PRODUCTION NOTES

For additional publicity materials and artwork, please visit:http://www.lionsgatepublicity.com/theatrical/imperium

Genre: Dramatic ThrillerRating: Rated R for language throughout.U.S. Release Date: August 19, 2016 (In Theaters and On Demand)Run Time: 108 Minutes

For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092E: lberger@lionsgate.com

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**The opinions contained herein are those of the individuals quoted and are not represent the viewpoints or opinions of Lionsgate, or its affiliated or parent companies.**

SYNOPSIS

Nate Foster (Daniel Radcliffe), a young, idealistic FBI agent, goes undercover to take down a radical right-wing terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Inspired by real events, IMPERIUM stars Daniel Radcliffe, Toni Collette, Tracy Letts, Devin Druid, Pawel Szajda with Nestor Carbonell and Sam Trammell and will be released by Lionsgate Premiere in theaters and On Demand August 19.

Lionsgate Premiere and Grindstone Entertainment Group present an Atomic Features & Tycor International Film Company production in association with Sculptor Media, LLC and Green-Light International.

DIRECTOR’S STATEMENT

At its core, IMPERIUM is about an undercover cop on a dangerous mission. But Mike German, an FBI agent who spent years infiltrating the white supremacist community, inspired me to tell a classic story in an original way.

Being an agent, Mike explained, wasn’t about shooting people, beating them up, or even becoming a criminal yourself. Going undercover was about out-thinking the enemy. Mike said to me, “You know how they say we only use 10% of our brain in everyday life? You really understand that when you go undercover.”

In other words, the best agents don’t look like James Bond or Jason Bourne; they can’t kill four men with a pencil. But what they can do is convince almost anyone that they aren’t the one thing every bad guy is looking for—an infiltrator.

To successfully insinuate oneself into a criminal organization, an agent has to immerse completely in an alien world. Mike’s story, which involved inserting himself into white supremacist organizations and learning about them from the inside out, inspired me to do the same. So began a journey that was as shocking as it was revealing. I became aware of a vast community living among us. It had its flamboyant, stereotypical manifestations—the belligerent skinhead; the KKK “redneck” – and at times certainly hewed to characteristics we often associate with fringe troublemakers: that they are poor, uneducated, and/or abused. But the world I researched reached far beyond these simple clichés.

I discovered essentially a parallel universe, where everything we know about the world is upside down. It is a world with its own codes, mythology, philosophy, clothing, art,

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comic books and video games. It has its own history of the world, exemplified by the openly racist Metapedia, an electronic “alternate encyclopedia” now published in 16 languages. The neo-Nazi world sports a massive online community that spans the globe (Stormfront, with over two million unique visitors) and routinely produces “scholarly” publications that range from the Occidental Quarterly to a public library’s worth of books on eugenics, Holocaust denial, “Western” history, “Jewish cultural studies” and racist anthropology.

But even more shocking were the people who lived in this universe. There are engineers and accountants, MBAs and PhDs; they live in suburban houses, they write with admirable grammar, they form middle-class families. And yet they are all bound by an unshakeable conviction—that they live in a totalitarian state, straight from the pages of George Orwell’s “1984,” that has been ruthlessly engineered for total genocide against the white race. To their mind, this dystopian state is run by Jewish leaders, and dominated by all-encompassing Zionist propaganda, and is relentlessly breeding them out of existence. It sounds like science fiction. Instead it’s what dedicated agents like German have found after diving headfirst into their world.

Following these groups’ twisted logic, once confronted with such a reality, any alert White person in America must make a harrowing choice. One can choose, as most of them do, to focus on waking up the “sheeple” and resisting the state’s genocidal breeding program. Or, drawing inspiration from a long line of heroes that range from the Sons of Liberty to Timothy McVeigh, a White person can stand up, become a freedom fighter and do something about it.

It’s a choice vividly described in the novel “The Turner Diaries,” a favorite of hate groups that has sold half a million copies and been called the modern-day “Mein Kampf.” It was in McVeigh’s hands on the day of the Oklahoma City bombing -- his destruction of the Murrah Federal Building was a recreation of an iconic scene from the book, in which White freedom fighters start a “race war” to overthrow the totalitarian state. And since that tragic day, the Southern Poverty Law Center has catalogued 109 such terrorist attacks and conspiracies—ranging from shootings, bombings and arson, to plots involving anthrax, ricin, botulism, typhoid, cholera, cyanide and radiological weapons.

It is exactly this type of “revolutionary event” that Mike German spent years trying to prevent, and whose valiant, noteworthy efforts inspired IMPERIUM. While this is first and foremost a movie about a young FBI agent risking his life to do the same, it is also a film about the nation living in parallel to ours, waiting patiently for the day when they can throw off the yoke of their oppressors and rise again.

COVER STORY

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How Former Undercover FBI Agent Mike German and Director Daniel Ragussis Collaborated to Make IMPERIUM Authentic

IMPERIUM co-writer Mike German has the kind of pedigree that commands respect: he served in the FBI for 16 years, 12 of them as an undercover agent tasked with infiltrating dangerous white supremacy groups in order to prevent domestic terrorist attacks. German successfully embedded himself with extremist groups on multiple occasions, leading to criminal convictions. German’s real life experiences infiltrating homegrown white supremacist terror cells intent on starting race wars, form the basis of the IMPERIUM screenplay.

