c o v e r i m a g e

John Steuart Curry, Mississippi Noahb a c k c o v e r

John Steuart Curry, Study for Prize Stallions

PrintS & DrawingS 2007

Works on PaPer

5733 South 34th Street, Suite 300

LinCoLn, nebraSka 68516

t 402.420.9553

F 402.420.9554

gaLLery@kieCheLart.Com

www.kieCheLart.Com

Josef albers

John James audubon

george bellows

thomas hart benton

karl bodmer

edward borein

Félix buhot

george Catlin

Paul Cézanne

thomas Coleman

John Steuart Curry

albrecht Dürer

James ensor

harper’s weekly

winslow homer

ellsworth kelly

Fernand Léger

albert marquet

reginald marsh

william ashby mcCloy

mckenney & hall

william wind mckim

roger medearis

robert riggs

georges rouault

roger Shimomura

Paul Signac

John Sloan

edith Sternfeld

akio takamori

wayne thiebaud

Leonard thiessen

rembrandt van rijn

Stow wengenroth

James mcneill whistler

Florence white williams

grant wood

173

121-122

144

53-82

123

125-128

155

129-137

161

183-213

1-52

156

162

86

87-107

171

163

160

147-151

168-170

124

108-120

177-182

154

164-166

174

159

145-146

175

172

167

153

157-158

152

138-143

176

83-85

Table of Contents

works on paper has been a major focus of kiechel Fine art for over 20 years. this catalogue represents a broad spectrum of art ranging from Dürer and rembrandt to thiebaud, including a wide variety of pieces from our comprehensive collection of regionalist prints and drawings.

we invite you to explore this catalogue’s diversity of quality work and look forward to serving you in the future.

Preface

d i r e c t o r

Vivian kiechel

g a l l e r y d i r e c t o r

Frederick (buck) kiechel iV

Mississippi Noah

1931, watercolor14 ½ x 21 ½ inchesSigned & dated, lower right

p r o v e n a n c e

by descent, Chris L. Christensen, dean of agriculture, university of wisconsin, madison

born in minden, nebraska, Chris L. Christensen was named dean of the College of agriculture at the university of wisconsin in madison in 1931. Christensen, a graduate of the university of nebraska-Lincoln and the harvard graduate School of business administration, shared the university president’s sentiment that america’s future welfare depended on a renewal of the rural culture. By hiring the like-minded John Steuart Curry in 1936, Christensen started the first artist-in-residence program in the united States and established a new direction in education, by encouraging rural citizens throughout wisconsin to take an active interest in art.

1

john steuart curry (1897-1946)

john steuart curry

Prize Stallions

1938, Lithograph, edition of 25012 ¾ x 8 ¾ inches, Signed and annotated

“to Chris on his birthday Dec 29th 1938 JSC”

p r o v e n a n c e

by descent, Chris L. Christensen, dean of agriculture, university of wisconsin

Study for “Prize Stallions”

1937, Conté crayon12 x 17 inches, Signed and annotated, lower right

“to Chris and Cara Christmas 1937 John and kathleen”

p r o v e n a n c e

by descent, Chris L. Christensen, dean of agriculture, university of wisconsin

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3

2

4 john steuart curry Study for “Stallion and Jack Fighting,” c. 1943, graphite & ink on tracing paper, 12 x 16 inches

5 john steuart curry Stallion and Jack Fighting, 1943, Lithograph, edition of 250, 11 ¾ x 15 ⅜ inches, Initialed & dated

4 5

6 john steuart curry Study for “Summer Afternoon,” 1940, graphite, 10 ¼ x 14 inches

7 john steuart curry Summer Afternoon, 1940, Lithograph, edition of 250, 10 x 14 inches, Signed

6 7

8 john steuart curry Study for “The Fugitive,” c. 1934-36, graphite, 22 ⅛ x 17 inches

9 john steuart curry The Fugitive, 1935, Lithograph, edition of 25, 12 ⅞ x 9 ⅜ inches, Signed & titled by Mrs. Kathleen Curry

8 9

10 john steuart curry Our Good Earth, 1942, Lithograph, edition of 250, 12 ¾ x 10 ⅛ inches, Signed

