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XIAOLIANG LU PORTFOLIO
M.ARCH.PP
School of Architecture
University of Southern California
1(213)-716-1008
42
eVolo 2012 Skyscraper Competition Honorable Mention
DISTRICT 3 - SKYSCRAPER OF LIBERATION January 2012 (2 weeks)
2
10
16
20
25
28
35
USC M.arch.PP Studio
PETRI[f]RIGHT September 2010 - December 2010
BJTU B.arch Studio
NOAH’S ARK Residential Tower Design
September 2008 - December.2008
BJTU B.arch Studio
WAVE OF SOUND Theater Design
February 2008 - May 2008
Asymptote Architcture Internship
RIVER CULTURE PAVILION Schematic Design
May 2011 - July 2011
Asymptote Architecture Internship
BUSAN CULTURE ISLAND OPERA HOUSE Competition
July 2011 - August 2011
Warren Techentin Architecture Internship
HELSINKI LIBRARY COMPETITION Competition
March 2012 - April 2012
CONTENT
PERSONAL WORKS
INTERNSHIP WORKS
1
RENDERING FOR EVOLO SKYSCRAPER COMPETITION
2
3
eVolo 2012 Skyscraper Competition Honorable Mention
DISTRICT 3 - SKYSCRAPER OF LIBERATIONTeam members: Xiaoliang Lu / Yikai Lin
January 2012 (2 weeks)
4
BORDER LINE – INFINITE SPACE OF LIBERATIONIn the border of Israel – Palestine, there are three parts of districts: one is the area colonized by Israel, the
other is controlled by Palestine and the third one is hosted by the line/wall itself. This small trip exists in a legal
and sovereign limbo – potentially an extra-territorial zone. It is a space of liberation. To this project, instead of
solid wall, the skyscraper is the materialization of the border line and the transformation of wall. It is no longer
an isolated area, it is a share space. The area of district 3 is contributed by both Israelis and Palestinians who
look forward to peace and cooperation. It is administered by the United Nations. Only no violence Israelis and
Palestinians have right to utilize this district.
CULTURE – ATTRACTION OR DISTRACTION OF CONFLICTThe discrepancies of culture mark the different appearances of Israelis and Palestinians. Destroy otherness’
culture is the strategy of diminution of the enemy’s forces. They are inculcated with hostility to alien culture
and race. However, the differences of culture are double edged. Complementary differences are capable of
shaping a win – win situation which is able to distract attention of confl ict. The district 3 is as an assembly
where Israelis and Palestinians can negotiate, cooperate with each other and represent themselves.
WAR – CONFLICT OF BORDER REGIONS Borders of two different political, religious, ethnics and nations are most likely to be the site of war. Citizens of
two parts are the major victims of confl icts. They are willing to have peaceful lives.
WALL – TERRIFYING ARCHITECTURESince the era of cold weapons, gigantic walls were used to defend territories. Until now, those immense walls
are constructed to isolate confl ict between two parts. Such as Berlin Wall between East Berlin and West Ber-
lin, Korean Wall between North Korea and South Korea, US-Mexico Border between US and Mexico, Melilla
Border Fence between Morocco and Spanish, Pakistan-Iran wall between Pakistan and Iran, Belfast Peace
Line between Catholic and Protestant neighborhoods, West Bank Barrier between Israel and Palestine, Cy-
prus Wall between Greek Cypriot and Turkish Cypriot and India – Pakistan Border between India and Pakistan.
However, the construction of walls really reduces the hostility of two separated parts? To the contrary, Walls
obstruct mutual understanding and intensify the discrepancy. The good part becomes irresistible and the bad
part is hopelessness. The wall is a “guilty instrument of despair”.
MUSEUM
MUSEUM
PERFORMING ART
PERFORMING ART
FARMER’S MARKET
FARMER’S MARKET
SCHOOL
SCHOOLASSEMBLY
ASSEMBLY
FARMLAND
FARMLAND
HOTELHOTEL
SHOPPING
SHOPPING
SOCCER STADIUM
SOCCER STADIUM
BUSINESS
BUSINESS J
UW
JE
W
MU
SL
IN
MU
SL
INMUSEUM
PERFORMING ART
FARMER’S MARKET
SCHOOL
ASSEMBLY
FARMLAND
HOTEL
SHOPPING
SOCCER STADIUM
BUSINESS
MUSEUM
PERFORMING ART
FARMER’S MARKET
SCHOOL
ASSEMBLY
FARMLAND
HOTEL
SHOPPING
SOCCER STADIUM
BUSINESS
Two Isolated Areas:
Similar social programs
concealed by confl icted
cultural background.
