WarnockPro

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Warnock Pro

a

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a

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An AdobeOriginal

WarnockProAMulti-Faceted penpeFamil

Adobe Systems Incorporated. All rights reserved.

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For more information about OpenType please refer to Adobes web site at www.adobe.com/type/opentype.

is PDF document was designed to be viewed on-screen or printed duplex and assembled as a booklet.

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Adobe Originals

Adobe Systems Incorporated introduces Warnock Pro, a new font

software package in the growing library of Adobe Originals type-faces, designed specifically for todays digital technology. Since theinception of the Adobe Originals program in , Adobe Originalstypefaces have been consistently recognized throughout the worldfor their quality, originality, and practicality.ey combine the powerof PostScript language software technology and the most sophisti-cated electronic design tools with the spirit of craftsmanship that

has inspired type designers since Gutenberg. Comprising bothnew designs and revivals of classic typefaces, Adobe Originals fontsoftware has set a standard for typographic excellence.

What is OpenType?

Developed jointly by Adobe and Microsoft, OpenType is a highlyversatile new font file format that represents a significant advancein type functionality on Windows and Mac OS computers. Per-

haps most exciting for designers and typographers is that Open-Type fonts offer extended layout features that bring unprecedentedcontrol and sophistication to contemporary typography.

Because an OpenType typeface can incorporate all glyphs for a

specific style and weight into a single font, the need for separate

expert, alternate, swash, non-Latin, and related glyph sets is elimi-nated. In OpenType savvy applications such as Adobes InDesign,OpenType features organize groups of glyphs according to their use.

Activating these features enables typographic refinements such as lig-atures, small capitals, and oldstyle figures, streamlining the processof setting and fine-tuning text. In addition, all glyphs in an OpenTypefont can be accessed in InDesign, whether or not they are coveredby a layout feature. OpenType fonts, coupled with the enhanced

typographic control offered by a program such as InDesign, lettype-users take advantage of advanced justification, optical margin

alignment, hanging punctuation, and optically sized masters (forfonts with two or more optical masters). Adobe OpenType fonts

are some of the most sophisticated typefaces ever offered, allowingdesigners and typographers to more effectively take advantage ofthe power of the computer for digital design and typesetting.

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Warnock Pro

Warnock Pro is a new type composition family named after the

co-founder of Adobe Systems, John Warnock, whose visionaryspirit led to major advances in desktop publishing and graphicarts software. Warnock Pro is a highly readable and serviceable

family, built upon sound principles of classical design while beingstrongly centered in our time. As a full-featured OpenType family,with Latin, Cyrillic, and Greek character sets in a variety of weightsand optical size ranges, Warnock Pro is truly a state-of-the-art

composition family that performs a wide variety of typographictasks with quiet elegance. Its contemporary design and classicalappeal lends documents an air of modernity and sophistication.

How the project began

In early, John Warnocks son, Chris, approached Adobe typedesigner Robert Slimbach with a request to design a typeface forhis fathers personal use. Slimbach took on the project as a back-ground activity with the intention of designing a single weight

display roman design. After examining his early efforts, Slimbachsaw potential to expand upon the concept by designing a com-panion italic font. Eventually these typefaces evolved into a largecomposition family. Instead of limiting its use as a private set of

fonts, all agreed that it should be released for wider distributionas an Adobe Original OpenType family.

Modern Imaging and Printing

Warnock Pro addresses the technical concerns of both on-screenviewing and modern printing. Its cleanly drawn forms, which aresturdy in design and fully hinted, are sympathetic to on-screenimaging, ensuring that fonts rasterize cleanly at a variety of resolu-

tions. Warnock Pro also performs extremely well when printedunder less than ideal conditions. e robust weight of the regulartext design, along with crisp letter features and practical propor-tions of the entire family, result in a type family that can hold up

well when printed on coated or uncoated stock.

An enlarged letter n

at low resolution and

high resolution.

n

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Classifying Warnock Pro

Rather than falling into any single historical classification, the

features of Warnock Pro are eclectic, borrowing elements fromearlier lettering disciplines and introducing new features previ-ously unseen in a text type. e serifs, which are unbracketed andtriangular, help to give the type a chiseled appearance. is serifstyle is often associated with Latine typefaces. In Warnock Pro, theserifs are razor sharp at display sizes, becoming heavier and wedge-shaped in the smaller optical masters where a more rugged design

is required for optimum letter definition.e classical letter proportions of the roman designs are typically

associated with old style types, although they have been refined

to give the fonts a more contemporary appearance. e shapeand stress of round elements in the typeface are reminiscent oftransitionaltypes, being neither purely calligraphic nor geometric.And Warnock Pros exacting construction, along with many uniquebut unobtrusive features, is pure twenty-first century.

Warnock Pros structure is both rational and dynamic, striking

a balance between innovation and restraint. A mix of calligraphicand constructed character shapes, as well as both angular androunded elements, give clarity and visual tension to the family.According to Slimbach, I set out to make a family that embodies

both Johns character and that of Adobe by giving the letterforms aprogressive and slightly technical feel, but with warmth and human-

ity. I wanted to make a type family that looks to the past as well

as to the future.

Early Design Work

Much of the form of Warnock Pro was derived from Slimbachsdrawings and handwritten exercises with a broad-edged pen. Eventhough I intended the face to have a logical and exacting quality,

I also wanted the letters to have an organic basis. Writing and

drawing letterforms was a means of quickly putting down on paperspontaneous shapes that mightfind their way into the typeface.e resulting sketches served as source material for much of thecharacter of the finished design.

