Yoeri Meessen
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Transcript of Yoeri Meessen
Manifesta 8
Biennials
Art Mediation
Manifesta 8
Chamber of Public Secrets (CPS)
Alexandria Contemporary Arts Forum (ACAF)
tranzit.org
Murcia Cartagena
Europe
Northern Africa
dialogue
contemporary
debate
transgress
biennial
nomadic
artists
collective
involvement development
venues
international local
East
West
collonial
communist
methodologies
discours
geography
festival
2 October
9 January
artistic production
sustainability dynamic
flexible
The Biennial
The Biennial
Athens Bienniaal
Auckland Triennial
Biennial Austria
Blatic Triennial
Beijing Biennial
Berlin Biennial
BIACS Seville
Brighton Photo Biennial
Bucharest Biennial
Busan Biennial
Cairo Biennial
California Biennial
Chile Triennial
Dak’Art Senegal
Documenta
Echigo Tsumari Triennial
Emergency Biennial
Florence Biennial
Folkestone Triennial
Fukoaka Triennial
Göteborg Biennial
Guangzhou Triennial
Gwanju Biennale
Gyumri Biennial
Havana Biennale
Istanbul Biennial
Iowa Biennial
Kitakyuschu Biennial
Liverpool Biennial
Lodz Biennial
Luanda Triannial
Lyon Biennale
Manifesta
Mercosul Biennial
Biennale de Montreal
Moscow Biennale
Panama Biennial
Periferic Biennial
Prague Biennial
Riwaq Biennial
São Paulo Biennial
Seoul Biennial
Shanghai Biennial
Sharjah Biennial
Singapore Biennial
Sydney Biennial
Taipei Biennial
Tirana Biennial
Turin Triennial
Vancouver Biennial
Venice Biennial
Valencia Biennial
Whitney Biennial
Yokohama Triennial
La Biennale di Venezia, since 1895 John Baldessari, I will not make anymore boring art, 1971 2007
La Biennale di Venezia Map Giardini 2009
Crystal Palace Great Exhibition of the Works of Industry of all Nations or Great Exhibition Hyde Park, London, England, 1 May – 15 Oct 1851
Marc Bijl Never mind, 2005
Salon Jury Paris, 1903
Documenta, since 1955 Museum Friedricianum, Kassel, 1955
Mohnfeld, (Poppy Field) Sanja Iveković Documenta 12, 2007 Museum Friedricianum, Kassel
São Paulo Biennial, since 1951 Pavilhão Ciccillo Matarazzo Pavillion, 1957
28th São Paulo Biennial, 2008 Pavilhão Ciccillo Matarazzo Pavillion
28th São Paulo Biennial, 2008 Pavilhão Ciccillo Matarazzo Pavillion
6th Caribbean Biennal, St. Kitts, Antilles, 2000
6th Caribbean Biennal, St. Kitts, Antilles, 2000 (Cattalan)
12 November, 1989 © John Gaps / AP
• to provide Europe with a international platform for contemporary artists who have not yet found their voice or institutional backing;
• to facilitate artistic exchanges between all professional groups and parties, especially those who have limited access to the market or established institutions;
• to respond to a commonly perceived need, by initiating new projects and new forms of artistic practice, to experiment with new curatorial methods and develop new audiences for contemporary art;
Manifesta 1; Rotterdam; The Netherlands; 1996
Manifesta 2; Luxembourg; 1998
Manifesta 3; Ljubljana; Slovenia; 2000
Manifesta 4; Frankfurt; Germany; 2002
Manifesta 5; Donostia-San Sebastian; Spain; 2004
Manifesta 6; Nicosia ; Cyprus; 2006
Martino Gamper, exhibition furniture
Philippe Rahm, Climate Uchronia
Harold de Bree
M-city
Piratebay
Marcus Coates
Klaus Weber
Daniel Knorr
Art Education Department
Art Education Mediation
ARTWORK
VISITOR MEDIATOR
TEAM
INSTITUTION
SOCIETY/CULTURE
Art …
Art … Audience
Art … Audience … Mediation
Art …
Painting Drawing Video Photography Ceramics Performance Installation Sound Something someone found lying around ….. …..
- Representation (Plato)
- A medium for the transmission of feelings (Tolstoy)
- “zweckmassigkeit ohne zweck” (Kant)
- Intuitive expression (Corce)
- Significant form (Bell)
- Anything and everything the artworlds coins as such
- nonsensical/irrelevant question, the true nature of the work of art is based on the creative transgeression of every thinkable standard and the re-definition of every possible self definition
- Necessary and sufficient conditions to ascertain the truth of the statement that object X is an artwork
Impress Awaken Critique Awe Bring insight Part Startle Lull Attract Reject Force Overwhelm Connect Deter
Explain Join Mistify Frighten Clarify Scare Inform Balance Heal Position Advocate Conjure Argue Convince
……. ……. …….
Impress Awaken Critique Awe Bring insight Part Startle Lull Attract Reject Force Overwhelm Connect Deter
Explain Join Mistify Frighten Clarify Scare Inform Balance Heal Position Advocate Conjure Argue Convince
……. ……. …….
The function of an artwork can be discussed and re-considered many times over, even for a single work of art, while still remaining true.
Autonomy
Autonomy / Co-creation
the experience of art - and not the artefact - is the main criterion of artistic value (Shusterman, 2001))
Art Audience
1. informative or cultural function satisfying our thirst for cultural knowledge,
2. symbolic function satisfying our need to demonstrate social position or persona
3. social function satisfying our need for social interaction,
4. emotional function stimulating, relaxing, escaping, arousing and so forth,
5. artistic function linked to the experience of completing a work of art.
“How works of art, and through them our worlds, may be comprehended and created must be part of basic education for the millions of us who will never be artists of any kind.
Why? Because this will equip us for better survival and success? Rather, because advancement of the understanding is what makes survival and success worthwhile.”
(Goodman, 1984 p.n.b.)
• Printed
• Tours
• Workshop
• Family Sundays
• Special Projects
• Education Forum
• Sustainability
PRINTED
• Workbook
• Art Pack
TOURS/WORKSHOP
• Adults
• Primary School
• Secondary School
FAMILY SUNDAYS