24 cm. (13 x 91/2 in.)

£800-1,200 €900-1,400$1,200-1,900

There is also a printed facsimile inscription“quite divine G.F.Watts” on the mount.

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13 *VariousArtistsGroup of portraits ofTsars Alexander II, Nicholas II and family,ca.1860-190049 albumen prints on original carte-de-visite and cabinet cardmounts, most with studio imprints and stamps on the mount oron the verso.Various sizes from 10 x 6 cm. (4 x 23/8 in.) to 16 x 10 cm. (61/4 x 4 in.)

£6,000-8,000 €6,800-9,100$9,200-12,400

An archive of photographic studio portraits of the Royal Family,these photographs were issued commercially by a number ofstudio photographers across Europe and Russia including Lindein Berlin,W. & D. Downey in Newcastle (photographers to theEnglish Royal family), Reuthlinger in Paris and Pasetti inSt. Petersburg. Including 16 portraits ofTsar Alexandre II,7 portraits of Nicholas II, images of bothTsaritsas MarieAlexandrovna and Nicholas II’s wife Alexandra (the last empressof Russia) and other photographs in various formats including anews file photo of Nicholas II on the day of his abdication, analbumen print of a troop of Cossacks, Alexander with staffofficers and Nicholas II reviewing soldiers during the Sino-JapaneseWar.

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14Jean Laurent (1816-1886)Armeria De Madrid, ca.187048 albumen prints. Each on period card mount, titled andnumbered; no. 31 signed in the negative; contained incontemporary boards with the remains of ties.34.5 x 25.5 cm. (131/2 x 10 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

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15JamesAnderson (1813-1877)Castel Sant’ Angelo, Rome, ca.1850Salt print. Numbered 42 in the negative.28.2 x 39.4 cm. (111/8 x 151/2 in.)

£800-1,200 €900-1,400$1,200-1,900

Literature: Dorothea Ritter, Rom1846 –1870: James Anderson und dieMaler – Fotografen, p.79.

16Gustave Eugène Chauffourier(1845-1919)Palazzo Farnese, ca.1875Albumen silver print. File numberin the negative; annotatedin unknown hand on the verso “1535Palazzo Farnese, Porte posteriore,Fontana“.28.1 x 21.1 cm. ( 11 x 81/4 in.)

£500-700 €550-800$750-1,100

17Tommaso Cuccioni (d.1864)Porta Maggiore, Rome, ca.1860Albumen print from a paper negative.33 x 45 cm. (13 x 173/4 in.)

£1,200-1,800 €1,300-2,100$1,800-2,800

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19Robert Macpherson (1811-1872)Temple of the Sibyl atTivoli; View over Rome from the Palatine Hill;Horses of the Capitol, from the Palazzo Caffarelli, ca.1858Three albumen prints from glass negatives. Each on periodcard mount titled in pencil on the mount.Approximately 16.2 x 25.4 cm. (61/2 x 10 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

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18Giacomo Caneva (1813-1865)Two views of the Pyramid of CaiusCestius, Rome, ca.1855Two salt prints; one from a papernegative, the other from a glass negative.19.4 x 25 cm. (75/8 x 97/8 in); 16.2 x 25.4 cm.(63/8 x 10 in)

£2,500-3,500 €2,800-4,000$3,800-5,500

Views show Porta San Paolo and theProtestant cemetery.

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20Giuseppe Ninci (1823-1890)The Capitol; Trajan’s Column;The Arch ofTitus, ca.1865Three albumen prints. Each on period card mounts withphotographer’s blindstamp.Each approximately 27 x 37.5 cm.(107/8 x 143/4 in.) and the reverse.

£600-800 €650-1,000$900-1,300

21Dimitrios Constantin (active 1850-1870)Fort Neuf, Corfu, ca.1855Salt print. On period card mount,titled and numbered 68 in ink on mount.27.5 x 37.7 cm. (103/4 x 147/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

Provenance: GalerieTexbraun, Paris

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22James Robertson (ca.1813-1888)A general view of Athens; the Erechtheion;the Parthenon; the Acropolis, 1857Four albumen prints. Each on period card mount,three signed in the negative.Each approximately 25 x 30 cm. (97/8 117/8 in.)

£3,000-5,000 €3,400-5,700$4,600-7,800

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23Louis de Clercq (1836-1901)Beyrouth, Maison Des Soeurs, 1859Salt print from a paper negative. On periodcardmount with printed title and artist’smonogram, numbered 28 in the negative.21.5 x 56 cm. (81/2 x 22 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

Provenance: Galerie Baudoin Lebon,Paris, from the estate of Harry Lunn

24Louis de Clercq (1836-1901)Grenade, Vue Partielle, 1863Salt print from a paper negative.On period card mount with printedtitle and artist’s monogram.20.3 x 55.9 cm. (8 x 22 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

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25L. Morel (active ca.1860s)Untitled (Three views of a French shipyard), ca.1865Three albumen prints. Each on period card mount,signed and dated with names of the boats in the negative.Each approximately 24 x 34 cm.(93/8 x 133/8 in.)

£800-1,200 €900-1,400$1,200-1,900

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26James Robertson(1813-1888) and Felice Beato(1832-1909)Untitled (Nine views ofTurkey), ca.1850-1860Nine albumen prints. Each on contemporary card mount,six titled and four signed in the negative.Approximately: 25 x 19 cm. (97/8 x 71/2 in.)

£3,000-4,000 €3,400-4,600$4,600-6,200

Views include: Fountain of Sultan Mahmoud,The SehzadeMosque, Gateway to Dolmabahce Palace,Tophane fountain,Eyup, Fountain of Sultan Ahmed III, Sultanahmet Mosque.

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27Eugenio Courret (active 1860-1900)Vistas MonumentosYTipos De Lima, ca.187052 albumen prints. Mounted two to a page on single sideof leaves, ink titles in French below, mounted on stubs atleft edge, contemporary morocco, gilt arms of Peru incentre of both covers, gilt borders, spine titled as above.Each approximately 12.5 x 16.8 cm. (5 x 63/4 in.)

£10,000-15,000 €11,300-17,100$15,400-23,200

Eugenio Courret arrived in Lima from France ca.1861 andopened a photographic studio with his brother Aquiles in1863.This collection comprises of 42 views of Lima(general views, street scenes, individual buildings),ninefigure subjects, and one study of a banana tree.

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28 *Edouard Baldus (1813-1889)Vues de Paris en Photographie, ca.186040 albumen prints of which 39 are by Baldus. All on originalmounts, 25 with Baldus’ signature stamp at bottom rightbelow image, one with printed title and credit, onereproducing a watercolour drawing of an interior of theLuxembourg Palace signedV. Duval in negative, mountedon guards at left edge, titled in pencil at foot in English,contemporary embossed cloth, upper cover gilt-letteredas above, label of the retailer Maison Martinet inside frontfree endpaper.Oblong folio: 32.3 x 41.7 cm. (123/4 x 163/8in.)Prints: various sizes from 20.3 x 22 cm. (8 x 83/4 in.)to 21 x 26.8 cm. (81/4 x 10 1/4in.) or the reverse

£8,000-12,000 €9,000-13,700$12,300-18,600

The views include a panorama of the city, a view of the Seine,the Arc deTriomphe, Palais de L’Industrie, Place de laConcorde,Vendome Column,Tuileries Palace, Arch of theCarrousel, the Louvre,Tour St. Jacques, Hotel deVille, NotreDame Cathedral and other churches, the Bourse, Portes St.Denis and St. Martin, the Palais de Justice (with printed title),the Pantheon, Eastern Railway terminus and the chateaux ofVersailles and Fontainebleau. (A full list is available on request).

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29Charles Nègre (1820–1880)Paysage Provencal, (possibly Le Muy), ca.1852Waxed paper negative.25.5 x 34 cm. (10 x 133/8 in.)

£2,000-3,000 €2,200-3,500$3,00-4,700

Provenance: Collection Marie-Therésè et AndréJammes, Sotheby’s Paris, 22 March 2002, lot 508

30Dr John Murray (1809-1898)Akbar’sTomb, Sikandra, ca.1858Waxed paper negative. Signed inink on the verso.34.3 x 45.5 cm. (131/2 x 173/4 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

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31Dr John Murray (1809-1898)The gateway to theTaj Mahal from the southern wall, ca.1858Albumen print with waxed paper negative.Watermark reads‘R.Turner PatentTalbotype’, numbered in ink 17/3 in thenegative on the verso.Print: 38 x 47 cm. (15 x 181/2 in.)Negative: 37 x 46.5 cm. (141/2 x 181/4 in.)

£4,000-6,000 €4,500-6,900$6,100-9,300

32Artist unknownTaj Mahal, Agra, ca.1860Albumen print. On period card mount.24.6 x 30 cm. (93/4 x 117/8 in.)

£1,200-1,800 €1,300-2,100$1,800-2,800

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33Maxime Du Camp (1822-1894)Kalabascheh, Porte Du Pronaos, (Nubie),1849-1851Salt print, printed 1852. Printed title,plate number (90), photographer’s,publisher’s and printer’s credit onthe mount.23.1 x 15 cm. (91/8 x 61/4 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

34BaronAlexis de Lagrange (b.1825)Temple Hindou Moderne. À Odeypour(Hindoustan), ca.1849-1851Blanquart-Evrard process print from awaxed paper negative. ‘AlbumPhotographique de l’Artiste et del’Amateur’ blindstamp, printedphotographer’s and printer’s credits, titleand plate number, numbered 18 in gilt onthe mount, ruled in gilt.21.2 x 17.8 cm. (83/8 x 7 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

Provenance: Sotheby’s, NineteenthCentury Photographs of India:The Ehrenfeld Collection, 25 May 2005

35LinnaeusTripe (1822-1902)Amerapoora, Corner of Mygabboodee-Tee Kyoung, ca.1855Salt print. On period card mount, signed in ink on the rectowith printed title and plate number 43 on original label pastedon the mount.26.7 x 34.8 cm. (101/2 x 133/4 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

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36Henri Cammas (1813-1888)Luxor,Thebes, ca.1860Salt print from a waxed paper negative.On period card mount, numbered inthe negative.25.3 x 31 cm. (10 x 121/4 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

37FelixTeynard (1817-1892)Ruins at Karnak,Thebes ca.1850Salt print from a paper negative.24.2 x 30.5 cm. (91/2 x 12 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

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38Edouard Baldus (1815-1852)Palais de l’Industrie, ca.1860Albumen print. On period card mount,numbered 27 in negative with signaturestamp on the mount, lower right.33 x 44 cm. (13 x 171/4 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

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39 *Francis Frith (1822-1898)Egypt and Palestine, ca.1858-5971 of 76 albumen prints. Signed andmany dated in the negative, trimmedto the edges.Each approximately 16.8 x 23.4cm.(61/4 x 9 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

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40Artist unknownUntitled (Cairo mosque), ca.1860Albumen print. On period card mount.25 x 19.4 cm. (97/8 x 85/8 in.)

£1,200-1,800 €1,300-2,100$1,800-2,800

41Artist unknownUntitled (Tombs of the Caliphs), ca.1860Albumen print. On period card mount.20.4 x 25 cm. (81/8 x 97/8 in.)

£1,200-1,800 €1,300-2,100$1,800-2,800

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42Antonio Beato (ca.1830-1903)Untitled (Cairo), ca.1864Albumen print. On period card mount.21.8 x 26.9 cm. (85/8 x 101/2 in.)

£600-800 €650-1,000$900-1,300

Literature: Kathleen Stewart Howe, Excursions alongthe Nile, pl. 55.

This view is taken from the Citadel, with a distant viewof the pyramids.

43Artist unknownUntitled (Cairo from the rooftops), ca.1865Albumen print, on period card mount.29.7 x 25.5 cm. (113/4 x 10 in.)

£800-1,200 €900-1,400$1,200-1,900

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44OthonVon Ostheim(active ca.1855-1865)Jerusalem from the Mount of Olives,ca.1860Salt print from a paper negative.On period card mount.24.9 x 32.8 cm. (93/4 x 13 in.)

£600-800 €650-1,000$900-1,300

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46OthonVon Ostheim (active ca.1855-1865)A general view of Gethsemane; the Garden of Gethsemane, ca.1860Two salt prints from paper negatives. Each on period card mount,signed and titled in the negative.25.5 x 33.5 cm. (10 x 131/8 in.).)

£1,200-1,800 €1,300-2,100$1,800-2,800

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45OthonVon Ostheim (active ca.1855-1865)Church of the Holy Sepulchre; Mosque of Omar, ca.1860Two salt prints from paper negatives. Each on period card mount,titled and signed; one dated 1816 in the negative.35.4 x 26.4 cm. (137/8 x 101/2 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

28

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47Charles Marville (1816-1879)Faubourg St Jacques (de la RueSt Jacques), ca.1865Albumen print. On original mount withblindstamp credit and original printedtitle on the mount; annotated in pencilin unknown hand on the verso.33.2 x 27.6 cm. (13 x 11 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

48EugèneAtget (1857-1927)Les Archives, ca.1900Albumen print.Titled in pencil on theverso with negative number 371 inunknown hand.22.2 x 17.6 cm. (83/4 x 67/8 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700


49EugèneAtget (1857-1927)Hotel dit des Juifs, Rue Ferdinand Duval,ca.1900Albumen print. Numbered in thenegative; titled in pencil on the verso withnegative number 5742 in unknown hand.17 x 22 cm. (63/4 x 85/8 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700


47

48

49

29

LONDON

50Robert Doisneau (1912-1994)The bistro, ca. 1950Gelatin silver print. Photographer’s andvarious credit stamps andpress label with printed annotationsaffixed on the verso.23.7 x 18 cm. (93/8 x 71/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

Provenance: Michael Hoppen Gallery,London

51Robert Doisneau (1912-1994)Saul Steinberg, 1955Gelatin silver print.Titled and dated inpencil on the verso withphotographer’s credit stamp.21.8 x 29 cm. (83/8 x 113/8 in.)

£2,000-2,500 €2,200-2,900$3,000-3,900

Provenance: Michael Hoppen Gallery,London

50

51

30

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52Constantin Brancusi (1876-1957)Coucher de Soleil sur la Bassin de Radoubdu Jiu, ca.1937Gelatin silver print. Annotated ‘Coll. AJ’in pencil on the verso.31.8 x 27.8 cm. (123/8 x 107/8 in.)

£2,000-3,000 €2,200-2,900$3,000-3,900

Provenance: André Jammes collection,Paris

53Constantin Brancusi (1876-1957)Untitled (Bouquet of flowers), ca. 1930Gelatin silver print. Annotated ‘Coll. AJ’in pencil on the verso.13.4 x 29.8 cm. (51/4 x 113/4 in.)

£2,000-3,000 €2,200-2,900$3,000-3,900


52

53

31

LONDON

54Constantin Brancusi (1876-1957)Torse de Jeune Femme, Marbre, 1909Gelatin silver print. Annotated ‘Coll. AJ’in pencil on the verso.16.9 x 12.1 cm. (65/8 x 43/4 in.)

£5,000-7,000 €5,600-8,000$7,700-10,900


55Constantin Brancusi (1876-1957)Branches dans une Cruche, 1933-34Gelatin silver print. Annotated ‘Coll. AJ’in pencil on the verso.23.7 x 17.7 cm. (93/8 x 7 in.)

£4,000-6,000 €4,500-6,900$6,100-9,300


54

55

32

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56Brassaï (Gyula Halász) (1899-1984)Untitled (Semana Santa, Seville), ca.1954Two gelatin silver prints. Each hasphotographer’s studio stamp andannotations in unknown hand in bothpencil and ink on the verso.30.5 x 24 cm. (117/8 x 93/8 in.);29.6 x 22.7 cm. (113/4 x 9 in.)

£2,000-2,500 €2,200-2,900$3,000-3,900

Literature: Brassaï, Fiesta in Seville,p.72-73

57Josef Sudek (1896-1976)Untitled (Sculpture), 1934Gelatin silver print. Studio stamped,annotated and dated in unknownhand in pencil and ink on the verso.22.8 x 16.9 cm. (9 x 61/2 in.)

£600-800 €650-1,000$900-1,300

56

57

33

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59Brassaï (Gyula Halász) (1899-1984)Untitled (Semana Santa, Seville), ca.1954Two gelatin silver prints. Each hasphotographer’s studio stamp andannotations in pencil in unknown handon the verso.30 x 23.5 cm. (117/8 x 91/4 in.);26.6 x 23 cm. (101/2 x 91/8 in.)

£2,000-2,500 €2,200-2,900$3,000-3,900

Literature: Brassaï, Fiesta in Seville,p. 50-51, p.120

58Brassaï (Gyula Halász) (1899-1984)Untitled (Semana Santa, Seville), ca.1954Two gelatin silver prints. Each hasphotographer’s studio stamp andannotations in pencil in unknown handon the verso.29.2 x 11.2 cm. (111/2 x 43/8 in.);29 x 13 cm. (113/8 x 51/8 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

Literature: Brassaï, Fiesta in Seville,p.109

58

59

34

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60Jacques-Henri Lartigue (1894-1986)The Beach at Villerville, 1914Gelatin silver print, printed ca.1970.Copyright stamps and annotations inpencil on the verso in unknown hand.24.5 x 20 cm. (10 x 8 in.)

£800-1,200 €900-1,400$1,200-1,900

Literature: Diary of a century, n.p.

61Jacques-Henri Lartigue (1894-1986)Auteuil, 1912Gelatin silver print, printed ca. 1960-69.Signed in ink in the margin, titled anddated in unknown hand on the verso.26 x 32.8 cm. (101/4 x 127/8 in.)

£800-1,200 €900-1,400$1,200-1,900

Provenance: Light Gallery, NewYork;Galeria Documenta,Torino.

Literature: Diary of a century, n.p.

60

61

35

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62Mario Giacomelli (1925-2000)Paesaggio, ca. 1974Gelatin silver print. Signed and stampedin the margin in ink with credit stampon the verso.29.6 x 39.8 cm. (113/8 x 155/8 in.)

£800-1,200 €900-1,400$1,200-1,900

Provenance: Collezione Luigi Carluccio;Galleria Documenta,Turino

63Mario Giacomelli (1925-2000)Paesaggio, 1979Gelatin silver print. Signed and stampedin ink on the verso.(29 x 39.5 cm. (113/8 x 151/2 in.)

£800-1,200 €900-1,400$1,200-1,900

Literature: Crawford,Mario Giacomelli,p.309

62

63

36

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65Weegee (1899-1968)Headless sunbather, ca.1950Gelatin silver print. Copyright stamped in ink,titled and dated in pencil in unknown hand on the verso.26 x 26.7 cm. (101/4 x 101/2 in.)

£600-800 €650-1,000$900-1,300

64

66

65

64Raymond Moore (1920-1987)Untitled (Two English landscapes), 1974Two gelatin silver prints, flush-mounted.Each signed and dated in pencil on thereverse of the mount.17.9 x 26.9 cm. (7 x 101/2 in.);16.9 x 25.1 cm. (65/8 x 97/8 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

66Édouard Boubat (1923-1999)Paris, 1948Two gelatin silver prints, printedbefore 1995. One signed and titledwith presentation inscription in inkin the margin; the other signed in inkon the verso.16 x 16 cm. (61/4 x 61/4 in.);15 x 22 cm. (6 x 83/4 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

Provenance: acquired directly fromthe artist

Literature: Bernard Boubat et GenevièveAnhoury, Edouard Boubat, p.57

37

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67Willy Ronis (1910-2009)Le Depart du Morutier, Fécamp, 1949Gelatin silver print, printed 2003 byPierre-Jean Amar. Signed in the margin;copyright stamped, titled and dated inunknown hand on the verso.29.7 x 25 cm. (115/8 x 97/8 in.)

£800-1,200 €900-1,400$1,200-1,900


Literature: Sur le fil du hasard, p. 107

68Willy Ronis (1910-2009)Quai des Orfèvres, 1965Gelatin silver print. Copyright stamped inink, titled and annotated in unknownhand on the verso.24 x 17.5 cm. ( 91/2 x 7 in.)

£800-1,000 €900-1,200$1,200-1,600


67

68

38

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69 †Nikolaï Kossikoff (1898-1975)Untitled (Two views of Ghent), ca. 1935Two gelatin silver prints. Signed in ink on the recto, stampednumbers 1052 and 1034 on the verso with various annotations inunknown hand in pencil.22.2 x 13.5 cm. (83/4 x 53/8 in.); 16.3 x 22 cm. (61/2 x 85/8 in.)

£800-1,200 €900-1,200$1,200-1,600

70 †Nikolaï Kossikoff (1898-1975)Dépôt du fer; Power plant, ca.1940Two gelatin silver prints. Signed in ink on the recto, stampednumbers 2301 and 1056, one with date stamp on the verso.22.8 x 17 cm. (9 x 65/8 in.); 22.7 x 14.5 cm. (9 x 63/4 in.)

£800-1,200 €900-1,200$1,200-1,600

71Willy Ronis (1910-2009)Electricity Cables, 1938Gelatin silver print. Copyright stamped in ink anddated in unknown hand on the verso.24 x 18.2 cm. (91/2 x 71/8 in.)

£800-1,200 €900-1,400$1,200-1,900

69

70

71

39

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72 †Leni Riefenstahl (1902-2003)Die Fackel Wird Entzündet, 1936Gelatin silver print. Numbered J17/48 inthe negative;Tobis copyright stamp onthe verso.21.3 x 27.5 cm. (83/8 x 113/4 in.)

£800-1,200 €900-1,200$1,200-1,600

73 †Leni Riefenstahl (1902-2003)Olympische Ringe, 1936Gelatin silver print. Numbered J106/266in the negative;Tobis copyright stamp onthe verso.21.3 x 27.5 cm. (83/8 x 113/4 in.)

£600-800 €650-1,000$900-1,300

74 †Leni Riefenstahl (1902-2003)Speerwerfer, 1936Gelatin silver print. Numbered 18/30in the negative;Tobis copyright printon the verso.21.5 x 27.5 cm. (81/4 x 103/4 in.)