DiamondsDiamonds

DiamondsDiamonds

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e design was also shaped by the digital medium itself. For me,working with letterforms on the computer is much more an activityof constructing and refining than of stream of consciousness design-ing. I used the computers precision as a tool for simplifying andconsolidating form. I wanted the life of the letters to come primarily

from the interplay of dissimilar graphic shapes rather than from arougher style of outline construction.

Warnock Pro Italic

e Warnock Pro italic designs are energetic and stately. eydiffer significantly from the roman in structure, although theyshare a similar quality of line and degree of refinement. eWarnock Pro italics display the rhythm of traditional chancerywriting, while having a more severe degree of slant and an almostarchitectural appearance. Like the roman fonts, the italics display a

synthesis of calligraphic and constructed elements and their logicaldesign and ample counterforms make them equally practical forboth text and display applications. Warnock Pro roman and italicform a harmonious duo well suited for even the most demandingtypographic pairings.

iamondsiamonds

DiamondsDiamonds

A sampling of Slimbachs

broad-edged pen exercises

and pencil sketches for

Warnock Pro.

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Warnock Pros Weights

e Warnock Pro family is offered in four weights: light, regular,

semibold, and bold, for each of four optical size ranges: caption,text, subhead, and display, giving users a highly functional paletteof fonts to choose from. e regular roman text font is the coretypeface for setting text composition, so its weighting and propor-tions have been tailored to address the utilitarian and aestheticrequirements of legibility. e additional weights and optical mas-ters complement the regular text design according to principles of

hierarchy in typography. e semibold and bold text designs areused primarily to accentuate words and phrases within regular text.e semibold offers a subtle weight difference from the regular

design which can be quite elegant when applied in spacious set-tings. e bold is designed to make a more emphatic statement,but its weight is not so heavy as to disrupt the color of the page.

Warnock Pros ptical asters

Beginning in the sixteenth century, type designers often cut a series

of point sizes for a particular type style in order to form a cohesiverange of type sizes. For every size that was hand-sculpted in metal,subtle adjustments were made to letter proportion, weight, con-trast, and spacing so that the type would be comfortable to read.

With the advent of photo and digital type technologies, mosttype manufacturers abandoned the design of optical masters,because it was economically more viable to produce a single masterwhich was then scaled photographically or algorithmically to eachpoint size. Unfortunately, typefaces generated from a single master

usually have a limited range at which they look their best. Forexample, a typeface that performs well at text sizes may appearlight and cramped at smaller sizes, while larger sizes may appearheavy and ungraceful.

In Warnock Pro, the four optical ranges for each of the four

weights provide greatly enhanced readability for all point sizes,from text sizes that are clear and easy to read to display sizes thatare refined and elegant.

Warnock Pros four optical ranges are intended to cover a full

spectrum for modern typography. e sturdy non-idiosyncratic

A comparison of the light,

regular, semibold, and bold

display masters.

LightRegular

SemiboldBold

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forms of the caption fonts are designed for maximum legibilityand work best for - to -point type.

e textfonts are the cornerstone of Warnock Pro and areintended for - to -point type. eir weights and proportionshave been carefully balanced for reading comfort at the most com-

monly used point sizes for setting extended text. esubheadfonts are best for setting phrases in - to -pointtype and are well suited for use as a complement to body text.e subhead fonts represent a middle ground between text anddisplay type, requiring that they maintain the practical concernsof readability, while displaying a degree of delicacy relative tobody text.

e Warnock Pro display fonts are designed to showcase theelegance of the letterforms and to complement the smaller sizeranges as a lighter and more refined version of the typeface. edisplay masters are designed with subtle and often stylized detail-ing, elegant proportions, and increased stroke contrast to help givelarger sizes enhanced visual appeal. e display fonts are intendedfor type sizes above -point.

e CyrillicDesigns

Because the Cyrillic alphabet contains a predominance of vertical

elements, it can be somewhat static in appearance when comparedto the Latin alphabet. With the Cyrillic designs, I introduced a bitof animation in order to give the letters more variety of form, and tomake text more visually interesting and readable.

e GreekDesigns

e lowercase letterforms in the Greek alphabet are highly activeand contain a rich variety of form. With Warnock Pro Greek, I tooka fairly modern design approach by toning down some of the Greekalphabets more exuberant features, while latinizingothers, so that

the Greek and Latin fonts would harmonize well.

A comparison of the caption,

text, subhead, and display

regular optical masters scaled

to the same point size.

HmfgHmfgHmfgHmfg

Caption

Text

Subhead

Display

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1 2 3 4 5 6 7 8 9 0 &1 2 3 4 5 6 7 8 9 0 &

Warnock Pro Glyphs

Warnock Pros large glyph complement was designed to further

meet the exacting requirements of professional typographers anddesigners throughout the world. Its diverse international glyphset encompasses most Latin-based languages, and includes such

typographic niceties as swash capitals, small capitals, oldstyle fig-ures, a large ornament set, alternate forms, international monetarysymbols, and expanded mathematical symbols. ere are also com-plete families for Greek and Cyrillic based languages.

ese figures are designed with ascendersand descenders and have features and proportions compatible

with the lowercase characters of the typeface. Oldstyle figures,also known as hanging figures, are typically used for text settingbecause they blend in well with the lowercase. In Warnock Prothey are available in both fitted and tabular versions.

ese figures are designed to be compatiblewith the capital letters. ey are usually capital height or slightlysmaller and are typically designed with identical widths. ey arealso commonly used in tabular settings such as in financial reports.e Warnock Pro regular figures are available in both fitted andtabular versions.

ese letterforms are smaller versions of thenormal capitals and are designed to be visually compatible with the

lowercase characters of the typeface. ey can be used to introduce

the first few words at the beginning of a story, or to highlight keywords within text. Warnock Pro includes small capitals in all theroman and italic weights for the Latin fonts.