11 john steuart curry John Brown, 1939, Lithograph, edition of 250, 13 ⅞ x 16 ⅞ inches, Signed

10 1 1

12 john steuart curry Coyotes Stealing a Pig, 1927, Lithograph, edition of 50 (Second Stone), 10 x 15 inches, Signed, titled & dated

13 john steuart curry Hounds and Coyote, 1931, Lithograph, edition of 25, 10 x 14 inches, Signed, titled & dated

14 john steuart curry Manhunt, 1934, Lithograph, edition of 300, 9 ¾ x 12 ¾ inches, Signed, titled & dated

15 john steuart curry Sanctuary, 1944, Lithograph, edition of 250, 11 ⅝ x 15 ⅝ inches, Signed

14

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1 2

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16 john steuart curry Hogs Fighting, 1938, Lithographic crayon, 9 x 13 inches

17 john steuart curry Hogs Fighting, 1938, Charcoal & watercolor, 13 ½ x 20 ½ inches

16 17

18 john steuart curry Haymakers, 1923, watercolor, 9 ¾ x 14 ⅞ inches, Signed, titled & dated

19 john steuart curry Cows in Pasture, 1923, watercolor, 14 ¼ x 19 ½ inches

20 john steuart curry Haying, c. 1925, watercolor, 9 ¾ x 14 ¾ inches

21 john steuart curry Horses in Pasture with Rainbow, 1943, watercolor, 21 ½ x 29 inches

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22 john steuart curry Barber County, Kansas, c. 1929, watercolor, 11 ¼ x 17 inches, Signed & titled

23 john steuart curry Lake Otsego No. 2, 1923, watercolor, 6 ½ x 9 inches, Signed, titled & dated

24 john steuart curry Spring Plowing, c. 1925, Charcoal, 6 ¾ x 11 ½ inches

25 john steuart curry Farmers in Horsedrawn Wagon, 1933, graphite, 4 ¾ x 7 inches

26 john steuart curry Bull: Study for Ajax, 1931, Charcoal, 12 x 16 inches

26

27 john steuart curry Prairie Sunrise, Study for Frontispiece for The Prairie by James Fenimore Cooper

1939, watercolor, 8 ¾ x 6 inches, annotated “Frontispiece”

28 john steuart curry Prairie Sunrise 2, Study for Frontispiece for The Prairie by James Fenimore Cooper

1939, watercolor, 8 ¾ x 6 inches

27 28

john steuart curry

29 Winchester Tornado Study, 1929, Charcoal & lithographic crayon, 14 x 16 ¾ inches

30 Curry Ranch, Kansas No. 1, c. 1930, Charcoal, 13 ½ x 17 inches

31 Curry Ranch, Kansas No. 2, c. 1930, graphite & lithographic crayon, 12 x 16 inches

32 Curry Homestead, Lithographic crayon, 10 x 14 inches

33 Kansas Scene, Approaching Storm, c. 1930, Charcoal, 9 ½ x 12 ¾ inches

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34 john steuart curry Parisian Street with Truck, 1927, watercolor, 10 ⅞ x 13 ⅞ inches, Signed & dated

35 john steuart curry The Dove: Love Like a Bird, 1928, watercolor, 15 x 19 ¾ inches, Signed & titled

36 john steuart curry Café/Diner Scene, 1934, watercolor, 17 ¾ x 24 inches, Signed & dated

37 john steuart curry The Belle of the Dove, november 1926, ink & graphite with watercolor wash, 16 ¼ x 10 ¾ inches, Signed, titled & dated

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38 john steuart curry Sunflower Ballet: Woman in Dance Costume, 1942, watercolor, sepia & ink, 17 x 13 ½ inches, titled, initialed & dated

39 john steuart curry Strongman, Circus, c. 1932, graphite, 12 ½ x 10 ½ inches

40 john steuart curry Clowns and Equestrian Sketch, 1932, Charcoal & red chalk, 15 ¼ x 19 inches, Signed

39

4 03 8

john steuart curry

Paris No. 2: Seated Female Nude1926-27, Charcoal with conté crayon24 x 14 inches, titled, initialed & dated

Male Figure SketchConté crayon, 19 ¼ x 13 inches

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john steuart curry

Study for Unmortgaged Farmkansas Statehouse, topeka1935, Charcoal & conté crayon23 x 17 inches

