Download - 10 PH Bk 2 - Keyboard - Session 10 - Ningapi.ning.com/.../10PHBk2KeyboardSession10.pdf · You’ll Never Walk Alone ... fifth best song of 1956, by Acclaimed Music. Recorded by Elvis

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MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

13

Step5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(1­3­5)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio

MusicNotebookWhenthesongsfromSession9arelearned–movethemtoyourEASYTUNEsectionofyourRingBinderandtheycanbeusedforFUTUREWARMUPorCOOLDOWNTUNES.

1. QueSera,Sera2. DeColores3. Du,DuLiegstMirImHerzen4. CamptownRaces5. WhentheSaintsGoMarchingIn6. CavallitoBlanco7. ThisLandisYourLand8. Jambalaya9. BigParade10. InHeaventhereisNoBeer11. WearingoftheGreen12. RockyTop13. YouAreMySunshine14. CaissonsGoRollingAlong15. WhiteChristmas16. VieniSulMar17. WingsofaDove18. Hofbrauhaus19. TheWildColonialBoy20. I’mAYankeeDoodleDandy21. BlueChristmas22. JingleBells(ALL)

23. OhMyPaPa24. BambooFlute25. MarinesHymn26. AmazingGrace27. ElPaso28. TheLittleCafébytheHarbour29. DeepintheHeartofTexas30. MacktheKnife31. You’llNeverWalkAlone32. JesusLovesMe33. ViveL’Amour34. Sugartime35. Edelweiss36. Rockin’AroundChristmasTree37. Don’tBeCruel38. NorwegianWood39. AwayinaManger40. WeWishYouaMerry

Christmas41. OvertheWaves

CONGRATULATIONS!

YouhavenowcompletedSession#10Remembertofollowthesestepsforeachofyourpracticesessions:

1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor2–likeascale,speeddrill,chordstructure

(Chordsonly–accompaniment)ofsong,etc.3. WorkonNewSongs–practiceassignedsongs.Startwithsection4. SightReading‐Whileyouarenowyourmostalert–readanewsong(sight‐

read)–startwithchordstructurefirst5. CoolDown–withyourfavorite3songs–canbethesame3youwarmedup

with

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

12

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Norwegian Wood

John Lennon & Paul McCartney

© 2010 So Good Productions

arr. by Shelia Lee

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MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

11

& 44 ÓŒ œYou

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ba by crossmy

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wheart.

.˙ Œ- - -

Don't Be Cruel Otis Blackwell & Elvis Presley

© 2010 So Good Productions

arr. by Shelia Lee

Don't Be Cruel was inducted into the Grammy

Hall of Fame in 2002. Currently ranked as the

92nd greatest songs of all time, as well as the

fifth best song of 1956, by Acclaimed Music.

Recorded by Elvis in 1956

31 3

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MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

10

Step4.Read2NewSongs(LeadLineStyle)

o Don’tBeCruel&NorwegianWood LeadLineissheetmusicthatjustshowsthenotes,guitarcuesforbassesandusuallythewords.

Accordionists–willreadtheguitarcuesastheirbasses.

Playthebassandthechordsjustlikeitwaswritteninonthebassstaff.

Alternateoutofreflex–alternatefirston7thchords.

ChordsCues–ifwrittenasaLetteronlylikeCorG–thismeansMAJOR–otherwisethechordisnotated.

&?

44

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Lead Line ExampleShelia Lee

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

9

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- - -

We Wish You a Merry Christmas

© 2009 So Good Productions

arr. by Shelia Lee

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

8

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Away in a Manger

© 2010 So Good Productions

arr. by Shelia Lee

Music by James R. Murray

GF# E

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MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

7

Step4.Read2NewSongs(Sight­Read)

o AwayinaManger BLOCK(KeyofG)–Doublenotehandpositions

• SpotalltheFNaturalsandF#s• WatchforthedottedQuarterNotes

SightReadingRules–reviewLHChords

• Watch–somebassesalternateand7thchordsDONOTALTERNATEFIRST

• WatchforMinorbasses

• ALSO–addaGArpeggioattheend!

