What are the Digital Humanities and what use are they to me?

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What are the digital humanities, and what use are they to me? Andrew Prescott, University of Glasgow AHRC Theme Leader Fellow for Digital Transformations British Library Doctoral Training Day 23 January 2015

Transcript of What are the Digital Humanities and what use are they to me?

What are the digital humanities,

and what use are they to me?

Andrew Prescott, University of Glasgow AHRC Theme Leader Fellow for Digital Transformations

British Library Doctoral Training Day 23 January 2015

What Are The Digital Humanities?

• This question causes great vexation, but the answer is simple, and a good working definition has existed for twenty years

• Willard McCarty 1996 (updated 2013):

• DIGITAL HUMANITIES is an academic field concerned with the application of computing tools to humanities and arts data or their use in the creation of these data. It is methodological in nature and interdisciplinary in scope. It works at the intersection of computing with the other disciplines and focuses both on the pragmatic issues of how computing assists scholarship and teaching in these disciplines, and on the theoretical problems of shift in perspective brought about by computing.

• McCarty 1996 rev. 2013 continued:

• [Digital Humanities] seeks to define the common ground of techniques and approaches to data, and how scholarly processes may be understood and mechanised. It studies the sociology of knowledge as this is affected by computing as well as the fundamental cognitive problem of how we know what we know.

• Within the institution, digital humanities is manifested in teaching, research, and service. The subject itself is taught, as well as its particular application to another discipline at the invitation of the home department. Practitioners of humanities computing conduct their own research as well as participate by invitation in the projects of others. They take as a basic responsibility collegial service, assisting colleagues in their work and collaborating with them in the training of students.     

Here is surely a truth now universally acknowledged: that the whole of our cultural inheritance has to be recurated and reedited in digital forms and institutional structures. But as the technology of cultural memory shifts from bibliographical to digital machines, a difficult question arises: what do we do with the books? This is a problem for society at large and many people are working at it, none more assiduously than certain expert persons, often technicians. Highly skilled and motivated as they are, book history and the complex machinery of books fall outside their professional expertise. Humanist scholars, the long-recognised monitors of cultural memory, register a problem in this situation. For humanist thinking has been shaped by the institutions and technology of books.

Jerome McGann, The New Republic of Letters (2014), p. 1

Digital Humanities Manifesto 2.0: humanitiesblast.com

What Use Are the Digital Humanities to Me?

• A critical understanding of the resources that we now all use

• Means of scholars contributing to the renegotiation of the cultural record described by McGann

• The computer is a universal machine, so its potential to support the study of the humanities is potentially boundless (text, numbers, images, reconstructions, sound, film, etc., etc), although humanities poses questions about the limits of computation

• There are a number of standard methods in digital humanities (eg Text Encoding Initiative) which should be used as matter of efficiency and good manners, but digital humanities is much much more than this

• DH is pluralistic, multi-faceted, experimental, and constantly on the lookout for new insights from STEM and elsewhere

11th-century Old English Life of Saint Sebastian: London, British Library, Cotton MS. Otho B x, f. 54v

Imaging of the Beowulf manuscript using fibre optic backlighting to reveal letters and words concealed by nineteenth-century conservation work

Two sets of transcripts made for the Danish antiquary Thorkelin, now in the Royal Library Copenhagen, compared with the original manuscript

Kathryn Rudy, ' Dirty books : Quantifying patterns of use in medieval manuscripts using a densitometer ' Journal of Historians of Netherlandish Art , vol 2 (2010) , no. 1-2 , pp. 1-26

Using Micro-CT to Explore the Structure of Papyri Scrolls from Herculaneum

oldbaileyonline.org

www.connectedhistories.org

Virtual Paul’s Cross Project: digital re-creation of John Donne’s Gunpowder Day Sermon, 1622:

Flyround: https://www.youtube.com/watch?

v=rdt0yCbvyHg&feature=youtu.be Acoustics:

http://vpcp.chass.ncsu.edu/listen-from-the-cross-yard/

Chris Watson, ‘In St Cuthbert’s Time’: a seventh-century soundscape of Lindisfarne

https://soundcloud.com/experimedia/chris-watson-in-st-cuthberts

http://www.meagreresource.com/other-projects/tape/nctrc.html

Nottingham Tape Club

Letter of Gladstone to Disraeli, 1878: British Library, Add. MS. 44457, f. 166

The political and literary papers of Gladstone preserved in the British Library comprise 762 volumes containing approx. 160,000 documents.

George W. Bush Presidential Library: 200 million e-mails

4 million photographs

Thomson and Craighead, Flat Earth (2007) http://animateprojects.org/films/by_date/2007/flat_earth

Thomson and Craighead, Belief (2012) http://animateprojects.org/films/by_date/2012/belief