£600-800 €650-1,000$900-1,300

72

73 74

40

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75 *Boris Carmi (1914-2002)Transit camp Rosh Ha’ayin, ca.1952;Cement workers, ca.1950; Fishermen,Jaffa, 1979Three gelatin silver prints. Each signedin Hebrew in ink on the recto; labelsaffixed to the verso with someannotations in pencil.Each approximately 30 x 24 cm.(113/4 x 91/2 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

Literature: Alexandra Nocke ed,Boris Carmi: Photographs from Israel,p. 32, p. 71

76Bill Brandt (1904-1983)Bedroom in Westham, 1937Gelatin silver print, printed ca.1970.Flush-mounted, signed in ink inthe margin.34.1 x 29 cm. (131/2 x 113/8 in.)

£1,000-2,000 €1,100-2,300$1,500-3,100

77Bill Brandt (1904-1983)London Air Raid Shelters, East EndUnderground Station, 1940Gelatin silver print, printed ca.1970.Flush-mounted, signed in ink inthe margin.30.3 x 29 cm. (117/8 x 113/8 in.)

£1,000-2,000 €1,100-2,300$1,500-3,100

75

76 77

41

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78Ernst Haas (1921-1986)Miracle In Greece, 1950Gelatin silver print. Photographer’sMagnum credit stamp on the verso.24 x 29 cm. (91/2 x 113/8 in.)

£600-800 €650-1,000$900-1,300

79 δAndreaAltemüller (b.1964)Spielende Madchen MitTaube (Childrenplaying with pigeons), 1993Gelatin silver print, printed 1998. Signed,titled, dated and numbered 1/12 in pencilon the verso; photographer’s blindstampon the recto.36 x 46.7cm. (141/8 x 143/8 in.)

£800-1,200 €900-1,400$1,200-1,900

78

79

42

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80Willy Ronis (1910-2009)Venise, Calle della Bissa, 1959Gelatin silver print, printed 2003 byPierre-Jean Amar. Signed in the margin;copyright stamped, titled and dated inunknown hand on the verso.20 x 30 cm. (77/8 x 111/2 in.)

£800-1,200 €900-1,400$1,200-1,900



81 *Elliot Erwitt (b.1928)NewYork City, 1949Gelatin silver print, printed later.Signed in ink in the margin; signed,titled and dated in pencil on the verso.30.5 x 20 cm. (12 x 77/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

82 *Elliot Erwitt (b.1928)Venice, Italy, 1949Gelatin silver print, printed later.Signed in ink in the margin; signed,titled and dated in pencil on the verso.22.5 x 24 cm. (87/8 x 93/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

80

81

82

43

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83 *Elliot Erwitt (b.1928)NewYork City, 1946Gelatin silver print, printed later.Signed in ink in the margin;signed, titled, and dated inpencil on the verso.37.3 x 54.8 cm. (145/8 x 215/8 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

83

84 85

84 δHeidi BradnerHome ForThe Night,Yamal, Siberia, Russia, 2001Gelatin silver print. Signed, titled and dated in inkin the margin.30.3 x 20.4 cm. (12 x 8 in.)

£600-800 €650-1,000$900-1,300

Provenance: acquired directly from the artist

85 δHeidi BradnerNenets girl in village,Yamal, Russia, 1998Gelatin silver print. Signed, titled and dated in inkin the margin.30.3 x 20.4 cm. (12 x 8in.)

£600-800 €650-1,000$900-1,300


44

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86Alvin Langdon Coburn (1882-1966)Men of Mark, 1913London/NewYork: Duckworth & Co./Mitchell Kennerley, 1913.First edition, half-title, title, dedication leaf, list of plates,introduction by Coburn and 33 tipped-in monochromephotogravure plates, each with sitter’s facsimile signatureand guardleaf. Original publisher’s linen-backed beige clothboards with gilt title.Folio: 31.5 x 24.6 cm. (121/4 x 93/4 in.)Plates: each approximately 21.6 x 16.7 cm. (81/2 x 61/2 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

Coburn’s first book of portraits of the great and the good(it was followed some years later by More Men of Mark)features 33 portraits of artists, thinkers and writers such asGeorge Bernard Shaw, H. G.Wells, Henry James, Rodin, HenriMatisse,Theodore Roosevelt, MarkTwain, Frank Brangwyn,William ButlerYeats and Robert Bridges.

86

45

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87František Drtikol (1883-1961)Untitled (Opera Singer), 1913Gelatin silver print. Copyright creditblindstamp in the margin; annotated inpencil on the verso.23 X 19.9 cm. (91/8 x 77/8 in.)

£1,200-1,800 €1,300-2,100$1,800-2,800

88Cecil Beaton (1904-1980)Patricia Lopez-Wilshaw (wife of Arturo),ca.1930Four gelatin silver prints. Each flush-mounted and signed in red ink on themount.25.8 x 24.8 cm. (101/8 x 93/4 in.)

£600-800 €650-1,000$900-1,300

Provenance: from the artist to EdwardJames,West Dean, Sussex; by descentto present owner

89Jacques-Henri Lartigue (1894-1986)Zissou, Rouzat, 1911Gelatin silver print, printed ca.1975.Copyright stamped, titled, dated, andannotated in unknown hand in ink onthe verso.23.7 x 18 cm. (93/8 x 71/8 in.)

£1,000-1,500 €650-1,000$900-1,300

87

89

88

46

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90Roberto Salas (b.1940) andOsvaldo Salas(1914-1992)Che Guevara and Fidel Castro, 1960 and 1963Two gelatin silver prints, printed 1991.Each signed and dated in ink withblindstamp in the margin.Each approximately 24.1 x 35 cm.(91/2 x 133/4 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400


91Osvaldo Salas (1914-1992)Che Guevara, charity work, 1961Two gelatin silver prints, printed 1991by Roberto Salas. Each signed and dated inink with blindstamp in the margin.24.1 x 35 cm. (91/2 x 133/4 in.)

£800-1,200 €900-1,400$1,200-1,600


92 *FreddyAlborta (1932-2005)Death of Che, 1967Gelatin silver print, printed 1993.Signed in ink on the recto.39.1 x 50.6 cm. (153/8 x 197/8 in.)

£800-1,200 €900-1,400$1,200-1,600


90

91 92

47

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93Osvaldo Salas (1914-1992)Che Guevara, 1963; Habana, 1962Two gelatin silver prints, printed 1991by Roberto Salas. One signed and titledin ink with blindstamp in the margin; theother titled and dated in ink on the verso.22 x 30.5 cm. (83/4 x 12 in.);35 x 25 cm. (133/4 x 97/8 in.)

£800-1,200 €900-1,400$1,200-1,600


94 *Ruth Orkin (1921-1985)Marlon Brando on the Set of JuliusCaesar, 1952Gelatin silver print, printed 1978. Signed,dated and titled in pencil on the mount;signed, titled, dated and annotated inpencil on the verso.34.8 x 27.3 cm. (133/4 x 103/4 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

Provenance: Ruth Orkin Photo Archive,NewYork

93

94

48

LONDON

95 δCornel Lucas (b.1920)Newsreel cameramen, 1951Gelatin silver print, printed later.Signed, titled and dated on the versowith copyright stamp.47.3 x 59 cm. (185/8 x 231/4 in.)

£800-1,200 €900-1,400$1,200-1,900

96Lord Snowdon (b.1930)Untitled (Charles and Diana before theirwedding), 1981Gelatin silver print. Copyright credit andembargo stamps on the verso.27 x 20.4 cm. (103/4 x 8 in.)

£400-600 €450-700$600-950

95

96

49

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97 δHarry BensonThe Beatles, Pillow Fight, 1964Gelatin silver print, printed later.Signed, titled, dated and numbered35/35 in ink on the verso.50 x 48 cm. (191/2 x 187/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

98 δHarry BensonAli Hits George, 1964Gelatin silver print, printed later. Signed,titled, dated and numbered 25/35 in inkon the verso.45 x 58.9 cm. (173/4 x 23 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

99 δMichael McCartney (b. 1944)Paul McCartney, ca.1960Three gelatin silver prints, printed later.All signed in pencil in the margin.Each approximately 25 x 21 cm.(93/4 x 8 2/8 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

97

98

99

50

LONDON

100 δHarry BensonThe Beatles 40th Anniversary portfolio, 200312 gelatin silver prints. Each signed and numbered 42/50 in pencil on the verso. Published by Looking Back.Folio: 65.5 x 55 cm. (253/4 x 215/8 in.)Prints: 33 x 28 cm. (13 x 11 in.)

£6,000-8,000 €6,800-9,100$9,200-12,400

Titles include:The Beatles arrive, NewYork, February 7, 1964; The Ed Sullivan Show II, NewYork, February 1964; John in Amsterdam, June 1964;Paul on the set of ‘A Hard Day’s Night’, London,April 1964; George in an Amsterdam hotel room, June 1964; Ringo on Miami Beach,February 1964; The Beatles with Cassius Clay, 12th Street Gym, Miami, February 1964; The Beatles, Miami Beach, February 1964; TheBeatles Composing II, George V Hotel Paris, January 1964;The Beatles’ Fan Mail, George V Hotel Paris, January 1964; The BeatlesPillow Fight II, George V Hotel Paris, January 1964; The Beatles bow, CyranoTheatre, Versailles, January 1964

100

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101 *Bill Brandt (1904-1983)Sunday Evening, 1936Gelatin silver print, printed ca.1970.Signed and numbered 12/25 in ink inthe margin.20.5 x 26.5 cm. (8 x 101/4 in.)

£1,000-2,000 €1,100-2,300$1,500-3,100

102 *Ruth Orkin (1921-1985)Frisbee Player in Central Park, 1974Gelatin silver print, printed 1978.Signed, titled and dated in pencil onthe mount; signed, titled and dated inpencil on the verso.32.7 x 23 cm. (127/8 x 9 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100


101

102

52

LONDON

103GarryWinogrand (1928 – 1984)Untitled fromWomen are Beautiful, 1965-1975Two gelatin silver prints, printed 1981. Signed and numbered69/80 in pencil on the verso.Each approximately 22.5 x 33.6 cm. (87/8 x 131/8 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

104GarryWinogrand (1928-1984)Untitled fromWomen are Beautiful, 1965-1975Gelatin silver print, printed 1981. Signed and numbered69/80 in pencil on the verso.22.5 x 35.5 cm. (87/8 x 131/4 in.)

£1,000-1,500 €1,100-1,800$1,500-2,400

103

104

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105 *William Klein (b.1928)Smoke andVeil, Paris, 1958Gelatin silver print, printed later.Signed, titled and dated in pencilon the verso.45.5 x 32 cm. (173/4 x 121/2 in.)

£2,000-3,000 €2,200-3,500$3,000-4,700

106Willy Ronis (1910-2009)Mode en RDA, 1967Gelatin silver print. Copyright stamped,dated and annotated in unknown handon the verso.23.6 x 18 cm. (91/4 x 71/8 in.)

£1,000-1,200 €1,100-1,400$1,500-1,900


107 δCornel Lucas (b.1920)FashionModels on Scaffolding, London, 1977Gelatin silver print, printed later. Signed,titled and dated in ink on the verso withcopyright stamp.43 x 60.1 cm. (17 x 235/8 in.)

£800-1,200 €900-1,400$1,200-1,900

106 105

107

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LONDON

108 δGladysNausicaa, ca.1980Three gelatin silver prints. Each signedin ink in the margin.Each approximately 26.5 x 17.3 cm.(101/2 x 63/4 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

109 δColin Jones (b.1936)Full Venitienne Alongée, 1903-1904, 2008;Cocotte de Soho, 1905, 2008Two unique gelatin silver seleniumtoned prints. Each has photographer’sblindstamp in the margin; signed,titled and dated in pencil on the verso.Each 39.2 x 30.8 cm. (153/8 x 12 in.)or the reverse

£1,000-2,000 €1,100-2,300$2,300-3,100

From the series After Walter Sicket,The CamdenTown Nudes.

108

109

55

LONDON

110Willy Ronis (1910-2009)Nu, 1946Gelatin silver print. Copyright stamped, datedand annotated in unknown hand on the verso.24 x 18.2 cm. (93/8 x 171/4 in.)

£1,000-1,200 €1,100-1,400$1,500-1,900


111Willy Ronis (1910-2009)Nu à NewYork, 1981Gelatin silver print, printed 1997 by Pierre-Jean Amar.Signed in the margin; copyright stamped, titled anddated in unknown hand on the verso.26.5 x 18 cm. (103/8 x 71/8 in.)

£800-1,000 €900-1,200$1,200-1,600


110 111

56

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112Roger Ballen (b.1950)Living Room Scene, North West Province, 1999Gelatin silver selenium toned print. Signed,titled and numbered 8/35 in pencil on verso.36 x 36cm. (141/8 x 141/8 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

Provenance: Michael Hoppen Gallery, London

113Pierre Molinier (1900 -1976)Autoportrait, ca.1967Gelatin silver print. Annotated in pencil inunknown hand on the verso.17.5 x 11.5 cm. (7 x 41/2 in.)

£800-1,200 €900-1,400$1,200-1,900

Provenance: Estate of the artist

114Pierre Molinier (1900 -1976)Mon cul, ca.1967Gelatin silver print. Annotated in pencil inunknown hand on the verso.17.5 x 12.5 cm. (7 x 5 in.)

£800-1,200 €900-1,400$1,200-1,900

Provenance: Estate of the artist112

113 114

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115Mario Cravo Neto (1947 -2009)CriançaVoodoo, 1983Gelatin silver print, printed 1988.Signed and numbered 2/25 withprint date in pencil in the margin.17 x 17 cm. (65/8 x 65/8 in.)

£600-800 €650-1,000$900-1,300

116 δJohn Blakemore (b.1936)The Garden, Fragments of a History,No. 1, 1991Gelatin silver print. Signed, titled anddated in ink in the margin.32.1 x 40.4 cm. (123/4 x 157/8 in.)

£600-800 €650-1,000$900-1,300


115

116

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LONDON

117 δNanda LanfrancoUntitled, 1984Gelatin silver print. Signed, dated andnumbered 1/5 in pencil on the verso.39.9 x 40.4cm. (155/8 x 1 6in.)

£800-1,200 €900-1,400$1,200-1,900

Provenance: acquired directlyfrom the artist.

118 δNanda LanfrancoEssi Sono, 1984Gelatin silver print. Signed, dated andnumbered 1/5 in pencil on the verso.39.9 x 40.4 cm. (155/8 x 16 in.)

£800-1,200 €900-1,400$1,200-1,900

Provenance: acquired directlyfrom the artist

117

118

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LONDON

119Robert Mapplethorpe (1946-1989)America, 1988Three photolithographs. Each signed byMichaelWard Stout, ‘Attorney-in-Fact’in ink, numbered 30/40 in an unknownhand in pencil with facsimilie signature,copyright credit reproduction limitationand edition stamps on the verso.Each approximately 66.6 x 55.2 cm.(26¼ x 21¾ in.)

£2,500-3,500 €2,800-4,000$3,800-5,500

120 *David Drebin (b.1970)Tear, 2005Chromogenic print. Signed, titled, datedand numbered 1/10 on label affixed tothe reverse of the mount.101.5 x 66 cm. (40 x 26 in.)

£1,500-2,000 €1,700-2,300$2,300-3,100

119

120

Specialist

Silvia Berselli (Consultant)[email protected]

Department

Viola [email protected]

Marica [email protected]

ExhibitionMilan

Manzoni 23Via Manzoni, 23T +39 331 78 111 97



Wednesday 12th May 201010.00 a.m. - 1.00 p.m.

Rome

Sunday 16th May 201010.00 a.m. - 6.00 p.m.



BloomsburyAuctionsPalazzo ColonnaVia della Pilotta 1900187 Roma

Tel: +39 06 679 1107Fax: +39 06 699 [email protected]


ROME

THE PHOTOGRAPHS SALEWednesday 19th May 2010, 4.00 p.m.London: 3.00 p.m. | New York: 10.00 a.m.

Sale No. 45033

ROMA

FOTOGRAFIAMercoledì 19 Maggio 2010, ore 16.00Londra: ore 15.00 | New York: ore 10.00

Asta No. 45033

Esperto

Silvia Berselli (Consulente)[email protected]

Reparto

Viola [email protected]

Marica [email protected]

EsposizioneMilano

Manzoni 23Via Manzoni, 23T +39 331 78 111 97

Lunedì 10 Maggio 2010ore 10.00 - 19.00

Martedì 11 Maggio 2010ore 10.00 - 19.00

Mercoledì 12 Maggio 2010ore 10.00 - 13.00

RomaDomenica 16 Maggio 2010ore 10.00 - 18.00

Lunedì 17 Maggio 2010ore 10.00 - 18.00Martedì 18 Maggio 2010ore 10.00 - 18.00

BloomsburyAuctionsPalazzo ColonnaVia della Pilotta 1900187 Roma



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200Yoichi Midorikawa (1915-2001)Fireflies, ca. 1950Gelatin silver print. Credit stamp on the verso.15 x 27 cm. (57/8 x 105/8 in.)

€600-800 £500-800$800-1,000

201Yoichi Midorikawa (1915-2001)Tide in Nicht, ca. 1950Gelatin silver print. Credit stamp on the verso.18 x 26 cm. (71/8 x 10 in.)

€600-800 £500-800$800-1,000

200

201

202BrettWeston (1911-1993)Untitled (Roof), ca. 1950Gelatin silver print, printed 1998. Credit stampon the verso.This work was authenticated bythe Brett Weston Estate.27.5 x 35.2 cm. (103/4 x 137/8 in.)

€800-1,200 £700-1,100$1,000-1,700

203René Jacques (1908-2003)Usines Renault, 1951Gelatin silver print, printed ca. 1970.Signed in ink in the margin.34 x 26.8 cm. (133/8 x 101/2 in.)

€600-800 £500-800$800-1,100

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202

203

204Ernst Haas (1921-1986)Homecoming Prisoners, Vienna, 1947Gelatin silver print, printed 1972.Credit stamp on the verso.23.7 x 18.3 cm. (93/8 x 71/4 in.)

€1,500-2,000 £1,300-1,800$2,000-2,800

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204

205Henri Cartier-Bresson (1908-2004)Mexico, 1963Gelatin silver print. Annotated inpencil with credit stamp on the verso.16 x 25 cm. (63/8 x 97/8 in.)

€1,100-1,600 £900-1,500$1,400-2,200

206Enzo Sellerio (b. 1924)Randazzo, 1963Gelatin silver print, printed ca. 1980.Signed in ink with credit stamp onthe verso.38.5 x 28.5 cm. (151/8 x 111/4 in.)

€1,000-1,500 £800-1,400$1,300-2,100

Literature: Fermo ImmaginePhotographs by Enzo Sellerio, p. 104

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205

206

207William Klein (b. 1928)Dance in Brooklyn, NewYork, 1955Gelatin silver print, printed ca. 1980.Signed, titled and dated in pencil on the verso.32 x 45.5 cm. (125/8 x 177/8 in.)€3,000-4,000 £2,600-3,600

$4,000-5,500

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207

208 δFrancesco Radino (b. 1947)Orvieto, 1984Gelatin silver print.This work isaccompanied by a certificate signed andnumbered 3/10 by the artist in ink, issuedby Galleria Cons Arc.30 x 40 cm. (113/4 x 153/4 in.)

€1,000-1,200 £800-1,100$1,300-1,700

Provenance: Galleria Cons Arc,Switzerland

Literature: Mutazioni, p. 51; ModusVivendi, n.p.; Archivi della Fotografia,p. 42; Valtorta, Pagine di fotografiaitaliana, p. 151

209 δFrancesco Radino (b. 1947)Linate-Radar, 1989Gelatin silver print.This work isaccompanied by a certificate signed andnumbered 1/10 by the artist in ink, issuedby Galleria Cons Arc.50 x 60 cm. (195/8 x 235/8 in.)

€1,000-1,200 £800-1,100$1,300-1,700


Literature: Mutazioni, p. 18

210 δMimmo Jodice (b. 1934)Matera, 1990Gelatin silver print. Signed and datedwith inscription in ink on the mount.Thiswork is accompanied by a certificatesigned and numbered 1/5 by the artist inink, issued by Galleria Cons Arc.40 x 50 cm. (153/4 x 195/8 in.)

€1,600-2,000 £1,400-1,800$2,100-2,800


Literature: Perdersi a guardare, p. 140

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208

209

210

211 δGabriele Basilico (b. 1944)Rotterdam, 1986Gelatin silver print. Credit blindstamp in the margin;signed, titled, dated and numbered A.P. in pencil on the verso.36 x 47 cm. (141/4 x 181/2 in.)

€2,800-3,200 £2,400-2,900$3,800-4,400

67

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211

212Gianni Berengo Gardin (b. 1930)Gran Bretagna, 1977Gelatin silver print. Credit stamp onthe verso.20 x 30.4 cm. (77/8 x 117/8 in.)

€1,000-1,200 £800-1,100$1,200-1,700

Literature: Contrasto, ed., GianniBerengo Gardin, pl. 45, p. 87

213Louis Stettner (b. 1922)Manhattan from the Brooklyn Promenade,ca. 1954Gelatin silver print, printed ca. 1970.Credit blindstamp in the margin;signed and numbered 6/6 in pencilon the verso.19.5 x 29.5 cm. (73/4 x 115/8 in.)

€1,000-1,400 £800-1,300$1,300-2,000

214Gianni Berengo Gardin (b. 1930)Spagna, ca. 1970Gelatin silver print. Credit stampon the verso.

22.5 x 32.5 cm. (83/4 x 123/4 in.)

€800-1,000 £700-900$1,000-1,400

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212

213

214

215Bill Brandt (1904-1983)Self-Portrait, 1966Gelatin silver print. Signed in inkon the mount.34.2 x 29.3 cm. (131/2 x 115/8 in.)

€3,000-4,000 £2,600-3,600$4,000-5,500

216Elliott Erwitt (b. 1928)Americans, 1962Gelatin silver print, printed ca. 1980.Signed in ink on the verso.14 x 20 cm. (51/2 x 77/8 in.)

€900-1,300 £700-1,200$1,200-1,800

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215

216

217Martine Franck (b. 1938)Daniel Cohn Bendit, 1968Gelatin silver print. Credit stamp on theverso.20.6 x 29.8 cm. (81/8 x 113/4 in.)

€400-600 £300-600$500-900

218Ermete MarzoniUntitled (Nudes), ca. 1970Two gelatin silver prints. Each withcredit stamp on the verso.Each 39 x 29 cm. (153/8 x 113/8 in.)

