Words and Music by ROBERT T. GIBSON BILL WITHERS SKIP ...

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Funk groove (q = ca. 100)

Arranged byROBERT T. GIBSON

For the Missouri State University Multicultural Ensemble

© 1977 (Renewed) RELANA DENETTE FLORES PUB DESIGNEE, CANDACE ELIZABETH SCARBOROUGH PUB DESIGNEE,

PLAID FLOWERS MUSIC, SWEET COOKIE MUSIC, and GOLDEN WITHERS MUSIC All Rights for RELANA DENETTE FLORES PUB DESIGNEE, CANDACE ELIZABETH SCARBOROUGH PUB DESIGNEE,

PLAID FLOWERS MUSIC, and SWEET COOKIE MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP.

This Arrangement © 2020 RELANA DENETTE FLORES PUB DESIGNEE, CANDACE ELIZABETH SCARBOROUGH PUB DESIGNEE,

PLAID FLOWERS MUSIC, SWEET COOKIE MUSIC, and GOLDEN WITHERS MUSICAll Rights Reserved. Printed in USA.

Sole Selling Agent for This Arrangement: Alfred MusicTo purchase a full-length performance recording of this piece, go to alfred.com/downloads

Words and Music byBILL WITHERS and SKIP SCARBOROUGH

LOVELY DAY

Performance time: approx. 4:00

for S.A.T.B. divisi voices and pianowith optional electric bass, drumset, and SoundTrax*

PIANO

3

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&#### EŒ„Š7 C©‹9

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&#### AŒ„Š9 A‹7 CŒ„Š7 B‹7

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?####TENOR & BASS

When

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I wake up in the morn ing,- love

&#### EŒ„Š7 C©‹9

?####* SoundTrax CD available (48842). Visit alfred.com/choralparts to download parts for electric bass and drumset.

NOTE: Improvisation by the singers and pianist is stylistically appropriate and encouraged, at the director’s discretion.

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48841

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48841

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48841

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œ# œ œ Œ œ œ œ Œ œ œ œ Œ œ œ œ œ.

œœ# œœ≈œœj

≈œœ-

Œœœœ œœœ

≈œœœj ≈

œœœ-Œ


‰ œ œ œ œ ≈ œj ≈ œ- ‰ œ œ48841

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&####day.

Love ly- day.

ä

&####Love ly- day, love ly- day. Love ly- day.

â

&####AŒ„Š9 G/A

?####

&####ALL VOICES(unison) sub.

When

p

the day that lies a head- of me

&####E(„ˆˆ9) C©‹11

?####sub. p

&####seems im pos- si- ble- to face.

∑

&####AŒ„Š9 CŒ„Š7 D

?####

œ..w œ œ ˙ ˙n œœ.. œœj

œ œ œ Œ œ œ œ Œ ˙n œ. œj

œœœœ œœœœ≈

œœœœj ≈

œœœœ-Œ

œœœ^nn

Œ Ó

œ œ ≈ œj ≈ œ- ‰. œr œ^ Œ Ó


www wwwww ww

Œ œ œ œ œ œ œ œn œ

www ˙n œœœ œœœnwww ˙nn œœ œœn

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&####When some one- else in stead- of me

&#### E(„ˆˆ9) C©‹11

?####

&####al ways- seems to know the way.

∑ âä

&#### AŒ„Š9 CŒ„Š7 D

?####

&####Then

SOPRANOgrad cresc.

I look at you, then I look at you,

&####ALTO

Then

grad cresc.


&‹####

Then

TENORgrad cresc.

I look at you, then I look at you,

?####BASS

Then

grad cresc.


&#### CŒ„Š7 E11

?####grad cresc.


www wwwww ww

Œ œ œ œ œ œ œ œn œ

www ˙n œœœ œœœnwww ˙nn œœ œœn

œ œ œn œ œ Ó œ œ œn œ œ Ó

Ó œ œ œn œ œ Ó œ œ œ œ œ



˙n ... œœœnn ˙n ... œœœ

œœnn œœ≈œœj ≈

˙ œœ œœ ≈ œœj ≈ ˙

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&####and the world’s al right- with me.

&####right,- and the world’s al right- with me.

&‹####

and the world’s al right- with me.

?####right,- and the world’s al right- with me.

&#### CŒ„Š7 E11

?####

&####Just

mf

one look at you, and I know it’s

&####Just

mf

one look at you, just one look at you,

&‹####

Just

mf

one look at you, and I know it’s

?####Just

mf

one look at you, just one look at you,

&#### CŒ„Š7 E11

?####mf


œ œn Œ œ œ œ œ œ œ œn œ œ. œ Œ


œ œn Œ œ œ œ œ œ œ œn œ œ. œ Œ











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&####gon na- be ...

cresc. div.opt. SOLO It’s

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&####and I know it’s gon na- be ...

cresc. div.

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gon na- be ...

cresc. div.

?####and I know it’s gon na- be ...

cresc.

&#### CŒ„Š7 AŒ„Š7/B

?####f

&####gon

∑

na- be a love ly- day!

fLove ly- day, love ly- day,

(end solo)

&####A

f

love ly- day, a love ly,-

&‹####

Af

love ly- day!

fLove ly- day.

