Works Cited

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List of works cited 325 List of Works Cited Peter Ackroyd , D a n L e n o a n d t h e L i m e h o u s e G o l e m (London: Minerva Press, 1997) Hanna Arendt, O n V i o l e n c e (New York: Harcourt, Brace and World INC., 1969) Aristotle, T h e C o m p l e t e W o r k s o f A r i s t o t l e (Princeton: Princeton University Press, 1985), two volumes. Jacques Aumont and Michel Marie, L a n a l y s e d e s f i l m s (Paris: Editions Fernand Nathan, 1996) J. P. D. V. Balsdon , L i f e a n d L e i s u r e i n A n c i e n t R o m e (London: The Bodley Head, 1969) Erick Barnow D o c u m e n t a r y : A H i s t o r y o f t h e N o n - F i c t i o n F i l m (New York: Oxford University Press, 1974) Andre Bazin, W h a t i s c i n e m a ? I (Los Angeles: University of California Press, 1967) __________, W h a t i s c i n e m a I I (Los Angeles: University of California Press, 1973) John Beer (ed.), Q u e s t i o n i n g R o m a n t i c i s m (London: The John Hopkins University Press Joel Black, T h e A e s t h e t i c s o f M u r d e r : A S t u d y i n R o m a n t i c L i t e r a t u r e a n d C o n t e m p o r a r y C u l t u r e (London: The John Hopkins University Press, 1991)

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Woprks cited de tesis PhD sobre Tarantinbo y Scorfsese

Transcript of Works Cited

List of works cited 325

List of Works Cited

Peter Ackroyd, Dan Leno and the Limehouse Golem (London: Minerva Press, 1997)

Hanna Arendt, On Violence (New York: Harcourt,Brace and World INC., 1969)

Aristotle, The Complete Works of Aristotle (Princeton: Princeton University Press, 1985), twovolumes.

Jacques Aumont and Michel Marie, L’analyse desfilms (Paris: Editions Fernand Nathan, 1996)

J. P. D. V. Balsdon, Life and Leisure in AncientRome (London: The Bodley Head, 1969)

Erick Barnow Documentary: A History of the Non- Fiction F ilm (New York: Oxford University Press,1974)

Andre Bazin, What is cinema? I (Los Angeles:University of California Press, 1967)

__________, What is cinema II (Los Angeles:University of California Press, 1973)

John Beer (ed.), Questioning Romanticism (London:The John Hopkins University Press

Joel Black, The Aesthetics of Murder: A Study inRomantic Literature and Contemporary Culture (London: The John Hopkins University Press, 1991)

List of works cited 326

D. Caroline Blanchard, Barry Graczyc, and RobertJ. Blanchard, ‘Differential Reactions of Men andWomen to Realism, Physical Damage and Emotionalityin Violent Films’, in Aggresive Behaviour 12(1986), pp. 45-55.

Michael Bliss, The Word Made Flesh: Catholicismand Conflict in the Films of Martin Scorsese (London: The Scarecrow Press, 1998)

John Boorman and Walter Donohue (ed.), Projections3: Film-makers on Film-making (London: Faber andFaber, 1994)

_____________________________________, Projections5: Film-makers on Film-making (London: Faber andFaber, 1996)

Fred Botting and Scott Wilson, 'By Accident: TheTarantinian Ethics', Theory, Culture and Society ,1998, vol. 15(2), pages 89-113

Peter Brunette, Martin Scorsese Interviews (Jackson: University Press of Mississipi, 1999)

Edward Bullough, ‘Psychical Distance’, inAesthetics (London: Bowes and Bowes, 1957)

Anthony Burgess, A Clockwork Orange (London:Penguin, 1996)

Edmund Burke, A Philosophical Enquiry into theOrigin of Our Ideas of the Sublime and Beautiful ,(Oxford: Oxford University Press, 1990),

Walter Burkert, Creation of the Sacred: Tracks ofBiology in Earlier Religions (London: HarvardUniversity Press, 1996)

Frederick Burwick, 'De Quincey and the Aestheticsof Violence' in: The Wordsworth Circle , vol. 27,no. 2, Spring 1996.

List of works cited 327

Jerome Carcopino, Daily Life in Ancient R ome: ThePeople and the City at the Height of the Empire (London: George Routledge & sons, 1941)

Robert Casillo, Gangster Priest. The ItalianAmerican Cinema of Martin Scorsese (Buffallo:University of Toronto Press, 2006)

Anthony J. Chapman and Hugh C. Foot (ed.), Humourand Laughter: Theory, Research and Applications (London: John Wiley & Sons, 1976)

Sir Arthur Conan Doyle, ‘The Final Problem’, inMemoirs of Sherlock Holmes (Charleston:BiblioBazaar, 2006)

Joe Connelly, Bringing Out the Dead (New York:Vintage, 1998)

Mark T. Conrad (editor), The Philosophy of MartinScorsese (Lexington: The University Press ofKentucky, 2007)

Delphine D’Cruz, Tim Burton’s Monsters,Masquerades and Martians: The Emergency of theNeo-grotesque in Contemporary American Cinema ,unpublished dissertation presented to theUniversity of London, Birkbeck College, 1997