€300-600 £200-600$400-900

219Fabrizio Ferri (b. 1952)Ritratto, 1973Gelatin silver print. Credited and datedin an unknown hand in ink on the verso.27.5 x 40.5 cm. (103/4 x 157/8 in.)

€300-600 £200-600$400-900

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217

218

219

220PaolaAgosti (b. 1947)Abruzzo, ca. 1970Four gelatin silver prints. Each withcredit stamp on the verso.Each 24.2 x 35 cm. (95/8 x 133/4 in.)

€600-800 £500-800$800-1,100

221Tano D’amico (b. 1942)Ad occhi aperti, ca. 197010 gelatin silver prints. Each signedin ink in the margin.Each 17.5 x 24 cm. (67/8 x 93/8 in.)

€500-700 £400-700$600-1,000

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220 221

223 224

222

222Aldo Bonasia (b. 1949)Milano, nelle vie intorno via Mancini, 1975Two gelatin silver prints. Each with creditstamp on the verso.Each 25 x 35.5 cm. (97/8 x 14 in.)

€300-600 £200-600$400-900

223MassimoVitali (b. 1944)Pop Festival Zerbo, 1972Gelatin silver print.Titled and datedin ink with credit stamp on the verso.27 x 39 cm. (105/8 x 153/8 in.)

€600-800 £500-800$800-1,100

224Lisetta Carmi (b. 1924)Londra Scuola Bonsfield a metodomoderno antiautoritario, 1973Gelatin silver print. Credit stamp onthe verso.24 x 30.3 cm. (93/8 x 117/8 in.)

€300-600 £200-600$400-900

225ClaudioAbate (b. 1943)Fabio Mauri, Performance(La ragazza ebrea), 1971Gelatin silver print.Titled in ink withcredit stamp on the verso.38.7 x 26.5 cm. (151/4 x 103/8 in.)

€500-700 £400-700$600-1,000

226Ugo Mulas (1928-1973)Wrapped Monument to Vittorio Emanuele,Project for Piazza del Duomo, Milan, 1975Gelatin silver print.56 x 71 cm. (22 x 28 in.)

€1,000-1,500 £800-1,400$1,300-2,100

Literature: Christo and Jeanne-Claude:Prints and Objects, pl. 82

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225

226

227Robert Mapplethorpe (1946-1989)Patti Smith, N.Y.C., 1976Gelatin silver print. Signed, dated and numbered 3/10 in ink in the margin; signed and dated in ink with copyright credit reproductionlimitation stamp on the verso.34.7 x 34.8 cm. (133/4 x 133/4 in.)

€10,000-15,000 £8,800-13,300$13,600-20,500

Provenance: Sotheby’s NewYork, 6 April 1993, lot 520

Literature: Whitney Museum of American Art, Robert Mapplethorpe, p. 72

Nel 1967 la musicista e poetessa Patti Smith si trasferì a NewYork dove, a seguito di una serie di circostanze, incontrò Robert Mapplethorpe.Nella sua recente biografia Just Kids (2010) Patti Smith descrive l’inizio del legame sentimentale e di amicizia con Mapplethorpe,alimentato dalla comune passione per l’arte e la poesia. Questo ritratto di Patti Smith realizzato da Mapplethorpe rivela non solo lavulnerabilità della poetessa ma anche la sua fiducia e la sua profonda convinzione nella genialità artistica del fotografo.

In 1967 singer-song writer Patti Smith moved to NewYork and through a series of events met Robert Mapplethorpe. In her recentlypublished memoir Just Kids (2010) Smith describes the start of a romance and lifelong friendship with Mapplethorpe, which was arelationship fueled by a passion for art and writing.This portrait of Smith by Mapplethorpe reveals not only her guarded vulnerability,but also her dual role as both muse and the inspired.

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227

228Letizia Battaglia (b. 1935)Untitled (Nude Studies), ca. 1970Seven gelatin silver prints. Each with credit stamp on the verso.Each 17.8 x 23.8 cm. (7 x 93/8 in.)

€800-1,200 £700-1,100$1,000-1,700

229Letizia Battaglia (b. 1935)Omicidio Reina, 1979Gelatin silver print. Credit stamp on the verso.17.6 x 23.8 cm. (67/8 x 93/8 in.)

€1,000-1,500 £800-1,400$1,300-2,100

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229

228

230Joel-PeterWitkin (b. 1939)The Eggs of my Amnesia, 1996Gelatin silver print. Signed, titled, datedand inscribed in pencil on the verso.32 x 28.5 cm. (125/8 x 111/4 in.)

€2,500-3,500 £2,200-3,100$3,400-4,800

231Antonin Kratochvil (b. 1947)Mike Walker from Devenport. Owa.Heaviest Man in the World, ca. 1970Gelatin silver print. Signed in inkon the verso.17.6 x 25.6 cm. (67/8 x 101/8 in.)

€600-800 £500-800$800-1,100

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230

231

232Donald McCullin (b. 1935)Dead man. Congo, 1966Gelatin silver print. Credited, titled and datedin an unknown hand in ink on the verso.22.5 x 33.3 cm. (83/4 x 131/8 in.)

€400-600 £300-600$500-900

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232

233Thomas Höpker (b. 1936)USA, Parris Island, South Carolina, 1970Gelatin silver print. Credit stamp on the verso.24.6 x 37.8 cm. (95/8 x 141/4 in.)

€800-1,200 £700-1,100$1,000-1,700

234Thomas Höpker (b. 1936)USA, Parris Island, South Carolina, 1970Gelatin silver print. Credit stamp on the verso.25.5 x 37 cm. (10 x 145/8 in.)

€800-1,200 £700-1,100$1,000-1,700

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233 234

235 236

235Thomas Höpker (b. 1936)USA, Parris Island, South Carolina, 1970Gelatin silver print. Credit stamp on the verso.25 x 36.9 cm. (97/8 x 145/8 in.)

€800-1,200 £700-1,100$1,000-1,700

236Thomas Höpker (b. 1936)USA, Parris Island, South Carolina, 1970Gelatin silver print. Credit stamp on the verso.26 x 36.9 cm. (101/4 x 145/8 in.)

€800-1,200 £700-1,100$1,000-1,700

237Sebastião Salgado (b. 1944)Lisbon, Portugal, 1975Gelatin silver print. Annotated in inkwith credit stamp on the verso.30 x 20 cm. (113/4 x 77/8 in.)

€600-800 £500-800$800-1,100

238Sebastião Salgado (b. 1944)Centre George Pompidou, Paris, ca. 1975Gelatin silver print. Credit stampon the verso.16 x 24.5 cm. (63/8 x 95/8 in.)

€600-800 £500-800$800-1,100

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237

238

239Alberto Korda (1928-2001)Che Guevara smoking cigar and playing chess, ca. 1960Gelatin silver print. Credit stamp on the verso.23.8 x 18 cm. (93/8 x 71/8 in.)

€900-1,300 £700-1,200$1,200-1,800

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240Robert Capa (1913-1954)Russian Scenes, Steinbeck Series, 1947-1948Gelatin silver print.Titled in ink with newspaper caption on the verso.22.3 x 18.8 cm. (83/4 x 73/8 in.)

€600-900 £500-800$800-1,300

241Alberto Korda (1928-2001)Hotel Riviera, 1962Gelatin silver print. Credit stamp on the verso.18 x 24 cm. (71/8 x 93/8 in.)

€400-800 £300-800$500-1,100

239

241

240

242Artist UnknownFederico Fellini, ca. 1960Gelatin silver print.39.7 x 29.7 cm. (155/8 x 101/2 in.)

€300-600 £200-600$400-900

243Gideon BachmannBernardo Bertolucci, Novecento, 1974Four gelatin silver prints. Each with credit stampon the verso.Varying sizes from 16.6 x 23 cm. (61/2 x 9 in.)to 29.8 x 19.5 cm. (113/4 x 73/4 in.)

€500-600 £400-600$600-900

244SabineWeiss (b. 1924)Alberto Giacometti, 1954Gelatin silver print, printed ca. 1970.Signed in pencil on the mount.30 x 21 cm. (113/4 x 81/4 in.)

€800-1,200 £700-1,100$1,000-1,700

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242

244

243

245Gabriele Basilico (b. 1944)Citto Maselli, ca. 1970Two gelatin silver prints. Each withcredit stamp on the verso.Each 14.5 x 21.5 cm. (53/4 x 81/2 in.)

€600-800 £500-800$800-1,100

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246Denise Colomb (1902-2004)Nicolas de Staël. 1954Gelatin silver print, printed ca. 1970. Signed in pencil onthe verso.19 x 20.8 cm. (71/2 x 81/4 in.)

€700-900 £600-800$900-1,300

247Denise Colomb (1902-2004)Portrait d’Antonin Artaud, 1947Gelatin silver print, printed ca. 1970. Signed in pencilon the verso.35.5 x 24.5 cm. (14 x 95/8 in.)

€700-900 £600-800$900-1,300

245

246

247

248Arturo Ghergo (1901-1959)Luigi Einaudi, 1948Gelatin silver print. Signed in white ink on the recto;signed, titled and dated in ink on the mount.23 x 17 cm. (91/8 x 63/4 in.)

€800-1,000 £700-900$1,000-1,400

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249Henri Cartier-Bresson (1908-2004)Rudolf Nureyev, ca. 1960Gelatin silver print. Annotated in pencil withcredit stamp on the verso.16 x 24 cm. (63/8 x 93/8 in.)

€1,100-1,600 £900-1,500$1,400-2,200

250Paolo Monti (1908-1982)Dubuffet, 1960Gelatin silver print. Signed, titled and datedin ink on the verso.30 x 24 cm. (113/4 x 93/8 in.)

€1,500-2,000 £1,300-1,800$2,000-2,800

248

249

250

251Mario Giacomelli (1925-2000)Paesaggio, Motivi della natura, ca. 1970Gelatin silver print. Signed and titled inink with credit stamp on the verso.29.4 x 39.5 cm. (115/8 x 155/8 in.)

€1,800-2,200 £1,500-2,000$2,400-3,000

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252Mario Giacomelli (1925-2000)Pretini, 1961Gelatin silver print. Signed and dated in ink withcredit stamp on the verso.20.5 x 35 cm. (81/8 x 137/8 in.)

€1,300-1,700 £1,100-1,500$1,700-2,400

253Mario Giacomelli (1925-2000)Paesaggio, Marche, 1969Gelatin silver print. Credit stamp on the verso.39.2 x 26.5 cm. (151/4 x 103/8 in.)

€1,800-2,200 £1,500-2,000$2,400-3,000

251

252

253

254Vincenzo Castella (b. 1952)Vagherello, 1995Chromogenic print. Signed, titled and dated in inkon the verso.21 x 26 cm. (81/4 x 101/4 in.)

€500-700 £400-700$600-1,000

255Vincenzo Castella (b. 1952)Sardegna, 1988Chromogenic print. Signed and annotated in ink onthe verso.26 x 33.7 cm. (101/4 x 131/4 in.)

€1,000-1,200 £800-1,100$1,300-1,700

256 δFranco Fontana (b. 1933)Paesaggio, ca. 1970Chromogenic print. Numbered 18/25 in ink withcredit stamp on the verso.39.5 x 29 cm. (155/8 x 113/8 in.)

€400-800 £300-800$500-1,100

257 δFranco Fontana (b. 1933)Paesaggi, 1977Two Chromogenic prints. Each signed, titled, datedand numbered 88/100 in ink on the mount.19 x 27 cm. (71/2 x 105/8 in.)

€600-800 £500-800$800-1,100

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254

255 256

257

258 δVincenzo Castella (b. 1952)Pirelli, 1986Polaroid. Signed, titled, dated and numbered 1/3in pencil in the margin.68.5 x 51.5 cm. (27 x 201/4 in.)

€1,000-1,500 £800-1,400$1,300-2,100

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259 δWolfgangTillmans (b. 1968)Isa vor Sound Factory, 1995Chromogenic print. This work isnumber 6 from an edition of 10.40 x 30 cm. (153/4 x 113/4 in.)

€2,000-2,500 £1,700-2,300$2,700-3,500

Provenance: Galleria SALES, Roma

260Oskar Luigi CecereUntitled (Moda), 2008Chromogenic print. Signed, titled and dated in inkon the verso.28 x 35 cm. (11 x 137/8 in.)

€300-400 £200-400$400-600

258

260

259

261Luigi Ghirri (1943-1992)Rimini, 1983Chromogenic print. Signed, titled and dated in pencil inthe margin.26.5 x 38 cm. (103/8 x 15 in.)

€2,800-3,200 £2,400-2,900$3,800-4,400

Exhibited: Viaggio in Italia, Pinacoteca Provinciale,Bari, 1984

262Olivo Barbieri (b. 1954)Southampton, England, 1987Chromogenic print. Signed and titled in pencil inthe margin.11.7 x 23.7 cm. (45/8 x 91/4 in.)

€1,300-1,600 £1,100-1,500$1,700-2,200

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261

262

263 δLuigi Ghirri (1943-1992)Modena, 1979Chromogenic print. Signed, dated and numbered 30/30in ink in the margin.24 x 36 cm. (93/8 x 141/4 in.)

€3,000-4,000 £2,600-3,600$4,000-5,500

264Luigi Ghirri (1943-1992)Fiori, 1982Chromogenic print. Signed and dated in inkin the margin.24.5 x 37 cm. (95/8 x 145/8 in.)

€2,000-2,500 £1,700-2,300$2,700-3,500

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263

264

265Mario Cresci (b. 1942)Tricario Ombra 3, 1979Gelatin silver print. Signed, titled anddated in ink on the reverse of the mount.40.6 x 30.4 cm. (16 x 117/8 in.)

€700-900 £600-800$900-1,300

266Mimmo Jodice (b. 1934)Sully sur Loire, 1984Gelatin silver print. Signed in pencil inthe margin.20 x 24.3 cm. (77/8 x 95/8 in.)

€600-800 £500-800$800-1,100

Provenance: Libreria Agorà,Torino

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265

266

267Vittorio Sella (1859-1943)Colle Dongusorun dal ghiacciaioCiat/Kogutai, 1889Gelatin silver print. Numbered in whiteink on the recto; credit blindstampin the margin.28 x 38.5 cm. (11 x 151/4 in.)

€2,000-2,500 £1,700-2,300$2,700-3,500

268Riccardo Moncalvo (1915-2008)Veduta aerea diTorino, 1940-1950Gelatin silver print. Credit stampon the verso.23.9 x 16.2 cm. (93/8 x 63/8 in.)

€600-800 £500-800$800-1,100

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267

268

269Domenico Riccardo Peretti Griva (1882-1962)Campagna Romana, ca. 1930Bromoil print. Signed and titled in pencil in the margin.24.2 x 15.8 cm. (95/8 x 61/4 in.)

€400-800 £300-800$500-1,100

270Domenico Riccardo Peretti Griva (1882-1962)Vecchia Sardegna, ca. 1930Bromoil print. Signed and titled in ink on the recto;credit stamp on the verso.41.8 x 39.9 cm. (161/2 x 153/4 in.)

€400-800 £300-800$500-1,100

271Domenico Riccardo Peretti Griva (1882-1962)Atene. L’Acropoli, ca. 1910Bromoil print. Signed and titled in pencil in the margin.12 x 14.8 cm. (43/4 x 53/4 in.)

€400-800 £300-800$500-1,100

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269 270

271

272WilhelmVon Gloeden (1856-1931)Nerone, ca. 1904Albumen print. Credit stamp onthe verso.16.2 x 11 cm. (63/8 x 41/4 in.)

€700-800 £600-800$900-1,100

273Fosco Maraini (b. 1912)Untitled (Archeologic landscape),ca. 1940Gelatin silver print. Credit stamp onthe verso.18.3 x 18.2 cm. (71/4 x 71/4 in.)

€700-1,100 £600-1,000$900-1,500

274Rudolf Lehnert (1878-1948) andErnest Landrock (1878-66)Untitled (Oasis), ca. 1910Gelatin silver print. Credit stamp onthe verso.29.5 x 39.5 cm. (115/8 x 155/8 in.)

€300-600 £200-600$400-900

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272 273

274

275Guido Rey (1861-1935)Scena fiamminga, Ragazza alla finestra,1906Platinum toned gelatin silver print.20.3 x 16 cm. (8 x 63/8 in.)

€2,000-2,500 £1,700-2,300$2,700-3,500

This work is from the same series ofFlemish interiors that the artist hadpublished in Camera Work, issue 24,1908.

276Italo Bertoglio (1871-1963)La poupée, ca. 1930Gelatin silver print. Credit labelon the verso.31.7 x 35 cm. (121/2 x 137/8 in.)

€600-1,200 £500-1,100$800-1,700

92

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275

276

277FerencAszmann (1907-1988)Chrysanthemum, 1939Gelatin silver print. Credited Aszmann in an unknown hand in inkwith South shields International Salon of Photography label onthe verso.41.9 x 29.8 cm. (161/2 x 113/4 in.)

€400-800 £300-800$500-1,100

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277

278Baccarini e PortaUntitled (Ritratto), ca. 1930Gelatin silver print. Signed in inkon the mount.22.2 x 16.2 cm. (83/4 x 11 in.)

€250-450 £200-400$300-700

279Italo Bertoglio (1871-1963)Etude de mains, 1933Gelatin silver print. Signed in pencil onthe mount; credit and Société Francaisede Photographies labels on the verso.39.5 x 29.8 cm. (155/8 x 113/4 in.)

€600-1,200 £500-1,100$800-1,700

94

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278

279

280Elio Luxardo, Pietro Donzelli, FedericoVender and othersCon una piccola Rondine, 1951Book containing 42 gelatin silver prints. Milano, Ferrania, 1951. 8vo. Original illustratedpaper cover with 60 black and white plates. Mario Carafoli: three prints, pp. 7-9;Vico D’Incerti: four prints and one contact print, pp. 27-30; Sandro Da Re: four prints,pp. 18-21; Pietro Donzelli: four prints, pp. 31-34; Giulio Galimberti: four prints, pp. 35-38;Elio Luxardo: four prints, pp. 39-42; Gualberto Davolio Marani: five prints, pp. 22-26;Mario Perotti: two prints, pp. 43-44; Federico Vender: six prints, pp. 51-56 and VittorioVillani: six prints, pp. 61-66.Varying sizes from 23.5 x 17.6 cm. (91/4 x 67/8 in.) to 23.5 x 29.7 cm. (91/4 x 113/4 in.)

€12,000-15,000 £10,500-13,300$16,300-20,500

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280

281Francesco Ferruccio Leiss (1892-1968)Rio dellaToletta, ca. 1940Gelatin silver print. Signed and titled inpencil on the mount.33.8 x 25.8 cm. (131/4 x 101/4 in.)

€600-1,200 £500-1,100$800-1,700

282Francesco Ferruccio Leiss (1892-1968)Ricordo di una serata nebbiosa,Novembre 1955, 1955Gelatin silver print. Signed, titledand dated in ink with credit stampon the verso.22.9 x 16.8 cm. (9 x 65/8 in.)

€800-1,600 £700-1,500$1,000-2,200

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281

282

283Giuseppe Cavalli (1904-1961)Spiaggia, 1959Gelatin silver print. Signed in ink in themargin; credit stamp on the verso.11.5 x 22 cm. (41/2 x 85/8 in.)

€2,000-2,500 £1,700-2,300$2,700-3,500

Literature: Trincucci, Giuseppe Cavalli(1904-1961), p. 70 (variant)

284Giuseppe Cavalli (1904-1961)Bottiglie, 1960Gelatin silver print. Signed and dated inink with credit stamp on the verso.23 x 17.2 cm. (91/8 x 63/4 in.)

€2,000-2,500 £1,700-2,300$2,700-3,500

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283

284

285LuigiVeronesi (1908-1998)Struttura, 1952Gelatin silver print. Credit label and Gruppo Fotografico LaBussola label on the verso.39.2 x 28 cm. (153/8 x 11 in.)

€3,000-4,000 £2,600-3,600$4,000-5,500

Literature: Gorlich, ed., Ezio Croci “Foto annuario italiano 1958”,p. 65 (variant)

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285

286Fulvio Roiter (b. 1926)Il Platano, 1949Gelatin silver print. Signed in ink on theverso.39.8 x 29.8 cm. (153/4 x 113/4 in.)

€600-800 £500-800$800-1,100

Literature: Zannier, Fotografia a Venezianel dopoguerra, da Ferruccio Leiss alCircolo “La Gondola”, p. 55; Rosenblumand Morello, Fulvio Roiter, pl. 3, p. 45

287Mario De Biasi (b. 1923)Cavallini, 1950Gelatin silver print. Signed, titledand dated in ink with credit stampon the verso.30.3 x 40 cm. (117/8 x 153/4 in.)€1,000-1,500 £800-1,400

$1,300-2,100

99

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286

287

288Fulvio Roiter (b. 1926)Paesaggio con barche, ca. 1940Gelatin silver print. Credit stamp on the verso.24 x 17.8 cm. (93/8 x 7 in.)€400-600 £300-600

$500-900

100

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289Bruno Stefani (1901-1976)Il ritorno, Calabria, ca. 1940Gelatin silver print. Credit stamp on the verso.23.4 x 17.8 cm. (91/4 x 7 in.)

€600-800 £500-800$800-1,100

290Pietro Donzelli (1915-1998)Approdo di barche, ca. 1954Gelatin silver print. Credit stamp on the verso.22.3 x 28 cm. (83/4 x 11 in.)

€1,100-1,600 £900-1,500$1,400-2,200

288

289

290

291Tazio Secchiaroli (1925-1998)Untitled (skulls), 1953Gelatin silver print. Credit stamp on the verso.24 x 18 cm. (93/8 x 71/8 in.)

€300-500 £200-500$400-700

101

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292Federico Patellani (1911-1977)Processione, ca. 1940Gelatin silver print. Credit stamp on the verso.20.5 x 25.4cm. (81/8 x 10 in.)

€300-500 £200-500$400-700

293Enzo Sellerio (b. 1924)Lettura del Processo Montesi, 1957Gelatin silver print. Credit stamp on the verso.24.2 x 30 cm. (95/8 x 113/4 in.)

