Music Industry Survival Manual-Volume 1.1, Music Publishing and Copyright: Cover Songs.
Volume 1 of Over 1000 Songs
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Transcript of Volume 1 of Over 1000 Songs
VOLUME 1OF
OVER 1000 SONGS
This collection of popular music has been compiledto furnish a compact library of the most requested songsfor the professional musician and is NOT INTENDED TO BESOLD TO THE GENERAL PUBLIC.
limited Edition Pr c e
C O N T E N T S
STANDARD FOXTROTS AND SHOW TUNESSLOW MEDIUM 1MEDIUM BRIGHT 92SWING TEMPOS 169UP TEMPOS 209BLUES AND DIXIELAND 215
STANDARD WALTZES 222CLASSICAL AND SEMI-CLASSICAL SONGS 266PIANO SOLOS 279
LATIN AMERICAN TUNESGUARACHAS AND RHUMBAS 282BOLEROS 289
_ SAMBAS 310TANGOS 312
__ MISCELLANEOUS 316
SONGS OF THE GAY NINETIES 320HILLBILLY TUNES 341POLKAS 346
FOREIGN SONGSFRENCH 348GYPSY 352HAWAIIAN 354IRISH 358ITALIAN 363
-i MARCHES 367
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PARTIAL SCORESBROADWAY MUSICALS & MOVIES
AllegroAlways In My Heart ....AmericanaAn American IdyllAndy Hardy' s PrivateSecretary
Anything Goes 93, 120,Apple Blossoms
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127168, 171
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234, 266108. 142
216109. 128
166159, 230
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ifty Million Frenchman 166Fine And Dandy . 101Finian's Rainbow 24,120.139.259Firefly 253Fleet's In 7CFlying Colors 132Flying Oown To Rio 112. 283, 314
abes In ArmsBabes In ToylandBand WagonBarry of Ballymore ....Big BroadcastBitter SweetBloomer-GirlBlues In The NightBorn To Dance v.Bow BellsBoys From Syracuse ....BrigadoonBroadway Gondolier ....Broadway Melody of 1936
Vail Me MisterCan' t Have Ev' rything .Can't Help Singing ....CarouselCasablancaCentral ParkChocolate SoldierCocoanut GroveCollege RhythmConnecticut Yankee ....Continental Varietie ..Conversation Piece ....CopacabanaCorned Beef & Roses ...Cotton Club Parade ....Countess MaritzaCount of Luxemoourg ...Cuban Love Song
llamsel In Distress ...Date With JudyDearest EnemyDesert Song 140,Dolly Sisters ..'.Down Mex ico WayDuBarry
Earl Carroll VanitiesEast Is EastEasy To WedEileenEvergreenEV ry Night At Eight ..
Follow The BoysFollow The GirlsFollow ThruFootlight ParadeFortune Teller 352.Forty Second Street . . .Funny Face
Warrick GaietiesGay DesperadoGay Divorcee 104,Gayne BalletGay RancheroGeorge White'sScandals 97, 148.
Girl Crazy 6, 18, 98,Girl Friend 97,Going My WayGoing UpGold Diggers of 1933 .. 114.Golden EarringsUoldwyn Follies 133.Good BoyGood Morning, Dearie ..Good News 96, 115. 134.Great Day
Hallelujah. I'm A Bum 165.Here Is My HeartHere' s To RomanceHigh. Wide & Handsome .Hit The Deck 203.Hold Ev' rything f'Hold Your HorsesHoliday In MexicoHollywood CanteenHollywood Revue of 1929Hurricane
Idiot' s DelightI Married An Angel ....In CalienteInside U.S. AIntermezzoIrene 125,Isn' t It Romantic
JocelynJolson StoryJoy of LivingJubilee 130.Jumbo 138,Jungle Princess
IViss Me KateKiss The Boys Goodbye .Knickerbocker Holiday .