Then–playbothhands–withNOSTOPS

o WeWishYouaMerryChristmas BLOCK(KeyofC)

• PlaythefirsttimeHOLDthebassesineachmeasure

SightReadingRules–reviewLHChords

• WatchfortheEmandE7basses–shouldbemarkedontheLH(AboveA)

• Watchfortherepeat

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

6

Step3.NewSongTechnique­Block/Absorb/Vertical

o OvertheWaves Shift–Useamiddle&bottomreedonyouraccordion

Block/Absorb/Vertical

Vertical

• WatchforalignmentbetweenRH&LH• OnlyAlternateonLongTiedNotes• WatchforPhraseEndings–LiftyourHand

StartatLast4Measures• 8va–meansplayanOctaveHIGHER(IfyouhaveahighDonyourkeyboard)

• StartLOUDandgraduallygetsofter(Slowspeedofyourbellows)

• EndwithyournoteDOWNandNOSOUND!

Backup4measures• Beginningof8va• WatchfortheBbbass• Liftattheendofthephaseandplay4measuresoutand4in.

Backup8measures• Startslikethebeginning• Startata“mf”MezzoFortelevelandcrescendothelast2measures

• Liftattheendofthephaseandplay4measuresoutand4in.

• Watchhowlastnotinsectionisthefirstnoteinthelastsection.

NOWstartatthebeginning• WatchDynamics(p,F,cresc,&Dim.)• PleasenotethatPHsaysDecrescendo–whichreallymeansDiminuendo.

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

5

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

4

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

3

& 44 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w

&6

œ œ œ œ œ œ1 2

œ œ œ œ œ œ3 5 œ œ œ œ œ œ3 2

œ œ œ œ œ œ w1

& .œ jœ .œ Jœ1 2 3 5 .œ jœ .œ jœ

1 2

.œ jœ .œ Jœ1 .œ jœ .œ jœ

1 2

.œ jœ .œ Jœ1 .œ jœ ˙

Session 10 Arpeggio DrillsShelia Lee

Dotted Quarter Note Introduction

Dotted Quarter note is 1 1/2 counts - like a Quarter Note added to an 8th Note

Dot after a note ADDS HALF the value of the note.

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#43

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1

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5 œ .œ Jœ4

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..˙GM

Dotted Quarter Note DrillShelia Lee

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

2

Session10Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.

ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic

pattern.RolltheminrhythmicpatternSong#10­PHBook2–OvertheWavesCompanionSongs:

1. Don’tBeCruel2. NorwegianWood3. AwayinaManger4. WeWishYouaMerryChristmas

LearnDottedQuarterNotesandMOREDoubleNotesLearnCrescendoandDiminuendoHowtoreadLeadLineMusic

Let’sGetStarted: Step1.PlayFirst

Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs

Step2.Theory–LearnDottedQuarterNotes

ArpeggioDrill Whenanotehasadotafterit–youADD½thevalueofthenote

• Example–HalfNoteGets2counts,DottedHalfNotegets3counts• Example–QuarterNotegets1count–

o DottedQuarterNotegets1½counts

EasiestwaytoLearnDottedQuarterNotesisto“SEE”theQuarterNoteTIEDtoan8thNote.

DottedQuarterNoteDrill• WhenplayingwiththeLH–holdtheDottedQuarterNoteuntil

youhaveplayedthe“2nd”countorbass–thenplaythefollowing8thnoteontheUporandofthecount.

MastertheAccordionWorkshops PHBook2‐Session10

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

1

Palmer&HughesBook2–Session10

InstructionandCompanionMaterial

PresentersSheliaLee&MarkRopel

MastertheAccordionWorkshops

Sponsoredby

5013(c)Non­Profit