Download - 1/4 · Carved painted wooden bombs, carved painted wooden bones, wooden drums with plastic skins, timber, carved wooden post. Lumiere de Loup , 2017 Carved painted wooden bomb, wooden

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  • 12/09/2019 Shipsides and Beggs - L'Atelier, Collectif R

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    ShipsidesandBeggsProjects-L'Atelier,CollectifR

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    ShipsidesandBeggsProjectsCollectifR,L’Atelier,Nantes.France

    Nottanum

    Thisshowbeganwithaninvitationtoshowaspartofa10thyearcelebrationoftheCollectifRprojectinNantes.

    Webeganwithabasicpremisetotakeexistingworkssuchasthewoodenbombsandbones,(whichbeganthroughaninitiationbetweenCollectifRandNealforaworkcalledHowTheWestWasWon,2011)anddevelopnewworksfromthereforaninstallationandperformanceinthelargeatriumspaceofthegallery.

    Wehadalreadybeenworkingonideasaroundmixingpopularandfolksongsintosoundscapes(manyofwhichoriginatefromtopographicaldataaroundborders,boundaries,mountainsandsummits)andcombiningthesewithdrawingsandimageryfrompopularculture,currentaffairsandmythology–muchofitconnectingwithideasaroundpolitical,spiritualandphysicalpartitions,fencesandthemetaphorofthe‘wire’.Muchofthematerialdrawsfrompreviousworks,forexample,theideaofasummitcrossandaweaponisedsummitconnectswiththeworkYUPASTAR,2012whichdrawsuponamountaineeringtriptoanWW1explodedsummitintheItalianDolomites–wherenowontheblastedsummitplateaustandsacross.

    Thesummitcross,ofcourse,alsoechoestheromanticsummitcrosspaintingsofCasperFriedrichandothers.Thecrosshasbeensubstitutedbyabarbedwirecarvedwoodenstaketoppedwiththeglobe.Thebarbed-wireandbanjolinkstootherworks(e.g.Bivacco,2011)whereacollisionismadebetweentheideaoffencesorbarriersandtheprincipleofstringedpopularmusic.Herethewireactsasbothanagentofemancipationandanagentofoppression.Setintothebaseofthemoundareasetofsixplayablehandmadedrums,makingthewholesculptureapercussivesoundwork.

    Acrankie(anearlydeviceofmovingimagestorytelling)isalsosetintothebaseofthesummitarsenal.Itfeaturesahanddrawnnarrativeofthreat,strife,crisis,werewolves,zombiesanddronestrikes.Itiscartoon-likeandplayfulbutalsodarkandridiculous–achild’sfantasyoflife,deathanddestruction.Avideoconstructedfromthecrankieandre-editedwithkaleidescopicfootageofthecrankiere-tellsthestorywithspecialeffectsonasmallscreeninthedoorinthebackofthemountofbombsandbones.Thewholework,MassofTheWorld,hasastrangevoodoo-nesstoit.

    Anotheraspectthatweintroducedwasthedeviceofthewolf.Adiscoveryoftheexisitenceof'wolfcatchinggardens'fuelledthisdirection.AftertheHundredYearWarthehinterlandsbecamewilderandthewolfpopulationgrewsothat

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  • 12/09/2019 Shipsides and Beggs - L'Atelier, Collectif R

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    townspeoplebuiltgardenstoprotectfromthewolves.Thefencesofthesegardensweredesignedtoallowwolvesinandcruciallyalsotopreventthemleaving–sothatthewolfcouldbeeasilykilledbyarrowandtherebydiminishingthewolfthreat.LumieredeLoupisessentiallyaplayfulmobilewhichbalancesimagesofchildlikedrawingsofwolvesprojectedontoscreensbalancedonthetipofanarrow-pointonthetipofawoodenbomb.Thescreengentlyrotates,dipsandrisesasthebranchmovesonthetipofthearrow.Thewolfhereisatleastdoublecoded;Ononehand,asawildcreature,anaturalforcethatbringsgreatbiodiversity,acreatureofaweandbeauty–thenontheotherhandananthropomorphizingoffear,ametaphorforfascismandaconstructionofthreatorevil.Thedeviceofthelightprojectinganimageontoscreenlocatesthescreenandimagesaskeytoconstructinganenemy,athreatoran‘other’separatedfromourselves.