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Swash capitals, which originated in the italichandwriting of the Italian Renaissance, were adapted as typeformsduring the early sixteenth century. Since then, swash letters have

evolved along with new handwriting and typeface styles. WarnockPro contains a complete set of Latin swash capitals for all the italicweights and optical sizes. Swash capitals can be used effectivelyfor expressive passages of text, or for titles and signage when an

elegant accent is called for.

- All Warnock Pro fonts contain a full set of f-lig-

atures. ese glyphs are designed to correct awkward combina-tions where letters may collide. ese ligatures can be easily imple-mented in the InDesign software application.

All Warnock Pro fonts include nine of the most com-monly used fractions; they are easier to use than constructed frac-

tions, which are made from numerator and denominator figures.

, , , e numerator and denominator figures can be used with thefraction bar to construct additional fractions. e superior andinferior figures are used for footnote reference and as mathemati-

cal exponents, for example, E = mc.

Superior letters are used in mathematics andin English, French and Spanish for abbreviating words, such assecond, , Madame, M, compagnie, C, and segundo, .

fi fl ff ffi ffl fi fl ff ffi ffl

A B D H J K M N O Q R S T U V X Y Z

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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ese alternate forms were designed togive words and phrases a slightly more animated and informalappearance.

ey can be implemented individually using programs

like InDesign.

ese gyphs usually have an end-ing flourish and are used at the end of a word or phrase as a designembellishment. Because of their decorative quality, they are bestused in moderation.

Warnock Pro contains an expanded set of mathsymbols designed especially for the family. is set contains someof the more common symbols used in mathematics.

e large number of accented glyphsin Warnock Pro support a broad range of Latin-based languages

around the world. e accents are available in uppercase, lower-case, and small capital versions.

From the time Peter the Great introduced the

Latinized Cyrillic alphabet in the early eighteenth century, Cyrillicalphabets have followed developments in the West; first with the

transition from old style typefaces to moderns, then back to thehistorical forms of the old style. With a rejuvenation of Cyrillictypeface design, beginning in the late s, Cyrillic alphabetshave evolved into cohesive roman and italic style.

k v w y K R Q

a d e g h l m n o r t u

^ = + < > ~ ^ = + < > ~

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As the Cyrillic counterpart to the Warnock Pro Latin, thesefonts were designed with practicality and progressive styling inmind. As with the Latin designs, the Cyrillic designs are o

ffered

in four weights and four optical size ranges in roman and italic.

e Greek alphabet is one of the oldest knownwriting systems, having been adapted from the Phoenician alpha-bet about , years ago. With the reform of the modern Greekalphabet in the earlys, the large number of accents associatedwith classical Greek have been reduced. Warnock Pro includescomplete modern Greek alphabets for all roman and italic weightsand optical size ranges.

roughout typographic history type designers havecreated printers ornaments to accompany their typefaces. esedevices add a personal signature to the type family and can be used

as title page decoration, paragraph markers, dividers for blocksof text, or as repeated bands and borders. Warnock Pro containsthirty-eight ornaments including flowers, leaves, bullets, brackets,

and contemporary graphic decorations.

ese include thesymbols for cent , dollar $, euro , colon , florin , franc , lira ,

peseta , sterling , yen , currency, and rupiah . Also includedare oldstyle versions of most of the monetary symbols which aredesigned to be compatible with the oldstyle figures.

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Roman and Italic Glyphs in Warnock Pro

ABCDEFGHIJKLMNOPQRSTUVWXYZ&1234567890abcdefghijklmnopqrstuvwxyz

KQRstkvwyfiflffffiffladeghlmnortu( ) [] {}!?^=+~*-_\/|@.,:;

`

asic atin lyphs

dditional lyphs

reek lyphs

yrillic lyphs

ccented lyphs

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ABCDEFGHIJKLMNOPQRSTUVWXYZ&1234567890ABDHJKMNOQRSTUVXYZabcdefghijklmnopqrstuvwxyz

!?fiflffffifflst()[]{} =+~*.,:;-_\/|@

`

asic atin lyphs

dditional lyphs

reek lyphs

yrillic lyphs

ccented lyphs

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Warnock Pro Typefaces

ABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890

abcdefghijklmnopqrstuvwxyz&

ABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890abcdefghijklmnopqrstuvwxyz&


ABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890ABDHJKMNOQRSTUVXYZabcdefghijklmnopqrstuvwxyz&



ABCDEFGHIJKLNPQRSTUVWXYZ1234567890ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz&




ight

ight talic

egular

egular talic

emibold

emibold talic

old

old talic

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ext ettings

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/

Adobe Systems introduces Warnock Pro, a new font

software package in the growing library of Adobe Orig-

inals typefaces, designed specifically for todays digital

technology. Since the inception of the Adobe Originals

program in , the Adobe Originals typefaces have

been consistently recognized throughout the world fortheir quality, originality, and practicality. ey com-

bine the power of PostScript language software tech-

nology and the most sophisticated electronic design

tools with the spirit of craftsmanship that has inspiredtype designers since utenberg. omprising both newdesigns and revivals of classic typefaces, dobe rig-inals font software sets have set a standard for typo-

