WOLE SOYINKA - · PDF fileEarly life Soyinka was born on 13 July 1934, in the city of...
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WOLE SOYINKA
Akinwande Oluwole "Wole" Soyinka (born 13 July 1934) is a Nigerian writer, poet and playwright. He
was awarded the 1986 Nobel Prize in Literature, where he was recognised as a man "who in a wide
cultural perspective and with poetic overtones fashions the drama of existence", and became the first
African in Africa and in Diaspora to be so honoured. In 1994, he was designated UNESCO (United
Nations Educational, Scientific and Cultural Organization) Goodwill Ambassador for the promotion of
African culture, human rights, freedom of expression, media and communication.
One of the most prominent members of the eminent Ransome-Kuti family, his mother Grace Eniola was
the daughter of Rev. Canon JJ Ransome-Kuti, sister to Olusegun Azariah Ransome-Kuti and Oludotun
Ransome-Kuti, making Soyinka cousin to the late Fela Kuti, the late Beko Ransome-Kuti, the late
Olikoye Ransome-Kuti and to Yemisi Ransome-Kuti.
Soyinka was born into a Yoruba family in Abeokuta, specifically, a Remo family from Isara-Remo on
July 13, 1934. His father was Christian Clergy, Canon SA Soyinka (aka "Teacher pupa" (light skinned
teacher)). He received a primary school education in Abeokuta and attended secondary school at
Government College, Ibadan. He then studied at the University College, Ibadan (1952–1954) where he
founded the pyrates confraternity (an anti-corruption and justice seeking student organization) and the
University of Leeds (1954–1957) from which he received a First class honours degree in English
Literature. He worked as a play reader at the Royal Court Theatre in London before returning to Nigeria
to study African drama. He taught in the Universities of Lagos, Ibadan, and Ife (now Obafemi Awolowo
University, Ile-Ife). He became a Professor of Comparative Literature at the then University of Ife in
1975. He is currently an Emeritus Professor at the same university.
Soyinka has played an active role in Nigeria's political history. In 1965, he made a broadcast demanding
the cancellation of the rigged Western Nigeria Regional Elections following his seizure of the Western
Nigeria Broadcasting Service studio. He was arrested, arraigned but freed on a technicality by Justice
Esho. In 1967, during the Nigerian Civil War he was arrested by the Federal Government of General
Yakubu Gowon and put in solitary confinement for his attempts at brokering a peace between the warring
Nigerian and Biafran parties. While in prison he wrote poetry on tissue paper which was published in a
collection titled Poems from Prison. He was released 22 months later after international attention was
drawn to his unwarranted imprisonment. His experiences in prison are recounted in his book The Man
Died: Prison Notes of Wole Soyinka (1972).
He has been an implacable, consistent and outspoken critic of many Nigerian military dictators, and of
political tyrannies worldwide, including the Mugabe regime in Zimbabwe. A great deal of his writing has
been concerned with "the oppressive boot and the irrelevance of the colour of the foot that wears it". This
activism has often exposed him to great personal risk, most notable during the government of General
Sani Abacha (1993–1998), which pronounced a death sentence on him "in absentia". During Abacha's
regime, Soyinka escaped from Nigeria via the "Nadeco Route" on motorcycle. While abroad, he visited
parliaments and conferred with world leaders to impose a regime of sanctions against the brutal Abacha
regime. These actions and his setting up of the Radio Kudirat helped immensely in securing Nigeria's
return to civilian democratic governance. Living abroad, mainly in the United States, he was a professor
first at Cornell University and then subsequently taught at Emory University in Atlanta. When civilian
rule returned in 1999, Soyinka returned to a hero's welcome back in Lagos, Nigeria. He accepted an
Emeritus Professorship at Ife (now Obafemi Awolowo University) on the condition that the university bar
all former military officers from the position of chancellor. Soyinka is currently the Elias Ghanem
Professor of Creative Writing at the English department of the University of Nevada, Las Vegas and the
President's Marymount Institute Professor in Residence at Loyola Marymount University in Los Angeles,
California, US.