Study for John Brown Muralkansas Statehouse, topeka1940, Conté crayon23 ¼ x 18 inches, Signed & titled

Children of Adamillustration for Leaves of Grass by walt whitman1943, Sepia, ink, & conté crayon10 x 6 ½ inches

Study of Woman with Upraised ArmConté crayon, 11 x 16 inches

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4 5 4 6

47 john steuart curry Woman in Hat “Ellen,” Conté crayon 19 ½ x 14 ½ inches

48 john steuart curry Three Nude Studies, 1935, Charcoal, 25 x 19 inches (each)

49 john steuart curry Henry Fleming, Frontispiece for Red Badge of Courage, 1944, ink & lithographic crayon, 11 x 7 inches, initialed

50 john steuart curry Wild Bill Cody, Frontiersman, 1927, Charcoal, 18 ¼ x 12 ¼ inches, Signed & dated

49 5 0

51 john steuart curry Portrait of Justin Sturm,

november 16, 1936, Conté crayon, ink & wash, 23 x 18 inches, annotated, signed & dated

Nebraska native, Justin Strum, was a hero and starting end for Yale in its 1921 victory over Princeton. He published his first novel in 1926 and wrote many short stories

for harpers, Colliers, Pictorial Preview and redbook magazines. he also was a succcessful sculptor and friend of John Steuart Curry.

52 john steuart curry Football, Study for Touchdown, 1938, Conté crayon, 12 1∕3 x 9 inches

51 5 0

53 thoma s hart benton (1889 -1975) Frankie and Johnnie, the missouri State Capitol series,

1936, Lithograph, edition of 100, 16 ⅜ x 22 ⅛ inches, Signed

thoma s hart benton

A Drink of Water1937, Lithograph, edition of 250 10 x 14 ¼ inches

The Farmer’s Daughter1944, Lithograph, edition of 250 13 ⅛ x 9 ⅞ inches

The Fence Mender 1940, Lithograph, edition of 25010 x 14 inches

Flood 1937, Lithograph, edition of 25012 ¼ x 9 ¼ inches

Discussion1969, Lithograph, edition of 2509 ¾ x 12 inches

*a l l s i g n e d

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thoma s hart benton

Frisky Day1939, Lithograph, edition of 2507 13∕16 x 12 1∕16 inches

Island Hay1945, Lithograph, edition of 25010 x 12 ⅝ inches

Loading Cornalso titled Shucking Corn1945, Lithograph, edition of 25010 ¼ x 13 ¼ inches

Mr. President1971, Lithograph, edition of 1508 ½ x 7 ½ inches

Plantingalso titled Spring Plowing1939, Lithograph, edition of 25010 x 12 ½ inches

Rainy Day1938, Lithograph, edition of 2508 ¾ x 13 ⅜ inches

*a l l s i g n e d

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thoma s hart benton

Repairing the Sloop1973, Lithograph, edition of 25013 ⅞ x 17 ⅞ inches

Self-Portrait1973, Lithograph, edition of 15011 ⅝ x 9 ½ inches

Sorghum Mill1969, Lithograph, edition of 2509 ⅝ x 13 ¾ inches

Spring Tryout1943, Lithograph, edition of 2509 ½ x 13 ⅝ inches

The Hymn Singer1950, Lithograph, edition of 50016 x 12 ⅜ inches

Youth Music1974, Lithograph, edition of 25016 ⅞ x 20 ⅝ inches

*a l l s i g n e d

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71 thoma s hart benton County Politics, 1973, Lithograph edition of 250, 13 ⅞ x 16 ⅞ inches, Signed

72 thoma s hart benton Study for “County Politics,” 1973, graphite, 14 x 17 inches

71 72

73 thoma s hart benton Mountain with Cabin at Base, c. 1940, watercolor & ink, 8 ½ x 11 ½ inches, Signed

74 thoma s hart benton Towboat, c. 1935-1940, Sepia, ink & graphite, 8 ½ x 11 ½ inches, Signed