/

A S Warnock Pro, a new font soft-

ware package in the growing library of Adobe Originals type-

faces, designed specifically for todays digital technology. Since

the inception of the Adobe Originals program in , the

Adobe Originals typefaces have been consistently recognized

throughout the world for their quality, originality, and practi-

cality. ey combine the power of PostScript language softwaretechnology and the most sophisticated electronic design tools

with the spirit of craftsmanship that has inspired type design-

ers since Gutenberg. Comprising both new designs and revivals

of classic typefaces, dobe riginals font software sets have seta standard for typographic excellence. ince the inception of the

dobe riginals program in , the dobe riginals typefaceshave been consistently recognized throughout the world for their

/

A S Warnock Pro, a new font soft-


faces, designed specifically for todays digital technology. Since

the inception of the Adobe Originals program in , the Adobe

Originals typefaces have been consistently recognized through-

out the world for their quality, originality, and practicality. eycombine the power of PostScript language software technology

and the most sophisticated electronic design tools with the spirit

of craftsmanship that has inspired type designers since Guten-

berg. Comprising both new designs and revivals of classic type-

faces, Adobe Originals font software sets have set a standard fortypographic excellence. Since the inception of the Adobe Or iginalsprogram in , the Adobe Originals typefaces have been consis-tently recognized throughout the world for their quality, origi-

/

Adobe Systems introduces Warnock Pro, a new font soft-

ware package in the growing library of Adobe Originals

typefaces, designed specifically for todays digital tech-

nology. Since the inception of the Adobe Originals pro-

gram in , the Adobe Originals typefaces have been

consistently recognized throughout the world for their

quality, originality, and practicality. ey combine the

power of PostScript language software technology and

the most sophisticated electronic design tools with the

spirit of craftsmanship that has inspired type designerssince Gutenberg. Comprising both new designs and reviv-als of classic typefaces, Adobe Originals font software

sets have set a standard for typographic excellence. Since

/

A S Warnock Pro, a new font software

package in the growing library of Adobe Originals typefaces,

designed specifically for todays digital technology. Since the incep-

tion of the Adobe Originals program in , the Adobe Originals

typefaces have been consistently recognized throughout the world

for their quality, originality, and practicality. ey combine the

power of PostScript language software technology and the most

sophisticated electronic design tools with the spirit of craftsmanship

that has inspired type designers since Gutenberg. Comprising both

new designs and revivals of classic typefaces, Adobe Originals font

software sets have set a standard for typographic excellence. incethe inception of the dobe riginals program in , the doberiginals typefaces have been consistently recognized throughout theworld for their quality, originality, and practicality. ey combine

/



typefaces, designed specifically for todays digital technol-

ogy. Since the inception of the Adobe Originals program in

, the Adobe Originals typefaces have been consistentlyrecognized throughout the world for their quality, original-

ity, and practicality. ey combine the power of PostScript

language software technology and the most sophisticated

electronic design tools with the spirit of craftsmanship

that has inspired type designers since utenberg. om-prising both new designs and revivals of classic typefaces,dobe riginals font software sets have set a standard fortypographic excellence. ince the inception of the dobe

/




ogy. Since the inception of the Adobe Originals program in, the Adobe Originals typefaces have been consistently

recognized throughout the world for their quality, original-



electronic design tools with the spirit of craftsmanship

that has inspired type designers since utenberg. ompris-ing both new designs and revivals of classic typefaces, doberiginals font software sets have set a standard for typo-graphic excellence. ince the inception of the dobe rigi-

/


package in the growing library of Adobe Originals typefaces, designed

specifically for todays digital technology. Since the inception of the

Adobe Originals program in , the Adobe Originals typefaces have

been consistently recognized throughout the world for their quality,

originality, and practicality. ey combine the power of PostScript

language software technology and the most sophisticated electronic

design tools with the spirit of craftsmanship that has inspired type

designers since Gutenberg. Comprising both new designs and reviv-

als of classic typefaces, Adobe Originals font software sets have set a

standard for typographic excellence. ince the inception of the doberiginals program in , the dobe riginals typefaces have beenconsistently recognized throughout the world for their quality, original-ity, and practicality. ey combine the power of Postcript language

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/


software package in the growing library of Adobe

Originals typefaces, designed specifically for todays

digital technology. Since the inception of the Adobe

Originals program in ,the Adobe Originals type-faces have been consistently recognized throughout

the world for their quality, originality, and practical

ity. ey combine the power of PostScript languagesoftware technology and the most sophisticated elec-tronic design tools with the spirit of craftsmanshipthat has inspired type designers since Gutenberg.

/



typefaces, designed specifically for todays digital tech-

nology. Since the inception of the Adobe Originals pro-

gram in , the Adobe Originals typefaces have been

consistently recognized throughout the world for their

quality, originality, and practicality. ey combine the

power of PostScript language software technology and

the most sophisticated electronic design tools with thespirit of craftsmanship that has inspired type designerssince utenberg. omprising both new designs and reviv-als of classic typefaces, dobe riginals font software

/




ogy. Since the inception of the Adobe Originals program

in , the Adobe Originals typefaces have been con-sistently recognized throughout the world for their qual-

ity, originality, and practicality. ey combine the power

of PostScript language software technology and the most sophisticated electronic design tools with the spirit ofcraftsmanship that has inspired type designers sinceGutenberg. Comprising both new designs and revivalsof classic typefaces, Adobe Originals font software sets

/


software package in the growing library of Adobe

Originals typefaces, designed specifically for todays

digital technology. Since the inception of the Adobe

Originals program in , the Adobe Originals type-

faces have been consistently recognized throughout

the world for their quality, originality, and practical-

ity. ey combine the power of PostScript language

software technology andthe most sophisticatedelec-tronic design tools with the spirit of craftsmanshipthat has inspired type designers since Gutenberg.