Biography
Early life
Soyinka was born on 13 July 1934, in the city of Abeokuta, Ogun State in Nigeria's Western Region (at
that time a British dominion), as the second of six children of Samuel Ayodele Soyinka and Grace Eniola
Soyinka. His father, whom he often refers to as S.A. or "Essay" in literalized form, was the headmaster of
St. Peters School in Abẹokuta. Soyinka's mother, dubbed by him as "Wild Christian", owned a shop in the
nearby market and was a political activist within the women's movement in the local community. His
mother was Anglican, although much of the community followed indigenous Yorùbá religious tradition.
Soyinka grew up in an atmosphere of religious syncretism, with influences from both Christianity and his
culture's traditional beliefs. The home of the Soyinka family had electricity and radio (chiefly thanks to
his father).
In 1940, after attending St. Peters Primary School, Soyinka went to Abẹokuta Grammar School, where he
won several prizes for literary composition. In 1946 he was accepted by Government College in Ibadan,
at that time one of Nigeria’s elite secondary schools. After the completion of his studies there, Soyinka
moved to Lagos where he found employment as a clerk. During this time he wrote some radio plays and
short stories that were broadcast on Nigerian radio stations. After finishing his course in 1952, he began
studies at University College in Ibadan, connected with University of London. During this course he
studied English literature, Greek, and Western history.
In the year 1953-1954, his second and last at University College, Ibadan, Soyinka commenced work on
his first publication, a short radio broadcast for Nigerian Broadcasting Service National Programme called
"Keffi's Birthday Threat," which was broadcast in July 1954 on Nigerian Radio Times. Whilst at
university, Soyinka and six others founded the Pyrates Confraternity, the first confraternity in Nigeria.
Studies abroad and at home
Later in 1954 Soyinka relocated to England, where he continued his studies in English literature, under
the supervision of his mentor Wilson Knight at the University of Leeds. He became acquainted then with
a number of young, gifted British writers. Before defending his B.A., Soyinka successfully engaged in
literary fiction, publishing several pieces of comedic nature. He also worked as an editor for The Eagle,
an infrequent periodical of humorous character. In a page two column in The Eagle, he wrote
commentaries on academic life, often stingingly criticizing his university peers. Well known for his sharp
tongue, he is said to have courteously defended, affronted and insulted female colleagues.
After completing his degree, he remained in Leeds with the intention of earning an M.A. Influenced by
his promoter, Soyinka decided to attempt to merge European theatrical traditions with those of his Yorùbá
cultural heritage. In 1958 his first major play emerged, titled The Swamp Dwellers. One year later, he
wrote The Lion and the Jewel, a comedy which received interest from several members of London's
Royal Court Theatre. Encouraged, Soyinka left Leeds and moved to London, where he worked as a play
reader for the Royal Court Theatre. During the same period, both of his plays were performed in Ibadan.
However, by 1960, Soyinka had received the Rockefeller Research Fellowship from his alma mater in
Ibadan, and returned to Nigeria. In March he produced his new satire The Trials of Brother Jero. One of
his most recognized plays, A Dance of The Forest, a biting criticism of Nigeria's political elites, won a
contest as the official play for Nigerian Independence Day. On 1 October 1960, it premiered in Lagos as
Nigeria celebrated its sovereignty. Also in 1960, Soyinka established an amateur ensemble acting
company which would consume much of his time over the next few years: the Nineteen-Sixty Masks.
In addition to these activities, Soyinka published various works satirizing the "emergency" in the Western
Region of Nigeria, as his Yorùbá homeland was increasingly occupied and controlled by the federal
government. This had usurped the democratically-elected, Yorùbá-based Action Group (AG) political
party by installing the Nigerian National Democratic Party (NNDP), an amalgamation of conservative
Yoruba interests backed by the largely Northern-dominated federal government. The increasingly
militarized occupation of the Western Region eventually led to a disequilibrium in power, placing the
more left-leaning Action Group and the Igbo-centric National Council of Nigeria and the Cameroons
(NCNC) in tenuous positions, as national politics began catering exclusively to more conservative
interests. This imbalance eventually led to a coup by military officers under Major Kaduna Nzeogwu.
With the money gained from the Rockefeller Foundation for research on African Theater, Soyinka bought
a Land Rover and began traveling throughout the country as a researcher with the Department of English
Language of the University College in Ibadan. In an essay published at this time, he criticized Leopold
Senghor's Négritude as a nostalgic and indiscriminate glorification of the black African past that ignores
the potential benefits of modernization. "A tiger does not shout its tigritude," he declared, "it acts."