But initially, when IMPERIUM director/co-writer Daniel Ragussis first approached German about creating a film inspired by his work for the FBI, German expressed reluctance. The ex-agent viewed Hollywood as too quick to turn undercover agents into nearly invincible, unbelievably superhuman movie heroes in the vein of Jason Bourne or James Bond, figures who relied on physical strength and explosive violence to wrest themselves from dangerous circumstances. German’s time in the trenches showed him that to be an effective covert agent in any situation, wits and social skills were the sharpest tools in avoiding suspicion and gaining the trust of ruthless criminals.

After many conversations, it became clear to German that Ragussis intended to create a film that accurately depicted the work of undercover FBI agents, one that eschewed sensationalistic Hollywood stereotypes regarding law enforcement and instead burrowed into the psychological tension of living day to day under the constant threat of exposure, yet staying alert enough to do investigative work. Ragussis sought to illuminate the extensive research and preparation that undercover agents must undertake, as well as dramatize the challenges faced by agents attempting to navigate the FBI bureaucracy and operate in accordance with the law. IMPERIUM’s action sequences rely on building tension and suspense through characterization and realism, rather than whip up cartoon violence devoid of integrity or consequence.

Setting IMPERIUM in the present day was something German and Ragussis quickly agreed on, believing the film could better address important law enforcement and terrorism prevention issues that have dominated the national conversation. Therefore, the film brings attention to the FBI’s seldom discussed racial-ethnic mapping program, in which American Muslims and other minority populations are controversially targeted. IMPERIUM also explores the challenges faced by FBI agents working with limited resources to prevent domestic terrorism from white supremacists and other right-wing extremist threats. With the government prioritizing the fight against the Islamic terrorist threat, FBI agents working on battling domestically cultivated perils often must fight for funding and proper support.

In the end, Mike German expressed admiration for Ragussis’s efforts to create a film

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of thematic and emotional integrity true to what he experienced in the field, commenting, “Daniel’s unique vision and dedication to telling this story in an accurate, non-sensationalistic manner impressed me from day one. The final product depicts the inner workings of the FBI and undercover agents in particular, more accurately than any film I’ve seen. I couldn’t be more pleased.”

Daniel Radcliffe: From Boy Next Door to Neo-Nazi Infiltrator

Not only does IMPERIUM offer up a depiction of law enforcement undercover work deeper than most movies on the subject, it also presents one of the movies’ most beloved actors in a game-changing performance. As FBI agent Nate Foster, British actor Daniel Radcliffe memorably erases any hint of his past in portraying an American cop infiltrating a white supremacist terrorist cell to stop a possible attack on U.S. soil.

In IMPERIUM, Radcliffe’s character needs to shave his hair in order to go undercover as a neo-Nazi skinhead. Radcliffe was therefore required to put razor to scalp for the first time on camera, a scary proposition for the actor. Speaking to Jimmy Fallon on “The Tonight Show,” Radcliffe revealed, “I was quite relieved because I shaved it on camera for the film and I’ve never shaved my head before. So I don’t know what’s under there. There might be a lump or a birthmark or something unexpected. But it all turned out fine, which I was relieved by.”

A Versatile City: Filming in Hopewell, Virginia and Surrounding Areas

Long a favorite for location scouts working on period pieces, Hopewell, Virginia and the surrounding area have routinely provided a distinctive visual backdrop of history for narratives driven by stories from the past. IMPERIUM is one of the first contemporary films to be shot in the versatile shooting location.

Set in the Virginia/Washington DC of the present day, IMPERIUM required a location in the region that could accommodate all of the diverse settings called for in the script. Working closely with the Virginia Film Office, the film team soon selected the small city of Hopewell as the ideal place to set up shop. With its mixture of industrial, residential, and commercial locations, as well as its close proximity to the more metropolitan Richmond, Hopewell proved a natural fit for IMPERIUM production.

“As soon as we saw Hopewell, we knew we had found the perfect city to establish our home base,” commented IMPERIUM location manager Carl Hickerson. “With a unique blend of old, interesting homes and more modern, commercial venues, Hopewell offered a wide assortment of appealing locations to choose from. We were so happy that the super friendly residents welcomed us into their hometown.”

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In addition to welcoming the cast and crew with open arms, many residents of Hopewell and the surrounding areas also served as extras in the film. In fact, some of the film’s key scenes, including a pivotal riot sequence filmed in downtown Hopewell and a neo-Nazi wedding scene, featured several hundred local extras. The wedding scene was filmed at the historic Brandon Plantation in Prince George County, the largest former plantation in Virginia.

Another pivotal scene was filmed at Hopewell’s historic Beacon Theatre, a former silent film and Vaudeville Theater built in 1928. During the scene, undercover FBI agent Nate Foster (Daniel Radcliffe) infiltrates the “Dallas Wolf Unity Conference,” where various white supremacy groups have gathered for a conference hosted by radio host Dallas Wolf (Tracy Letts), a major target of Foster’s investigation into a potential domestic terrorist attack.

Although the majority of IMPERIUM was shot in Hopewell, several scenes were also filmed in Virginia’s capital city of Richmond. With its larger, more urban environment and historic buildings, including Old City Hall and the Virginia State Capitol building, Richmond provided an ideal location to shoot the film’s scenes set in Washington, DC, including the exciting action sequence that opens the film.

IMPERIUM director/co-writer Daniel Ragussis spoke fondly of the experience shooting the film in Hopewell: “For several weeks during the making of IMPERIUM, Hopewell became my home away from home. I am eternally grateful for the city’s residents who welcomed us and made our time in the city a truly rewarding experience.”