Win-Win Situation:
Similar programs merge in
the district 3. Confl icted
cultural backgrounds are
left at other two sides.
Expansive District 3:
Jews and Muslins have
right to attach buildings on
their own side to utilize Dis-
trict 3 or extend it.
PROGRAM EVOLUTION
5
Berlin Wall
[East Berlin / West Berline]
The wall was erected to protect its population from fas-
cist elements conspiring to prevent the “ will of people”
in building a socialist state in East Germeny.
Because of the history, religion and intervention of other
nations, the confl ict between Palestine and Israel never
stop. In this asymmetrical battle, Palestinians need to
use “body bomb” to against Israeli’s warfare technol-
ogy.
West Bank barrier
[Israel / Palestine]
The barrier is built mainly in the West Bank and partly
along the 1949 Armistice line, or “Green Line” between
Israel and Palestinian West Bank.
The construction of West Bank Barrier isolates Palestin-
ians and Israelis lives, mutual understanding and com-
munication.
India-Pakistan Border
[ India / Pakistan ]
The border between India and Pakistan is one of the
most volatile on the planet.
Palestinian and Israeli citizens are the major victims
of this confl ict. People are hoping the peace between
these two parts could be come true.
POLITICAL CONFLICT
RELIGOUS CONFLICT
NATIONS CONFLICT
ASYMMETRICAL CONFLICT
TERRIFYING ARCHITECTURE
THE PEACE PROCESS
WALLS IN THE WORLDFrom histories until now, terrifying walls are built to isolation people from two parts which might have confl ict
politics, economics or religions in world wide.
WEST BANK BARRIER
PALESTINE-ISRAEL CONFLICTThe violence between Palestine and Israel is threatening both Palestinian and Israeli’s lives. How to stop is
situation is attracting worldwide attention in decades.
6
West BankWest Bank
West Jersalem
BethlehemIsrael
1949 Armistice “Green Line”
DISTRICT 1
Areas Controlled by Palestinian
DISTRICT 2
Areas Colonized by Israel
DISTRICT 3
Constructed West Bank Barrier
Under Construction West Bank Barrier
Constructed Skyscraper of Liberation
Agricultural Gate & Military Gate
[ Potential Skyscraper of Liberation Site]
Checkpoint
[ Potential Skyscraper of Liberation Site]
District 3 - Check point
Pixelate District 3 - Contributed area
Materialize District 3 - Shared programs
DISTRICT 3 EVOLUTIONThe generation of district 3 starts from the checkpoints or agricultural gates which both Palestinian and Israeli
pass through frequently along the West Bank Barrier. In this process, the barrier area expands to both side
to form the district 3 which is managed by UN and can be used by both Palestinian and Israeli people who
pursue peace.
7
THE DISTRICT 3
It is as an assembly where Israeli and
Palestinian can negotiate, cooperate with
each other and represent themselves.
ISRAEL AREA PA L E S T I N I A N
PROGRAM SECTION
8
Business
It is as a assembly for Palestinian and
Israeli to negotiate and exchange
views.
Sports stadium
Sports is the symbol of peace and
friendship.
School
The education institudes of Israel is
better than Palestine. Many Palestin-
ian attend Israeli school, but their are
forced to learn Israel religion. In here,
Palestinian and Israeli have equal right
to learn knowledge.
Farmers’ market
Agriculture is the main income of Pal-
estine. Olive is the most important
crop. Palestine can have a good deal
in this market.
Museum
It is the best place to present Palestine
and Israel culture and history. It offers
both side people to understand and
tolerate the differences of each other.
Theater
Palestine and Israel have their own fa-
mous artists performers, but they only
perform in their own theaters. In here,
both artists can present their art under
the same roof.
Zoo
The warfare causes insuffi cient funds
of Palestine zoo. It is a natural educa-
tion place for young age Palestinian
and Isrealithe under the same roof.Hotel
Tourism is Isael’s main source of foreign
exchange income. The occupation of
tourists can eliminate confl ict.