In December 1962, his essay "Towards a True Theater" was published, and he began working for the
Department of English Language at Obafemi Awolowo University in Ifẹ. Soyinka discussed current
affairs with "negrophiles," and on several occasions openly opposed government censorship. At the end
of 1963, his first feature-length movie emerged, Culture in Transition. In April 1964 The Interpreters, "a
complex but also vividly documentary novel", was published in London. That December, together with
other scientists and men of theater, he founded the Drama Association of Nigeria. This same year he
resigned his university post, as a protest against imposed pro-government behavior by authorities. A few
months later, he was arrested for the first time, accused of underlying tapes during reproduction of
recorded speech of the winner of Nigerian elections, but he was released after a few months of
confinement, as a result of protests by the international community of writers. This same year he also
wrote two more dramatic pieces: Before the Blackout, the comedy Kongi’s Harvest, and a radio play for
the BBC in London called The Detainee. At the end of the year he was promoted to headmaster and
senior lecturer in the Department of English Language at Lagos University.
Soyinka's political speeches at that time criticized the cult of personality and government corruption in
African dictatorships. April 1965 brought a revival of his play Kongi’s Harvest at the International
Festival of Negro Art in Dakar, Senegal, where another of his plays, The Road, was awarded the Grand
Prix. In June, Soyinka produced his play The Lion and The Jewel for Hampstead Theatre Club in London.
Civil war involvement and imprisonment
The coup led by Major Chukwuma K Nzeogwu in January 1966 was counteracted by another coup in July
of the same year, this time led by a cabal of largely Northern officers, placing General Yakubu Gowan in
the position of head of state. Immediately following the coup, sectarian violence erupted as many Igbo
living outside of their homeland in the southeast were subjected to violent retaliatory action, which many
considered to be of genocidal proportions. Droves of Igbos were forced to return home, where calls for
secession from the Nigerian state increased under military governor Chukwuemeka Odumegwu Ojukwu.
After becoming chief of Cathedral of Drama at University of Ibadan, Soyinka who had gained
considerable respect within Nigeria would involve himself in the destabilizing political situation. In
August 1967, he secretly and unofficially met Ojukwu in the Southeastern town of Enugu, with the aim of
averting civil war. For his attempts at negotiating a peaceful solution to the conflict, Soyinka was forced
to commence living underground.
However, his involvement in the developing national crisis did not end here. Wọle returned to Ẹnugu to
meet with Victor Banjọ, a Yorùbá who had been swayed to the Biafran side. Banjọ intimated to Soyinka a
message of critical importance in regards to Biafra's goals, which he claimed were "national liberation"
for the whole of Nigeria. For these efforts, Banjọ sought the support of Western military leaders; in
particular, he delivered Banjo's message directly to Lieutenant Colonel Olusegun Obasanjo, who had
recently been appointed to commanding officer for the Western Region. Four evenings after Soyinka
returned to the West, Biafran forces invaded the Midwest region, an area which previously maintained de
facto neutrality; this altered the terms and conditions of the war drastically, as the Biafrans had turned into
both secessionists and expansionists.
Following the occupation of the Midwest, Soyinka met Obasanjo face-to-face to relay the goals of the
Biafrans to the man in control of the West. Unfortunately Ọbasanjọ's decision to side with the Nigerian
federation had already been made. The invasion of the Midwest eventually sparked counter-attacks into
the Midwest by federal government forces, signaling the commencement of civil war. Ọbasanjọ disclosed
his meeting with Soyinka to his superiors, who declared the writer a traitor and convened search parties to
obtain Soyinka for arrest, which they eventually did. Soyinka was then incarcerated until the end of the
unfolding civil war.
He endured imprisonment for 22 months as his country slid into civil war between the federal
government and the Biafrans. Though he was refused basic materials, such as books, pens, and paper, for
continuing his creative work during much of his imprisonment, he did manage to write a significant body
of poems and notes criticizing the Nigerian government. Despite his imprisonment, in September 1967,
his play The Lion and The Jewel was produced in Accra, and in November The Trials of Brother Jero and
The Strong Breed were produced in the Greenwich Mews Theatre in New York. He also published a
collection of his poetry entitled Idanre and Other Poems. Idanre was inspired by Soyinka’s visit to the
sanctuary of the Yorùbá deity Ogun, whom Soyinka regards irreligiously as his companion deity, kindred
spirit, and protector.