Lady Be Good 50, 109,Lady In ErmineLeave It To Me 20, 113,Little Jesse James ....Little Nellie Kelly ...Little ShowLove ""
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Love, Honor & BehaveLove LettersLove Li feLove Me To-Night
ladame SherryMan About TownMarinkaMexicanaMexican HayrideMillion Dollar Baby ...Moulin RougeMr. Dodd Takes The AirMusic In The AirMy Maryland
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Naughty Marietta 234, 266, 364New Moon ... 134,246,258,316,368Night At The Opera ....Night Is YoungNo, No Nanette 205,Now Voyager ,
Of Thee I Sing . . 162. 213.Oh! Kay ,Oh! PleaseOklahoma 141, 154. 213,One Hour With YouOnly GirlOne Touch of Venus ....On The TownOn Your ToesOrange BlossomsOrchestra WivesOut of This World
I aris in The Spring ..Pennies From Heaven ...Pink LadyPorgy & Bess 38, 74,Prince of TonightPrivate LivesPutt in' On The Ritz ...
(ueen High
119,
Razor* s EdgeReady. Willing & AbleRed. Hot & Blue ,Red MillReveille With BeverlyRevenge With Music ..Rhythm On The Range ...Right This WhyRio Rita 43, 69.Road To RioRoberta 48.Rosalie 124.Romance On The High SeasRosemarie 36,Rougue Song
Jan Antonio RoseSay It With MusicSeven Lively Arts
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Shocking Miss Pilgrim .Shopworn AngelShowboatShuffle AlongSinbadSinging FoolSing Me A Love Song . ..Sing Out The NewsSitting PrettySmiling Lieutenant ....Smilin' ThruSnow White & SevenDwarfs 59,
Song Is BornSong of LoveSong of NorwaySong of The SouthSouth Pacific .. 4, 91,Spring Is HereStars In Your Eyes ....Star Spangled Rhythm ..
State FairSt. Louis Woman ...Sttork ClubStrike Up The BandStudent PrinceSunnySunnyside UpSweater GirlSwingtimeSyncopation
I ake A ChanceThanks For The Memory .Thank Your Lucky StarsThis Year of GraceThree CaballerosThree Flights UpThree' s A CrowdThumbs UpTip ToesTo Beat The Band .
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152, 369228, 277214, 215
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To Each His OwnTo The Victor .
Vagabond King ... 141,Very Warm For May
w.lake Up And Dream ...Walter Wanger's VoguesWaltz DreamWhere' s CharlieWhite HenWild FlowerWizard of OzWords & Music .
Amas HolidayVI ankee GirlYou Never Know
Aiegfield Show Girl
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INDEX TO SONGSMcabaste 282Adios 289Adios, Mariguita Linda 290After The Ball 320After You' ve Gone 169Ah: Sweet Mystery of Life .. 266Ain' t Misbehavin' :. 170Ain' t She Sweet 170Alabamy Bound 170Al ice Blue Gown 222A Little Bit of Heaven 358All My Love 222All of Me 171All The Things You Are 92All The World Will BeJealous of Me 320
All Through The Night 93Almost Like Being In Love .. 93Alone 1Along With Me 94Always In My Heart 290Always True To You In MyFashion 1
Amapola 291Amar Y Vivir 291Am I Blue 171Among My Souvenirs 2Amour 291Andalucia (The Breeze & I) . 292And The Angels Sing 94Angel Child 94Anniversary Song 2Anniversary Waltz 223Anything Goes 171Apple Blossom Time 244April In Paris 95Apri 1 Showers 2Ask Anyone Who Knows 3As Time Goes By 3As Years Go By 266A-Tisket A-Tasket 172At Long Last Love 95At Sundown . 172
At The Balalaika 95At The Cross-Roads
(Malaguena) 279Auf Wiedersehen, My Dear ... 3Autumn Nocturne 4Avalon . , 172
Babalu 283Baby Face 173Baby. Won't You Please ComeHome 173
Back In Your Own Back Yard . 96Bali Ha' i 4Ballerina 292Bali in' The Jack 215Bambalina 96Barcelona 316Basin Street Blues 215Beautiful Lady In Blue. A .. 223Beauti ful Love' 224Beautiful Ohio 224Because 267Because You' re You 267Beer Barrel Polka 346Bei Mer Bist Du Schon 173Bells of St. Mary's, The ... 5Besame Mucho (Kiss Me Much) 293Be Still My Heart 5Best Things In Life AreFree, The 96