STRUCTURE ANALYSIS
VERTICAL STRUCTURE
HORIZONTAL PROGRAMS
VERTICAL CIRCULATION
ATTACHED RESIDENTIALS
9
RENDERING
Resin Space10
USC M.arch.PP Studio
PETRI[f]RIGHTSeptember 2010 - December 2010
Pro.Francois Roche
Did you know the fear can be petrifi ed?
One of the greatest stories of petrifaction is about Medusa. The museum likes Medusa has the power to
petrify fear. When people experience fear, their adrenaline level heightens, the heartbeats faster and breathe
heavily. Like the body, our machine is breathing. It absorbs and materializes fear into a structure that colonizes
the whole space.
Machine accommodates and responses to people breathe. Breathe more heavily, the structure grows
rapidly. Gradually, small package of unknown spaces emerge. Those coagulations of the structure creates
“obstacle” that creates new paths in the museum. The whole process is coherent back and forth.
This is a research about how to transform the invisible and intangible material into castable architecture
material in a self-intelligent and self-generating process which embodied by robots.
This design eliminates the obstruction between human and architecture. Human produces the architecture
material in their instinctive physiological reaction. In other words, the architecture is born by human’s organs.
They synthesize into one.
MATERIAL TRANSFORMATION PRINCIPLE
Chemical Reaction
CO2 + URINE + NH3 = UREA FORMALDEHYDE / RESIN
ADULTS RESPIRATORY RATE
Regular: 12-20 breaths / per minute
Nervous: 25-30 breaths / per minute
UF RESIN PROPERTIES
high surface hardness, volume re-
sistance, high tensile strength
11
Porous glass floor panels
[ people standing on]
Air vantilation pipe system
[ deliver air ]
Plastic perforation plates
[ fasten pipe system ]
Steel surpport grid
[ fasten vatilations ]
Steel surpport grid
[ fasten dop mouths ]
Sensors + Ventilation[ when sensors detect people above them,
vantilations absorb air ]
Air superchargers[ when the air-vent on, they
generate pressure for air strings;
When the air-vent off, they press
air to the chemical reaction tank
]
Sensors + air-vents[ when sensors detect resin
grow in front, air-vents on and
blow pressed air string]
Chemical reaction tank[ reaction CO2 + URINE + NH3
= UREA FORMALDEHYDE /
RESIN happens location ]
Resin drop chains
[ resin drops on chains and sticks on
them. Space forming begins.
Sensors and resin weeps[ when sensors record certain times
people pass by, drop mouths drop
resin. ]
CO2
Resin
12
MECHANICAL SYSTEM & MATERIALS CIRCULATIONThe mechanical system is activated by visitors’ breath reaction to the content
of exhibits and environment. The ventilations which are installed under the fl oor
can recycle CO2 which expired by people. The useful CO2 will be delivered to
the chemical reaction tanks and transformed into resin which drops from the
ceiling. The rest air will be compressed as the source of air string which can
impacts the form of resin.
Resin drop point
Support frame
Wind strings direction
Resin generation Resin transformation
13
INTERACTION PRINCIPLE OF VISITORS, SENSORS AND RESIN FORMATION
RESIN SPACES FORMATION [ LOGIC ]
When resin weep sensors record enough visitors trajectories history, resin weeps on and air-vents blow out
air strings when resin forming in front of them.
RESIN SPACES LANDSCAPE [ LOGIC ]
Resin walls which grow on visitors trajectories which impact by exhibit objects takes place of existing walls.
Spaces are changing and objects are relocated.
Sensors record visitors
trajectories and resin
weeps and air-vents
give response.
Resin weeps off
Resin weeps on
Resin weeps sensor range
Air-vent on
Air-vent off
Visitors trajectories
Resin shapping spaces
[ Top view ]
Resin shapping spaces
[ Side view ]
Existing walls
Exhibit objects
Visitors trajectories
Resin location
Museum existing plan. Existing walls are taken
away, resin is forming on
visitors trajectories.
Resin increases to form
walls.
14
RESIN SPACES FORMATION [ RHINOSCRIPTSIMULATION ]
Rhino scripting - Branching simulates the growth process of resin spaces
RESIN SPACES LANDSCAPE [RHINO MODELING SIMULATION]
This crimped landscape is generated according to visitors’ trajectories record. It reveals the emerged spaces
in the museum in the future.