75 thoma s hart benton The Steamboat Cincinnati, A Sidewheeler on the Mississippi River,

c. 1930-35, Sepia, ink & graphite, 8 ½ x 11 ½ inches, Signed

76 thoma s hart benton Study for Making Camp, c. 1930-1940, waterolor, ink, pencil & tempera, 11 x 14 inches

73

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thoma s hart benton

77

Missouri Man (Jesse James)Study for missouri State Capitol mural, Jefferson City1936, graphite14 x 16 inches, Signed & titled

thoma s hart benton

Portrait of Karl Novhdurstc. 1930-1940, Sepia, ink & pencil11 ¼ x 8 ¼ in.Signed & titled

illustration in Life magazine, July 26, 1937

“Buck Swamper” BM Owens c. 1930-1940, Pencil & ink11 ½ x 8 ½ inchesSigned & titled

Wrestlers in Ring c. 1950, watercolor & ink9 x 10 inchesSigned

Cats, Martha’s Vineyardc. 1925-30, Sepia, ink & pencil7 ¾ x 7 inchesSigned

illustrated in k.a. marling’sTom Benton and His Drawings

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82 thoma s hart benton Miners Going to Work, 1940, Sepia, ink and pencil, 14 x 17 inches, Signed, lower right

gr ant wood

(1891-1942)

March1939, Lithographedition of 2508 ⅞ x 11 ¾ inchesSigned

December Afternoon1940, Lithographedition of 2508 ⅞ x 11 ¾ inches

In the Spring1939, Lithographedition of 2509 x 11 ⅞ inchesSigned

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86 Harper’s Weekly; A Journal Of Civilization, Volume 6

includes all issues from January-December, 1862. Profusely illustrated with engravings and maps. thick, bound folio.

87 winslow homer (18 36 -1910) Snap-the-Whip, September 20, 1873, Harper’s Weekly, wood engraving, 13 ½ x 20 ½ inches

winslow homer

All in the Gay and Golden WeatherJune 10, 1869, Appletons’ Journalwood engraving, 6 x 5 inches

Flirting on the Sea-shore, and on the MeadowSeptember 19, 1874, Harper’s Weeklywood engraving, 13 x 5 inches

New England Factory Life—‘Bell-Time’July 25, 1868, Harper’s Weeklywood engraving, 8 ¾ x 12 ⅞ inches

On the Road to Lake Georgeaugust 23, 1873, Harper’s Weeklywood engraving, 9 ¼ x 14 inches

Sea-Side Sketches—A Clam-Bakeaugust 23, 1873, Harper’s Weeklywood engraving, 9 ¼ x 14 inches

Ship-Building, Gloucester Harboroctober 11, 1873, Harper’s Weeklywood engraving, 9 ⅜ x 13 ¾ inches

Spring Farmwork—Graftingapril 30, 1870, Harper’s Weeklywood engraving, 6 13∕16 x 9 1∕16 inches

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winslow homer

Summer in the CountryJuly 10, 1869, Appletons’ Journalwood engraving, 4 ½ x 6 ½ inches

The Artist in the Country1869, Appletons’ Journalwood engraving, 6 ⅝ x 6 ¼ inches

The Bathersaugust 16, 1873, Harper’s Weeklywood engraving, 13 ¾ x 9 ¼ inches

The Picnic Excursionaugust 14, 1869, Appletons’ Journalwood engraving, 9 x 11 ¾ inches

The Robin’s Noteaugust 20, 1870, Every Saturdaywood engraving, 9 ⅛ x 8 ⅞ inches

Winter at Sea—Taking in Sail off the CoastJanuary 16, 1869, Harper’s Weeklywood engraving, 8 ⅞ x 11 ¾ inches

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harper’s weekly c iv il war serie s

101 winslow homer Christmas Boxes in Camp, January 4, 1862, wood engraving, 10 ⅞ x 9 ⅛ inches

102 winslow homer Filling the Cartridges at the United States Arsenal at Watertown, Massachusetts, July 20, 1861, wood engraving, 10 ⅞ x 9 ¼ inches

103 winslow homer Floral Department of the Great Fair, april 16, 1864, wood engraving, 10 ⅞ x 9 ⅛ inches

101 102 103

harper’s weekly c iv il war serie s

104 winslow homer A Shell in the Rebel Trenches, January 17, 1863, wood engraving, 9 ⅛ x 13 ¾ inches