In 1968, also in New York, the group Negro Ensemble Company showed Kongi’s Harvest. While still
imprisoned, Soyinka translated from Yoruba a fantastical novel by his compatriot D.O. Fagunwa, called
The Forest of a Thousand Demons: A Hunter's Saga.
Release and literary productivity
In the late 1950s, Soyinka completed his first two important plays, "The Swamp Dwellers" and "The Lion
and the Jewel," both tackling the uneasy relationship between progress and tradition in Africa. His play
"The Invention" was staged in 1957 at the Royal Court Theatre. At that time his only published works
were poems such as "The Immigrant" and "My Next Door Neighbour," which appeared in the magazine
Black Orpheus.[8] In October 1969, when the civil war came to an end, amnesty was proclaimed, and
Soyinka was released from prison. For the first few months after his release, Soyinka stayed at a friend’s
farm in southern France, where he sought solitude after the period of mental stagnation. From this
experience emerged The Bacchae of Euripides, a reworking of the Pentheus myth. He soon published out
of London a tome of his poetry based on his experience in prison, Poems from Prison. At the end of the
year, he returned to his office of Headmaster of Cathedral of Drama in Ibadan, and cooperated in the
founding of the literary periodical “Black Orpheus”.
In 1970 he produced the play Kongi’s Harvest, while simultaneously creating a film by the same title. In
June 1970, he concluded another play, called Madman and Specialists. With the intention of gaining
theatrical experience, along with the group of fifteen actors of Ibadan University Theatre Art Company,
he went on a trip to the famous Eugene O'Neill Memorial Theatre Center in Waterford, Connecticut in the
United States, where his latest play premiered. In 1971 his poetry collection A Shuttle in the Crypt was
published. While Madmen and Specialists was exposed afresh in Ibadan, Soyinka took the lead role as the
murdered first Prime Minister of the Republic of the Congo, Kinshasa, in the Paris production of
Murderous Angels. His powerful autobiographical work The Man Died, a collection of notes from prison,
was issued the same year. In April, concerned about the political situation in Nigeria, Soyinka resigned
from his duties at the University in Ibadan, and began a few years of voluntary exile. In July, in Paris,
fragments of his famous play “The Dance of The Forests” were performed.
In 1972 he was declared an Honoris Causa doctorate by the University of Leeds. Soon thereafter, another
of his novels, Season of Anomy, came out, in addition to his Collected Plays, published by the Oxford
University Press. In 1973 the National Theatre, London, which commissioned the play, premiered The
Bacchae of Euripides in a "reputedly misconceived" production. In 1973 the plays Camwood on the
Leaves, and Jero's Metamorphosis were first published. From 1973-1975, Soyinka devoted himself to
scientific activity. He underwent one year probation at Churchill College of Cambridge University, and
gave a series of lectures at a number of European universities.
In 1974 Collected Plays, Volume II was issued by Oxford University Press. In 1975 Soyinka was
promoted to the position of editor for Transition, a magazine based in the Ghanaian capital, Accra (where
he moved for some time). Soyinka utilized his columns in Transition to once again attack the “negrofiles”
(in his essay “Neo-Tarsanism: The Poetics of Pseudo-Transition”), and military regimes, protesting
against the military junta of Idi Amin in Uganda. After the political turnover in Nigeria, and the
subversion of Gowon's military regime in 1975 he returned to his homeland and re-assumed his position
of the Cathedral of Comparative Literature at the University of Ife.
In 1976 the poetry collection Ogun Abibiman appeared, and a collection of essays entitled Myth,
Literature and the African World, in which Soyinka explores the genesis of mysticism in African theatre
and, using examples from the literatures of both continents, compares and contrasts European and African
cultures. At the Institute of African Studies at the University of Ghana in Legon, he delivered a series of
guest lectures and became a professor at the University of Ife. In October, the French version of The
Dance of The Forests was performed in Dakar, while in Ife Death and The King’s Horseman premiered.
