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1 Chapter 25: Website Exercises Chapter 25 –Ternary Form Website Exercises Exercise 1: Analysis. Label the form of each complete piece, including large sections and subsections within the large sections (e.g., within a ternary’s three large sections there may be nested binary forms). A. Schumann, Kinder-Sonata No. 1. Analyze mm. 1-10 using roman numeral analysis. B. Grieg, Waltz, Op. 38, no. 7. What is the function of the material that occurs aſter the “tempo I”? C. Grieg, Volksweise, Op. 38, no. 2. e section following the double bar is apparently new, but are there melodic or harmonic relationships between this section and the first section? D. Brahms, Ballade in G minor, Op. 118. What harmonic technique underlies most of the A section? What is the form of the A section? E. Beethoven, Piano Sonata in E major, Op. 14, no. 1, Allegretto

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1Chapter 25: Website Exercises

Chapter 25 –Ternary Form

Website Exercises

Exercise 1: Analysis. Label the form of each complete piece, including large sections and subsections within the large sections (e.g., within a ternary’s three large sections there may be nested binary forms).

A. Schumann, Kinder-Sonata No. 1. Analyze mm. 1-10 using roman numeral analysis.

B. Grieg, Waltz, Op. 38, no. 7. What is the function of the material that occurs after the “tempo I”?

C. Grieg, Volksweise, Op. 38, no. 2. The section following the double bar is apparently new, but are there melodic or harmonic relationships between this section and the first section?

D. Brahms, Ballade in G minor, Op. 118. What harmonic technique underlies most of the A section? What is the form of the A section?

E. Beethoven, Piano Sonata in E major, Op. 14, no. 1, Allegretto

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Chapter 25 Website Exercises

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A. Schumann, Kinder-Sonata No. 1.
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B. Grieg, Waltz, Op. 38, no. 7.
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C. Grieg, Volksweise, Op. 38, no. 2.
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D. Brahms, Ballade in G minor, Op. 118.
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D. Brahms, Ballade in G minor, Op. 118.
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D. Brahms, Ballade in G minor, Op. 118.
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E. Beethoven, Piano Sonata in E major, Op. 14, no. 1, Allegretto