105 winslow homer The War for the Union 1862—A Bayonet Charge, July 12, 1862, wood engraving, 13 ⅝ x 20 ⅝ inches

106 winslow homer Our Watering Places—The Empty Sleeve at Newport, august 26, 1865, wood engraving, 9 ¼ x 13 ¾ inches

107 winslow homer The Army of the Potomac—A Sharpshooter on Picket Duty, november 15, 1862, wood engraving, 9 ⅛ x 13 ⅝ inches

10 4 10 6

105 107

william wind mckim (1916 -1995)

108

Boar’s Head

1967, graphite13 ½ x 17 inchesSigned, dated & annotated

American Royal1937, ink wash9 x 12 inchesSigned, titled & dated

Danae1973, Color lithographedition 30/3524 ½ x 18 inchesSigned

The Signc. 1965, Lithographedition of 3016 ¾ x 12 ¾ inchesSigned & titled

Late Fall1994, Lithograph11 ½ x 16 inchesSigned

Roughed Grouse1939, graphite13 ½ x 17 inches

Pronghorns1967, Lithographedition of 5010 ⅛ x 13 inchesSigned & titled

Jack1940, graphite9 x 12 inchesSigned

Bobcat and Wild Turkey1985, Lithographedition of 5014 ⅜ x 11 ¾ inchesSigned & titled

Old Gladiator1978, Lithographedition of 5019 ⅝ x 12 ⅝ inchesSigned & titled

Leda1979, Lithograph9 ½ x 11 ½ inchesSigned

Spanish Jack1967, graphite19 x 16 inchesSigned & titled

Fighting RoosterStudies for Old Gladiator1978, watercolor & pencil12 x 9 inchesSigned & titled

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121 john jame s audubon (1785 -1851) White Heron, 1837, hand-colored engraving with aquatint & etching, 25 9∕16 x 38 inches

john jame s audubon

(1785 -1851)

122

Purple Martin1827, hand-colored engraving with aquatint & etching25 ⅝ x 20 ½ inches

ex. collection Duke bernhard ii (1800-1882), Saxe-meiningen

123 k arl bodmer (1809 -1893) Hunting of the Grizzly Bear, tableau 36, 1839-1841, hand-colored lithograph, 25 ¼ x 30 ⅝ inches

124 thoma s mckenne y & jame s hall War Dance of the Sauks and Foxes, 1837, hand-colored lithograph, 19 ⅛ x 23 ¾ inches

125 edward borein (1872-1945) On the Drive, c. 1935, Pen & ink, 6 x 8 inches

126 edward borein (1872-1945) Harnessed, c. 1935, Pen & ink, 4 x 4 inches

127 edward borein (1872-1945) Wolf Study, c. 1935, Pen & ink, 6 ½ x 3 ½ inches, Signed

128 edward borein (1872-1945) Bucked Off, c. 1935, Pen & ink, 8 ½ x 10 ½ inches

1 25 1 26

1 27 1 28

129 george catlin (1796 -1872) The Snow-Shoe Dance, 1844-45, hand-colored lithograph, 12 ¼ x 17 ¾ inches

130 george catlin (1796 -1872) Antelope Shooting, 1844-45, hand-colored lithograph, 12 ⅛ x 17 ¾ inches

131 george catlin (1796 -1872) Attack of the Grizzly Bear, 1844-45, hand-colored lithograph, 12 ¼ x 17 ½ inches

1 30 1 311 30

132 george catlin (1796 -1872) Ball-Play Dance, 1844-45, hand-colored lithograph, 12 ⅜ x 17 ¾ inches

133 george catlin (1796 -1872) Buffalo Dance, 1844-45, hand-colored lithograph, 12 x 17 ¾ inches

134 george catlin (1796 -1872) Buffalo Hunt, Approaching in a Ravine, 1844-45, hand-colored lithograph, 12 ¾ x 17 ½ inches

135 george catlin (1796 -1872) Buffalo Hunt, On Snow Shoes, 1844-45, hand-colored lithograph, 12 ¼ x 17 ¾ inches

136 george catlin (1796 -1872) Buffalo Hunt, White Wolves Attacking a Buffalo Bull,

1844-45, hand-colored lithograph, 12 x 17 ½ inches

137 george catlin (1796 -1872) Wild Horses at Play, 1844-45, hand-colored lithograph, 12 ⅛ x 17 ⅝ inches

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138 jame s mcneill whistler (18 34 -1903) The Troubled Thames c. 1870, etching & drypoint on antique cream laid paper, 4 ½ x 9 inches

wide margins, third state of three, ex-collection of Charles C. Cunningham, ink stamp verso (not in Lugt), a brilliant impression of this extremely scare print.