In 1977 Opera Wọnyọsi, his adaptation of Bertold Brecht's The Threepenny Opera, was staged, and in
1979 he both directed and acted in Jon Blair and Norman Fenton's drama The Biko Inquest, a work based
on the story of Steve Biko, a South African student and human rights activist beaten to death by
Apartheid police forces. In 1981 Wọle Soyinka’s first autobiographical novel Ake: The Years of
Childhood was released. From the memoir, it is vivid to the five senses of man that he is an infant
prodigy. The memoirs, "Ake: The Years of Childhood" and "You Must Set Forth at Dawn" portray
literature as a foundation of pleasure. Both are sublime and classic. With a total of five memoirs, Soyinka
is regarded number one producer of memoirs in the world.
Soyinka founded another theatrical group (after Nineteen-Sixty Masks), called Guerrilla Unit, its aim
being to cooperate with local communities analyzing their actual problems and then responding to some
of their grievances in dramatic sketches. In 1983 the play Requiem for a Futurologist had its initial
performance at the University of Ife. In July one of Soyinka's musical projects, the Unlimited Liability
Company, issued a long-play record titled I Love My Country, where a number of prominent Nigerian
musicians play songs composed by and provided with lyrics by Wọle Soyinka. In 1984, he directed the
film Blues for a Prodigal, which premiered the same year as a new play, A Play of Giants.
The years 1975-1984 were for Soyinka a period of increased political activity. During that time he was
among the authorities at the University of Ife; among other duties, he was responsible for the security of
public roads. He continuously criticized the corruption in the government of democratically-elected
President Shehu Shagari, and often found himself at odds with Shagari's military successor, Muhammadu
Buhari. In 1984, a Nigerian court banned The Man Died, and in 1985, the play Requiem for a
Futurologist went into print in London.
Nobel Prize laureate
In 1960, he was awarded a Rockefeller bursary and returned to Nigeria to study African drama. Soyinka
was awarded the Nobel Prize for Literature in 1986, as one “who in a wide cultural perspective and with
poetic overtones fashions the drama of existence” becoming the first African laureate. His Nobel
acceptance speech was devoted to South African freedom-fighter Nelson Mandela. Soyinka's speech was
an outspoken criticism of apartheid and the politics of racial segregation imposed on the majority by the
Nationalist South African government. In 1986, he received the Agip Prize for Literature.
Soyinka's Nobel Prize Lecture, "This Past Must Address Its Present," judged to be very revealing,
revelling, poignant, eloquent, is an eye-opener to the misdeeds of the Apartheid South Africa. The
Lecture is the most revealing and downright message concerning the enslaved, colonized and disparaged
Africans and International Affairs since the foundation of Nobel Prize in Literature in 1901. It is an ideal
legacy for people interested in rhetorics, history and International Relations. The power of words cannot
be underestimated. They can move passionate hearts to reason and tears. At long last, the disparate words
moved the entire world to reason and tears, resulting in the release of Nelson Mandela in 1990, after 27
years behind bars.
In 1988, his new collection of poems Mandela's Earth, and Other Poems was published, while in Nigeria
another collection of essays entitled Art, Dialogue and Outrage: Essays on Literature and Culture
appeared. In the same year, Soyinka accepted the position of professor of African studies and theatre at
Cornell University. In 1990, the second portion of his memoir called Isara: A Voyage Around Essay
appeared. In July 1991 the BBC African Service transmits his radio play A Scourge of Hyacinths, and the
next year (in June 1992) in Siena (Italy), his play From Zia with Love has its premiere. Both works are
very bitter political parodies, based on events which took place in Nigeria in the 1980s. In 1993 Soyinka
was awarded an honorary doctorate from the Harvard University. The next year appears another part of
his autobiography Ibadan: The Penkelemes Years (A Memoir: 1946-1965). The following year his play
The Beatification of Area Boy was published. On 21 October 1994 Soyinka was appointed UNESCO
Goodwill Ambassador for the Promotion of African culture, human rights, freedom of expression, media
and communication. In November 1994 Soyinka fled from Nigeria through the border with Benin and
then to the United States. In 1996 his book The Open Sore of a Continent: A Personal Narrative of the
Nigerian Crisis was first published.