?####A

f

love ly- day!

&#### ∑E

?#### ∑

œ œn œ œ. œ œœ ww œœ.. ‰œj

œ œ œ œ œ œ œn œ œ. œ œ ˙ œœ.. ‰

œ œn œ œ. œ œ ww œœ .. ‰

œ œ œ œ œ œ œn œ œ. œ ˙. œ. ‰

˙n ... œœœ wwww# œœœœ....‰


˙ ww œœ.. ‰

œ œ œ œ œ œ œ œ œ wœ œ œ Œ œ œ œ Œ

Ó ‰ œj œ œ ˙ ‰ œj œ œ

Ó Ó‰ œj Œœ œ w œ œ ˙

Ó ‰ œJ œ œ w

˙... ‰ œ œ


‰ œœ œœ48841

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&####love ly- day, love ly- day. Love ly- day, love ly- day,

&####a love ly,- a love ly.- Love ly- day,

&‹####

Love

div.

ly- day,

?####Love ly- day,

&#### C©‹7 AŒ„Š9

?####

&####love ly- day. Love ly- day.

div.A

A love ly,-

&####love ly,- love ly.- Love ly- day, love ly- day,

&‹####

love ly.-

A love ly- day.

Love ly- day.

?####love ly.- A love ly- day.

&#### A‹7 CŒ„Š7 A6/B E

?####

œ œ œ Œ œ œ œ œ. œ œ œ Œ œ œ œ Œ

‰ œj œ œ ‰ œj œ œ Œ œ œ ˙˙ ˙ ww

˙ ˙ w

˙... ‰ œ œ wwww

œœ œœ≈œœj ≈

œœ-‰

œœ œœ œœ œœ≈œœj ≈

œœ-‰.

œœr

œn œ œ Œ œ œ ˙ ‰ œJ œ œ

œ œ œ œ œ œ œ Œ œ œ œ Œ

œœn œœ Ó‰ œj Œœ# œ w œ œ ˙

œ œ ‰ œJ œ œ w

˙nn œœœ œœœœ# ˙... ‰ œ œ

œœ œœ≈œœj ≈

œœnn œœ œœ œœ œœ ≈ œœj ≈ œœ-

‰ œœ œœ48841

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80

..

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83

&####love

a love ly,-

ly-

a love ly,-

day.

day. Love ly- day.

&####love ly- day, love ly- day. It’s gon na- be a love ly- day.

&‹####

Love ly- day. Love ly- day.

?####Love ly- day. A

*

love ly-

&####C©‹7 AŒ„Š9 G/A

?####

&####Repeat 3 times (or as directed) for ad lib solosOptional handclaps on beats 2 and 4

It’s gon na- be a love ly- day!

&####It’s gon na- be a love ly- day!

&‹####


?####day. A love ly-

&####E C©‹7

?####* Bass part is optional from m. 82-end. If soloists improvise in these measures, it is recommended that the basses sing the tenor part, leaving room for solos between the choral phrases.

‰E œJ œ œ

‰E œJwœ œ œ.. œ œ ˙ ˙ œ. œj

œ œ œŒ œ œ œ œ. ‰ œj œ œ œ œ œ œ ˙n œ. œj

˙ ˙ ww ˙n œ. œJ˙ ˙ w Ó ‰ œj œ œ

˙... ‰ œ œ wwww œœœœnn Œ Ó

œœ œœ≈œœj ≈œœ-

‰œœ œœ œœ œœ

≈œœj ≈

œœ-‰.œœr

œœ^ Œ Ó

Œ ‰. œR ≈ œ œ œ œ œ œ œ œ œ Ó

Œ ‰. œ# r ≈ œ œ œ œ œ œ œ œ œ Ó


w ˙ ‰ œJ œ œ

‰ œœœ# ≈ œœœ ‰ œœœ.‰ œœœ œœœ ‰ œœœ ≈ œœœ ‰ œœœ.

‰ œœœ œœœ

œœœ ‰ œœœ ‰ œœœ ‰ œœœ ‰œœœ

‰œœœ

‰œœœ

‰œœœ

‰

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87



&‹####


?####day. A love ly-

&#### AŒ„Š9 E/F© B13

?####

&####It’s

ff

gon na- be a love ly- day!

&####It’s

ff


&‹####

It’s

ff


?####day. Love

ff

ly- day!

&####E E(„ˆˆ9)

?####ff

‘“


Œ ‰. œr ≈ œ œ œ œ œ œ œ œ œ Ó


w Ó ‰ œj œ œ

‰ œœœ ≈ œœœ ‰ œœœ.‰ œœœ œœœ ‰ œœœ ≈ œœœ ‰

œœœ œœœ œœœœ œœœœ

œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ œœ

Œ ‰. œR ≈ œ œ œ œ œ œ œ œ œ> Ó

Œ ‰. œr ≈ œ œ œ œ œ œ œ œ œ> Ó

Œ ‰. œR ≈ œ œ œ œ œ œ œ œ œ> Ó

w œ œ œ> Ó

œœœ^

Œ Ó Œ ‰ œœœœ>j Ó

œœœ^

Œ Ó Œ ‰ œœ>j Ó

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Words and Music by ROBERT T. GIBSON BILL WITHERS SKIP ...

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