When World's Collide - the future of TV and digital, and how we tell stories now

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Transcript of When World's Collide - the future of TV and digital, and how we tell stories now

Page 1: When World's Collide - the future of TV and digital, and how we tell stories now

hello world_

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When Worlds Collide

The future of broadcast and digital,and how we tell stories now

Ben Lunt

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A confession

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Not so much technology and trends

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Not so much technology and trends

as structure and language

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Technology is tangible

Trends are observable

Technology and trends are alluring

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Technology is tangible

Trends are observable

Both are subject to change

Technology and trends are alluring

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Technology as an enabler Not the thing that’s exciting, but what people can do with it

Trends as a reaction or responseNot a thing in and of themselves, but a reaction to something, or a pattern

to what people are doing with it

Technology and trends are illusory

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What it feels like to live in the present

Time

Hum

an p

rogr

ess

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What it feels like to live in the present

Time

Hum

an p

rogr

ess

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Edwin S. Porter1870 - 1941

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1903

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1902

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1915

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= hunger

= lust

1920= sadness

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1927

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1927

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1927

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1927

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Cinema as a fusion of old and newOf the very familiar and the recently experimental

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1941

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Seriously. WTF?

2015

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We were committed to interactivitywhere today we embrace the linear and the familiar

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Platforms vs channels

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Lowest common denominator formatsVideo, image, text

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The trade-off

User base / audienceREACH

Functional / format freedomCONTROL

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That was then. This is now.

What next?

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The familiarity and fluency of analogueThe flexibility and immediacy of digital

The future of broadcast and digital as a fusion of old and new

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The familiarity and fluency of analogueThe flexibility and immediacy of digital

A unique vernacular fit for the 21st century

The future of broadcast and digital as a fusion of old and new

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TV is no longer all powerful

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TV is losing its grip

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TV is dead

Long live TV

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What we talk about when we talk about TV

HARDWARE SOFTWARE CONTENT

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What we talk about when we talk about TV

HARDWARE SOFTWARE CONTENT

WHAT WE WATCHTV ON

WHAT THE TV CAN DO

WHAT TYPE OF STUFF WE CAN SEE ON IT

+ =

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“Second screen” as social amplifier

+

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“Second screen” as social amplifier

+

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“Second screen” as remote control

+

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Connected screens, fluid experiences

+ + +

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Revolution borne out of the collision itself Not of one screen, but many

All screens, all together

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What might it look like?

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The future of broadcast and digital

EPISODIC

SHORT-FORMLONG STORY ARC

BITE SIZEDNOURISHING

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The future of broadcast and digital

EPISODIC MIXED MEDIA

SHORT-FORMLONG STORY ARC

BITE SIZEDNOURISHING

MULTIPLATFORMMULTI-FORMAT

SHAREABLEMULTIPLE PERSPECTIVES

+

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The future of broadcast and digital

EPISODIC MIXED MEDIA

(AS FOR)LIVE

SHORT-FORMLONG STORY ARC

BITE SIZEDNOURISHING

EVENTISEDREAL-TIME

IMMEDIATEUNPREDICTABLE

MULTIPLATFORMMULTI-FORMAT

SHAREABLEMULTIPLE PERSPECTIVES

++

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The future of broadcast and digital

EPISODIC MIXED MEDIA

(AS FOR)LIVE PARTICIPATORY

SHORT-FORMLONG STORY ARC

BITE SIZEDNOURISHING

EVENTISEDREAL-TIME

IMMEDIATEUNPREDICTABLE

BEYOND THE TALENT SHOWBEYOND THE EXTRA

POROUSBLENDED REALITIES

MULTIPLATFORMMULTI-FORMAT

SHAREABLEMULTIPLE PERSPECTIVES

++ +

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Not new ideas

Ideas whose time has come

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The building blocks are in placeTechnology is no longer the primary driverLanguage now defines the pace of change

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A working lifetime

1903 1941

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The glass is half full

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The glass is half full

We get to write the rule book

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What will our “Citizen Kane” look like?

1941 2025?

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When Worlds Collide

The future of broadcast and digital,and how we tell stories now

Ben [email protected]

@blunt_