ABOUT THE CAST

DANIEL RADCLIFFE (Nate Foster) is best known for playing the title role in eight Harry Potter films. Since wrapping the final installment of the blockbuster franchise in 2010, he has continued to prove himself a diverse talent. The actor has starred in a horror film (The Woman in Black), a thriller (Horns), a romantic comedy (What If) and a biopic (Kill Your Darlings). He was most recently seen in Victor Frankenstein, a new adaptation of the Mary Shelley classic and the BBC telefilm “The Gamechangers.” Radcliffe appears in the forthcoming adventure Swiss Army Man and Now You See Me 2. He just wrapped the survivalist film Jungle.

On stage, Radcliffe starred as Billy in “The Cripple of Inishmaan,” Martin McDonagh’s comic masterpiece. The play made its way to Broadway from London’s West End, where it debuted the summer of 2013. In 2011 he starred in a 10-month sell-out run of the Broadway musical “How to Succeed in Business Without Really Trying.”

Ovation aired two seasons of Radcliffe’s TV miniseries “A Young Doctor’s Notebook,” the comedic drama based on a collection of short stories by celebrated Russian author

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Mikhail Bulgakov, co-starring Jon Hamm. Radcliffe starred as Alan Strang in both the 2007 West End and 2008 Broadway productions of Peter Shaffer’s “Equus.” The London and Broadway productions of “Equus” were directed by Thea Sharrock and also starred Richard Griffiths.

A lifelong fan of “The Simpsons,” Radcliffe has lent his voice twice to the show: as a brooding vampire named Edmund for the show’s “Treehouse of Horror XXI” special, which aired in 2010; and as Diggs, a new transfer student whom Bart befriends. Previously, Radcliffe made a guest appearance as himself in the HBO/BBC series “Extras.” He recently lent his voice to “Robot Chicken” and “BoJack Horseman.”

With a proven ability to transform into the characters she plays, TONI COLLETTE (Angela Zamparo) has impressed audiences and the entertainment industry alike throughout the last two decades.

She made an indelible impression on moviegoers worldwide with her breakout performance as the title character in P.J. Hogan’s Muriel’s Wedding, which brought her a Golden Globe Award® nomination. More recently, she won a Golden Globe Award® and an Emmy Award® for her portrayal of a woman with multiple personalities on the television series “United States of Tara,” which ran for three seasons.

She was an Academy Award® nominee for her performance in M. Night Shyamalan’s sleeper phenomenon The Sixth Sense, which was nominated for five other Academy Awards® including Best Picture. She subsequently starred in another Best Picture Oscar nominee, Jonathan Dayton and Valerie Faris’ Little Miss Sunshine, the surprise hit of 2006; Ms. Collette received Golden Globe® and BAFTA Award nominations for her performance, and shared with her fellow actors from the ensemble the Critics’ Choice Movie Award for Best Acting Ensemble as well as the Screen Actors Guild Award® for Outstanding Performance by a Cast in a Motion Picture.

Her many other movies have included Todd Haynes’ Velvet Goldmine; Norman Jewison’s telefilm Dinner with Friends; Roger Michell’s Changing Lanes; Paul and Chris Weitz’s About a Boy, for which she received a BAFTA Award nomination; Stephen Daldry’s The Hours, for which she was a Screen Actors Guild Award® nominee with her fellow actors from the ensemble; Sue Brooks’ Japanese Story, opposite Gotaro Tsunashima, for which she won Best Actress honors from the Australian Film Institute and the Film Critics Circle of Australia; Curtis Hanson’s In Her Shoes; Bharat Nalluri’s telefilm Tsunami: The Aftermath, for which she received Emmy® and Golden Globe Award® nominations; Alan Ball’s Towelhead; Adam Elliot’s animated feature Mary and Max, in voiceover alongside Philip Seymour Hoffman; Mental, reteaming her with director P.J. Hogan; Sacha Gervasi’s Hitchcock; Nat Faxon and Jim Rash’s The Way Way Back; Megan Griffith’s Lucky Them; Nicole Holofcener’s

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Enough Said; Ben Falcone’s Tammy, with Melissa McCarthy; Peter Chelsom’s Hector and the Search for Happiness, the animated feature The Boxtrolls, Gerard Barrett’s Glassland with Jack Reynor, Catherine Hardwicke’s Miss You Already with Drew Barrymore, and Legendary Pictures’ Krampus with Adam Scott.

Ms. Collette was a Tony® and Drama Desk Award nominee, and a Theatre World Award winner, for her Broadway debut in George C. Wolfe and Michael John LaChiusa’s musical The Wild Party. In 2014, she returned to Broadway in Will Eno’s play The Realistic Joneses, directed by Sam Gold; with her fellow actors from the ensemble – Marisa Tomei, Tracy Letts, and Michael C. Hall – she shared the Drama Desk Award for Outstanding Ensemble Performance. Her additional stage credits include productions with the Belvoir Street Theatre and the Sydney Theater Company.

Born and raised in Australia, she was a student at Australia’s prestigious National Institute of Dramatic Art (NIDA).