/

Adobe Systems introduces Warnock Pro, a new fontsoftware package in the growing library of Adobe Orig-inals typefaces, designed specifically for todays digital

technology. Since the inception of the Adobe Originalsprogram in , the Adobe Originals typefaces havebeen consistently recognized throughout the world fortheir quality, originality, and practicality. ey com-bine the power of PostScript language software tech-nology and the most sophisticated electronic designtools with the spirit of craftsmanship that has inspiredtype designers since Gutenberg. Comprising both new

/




ogy. Since the inception of the Adobe Originals program in, the Adobe Originals typefaces have been consistently

recognized throughout the world for their quality, original-



electronic design tools with the spirit of craftsmanship thathas inspired type designers since utenberg. omprisingboth new designs and revivals of classic typefaces, doberiginals font software sets have set a standard for typo-

/



faces, designed specifically for todays digital technology.

Since the inception of the Adobe Originals program in ,the Adobe Originals typefaces have been consistently rec-

ognized throughout the world for their quality, originality,

and practicality. ey combine the power of PostScript lan-

guage software technology and the most sophisticated elec-

tronic design tools with the spirit of craftsmanship that hasinspired type designers since utenberg. omprising bothnew designs and revivals of classic typefaces, dobe riginals

font software sets have set a standard for typographic excel-

/

Adobe Systems introduces Warnock Pro, a new fontsoftware package in the growing library of Adobe Origi-nals typefaces, designed specifically for todays digitaltechnology. Since the inception of the Adobe Originalsprogram in , the Adobe Originals typefaces have

been consistently recognized throughout the world fortheir quality, originality, and practicality. ey combinethe power of PostScript language software technologyand the most sophisticated electronic design tools withthe spirit of craftsmanship that has inspired type design-ers since Gutenberg. Comprising both new designs and

8/7/2019 WarnockPro

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/

A S Warnock Pro, a new font software packagein the growing library of Adobe Originals typefaces, designed specifically

for todays digital technology. Since the inception of the Adobe Originalsprogram in , the Adobe Originals typefaces have been consistently rec-ognized throughout the world for their quality, originality, and practicality.ey combine the power of PostScript language software technology andthe most sophisticated electronic design tools with the spirit of craftsman-ship that has inspired type designers since Gutenberg. Comprising both newdesigns and revivals of classic typefaces, Adobe Originals font software sets

/

A S Warnock Pro, a new font software packagein the growing library of Adobe Originals typefaces, designed specificallyfor todays digital technology. Since the inception of the Adobe Originals

program in , the Adobe Originals typefaces have been consistently rec-ognized throughout the world for their quality, originality, and practicality.ey combine the power of PostScript language software technology andthe most sophisticated electronic design tools with the spirit of craftsman-ship that has inspired type designers since Gutenberg. Comprising both newdesigns and revivals of classic typefaces,Adobe Originals font software sets

/

A S Warnock Pro, a new font software pack-

age in the growing library of Adobe Originals typefaces, designed spec-

ifically for todays digital technology. Since the inception of the Adobe

Originals program in , the Adobe Originals typefaces have beenconsistently recognized throughout the world for their quality, orig

inality, and practicality. ey combine the power of PostScript lan-

guage software technology andthe most sophisticatedelectronic designtools with the spirit ofcraftsmanship that has inspired type designerssince Gutenberg. Comprising both new designs and revivals of classic

/


package in the growing library of Adobe Originals typefaces, designed

specifically for todays digital technology. Since the inception of the

Adobe Originals program in , the Adobe Originals typefaces have

been consistently recognized throughout the world for their quality,originality, and practicality. ey combine the power of PostScript

language software technology and the most sophisticated electronicdesign tools with the spirit of craftsmanship that has inspired typedesigners since Gutenberg. Comprising both new designs and revivals

8/7/2019 WarnockPro

23/52

/

Adobe Systems introduces Warnock Pro, a new font software pack-age in the growing library of Adobe Originals typefaces, designed

specifically for todays digital technology. Since the inception of theAdobe Originals program in , the Adobe Originals typefaces havebeen consistently recognized throughout the world for their quality,originality, and practicality. ey combine the power of PostScript lan

guage software technology and the most sophisticated electronic designtools with the spirit of craftsmanship that has inspired type designerssince Gutenberg. Comprising both new designs and revivals of classic

/

Adobe Systems introduces Warnock Pro, a new font software pack-age in the growing library of Adobe Originals typefaces, designedspecifically for todays digital technology. Since the inception of theAdobe Originals program in , the Adobe Originals typefaceshave been consistently recognized throughout the world for theirquality, originality, and practicality. ey combine the power ofPost-Script language software technology and the most sophisticated elec-tronic design tools with the spirit of craftsmanship that has inspiredtype designers since Gutenberg. Comprising both new designs and

/

Adobe Systems introduces Warnock Pro, a new font software package in the growing library of Adobe Originals typefaces, design-ed specifically for todays digital technology. Since the inception

of the Adobe Originals program in , the Adobe Originals type-faces have been consistently recognized throughout the worldfor their quality, originality, and practicality. ey combinethe

power ofPostScript language software technology and the mostsophisticatedelectronic design tools with the spiritofcraftsman-ship that has inspired type designers since Gutenberg. Compris-

