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With Dada and Pop Art Influence · •The Dada movement and the Surrealists have influenced many...
Transcript of With Dada and Pop Art Influence · •The Dada movement and the Surrealists have influenced many...
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With Dada and Pop Art Influence
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The
non-art movement
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• 1916-1923
• Reaction to the horror of World War I
• Artists were mostly French and German. They took refuge in neutral Switzerland.
• They were angry at the European society that had allowed the war to happen.
• Dada was a form of protest.
• It’s intention was to provoke and shock
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The name “Dada” was chosen because it was nonsensical. They wanted a name that made the least amount of sense.
• They used any public forum to spit on:
nationalism
rationalism
materialism
and society in general
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Mona Lisa with a Mustache
“The Fountain”
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“The Bride Stripped Bare by her Bachelors, Even”
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George Groz “Remember Uncle Augustus the Unhappy Inventor”(collage)
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Raoul Hausmann “ABCD” (collage)
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Merit Oppenheim “Luncheon in Fur”
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Using pre-existing objects or images with little or no transformation applied to them Artist use borrowed elements in their creation of a new work
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• Dada self-destructed when it was in danger of becoming “acceptable.”
• The Dada movement and the Surrealists have influenced many important artists. Joseph Cornell (1903-1972) became one of the most famous artists to use assemblage. His work is both surreal and poetic.
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A 3-D form of using "found" objects arranged in such a way that they create a piece of art.
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The Pop American artist, Robert Rauschenberg, uses assemblage, painting, printmaking and collage in his work. He is
directly influenced by the Dada-ists.
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“Canyon”
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“Monogram”
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“Bed”
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“Coca-cola Plan”
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“Retroactive”
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• These artist use borrowed elements in their creation to make a new work of art!
• As long as those portions of copyrighted works are used to create a completely new and different work of art it was OK.
• That will be your job
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• To make a composite photograph by cutting and joining two or more photographs into an illusion of an unreal subject.
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• Creating depiction of an image of things seen, remembered or imagined, to represent an idea.
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• It is “the right thing to do”
• It is the law
• It ensures the continued availability of high-value work
• May include public places, well-known products, trademarks or other copyrighted material as long as it is a very small part to the subject matter of the piece.
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• Collages may include portions of existing copyrighted works as long as they are used to create a completely new and different work of art: – Photographs – magazine clippings – Internet images – type cut out of a newspaper
• Works are protected by copyright for the lifetime of the artist who created them, plus a further 70 years after their death.
• If the work is protected, you should consider what you intend to do with the work
• For instance, what appears to be a small element of an existing work might be considered substantial if it is particularly recognizable and integral to the new work.
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• Not for money
• An educational use
• A transformation rather than just a copy of the original work
• Only small portions relative to the whole work that are used
• Directly relevant to our educational purpose
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• Create a theme-based montage illustrating an idea or story.
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Must include a subject Person(s), buildings, animals, plants, etc.
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Must include a setting Indoor, outdoor, imaginative, multiple places Consider foreground and background
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• Begin with looking through magazines for inspiration
• Theme Ideas
– Horror
– Comical
– Romantic
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• Beauty of simplicity • Change versus tradition • Coming of age • Dangers of ignorance • Disillusionment and dreams • Displacement • Empowerment • Death – inevitable or tragedy • Circle of life • Chaos and order • Role of men • Technology in society – good or
bad
• Everlasting love
• Evils of racism
• Female roles
• Greed as downfall
• Identity crisis
• Materialism as downfall
• Nature as beauty
• Power of silence
• Power of wealth
• Progress – real or illusion