Beyond The Blue Horizon .... 5Beyond The Sea 348Bidin' My Time 6Bim Bam Bum 283Bird In A Gilded Cage, A ... 321Birth Of The Blues, The 216Black And Blue 216Black Bottom 97Bless 'Em All 321Blue 6Blue Champagne 6Blue Hawaii 354Blue Moon 7
Blue Room, TheBlues In The NightBlues Serenade, ABody And SoulBoo-HooBoulevard of Broken Dreams .BrazilBright EyesBroadway MelodyBroadway RhythmBroadway RoseBugle Call RagBut BeautifulBut Not For MeButton Up Your OvercoatBy A WaterfallBye Bye BlackbirdBye Bye BluesBy HeckBy The Beautiful SeaBy The Light of The SilveryMoon
By The River St. MarieBy The Sleepy Lagoon
vaissons Go Rolling Along,The
California (Here I Come) ..,Call Me DarlingCanadian Capers ,Candy- -Can I Forget YouCan't Help Lovin' Dat Man .Can This Be Love?Can't We Be FriendsCan't Yo' Heah Me Call in'Caroline
CaravanCariocaCarolina In The Morning ...Carolina MoonCeceliaChampagne Waltz, The
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Chansonette (The DonkeySerenade) 101
Charley, My Boy 102Cheatin' On Me 175Cheerful Little Earful 102Cherie. I Love You (CherleJe T 'Aime) 226
Cherokee (Indian Love Song) 175Cherry ^ 176Chiapanecas 317Chi cago 176China Boy 176Chinatown, My Chinatown .... 177Chinese Lullaby 268Chlo-e 11Cielito Lindo 227Cinderella Stay In My Arms . 227Close As Pages In A Book ... 103Close To You 11Cocktails For Two 12Collegiate 103Come Closer To Me 293Come, Josephine In My PlyingMachine 322
Come Rain Or Come Shine .... 104Come To The Mardi Gras 311Concerto For Two 281Continental, The 104Coquette 177Cottage For Sale, A 12Crazy Rhythm 177Cross Your Heart 12Cuanto Le Gusta 311Cuban Love Song 228Cuban Pete 284Cuddle Up A Little Closer .. 13Curse Of An Aching Heart,The 322
Cynthia's In Love 13
D,faddy You've Been A MotherTo Me 323
Dancing In The Dark 105Dancing On The Ceiling 106Dardanella 105Darkness On The Delta, WhenIt's 178
Darktown Strutter's Ball,The 178
Darling Je Vous Aime Beaucoup 13Darn That Dream 14Daughter of Rosie 0' Grady .. 323Day By Day 14Dearest (You're The Nearest
To My Heart) .- 14Dear Little Boy of Mine .... 268Dear Old Girl 323Dear Old Pal of Mine ... 268Dear Old Southland 178De Corazon A Corazon (HeartTo Heart) 293
Deep In My Heart 228Deep In The Heart of Texas . 341Deep Night 15Deep Purple 15Desert Song, The 228Diane 229Did I Remember 15Did You Ever See A Dream
Walking 106
Did Your Mother Come From ..Ireland 359
Digga - Digga - Doo 179Dinah 180Dipsy Doodle, The 179Does Your Heart Beat For Me 107Doll Dance .. 280Dolores 16Donde Estas Corazon 312Don't Ask Me Why 229Don't Be That Way 217Don't Blame Me 16Don't Fence Me In 341Don't Sweetheart Me 180Don't Take Your Love From Me 16Doodle-Doo-Doo 107Down Among The ShelteringPalms 107
Down Deep In Your Heart .... 294Down Home Rag 217Down The River of GoldenDreams 229
Do You Ever Think of Me 17Dream 17Dream A Little Dream of Me . 108Dream Lover 230Dream Tango (Tango De Reve) 313Dreamy Melody 230Drifting And Dreaming
(Sweet Paradise) 355
East of The Sun 17Easy To Love 109Eichas-Negras 295El Rancho Grande 317Embraceable You 18Evelina 108Everybody Loves My Baby 180Every Little Movement 109Everything Happens To Me ... 18Everytime We Say Goodbye ... 18Exactly Like You 181
Faded Summer Love. A 19Falling In Love With Love .. 230Falling In Love With You ... 231Farewell Blues 218Farewell To Arms 19Fascinating Rhythm 109F. D. R. Jones 110Feather Your Nest 110Fellow Needs A Girl, A..: . . . IllFerry-Boat Serenade 363Fichas Negras (Gambling With
Love) 295Fine And Dandy .-. 209Five Foot Two, Eyes of Blue 181Flying Down To Rio 112Foggy Day, A IllFools Rush In 19For All We Know 20For Me And My Gal :... 181For Want of A Star 294For You 231For You, For Me, For Ever-
more 112Frankie And Johnny 219Frenesi 295From Now On 113
From The Land of The SkyBlue Water
Full MoonFull Moon And Empty Arms ...