PLANWalk way
Walk way
Wall
Space package
Entance
SECTION
Time: 10 hours - Resin accomulats
under the ceiling
Time: 42 hours - Resin is trans-
formed by air strings
Time: 72 hours - Resin reaches
the ground, new exhibition spaces
generated
15
RENDERING
16
Pollution PollutionO2
O2
O2
Dangerous outdoor
Natrual necessities Activities necessities
Safe indoor
Double-glass
curtain wall
Center core
space
Spiral strip
landscape
Core structure External structure
BJTU B.arch Studio
NOAH’S ARKResidential Tower Design
September 2008 - December.2008
Human’s health is threaded by air pollution in 2050.
At this time residential architectures have different
meaning for human’s everyday life. They are not only
for people to rest. They become “Nurseries” which
offer people artifi cial healthy outdoor environment,
such as sunshine, landscape, activities spaces and
so on in their core systems. The core system is
formed by architecture’s special double structure.
This project also focuses on the aesthetic language
of architecture, which references to human’s body.
STRUCTURE ANALYSIS The residential tower is divided by two main structures. One is the core structure which contains the spiral
strip landscape that offers people outdoor activities space. Another one is the external structure which sup-
ports the residential areas.
17
Spiral-strip
Landscape Core
Roof Top
Parking Apron
Central Residentials
Offcentral Residentials
Public Atrium
Entrance Lobby
Spiral-strip
Landscape Core
Roof Top
Parking Apron
Central Residentials
Offcentral Residentials
Public Atrium
Entrance Lobby
PROGRAMS SECTIONThe programs section reveals the relationship between the spiral landscape strip and residential areas. The
central landscape atrium offers residents an “outdoor” public activities space.
18
F1-F3
Entrance Hall
F4-F6
Residentials
F7
Public Space
F19
Public Space
F20-F22
Residentials
F23
Roof
F8-F18
Residentials
PROGRAMS LAYERS
The residential areas are seperated into two
types. One has landscape spiral strip atrium in
the centre. They share the landscape with other
residents. Another type has landscape around
houses which have their own private landscape.
19
BJTU B.arch Studio
WAVE OF SOUNDTheatre Design
February 2008 - May 2008
This project is a school theatre renovation
which focuses on how architecture form
transform visitors experience. The original
theatre is a rigid box which is dark when
there is not performance. The concept is
use the wave-like form to activate surround-
ing environment.
PHISICAL MODEL
20
Exterior framework
& basic functional form
Auditorium Circulation structure
South Elevation
Northeast Elevation
East Elevation
Southwest Elevation
North Elevation
Southeast Elevation
West Elevation
Northwest Elevation
South Elevation
STRUCTURE COMBINATIONThe theatre is combined by its original auditorium core, a wave-like exterior framework and a fl uid circulation
structure. The original auditorium volume determines the basic functional form. The framework creates a vivid
and free environment for public activities. The circulation structure connects exterior and interior activities
into a loop.
360 DEGREE ELEVATION VIEW Building View direction
21
INTERIOR AUDITORIUM SPACE / EXTERIOR PUBLIC SPACEThe theatre spaces are divided into two parts by two intertwisted structures. The main structure contains the
interior activities - auditorium, another small one serves exterior public activities, such as roof top rehearsal
space, makeup space, cafe and so on.
INTERIOR AUDITORIUM SPACE [ SECTION ]
EXTERIOR PUBLIC SPACE [ ELEVATION]
STAGE
Roof top rehearsal
Out door makeup
Cafe
ENTRANCELOBBY
22
AUDITORIUM STRUCTURE
PUBLIC ACTIVITIES STRUCTURE
23
24
Asymptote Architcture Internship
RIVER CULTURE PAVILIONSchematic Design
May 2011 - July 2011
The design of the River Culture Pavilion is the outcome of the harmoni-
ous convergence of architecture, technology and nature. The bold curved
form of the architecture creates a compelling focal point in the vastness
of the panoramic landscape while the material treatment of its exterior
transforms the light, color and forms of its natural setting to create an
ephemeral architectural vision set against the surrounding panorama.
The Pavilion is a compelling yet elegant, sculptural object in dialogue
with the surrounding landscape; nature is as much part of the architec-
ture as the architecture is part of nature.