In 1997 Soyinka was charged with treason by the government of General Sani Abacha. In 1999 a new
volume of poems entitled Outsiders was released. His play King Baabu, premiered in Lagos in 2001, is a
political satire on the theme of African dictatorship and the "warped aspect of human nature that makes
people think they have the right to dominate others and also inflict very agonising experiences on fellow
humans". In 2002 a collection of his poems, Samarkand and Other Markets I Have Known, was published
by Methuen. In April 2006, his memoirs, titled You Must Set Forth at Dawn, were published by Random
House. In 2006 he cancelled his keynote speech for the annual S.E.A. Write Awards Ceremony in
Bangkok to protest the Thai military's successful coup against the government.
In April 2007 Soyinka called for the cancellation of the Nigerian presidential elections held two weeks
earlier because of widespread fraud and violence.
Soyinka, along with theatre director Richard Schechner, actor Alan Cumming and filmmaker Brad Mays
was interviewed about The Bacchae as part of an up-coming series Invitation to World Literature, which
officially launched on Annenberg Media's educational website in September, 2010.[14] The series,
produced by Annie Wong for WGBH Boston, began airing nationally on PBS in October, 2010. Soyinka
continues to serve as resource person globally while acting as inspiration and voice of conscience to
leaders[15] and recently in the wake of the Christmas Day (2009) attempted bombing cautioned that the
United Kingdom's social logic which allows every religion to openly proselytize their faith is being
abused by religious fundamentalists thereby turning England into a cesspit for the breeding of extremism.
He affirmed that freedom of worship is logical and correct but warned against the consequence of the
illogic of allowing religions to preach apocalyptic violence.
The Muse of a Wordsmith
Ogun has always been Soyinka's Muse ever since he put pen to paper. With the help of his Muse, he has
excelled in poetry, play-writing, dramaturgy, essay-writing and novelization--all this, makes him a fecund
wordsmith. Since the award of his Nobel Prize in 1986, more people worldwide (poets, especially), have
turned to Ogun for their inspiration and guidance and Ogun has made them proud of their long pedigrees.
Ogun, the deity and the overseer of iron and steel, is also the overseer of whosoever warily makes use of
his instruments--from a kitchen knife to a computer.
Style and Valor
With the wink and nod of a writer of smooth-hewn background, smiling at serendipities and bypassing
much luxury on the laps of man, Soyinka has continued to raise his voice to the ceiling ever since he
wrote his unique Telephone Conversation in 1962.
A valiant writer, he believes that the promise of pen belongs to those who can take the bulls by the horns.
He has a very unique style and a thorough command of language.
Political Philosophy
Granted that political philosophy is the participation, the contribution and the study of the issues and
concerns pertaining to the nature of the city, government, politics, laws, rights, liberty and justice for
mankind, Soyinka has associated himself with all these. Literarily, philosophically and politically, he has
done all the above, and excelled in all, as a multi-talented political philosopher.
He was a peace maker (putting his life in harm's way) during the Nigerian Civil War. In 1994, he was
appointed by the UNESCO (United Nations Educational, Scientific and Cultural Organization) as a
Goodwill Ambassador for the promotion of African cultures in Africa and in Diaspora, human rights,
freedom of expression, media and communication--as a result of his indefatigable savvies/activities as a
political philosopher who knows how to start a journey and how to end it.
Now that political culture is sprouting in Nigeria, we cannot but doff our tasselled hats to the "Bringer of
Light" and his comrades who have fearlessly fought for a marked or charted direction--politically and
philosophically.
In recognition of Governor Fashola's political philosophy and politics of success in Lagos State, Soyinka
lets the world know that Governor Fashola is not our typical politician but a politician who works like "a
skilled mechanic."
Nigerian Literature
Nigerian literature was born in earnest with the award of Nobel Prize in literature to Wole Soyinka in
1986. Soyinka, often referred to as the Bringer of Light to African Literatures, has put Nigerian literature
on the world map, and since 1986, hundreds of Nigerians have proudly taken to studying Nigerian
literature, as departments of Nigerian literature are being created in all the universities across the country.
Writers of different genres have been published. Some have won prizes, while some are finalists in
national and international contests, adding their voices to the identity, authenticity, aesthetics and glory of
Nigerian literature.
Things Fall Apart by Chinua Achebe, the first bestseller in Africa, is a strong accretion to the glory of
Nigerian literature.