Wang That Sang Heart of MyHeart. The
Garden In The Rain, A ......Gay Ranchero, AGee: But You're SwellGeorgia On My MindGet HappyGet Out of TownGhost of A Chance, AG, I. JiveGimme A Little Kiss, WillYa Huh?
Girl Friend, TheGi rl of My DreamsGive Me A Moment Please ....Glory of Love, TheGlow Worm. TheGold Digger's Song, TheGolden EarringsGood Man Is Hard To Find, AGood NewsGoodnight SweetheartGoody-GoodyGoofusGreen EyesGuiltyGypsy Love SongGypsy Sabre Dance
HallelujahHands Across The TableHappy Days Are Here Again ..Harbor LightsHasta MananaHaunted HeartHavanaHave You Ever Been Lonely ..Heart And Soul •.Heigh-HoHelen PolkaHere Comes The ShowboatHere I'll StayHere In My ArmsHindustanHi NeighborHinkey Dinkey Parlay Voo ...Hold MeHoliday For StringsHomeHonest And TrulyHoneyHoney Song, TheHoneysuckle RoseHour of Parting, TheHow Am I To Know?How Are Things In GloccaMorra
How Come You Do Me Like YouDo
How Many Hearts Have YouBroken
How StrangeHow Sweet You AreHow Ya' Gonna Keep 'Em DownOn The Farm .
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Humoresque (What A LovelyAfternoon) 270
I Ain' t Got Nobody 183I Can Dream. Can't I? 25I Can't Begin To Tell You .. 25I Can't Believe That You'reIn Love With Me 26
I Can't Get Started 26I Can't Give You AnythingPut Love 184
I Cover The Waterfront 27I Cried For You 184Ida Sweet As Apple Cider ... 184I Don't Know Why 27I Don't Want To Set TheWorld On Fire 27
I Don't Want To Walk WithoutYou 28
I Dream of You 28I Feel A Song Comin' On .... 210If I Could Be With You 185If I Didn't Care 28If I Had My Life To LiveOver 325
If I Had My Way 232If I Had You 29If I Love Again 119If I Loved You 119If I Was A Millionaire 325I Found A Million DollarBaby 29
If There Is Someone LovelierThan You 119
If This Isn' t Love 120If We Can't Be The Same OldSweethearts 29
If You Are But A Dream 271If You Knew Suzie 121If You' re In Love You' 11Waltz 233
If You Were Mine 30I Get A Kick Out of You 120I Give My Heart 233I Got It Bad (And That Ain'tGood) 185
I Got Plenty 0' Nuttin' 121I Got Rhythm 210I Guess I' 11 Have To ChangeMy Plan 122
I Hadn't Anyone Till You ... 30I Have But One Heart 364I Hear A Rhapsody 30I Kiss Your Hand Madame .... 31I Know That You Know 211I'11 Always Be In Love WithYou 233
I'11 Be Home For Christmas . 31I'll Be Yours (J>Attendrai) 31I'11 Follow My Secret Heart 234I' 11 Get By 32I'll Never Be The Same 32I'll Never Love Again 297I'll Never Smile Again 32I'll See You Again 234I' 11 See You In My Dreams .. 33I'll String Along With You . 123I'll Walk Alone 122I Look At Heaven (Grieg'sConcerto) 271
I Love A Parade 367I Love Louisa 123I Love You 297I Love You (Je T Aime) 33I'm A Ding Dong Daddy (FromDumas) 220
I'm Always Chasing Rainbows 271I'm An Old Cowhand 342I Married An Angel 123I May Be Wrong 185I' m Confessin' 186I'm Falling In Love WithSomeone 234