TRACY LETTS (Dallas Wolf) is the only person to win both a Tony Award® for acting and a Pulitzer Prize. He is the author of Killer Joe, Bug, Man from Nebraska (Pulitzer finalist), August: Osage County (Pulitzer Prize, Tony Award® for Best Play), Superior Donuts, The Scavenger’s Daughter, Mary Page Marlowe, and Linda Vista. He also wrote the screenplays for the films Killer Joe, Bug, and August: Osage County. He won the 2013 Tony Award® for Best Leading Actor in a Play for his performance as George in the Tony Award®-winning revival of Edward Albee’s Who’s Afraid of Virginia Woolf, which premiered at Chicago’s Steppenwolf Theatre. He joined the Steppenwolf ensemble in 2002, where he has appeared in American Buffalo, Betrayal, The Pillowman, Last of the Boys, The Pain and the Itch, The Dresser, Homebody/Kabul, The Dazzle, Glengarry Glen Ross (also Dublin and Toronto), Three Days of Rain, many others. Other productions include The Realistic Joneses (Broadway) and Orson’s Shadow (Barrow Street Theatre, NY). Film appearances include Wiener-Dog, Indignation, Christine, The Big Short, Elvis and Nixon, Guinevere, and U.S. Marshals. TV appearances include “Divorce,” “Prison Break,” “Profiler,” “Seinfeld,” “Home Improvement,” and many others. He played Senator Andrew Lockhart on two seasons of Showtime's “Homeland.”

With a versatility that takes him from stage to films and television, SAM TRAMMELL (Gerry Conway) has built a career of diverse and challenging roles and continually evolves with each new project. Sam is probably most recognized for his role on the big screen in The Fault in Our Stars, the film adaptation of John Green's bestselling novel. Directed by Josh Boone, the story follows two cancer-stricken teens who strike up a romantic relationship as they face an uncertain future. Trammell stars opposite Shailene Woodley and Laura Dern.

Trammell made his big screen debut in 2000 in a supporting role as a male hustler in

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the Sundance-screened Beat, and then Followers, an affecting drama in which he played a would-be pledge to a fraternity who makes several decisions with tragic repercussions. His other film credits include the dramatic road movie Fear of Fiction, a supporting role in Autumn In New York, with Richard Gere and Winona Ryder, and Undermind. He can be seen in the films: Crazy Kind of Love, opposite Virginia Madsen; White Rabbit, in which he played a meth addict turned born again Christian; the thriller Guns, Girls and Gambling with Gary Oldman, Christian Slater and Dane Cook; and Fox’s AVPT: Aliens Vs. Predator-Requiem, the sequel to the sci-fit hit, Alien Vs. Predator, just to name a few. He also co-produced and starred in the upcoming indie feature All Mistakes Buried as a drug-addicted man looking to reconnect with his wife, marking his second film with award-winning director Tim McCann after White Rabbit. He has two other films about to be released: About Ray, starring opposite Naomi Watts and Susan Sarandon, and I Am Wrath, starring alongside Christopher Meloni and John Travolta.

On television, Trammell starred as the fast-talking ex-con Sonny Dupree in the quirky ABC comedy-drama Maximum Bob and later, on John Wells’ Trinity for NBC, as well as the Showtime original series Going To California, which followed the adventures of two twenty-something slackers on a road trip across the country in a 1966 Buick. He then captured audiences as ’Sam Merlotte' on the HBO’s critically acclaimed hit series, True Blood, which ran for 7 seasons. He most recently starred as the lead of the Amazon pilot Cocked, a dark comedy about a broken family trying to repair itself while working side by side in the gun business.

A West Virginia native, Trammell attended Brown University, and the University of Paris, where he majored in semiotics and gravitated to acting in his senior year. Following graduation, he garnered attention and accolades for a trio of stage performances – as a compulsive gambler in his Off-Broadway debut Dealer_92s Choice, a quirky Yorkshire painter in My Night With Reg, and a Tony-nominated performance in the lead role of the Broadway revival of Eugene O’Neill’s comedy Ah, Wilderness! in 1998. He also garnered rave reviews for his turn as Thomas Walsingham in the Off-Broadway play Kit Marlowe, about the Elizabethan playwright.

ABOUT THE FILMMAKERS

DANIEL RAGUSSIS (Director, Co-Writer, Producer) received his BA from Georgetown University, where he graduated fourth in his class and was a Rhodes Scholarship finalist. He completed his MFA at Columbia University, where he was a Film Division Fellow, and his films and screenplays have won dozens of international awards. His thesis film, Haber, premiered at Telluride before winning Best of Fest at LA Shorts, the

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largest short film festival in the world, and becoming an Official Qualifier for the 2009 Academy Awards®. It also won the National Board of Review Motion Pictures Award, and has been featured in The New York Times, The Los Angeles Times, and Variety. His feature screenplays have won honors at the Tribeca Film Institute and Creative Screenwriting, and have been recognized on multiple occasions by the Nicholl Fellowships. He is the co-writer of Purple America, the screen adaptation of Rick Moody’s acclaimed follow-up to The Ice Storm, and is a founding partner of Atomic Features, a production company and film fund.

MIKE GERMAN (Co-Writer) is a sixteen-year veteran of federal law enforcement, serving as a special agent with the Federal Bureau of Investigation, where he specialized in domestic terrorism and covert operations. As an undercover agent, German twice infiltrated extremist groups using constitutionally sound law enforcement techniques. These operations successfully prevented terrorist attacks by winning criminal convictions. German left the FBI in 2004 to make Congress and the public aware of continuing deficiencies in FBI counterterrorism operations. He began lecturing on counterterrorism and intelligence matters, and joined the ACLU Washington Legislative Office staff in 2006. His commentary has appeared on broadcasts such as MSNBC’s Countdown with Keith Olbermann and Salon radio, as well as in the National Law Journal, Washington Post, San Francisco Chronicle and Miami Herald. German is the author of scholarly articles including Squaring the Error, published by the Strategic Studies Institute of the U.S. Army War College, and Trying Enemy Combatants in Civilian Courts, published in the George Washington Law Review. His first book, Thinking Like a Terrorist: Insights of a Former FBI Undercover Agent, was published in 2007.