The list of other Nobel Laureates in literature who believe in Nigerian literature includes Maguib
Mahfouz (1988), Nadine Gordimer(1991), Derek Walcott (1992), Toni Morisson (1993), J.M. Coetzee
(2003).
Centers, in Diaspora which have projected in large measure the Yoruba/Nigerian culture--philosophy,
religion and literature, for many years include Oyotunji African Kingdom in South Carolina, United
States and IWALEWA HOUSE of the Bayreuth University, Germany. IWALEWA HOUSE was founded
in 1981 by Professor Ulli Beier, a German writer, scholar and connoisseur of Yoruba/Nigerian literature.
A well-travelled writer in Yorubaland, he was (may his soul rest in peace) an intimate friend of memoirist
Wole Soyinka.
Many opinions from the academic and non-academic circles are hoping that the Nobel Prize Committee
for Literature may decide in the future to award Nobel Prize twice to a valiant and multi-talented
writer/political activist like Wole Soyinka. Like Booker Prize, that will be a precedent, if it happens.
The Wole Soyinka African Writers' Enclave
In 2011, under the aegis of African Heritage Research Library and Cultural Centre, a writers' enclave has
been built in honor of Professor Wole Soyinka. The location is Adeyipo Village, Lagelu Local
Government Area, Ibadan, Oyo State, Nigeria. The main objectives of the Enclave, amongst others, are:
* To promote African and World Literatures.
* To provide a conducive atmosphere for the improvement of writers' craft.
* To increase world-wide knowledge and appreciation of African literatures.
* To raise the standard of African literature toward ensuring its active participation in cultural and
national development.
* To initiate an endowment for a prestigious African Writers' Prize.
The enclave includes a Writer-in-Residence Programme which will enable writers to stay for a period of
two, three or six months, engaging in serious creative writing. Writers-in-residence will receive monetary
stipends. It is hoped that their works will impact positively on the lives of all categories of literary
audience--youth, adult and the general public, throughout Africa and the entire world.
Awards and honors
1967: Head of the Department of Theater Arts, University of Ibadan; June: "The Writer in a Modern
African State"; August to October 1969 imprisoned for writings sympathetic to secessionist Biafra;
September: The Lion and the Jewel produced Accra; November: Trials of Brother Jero and The Strong
Breed produced, Greenwich Mews Theatre, New York; Idanre and Other Poems.
April 1968: Kongi's Harvest, produced by Negro Ensemble Company, New York.
February 1969: The Road produced by Theatre Limited, Kampala, Uganda; Poems from Prison, London.
August 1970: Completes and directs Madmen and Specialists with Ibadan University Theare Arts
Company in New Haven, Connecticut (at Yale?); play tours to Harlem; directs plays by Pirandello and
others; Kongi's Harvest (film).
1971: A Shuttle in the Crypt (poems); March: revives Madmen and Specialists in Ibadan; acts Patrice
Lumumba in John Littlewood's French production of Conor Cruise O'Brien's Murderous Angels, Paris;
testifies before Kazeem Enquiry on violation of students' rights.
1972: Publishes his prison notes, The Man Died, London; July: produces extracts from A Dance of the
Forests in Paris.
1973: Honorary Ph. D., University of Leeds; Season of Anomie (novel); Collected Plays I; August:
National Theatre, London, produces Bacchae of Euripides, which it commissioned.
1973-74: Overseas Fellow, Churchill College, Cambridge, and Visiting Professor of English, University
of Sheffield; Collected Plays II.
1975: Edited Poems of Black Africa, London and New York; "Neo-Tarzanism: The Poetics of Pseudo-
Tradition" (essay); attacks Idi Amin in Transition.
1976: Ogun Abibiman (poems); Myth, Literature, and the African World; Visiting Professor, Institute of
African Studies, University of Ghana, Legon; Professor, University of Ife; September: Nairobi High
School production of A Dance of the Forests; October: French production of A Dance of the Forests,
Dakar, Gambia; December: produces Death and the King's Horseman, Ife.
1978: "Language as Boundary" (essay).
1981: Aké: The Years of Childhood (autobiography); Opera Wonyosi, an adaptation of Brecht's Three
Penny Opera; "The Critic and Society: Barthes, Leftocracy, and Other Mythologies" (essay).