/

Adobe Systems introduces Warnock Pro, a new font software

package in the growing library of Adobe Originals typefaces , de-

signed specifically for todays digital technology. Since the incep-

tion of the Adobe Originals program in , the Adobe Originalstypefaces have been consistently recognized through the world

for their quality, originality, and practicality. ey combine the

power of PostScript language software technology and the mostsophisticated electronic design tools with the spirit of craftsman-ship that has inspired type designers since Gutenberg. Compris-

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/

Adobe Systems introduces Warnock Pro, a new font software package in thegrowing library of Adobe Originals typefaces, designed specifically for todays

digital technology. Since the inception of the Adobe Originals programin , the Adobe Originals typefaces have been consistently recognizedthroughout the world for their quality, originality, and practicality. ey com-bine the power of PostScript language software technology and the mostsophisticated electronic design tools with the spirit of craftsmanship that hasinspired type designers since Gutenberg. Comprising both new designs and reviv-

/

Adobe Systems introduces Warnock Pro, a new font software package inthe growing library of Adobe Originals typefaces, designed specifically for

todays digital technology. Since the inception of the Adobe Originals pro-gram in , the Adobe Originals typefaces have been consistently recog-nized throughout the world for their quality, originality, and practicality.ey combine the power of PostScript language software technology and themost sophisticated electronic design tools with the spirit of craftsmanship thathas inspired type designers since Gutenberg. Comprising both new designs

/

Adobe Systems introduces Warnock Pro, a new font software package inthe growing library of Adobe Originals typefaces, designed specificallyfor todays digital technology. Since the inception of the Adobe Originalsprogram in , the Adobe Originals typefaces have been consistentlyrecognized throughout the world for their quality, originality, and prac-ticality. ey combine the power of PostScript language software technol-ogy and the mo st sophisticatedelectronic design tools with the spiritofcraftsmanship thathas inspiredtype designers since Gutenberg.Compris-

/

Adobe Systems introduces Warnock Pro, a new font software package inthe growing library of Adobe Originals typefaces, designed specificallyfor todays digital technology. Since the inception of the Adobe Origi-

nals program in , the Adobe Originals typefaces have been consis-tently recognized throughout the world for their quality, originality, andpracticality. ey combine the power of PostScript language software

technology and the most sophisticated electronic design tools with thespirit of craftsmanship that has inspired type designers since Gutenberg.

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/

Adobe Systems introduces Warnock Pro, a new font software package inthe growing library of Adobe Originals typefaces, designed specificallyfor todays digital technology. Since the inception of the Adobe Originalsprogram in , the Adobe Originals typefaces have been consistentlyrecognized throughout the world for their quality, originality, and practi-cality. ey combine the power of PostScript language software technol-ogy and the most sophisticated electronic design tools with the spirit ofcraftsmanship that has inspired type designers since Gutenberg. Compris-

/

Adobe Systems introduces Warnock Pro, a new font software package inthe growing library of Adobe Originals typefaces, designed specifically

for todays digital technology. Since the inception of the Adobe Origi-nals program in , the Adobe Originals typefaces have been consis-tently recognized throughout the world for their quality, originality,and practicality. ey combine the power of PostScript language soft-ware technology and the most sophisticated electronic design tools withthe spirit of craftsmanship that has inspired type designers since Guten-

/

Adobe Systems introduces Warnock Pro, a new font software pack-age in the growing library of Adobe Originals typefaces, designedspecifically for todays digital technology. Since the inception of theAdobe Originals program in , the Adobe Originals typefaceshave been consistently recognized throughout the world for theirquality, originality, and practicality. ey combine the power ofPost-Script language software technology andthe most sophisticatedelec-tronic design tools with the spiritofcraftsmanship thathas inspired

/

Adobe Systems introduces Warnock Pro, a new font software pack-age in the growing library of Adobe Originals typefaces , designedspecifically for todays digital technology. Since the inception of

the Adobe Originals program in , the Adobe Originals type-faces have been consistently recognized throughout the world fortheir quality, originality, and practicality. ey combine the powerof PostScript language software technology and the most sophisti-cated electronic design tools with the spirit of craftsmanship that

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/

A S Warnock Pro, a new font softwarepackage in the growing library of Adobe Originals typefaces, designedspecifically for todays digital technology. Since the inception of theAdobe Originals program in , the Adobe Originals typefaces havebeen consistently recognized throughout the world for their quality,originality, and practicality. ey combine the power of PostScript lan-

guage software technology and the most sophisticated electronic design

/

A S Warnock Pro, a new font softwarepackage in the growing library of Adobe Originals typefaces,

designed specifically for todays digital technology. Since the incep-tion of the Adobe Originals program in , the Adobe Originalstypefaces have been consistently recognized throughout the worldfor their qualit, originalit, and practicalit. e combine the powerofPostcript language software technolog and the most sophisti-

/

A S Warnock Pro, a new font software package in the growing library of Adobe Originals type-

faces, designed specifically for todays digital technology. Sincethe inception of the Adobe Originals program in , the AdobeOriginals typefaces have been consistently recognized through-out the world for their quality, originality, and practicality. eycombine the power of PostScript language software technology and

/

A S Warnock Pro, a new font software package in the growing library of Adobe Originals type-

faces, designed specifically for todays digital technology. Sincethe inception of the Adobe Originals program in , the AdobeOriginals typefaces have been consistently recognized throughout the world for their quality, originality, and practicality. eycombine the power of PostScript language software technology

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/

Adobe Systems introduces Warnock Pro, a new font software pack-

age in the growing library of Adobe Originals typefaces, designedspecifically for todays digital technology. Since the inception of theAdobe Originals program in , the Adobe Originals typefaces havebeen consistently recognized throughout the world for their quality, origi-nality, and practicality. ey combine the power of PostScript language