TY WALKER, p.g.a. (Producer) has produced and line produced a myriad of feature length movies, television shows and new media content.  Through the mentorship of several veteran industry professionals and executives, Walker has been able to take his experience and apply it to his own projects, resulting in the launching of his own boutique production company. No production too ambitious, Walker is inspired by films that tell compelling stories which captivate and entertain an audience. Walker graduated with a degree in Computer Science with a minor in Finance and started out as one of the youngest project managers in the global technology/business industry. With that experience, Walker knew the importance of business prior to leading and managing a team, and utilized that knowledge to make his through the film industry. Before producing his first film, Walker learned from some of the top producers in the industry and worked various positions such Camera Assistant, Production Coordinator, Assistant Director and UPM. This experience allowed him to successfully produce/line produce films such as the 2012 Sundance hit, Blue

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Caprice, directed by Alexandre Moors and starring Isaiah Washington, Omphalos, a sci-fi feature starring Emmanuelle Chriqui and Edoardo Ballerini, All That I Am, the SXSW Grand Jury & Audience winning film directed by Carlos Puga, Julia, the 2015 released noir horror, lensed by Icelandic Oscar nominated cinematographer Bergsteinn Björgúlfsson, Carter High, starring Charles S. Dutton, Vivica A. Fox, Pooch Hall, Reginald C. Hayes and David Banner, and Redrum, the Investigative Discovery Channel television show that set a new record, with the biggest opening night and highest audience ratings in history. Making his mark in the industry as a leading indie movie producer, Walker’s most recent feat is producing Imperium, a feature film starring Daniel Radcliffe, Toni Collette, Tracy Letts and Sam Trammell to be released in 2016.

DENNIS LEE (Producer) was born and raised in Chicago. After graduating from the University of Chicago, he moved to New York City to attend Columbia University’s M.F.A. Film Program. While at Columbia, his thesis short film, Jesus Henry Christ, received numerous awards, including the Academy of Motion Picture Arts and Sciences Student Academy Award®, Silver. During this time, he co-founded Kulturemachine, a production company that was named by Filmmaker Magazine as one of 2004's "25 New Faces of Indie Film."

After graduation, Dennis moved to Los Angeles when he was selected as an ABC/Disney Television Directing Fellow, shadowing on such TV shows as “Alias,” “Brothers & Sisters,” “Desperate Housewives” and “Grey’s Anatomy.”

Dennis made his feature film debut with Fireflies in The Garden, a semi-autobiographical drama, which he wrote and directed. Financed by Senator Entertainment, the film stars Ryan Reynolds, Willem Dafoe, Emily Watson, Carrie-Anne Moss, Hayden Panettiere and Julia Roberts, Fireflies in The Garden made its world premiere at the Berlin Film Festival, 2008.

Dennis made his second feature film with Jesus Henry Christ. Based on his award-winning short film, the family comedy stars Michael Sheen and Toni Collette, and is executive produced by Julia Roberts. The film had its world premiere at the Tribeca Film Festival, 2011.

Dennis has recently completed the Warner Brothers' Television Directors' Workshop, an innovative program designed to prepare elite directing talent for the transition to episodic television.

CREDITS

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Directed byDANIEL RAGUSSIS

Story by MICHAEL GERMAN

Screenplay byDANIEL RAGUSSIS

Produced byTY WALKER, p.g.a.

ProducersSIMON TAUFIQUE

DENNIS LEEDANIEL RAGUSSIS

Executive ProducersWARREN T. GOZ

ERIC GOLD

Executive ProducersJEFF ELLIOTTCHAD MOORE

ANDREW MANNLAUREN SELIG

Executive ProducersBARRY BROOKERSTAN WERTLIEB

Executive ProducerTHOMAS WHITEMAN

Executive ProducersJOHN OSBORNE

CAROLINE MICHAEL OSBORNE

Director of PhotographyBOBBY BUKOWSKI

Production DesignerKRISTEN ADAMS

Edited bySARA CORRIGAN

DANIEL RADCLIFFE

TONI COLLETTE

TRACY LETTS

SETH NUMRICH

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PAWEL SZAJDA

DEVIN DRUID

CHRIS SULLIVAN

withNESTOR CARBONELL

BURN GORMAN

andSAM TRAMMELL

Casting bySUSAN SHOPMAKER, CSA

LOIS DRABKIN, CSAMATTHEW LESSALL, CSA

Music SupervisorJOE RUDGE

Music byWILL BATES

Costume DesignerAMY ANDREWS HARRELL

Featured Photography & Video byANTHONY KAREN

Co-ProducersFRANCISCO ORDOÑEZ

MICHAEL GERMAN

Co-Executive ProducersRYAN BLACK

DARIUS CAMPBELL

LIONSGATE PREMIEREGRINDSTONE ENTERTAINMENT GROUP

ATOMIC FEATURESand

TYCOR INTERNATIONAL FILM COMPANYPresent

In Association withGREEN-LIGHT INTERNATIONAL,

SCULPTOR MEDIA LLCand

RAVEN CAPITAL MANAGEMENT

Line ProducerBORISLAV RANGHELOV

Unit Production Manager BRETT CRANFORD

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First Assistant Director CHAD ROSEN