+28.0mLandscape
+31.5mLandscape
+29.5mLandscape
+27.0mGround Level
+27.0mParking
+30.5mLandscape
+29.5mLandscape
+28.0mWater Feature
High-Level Water Line
Low-Level Water Line
+32.0mWater Feature
+27.0mEntry
KEY
1 Guem-Ho River
2 Nak-Dong River
3 River Culture Pavilion
4 Main Entrance
5 Secondary entrance / Exit
6 Four Rivers Cultural Plaza
7 Community Lawn
8 Parking
9 General Management Office
10 Stoplog Storage
10
7
6
4
3
1
2
8
7
9
5
1. RENDERING [ PAVILION ENTRANCE ]
2. RENDERING [ BIRD’S-EYE VIEW ]
3. SITE PLAN
1.
2. 3.
25
Spiral Stair Construction
Concrete / Composite Slab
Steel Structure
Exterior Shell Structure
ETFE Cushion Sub-structure
Foundation,Basement Columns, Core,
Shear Wall
STRUCTURAL SYSTEMS
26
GUTTER
GUTTER GUTTER
GUTTER
DRAIN PIPE
DRAIN PIPE DRAIN PIPE
CISTERN
TO WC + LANDSCAPE
SUPPLYSUPPLY
AIR INTAKE AIR INTAKE
AIR EXHAUST
RETURN
RETURN
Water drainage HVAC
MECHANICA ELECTRIC PLUMBING
SECTION I
SECTION II
27
Asymptote Architecture Internship
BUSAN CULTURE ISLAND OPERA HOUSECompetition
July 2011 - August 2011
The conceptual approach for the Busan Opera House is based on establishing a
strong urban connection between the city and waterfront that simultaneously ac-
tivates Busan’s harbor while providing an iconic gateway and world-class cultural
destination for the city of Busan and South Korea. Three spectacular and elegant
pavilions provide dynamic performance and exhibition spaces, which are connect-
ed by way of a powerful, and equally iconic sky bridge traversing the canal and
landscape beneath. At ground level the underside of the building opens to the views
and landscape, providing connection with the outdoor performance spaces while
at night illuminate the surrounding environs thereby creating a cultural beacon for
the city of Busan and Korea.
1. RENDERING [ BIRD’S - EYE VIEW ]
2. RENDERING [ AUDITORIUM ]
3. lEVEL 3 PLAN
1.
2.3.
EHIBITION
THEATRE
OPERA
HOUSE
28
29
LEVEL 0 +0.00 m
LEVEL 1 +7.00 m
LEVEL 2 +11.00 m
LEVEL 3 +16.00 m
LEVEL 5 +27.00 m
ICONIC GATEWAY [ CITYSCAPE ]The conceptual approach for the Busan Opera House is based on establishing a strong urban connection be-
tween the city and waterfront that simultaneously activates Busan’s harbor while providing an iconic gateway
and world-class cultural destination for the city of Busan and South Korea.
SECTION
SITE PLAN
EXHIBITION
30
SKY LOBBY
LOADING STORAGE MECHANICAL
FOYER
THEATER
BOOKSTORE
MAIN HALL
CONVENTION LOABY
BANQUET
OFFICES
CIRCULATIONVisitors access the main Opera House and Theater complex by two distinct means, either by way of a grand
escalator connected to the city on the landside or by way of vehicular and pedestrian bridges that bring visi-
tors to the center of the site and complex. The entry foyer is accessed by way of escalators that lift People
above the landscape and views delivering people to an impressive indoor plaza that is the hub of the complex
allowing access to both performing arts venues and the sky bridge back to the city of Busan.
BUILDING CIRCULATION
URBAN CIRCULATION
SKYBRIDGE THEATER
Opera house & Theater & Exhibition
Sky bridge
Public circulation
Public circulation Opera house
Banquet / convention
Exhibition
Administration circulation
Service circulation
31
RENDERING FOR HELSINKI LIBRARY COMPETITION
View from Makasiini Park
32
33
RENDERING
View from library
34
Warren Techentin Architecture Internship
HELSINKI LIBRARY COMPETITIONCompetition
March 2012 - April 2012
CITYSCAPEOur proposal seeks to contextualize, join, and frame the surrounding Toolonlahti district and in particular, the
Makasiini Park. Our goal for the new Helsinki Library is to transform the modern library into an active, partici-
patory space which itself becomes a “central square” for information exchange and dialog between people
via numerous media.
THE TUBE - AERIAL SIDEWALKThe building is bisected by an “Aerial sidewalk” that passes through the building from the street to the park.
This feature of the building is meant radically encourage participation and social interaction between people,
digital media, and the various programs of the library while simultaneously fulfi lling the requirements for the
varied hours of operation.