/

Adobe Systems introduces Warnock Pro, a new font software pack-age in the growing library of Adobe Originals typefaces, designedspecifically for todays digital technology. Since the inception of theAdobe Originals program in , the Adobe Originals typefaceshave been consistentl recognized throughout the world for their qual-it, originalit, and practicalit. e combine the power ofPostcript

/

Adobe Systems introduces Warnock Pro, a new font software pack-age in the growing library of Adobe Originals typefaces, designed

specifically for todays digital technology. Since the inception ofthe Adobe Originals program in , the Adobe Originals type faces have been consistently recognized throughout the world fortheir quality, originality, and practicality. ey combine the power

/

Adobe Systems introduces Warnock Pro, a new font softwarepackage in the growing library of Adobe Originals typefaces,

designed specifically for todays digital technology. Since theinception of the Adobe Originals program in , the AdobeOriginals typefaces have been consistently recognized throughoutthe world for their quality, originality, and practicality. ey com-

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Chuck Geschke

Acrobat InDesign

IllustratorPremierGoLivehotoshop

Adobe Systems introduces Warnock

Pro, a new font software package inthe growing library of Adobe Origi-

nals typefaces. Since the inception/ , , ,

Innovation & Restraintdobe riginals ypeSoftware TechnologyRational & Dynamic

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A

-

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John Warnock

crobat nesignIllustratorPremierGoLive Photoshop

dobe Systems introduces Warnockro, a new font software package inthe growing library of Adobe rigi-nals typefaces. Since the inception/ , , ,

Innovation & RestraintAdobe Originals Typeoftware echnology

Rational & Dynamic/ , , ,

/ , , , ,

-

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/ , , ,

Aaron Briana Colby Dakota Earlene Felice Gavin Holly Indigo Jerrell Karena Logan Miranda Nelson

Odessa erry Quinn Rachel Simone Taylor Ursula Vida Willem Xiomara Yvonne Zachary

Aaron Briana Colby Dakota Earlene Felice Gavin Holly Indigo Jerrell Karena Logan Miranda NelsonOdessa Perry Q uinn Rachel Simone Taylor Ursula Vida Willem Xiomara Yvonne Zachary

aron Briana olby Dakota Earlene Felice avin Holly Indigo Jerrell Karena Logan Miranda Nelson

dessa Perry Quinn Rachel imone Taylor Ursula Vida Willem Xiomara Yvonne Zachary


Odessa Perry Quinn Rachel Simone Taylor Ursula Vida Willem Xiomara Yvonne Zachary

/ , , ,

aron riana olby akota arlene elice avin olly ndigo errell arena ogan iranda elson

dessa erry uinn achel imone aylor rsula ida illem iomara vonne achary

Aaron Briana olby Dakota arlene elice avin Holly ndigo Jerrell Karena ogan Miranda Nelson

Odessa erry Quinn Rachel Simone Taylor Ursula Vida illem Xiomara Yvonne Zachary


Odessa Perry Quinn Rachel Simone Taylor Ursula Vida Willem Xiomara Yvonne Zachary

aron riana olby akota arlene elice avin olly ndigo errell arena ogan iranda elson

dessa erry uinn achel imone aylor rsula ida illem iomara vonne achary

/ , , ,

aron riana olby akota arlene elice avin olly ndigo errell

arena ogan iranda elson dessa erry uinn achel imone

aylor rsula ida illem iomara vonne achary

Aaron Briana olby Dakota arlene elice avin Holly ndigo Jerrell

Karena ogan Miranda Nelson Odessa erry Quinn Rachel Simone

Taylor Ursula Vida illem Xiomara Yvonne Zachary

Aaron Briana Colby Dakota Earlene Felice Gavin Holly Indigo Jerrell

Karena Logan Miranda Nelson Odessa Perry Quinn Rachel Simone

Taylor Ursula Vida Willem Xiomara Yvonne Zachary

aron riana olby akota arlene elice avin olly ndigo errell

arena ogan iranda elson dessa erry uinn achel imoneaylor rsula ida illem iomara vonne achary

A B C D E F G H I J K L M

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/ , , ,

Aaron Briana Colby Dean Emma

Felice Gavin Holly Indigo JerrellKarena Logan Miranda NelsonOdessa Perry Quinn Rachel SueTaylor Ursula Veronica Willem

Xiomara Yvonne ZacharyN O P Q R S T U V W X Y Z

/ , , ,

Aaron Briana Colby Dakota Earl Felice Gavin

Holly Indigo Jerrell Karena Logan Miranda

Nelson Odessa Perr Quinn Rachel Sue TalorUrsula Vida Willem Xiomara Yvonne Zachar

Aaron Briana Colby Dakota Earl Felice GavinHolly Indigo Jerrell Karena Logan Miranda

Nelson dessa erry Quinn Rachel ue TaylorUrsula Vida Willem Xiomara Yvonne Zachary

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Crillic ext ettings

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ampleArt

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[Une grande terrasse dans le palais dHrode donnant sur

la salle de festin. Des soldats sont accouds sur le balcon. A droite

il y a un norme escalier. A gauche, au fond, une ancienne citerne

entoure dun mur de bronze vert. Clair de lune.]

Comme la princesse Salom est belle ce soir!

Regardez la lune. La lune a lair trs trange.On dirait une femme qui sort dun tombeau. Elle ressemble une

femme morte. On dirait quelle cherche des morts.