€800-1,200 £700-1,100$1,000-1,700

291

292

293

294Vitaliano BassettiLa Bagnina, ca. 1950Gelatin silver print. Signed and annotated in ink on the verso.29.9 x 23 cm. (113/4 x 9 in.)

€400-600 £300-600

$500-900

102

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295Giulio ParmianiPudore, ca. 1940Gelatin silver print.Titled in ink with credit stampon the verso.18 x 24 cm. (71/8 x 93/8 in.)

€400-600 £300-600$500-900

296André Kertész (1894-1985)Feeding the Ducks in the LateAfternoon,Tisza Szalka, 1924Gelatin silver print, printed ca. 1970.Credit blindstamp in the margin.19.8 x 25 cm. (73/4 x 97/8 in.)

€1,000-1,500 £800-1,400$1,300-2,100

294

295

296

297Aleksandr Mikhailov Rodchenko (1891-1956)Chauffeur, 1933Gelatin silver print, printed 1976.26.9 x 40 cm. (105/8 x 153/4 in.)

€1,500-2,000 £1,300-1,800$2,000-2,800

298FerencAszmann (1907-1988)Gangster, 1938Gelatin silver print. Credited Aszmann in an unknownhand in ink with New Zeland InternationalPhotographic Salon label on the verso.40.5 x 28.8 cm. (16 x 111/4 in.)

€400-800 £300-800$500-1,100

103

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297

298

299Philippe Halsman (1906-1979)Untitled (Red cross nurses), ca. 1940Gelatin silver print. Credit stamp onthe verso.19 x 24.5 cm. (71/2 x 95/8 in.)

€300-600 £200-600$400-900

300Drahomir Josef Ruzicka (1870-1960)Reading, ca. 1920Gelatin silver print. Signed in pencil onthe recto.23.2 x 29.5 cm. (91/8 x 115/8 in.)

€500-700 £400-700$600-1,000

301Mario Gabinio (1871-1938)Laboratorio di pasticceria n.1, 1937Bromoil print. Initialed in pencil onthe verso.15.5 x 22.8 cm. (61/8 x 9 in.)

€700-1,100 £600-1,000$900-1,500

Literature: Avigdor, Mario GabinioFotografo, pl. 12, p. 52

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299 300

301

302Otto DyarAnna May Wong, Daughter of the Dragon,1930Gelatin silver print. Annotated in inkwith credit stamp on the verso.23.5 x 18 cm. (91/4 x 71/8 in.)

€300-600 £200-600$400-900

105

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303CarlVanVechten (1880-1964)Anna Mae Wong, 1940Gelatin silver print. Credit stampon the verso.35.2 x 27.8 cm. (137/8 x 107/8 in.)

€600-800 £500-800$800-1,100

302

303

304Giulio ParmianiLa Gorgone, 1953Gelatin silver print. Credited and annotatedBirmingham Photographic Society in an unknownhand in ink on the verso.40.3 x 30 cm. (157/8 x 113/4 in.)

€600-800 £500-800$800-1,100

305Elisabetta Catalano (b. 1941)Ritratto, ca. 1970Gelatin silver print. Credit stamp on the verso.24 x 18 cm. (93/8 x 71/8 in.)

€300-600 £200-600$400-900

306Grancel Fitz (1894-1963)Doris Day, ca. 1940Gelatin silver print. Credit stamp on the verso.21.8 x 21.8 cm. (85/8 x 85/8 in.)

€300-600 £200-600$400-900

106

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304

305

306

307Mario Bonzuan (1904-1982)Occhi a Burano, 1953Gelatin silver print. Credit stampon the verso.37.2 x 30.2 cm. (145/8 x 117/8 in.)

€800-1,600 £700-1,500$1,000-2,200

Literature: Oliva, Fotografia Italiana 1955,pl. 7 (variant); Croci, Foto AnnuarioItaliano 1958, p. 65 (variant)

308Pino Dal Gal (b. 1936)Ritratto, ca. 1960Gelatin silver print. Signed andannotated in ink on the verso.30.7 x 27.8 cm. (121/8 x 107/8 in.)

€400-600 £300-600$500-900

107

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307

308

309Paolo Monti (1908-1982)Cortile, ca. 1950Gelatin silver print. Signed in pencilwith credit stamp on the verso.38.9 x 29.6 cm. (151/4 x 115/8 in.)

€600-800 £500-800$800-1,100

310Rinaldo PrieriFantastic still life, ca. 1940Gelatin silver print.Titled in inkwith credit stamp on the verso.23.5 x 11.5 cm. (91/4 x 41/2 in.)

€400-600 £300-600$500-900

108

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309 310

311FedericoVender (1901-1998)Il Pescatore, ca. 1940Gelatin silver print. Signed in ink on therecto; credit stamp on the verso.36.6 x 28.9 cm. (143/8 x 113/4 in.)

€800-1,600 £700-1,500$1,000-2,200

Literature: Gruppo Editoriale Domus,Fotografia, prima rassegna dell’attivitàfotografica in Italia, , p. 34

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312Mario Bonzuan (1904-1982)Disperazione, 1955Gelatin silver print. Signed and titled inink on the verso.29.5 x 29.5 cm. (115/8 x 115/8 in.)

€800-1,600 £700-1,500$1,000-2,200

311

312

313Ansel EastonAdams (1902-1984)Afternoon Sun, Crater Lake National Park,1943Gelatin silver print, printed ca. 1950.Initialed in pencil on the mount;numbered 8/74 in ink with credit stampon the reverse of the mount.23.4 x 18 cm. (91/4 x 71/8 in.)

€3,000-4,000 £2,600-3,600$4,000-5,500

314EdwardWeston (1886-1958)Melting Ice, 1937Gelatin silver print. Initialed and dated inpencil on the mount.24 x 19 cm. (93/8 x 71/2 cm.)

€4,000-6,000 £3,500-5,300$5,400-8,200

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313

314

315Andreas Feininger (b. 1906)9th Ave Elevated Structure in Harlem, 1940Gelatin silver print.Titled and dated in ink with credit stamp on the verso.35.5 x 27.5 cm. (14 x 103/4 in.)

€3,000-4,000 £2,600-3,600$4,000-5,500

111

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315

316BereniceAbbott (1898-1991)Hands of Cocteau, 1927Gelatin silver print, printed ca. 1950.Credit stamp on the verso.17.5 x 23.5 cm. (67/8 x 91/4 in.)

€3,500-4,500 £3,000-4,000$4,700-6,200

317FedericoVender (1901-1998)Nudo, ca. 1940Gelatin silver print. Credit stampon the verso.25.4 x 20.2 cm. (10 x 8 in.)

€2,500-3,000 £2,200-2,700$3,400-4,100

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316

317

113

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318Julia Margaret Cameron (1815-1879)Holy Family, 1872Albumen print.33.7 x 27.8 cm. (131/4 x 107/8 in.)

€7,000-9,000 £6,100-8,000$9,500-12,300

Literature: Olsen, From Life: Julia Margaret Cameron and Victorian Photography, n.p.;

Si tratta di uno scatto realizzato nello stesso momento dell’esemplare conservato nelle collezioni fotografiche del Getty Museum diMalibù. Una variante della stessa composizione dedicata dalla Cameron a Gustave Doré, già nella collezione Jammes, è statavenduta da Sotheby’s a Londra nel 1999 a € 42.000.

Secondo Victoria Olsen la Cameron: “Sarebbe stata interessata alla rappresentazione della Sacra Famiglia come metafora dellaclasse operaia, umile, gente contadina. Ha utilizzato la sua cameriera Mary Hillier per interpretare la Vergine Maria, e due ragazzinilocali nelle vesti di Giovanni Battista e Gesù. Penso che fosse interessata a questa contraddizione tra l’elevato e il mistero - tra ilpulito e lo sporco, il mortale e il divino, l’ordinario e lo straordinario”.

A variant of this image is in the permanent collection ofThe J. Paul Getty Museum, California. A similar photograph with the samecomposition dedicated from Cameron to Gustave Doré, from the Jammes Collection, was sold by Sotheby’s in London in 1999 for € 42.000.

Quoting Victoria Olsen in From Life: Julia Margaret Cameron and Victorian Photography: “Cameron would have been interested inthat notion of the holy family as working class, humble, peasant people. She used her maid Mary Hillier as Mary Madonna, and twolocal children as John the Baptist and Jesus. I think she was interested in that contradiction between the high and the low —between the clean and the dirty, the mortal and the divine, the ordinary and the extraordinary”.

318

319Jacques-Henri Lartigue (1894-1986)Roi Pausole at Eden Rock, 1932Gelatin silver print, printed ca. 1970. Signed in ink with creditblindstamp in the margin.29.5 x 39.5 cm. (115/8 x 155/8 in.)

€1,100-1,600 £900-1,500$1,400-2,200

114

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319

320Man Ray (1890-1976)Autoportrait à la voiture, ca. 1930Gelatin silver print.7.8 x 5.4 cm. (31/8 x 21/8 in.)

€600-800 £500-800$800-1,100

321Man Ray (1890-1976)Self portrait, ca. 1930Gelatin silver print.5.5 x 8 cm. (21/8 x 31/4 in.)

€600-800 £500-800$800-1,100

115

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320

321

322André Kertész (1894-1985)Satiric Dancer, 1926Gelatin silver print, printed ca. 1970.Credit blindstamp in the margin.26.8 x 22 cm. (101/2 x 87/8 in.)

€1,200-1,800 £1,000-1,600$1,600-2,500

323Carlo Mollino (1905-1973)Interno di casa Devalle, 1939-1940Gelatin silver print. Credit stamp on thereverse of the mount.28 x 23 cm. (11 x 91/8 in.)

€1,300-1,700 £1,100-1,500$1,700-2,400

116

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322

323

324André Kertész (1894-1985)Distortion, 1933Gelatin silver print, printed ca. 1970.Credit blindstamp in the margin.19.5 x 27.8 cm. (73/4 x 107/8 in.)

€1,000-1,500 £800-1,400$1,300-2,100

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325Robert Mapplethorpe (1946-1989)Lydia Cheng, 1987Gelatin silver print. Signed, titled, dated andnumbered 5/10 in ink with copyright creditreproduction limitation stamp on the verso.57.5 x 47.5 cm. (225/8 x 183/4 in.)

€2,000-4,000 £1,700-3,600$2,700-5,500

324

325

326

326André Kertész (1894-1985)Distortion, 1933Gelatin silver print, printed ca. 1970.Credit blindstamp in the margin.20.5 x 25 cm. (8 x 97/8 in.)

€1,000-1,500 £800-1,400$1,300-2,100

327Robert Doisneau (1912-1994)Un regard oblique, 1948Gelatin silver print. Credit stampon the verso.17.7 x 17.5 cm. (67/8 x 67/8 in.)

€1,400-2,000 £1,200-1,800$1,900-2,800

118

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328Robert Doisneau (1912-1994)La Dernière Valse, 1949Gelatin silver print. Credit stamp on theverso.21.1 x 17.8 cm. (81/4 x 7 in.)

€1,200-2,000 £1,000-1,800$1,600-2,800

327

328

329Willy Ronis (1910-2009)PlaceVendôme, 1947Gelatin silver print, printed ca. 1980. Credit stampon the verso.24 x 17.7 cm. (93/8 x 7 in.)

€800-1,000 £700-900$1,000-1,400

330Willy Ronis (1910-2009)Boulevard Richard-Lenoir, Paris, ca. 1950Gelatin silver print, printed ca. 1970. Signed in inkon the mount.29.5 x 20.5 cm. (115/8 x 81/8 in.)

€900-1,100 £700-1,000$1,200-1,500

119

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331Jean-Loup Sieff (1933-2000)Place du Marché, 1953Gelatin silver print. Credit stamp on the verso.30.4 x 23.3 cm. (117/8 x 91/8 in.)

€700-1,100 £600-1,000$900-1,500

329

330

331

332Édouard Boubat (1923-1999)Paris, ca. 1950Gelatin silver print, printed 1980. Signed,titled and dated in pencil on the verso.36.5 x 24 cm. (143/8 x 93/8 in.)

€1,000-1,400 £800-1,300$1,300-2,000

333Édouard Boubat (1923-1999)Petite fille aux feuilles mortes, Paris, 1947Gelatin silver print, printed ca. 1970.Rapho credit stamp on the verso.21.8 x 15.6 cm. (85/8 x 61/8 in.)

€800-1,000 £700-900$1,000-1,400

120

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332

333

334Willy Ronis (1910-2009)Gordes, 1949Gelatin silver print, printed ca. 1980.Credit stamp on the verso.21.4 x 17.2 cm. (83/8 x 63/4 in.)

€700-900 £600-800$900-1,300

335Willy Ronis (1910-2009)Port de Bonnevil sur la Marne, 1956Gelatin silver print, printed ca. 1970.Signed in ink in the margin; credit stampon the verso.25.5 x 34.3 cm. (10 x 131/2 in.)

€900-1,100 £700-1,000$1,200-1,500

336Willy Ronis (1910-2009)Rivière, 1950Gelatin silver print, printed ca. 1970.Signed in ink in the margin.20.5 x 30.8 cm. (81/8 x 121/8 in.)

€900-1,100 £700-1,000$1,200-1,500

121

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337Édouard Boubat (1923-1999)Place desVoges, Paris, 1979Gelatin silver print. Signed, titled and dated in pencil on the verso.35.5 x 23.5 cm. (14 x 91/4 in.)

€1,000-1,400 £800-1,300$1,300-2,000

334

336

335

337

338Stefano Bricarelli (1889-1989)Villa Donegani (architetto Giò Ponti) aBordighera, 1938Gelatin silver print. Credit stamp on theverso.23.5 x 17 cm. (91/4 x 63/4 in.)€300-500 £200-500

$600-1,000

339Mario Gabinio (1871-1938)Prugne e uva, 1936Gelatin silver print.17 x 22.9 cm. (63/4 x 9 in.)

€700-1,100 £600-1,000$900-1,500

340Édouard Boubat (1923-1999)France, 1955Gelatin silver print, printed 1980. Signedin ink in the margin; titled and dated inpencil on the verso.25 x 27.5 cm. (97/8 x 103/4 in.)

€1,000-1,400 £800-1,300$1,300-2,000

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338 339

340

341Marcel Bovis (1904-1996)Le Pont Neuf, 1934Gelatin silver print. Signed in ink withcredit stamp on the verso.18.3 x 17 cm. (71/4 x 61/8 in.)

€600-800 £500-800$800-1,100

342Édouard Boubat (1923-1999)L’Homme Orchestrà, Paris, 1950Gelatin silver print, printed ca. 1970.Credit stamp on the verso.19.7 x 16 cm. (73/4 x 61/8 in.)

€600-900 £500-800$800-1,300

343Denise Colomb (1902-2004)Surimpression, ca. 1950Gelatin silver print, printed ca. 1970.Signed in pencil on the verso.26.5 x 20.8 cm. (103/8 x 81/4 in.)

€600-800 £500-800$800-1,100

123

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341 342

343

344Fulvio Roiter (b. 1926)Alti forni a Liegi, ca. 1960Gelatin silver print. Credit stampon the verso.18.5 x 28 cm. (71/4 x 11 in.)

€1,000-1,400 £800-1,300$1,300-2,000

345François Kollar (1904-1979)Pavillon du cinéma sous laTour Eiffel,Paris, Exposition Universelle, 1937Gelatin silver print. Credit stampon the verso.25 x 21.3 cm. (97/8 x 81/2 in.)

€600-800 £500-800$800-1,100

124

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344

345

346Alfredo Camisa (1927-2007)Antiques, ca. 1950Gelatin silver print. Credit label and stampon the verso.29.7 x 23.3 cm. (113/4 x 91/4 in.)

€2,000-2,400 £1,700-2,200$2,700-3,300

125

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347René Jacques (1908-2003)La Fenêtre, 1950Gelatin silver print, printed ca. 1970. Signed in inkon the verso.36 x 26 cm. (141/4 x 101/4 in.)

€600-800 £500-800$800-1,100

348Cesare Colombo (1935-1974)Apprendista n.1, ca. 1970Gelatin silver print. Credit stamp on the verso.29.8 x 40 cm. (113/4 x 153/4 in.)

€300-400 £200-400$400-600

346

347

348

349Federico Patellani (1911-1977)Maria Callas, ca. 1960Gelatin silver print. Credit stampon the verso.20 x 28 cm. (77/8 x 11 in.)

€300-600 £200-600$400-900

350Elio Luxardo (1908-1969)Maria Callas, ca. 1950Gelatin silver print. Credit stamp on theverso.23.7 x 17.8 cm. (93/8 x 7 in.)

€500-600 £400-600$600-900

126

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349

350

351

351Federico Patellani (1911-1977)Untitled (Legs), ca. 1950Gelatin silver print. Credit stamp on the verso.30.3 x 20 cm. (117/8 x 77/8 in.)€500-700 £400-700

$600-1,000

352Elio Luxardo (1908-1969)Concorso Gusella Anni ‘40 e Girandole diFuoco (Laura Nucci), 1939Two gelatin silver prints.Each approximately 39 x 29 cm.(153/8 x 113/8 in.) or the reverse

€800-1,100 £700-1,000$1,000-1,500

Literature:Turroni, Luxardo:l’italica bellezza, pp. 58, 98; Motta, ed.,Luxardo, p. 135

353Robert Doisneau (1912-1994)Tournesol, ca. 1960Gelatin silver print. Credit stamp on theverso.30.2 x 23.8 cm. (117/8 x 91/4 in.)

€600-800 £500-800$800-1,100

127

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354François Kollar (1904-1979)Untitled (Photomontage), ca. 1930Gelatin silver print. Credit stamp on the verso.27.8 x 21 cm. (107/8 x 81/4 in.)

€600-800 £500-800$800-1,100

352

353

354

355Sandro Da ReUntitled (Nude and mirror), ca. 1940Gelatin silver print. Credit stamp on the verso.24.3 x 19 cm. (95/8 x 71/2 in.)

€600-800 £500-800$800-1,100

128

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356Pierre Boucher (1908-2000)Photomontage surrealist, 1936Gelatin silver print, printed 1991. Signed in ink in the margin;credit stamp on the verso.24.8 x 20.5 cm. (93/4 x 81/8 in.)

€500-700 £400-700$600-1,000

357Alfred Cheney Johnston (1884-1971)Nude, ca. 1930Gelatin silver print. Credit stamp on the verso.33.3 x 24.5 cm. (131/8 x 95/8 in.)

€400-800 £300-800$500-1,100

355

356

357

358Mimmo Jodice (b. 1934)Graziella, 1968Gelatin silver print. Signed and dated with dedication in inkon the verso.30 x 23 cm. (113/4 x 9 in.)

€2,200-2,800 £1,900-2,500$2,900-3,900

129

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358

359Franco Grignani (b. 1908)Untitled (portrait of a woman), 1955Gelatin silver print. Signed and dated in pencil on the verso.23 x 29.5 cm. (9 x 115/8 in.)

€2,800-3,200 £2,400-2,900$3,800-4,400

130

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359

360Jean-François Jonvelle (1943-2002)Nu au canapé, ca. 1980Gelatin silver print. Credit blindstamp in the margin.25 x 37.4 cm. (97/8 x 143/4 in.)

€500-800 £400-800$600-1,100

131

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361Lucien Clergue (b. 1934)Nu dans l’eau, ca. 1960Gelatin silver print. Signed in ink on the verso.20.5 x 20 cm. (81/8 x 77/8 in.)

€800-1,200 £700-1,100$1,000-1,700

362Jean-François Jonvelle (1943-2002)Cinq mannequins sur la plage, ca. 1980Gelatin silver print. Credit blindstamp inthe margin.25 x 37.4 cm. (97/8 x 143/4 in.)

€500-800 £400-800$600-1,000

360

362

361

363Louis Stettner (b. 1922)Mexique, ca. 1954Gelatin silver print, printed ca. 1970.Credit blindstamp in the margin; signedand numbered 3/6 in pencil on the verso.38 x 48.6 cm. (15 x 191/8 in.)

€800-1,000 £700-900$1,000-1,400

364Jan Saudek (b. 1935)The Mother of Love, 1973Gelatin silver print. Signed in inkon the verso.20.2 x 25 cm. (8 x 97/8 in.)

€1,000-1,500 £800-1,400$1,300-2,100

365Connie Imboden (b. 1953)Nude, 1991Gelatin silver print. Signed and dated inink in the margin.24 x 25 cm. (93/8 x 97/8 in.)

€700-900 £600-800$900-1,300

132

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363

364

365

366Mario Giacomelli (1925-2000)Mia moglie, 1955Gelatin silver print. Signed and titled inink with credit stamp on the verso.39.5 x 29.2 cm. (153/4 x 111/2 in.)

Literature: Alistair, Mario Giacomelli,p. 407

€900-1,200 £700-1,100$1,200-1,700

367Mario Giacomelli (1925-2000)Nudi, 1956-60Gelatin silver print. Credit stampon the verso.39 x 28.5 cm. (153/8 x 111/4 in.)

€2,000-3,000 £1,700-2,700$2,700-4,100

Literature: Enzo, Giacomelli. La formadentro. Fotografie 1952-1955, p. 51;Enrica, ed., Mario Giacomelli. Lacollezione della Città di Lonato, p. 39;Alistair, Mario Giacomelli, pl. 14, p. 414

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366

367

368Corine Day (b. 1965)Kate at home, 1993Digital inkjet print. Vogue credit stampon the verso.26.7 x 19.7 cm. (101/2 x 73/4 in.)

€500-800 £400-800$600-1,100

369RichardAvedon (1923-2004)Untitled (Model with leaves), ca. 1980Digital inkjet print, printed ca. 1990.Credit stamp on the verso.25.2 x 20 cm. (97/8 x 77/8 in.)

€600-800 £500-800$800-1,100

134

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368

369

370Helmut Newton (1920-2004)Untitled (Model on the sea side), ca. 1990Digital inkjet print. Credit stamp on theverso.19.5 x 27 cm. (73/4 x 105/8 in.)

€700-1,300 £600-1,200$900-1,800

371Irving Penn (1917-2009)Mouth, New-York, 1992Digital inkjet print. Credit stampon the verso.24.7 x 20 cm. (93/4 x 77/8 in.)