1982: Blues for the Prodigal (film) released; "Cross Currents: The 'New African' after Cultural
Encounters" (essay).
1983: Elected an Honorary Fellow of the Royal Society of Literature
1983: Anisfield-Wolf Book Award.
December 1983: Die Still, Rev. Dr. Godspeak (radio play); Requiem for a Futurologist (play) produced at
Ife university; Blues for a Prodigal (film); "Shakespeare and the Living Dramatist" (essay); (July) -
Unlimited Liability Company (phonograph recording).
1984: A Play of Giants (play).
1985: Requiem for a Futorologist published; "Climates of Art" (Herbert Read Memorial Lecture),
Institute of Contemporary Art, London.
1986: Nobel Prize for Literature. "The External Encounter: Ambivalence in African Arts and Literature"
(essay), A Play of Giants (play), Fellow, Society for the Humanities, Cornell University; Agip Prize for
Literature; 1986 (October); Awarded Nigeria's second highest honour, Commander of the Federal
Republic, CFR.
1987: Six Plays; Childe Internationale (play) republished.
1989: "The Search" (short story).
1990: Benson Medal from Royal Society of Literature
1991: Sisi Clara Workshop on Theatre (Lagos); A Scourge of Hyacinths (radio play) BBC African
Service; "The Credo of Being and Nothingness" (The First Rev. Olufosoye Annual Lecture in Religion,
delivered at the University of Ibadan on 25 January 1991; published.
1992: From Zia With Love.
1993: honorary doctorate, Harvard University.
1994: Ibadan: The Penkelemes Years (A Memoir: 1946-1965) (autobiography); Memories of a Nigerian
Childhood; flees Nigeria (November).
1995: The Beatification of Area Boy.
1996: The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis.
March 1997: Charged with treason by military dictatorship. Considered one of Africa's poets alongside
Cesair, Senghor, Ohaeto, B'tek, Okigbo, Ohanyido, Okara, Clark and so forth.
2004: Reith Lecturer for BBC Radio 4, discussing A Climate of Fear
2005: Honorary doctorate degree, Princeton University. Together with Nigerian elder statesman Chief
Anthony Enahoro, he convened an alternative national confab under the aegis of PRONACO (Pro -
national conference group). On 26 November 2005, he was conferred with the chieftaincy title of
Akinlatun of Egbaland by the Alake, Oba of the Egba clan of Yorubaland which he belongs to, thus
making him a tribal aristocrat with the right to use the Yoruba title Oloye.
2008: Distinguished Scholar in Residence, Franklin Humanities Institute, Duke University
2009: Academy of Achievement Golden Plate Award
Works
Plays
* The Swamp Dwellers
* The Lion and the Jewel
* The Trials of Brother Jero
* A Dance of the Forests
* The Strong Breed
* Before the Blackout
* Kongi's Harvest
* The Road
* The Bacchae of Euripides
* Madmen and Specialists
* Camwood on the Leaves
* Jero's Metamorphosis
* Death and the King's Horseman
* Opera Wonyosi
* Requiem for a Futurologist
* A Play of Giants
* A Scourge of Hyacinths (radio play)
* The Beatification of the Area Boy
* King Baabu
* Etiki Revu Wetin
* Sixty Six (short piece)
Novels
* The Interpreters
* Season of Anomie
Memoirs
* The Man Died: Prison Notes
* Aké: The Years of Childhood
* Isara: A Voyage around Essay
* Ibadan: The Penkelemes Years: a memoir 1946-65
* You Must Set Forth at Dawn
Poetry collections
* A Big Airplane Crashed Into The Earth (original title Poems from Prison)
* Idanre and other poems
* Mandela's Earth and other poems
* Ogun Abibiman
* Samarkand and Other Markets I Have Known
* Abiku
* The Ballad of the Landlord
* After the Deluge
* Prisonnettes
* Telephone Conversation
Essays
* Neo-Tarzanism: The Poetics of Pseudo-Transition
* Art, Dialogue, and Outrage: Essays on Literature and Culture
* Myth, Literature and the African World
* From Drama and the African World View
* The Burden of Memory - The Muse of Forgiveness
* The Credo of Being and Nothingness
Movies
* Kongi's Harvest
* Culture in Transition
* Blues for a Prodigal