139 jame s mcneill whistler (18 34 -1903) The Fair, 1895, Lithograph, edition of 15, 9 5∕16 x 6 1∕16 inches

Lithograph printed on wove paper, margins trimmed to image, inscription on back: whistler Lyme regis; only 15 prints.

140 jame s mcneill whistler (18 34 -1903) The Swan and the Iris, 1883, etching, 5 ¼ x 3 ¼ inches

Wide margins, first state of two, before the sails on the boat are completely shaded and with all the fine lines printing clearly. Superb and early impression of this scarce print. included in Cecil Lawson, a memoir, London, the Fine art Society, 1883, along with two etchings by herbert herkomer.

1 39 14 0

141 jame s mcneill whistler (18 34 -1903) The Forge, 1861, Drypoint, 7 ½ x 12 ½ inches

edition proof printed by the artist apart from publication in the thames Set, intermediate state between third and fourth states of five, Kennedy 68. Fine impression.

142 jame s mcneill whistler (18 34 -1903) The Little Pool, 1861, etching, 4 ⅛ x 5 inches

wide margins. Second state (of 8), with the foul biting and before the re-working. ex-collection of Percy thomas, (see Lugt supplement 2450, lower left recto) and Dr. D. J. Macauley, Halifax, Yorkshire, inscribed in pencil and dated 1922, lower margin recto. From 16 Etchings. A fine, early impression, with sharp, defined lines.

143 jame s mcneill whistler (18 34 -1903) Title to the French Set, 1858, etching & drypoint, 4 ½ x 5 ¾ inches

Full margins. Printed by Delâtre, Paris. a superb, dark impression. kennedy 25.

142 14 3

144 george bellows (1882-1925) The Pool-Player, 1921, Lithograph, 5 ⅛ x 10 inches, Signed

ex. collection of Senator william benton

145 john sloan (1871-1951) The Little Bride, 1906, etching, edition of 100, 5 ¼ x 6 ⅞ inches, Signed & titled

146 john sloan (1871-1951) The Women’s Page, 1905, etching, edition of 100, second state, 4 ½ x 6 inches, Signed & titled

14 5 14 6

reginald marsh (18 34 -1903)

e t c h i n g s f r o m t h e c o l l e c t i o n o f s e n at o r w i l l i a m b e n t o n

f r o m t h e w h i t n e y m u s e u m o f a r t p l at e s

Battery (Belles)1938, etching & engraving on copper9 1∕16 x 12 1∕16 inches

Wooden Horses1936, etching & engraving on copper8 x 13 5∕16 inches

Modern 1939 Venus1936, etching & engraving on copper8 x 12 inches

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149

150 reginald marsh (18 34 -1903) Nude Male, c.1930, Conté crayon, 14 ½ x 9 inches, Signed

151 reginald marsh (18 34 -1903) Nude Female, 1931, Conté crayon, 10 ¼ x 16 inches, Signed

1 5 0 1 51

stow wengenroth (1906 -1978)

152

Vase of Flowers1963, watercolor13 ½ x 9 ¾ inchesSigned

153 leonard thie s sen (1903 -1989) Lennie’s Shoes,

c. 1928, graphite, charcoal & white chalk, 11 ¾ x 13 ¼ inches, Signed, titled & dated

154 robert riggs (1896 -1970) Fighter and Handlers, 1932, Lithograph, edition of 250, 15 ¼ x 9 ¾ inches

1 5 3 1 5 4

155 félix buhot (1847-1898) Westminster Palace, 1884, etching, 15 x 23 inches

albrecht dürer (1471-1528)

156

Virgin with the Swaddled Child1520, engraving5 ¾ x 3 ⅞ inches

a brilliant, richly inked meder a impression. ex. collection David bernhard hausmann (Lugt 377, verso). trimmed on the plate mark. bartsch 38; meder 40.