Second Assistant Director ERIC HOLLENBECK

CAST

Nate Foster DANIEL RADCLIFFEAngela Zamparo TONI COLLETTE

Dallas Wolf TRACY LETTSGerry Conway SAM TRAMMELL

Tom Hernandez NESTOR CARBONELLAndrew Blackwell CHRIS SULLIVAN

Roy SETH NUMRICHVince Sargent PAWEL SZAJDA

Johnny DEVIN DRUIDMorgan BURN GORMAN

Frank Hedges ADAM MEIERUsman ROGER YAWSONDavid LINC HANDBecky VANESSA ORE

Billy JASSON FINNEYErnest Walton DAVID ARANOVICH

Gary PAUL CHAPMANRick DAVID MEADOWS

Abdul MABOUD EBRAHIMZADEHFariq ASIF KHAN

Madeline CORA METZFIELDTimmy AIDAN FISKE

Wolf’s Assistant ALEX MILLERHarris Pitt MIKE MARUNDE

Jim Sharpe ROBERT POLETICKElderly Woman MARTY TERRY

Steve JEFF GOINSTim SHAWN SINGLETARY

Priest CHARLIE V. WILSONAryan Alliance Member JONATHAN DARDEN REED

Hispanic Man RODNEY ROLDANBlonde Woman GREY GARRETT

Interviewer ZAC MOONPoliceman JOHN MICHAEL WEATHERLY

AFL Activist ERIN REITZLinda JENNIFER MARSHALL

Aryan Alliance Cameraman CHRISTIAN HICKS

Stand Ins DREW ORLANDORILEY SCIGLIANONICK APPLEGATESUSAN SNYDER

Stunt Coordinator CHAD HESSLERStunts ARON VEXLER

NICK STANNERLUKE VEXLERJASON GUPTONREMINGTON STEELE

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ZOLTAN HODIJARED LOSANOJOSH TESSIERBOB ROSEMANJOSH DIOGO

CREW

Art Director KATY SHIREYArt Department Coordinator VAN TRAN

Graphic Artist GIOIA VARESIAdditional Logo Design REEMA SAMPAT

Artwork Designer KYLA PAOLUCCIArt Production Assistants DEXTER DRISCOLL

EVAN DESPIANArt Intern BETSEY POPE

Set Decorator JULIA DENTAssistant Set Decorator LAUREN TAYLOR

Leadman MIKE RAYBOULDSet Dressers KEVIN QUICK

JESSE TAYLORJAMIE FULGHAMEDWARD MARTINCRAIG TAYLORJOHN TARTAGLINOJAKE THOMASMARGEAUX KEENERRICK REEDERJOE MCCORKLE

On Set Dresser SID CALDWELL-DEAGHLAN

“A” Camera Operator JIM CONTNER“A” Camera First Assistant Camera LIZ HESLEP

“A” Camera Second Assistant Camera SEAN SUTPHIN“B” Camera Operator MAX FISHER

“B” Camera First Assistant Camera SEAN SUTPHIN“B” Camera Second Assistant Camera KYRA KILLFEATHER

Camera Utility SHAWN MUTCHLER

Script Supervisor ANNA ASHER

Costume Supervisor SLOANE TRUEKey Set Costumer LYNALISE WOODLIEF

Costumers ED BROGANLINDSAY AUSTRIAKAIT FIALBECCA BINGHAMMORGAN STONEJOSIE ROEBUCK

Tailor KATHY WASHINGTONCostume Intern CADEN MCMAHON

Makeup Department Head ASHLEY FETTERMANKey Makeup Artist LORI DANIELS

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Additional Makeup Artists SHARON BARRETTNAOMI JACKSONSUSAN MILLARBETH JONESKATE MARLETTE

Hair Stylist Department Head FERNANDO NAVARROKey Hair Stylist NAKOYA YANCEY

Additional Hair Stylists NICOLE TUCKERTRAVIS CORPREW

Production Sound Mixer WILLIAM BRITT CASBoom Op NATHANIEL SISSON

Boom Op 2 MATTHEW JAKE WEEKS

Location Manager CARL HICKERSONAssistant Location Managers ALICIA AYOUB

FRANCISCO ORDOÑEZLocation Assistants VEGAS DEHORNEY

FREDDY RIDOUT

Gaffer CHRISTOPHER A. THOMPSONBest Boy ERIC WAKEFIELD-THOMPSON

Generator Operator TREY PETERSONCompany Electricians PATRICK MCLYNN

GREG GOLTERJIM ED WILLSDUSTIN BLOODGOODARIC LEINENBRYAN EDWARDS

Key Grip CHARLIE HARRISBest Boy Grip GREG MARTIN

Dolly Grip HANK ATTERBURYCompany Grips NATHAN NEELEY

ZACK WHITERYAN COLEMANMIKE FLINNWAYMON CHUNGCAMERON BLOUNTROBERT MOOSEMAXWELL FISHERKENNY MORTON

Property Master JEREMIAH D. HORNBAKERAssistant Property Master J. RYAN SMITH

Third Props HERBERT L. PUCKETT IVProps Assistant MORGAN STONE SMITH

Greensman GRANT FANNINGScenic Charge ZACHARY CONCEPCIONScenic Painter KEN FREEMAN

