VRA 2014 Case Studies in International Resources, Prudhomme
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The Niiyama Japanese Poetic Pottery : An Interactive Digital Presentation Patrice-Andre Prud’homme | [email protected] | Illinois State University Poem 24 Poem 46 VRA 2014 MILWAUKEE
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Presented by Patrice-Andre Prud'homme at the Annual Conference of the Visual Resources Association, March 12-15, 2014 in Milwaukee, Wisconsin. Session #2: Case Studies in International Resources MODERATOR: Bridget Madden, University of Chicago PRESENTERS: Bridget Madden, University of Chicago Patrice-Andre Prud'homme, Illinois State University Amy Robinson, University for the Creative Arts (UK) Andrea Schuler, Massachusetts Institute of Technology This session will present four web resources that are international in origin, audience, material, and/or scope. The presenters will discuss various aspects of visual resources librarianship, including project management, workflow, cataloging, digitization, digital library platform design, interactive and special features, digital preservation, and collaboration. Andrea Schuler will present the new digital library for Archnet, Patrice-Andre Prud’homme will speak about the creation of an interactive website for Niiyama Poetic Japanese Pottery, Amy Robinson will present the Zandra Rhodes Digital Study Collection which features digitized materials from the designer’s archive, and Bridget Madden will discuss hosting a public collection of the South Side Community Art Center’s images at an academic institution.
Transcript of VRA 2014 Case Studies in International Resources, Prudhomme
The Niiyama Japanese Poetic Pottery: An Interactive Digital Presentation
Patrice-Andre Prud’homme | [email protected] | Illinois State University
Poem 24Poem 46
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Overview of the (Ogura) Hyakunin Isshu,
+ Japanese poetry and society, significance and compilation,
+ Niiyama’s hand-crafted pottery, exhibitions and demonstrations,
Digitization (pre- and post-process),
+ Administrative (donation, copyrights),
+ Content (research, metadata),
+ Operational and collaborative,
Interactive presentation, Process and funding
Digital preservation, digitalPOWRR
Niiyama pottery: Making it interactive
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Japanese poetry and society, significance and compilation
+ A central role in Heian aristocratic society,
+ Waka include poetic styles or tanka (verses)
++ Five lines, 31 syllable pattern of 5-7-5-7-7,
+ Fujiwara no Teika (or Sadaie) (1162-1241), waka poet, novelist, and compiler of the (Ogura) Hyakunin Isshu in 1235,
Niiyama’s hand-crafted pottery, exhibitions and demonstrations
+ In Niiyama’s ceramics, the sequence of the poems is different as the focus is much more on an interpretation of the poems (Niiyama and Myerscough, 1984),
+ Exhibitions and demonstrations of his ceramics between 1968 and 1984,
+ Illinois State University, 1975 to 1977
Historical background: The (Ogura) Hyakunin Isshu
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Administrative requirements (donation, copyrights),
Niiyama pottery:
“Japanese artist donates pottery, poetry to Milner” (Daily Vidette, January 2002),
“Library seeks display gallery worthy of Japanese potter’s gift” (Japan Journal, March 2002),
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Planning
Content (research, metadata),
Operational and collaborative,
Niiyama pottery:
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Interactive presentation
Digital conversion,
Technology,
Metadata,
Web design,
Web development,
Funding,
Access,
Digital preservation.
Niiyama pottery:
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Interactive presentation
Niiyama pottery:
Poem 1Poem 7
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Abe no Nakamaro (ca. 701-770) Emperor Tenji (626-671)
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Niiyama pottery:
Digital preservation
What is POWRR? IMLS-sponsored grant to investigate and recommend scalable, sustainable digital preservation solutions for small- and medium-sized libraries with restricted resources.
Deliverables
Tool grid evaluation,
Case studies,
Dissemination of findings,
Workshops, webinars
White paper (Dec. 2014)
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digitalPOWRR.niu.edu
Thank you! Questions?
Patrice-Andre Prud’homme | [email protected] | Illinois State University VRA 2014 MILWAUKEE