€800-1,400 £700-1,300$1,000-2,000

135

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370

371

372Erwin Blumenfeld (1897-1969)Helena Rubistein, NewYork, 1948Dye transefer print, printed 1982. Numbered 23/50 in ink withEstate stamp on the verso.32 x 24.5 cm. (125/8 x 95/8 in.)

€3,000-4,000 £2,600-3,600$4,000-5,500

Provenance: Villa Grisenbach Berlin, 29 November 2001, lot 1025.

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372

373Pierluigi Praturlon (1924-1999)Anita Ekberg and Marcello Mastroianni“La Dolce Vita”, Fellini, 1960Gelatin silver print, printed 1974.Credit stamp on the verso.18.2 x 23.8 cm. (71/4 x 93/8 in.)

€400-600 £300-600$500-900

374Frank Horvat (b. 1928)Marcello Mastroianni and Deborah Dixon,Harper’s Bazaar, 1962Gelatin silver print, printed 1968. Signedin ink in the margin; signed, titled, datedand annotated in pencil on the verso.29.5 x 20 cm. (115/8 x 77/8 in.)

€1,200-1,600 £1,000-1,500$1,600-2,200

137

ROME

373

374

375William Klein (b. 1928)Simone & Marines, Pont Alexandre III, Paris, 1960Gelatin silver print, printed ca. 1970. Signed, titled and dated inpencil on the verso.60.7 x 50.4 cm. (237/8 x 193/4 in.)

€2,500-3,000 £2,200-2,700$3,400-4,100

138

ROME

375

376Seydou Keita (1921-2001)Untitled (Family), n.d.Gelatin silver print, printed 1988 byYvoneLe Marlec. Credited in pencil withprinter’s stamp on the verso.46 x 33.5 cm. (181/8 x 131/4 in.)

€1,200-1,800 £1,000-1,600$1,600-2,500

377Seydou Keita (1921-2001)Untitled (Serenade), n.d.Gelatin silver print, printed 1988 byYvone Le Marlec. Credited in pencilwith printer’s stamp on the verso.46 x 32.5 cm. (181/8 x 123/4 in.)

€1,200-1,800 £1,000-1,600$1,600-2,500

139

ROME

376

377

NEW YORK

THE PHOTOGRAPHS SALEWednesday 19th May 2010, 1.00 p.m.London: 6.00 p.m. | Rome: 7.00 p.m.

Sale No. 40048

Specialist

Hannah Hayden, International Head of [email protected]

Department

EricWinkler, Cataloger / [email protected]

Exhibition

Friday 14th May 201010.00 a.m. - 5.00 p.m.

Saturday 15th May 201010.00 a.m. - 5.00 p.m.

Sunday 16th May 201012.00 p.m. - 5.00 p.m.



Day of sale from 9.00 a.m.

Bloomsbury Auctions6West 48th StreetNewYork, NY 10036



400André Kertész (1894-1985)Mondrian’s Glasses and Pipe, 1926Gelatin silver print, printed ca. 1970.Signed and dated in pencil on the verso.73/4 x 95/8 in. (19.7 x 24.4 cm.)

$5,000-7,000 £3,200-4,600€3,600-5,200

Literature: Drucot, ed., 60Years of Photography 1912-1972, p. 116

401André Kertész (1894-1985)Chairs of Paris, 1927Gelatin silver print, printed later.Copyright estate stamp on the verso.75/8 x 93/4 in. (19.3 x 24.6 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Bruce Silverstein Gallery, NewYork

Literature: Drucot, ed., 60Years of Photography 1912-1972, p.114

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400

401

402André Kertész (1894-1985)Pays Basque, 1931Gelatin silver print, printed ca. 1970.Signed and dated in pencil on the verso.73/4 x 95/8 in. (19.5 x 24.5 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

403Édouard Boubat (1923-1999)Place Maubert, Paris, 1952Gelatin silver print, printed ca. 1970.Signed in ink in the margin; signed,titled and dated in pencil on the verso.135/8 x 91/4 in. (34.3 x 23.5 cm.)

$2,500-3,500 £1,600-2,300€1,800-2,600

Provenance: SwannAuction GalleriesNewYork, 26 May 2005, lot 525

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402

403

404Ruth Orkin (1921-1985)Mother and Infant, 1947Gelatin silver print, printed 1951.Signed, titled and dated in pencil on themat overlay; signed, titled, dated andannotated in pencil on the verso.135/8 x 9 in. (34.7 x 23 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


405Ruth Orkin (1921-1985)Jewish Refugees from Iraq, Lydda Airport,Tel Aviv, Israel, 1951Gelatin silver print, printed 1975.Signed, titled and dated in ink in themargin; signed, titled and dated inpencil on the verso.93/4 x 13 in. (24.9 x 33 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500


143

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404

405

406Nickolas Muray (1895-1965)Frida with Granizo, ca. 1939Platinum palladium print, printed 1994 bySal Lopes, authorized by the Estate ofNickolas Muray. Credited, titled, dated,numbered 2/30 and annotated by thephotographer’s daughter, Mimi Muray, inpencil on the verso. This work is from anedition of 30 plus 5 artist proofs.Accompanied by Estate colophon titledand numbered in ink.11 x 101/2 in. (30.6 x 26.7 cm.)

$5,000-7,000 £3,200-4,600€3,600-5,200

Provenance: John Stevenson Gallery,NewYork, December 2002

144

NEW YORK

407Nickolas Muray (1895-1965)Frida Icon, ca. 1939Platinum palladium print, printed 1994 bySal Lopes, authorized by the Estate ofNickolas Muray. Credited, titled, dated,numbered 1/30 and annotated by thephotographer’s daughter, Mimi Muray, inpencil on the verso. This work is from anedition of 30 plus 5 artist proofs.Accompanied by Estate colophon titledand numbered in ink.12 x 101/2 in. (30.6 x 26.7 cm.)

$5,000-7,000 £3,200-4,600€3,600-5,200

Provenance: John Stevenson Gallery,NewYork, December 2002

406

407

408Harry Callahan (1912-1999)Chicago, 1961Gelatin silver print, printed late. Signed, titled and dated in ink withreproduction notations in an unknown hand in pencil on the verso.95/8 x 63/8 in. (24.4 x 16.1 cm.)

$6,000-8,000 £3,800-5,200€4,400-5,900

Provenance: Light Gallery, NewYork

Literature: Museum of Modern Art, Harry Callahan, p. 46; Greenough, Harry Callahan, p. 125;Galassi, Walker Evans & Company, p. 132

This work was most likely sent to Creative Camera for publication, which began publishing in 1968,and was then returned to Light Gallery.

145

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408

Property from a Southern California museum

409Various ArtistsIn ChicagoChicago:The Art Institute of Chicago, 1983.10 (of 12) matted gelatin silver prints withcolophon. Each print signed in pencil on theverso unless otherwise noted. Numbered11/75 in ink on the colophon. Contained in alinen clamshell folio with gilt lettered paperlabel affixed to the cover.Folio: 23 x 181/2 in. (58.4 x 47 cm.)Each image approximately 9.5 x 10 in.(24.1 x 25.4 cm.) or the reverse

$7,000-9,000 £4,500-5,900€5,100-6,700

The titles include: Harry Callahan, StateStreet, Chicago, 1959, signed in pencil in themargin; Harold Allen, Subway Platform,1969; Yasuhiro Ishimoto, Chicago, 1962,signed in pencil in the margin; NathanLerner, Roundhouse, Chicago, 1935, signed,titled and dated in pencil on the verso; LuisMedina, View from 1000 Lake Shore Drive,1974; Richard Nickel, Carson, Pirie, Scottand Co., ca. 1955, credit stamp on the verso;David Plowden, RailroadYards, SouthChicago, 1966; Aaron Siskind, WalkerWarehouse, 1953; John Szarkowski, GarrickTheatre, 1955; BobThall, Chicago, 1979.

146

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409


410GarryWinogrand (1928-1984)Women are better than men. Not only have theysurvived, they do prevailNewYork: D.E.P Editions, 1982. 14 (of 15) mattedgelatin silver prints. Each print signed in pencil onthe verso. Contained in a cloth clamshell folio withgray printed lettering.This work is from an editionof 75.Folio: 163/4 x 213/8 in. (42.5 x 54.2 cm.)Each image: 87/8 x 13 in. (22.5 x 33 cm.)

$7,000-9,000 £4,500-5,900€5,100-6,700

147

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410

411Bill Owens (b. 1938)Pantry, 1972Gelatin silver print, printed 2008.Signed, dated and numbered in pencilwith copyright credit stamp on the verso.This work is number 5 from an edition of15 plus 3 artist proofs.133/8 x 10 1/8 in. (34 x 25.6 cm.)

$1,500-2,500 £900-1,700€1,100-1,900

Provenance: Private Collection,NewYork

Literature: Suburbia, pl. 61

148

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412William Klein (b. 1928)7-Up, NewYork, 1954Gelatin silver print, printed later.Titled and dated in pencil with creditstamp on the verso.145/8 x 103/8 in. (37.2 x 26.4 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


Literature: NewYork, pl. 167

411

412

413Danny Lyon (b. 1942)Ronnie and Cheri, La Porte, Indiana, 1962Gelatin silver print. Signed and titled in pencil and annotatedin an unknown hand in ink with Bleak Beauty printer’s creditstamp initialed and dated in pencil on the reverse of theoriginal exhibition mount.57/8 x 87/8 in. (15.1 x 22.5 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Private Collection, NewYork

Literature: The Bikeriders, p.10

414Danny Lyon (b. 1942)Outlaw Women, Starved Rock, Illinois, 1966Gelatin silver print. Signed and titled in pencil with BleakBeauty printer’s credit stamp initialed and dated in pencilon the reverse of the original exhibition mount.61/4 x 93/8 in. (15.9 x 23.7 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


Literature: The Bikeriders, p. 36

149

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413

414

415Emmet Gowin (b. 1941)Edith, Danville, Virginia, 1969Gelatin silver print, printed later. Signed, titled and dated inpencil on the verso.51/2 x 61/2 in. (14.4 x 16.5 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Light Gallery, NewYork

416Ralph Gibson (b. 1939)Untitled (Female with sculpture), 1974Gelatin silver print. Signed and dated in pencil on the verso.81/8 x 121/4 in. (20.7 x 31.4 cm.)

$1,000-1,500 £600-1,000€700-1,200

150

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415

416

417Imogen Cunningham (1883-1976)Nude, 1932Gelatin silver print, printed ca. 1960. Signed and inscribed in inkwith typed title and date on the artist’s Green Street labelaffixed to the reverse of the mount.67/8 x 87/8 in. (17.4 x 22.6 cm.)

$15,000-20,000 £9,700-13,000€11,000-14,700

Provenance: gift from the artist to Herbert Matter, 1961

Literature: Lorenz, Photographs, p. 22; Man, On the Body, pl. 84

151

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417

418EdwardWeston (1886-1958) and ColeWeston (1919-2003)Nude on Sand, Oceano, 1936Gelatin silver print, printed 1972 by ColeWeston.Signed, titled and dated by the printer in pencil withEdwardWeston credit stamp on the reverse of the mount.71/2 x 91/2 in. (19 x 24.1 cm.)

$5,000-7,000 £3,200-4,600€3,600-5,200

Provenance: SwannAuction Galleries NewYork,5 April 2001, lot 440

Literature: Conger, EdwardWeston: Photographs from theCollection of the Center of Creative Photography, n.p.

152

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418

419Wynn Bullock (1902-1975)Mendocino, California, 1968Gelatin silver print. Signed, titled and dated in pencil on the verso.71/2 x 91/2 in. (19.1 x 24 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

420Lucien Clergue (b. 1934)Untitled (Nudes), ca. 1960Four gelatin silver prints, printed 1982-1983.Three signed in inkin the margin; each signed and dated in pencil with copyrightcredit stamp on the verso.Each approximately 141/4 x 101/4 in. (30.5 x 26 cm.) or the reverse

$3,000-5,000 £1,900-3,300€2,200-3,700


153

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419

420

421Sebastião Salgado (b. 1944)Iceberg between Paulet Islands and the South Shetland Islands,Antarctica from Genesis, 2005Gelatin silver print. Credit blindstamp in the margin;signed, titled and dated in pencil on the verso.143/4 x 201/4 in. (37.3 x 51.3 cm.)

$6,000-8,000 £3,800-5,200€4,400-5,900

154

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421

422AlbertWatson (b. 1942)Twelve Portfolio, 197712 gelatin silver prints with colophon. Each signed, datedand numbered 6/12 in pencil on the verso. Contained in theoriginal glossy cardboard box with black and white title plateflush-mounted to lid.Box: 181/2 x 121/2 in. (47 x 31.5 cm.)Print: 12 x 10 in. (30.5 x 25.5 cm.)

$8,000-12,000 £5,100-7,800€5,800-8,900

Provenance: Phillips de Pury & Company NewYork,19 October 2006, lot 178

155

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422

423Annie Leibovitz (b. 1949)Kate Winslet, NewYork, 1998Chromogenic print. Signed, titled, datedand numbered 6/40 in ink in the margin.133/8 x 193/4 in. (34.2 x 50.3 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Provenance: James Danzinger Gallery,NewYork

424Annie Leibovitz (b. 1949)Michael Jordan, NewYork, 1991Chromogenic print. Signed, titled, datedand numbered 5/40 in ink in the margin.143/8 x 115/8 in. (36.5 x 29.5 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

156

NEW YORK

423

424

425Weng Fen (b. 1961)Birds EyeView, Shanghai, 2005Chromogenic print. Signed, dated and numbered 2/10in ink in the margin.311/2 x 391/2 in. (80 x 100 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

157

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425

426Marilyn Minter (b. 1948)Mardi Gras, 2007Chromogenic print. Signed in ink on gallery label affixed to thereverse of the frame.This work is number 2 from an edition of5 with 2 artist proofs.40 x 60 in. (101.6 x 152.4 cm.)

$15,000-20,000 £9,700-13,000€11,000-14,700

Provenance: Salon 97, NewYork

158

NEW YORK

426

427David Drebin (b. 1970)Gold City, 2006Chromogenic print. Signed in ink on label affixed to the reverseof the frame. This work is number 1 from an edition of 10.30 x 40 in. (76.2 x 101.6 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

428David Drebin (b. 1970)Trisha by the Pool, 2003Chromogenic print flush-mounted on Sintra. Signed in ink onlabel affixed to the reverse of the mount.This work is number1 from an edition of 10.30 x 40 in. (76.2 x 101.6 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

159

NEW YORK

427

428

429Guido Argentini (b. 1966)TheaThrough a Blue Door, 2008Chromogenic print, printed 2010.Signed, dated and numbered 1/3in ink in the margin.58 x 691/2 in. (147.3 x 176.5 cm.)

$6,000-8,000 £3,800-5,200€4,400-5,900


430Brian McKee (b. 1977)Uzbekistan #5, 2003Chromogenic print flush-mounted onaluminium. Signed, dated and numbered1/5 in ink on a label affixed to the reverseof the mount.491/2 x 631/2 in. (125.7 x 161.2 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500


160

NEW YORK

429

430

431Kim Joon (b. 1966)Duet W, 2007Chromogenic print. Signed, titled andnumbered 26/30 in ink on the label.271/2 x 193/4 in. (69.8 x 50.2 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

161

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432Alec Soth (b. 1969)Hotel, Dallas City, Illinois, 2002Chromogenic print flush-mounted onDibond, printed 2006. Signed andnumbered 7/10 in ink on label affixedto the reverse of the mount.40 x 32 in. (101.5 x 81 cm)

$4,000-6,000 £2,500-3,900€2,900-4,500

Literature: Sleeping by the Mississippi, n.p.

431

432

433Richard Misrach (b. 1949)Windsurfer, Pyramid Lake IndianReservation, 1989Chromogenic print, printed 1995.Signed, titled, dated and numbered 3/10in ink in the margin.30 x 40 in. (76.2 x 101.6 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Provenance: Ehlers Caudill Gallery LTD.,Chicago

434MassimoVitali (b. 1944)Bari, 2003Chromogenic print flush-mounted onDibond and face-mounted to Plexiglas.Signed, titled, dated and numbered 16/35in ink on label affixed to the reverse ofthe mount.253/8 x 331/4 in. (64.5 x 84.5 cm.)

$7,000-9,000 £2,500-3,900€2,900-4,500

162

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433

434

435Anthony Goicolea (b. 1971)Snowscape with Owls, 2003Chromogenic print flush-mounted onaluminum.This work is number 14 froman edition of 30 and is accompanied bya certificate of authenticity.295/8 x 295/8 in. (75.2 x 75.2 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


Literature: Anthony Goicolea, p. 122

163

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435

436


436JohnWawrzonek (b. 1941)Textures Portfolio, ca. 198810 dye transfer prints flush-mounted toboard. Each print signed, titled andnumbered 66/100 in pencil on the mount;titled and numbered in pencil with creditstamp on the reverse of the mount.Contained in a linen clamshell folio, coverdebossed in gilt.Folio: 321/2 x 281/4 in. (82.5 x 71.8 cm.)Print: 18 x 231/2 in. (45.7 x 59.7 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

The titles include: Wind,Water and Grass;Wild Leaf and Flowers; Cliff with Flowers;Blueberries; Red Flourishes on GrayBranches; Crimson Companions;Leaves and Light on BlackWater;Summer Morning; VintageTextures;Lichen with Cranberry Leaves.

437MichaelWolf (b. 1954)tc39 fromTheTransparent City, 2007Chromogenic print. Signed, titled andnumbered 6/25 with dated copyright inink on the verso; contained in originalgray paper envelope.This work is froman edition of 25 plus 5 artist proofs.197/8 x 25 in. (50.6 x 63.5 cm.)

$1,500-2,500 £900-1,700€1,100-1,900

Accompanied by TheTransparent City.NewYork: Aperture, 2008. 112 pages, 60color plates. Signed in ink on the title page.

Literature: TheTransparent City, pp. 28-29

164

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437

438

438Michal Chelbin (b. 1974)Alicia in a Golden Dress, Ukraine, 2005Chromogenic print. Signed, titled, datedand numbered 6/30 in ink on the verso;contained in original red paper envelope.11 x 11 in. (28 x 28 cm.)

$1,000-1,500 £600-1,000€1,100-1,900

Accompanied by Strangely Familiar:Acrobats,Athletes, and OtherTravelingTroupes. NewYork:Aperture, 2008. 112pages, 55 black and white and color plates.Signed and dated in ink on the title page.

Literature: Strangely Familiar, p. 97

439Cecil Beaton (1904-1980)Charles James Dresses, Vogue, 1948Cibachrome print, printed 1998. Titled, dated and annotated inan unknown hand in pencil in the ‘Beaton/Sotheby’s’ copyrightreproduction limitation stamp on the verso.181/2 x 231/2 in. (47 x 59.7 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Literature: Mellor, Cecil Beaton, p. 76

165

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439

440Richard Avedon (1923-2004)Dorian Leigh, Schiaparelli Rhinestones, Pre-Catalan, Paris,August, 1949Gelatin silver print, from Avedon/Paris, printed 1978. Signedand numbered 28/75 in pencil with title and copyright creditreproduction limitation stamps on the verso.141/4 x 18 in. (36.5 x 47.7 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Published on the occasion of Richard Avedon’s retrospectiveexhibition at the Metropolitan Museum of Art, NewYork,September 3 - November 5, 1978.

166

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440

441Clarence Sinclair Bull (1896-1979)Greta Garbo from Inspiration, 1930;from Queen Christina, 1933Two gelatin silver prints. Inspiration: creditblindstamp in the margin; MGM credit andtitle stamps on the verso. Queen Christina:credit blindstamp on the recto; titled inpencil with MGM credit stamp on the verso.Each approximately 121/2 x 93/8 in.(31.7 x 23.8 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


167

NEW YORK

442LaszloWillinger (1909-1989)LanaTurner, 1939Gelatin silver print.Titled in pencil in anunknown hand with credit stamp andEdwardWeston Collection copyrightreproduction limitation stamp on thereverse of the mount.143/8 x 173/4 in. (36.5 x 45.2 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300


441

442

443George Barris (b. 1922)Marilyn Monroe, 1962Gelatin silver print, printed 1987.Signed in ink on the recto; numberedA.P. 1/2 in ink with copyright credit stampon the verso.15 x 19 in. (38x 48.2 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300


168

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444George Barris (b. 1922)Marilyn Monroe, Malibu, 1962Gelatin silver print, printed 1987. Signed in ink on the recto;numberedA.P. 1/2 in ink with copyright credit stamp on the verso.19 x 15 in. (48.2 x 38 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300


445George Barris (b. 1922)Selected images ofMarilyn Monroe, 1962Four gelatin silver prints, printed 1987. Each signed in ink onthe recto; numbered 62/99 in pencil with copyright creditstamp on the verso.Each approximately 13 x 10 1/8 in. (33 x 25.6 cm.) or the reverse

$2,000-3,000 £1,200-2,000€1,400-2,300


443

444

445

446Bert Stern (b. 1930)Marilyn Monroe, Vogue, 1962Inkjet print, printed 1994. Signed, titledand dated in crayon on the recto; signedand dated in crayon and numbered 500in pencil with copyright credit stamp onthe verso.225/8 x 193/4 in. (57.4 x 50.3 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500


169

NEW YORK

447Eve Arnold (b. 1913)Marilyn, 1956Gelatin silver print, printed 2005.Numbered 99/99 in an unknown hand inpencil on the verso; signed in pencil andnumbered in an unknown hand in pencilon gallery label.This work is from anedition of 99 plus 9 artist proofs.12 x 17 in. (30.5 x 43.2 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

Provenance: Halcyon Fine Art, London

This image was taken at theWaldorfAstoria Ballroom in NewYork Citywhere Marilyn Monroe and LaurenceOlivier were holding a press conferencefor the upcoming film The Prince andthe Showgirl.

446

447

448Nobuyoshi Araki (b. 1940)Untitled No. 174 from PersonalSentimentalism in Photography, n.d.Gelatin silver print, printed 2000. Signedin Japanese characters and annotated inpencil withTaka Ishii Gallery credit andprint date stamp on the verso.125/8 x 101/4 in. (32.2 x 26.6 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

Provenance:Taka Ishii Gallery,Tokyo

Literature: Personal Sentimentalism inPhotography, n.p.