Construction DONOVAN GREERMIKE BOONERICH BLANKENSHIP

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Special Effects Supervisor GARY PILKINTONSFX Foreman DON DICIERO

SFX Technicians JACK DICIEROJOHN SANTRICKTREVOR SMITHSON

Story Consultants FRANCISCO ORDOÑEZJOE TURNER LINDAN V. SHEAMARILYN FU

Creative Consultant R.F.I. PORTOProduction Supervisor EVAN WARD

Production Office Coordinator MICHELE LOMBARDIProduction Executive GRETCHEN MCGOWAN

Office Production Assistants SAPPHIRA EDGERTONJOSEPH YATES

Office Interns CHRIS FORDLAURA MCCANNCHRIS FRANKLIN

Intern CADEN MACMAHONSet Teacher RITA RUTHERFORD

Arabic Translator MAHMOUD SARSOURTranslation Consultant REYAD A. FARRAJ

2nd 2nd Assistant Director ED TILDENKey Set Production Assistant RYAN PEZDIRC

Set Production Assistants GARY JORDANSAM PAETOWBILLY TISANOSARAH ZIMMERBILLY BACCI

Set Interns ARI YANANITA B. WHITE

Production Accountant DOUGLAS MCHENRYPost Accountant BLAINE HOUSERMAN

Personal Assistant to Daniel Radcliffe SPENCER SOLOMANPersonal Security to Daniel Radcliffe SAM MORRIS

Assistant to the Director KRISTINA BUDDENHAGENAssistant to the Producers ANGELICA ANDERSON

Unit Publicist JOHN MURPHYAssistant Unit Publicist RUSSELL POSTERNACK

Stills Photographer JACOB COPPAGEEPK RYAN GUITERMAN

Transportation Coordinator NIK EDGERTONTransportation Captain ROBERT LEE MITCHELL

DOT Compliance Coordinator ALLISON CHICDrivers JIMMY GARRETT

BOB O’CONNELLPATRICIA PICKENSGERALD DANIELALAN BUCKALLEN WILLSPERRY SHELTONWALTER WHEELHOUSEGEORGE AYERS

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DONNIE JONESBOBBY CLAYTON

Casting Assistant NY CASSIE POSTCasting PA SARA BESS

Extras Casting CHAD DARNELL

Set Medics KURT GRANDARYL SHOEMAKERROB SCHMIDTCHRIS BELLMIKE ANDERSONJEFF WALLACEMIKE HODGES

Catering by GOLDBUG CATERINGHead Chef JEREMY REESESous Chef ANDREW “HAMPTON” STEVENS

Chef Assistants JEROME JACKSON JR.DAVID MICHAEL BROWNDIONNE BAZILEERIC JACKSON

Craft Services JAMES SAMUELSALLEN DEVOSS

Additional Craft Services MATT BENSONLegal Counsel RAY JAVDAN, ESQ

THE JAVDAN FIRM PLLC

Post Production Supervisors PAUL A. LEVINANN M. GRAY

Assistant Editor REX TEESEPost Production Coordinator ILANA CHEYFITZ

Post Production PA BETSEY POPE

Supervising Sound Editor RYAN BILLIASound Editor DAVID FORSHEE

Re-Recording Mixer RYAN BILLIAFoley Services SKYWALKER SOUND

Foley Artist ANDREA GARDFoley Mixer JASON BUTLERADR Mixer PATRICK CHRISTIANSEN

Post Production Sound Services by RUMBLE AUDIO

Digital Intermediate Provided by HARBOR PICTURE COMPANYSupervising Colorist JOE GAWLER

Colorist ROMAN HANKEWYCZDigital Intermediate Producer MATT CARUSO

Conform Editors DYLAN BALLCHRISTIAN FARFAN

DI Engineers GAUTAM SINHAMARK DELLAS

DI Assist ANDREW MINOGUESupervising DI Producer KEVIN VALE

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VFX by VERVE DIGITAL TECHNOLOGIES PVT. LTD.

VFX Supervisor & Producer ROOPESH GUJARAdvisor KAILASH BOYATKAR

VFX Associate Producer RAJEEV KUMARCompositing Lead AMIT MALVIYA

Compositors SWATI KUMBHARMANJOT SINGHMOHIT JAINSUHAS MANESAMEER PREMDILSHAD ALAM

Paint Lead RAVINDAR SINGH CHAUHANPaint Artists SUNIL CHATTER

SHAVAJI DANGATSAGAR BHABALNEEL TRIVEDIDINESH JADHAVPRATHAMESH PUROHITRUPESH HUMANESACHIN MUNDHE

Digital Matte Painting Lead SANDEEP BHATERoto Lead RAGHAV RAI

Roto Artists AJINKYA SALUNKHENAVAL AGNIHOTRICHETAN NENEPRITI MUNDEVAIBHAV GAVASKARRAVI RANJAN

Technical Director HIMANSHU KHURANA

Original Music Coordinator LUCY ALPERAssistant to Composer ANDREW ORKIN

Trumpet QUENTIN COLLINSHarp SHELLEY BURGON

Original Score Recorded at FALL ON YOUR SWORD WESTAdditional Music by SIMON TAUFIQUE

Music Editor BEN HOLIDAYMusic Business and Legal Executive CHARLES M. BARSAMIANMusic Business and Legal Executive MEGHAN KOZLOSKY

Music Consultant ANDY ROSSMusic Services EXIT STRATEGY

Music Coordinator DILLAN RIGBY

“Glad To Be S.A.D.” “A Wolf in Dallas”Performed by Quentin Collins Written by Simon TaufiQue