Elle a lair trs trange. Elle ressemble une

petite princesse qui porte un voile jaune, et a des pieds dargent.

Elle ressemble une princesse qui a des pieds comme des petites

colombes blanchesOn dirait quelle danse.

Elle est comme une femme morte. Elle va

trs lentement. [Bruit dans la salle de festin.]

Quel vacarme! Qui sont ces btes fauves qui

hurlent?

Les Juifs. Ils sont toujours ainsi. Cest sur leur

religion quils discutent.

Pourquoi discutent-ils sur leur religion?

Je ne sais pas. Ils le font toujoursAinsi les

Pharisiens affirment quil y a des anges, et les Sadducens disent

que les anges nexistent pas.

Je trouve que cest ridicule de discuter sur

de telles choses.

Comme la princesse Salom est belle ce soir!

Vous la regardez toujours. Vous la regardez

trop. Il ne faut pas regarder les gens de cette faonIl peut

Salom

25

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Sommeliers election Wines by the Glass

CNon-Vintage Brut, ReimsA complex nose of apple, citrus, and caramel followed by crispfull flavors with a slightly spicy finish. .

SBNapa

Fruit flavors and good mouth feel, complex, crisp and balanced.Medium body with anise, citrus, and pineapple flavors. .

CRussianRiver, Sonoma A full-body and ripe wine with aromas of pear, apple, and caramel.Creamy flavor with hints of toast and tropical fruit. .

PNRussian River, Sonoma Elegant, medium body and light oak. Aromas of cherry and cinnamon,flavors of raspberry, cranberry, tea, and spicy notes. .

CSNapaValley Balanced, rich, and ripe. Aromas of cassis and cedar with flavorsof plum, vanilla, coffee and spice. .

C CRiserva, Tuscany Beautiful ruby red, intense bouquet. Complex with spicy, roasted, andresinous flavors. Well structured and harmonious. .

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P CBorn France, -

, , circa -Oil on canvas; x inches ( x . cm)Collection of Mr. and Mrs. Alfred E. Hall

zannes bjects

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Artshould never

try to be popular.

e publicshould try to make

themselvesartistic.

e Soul ofMan UnderSocialism

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Games for Kids of All Ages

Time Will Tell

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Type Development at Adobe

Type is developed at Adobe by a full-time staffof type designprofessionals. Each member of this group has specialized skills

in type design and the use of tools needed to develop digital type.e Adobe type staffhas a working relationship with many outsideprofessionals, whose expertise represents a broad spectrum ofhistorical, scholarly, and practical knowledge of typography and

the graphic arts.

Robert Slimbach, who joined Adobe in , began working seri-ously on type and calligraphy four years earlier in the typedrawing department of Autologic in Newbury Park, California.

Since then, Slimbach has concentrated primarily on designingdigital text faces, drawing inspiration from classical sourceswhile utilizing state-of-the-art typeface technology. He has de-signed typefaces for the International Typeface Corporation, as

well as Adobe Originals typeface families including Adobe Gara-mond, Adobe Jenson, Kepler, Cronos, Caflisch Script, Minion,Minion Pro, Poetica, Sanvito, Utopia, and Myriad (co-designedwith Carol Twombly).

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Further Reading

Blumenthal, Joseph.rt of the rinted ook -. Boston: David R. Godine,Publisher in association with e Pierpont Morgan Library, .

Morison, Stanley and Day, Kenneth. e ypographic ook -. London: e

University of Chicago Press, .

Updike, Daniel Berkeley.rinting ypes, eir istory, orms, and se. New York:Dover Publications, Inc. .

Acknowledgements

Specimen book design and production by Robert Slimbach.

Additional production by Fred Brady and Christopher Slye.

Text written by Fred Brady and Robert Slimbach, edited by Ellen Wixted.

Sample art designed by:

Fred Brady, page .

Keala Hagmann, pages , , and .

Robert Slimbach and Christopher Slye, page .

Laurie Szujewska, page

Special thanks to Christopher Slye for his assistance with the final production of the

Warnock Pro typeface family. Also thanks to Gerry Leonidas for reviewing the Warnock

Pro Greek characters, and Maxim Zhukov for reviewing the Cyrillic characters.

anks also to Kelly Davis, Kat Gatzke, Harold Grey, Donna Kolnes, David Lemon, Ernie

March, Jim Mildrew, Micki Montalvo, and omas Phinney for review of this book. And

to Yuliya Utenina and Gerry Leonidas for Cyrillic and Greek language assistance.

e quotations selected for the Greek specimen pages;t the gates of the forest, translatedfrom an essay entitled Nature, by Ralph Waldo Emerson (-), published in .

Cyrillic text from ar and eace by Leo Tolstoy (-) published in . e quoteon page was taken from an essay entitled e Soul of Man Under Socialism, written

by Oscar Wilde (-), between and .

Additional Information

is specimen book was produced using InDesign, Illustrator, and Photoshop, software

from Adobe. e typeface is Warnock Pro, designed by Robert Slimbach.

PDF created on August , .

Warnock Pro, patent pending.

Adobe, the Adobe logo, the Adobe Originals logo, Illustrator, InDesign, Photoshop, PostScript, Caflisch Script, Adobe

Garamond, Adobe Jenson, Kepler, Minion, Myriad, Poetica, Sanvito, Utopia, and Warnock, are either registered

trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Mac and

Macintosh are trademarks of Apple Computer registered in the United States and other countries. OpenType and

Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other

countries. All other trademarks are the property of their respective owners.

bcAdobe Systems Incorporated

k

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