157 rembr andt van ri jn (1606 -1669) The Flight into Egypt: Crossing a Brook

1654, etching, 3 ¾ x 5 ¾ inches

Usticke’s second state (e) (of three), with little or no wear in the densest areas of fine cross-hatching and with still somewhat sharper square plate corners. a superb, evenly printed impression with strong contrasts. barrsch 55; biorklund 54-D;

hollstein (white and boon) 55.

158 rembr andt van ri jn (1606 -1669) The Angel Departing from the Family of Tobias

1641, etching & drypoint, 4 ⅛ x 6 ¼ inches

a superb, early impression, with the drypoint printing strongly on the back of tobias’s head, with strong contrasts and inky plate edges. biorklund’s third state (of six), before the lines in the blank triangular space lower left; usticke’s third state (of seven); white and boon’s second state (of four). ex. collection Jan baptist de graaf (Lugt 1120, lower left recto), alexandre-Pierre-Francois rob-

ert Dumesnil (Lugt 2200, lower center recto) and Frederik F. hansen (Lugt 2813, verso).

paul s ignac (1863 -1935)

159

La Seine en Crueen. 1910, 1923, Lithograph5 ¾ x 8 ½ inches

albert marque t (1896 -1984)

160

Le Port de Naples1925, Lithograph8 ¾ x 5 ⅜ inches

original lithograph, signed in pencil with the blindstamp of the publisher, galerie des Peintres-graveurs. on chine voland, with large, full margins, in good condition.

161 paul cé z anne (18 39 -1906) Paysage á Auvers, July 1873, etching, 5 ⅛ x 4 ⅜ inches

162 jame s ensor (1860 -1949) Sentier A Groenedael, 1888, etching (second state) 5 ½ x 4 inches

Original etching, second (final) state, printed by Evely, on Japan, with large margins, in good condition

161 162

fernand léger (1881-1955)

163

Tête de Femme(head of a woman)1949, Color lithograph, 260/30024 ½ x 17 inches, Signed

164 george s rouault (1871-1958) Ballerine, 1930, aquatint, edition of 270, 12 ¼ x 8 ¼ inches

165 george s rouault (1871-1958) Jongleur, 1930, aquatint, edition of 270, 12 ¼ x 8 ¼ inches

166 george s rouault (1871-1958) L’ Quais, 1937, aquatint, 12 x 8 ⅛ inches

16 4 16 5 16 6

167 wayne thiebaud (born 1920) Six Italian Desserts, 1979, Color lithograph, 19/50, 15 x 20 inches, Signed, dated & numbered

william a shby mccloy (1913 -2000)

Ladder VIII (The Barrier) 1982, Collograph & silkscreen on murillo, a.P. 1511 ¼ x 17 ¼ inchesSigned

Ladder II 1980, Collograph on rives bFk, a.P. 711 ½ x 18 inchesSigned

The Five Ages1982, Collograph & silkscreen on murillo, a.P. 2/614 x 20 ½ inchesSigned

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171 ell sworth kelly (born 1923) Black Curve, 1972, one-color linecut, embossed, 41/75, 17 ¼ x 20 ½ inches, Signed & numbered

172 akio tak amori (born 1950) Fruit Tree, 1993, Screenprint, 1/30, 29 ½ x 11 inches

171 172

173 josef albers (1888 -1976) Untitled, 1964, Color lithograph, 65/125, 11 x 10 ⅞ inches, Signed & numbered

174 roger shimomur a (born 1939) Match, No Mix, No. 1, 1993, Lithograph, 1/30, 19 ¾ x 24 ¼ inches, Signed

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175 edith sternfeld (1898 -1990) Field and Mountain Scene with Cattle, c. 1960, watercolor, 15 ½ x 14 inches

176 florence white williams (1900 -1953) Berkshires: Near Summit of Peterburg Mountain where New York and Massachusetts Meet, c. 1930, watercolor, 8 ¾ x 9 ¾ inches, Signed

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177 roger mede aris (1920 -2001) Figure on a Pathway in a Landscape,