Written by Quentin Collins Courtesy of MusiQue TaufiQUe, ASCAPPublished by Sunlightsquare, PRS

“Concerto for Piano No.1 D-Min.op.15” “Symphony #4 In E-Minor, Op.98 -Written by Johannes Brahms Allegro Non Troppo”

Courtesy of APM Music Written by Johannes Brahms

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Courtesy of APM Music

“Mean Joe Green” “Quintet F.clarinet 2 Violins Viola &Performed by Local Honey Cello B Min”

Written by Rob Levkulich Written by Johannes BrahmsCourtesy of Local Honey Courtesy of APM Music

“Old Ways” “Concerto for Violin & Orchestra in D Major Written by Trevor Thomas op 77 Allegro Non Troppo”

Performed by Local Honey Written by Johannes Brahms Courtesy of Local Honey Courtesy of APM Music

“Sick Society” “I’m Gonna Fight It”Performed by Shield Front Performed by Eytan Mirsky

Written by Leave No Doubt Written by Eytan MirskyCourtesy of Leave No Doubt Courtesy of Mirsky Mouse Records

“Raze It” “Symphony No.1 In C-Min. Op. 68”Performed by Submachine Written by Johannes Brahms

Written by Jeff Cherep & Alex Peightal Courtesy of APM MusicCourtesy of Life & Living

The Producers Wish to Thank

CHARLES DANE RANDY DAVISJOHN KEOHANE LT. JOHN IRONS

CAPTAIN MIKE WHITTAKER HEATHER MARKSSHANNA WISEMAN CARL and JODI CARDIN

LAURIN and SUSIE WILLIS SUSAN DAVISBOB GRAY MIKE WILLIAMS

JOSH ELLINGTON VIRGINIA FILM OFFICEANDY EDMUNDS DAWN BLACKSTEN

EMILY WYMAN THE HYATT PLACE CHESTERTAMARA KRUEGER RICHARD DANE

THE RESIDENCE INN SCOTT WHEELERCLAUDINE KUHN CARYN PERRY

MARY BONUCCELLI SARAH KELLYQUIRK HOTEL KATE BROWN

HENRY GONZALEZ FIRST CLASS LIMO

Special Thanks

FRANCISCO ORDOÑEZ JOE TURNER LINR.F.I. PORTO MARILYN FUDAN V. SHEA JOWAN CARBIN

CARYN WAECHTER LILLY SCOURTIS AYERSJULIE MEERSCHWAM LESLIE AVERBACKMONICA GONZALEZ SHILPA TAUFIQUE

KRISTINA BUDDENHAGEN HOLLY DUNDAKAY LEE JULIAN HARKER

KEISHA PERRY CHRIS SPANOSLAURIE RUBINER HEATHER SCHWAGER

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ANDREW LLOYD HANNAH BETH KINGJOE MULLIGAN MARK PODOFF

MIKE MCDANIELS LINTON HARRINGTONJOHN SUMMEROUR ASIA MUCI

RAPHAEL VERELA OLIVIA GELLISDEXTER DRISCOLL ROSIE BATT

NICOLA FOWLIE ANJA MARQUARDTBECKY WHITE BILL RYANREID BRODY BOGDAN TOMASSINI-BÜCHNER

MIKE JACKMAN BRETT BERNSTEINBRETT MALAK CAROLINE ARAGON

JAKE ELDER EMILY WYMANERIC JANNAZZO KATY FITZPATRICK

CHRISTIAN CAMPOS JULIE SILVERMATT SULLIVAN DAVID YOUNGER

DEBBIE RADZINSKY DAVID RADZINSKYERIC YOUNGER JEAN BIGILIN

DIANE TEUTSCHMAN KRISTIN FAIRWEATHERJENNY DELLER MIKE ESOLA

LAUREN SCHACHER SARAH SCHACHERMARK POPOVICH ANA POPOVICH

PAMELA FOX SUSAN LANSERSUE ALLISON STEVE FREAR

This film is dedicated to the memory of my father, MICHAEL RAGUSSIS (1945 – 2010)

Videos Provided by JOHNNY MILANOStock Footage Research and Clearances by SEARCHWORKS

End Title Design by PATRICK DEVINE

Produced in Association with Raven Asset-Based Opportunity Fund III LP

The Commonwealth of VirginiaVirginia Film Office

Filmed on location in the Cities of Hopewell, Richmond, Chesterfield, Petersburg, and Prince George, Virginia

This production participated in the New York State Governor’s Office of Motion Picture & Television Development’s Post Production Credit Program.

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Lighting Equipment Provided by Illumination Dynamics Dogtown Lights

TEAMSTERS (LOGO) SAG-AFTRA (LOGO) IATSE (LOGO)

EXIT STRATEGY HARBOR PICTURE RUMBLE AUDIO (LOGO) (LOGO) (LOGO)

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The characters and incidents portrayed and the names herein are fictitious, and any similarity to the name, character or history of any person or entity is entirely coincidental and unintentional.

Ownership of this motion picture is protected by the copyright laws of the United States of America and other countries.

Any unauthorized duplication, copying or use of all or part of this motion picture is prohibited and may result in civil liability and/or criminal prosecution in accordance with applicable laws.

TDSD LLC is the owner of this motion picturefor the purposes of U.S. copyright law and the Berne Convention and all national laws giving

effect thereto.

© 2016 TDSD LLC (VA) All rights reserved.

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