SITE PLAN
35
THE TUBE - AERIAL SIDEWALK [ PROGRAMS HUB]The building is bisected by an “Aerial sidewalk” that passes through the building from the street to the park.
This tube connects different important programs in the building. However, It is not merely a public circula-
tion device, but allows one to experience and view many of the programs which happen alongside of it while
passing through.
TUBE and Muti-purpose Connection
TUBE and Children’s World Connection
Tube Entrance
TUBE and Library Connection
TUBE and Roof Top Connection
AERIAL SIDEWALK SECTION
Along the way, visitors are given privileged views of the interior of the Children’s Library, the Living Lab, and
the Cinema.
3.00 3.30 4.
003.
905.
003.
10 3.50
3.10 3.40
3.10 3.40
3.10 3.40
21.2
0
4.10
4.00
4.50
4.40
4.00
3.10 3.40
2.80
2.80
2.80
2.80
2.80
25.1
0
P.L. P.L.
Machine Room
City Center Tunnel
Listening & Viewing Games Room
Digital-Physical Workshop, "Fab-Lab"
IT & Other Equipment Areas
Cleaning Hallway
Local FanRoom
Local FanRoom
Local FanRoom
Local FanRoom
Local FanRoom
Cinema
Children's World
Living LabPop-up Info
Spot 2
Area
Mach.Room
Lobby Returns AutomatRoom
Service & Loading Area
Retail
Fixed ClientServices Point
Library Services
Library ServicesQuietArea
QuietArea
QuietArea
"Oasis"
Public SaunaRestaurant
WorkroomsHallwayTeaching, Group
SpacesHallway Skylight
Furniture and Props
Storage
Library Services
Space Library Services
Library Services
Library Services
Library Services
Library Material Handling
Space
EgressStairs
Roof+ 25.00 m
Roof Deck Level+ 21.50 m
6th Floor+ 17.50 m
5th Floor+ 13.60 m
Ground Level+ 0.00 m
4th Floor+ 10.20 m
3rd Floor+ 6.80 m
2nd Floor+ 3.30 m
Ground Level+ 0.00 m
Rentable Exhibition Level (2nd)+ 4.10 m
Upper Cinema Level+ 7.80 m
Multipurpose Space Level+ 12.60 m
6th Floor+ 17.50 m
Roof Deck Level+ 21.50 m
Roof+ 25.10 m
36
TUBE RENDERING
View from main lobby
Standard capsule openings
Enlarged capsule openings
[ Location various accord-
ing to publicity of adjacent
program activities. ]
AERIAL SIDEWALK PATTERN
The changing visual permeability of aerial sidewalk pattern allows visitors to have various experiences and
views of their surrounding programs activities when visitors walk though the tube.
37
SOLAR CONDITION RESPONSIVE WINDOW SPACES [ PERFORMENCE]Window opening areas and depth of window overhangs responsive to the solar condition of each facade
segmentation.
SOLAR CONDITION RESPONSIVE WINDOWS [ UNIT TEST ]
Parameter: Solar condition of facade high low
SOLAR CONDITION RESPONSIVE WINDOWS [ SURFACE TEST ]
Overhang depth: 2m
Opening area: 2m2
Overhang depth: 0m
Opening area: 16m2
Overhang depth: 0m
Opening area: 14m2
Overhang depth: 2m
Opening area:10m2
Sun / Surface Location
[ Grasshopper ]
Overhang depth: 2m
Opening area: 15m2
Overhang depth: 1m
Opening area: 14m2
38
SOLAR CONDITION RESPONSIVE WINDOWS SPACE [ ZOOM IN / PLAN ]
SOLAR CONDITION RESPONSIVE WINDOW SPACES [FUNCTION]
Create isolated reading spaces for group work in library area.
Library Services765m2
Quiet Area80m2
"Oasis"50m2
Workrooms150m2
200m2
EgressStairs
OPEN TO BELOW
Library Services765m2
Quiet Area80m2
Local Fan Room25m2
EgressStairs
WC50m2
Service Elevators
Elevators
"Oasis"50m2
Workrooms150m2
Teaching, Group
Spaces 300m2
400m2200m2
Skylight
WC
WC
H/C
EgressStairs
Conference Room 90m2
OPEN TO BELOW
Teaching, Group
Spaces 100m2
Windows on elevation
Floor plan
Zoom in
39