Dante, The Divine Comedy (London: Penguin Books,1984)

Thomas De Quincey, The Collected Writings ofThomas de Quincey , (Edinburgh: Adam and CharlesBlack, 1890)

Fyodor Dostoyevsky, The Karamazov Brothers (Oxford: Oxford University Press, 1994)

Norbert Elias, The Civilising Process (Oxford:Basil Blackwell, 1978)

List of works cited 328

Frantz Fanon, The Wretched of the Earth (London:Penguin, 1973)

Howard Feinstein, 'Para psychology' in: Time Out December 22 1999-January 5 2000

S. T. Fiske and S. E. Taylor, Social Cognition (New York: McGraw-Hill, 1991)

Michel Foucault, Discipline and Punish: The Birthof the Prison (London: Penguin, 1991)

Karl French, Screen Violence (London: Bloomsbury,1996)

Sigmund Freud, Collected Papers (London: TheHogarth Press, 1948)

Alison Futrel, Blood in the Arena: the Spectacleof Roman Power (Austin TX, University of TexasPress, 1997)

Edward Gallafent, Quentin Tarantino (New York:Pearson Longman, 2006)

Suzi Gablick, Magritte (London: Thames and Hudson,1972)

Edward Gallafent, Quentin Tarantino (New York:Pearson Longman, 2006)

Jeffrey H. Goldstein, Why We Watch: TheAttractions of Violent Entertainment (Oxford:Oxford University Press, 1998)

Nelson Goodman, Languages of Art: An Approach to aTheory of Symbols (London: Hackett PublishingCompany, 1985)

Sidney Gottlieb (ed.), Hitchcock on Hitchcock (London: Faber and Faber, 1997)

List of works cited 329

Ricard Greene and K. Silem Mohammad, QuentinTarantino and Philosophy. How to Philosoph ize witha Pair of Pliers and a Blowtorch (Chicago: OpenCourt, 2007)

Lee Grieveson, Policing Cinema. Movies andCensorship in Early Twentieth Century America (London: University of California Press, 2004)

E. Guhl and W Koner, The Romans: Their Life andCustoms (London: Senate, 1994)

W. K. C. Guthrie, A History of Greek Philosophy.The Presocratics Tradition from Parmenides toDemocritus (Cambridge : Cambridge UniversityPress, 1996),

Paul Guyer (ed.), The Cambridge Companion to Kant (Cambridge: Cambridge University Press, 1992)

__________, Kant and the Claims of Taste (Cambridge: Cambridge University Press, 1997)

__________, Values of Beauty. Historical Essays inAesthetics (Cambridge: Cambridge University Press,2005)

Paul Guyer, Kant and the Experience of Freedom (Cambridge: Cambridge University Press, 1993)

Jürgen Habermas, The Theory of CommunicativeAction (London: Beacon Press, 1998)

A. M. Hargrave (ed.), Violence in FactualTelevision, Annual Review (London: John Libbey,1993)

W. E. Heitland, The Roma n Republic (London:Greenwood Press, 1969)

Henner Hess, Mafia and Mafiosi: Origin, Power andMyth (New York: New York University Press, 1998)

List of works cited 330

Thomas Hobbes, Leviathan (Cambridge: CambridgeUniversity Press, 1996)

Jake Horsley, The Blood Poets. A Cinema ofSavagery 1958-1999. American Chaos – From “Touchof Evil” to “The Terminator” (London: TheScarecrow Press, 1999)

_____________, The Blood Poets. A Cinema ofSavagery 1958-1999. Millenial Blues. From“Apocalypse Now” to “The Matrix” (London: TheScarecrow Press, 1999)

D. Howitt and G. Cumberbatch, Mass Media Violenceand Society (New York: Halstead, 1975)

Francis Hutcheson, An Inquiry into the Original ofOur Ideas of Beauty and Virtue (London: J. and J.Knapton [etc.], 1729)

Immanuel Kant, Critique of Judg ment (Oxford:Oxford University Press, 1952) trans. by JamesCreed Meredith.

_____________, Foundations of the Metaphysics ofMorals (London: Collier Macmillan Publishers,1987)

______________, The Critique of Pure Reason (Cambridge: Cambridge University Press, 1999)

Steven G. Kellman, Perspectives on Raging Bull (New York, Macmillan Publishing Company, 1994)

Mary Pat Kelly, Martin Scorsese. The First Decade (Pleasantville, Redgrave Publishing Company, 1980)

_________________, Martin Scorsese. A Journey (NewYork: Thunder’s Press Mouth, 1992)

Salim Kemal, Kant’s Aesthetic Theory (NYC:Macmillan Press, 1997)

List of works cited 331

Elliot Leyton, Compulsive Killers: The Story ofModern Multiple Murder (London: Minerva Press,1986)

Antonio Machado, Border of a Dream: Selected Poems (Washington: Copper Canyon Press, 2004)

Hugo Munsterberg, The Film: A Psychological Study (New York: Dover, 1970)