170

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449Ruth Bernhard (1905-2006)Skull and Rosary, 1945Gelatin silver print, printed later. Signedin pencil on the mount; signed, titled anddated in pencil with copyright creditstamp on the reverse of the mount.131/2 x 93/4 in. (34.3 x 24.8 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: G. Gibson Gallery, Seattle

448

449

450Ernst Haas (1921-1986)South Africa, 1966Gelatin silver print.Titled and annotated in pencil in anunknown hand with copyright credit and Magnum creditstamps on the verso.61/4 x 91/2 in. (16 x 24.1 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

Provenance:Victoria Haas collection, NewYork

171

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450

451Roger Ballen (b. 1950)Show-off, 2000Gelatin silver print, printed 2004.Signed, titled, dated and numbered 9/35in pencil on the verso.141/4 x 141/4 in. (36.2 x 36.2 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300


172

NEW YORK

452Elliott Erwitt (b. 1928)Hollywood, 1956Gelatin silver print, printed ca. 1980.Signed in ink in the margin; signed, titledand dated in pencil on the verso.12 x 8 in. (30.6 x 20.3 cm.)

$1,500-2,500 £900-1,700€1,100-1,500

Literature: Personal Exposure, p.163

451

452

453Elliott Erwitt (b. 1928)Tahiti, 1980Gelatin silver print, printed ca. 1985.Signed in ink in the margin; signed, titledand dated in pencil on the verso.12 x 8 in. (30.6 x 20.3 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

Literature: Personal Exposure, p.124

173

NEW YORK

454Imogen Cunningham (1883-1976)Self-portrait with Grandchildren in theFunhouse, ca. 1955Gelatin silver print, printed later. Thiswork is authenticated by RondalPartridge in a signed letter from theImogen CunninghamTrust.95/8 x 75/8 in. (24.5 x 19.3 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: G. Gibson Gallery, Seattle

453

454

174

NEW YORK

455Harold Edgerton (1903-1990)Tennis Player in Motion, 1939 and Tennis Forehand,JennyTuckey, ca. 1935Two gelatin silver prints, printed later.Tennis Player;signed and numbered 23/60 in pencil on the verso.Tennis Forehand; signed in ink on the verso.Each approximately 9 x 127/8 in. (24.5 x 32.6 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Phillips De Pury & Luxembourg, 16 October 2003,lot 135

456Philippe Halsman (1906-1979)Rhinoceros, Light Sculpture, 1950Gelatin silver print, printed later. Signed, titled and dated inpencil with copyright credit stamp on the verso.123/4 x 10 in. (32.4 x 25.5 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

455

456

Property from the Suzanne and Hugh JohnstonWeegee Collection

457Weegee (1899-1968)Projector Beam, 1956Ferrotyped gelatin silver print. Collection credit stampon the verso.105/8 x 135/8 in. (27 x 34.6 cm)

$3,000-5,000 £1,900-3,300€2,200-3,700


Literature: Weegee’s People, n.p. (variant)

This is the most spectacular of the several versions ofthe movie theatre beam that the Johnston’scommisioned fromWeegee in 1956. With the beamlooking as if it is being poured from the projector booth,Weegee seems to literally slow the speed of light in thisimage. The unaltered version of this unique image wasfeatured inWeegee’s People.

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458Weegee (1899-1968)Abstract Study, Forward Motion, ca. 1955Gelatin silver print. Collection credit stamp on the verso.93/8 x 75/8 in. (23.8 x 19.2 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


This image pays tribute to simple geometry with a mosaic ofrepetative squares and circles. The eye dances around theimage, never quite able to avoid a twist or turn in the pattern orhold onto a single shape.


459Weegee (1899-1968)Pisa, Distortion, 1957Gelatin silver print. Collection credit stamp on the verso.10 x 8 1/8 in. (25.3 x 20.6 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300


Weegee said he wanted this imaginative treatment of thewell known Italian monument to be as unique as the originalarchitectural icon.

457

458 459

460Ernst Haas (1921-1986)New Mexico, 1952Gelatin silver print, printed 1992.Signed, titled, dated, numbered 1/30 andannotated in pencil by Alexander Haaswith fascimile signature copyright creditstamp on the verso.167/8 x 115/8 in. (43 x 29.5 cm.)

$1,000-1,500 £600-1,000€700-1,200

Provenance:Victoria Haas collection,NewYork

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461Ernst Haas (1921-1986)Poland, 1961Gelatin silver print, printed 1992.Signed, titled, dated, numbered 4/30 andannotated in pencil by Alexander Haaswith fascimile signature copyright creditstamp on the verso.177/8 x 12 in. (45.4 x 30.3 cm.)

$1,000-1,500 £600-1,000€700-1,200

Provenance:Victoria Haas collection,NewYork

460

461

462Alfred Eisenstaedt (1898-1995)Central Park After a Snowstorm, NYC, 1959Gelatin silver print, printed 1993. Signed and numbered 77/250in ink in the margin; credited, titled, dated and annotated withTime, Inc. copyright in an unknown hand in pencil on the verso.211/2 x 141/4 in. (54.5 x 36.1 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Circle Gallery, NewYork

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462

463Yevgeni Khaldei (1917-1997)Raising the Flag on the Roof of theReichstag, 1945Two gelatin silver prints, printed ca. 1980.Each signed in pencil with copyrightcredit stamp on the verso.113/8 x 73/4 in. (28.8 x 19.6 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

464Dmitri Baltermants (1912-1990)Behind Enemy Lines, ca. 1941Gelatin silver print, printed later.Credit stamp in Cyrillic on the verso.61/2 x 111/2 in. (16.4 x 29.3 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

178

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463

464

465Arthur Rothstein (1915-1985)Dust storm, Cimmaron County,Oklahoma, 1936Gelatin silver print, printed later.Credited, titled and dated in anunknown hand in pencil on the reverseof the mount.75/8 x 71/2 in. (19.5 x 18.9 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

466Eugene HarrisPeruvian Flute Player, ca. 1955Gelatin silver print.11 x 137/8 in. (28 x 35.2 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Kelmscott Gallery, Chicago

Literature:The Museum of Modern Art,The Family of Man, cover

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465

466

Property from theVermont Centrefor Photography

467Rebecca Lepkoff (b. 1916)Selected images near Jamaica,Vermont,1950-1953Three gelatin silver prints. Scott NearingPlace: signed and titled in pencil in themargin; signed, titled and dated 1950 inpencil on the verso. Ma Smith, Jamaica,VT: signed, titled and dated 1950 inpencil on the mat overlay and on theprint verso. Clyde Smith- Logging:signed and titled in pencil on the mount;signed, titled and dated 1952-53 in pencilon the reverse of the mount.Each approximately 71/2 x 8 in.(19 x 20.5 cm.) or the reverse

$3,000-5,000 £1,900-3,300€2,200-3,700


After buying a summer home nearJamaica,Vermont, Lepkoff starteddocumenting the lives of a communitythat was dedicated to the ideas ofpacifism and self-sufficiency.

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468Margaret Bourke-White (1904-1971)Untitled (Caterpillars on a Leaf), ca. 1934Gelatin silver print. Credit stamp on the verso.131/2 x 10 in. (34.1 x 25.6 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

One summer I raised two hundred caterpillarsunder rows of overturned glasses on the diningroom windowsill, brought each its favorite freshleaf diet daily, hoping some would completetheir dramatic life cycle and emerge as mothsand butterflies.

Margaret Bourke-White, Portrait of Myself, p. 13

467

468

469Elliott Erwitt (b. 1928)North Carolina, 1958Gelatin silver print, printed later. Signedin ink in the margin; annotated in anunknown hand in pencil on the verso.8 x 12 in. (20.2 x 30.5 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

Literature: Personal Exposures, p. 73;Metzker; City Stills, pl. 33

470Robert Doisneau (1912-1994)Café de Flore, 1948Gelatin silver print.Titled and dated inan unknown hand in ink with creditstamp, Rapho agency stamp and variouseditorial stamps and annotations onthe verso.81/4 x 7 1/8 in. (20.7 x 18.2 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

181

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469

470

471WilliamWegman (b. 1943)Credenza, ca. 1995Gelatin silver print with watercolor.Signed, titled and dated “1991-1996”in pencil on the verso.This work is unique.8 x 8 in. (20.3 x 20.3 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700

Provenance: Greg Kucera Gallery, Seattle

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472Malick Sidibé (b. 1935)Les Amoureux de Disques, 1964Gelatin silver print, printed ca. 1990.Signed, titled and dated in ink inthe margin.97/8 x 61/2 in. (24.6 x 16.5 cm.)

$2,000-3,000 £1,200-2,000€1,400-2,300

471

472

473Michel Comte (b. 1954)Miles Davis, 1991Gold selenium toned gelatin silver print. Signed, titled, datedand inscribed in ink with credit stamp on the verso.151/2 x 151/2 in. (39.6 x 39.6 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Provenance: gift from the artist to the present owner

Variations of this sitting, which took place at Miles Davis’ home,were exhibited at Michel Comte’s recent retrospective at theMuseum of Design in Zurich from 30August 2009 - 3 January 2010.

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473

474Anne Brigman (1869-1950)Sanctuary, 1921Gelatin silver print. Signed and dated inpencil on the mount; titled in ink on thereverse of the mount.91/2 x 71/2 in. (24.2 x 19 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Literature: A PoeticVision:ThePhotographs of Anne Brigman, p. 53

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475Edward S. Curtis (1868-1952)Homeward, ca. 1913Orotone in the original studio frame.Signed in the negative with theoriginal Curtis studio label on thereverse of the frame.Framed: 101/4 x 121/4 in. (26.1 x 31.2 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Provenance:The Rainbow Man,Sante Fe

474

475

476Julia Margaret Cameron (1815-1879)Alethea, 1872Albumen print on original thin card mount with gilt-ruling.Signed, titled, dated and annotated “From Life RegisteredPhotograph Copyright Julia Margaret Cameron” in brown inkwith Colnaghi blindstamp on the mount.125/8 x 9 3/ 8 in. (32.2 x 23.6 cm.)

$5,000-7,000 £3,200-4,600€3,600-5,200

Provenance: Sotheby’s NewYork, 7 October 1998, lot 4

Literature: Julia Margaret Cameron:The CompleteWorks, p. 231

The sitter is Alice Liddell, who as a child was the inspiration forLewis Carroll’s Alice’s Adventures inWonderland.

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476

479Richard Avedon (1923-2004)In the American WestNewYork: Harry N. Abrams Inc., 1985. 113 black and white plates.Folio.Tan cloth boards, debossed in black with flush-mounted blackand white plates to covers, in clear acetate dust jacket.FIRST EDITION. SIGNED IN YEAR OF PUBLICATION ON FRONT-FREE END PAPER.14 x 11 in. (35.6 x 27.9 cm.)

$600-800 £300-600€400-600

Literature: Parr and Badger, The Photobook: A History II, p. 38

477Cecilia Bull Hunter and Caroline OgdenChildhoodNewYork:ThomasY. Crowell, 1912.Text by Burges Johnson.21 tipped-in photogravure plates. 4to.Tan cloth boards,stamped in gilt, with photogravure plate flush-mounted tothe cover.FIRST EDITION.113/4 x 93/4 in. (29.8 x 24.7 cm.)

$600-800 £300-600€400-600

186

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PHOTOBOOKS

478Nell Dorr (1895-1988)Mother and ChildNewYork: Harper & Row, 1954. 63 black and white plates. 4to.Photo-pictorial paper wrapped boards over red cloth, spinestamped in silver. Four page leaflet tipped to the verso ofthe free-front end paper; Foundation note tipped to pageopposite title.FIRST EDITION.83/8 x 7 in. (21.2 x 17.8 cm.)

$500-700 £300-500€300-600

477

478

479

481Yasuhiro Ishimoto (b. 1921)Chicago, ChicagoTokyo: Bijutsu Shuppan-sha, 1969. Foreword by Harry Callahan, text by ShuzoTakiguchi.208 black and white plates. Large square 4to. Black cloth boards, spine and coverdebossed in silver; contained in photo-pictorial slipcase.FIRST EDITION. SIGNED ONTHETITLE PAGE.11 x 11 in. (27.5 x 27.5 cm.)

$1,500-2,500 £900-1,700€1,100-1,900

Literature: Parr and Badger, The Photobook: A History I, p. 289 187

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480GarryWinogrand (1928-1984)Women are BeautifulNewYork: Light Gallery, 1975. 84 black and whiteplates. 4to. Gray cloth boards stamped in silver,in photo-pictorial dust jacket.FIRST EDITION. SIGNED ONTHE HALF-TITLE PAGE.81/4 x 91/4 in. (21 x 23.5 cm.)

$1,000-1,500 £600-1,000€700-1,200

Literature: Roth, ed., The Open Book, pp. 306-307

480

481

482Jun Morinaga (b. 1937)River, its shadow of shadowsTokyo:Yugensha, 1978. 89 black andwhite plates with several gatefolds. 4to.Gray cloth boards, stamped in white oncover and spine; contained inphoto-pictorial slipcase with originalcardboard packaging.FIRST EDITION.12 x 103/4 in. (30.5 x 27.3 cm.)

$800-1,200 £500-800€500-900

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Property from a Private Collection

483Daido Moriyama (b. 1938)Inu NoToki (Time of the Dog)Tokyo: Sakuhinsha, 1995. 335 black and white plates. 4to. Black cloth boards,cover and spine debossed, in photo-pictorial dust jacket with printed obi.FIRST EDITION LIMITEDTO 1500 COPIES. SIGNED ON VERSO OF FRONT-FREE END PAPER.103/8 x 7 in. (26.5 x 17.8 cm.)

$600-800 £300-600€400-600


484Osamu Kanemura (b. 1964)Spider’s StrategyTokyo: Osiris, 2001.Text by Arata Isozaki. 102 pages,80 black and white plates. Oblong 4to. Laminatedsilver paper boards, cover and spine stamped inblack, in matching dust jacket with printed obi.FIRST EDITION. SIGNED ON HALF-TITLE.9 1/8 x 111/4 in. (23.2 x 28.5 cm.)

$300-500 £100-400€200-400

Literature: Parr and Badger, The Photobook:A History II, p. 318

482

484

483

485

485Kishin Shinoyama (b. 1940)Hareta Hi (A Fine Day)Tokyo: Heibonsha, 1975. 230 color plates. 4to. Black leatheretteboards, covers and spine stamped in gold, in original printedacetate dust jacket.FIRST EDITION. SIGNED ON REAR-FREE END PAPER.111/2 x 8.5 in. (29 x 22 cm.)

$600-800 £300-600€400-600

Literature: Parr and Badger, The Photobook: A History I, p. 303

486Kishin Shinoyama (b. 1940)Six titlesKetto Shashinron.Tokyo: Asahi Shinbunsha, 1971. 8vo. SIGNED.Tanaka Ikko kosei. Tokyo: Kodansha, 1978. Folio. SIGNED.Nude. Tokyo: Mainichi Shimbun Sha, 1970. Folio. SIGNED.accidents 1, water fruit. Tokyo: Asahi, 1991. 4to. SIGNED.Olele Olala.Tokyo: Shueisha, 1971. 4to. SIGNED.Pari. Tokyo: Shiochosha, 1977. Folio.

$800-1,200 £500-800€500-900

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486

487Ikko Narahara (b. 1931)Portici di Luce, Piazza San MarcoTokyo: Unac, 1981. Five volumes. Oblong 4to. Four vols: 127 black and whiteplates, each concertina bound in black cloth boards, debossed in blackand silver on cover. Appendix: brown textured wrappers, cover printed ingray. All contained in charcoal cloth clamshell case, cover and spinestamped in black and white with reflective disc flush-mounted to cover,in original cardboard packaging.FIRST EDITION. SIGNED AND NUMBERED “A.P.” ON A PAPER LABEL AFFIXEDTOTHE

INTERIOR OF THE CASE.THIS WORK IS FROM A LIMITED EDITION OF 350.Each vol. approximately: 73/4 x 111/4 in. (20 x 28.5 cm.)

$1,000-1,500 £600-1,000€700-1,200

190

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487

488

488YutakaTakanashi (b. 1935)Machi (Town)Tokyo: Asahi Shibun-sha, 1977. Color platesthroughout. White cloth boards, with printedwrap-around paper label affixed to the coversand spine, in original acetate dust jacket;contained in cardboard slipcase with printedwrap-around paper label flush-mounted oncovers and spine. Booklet and obi laid-in.FIRST EDITION. SIGNED AND INSCRIBED ONTHE

TITLE PAGE.161/2 x 113/4 in. (42 x 30 cm.)

$800-1,200 £500-800€500-900

Provenance: Okada Masahiko Collection

Literature: De Beaupré, Japon, pp. 36-37

489YutakaTakanashi (b. 1935)Toshi-e (Towards the City)Tokyo: Izara Shobo, 1974.Two volumes. Folio: 62 black and whiteplates, one gatefold. Black cloth boards, with reflective metaldisk flush-mounted to cover, spine stamped in white. 4to:54 black and white plates. Black wrappers with printed paperlabel affixed to cover. Both volumes contained in black cardclamshell case with printed paper label affixed to spine,overlapping to cover.FIRST EDITION.Folio: 161/2 x 11 in. (42 x 28 cm.)4to: 10 1/8 x 71/4 in. (25.7 x 18.3 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


191

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489

490Seiji Kurata (b. 1945)Flash Up: Street PhotoRandom,Tokyo1975-1979Tokyo: Byakuyashobo,1980. 190 black andwhite plates. 4to. Photo-pictorial paperwrappers with printed obi, in originalacetate dust jacket.FIRST EDITION.111/2 x 81/4 in. (29.7 x 20.8 cm.)

$500-700 £300-500€300-600

Literature: De Beaupré, Japon, pp. 46-47

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491ShomeiTomatsu (b.1930)11.02 NagasakiTokyo: Shaken, 1968.Text byTamaki Motoi. 119 black and white plates. 8vo.Photo-pictorial paper boards, printed label affixed to spine, in orginal acetatedust jacket.SECOND EDITION.87/8 x 73/4 in. (22.5 x 19.7 cm.)

$800-1,200 £500-800€500-900

Literature: Parr and Badger, The Photobook: A History I, pp. 276-277; Roth, ed.,The Open Book, pp. 226-227

492Ikko Narahara (b. 1931)WhereTime HasVanishedTokyo: Asahi Shimbun-sya, 1975.100 black and white plates, 1 color plate.Oblong folio. Blue silkscreened clothboards, black cloth spine printed in blueand silver; contained in blacksilkscreened paper wrapped slipcasewith printed paper label flush-mountedto spine.FIRST EDITION.14 x 131/4 in. (35.5 x 33.7 cm.)

$700-900 £400-600€500-700

490

491

492

494Ihei Kimura (1901-1974)PariTokyo: Nora-sha, 1974. 154 color plates.4to. Cream cloth boards, spine debossedin blue, in photo-pictorial card slipcase.Pamphlet laid-in as issued.FIRST EDITION.101/8 x 7 in. (25.8 x 18 cm.)

$800-1,200 £500-800€500-900

Literature: Parr and Badger,The Photobook: A History I, p. 297

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493

494

493Nobuyoshi Araki (b. 1940)Fourteen titlesAllThat Araki.Tokyo: Hakusuisha, 1994. 8vo. SIGNED.Shi Sha Shin.Tokyo: NP, 1994. 8vo. SIGNED.Pseudo Diary.Tokyo: Byakuya-shobo, 1980. 4to.A No Nikki.Tokyo: Riburopoto, 1995. Oblong 4to.Polaeroid. Köln: Oktagon, 1997. 16mo. SIGNED.Shanghai Gairi. Kyoto: Korinsha Press, 1998. 16mo.Chiro, My Love.Tokyo: Ikebukuro Book Center Libro, 1990. 8vo. SIGNED.Tokyo Biyori.Tokyo: Chikuma Shobo, 1993. 8vo.AAT Room.Tokyo: self published, 1994. 4to.There’s a Camera Between Men andWomen.Tokyo: Byakuya-Shobo,1978. 8vo.Pavillion.Tokyo: East Press, 1994. Oblong 4to. SIGNED.TokyoTabi Nikki.Tokyo:Wise Publications, 2003. 4to. SIGNED.Dotei Datcho-Kun.Tokyo: Riburopoto, 1995. 4to.Bokujo Kitan.Tokyo: Publication Million, 1989. 4to. SIGNED.

$1,500-2,500 £900-1,700€1,100-1,900

495Daido Moriyama (b. 1938)Kagerou (Dayfly)Tokyo: Haga,1972. 114 black and whiteand color plates. 4to. Embossed white paperwrappers, contained in photo-pictorial cardslipcase with printed obi.FIRST EDITION. SIGNED ONTHE FRONT-FREE END PAPER.10 x 7 1/8 in. (26 x 18 cm.)

$1,500-2,500 £900-1,700€1,100-1,900

194

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496KoheiYoshiyuki (b. 1946)Koen (The Park)Tokyo: Sebunsha, 1980. 78 black andwhite plates. 4to. Black paper wrappers,in photo-pictorial dust jacket with redprinted obi.FIRST EDITION.10 1/8 x 81/4 in. (25.7 x 21 cm.)

$800-1,200 £500-800€500-900

495

496

497Daido Moriyama (b. 1938)Karyudo (Hunter)Tokyo: Chuokoronsha, 1972. IntroductionbyTadanoriYokoo, text by ShojiYamagishi.104 black and white plates. 4to.Whitepaper boards, in green printed dustjacket with brown printed obi, in orginialacetate dust jacket.FIRST EDITION. SIGNED ON HALF TITLE PAGE.103/8 x 81/2 in. (26.4 x 21.5 cm.)

$4,000-6,000 £2,500-3,900€2,900-4,500

Literature: Parr and Badger,The Photobook: A History I, p. 300

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497

498Eikoh Hosoe (b. 1933)Barakei Shinshanbun (Ordeal by Roses)Tokyo: Shuei-sha, 1971. 39 black andwhite plates and 6 color plates. Oblongfolio. Black velvet boards, color plateflush-mounted to cover, in white clothfolding chemise with printed illustrationsflush-mounted to interior, coverdebossed in red. Contained in originalcardboard slipcase, with printed paperlabel affixed to cover.FIRST EDITIONTHUS.15 x 207/8 in. (38 x 53 cm.)