1969, graphite, 17 ½ x 23 ¼ inches, Signed & dated

178 roger mede aris (1920 -2001) The Butterfly, 1987, hand-colored lithograph, 84/100, 15 ½ x 11 ½ inches, Signed

179 roger mede aris (1920 -2001) The Sycamore II, 1993, hand-colored lithograph, 60/100, 15 ½ x 17 ¾ inches, Signed

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180 roger mede aris (1920 -2001) Country Singer, 1995, Lithograph, 26/100, 14 x 19 ⅞ inches, Signed

181 roger mede aris (1920 -2001) The Butterfly, 1987, Lithograph, 60/100, 16 x 12 inches, Signed

182 roger mede aris (1920 -2001) The Sycamore I, 1993, Lithograph, 16/100, 15 x 17 ¾ inches, Signed

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thoma s coleman (1935 -1971)

Tortoise1961, intaglio5 13∕16 x 6 13∕16

Window1969, Four-color lithographedition of 1015 7∕16 x 11 15∕16 inches

K x 91969, Lithographedition of 109 ½ x 9 ½ inches

Large Skindiver1964, Four-color intaglioedition of 2517 ⅝ x 23 7∕16 inches

Untitled: Four Shells1970, Lithograph12 x 17 ¾ inches

One Shell1969, intaglioedition of 1511 ½ x 17 ¼ inches

Tow Shells: Tarragona1969, mezzotint, 5/307 ⅝ x 9 3∕16 inches

John Reflected in a Toy1968, tri-color lithographedition of 1015 9∕16 x 12 inches

J.P. with Tin Bug1966, tri-color lithograph13 ⅛ x 11 ⅞ inches

The Painter C.R.1961, intaglioedition of 818 7∕16 x 13 ¾ inches

Diagram1966, Five-color lithographedition of 1019 x 12 ⅞ inches

Bird1962, intaglioedition of 1217 5∕6 x 11 7∕16 inches

The Day1964, intaglio17 ⅝ x 10 15∕16 inches

The Gibbet: After Rembrandt1961, intaglio14 ¾ x 12 ⅜ inches

Small Fortune I1965, embossed intaglioedition of 2518 ⅞ x 12 9∕16 inches

White Circle1964, intaglioedition of 2017 9∕16 x 11 9∕16 inches

Pluto1966, engravingedition of 2513 15∕16 x 11 inches

*a l l s i g n e d

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thoma s coleman (1935 -1971)

Large Fortune1964, intaglio, 17/3023 9∕16 x 19 ¾ inches

Personal Muse1962, etching & aquatintedition of 208 7∕16 x 6 ¾ inches

Untitled: Two Women with Glasses1969, two-color lithograph17 5∕6 x 20 ⅞ inches

Small Fortune II1966, Four-color photoengraving & etching16 ¾ x 14 inches

K.H.1966, etchingedition of 2510 ⅞ x 13 9∕16 inches

Where is Your Axis?1963, intaglio16 x 15 15∕16 inches

Actor1962, etching, 15/1523 ⅝ x 14 ¾ inches

Photo: Andorra1970, Four-color lithographedition of 1014 ¾ x 19 ⅝ inches

Cropduster1964, etching & engravingedition of 2016 ¾ x 20 ⅜ inches

Dog Jumping for a Balloon1968, tri-color lithographedition of 1015 ¾ x 11 ¾ inches

Baby Sucking Her Toe1968, tri-color lithographedition of 1012 x 15 7∕16 inches

Ak-sar-ben1965, Photoengraving & etchingedition of 2517 ⅝ x 22 ⅝ inches

E.V.A.1966, Five-color lithographedition of 1018 x 13 9∕16 inches

Skindiver: Nebraska Navy1964, tri-color intaglioedition of 2515 11∕16 x 11 ¾ inchesSigned

*a l l s i g n e d

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21 3

art of the WestSPring 2007

Louis ribak, Rocks of Atlantis

g a l l e r y

5733 South 34th Street

Suite 300

Lincoln, nebraska 68516

t 402.420.9553

F 402.420.9554

o f f i c e

2341 bretigne Drive

Lincoln, nebraska 68512

t 402.423.0340

F 402.423.4270

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