Bill Nichols, Representing Reality (Indiana:Indiana University Press, 1991)

Peter Occhiogrosso, Once a Catholic: Prom inentCatholics and ExCatholics discuss the Influence ofthe Church in Their Lives (Boston: HoughtenMifflin, 1987)

José Ortega y Gasset, ‘El genio de la guerra y laguerra alemana’, in José Ortega y Gasset, ElEspectador (Madrid: Biblioteca Nueva, 1966)

Ian Ousby, The Crime and Mystery Book (London:Thames and Hudson, 1997)

Oxford Latin Dictionary (Oxford: Oxford UniversityPress, 1982)

The Shorter Oxford English Dictionary onHistorical Principles (Oxford: Oxford UniversityPress, 1967)

Edwin Page, Quintessential Tarantino (New York:Marion Boyars, 2005)

Gerald Peary, Quentin Tarantino: Interviews (Jackson: University of Mississipi, 1998)

Patrice Petro, Fugitive Images: From Photographyto Video (Indianapolis: Indiana University Press,1995)

List of works cited 332

Nicholas Pileggi and Martin Scorsese, Casino (London: Faber and Faber, 1995)

Plato, The Republic (London: Penguin Books, 1987)

W. James Potter and Ron Warren, ‘Humour asCamouflage of Televised Violence’ in: Journal ofCommunication , Spring 1998

Stephen Prince, Savage C inema: Sam Peckinpah andthe Rise of Ultraviolent Films (Austin:Universitry of Texas Press, 1998)

Stephen Prince, Screening Violence (London: TheAthlone Press, 2000)

Stephen Prince, Classical Film Violence. Designingand Regulating Brutality in Hollywood Cinema,1930-1968 (New Jersey: Rutgers University Press,2003)

Lionello Puppi, Torment in Art: Pain, Violence andMartyrdom (New York: Rizzoli, 1990)

Stephen Rebello, Alfred Hitchcock and the Makingof Psycho (New York: Harper Perennial, 1991)

Margy Rochlin, 'Interview with Quentin Tarantino',Playboy , 1994, November Issue, pages

Mark Salisbury, 'Pulp Fiction: The Greatest Storyever Told?', Empire , 1994, November Issue, pages86-96.

Ziauddin Sardar and Boris Van Loon, IntroducingCultural Studies (London: Icon Books UK, 1998)

Tom Shone, 'What Makes Tarantino Tick?’, Premiere ,1994, November Issue

Paul Schrader, Taxi Driver (London: Faber andFaber, 1990)

List of works cited 333

______________, Bringing Out the Dead ,<http://www.dailyscript.com/scripts/bringing-out-the-dead.html> [December, 29 2007].

Martin Scorsese and Mardik Martin, Mean Streets ,unpublished script, BFI Library, S18073.

Martin Scorsese and Nicholas Pileggi, GoodFellas (London: Faber and Faber, 1990)

Jean Seaton, Carnage and the Media. The Making andBreaking of N ews About Violence (London: AllenLanwe, 2005)

Seneca, Ad Lucilium Epistulae Morales (London:William Heinemann, 1937)

Tom Shone, 'What Makes Tarantino Tick', Premiere ,1994, November Issue, pages 48-57.

Quentin Skinner, The Return of Grand Theory in theHuman Sciences (Cambridge: Cambridge UniversityPress, 1990)

Adam Smith, The Theory of Moral Sentiments (Oxford: Oxford University Press, 1976)

Jerome Stolnitz, ‘On the Origins of "AestheticDisinterestedness"’ The Journal of Aesthetics andArt Criticism , Vol. 20, No. 2 (Winter, 1961)

Quentin Tarantino, Reservoir Dogs (London: Faberand Faber, 1994)

__________________, Pulp Fiction (London: Faberand Faber, 1994)

__________________, Death Proof (Los Angeles:Weinstein Books, 2007),

David Thompson and Ian Christie, Scorsese onScorsese (London: Faber and Faber, 2003)

List of works cited 334

Hans Toch, Violent Men: An Inquiry into thePsychology of Violence (London: Penguin Books,1972)

Giorgio Tonelli, ‘Kant´s Early Theory of theGenius (1779-1779): Part I’ in Journal of theHistory of Ideas , volume 41, number 1 (1980)

Giorgio Vasari, Le Vite di Piú Eccelenti Pittori,Scultori e Architettori (Firenza: Studio perEdizioni Scelte, 1985)

Kurt Volk (editor), Grindhouse (New York:Weinstein Books, 2007), p. 10.

Max Weber, Economy and Socie ty (Berkeley:California University Press, 1978)

Katie Withaker, 'The culture of curiosity' in: N.Jardine and alii, Cultures of Natural History (Cambridge: Cambridge University Press, 1996), pp.75-90

Robert Paul Wolff, Kant: A Collection of CriticalEssays (London: University of Notre Dame Press,1979)

Paul A. Woods (ed.), Quentin Tarantino: The FilmGeek Files (London: Plexus, 2000)

_______________________, Scorsese. A JourneyThrough the American Psyche (London: Plexus, 2005)