$2,500-3,500 £1,600-2,300€1,800-2,600

196

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499Eikoh Hosoe (b. 1933)KamaitachiNewYork: Aperture, 2005. 36 black and white plates, each on versoof blue gatefold. Folio. Silkscreened white cloth boards in printedacetate dust jacket; contained in lavish photographic clamshellcase designed byTadanoriYokoo.DELUXE LIMITED EDITION OF 500. SIGNED, STAMPED AND NUMBERED 54 ON

LABEL AFFIXEDTO PASTE-DOWN END PAPER.16 x 13 in. (40.6 x 33 cm.)

$500-700 £300-500€300-600

Literature: Parr and Badger, The Photobook: A History I, pp. 284-285;Roth, ed., The Open Book, pp. 248-249

This work is accompanied by the original exhibition and booksigning invitation with vellum insert fromAperture Foundation andHoward Greenberg Gallery dated 2 November 2005.

499

498

501William Klein (b. 1928)NewYork, 1954.55Manchester: Dewi Lewis, 1995. 136 blackand white plates. Folio. Black clothboards, stamped in white on cover andspine, in printed dust jacket.FIRST EDITIONTHUS. SIGNED ONTHETITLE PAGE.133/4 x 10 in. (35 x 25.4 cm.)

$400-600 £200-400€200-500

500William Klein (b. 1928)TokyoHamburg: Ausbage Nannen-Verlag, 1965.Foreword by Richard Friedenthal. 155black and white plates. Folio. Black clothboards, spine debossed in red and white,in printed dust jacket.FIRST GERMAN EDITION.14 x 101/4 in. (35.6 x 26 cm.)

$500-700 £300-500€300-600

Literature: Roth, ed., The Book of 101Books, p. 143; Roth, ed., The Open Book,pp. 206-207

197

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500

501

502Richard Prince (b. 1949)Spiritual AmericaNewYork: Aperture/ IVAM, 1989.105 color plates. 4to. Laminatedphoto-pictorial paper wrappers,without dust jacket as issued.FIRST EDITION.111/4 x 73/4 in. (28.6 x 19.7 cm.)

$400-600 £200-400€200-500

198

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503William Eggleston (b. 1939)William Eggleston’s GuideNewYork:The Museum of Modern Art, 1976.Text by John Szarkowski. 112 pages with48 color plates. 4to. Black leatherette boards,gilt lettering on cover and spine, color plate(Memphis) flush-mounted to cover, withoutdust jacket as issued.SIGNED ONTITLE PAGE.91/4 x 91/4 in. (23.5 x 23.5 cm.)

$1,000-1,500 £600-1,000€700-1,200

Literature: Parr and Badger, The Photobook:A History I, p. 265; Roth, ed., Book of 101 Books,pp. 234-235; Roth, ed.,The Open Book, pp. 308-309


504Bill Owens (b. 1938)SuburbiaSan Francisco: Straight Arrow, 1973.126 black and white plates. 4to.Texturedphoto-pictorial paper wrappers, without dustjacket as issued.FIRST EDITION.10 x 10 in. (25.3 x 25.3 cm.)

$400-600 £200-400€200-500

Literature: Parr and Badger, The Photobook:A History II, p. 24; Roth, ed., The Book of 101 Books,pp. 224-225; Roth, ed., The Open Book, pp. 296-297

502

503

504

505Dave Heath (b. 1931)A Dialogue With SolitudeCulpeper:The Community Press, 1965.Foreword by Hugh Edwards. 82 black andwhite plates. 4to. Gray cloth boards,spine stamped in brown, in photo-pictorial dust jacket.FIRST EDITION.111/4 x 81/2 in. (28.6 x 21.6 cm.)

$1,500-2,500 £900-1,700€1,100-1,900

Literature: Parr and Badger,The Photobook: A History II, p.104

199

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506Ed van der Elsken (1925-1990)Sweet LifeKöln:Verlag M. DuMont Schauberg, 1966. 178 blackand white plates. 4to. Black cloth boards, cover andspine debossed in white, in photo-pictorial dustjacket; contained in cardboard slipcase, spinestamped and numbered 233.FIRST GERMAN EDITION.117/8 x 12 in. (30 x 30.3 cm.)

$800-1,200 £500-800€500-900

Literature: Parr and Badger,The Photobook:A History I,pp. 254-255

507BruceWeber (b. 1946)The Andy BookTokyo: Shotaro Okada, 1987. 64 black andwhite and color plates. 4to. Photo-pictorialpaper wrappers, without dust jacket asissued. Japanese booklet of captions laid- in.FIRST EDITION.12 x 93/8 in. (30.5 x 23.5 cm.)

$500-700 £300-500€300-600

505

506

507

508Muhammad Ali (b. 1942)GOAT: Greatest Of AllTimeNewYork:Taschen, 2004. 792 pages, with 2 gatefolds and 9 metallic silkscreened double-page spreads.Elephant folio.White silk boards, cover and spine in pink leather, contained in photo-pictorial silk clamshell case.Accompanied by: Radial Champs, sculpture by Jeff Koons consisting of a wooden stool and two inflatables, and fourgelatin silver prints; each signed in ink in the margin by photographer Howard L. Bingham and MuhammadAli titled:MuhammadAli, 1978; Cassius Clay in Louisville, 1963; Ali vs Liston II, 1965 andSitting on a Million Dollars, 1963.DELUXE CHAMP’S EDITION. SIGNED BY MUHAMMAD ALI AND JEFF KOONS ON STAMPED REPRODUCTION LIMITATION LEAF.THIS WORK IS NO. 464 FROM A LIMITED EDITION OF 1,000 FROM A WORLDWIDE EDTION OF 10,000.Folio: 193/4 x 193/4 in. (50 x 50 cm.)Sculpture: dimensions varyPrints: 16 x 101/2 in. (40.6 x 26.7 cm.) or the reverse

$5,000-7,000 £3,200-4,600€3,600-5,200

200

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508

509Helmut Newton (1929-2004)SumoCologne:Taschen, 1999. 464 pages. Elephant folio. Photo-pictorialcloth boards, spine stamped in blue, with matching dust jacket.Accompanied by original metal stand designed by Philippe Starck.FIRST EDITION. SIGNED ON STAMPED REPRODUCTION LIMITATION LEAF IN BLUE

CRAYON.THIS BOOK IS NUMBER 8168 FROM A LIMITED EDITION OF 10,000.Book: 28 x 201/2 in. (71.1 x 52.1 cm.)Stand: 30 x 22 x22 in. (76.2 x 55.9 x 55.9 cm.)

$7,000-9,000 £4,500-5,900€5,100-6,700

201

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509

510Cindy Sherman (b. 1954)Untitled Film StillsNewYork: Rizzoli, 1990. Essay by Arthur C. Danto. 40 blackand white plates. Folio. Black cloth boards, spine stampedin silver, in photo-pictorial dust jacket.FIRST EDITION.131/2 x 101/2 in. (34.5 x 27 cm.)

$300-500 £100-400€200-400

Literature: Parr and Badger, The Photobook: A History II, p. 42

202

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511Irving Penn (1917-2009)Passage: A Work RecordNewYork: Knopf, 1991. 71 color plates. Folio.Tan cloth boards,in photo-pictorial dust jacket, in original publisher’s shrinkwrap.FIRST EDITION.123/4 x 11 in. (32.4 x 28 cm.)

$300-500 £100-400€200-400


512VisionaireNo. 32: HermèsTravel Pouch,The Where? IssueNewYork:Visionaire Publishing, 2000. Edited byStephen Gan; contributions by seven artists. 55 loosecards with silver edging, in Hermès leather pouch withpencil. Contained in textured orange paper box, withprinted paper sleeve in original publisher’s shrinkwrap.FIRST EDITION.THIS WORK IS NUMBER 1157 FROM A LIMITED

EDITION OF 3500.73/8 x 87/8 in. (18.7 x 22.7 cm.)

$500-700 £300-500€300-600

The contributing artists include Andreas Gursky, MaryEllen Mark,WolfgangTillmans, BruceWeber, LaurenGreenfield, Peter Lindbergh and Jeff Burton.

510

511

512


513Irving Penn (1917-2009)Worlds in a Small RoomNewYork:Viking, 1974. 67 black andwhite plates. 4to.Tan cloth boards, spinedebossed in black, in photo-pictorialdust jacket.FIRST EDITION. ASSOCIATION COPY SIGNED

AND DEDICATEDTO LAURIE KRATOCHVIL.103/4 x 105/8 in. (27.3 x 27 cm.)

$1,000-1,500 £600-1,000€700-1,200

Laurie Kratochvil has been involved inphotography for over 25 years, perhapsbest known for her time spent at RollingStone. Kratochvil has edited a numberof books and has curated severalphotography exhibitions throughout theUnited States and Europe. A work byher husband, the photographer AntoninKratochvil, is offered in Session II, lot 231.

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514Lee Friedlander (b. 1934)The American MonumentNewYork:The Eakins Press Foundation,1976.Text by Leslie George Katz. 213black and white plates. Oblong folio.Screw-bound green cloth boards,cover and spine stamped in black withgilt ruling.FIRST EDITION. SIGNED ON FRONT BLANK.12 x 17 in. (30.5 x 43.2 cm.)

$1,500-2,500 £900-1,700€1,100-1,900

Literature: Parr and Badger,The Photobook:AHistory II, p. 28; Roth, ed.,The Book of 101 Books, pp. 236-237;Roth, ed., The Open Book, pp. 310-311

513

514

515Lee Friedlander (b. 1934)Flowers andTreesNewYork: Haywire Press, 1981. 40 blackand white plates. Folio. Spiral bound withpurple cloth boards, cover debossed inblack, green cloth interior.FIRST EDITION. SIGNED OPPOSITE TITLE PAGE.15 x 12 in. (38.1 x 30.5 cm.)

$800-1,200 £500-800€500-900

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516Robert Doisneau (1912-1994)La Banlieue de ParisLausanne: La Guilde du Livre, 1949.Textby Blaise Cendrars. 135 heliogravures.8vo.White paper boards, cover and spinestamped in black, without dust jacketas issued.FIRST EDITION.91/2 x 71/4 in. (24 x 18.5 cm.)

$800-1,200 £500-800€500-900

Literature: Parr and Badger,The Photobook: A History I, pp. 187, 201;Roth, ed., The Book of 101 Books,p. 132-133

515

516

517Robert Frank (b. 1924)Flower is...Tokyo:Yugensha, 1987. 81 black and white plates. 4to. Gray silkboards, cover and spine stamped in dark gray; contained ingray cloth slipcase, spine stamped in dark gray, with black andwhite plate (Fleurs) flush-mounted to cover.FIRST EDITION. THIS WORK IS ONE OF 250 FROM A LIMITED EDITION OF 500.133/4 x 101/4 in. (34.9 x 26 cm.)

$3,000-5,000 £1,900-3,300€2,200-3,700


205

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517

518Robert Frank (b. 1924)The Lines of My HandTokyo:Yugensha, 1972. 90 black andwhite plates, with 2 gatefolds. Folio.Black buckram boards, cover and spinestamped in white. 32 page booklet withstaple-bound, paper wrappers laid in asissued. Contained in black clothslipcase, spine stamped in white,with black and white plate (Platte River,Tennessee) flush-mounted to cover.FIRST EDITION.THIS WORK IS ONE OF 500FROM A LIMITED EDITION OF 1000.133/4 x 101/4 in. (34.9 x 26 cm.)

$2,500-3,500 £1,600-2,300€1,800-2,600

Literature: Parr and Badger, ThePhotobook: A History I, p. 261; Roth, ed.,The Open Book, pp. 286-287

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519Sol LeWitt (1928-2007)AutobiographyNewYork: Multiples Inc., 1980. 1,098 blackand white plates. 4to. Photo-pictorialpaper wrappers, without dust jacketas issued.FIRST EDITION.101/4 x 101/4 in. (26 x 26 cm.)

$1,000-1,500 £600-1,000€700-1,200

Literature: Parr and Badger, ThePhotobook: A History II, p. 155

518

519


520Josef Sudek (1896-1976)FotografiePrague: Státní Nakladatelství Krásné Literatury Hudby a Uméní, 1956.232 black and white plates, with 6 gatefolds. 8vo. Natural cloth boards,top edge black, cover debossed in black, in printed dust jacket withgray satin bookmark.FIRST EDITION. SIGNED, ANNOTATED “PRAHA” AND DATED 1958 ONTITLE PAGE.95/8 x 67/8 in. (24.5 x 17.5 cm.)

$2,500-3,500 £1,600-2,300€1,800-2,600

Literature: Roth, ed., The Book of 101 Books, pp. 144-145;Roth, ed., The Open Book, pp. 166-167

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520


521Josef Koudelka (b. 1938)ExilesNewYork: Aperture, 1988.Text by Czeslaw Milosz. 62 blackand white plates. Oblong 4to. Brown cloth boards, coverand spine debossed in black, in photo-pictorial dust jacket.FIRST EDITION. SIGNED ONTITLE PAGE.101/2 x 111/4 in. (26.7 x 28.6 cm.)

$600-800 £300-600€400-600

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522Christian Boltanski (b. 1944)MenschlichParis/Köln:ThouetVerlag/Verlag der BuchhandlungWalther König,1994. Over 1300 black and white plates. 4to. Photo-pictorial cardwrappers, without dust jacket as issued.FIRST EDITION.

$500-700 £300-500€300-600

Literature: Roth, ed., The Open Book, p. 272


523Dave Heath (b. 1931)KoreaToronto: Lumiere Press, 2004.Text by MichaelTorosian. 25 black andwhite plates, additional black and white plate and color plate tipped-in.8vo. Gilt and black printed paper boards over black silk, with gilt letteredpaper label affixed to spine, without dust jacket as issued.FIRST EDITION, LIMITEDTO 200 COPIES. SIGNED AND DATED ONTITLE PAGE.NUMBERED 145/200 ON COLOPHON.91/4 x 75/8 in. (23.5 x 19.5 cm.)

$300-500 £100-400€200-400

This book was published to celebrate the 50th anniversary portfolio ofthe artist’s photographs taken in Korea from 1953-1954.

521

522

523

524Sebastião Salgado (b. 1944)WorkersNewYork: Aperture, 1993. 400 pages with numerous black and white platesand several gatefolds. Folio. Gray cloth boards, spine debossed in gray, inphoto-pictorial dust jacket. 23 page booklet of captions laid into acetate pocketon rear paste-down end paper. Contained in gray cloth publisher’s slipcase.FIRST EDITION. SIGNED AND INSCRIBED ONTITLE PAGE.131/4 x 10 in. (33.5 x 25.5 cm.)

$400-600 £200-400€200-500

According to the production director of the book, which the present lot isinscribed to, copies that include the publisher’s slipcase were onlycirculated in-house.

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524


525Brigitte Lardinois, editorMagnum MagnumLondon:Thames & Hudson, 2007. 568 pages, 413 black and white and color plates. Folio.Tan linen boards, cover and spine debossedin black and white, without dust jacket as issued. Contained in original printed cardboard carrying case.FIRST EDITION. SIGNED BY 30 OF THE CONTRIBUTING ARTISTS ON HALF-TITLE.155/8 x 13 in. (39.8 x 32.9 cm.)

$800-1,200 £500-800€500-900

Signed by Chien-Chi Chang, Bruce Davidson, Elliott Erwitt, Paul Fusco, Bruce Gilden, Jonas Bendiksen, Jim Goldberg,David Alan Harvey,Thomas Hoepker, Alex Majoli, Costa Manos, Susan Meiselas, Eli Reed, LarryTowell, AlexWebb, Alec Soth,Hiroji Kubota, Bruno Barbey, Rene Burri,Thomas Dworzak, Nikos Economopoulos, Richard Kalvar, Josef Koudelka,Patrick Zachmann, Paolo Pellegrin, DonovanWylie, Peter Marlow, Martin Parr, Erich Lessing and Marc Riboud.

525

Abate, Claudio 225

Abbott, Berenice 316

Adams, Ansel Easton 313

Agosti, Paola 220

Alborta, Freddy 92

Ali, Muhammad 508

Altemuller, Andrea 79

Anderson, James 15

Araki, Nobuyoshi 493, 448

Argentini, Guido 429

Arnold, Eve 447

Artist Unknown 32, 40, 41, 43, 242

Aszmann, Ferenc 277, 298

Atget, Eugène 48, 49

Avedon, Richard 369, 440

Baccarini e Porta 278

Bachmann, Gideon 243

Baldus, Edouard-Denis 28, 38

Ballen, Roger 112, 451

Baltermants, Dmitri 464

Barbieri, Olivo 262

Barris, George 443, 444, 445

Basilico, Gabriele 211, 245

Bassetti,Vitaliano 294

Battaglia, Letiza 228, 229

Beato, Antonio 42

Beato, Felice 26

Beaton, Cecil 88, 439

Benson, Harry 97, 98, 100

Bernhard, Ruth 449

Bertoglio, Italo 276, 279

Blakemore, John 116

Blumenfeld, Erwin 372

Boltanski, Christian 522

Bonasia, Aldo 222

Bonzuan, Mario 307, 312

Boubat, Édouard66, 332, 333, 337, 340, 342, 403

Boucher, Pierre 356

Bourke-White, Margaret 468

Bovis, Marcel 341

Bradner, Heidi 84, 85

Brancusi, Constantin 52, 53, 54, 55

Brandt, Bill 76, 77, 101, 215

Brassaï 56, 58, 59”

Braun, Adolphe 6, 7

Bricarelli, Stefano 338

Brigman, Anne 474

Bull, Clarence Sinclair 441

Bull Hunter, Cecilia 477

Bullock,Wynn 419

Callahan, Harry 408

Cameron, Julia Margaret 12, 318, 476

Camisa, Alfredo 346

Cammas, Henri 36

Caneva, Giacomo 18

Capa, Robert 240

Carmi, Boris 75

Carmi, Lisetta 224

Cartier-Bresson, Henri 205, 249

Castella,Vincenzo 254, 255, 258

Catalano,Tullio 305

Cavalli, Giuseppe 283, 284

Cecere, Oskar Luigi 260

Chauffourier, Gustave Eugène 16

Chelbin, Michal 438

Clergue, Lucien 361, 420

Coburn, Alvin Langdon 86

Colomb, Denise 246, 247, 343

Colombo, Cesare 348

Comte, Michel 473

Constantin, Dimitrios 21

Courret, Eugenio 27

Cresci, Mario 265

Cuccioni,Tommaso 17

Cunningham, Imogen 417, 454

Curtis, Edward S. 475

D’amico,Tano 221

Da Re, Sandro 355

Dal Gal, Pino 308

Day, Corine 368

De Biasi, Mario 287

de Clercq, Louis 23, 24

de Lagrange, Baron Alexis 34

Doisneau, Robert50, 51, 327, 328, 353, 470, 516

Donzelli, Pietro 290

Dorr, Nell 478

Drebin, David 120, 427, 428

Drtikol, František 87

Du Camp, Maxime 33

Dyar, Otto 302

Edgerton, Harold 455Eggleston,William 503Eisenstaedt, Alfred 462Erwitt, Elliott81, 82, 83, 216, 452, 453, 469

Feininger, Andreas 315Fenton, Roger 3, 5Ferri, Fabrizio 219Fitz, Grancel 306Fontana, Franco 256, 257Franck, Martine 217Frank, Robert 517, 518Friedlander, Lee 514, 515Frith, Francis 39

Gabinio, Mario 301, 339Gardin, Gianni Berengo 212, 214Ghergo, Arturo 248Ghirri, Luigi 261, 263, 264Giacomelli, Mario62, 63, 251, 252, 253, 366, 367Gibson, Ralph 416Gladys 108Goicolea, Anthony 435Gowin, Emmet 415Grignani, Franco 359Guidi, Pietro 4

Haas, Ernst 78, 204, 450, 460, 461Halsman, Philippe 299, 456Harris, Eugene 466Heath, Dave 505, 523Hoopker,Thomas 233, 234, 235, 236Horvat, Frank 374Hosoe, Eikoh 498, 499

Imboden, Connie 365Ishimoto,Yasuhiro 481

Jacques, René 203, 347Jodice, Mimmo 210, 266, 358Johnston, Alfred Cheney 357Jones, Colin 109Jonvelle, Jean-François 360, 362Joon, Kim 431