    Thethirdaspectoftheinstallationisasculpturalsoundworkbasedonusingatractortyreinner-tubeasthelungsorbellowsfortwomelodicas(windoperatedreedorgans).Themelodicasonlyoperatewhenthekeysareplayed–sothatwhenplayedtheyreleasethelossofairfromtheinflatedtube.Theoriginofthisideacamefromtheideaofprecariousfloatationdevices,madenotoriousinthetragicoccurrencesofMediteraneanseamigrationswherepeoplefleeingwarandeconomicdeprivationtakeincredibleriskstoenterEurope.Theworkimaginesthesongsoffreedomsuchfloatationdevicesmightoffer–butalsocountenancesthetragicpotentialofthetuneoflife'slastbreath.

    ApedestalrecordplayerartworkKillKillForPeace(2011)carvedfromatreetrunk–featuringthelyricsofthe1966song,KillforPeacebytheFugs-resonateswithmuchcontemporarygeopoliticalrhetoricandstandswithandconnectswiththemusicalcounter-cultureofpoliticalprotestandcommentaryofthe1960's.

    AfinalelementoftheshowwasaperformancewhichwovetogetheratopographicalelevationsoundscapeworkbasedonthedescentfromMontBlanc(Europe’shighestsummit)withthepopularsongs;Dylan’sMastersofWar,BlackSabbath’sWarPigsandthetraditionfolksongNottamunTown(thesongwhichDylan’sMastersofWarisbasedon).NottamunTownrelatestofestivalperiodswheresocialpower,normsandimpunitiesareupturned–suchastheFeastofFoolsfestivalsandMummersPlays.Inthisthereisakindofplayfulcarnivalesquesensetomuchoftheworkinthisinstallation–wewerekeentounderstandandworkwithquitedarkanddifficultideasfromtheperspectiveandpotentialofallowingourchildrentoencounterit.

    Theworkoverallofferslotsofrichreadingsorencounters.Weprefertheideaof'encounters'to'readings'–astheworkisveryactual,itispresentandmadeofthingswith'thinglyness'.Therewasnocleanfixedideafromthestartsohopefullyithasallowedaveryrichandcomplexsetofthingsandencounterstohappen.Playfulbutdark.

    Massoftheworld,2017Carvedpaintedwoodenbombs,carvedpaintedwoodenbones,woodendrumswithplasticskins,timber,carvedwoodenpost.

    LumieredeLoup,2017Carvedpaintedwoodenbomb,woodencrate,treebranch,woodentwigframeswithgeotex,LEDtorches,arrowandwolfstencils.

    http://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSMassL6.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSMassbanjobones1.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSMassRside1.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSLoup3.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSLoup4.jpg

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    Nottanum–pata-pataphysicaledit,2017Woodencrankiebox,paperrollwithacrylicpaint.

    https://vimeo.com/358286764

    Nottanum–pata-perceptualedit,2017HDvideowithanimationandcrankiefootage.3.18min

    Theoriginalcrankie(anearlydeviceofmovingimagestorytelling),includedwithinthesculpturalinstallation,featuresahanddrawnnarrativeofthreat,strife,crisis,werewolves,zombiesanddronestrikes.Itiscartoon-likeandplayfulbutalsodarkandridiculous–achild’sfantasyoflife,deathanddestruction.Thispataphysicaleditisconstructedfromthecrankieversionandre-editedwithkaleidoscopicfootageofthecrankieitselfandre-tellsthestorywithspecialeffectsandasoundtrackofWarPigsperformedliveattheopeningoftheexhibitioninNantesHDvideo

    03:18

    http://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR1.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR5.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR6.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR14.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR8.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR12.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSMassback1.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSCrankSCR16.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSMassdoor1.jpghttps://vimeo.com/358286764

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    MigrantSwanSong,2017Innertube,pipes,wood,melodicas,tubingandcompressor.

    KillKillForPeace,2011Treetrunkandacrylicpaint.

    http://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSsun2.jpghttp://www.danshipsides.com/DshipsidesWeb/Low%20image/NTSweb/NTSKill-Kill.jpg