INDEX

211

Kanemura, Osamu 484

Keita, Seydou 376, 377

Kertész, André296, 322, 324, 326, 400, 401, 402

Khaldei,Yevgeni 463

Kimura, Ihei 494

Klein,William105, 207, 375, 412, 500, 501

Kohei,Yoshiyuki 496

Kollar, François 345, 354

Korda, Alberto 239, 241

Kossikoff, Nikolaï 69, 70

Koudelka, Josef 521

Kratochvil, Antonin 231

Kurata, Seiji 490

Landrock, Ernest 274

Lanfranco, Nanda 117, 118

Lardinois, Brigitte 525

Lartigue, Jacques-Henri 60, 61, 89, 319

Laurent, Juan 14

Lehnert, Rudolf 274

Leibovitz, Annie 423, 424

Leiss, Francesco Ferrucio 281, 282

Lepkoff, Rebecca 467

LeWitt, Sol 519

Lucas, Cornel 95, 107

Luxardo, Elio 350, 352

Lyon, Danny 413, 414

Macpherson, Robert 19

Mapplethorpe, Robert 119, 227, 325

Maraini, Fosco 273

Marville, Charles 47

Marzoni, Ermete 218

McCartney, Michael 99

McCullin, Donald 232

McDonald, Sgt. James 8

McKee, Brian 430

Midorikawa,Yoichi 200, 201

Minter, Marilyn 426

Misrach, Richard 433

Molinier, Pierre 113, 114

Mollino, Carlo 323

Moncalvo, Riccardo 268

Monti, Paolo 250, 309

Moore, Raymond 64

Morel, L. 25

Morinaga, Jun 482

Moriyama, Daido 483, 495, 497

Mulas, Ugo 226

Muray, Nickolas 406, 407

Murray, Dr John 30, 31

Muybridge, Eadweard 1

Narahara, Ikko 487, 492

Nègre, Charles 29

Neto, Mario Cravo 115

Newton, Helmut 370, 509

Ninci, Giuseppe 20

Ogden, Caroline 477

Orkin, Ruth 94, 102, 404, 405

Owens, Bill 411, 504

Parmiani, Giulio 295, 304

Patellani, Federico 292, 349, 351

Penn, Irving 371, 511, 513

Peretti Griva, Domenico Ricardo269, 270, 271

Praturlon, Pierluigi 373

Prieri, Rinaldo 310

Prince, Richard 502

Pubblicazione Rondine 280

Radino, Francesco 208, 209

Ray, Man 320, 321

Rey, Guido 275

Riefenstahl, Leni 72, 73, 74

Robertson, James 22, 26

Robinson, Henry Peach 11

Rodchenko, Aleksandr Mikhailov 297

Roiter, Fulvio 286, 288, 344

Ronis,Willy 67, 68, 71, 80, 106, 110, 111,329, 330, 334, 335, 336

Rothstein, Arthur 465

Ruzicka, Drahomir Josef 300

Salas, Osvaldo 90, 91, 93

Salas, Roberto 90

Salgado, Sebastião 237, 238, 421, 524

Saudek, Jan 364

Secchiaroli,Tazio 291

Sella,Vittorio 267

Sellerio, Enzo 206, 293

Sherman, Cindy 510

Shinoyama, Kishin 485, 486

Sidibé, Malick 472

Sieff, Jean-Loup 331

Smerdon Roe, Charles 9, 10

Snowdon, Lord 96

Soth, Alec 432

Stefani, Bruno 289

Stern, Bert 446

Stettner, Louis 213, 363

Sudek, Josef 57, 520

Takanashi,Yutaka 488, 489

Teynard, Felix 37

Tillmans,Wolfgang 259

Tomatsu, Shomei 491

Tournachon, Adrien (Nadar Juene) 2

Tripe, Linnaeus 35

van der Elsken, Ed 506

Van vechten, Carl 303

Various Artists 13, 409

Vender, Federico 311, 317

Veronesi, Luigi 285

Visionaire 512

Vitali, Massimo 223, 434

Von Gloeden,Wilhelm 272

Von Ostheim, Othon 44, 45, 46

Watson, Albert 422

Wawrzonek, John 436

Weber, Bruce 507

Weegee 65, 457, 458, 459

Wegman,William 471

Weiss, Sabine 244

Weng, Fen 425

Weston, Brett 202

Weston, Edward 314, 418

Weston, Cole 418

Willinger, Laszlo 442

Winogrand, Garry 103, 104, 410, 480

Witkin, Joel-Peter 230

Wolf, Michael 437

212

These Conditions of Sale and Business are applicable to all three saleroomsunless explicitly varied herein and constitute the contract betweenBloomsburyAuctions (the “Auctioneer” as defined for each saleroom immediately below)and the seller, on the one hand, and the buyer on the other. By bidding at theauction, you agree to be bound by these terms.The “Auctioneer” is definedas follows:

(A)London: The Auctioneer is Bloomsbury Auctions Ltd, 24 Maddox Street,LondonW1P 1SS

(B)Rome The Auctioneer is Bloomsbury Auctions Italia S.r.l., Registeredoffice in Rome -Via Giosué Carducci No. 4, Capital Stock €105.000,00 fullypaid Recorded with the Companies’ Register of Rome and Fiscal CodeNo. 09479031008 [R.E.A. RM-1165993]. Company with only one shareholderoperating under the direction and coordination, pursuant toArt. 2497bis ofthe Italian Civil Code, by Bloomsbury Auctions Limited with offices inLondon, Great Britain

(C ) NewYork Session: The Auctioneer is Bloomsbury Auctions Inc., 6 West48th Street, NewYork, NY 10036.

1. The Auctioneer is the agent for the seller. The auctioneer is acting asagent for the seller, except asmay be otherwise indicated.The contract forsale of any property is between the seller and the buyer.

2. Seller’s warranty of title. The seller warrants to the buyer that he isauthorized to sell the property and is able to transfer good andmarketabletitle, free and clear of any liens, claims or encumbrances of any third party.

3. All lots sold “as is”. Except as set forth in the limitedWarranty, below, allproperty is sold “as is.” It is the buyer’s responsibility to examine theproperty personally, and to ascertain for himself that he is satisfied withthe lot’s condition and with any other matters described in the catalogueentry. Neither the auctioneer nor the seller make any representation,warranty or guaranty about the property except as described in thelimitedWarranty, and no statement in the catalogue, a condition report, orany other oral or written statement shall constitute such a representation,warranty, guaranty or any other form of assumption of liability. Estimatesof selling prices are not to be relied on as any representation that theproperty will sell for that price, or as a representation of the value of theproperty for any other purpose. Neither the auctioneer nor the seller shallbe responsible for any errors or omissions in the catalogue, except asprescribed by the limitedWarranty.

4. Where the Auctioneer has an interest in a lot. Lots in which theauctioneer has any interest – direct or indirect, whole or partial (other thanthe selling commission) are designated by the symbol [o]. Such financialinterests may include, among other things, ownership of the property,guarantees, or non-recourse advances secured only by the property beingoffered for sale.

5. Bidder registration. Any prospective buyers must complete ourprescribed registration process in order to participate in the auction,whether he intends to bid in person at the auction, by phone, by absenteebid, or online. Upon registration, the buyer will be required, among otherthings, to provide his name, permanent address, proof of identity, and, ifrequested, the details of the bank from which payment will be made.TheAuctioneer reserves the right in its sole and complete discretion to denyentry to the auction, to refuse permission for a prospective buyer toparticipate in the auction, and to reject any bid.

6. Auctioneer’s discretion. The auctioneer has sole and complete discretionto refuse any bid, to advance the bidding as he sees fit, to withdraw ordivide any lot, to combine any lots, and, in the case of error or disputeduring or after the sale, to determine the successful bidder, to continuethe bidding, to cancel the sale or to reoffer and resell the lot. If any disputearises after the sale, the records of the auctioneer shall be conclusive.

7. Absentee Bidding. As a courtesy to potential bidders who will not bepresent at the auction in person or by agent or by phone, we will usereasonable efforts to execute written bids received by us prior to theauction, and to purchase the property on the bidder’s behalf at the lowestpossible price keeping in mind other bids and the reserve. Such absenteebids must be received by us no later than the day before the auction andmust be in the currency of the relevant saleroom. If we receive more thanone identical absentee bid on the same lot, and at the auction these arethe highest bids, the lot will be sold to the bid that we received first.Execution of written bids is a free service offered as a courtesy, and we donot accept any liability for any error or failure that may occur in theexecution of written bids.

8. Telephone bidding. If a prospective buyer makes arrangements with usat least one day prior to the sale, we will use reasonable efforts to contactthem and to allow them to participate in the auction by phone. We offerthis free service as a courtesy, and do not accept liability for failure toreach the prospective buyer or for errors or failures in the execution oftelephone bids.

9. Internet bidding. At certain of our sales, bidders may choose toparticipate in the auction online. Prospective buyers who elect to bidonline are solely responsible for assuring that the equipment and softwarethat they are usingmeet the technological requirements for the use of theservice. We offer this free service as a courtesy and do not accept anyliability for (i) errors or failures in the execution of bids, (ii) technologicalfailures of any kind, whether on the Auctioneer’s or the bidder’s side.Online bids are subject to these conditions of sale and Business, as wellas the Bidder user’s terms and conditions available on ourWebsite.

10. Reserves and estimates. Unless otherwise indicated as described below,all lots are sold subject to a reserve, which is the confidential minimumprice below which the lot will not be sold. In no event will the reserve behigher than the low pre-sale estimate for the lot.TheAuctioneer may openthe bidding on any lot at any price below the reserve by placing a bid onbehalf of the seller. The Auctioneer may continue to bid on behalf of theseller, either by placing consecutive bids or by placing bids in response toother bidders, up to the amount of the reserve. No-reserve lots; where lotsare being sold without reserve, unless there are already competingabsentee bids, the Auctioneer, in his discretion, will generally open thebidding at approximately 50% of the low pre-sale estimate for the lot. Ifthere are no bids at that level, the auctioneer will reduce the bid until thereare responsive bids, and will then continue up from there. Absentee bidson no-reserve lots will, absent any higher bid, be executed atapproximately 50% of the low pre-sale estimate, or at the actual bid,whichever is lower. If there is no bid on a no-reserve lot, the auctioneermay deem the lot unsold. Estimates are provided as a guide only (save inrelation to the reserve as defined above) and are expressed in bold in thecurrency of the sale Session below each lot in the catalogue. For thebuyer’s additional convenience, and only as a guide, we also showindicative currency equivalents of the estimate in light type under each lot.These currency equivalents are rounded and based on the followingapproximate exchange rates at the time of the catalogue going to print($1.5450 = £1 = €1.1350)

11. Successful buyer and transfer of risk. Subject to the auctioneer’sdiscretion, the highest bidder recognized by the auctioneer will be thebuyer, and the fall of the hammer constitutes the conclusion of a contractof sale between the seller and the buyer. Risk and responsibility for thelot passes to the buyer 7 calendar days from the date of the auction, or oncollection or receipt by the buyer or his agents for shipping, whichever isearlier. In no event will the auctioneer be responsible for any damage topicture frames or glass contained therein. Any lot not paid for in full incleared funds and picked up or shipped within 7 days after the auctionare held by us at the buyer’s sole risk.

12. Payment. Buyer will pay as the purchase price the sum of the hammerprice, plus a buyer’s premium of 22% of :

(A) in Session I, the first £300,000; (B) in Session II the first €350,000; (C) inSession III the first $500,000 of the hammer price and in all Sessions 12% ofthe remaining amount of the hammer price and for the entire buyer’spremium, any applicable sales, VAT (as described in 13 below), use or othertax or fee (see section 24 belowwith respect to EuropeanArtist Resale Rightscharges). Payment in full, including all relevant taxes and fees must be madein cleared funds immediately after the auction, unless we have agreed inwriting to a different payment schedule. Any lot not paid for in full in clearedfunds and picked up or shipped within 7 days of the auction will be subject toa storage charge of £30/€35/$50 per month. In the event of late payment, theauctioneer also reserves the right to charge the buyer interest on any amountdue, which interest shall accrue at the rate of 1.5% per month, or the highestrate allowed by applicable law, whichever is lower.Title to the property will notpass to the buyer until all amounts due to us have been paid in full in goodcleared funds, even if we have agreed to release the property prior to receiptof payment.

13. VAT in London and Rome only. In addition to the hammer price the buyerwill be subject to the followingVAT charges:

(A) London:VAT at the rate of 17.5% will be applied to the buyer’s premium.Lots which are daggered (†) in the catalogue are subject to VAT on thehammer price as well as the buyer’s premium. Lots marked with anasterisk (*) have been imported from outside the EU to be sold at auction,and therefore the buyer must pay VAT at the reduced rate of 5% on thehammer price in addition toVAT of 17.5% on the buyer’s premium.

(B)RomeSession: VATat the rate of 20%will be applied to the buyer’s premium.

Where a buyer resides outside the EU and the purchased lot is to be directlyexported outside the EU it may be possible for him to reclaim some or all ofthe VAT due on either the hammer price or buyers premium (or both, asapplicable) and such reclaims are to be the sole responsibility of the buyerand the Auctioneer shall not be liable for the same.

CONDITIONS OF SALES & BUSINESS

213

14. Bidder is responsible. Unless the auctioneer has agreed in writing inadvance that a bidder is acting as an agent for a disclosed principalacceptable to the auctioneer, by bidding at the auction the bidder acceptspersonal liability to pay the full purchase price, as described in paragraph12, above.TheAuctioneer will only look to the buyer of record for paymentof the purchase price, and will only accept payment from the buyer ofrecord.

15. Compliance Matters. The buyer agrees to comply with any requests orinquiries that the Auctioneer may make to assure compliance withapplicable laws and regulations, including but not limited to compliancewith money laundering laws. Failure to comply may result in cancellationof the sale, at the sole discretion of the Auctioneer.

16. Payment required for release of purchases.TheAuctioneer reserves theright to retain sold items until payment in full in cleared funds has beenreceived of any amount owing to the Auctioneer or to any of its affiliatedor parent entities worldwide.

17. Liability of Auctioneer for inability to deliver purchased property.. In theevent that we are prevented by fire, theft or any other reason fromdelivering purchased property to the buyer, our liability to the buyer, if any,shall be limited to the purchase price paid by the buyer. Under nocircumstances shall we be liable for any compensatory, incidental orconsequential damages.

18. No liability for third parties. We do not accept any liability for the acts oromissions of third parties with respect to the packing, handling, shippingor storage of property, whether or not we have suggested them to thebuyer.

19. Customs issues. It is the sole responsibility of the buyer to ascertainwhether any item of property is subject to any export or similarrestrictions, and to obtain any necessary licenses or permits.The inabilityor failure to obtain any necessary licenses or permits to be able to exportproperty shall not affect the buyer’s obligation to pay for the property. Norshall it constitute a basis to rescind the sale of the property or to recoverany expenses, fees or damages from the auctioneer. With respect to theRome Session II, we draw buyers’ attention to the following: the Buyer,with respect to the lots declared of significant interest by the Italian State,shall comply with the provision set forth in the Legislative Decree No. 42of January 22, 2004 (so called “Codice dei beni culturali”). The export oflots by Buyers, both resident and not resident in Italy, is governed by theabove mentioned provisions of law and are also subject to customs,currency and tax-regulations in force. The Auctioneer shall not be heldliable for any restrictions on export of the sold lots or for any licenses orpermits that the Buyer must obtain under Italian law. In the event that theItalian State exercises the right of pre-emption, the Buyer shall not beentitled to receive either from theAuctioneer or from the Seller any refundof the interest on the sale price and on the commissions already paid tothe Auctioneer.

20. Failure to pay. if the buyer should fail to pay for property that hepurchases, theAuctioneer and the seller will have all of the rights allowedunder law, including but not limited to the following: (a) to charge interestas set forth above (b) to cancel the sale (c) to re-sell the property as wesee fit and to recover from the buyer any shortfall between the totalamount originally due to us, and the price on re-sale, plus any costs andexpenses of any kind arising from the default or the resale (d) to hold thebuyer responsible for the total amount due and to commence legal actionagainst the buyer to recover the full amount (e) to set off the outstandingamount owed by the buyer against any debt that we, or any of our affiliatedor parent entities worldwidemay have to the buyer (f) to apply any amountreceived from the buyer to discharge any amount owed to us by the buyer,regardless of how the buyer would prefer to allocate the payment (g) todeny the buyer the right to participate in any auction held by us or by anyof our affiliated or parent entities worldwide, or to require the buyer toprovide a deposit before being permitted to bid (h) to exercise all of therights of a person holding security over any property in our possessionowned by the buyer, whether by way of pledge, security interest or in anyother way, to the fullest extent permitted by the law of the place wheresuch property is located. The buyer will be deemed to have granted ussuch a security interest and we may retain such property as collateralsecurity for the buyer’s obligations to us (i) to pay the seller the totalamount originally due to him, or any portion thereof, in which event, wewill have the rights of the seller to pursue the buyer for that amount.

21. Copyright.As a general matter, the buyer will not acquire the copyright orreproduction rights in any purchased property, and neither theAuctioneernor the seller make any representation or warranty that the buyer willacquire any such rights.The copyright to the text of the auction catalogue,as well as the digital images and the illustrations in the catalogue belongto theAuctioneer.Youwill not reproduce or permit anyone else to reproducesuch text, images or illustrations without our prior written approval.

22. Severability. If any of the parts of these conditions of Sale and Businessshall be found by any court to be unlawful or unenforceable, such findingshall not affect the validity of the remaining provisions, which will remainbinding and valid to the fullest extent permitted by law.

23. Governing law and courts. These conditions of Sale and Business andthe respective rights of the buyer, the seller and theAuctioneer hereunder,or relating in any way to the conduct of the auction, will be governed andconstrued in accordance with:

(A) London; the laws of England andWales (B) Rome; the laws of the Republicof Italy (C) NewYork; the laws of the state of NewYork. By bidding at theauction, whether in person, by phone, on-line or by absentee bid, each biddershall be deemed to have submitted for the benefit of the Auctioneer, to theexclusive jurisdiction of the courts as detailed immediately above.

24. Artist’s Resale Right for London and Rome only. Lots marked with adelta symbol (δ) are subject to the Artist’s Resale Right European Law.The buyer agrees to pay theAuctioneer an amount equal to the applicableresale royalty and wewill pay such amount to the artist’s collecting agent.Resale royalty applies where (A) for London Session I lots the hammerprice is €1,000 or more and (B) for Rome Session II lots the hammer priceis €3,000 or more. The amount is calculated as follows with reference tothe hammer price and the total royalty amount per lot cannot be morethan €12,500:

4.00% up to €50,000 plus

3.00% between €50,001 and €200,000 plus

1.00% between €200,001 and €350,000 plus

0.50% between €350,001 and €500,000 plus

0.25% in excess of €500,000

Invoices will be issued in the currency applicable to each saleroom. For thepurposes of calculating the resale royalty threshold and amount for theLondon lots the £/€ rate of exchange will be the European Central Bankreference rate on the day of the sale.

LIMITEDWARRANTY FOR PROPERTY

1. TheAuctioneer warrants for a period of 5 (five) years from the date of theauction that the creator of each lot, the period, culture or origin identified(collectively the “authorship”) is as set forth in the BoldType heading atthe beginning of the catalogue description of such lot, as amended by anyoral or written saleroom notices or announcements, and any such noticesor announcements will be deemed to have altered the warrantyaccordingly. The Auctioneer makes no warranties whatsoever, whetherexpress or implied, with respect to any material in the catalogue entrythat is not in BoldType. Prospective bidders should refer to the GlossaryofTerms for an explanation of terms used in BoldType.

2. The warranty is not assignable. It is only available to the original buyer ofrecord (the “Buyer”), and is conditioned on: (i) the Buyer still being theowner of the property, (ii) the Buyer notifying the auctioneer in writingwithin three months of the Buyer’s having become aware of informationthat would call into question the accuracy of the warranted information;and (iii) the return of the property to the auctioneer by the Buyer in thesame condition as at the time of the sale to the Buyer.

3. Buyer’s sole and exclusive remedy under the warranty will be therescission of the sale and the refund to the Buyer of the original purchaseprice paid by the Buyer for the property, without interest.The Auctioneershall have the right to require that the Buyer obtain and provide to theAuctioneer the written opinions of two experts in the field acceptable toboth the Buyer and theAuctioneer, before the auctioneer decides whetherto cancel a sale pursuant to the warranty.

4. This limited warranty does not apply where (1) the authorship identified inthe catalogue is consistent with general scholarship at the time of theauction, or where the catalogue discloses that there is division amongstscholars; (2) the determination of the inaccuracy of the authorshipidentified in the catalogue requires the use of a scientific process thatwas not generally accepted at the time of the auction, or, in theauctioneer’s sole discretion, would have been unnecessarily expensive ormay have caused damage to the lot.

Free Live Online Bidding

Paul Blanca, Self-portrait decoration, 1985. €800-1200

Palazzo Colonna,Via della Pilotta 19, 00187, Romat +39 06 679 1107 f +39 06 699 [email protected]

Exhibition12th June 10.00 am - 6.00 pm14th June 10.00 am - 6.00 pm15th June 10.00 am - 1.30 pm

The catalogue for this sale will be available online only: www.bloomsburyauctions.com/ambiguity www.the-saleroom.com www.liveauctioneers.com

AMBIGUITY: Photographs From Two Important Private CollectionsRome, 15th June 2010 at 4.00pm

Free Live Online Bidding

20th Century PrintsLondon, 24th June 2010

Now Welcoming ConsignmentsContact Alexander Hayter: [email protected]

Rupert Worrall: [email protected]

Bloomsbury House 24 Maddox Street, London W1S 1PP t +44 (0) 20 7495 9494 f +44 (0) 20 7495 [email protected] www.bloomsburyauctions.com

Andy Warhol (1928-1987) Ingrid Bergman Silkscreen printed in colours on Lennox Museum Board, 1983 Signed in pencil, numbered from the edition of 250 £18,000-22,000

THE PHOTOGRAPHS SALELONDON: SESSION I

ROME: SESSION II

NEW YORK: SESSION III


Please bid on my behalf at this sale up the the price indicated below.These bids are made subject to the conditions of sale in the catalogue.I understand that if my bid is successful a premium of 22% of the first£300,000/€350,000/$500,000 of each lot and 12% thereafter, together withany applicable taxes and fees, will be added to the hammer price.

To aid legibility please fill in your details in BLOCK CAPITALS.

Forename Surname

Address

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Signed

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Whilst every care is taken in carrying out buyers’instructions, neither Bloomsbury, nor their staff canbe held responsible for any errors made.

The three Sessions are being sold in threecurrencies please ensure that any commissionbids as set out below conform to the currencyof the Session.

Buyers intending to clear purchases without delay areadvised to make arrangements for payment beforethe sale, giving satisfactory bank or other references.

Failure to do so may mean that collection will bedelayed until cheques are cleared.

References and this bidding slip should arrive beforethe day of the sale.

If you leave an odd bid, the Auctioneer will increaseyour bid to the next highest figure.

Bids must be received the day before the sale, incertain circumstances it may not be possible toexecute bids received on the day of the sale.

Your attention is drawn to our General Conditions ofSale, available in the catalogue or in the saleroom.

Please note that we accept most major credit/debitcards for purchases and catalogues.

COMMISSION BIDDING SLIP

Sale Location Lot No. Description

Please fax to:

+44 (0) 203 291 2834

LONDONBloomsbury AuctionsBloomsbury House24 Maddox StreetLondonW1S 1PP

Tel: +44 (0)20 7495 [email protected]

ROMEBloomsbury AuctionsPalazzo ColonaVia della Pilotta 1800187 Roma

Tel: +39 06 679 [email protected]

NEWYORKBloomsbury Auctions6West 48th StreetNewYorkNY 10036


Max. Bid Price (excluding premium)

(£/€/$) PLEASE STATE CURRENCY

LONDONBloomsburyAuctionsBloomsbury House24 Maddox StreetLondonW1S 1PP

Tel: +44 (0)207 495 [email protected]

ROMEBloomsburyAuctionsPalazzo ColonaVia della Pilotta 1800187 Roma


NEWYORKBloomsburyAuctions6West 48th StreetNewYorkNY 10036