I'm Forever Blowing Bubbles 235I'm Getting Sentimental OverYou 33
I'm Gonna Sit Right Down ftWrite Myself A Letter 186
I'm In The Mood For Love ... 34I'm Just Wild About Harry .. 211I'm Looking Over A Four LeafClover 35
I'm Nobody's Baby 124I'm Sitting On Top of TheWorld 125
I'm Thinking To-Night Of MyBlue Eyes 342
I'm Thru With Love 34I' m Yours 35In A Little Spanish Town ... 235In A Monastery Garden 272In A Sentimental Mood 35In A Shanty In Old ShantyTown 186
Indiana (Back Home Again InIndiana) 187
Indian Love Call 36Indian Summer 36I Never Knew 187I Never Knew (I Could LoveAnybody) 187
In My Merry Oldsmobile 325Intermezzo 272In The Blue of Evening 36In The Good Old Summertime . 326In The Mood 188In The Moon Mist 272In The Shade of The OldApple Tree 326
In The Still of The Night .. 124I Only Have Eyes For You ... 37Ireland Must Be Heaven 359Irene 125Is It True What They SayAbout Dixie .' 125
Isle of Capri 188Isn't It Romantic? 37I Surrender Dear 37It Ain't Necessarily So 38Italian Street Song 364It Can't Be Wrong 38It Had To Be You 38I Think of You 273It Looks Like Rain-CherryBlossom Lane 126
It Might As Well Be Spring . 39It Must Be True 127It's A Grand Night ForSinging 235
It's A Great Day For The Irish 359
If s A Sin To Tell A Lie ... 326It' s Been A Long Long Time . 39It's D' Lovely 126If s Magic 40If s Only A Paper Moon 127It'.s The Same Old Shillelagh 360If s The Talk of The Town .. 40It Was So Beautiful 40I Understand 41I Used To Love You 327I' ve Found A New Baby 189I' ve Got My Eyes On You 127I' ve Got Rings On My Fingers 128I've Got The World On AString 189
I've Got You Under My Skin . 128I've Lost All My Love For
You 327I Wanna Be Loved By You .... 41I Wanna Get Married 129I Want A Girl 189I Want To Be Happy 211I Wonder What's Become of
Sally 236I Wonder Who's Kissing Her
Now 328I Would Do Anything For You 190
J a-Da 190Jalousie (Jealousy) 313Jazz Me Blues, The 190Jealous 41Jeannine (I Dream of LilacTime) 236
Jericho 191Jersey Bounce, The ..... 191Je Vous Aime 349Josephine 129June In January 42June Is Bustin' Out-All Over 212June Night 42Jungle Drums '.. 297Just A Memory 42Just One More Chance 43Just One of Those Things 130Just You, Just Me 191
ka-Lu-A 355Kinkajou. The 43Kiss In The Dark. A 236Kiss Me Again 237Kiss The Boys Good-Bye 130Kiss Waltz. The 237K-K-K-Katy 328
Lady In Red, The 284Lady of Spain 318L'Amour-Toujour-L'Amour .... 349Lamp of Memory, The 298La Mulata-Arrebata 285Last Time I Saw Paris, The . 131La Television 285Laura 43Lazy River 44Let Me Call You Sweetheart . 237Let The Rest of The WorldGo By 238
Lies 44Lights Out 131Lilli Marlene . 44
Limehouse Blues 212Linda 45Linger Awhile 45Little Grey Home In The West 273Little Love. A Little Kiss.
A 238Little Old Lady 131Little On The Lonely Side, A 46Little Town In The QuidCounty Down 360
Little White Lies 46Liza 212Lonesome And Sorry 132Looking For A Boy 132Louise 46Louisiana Hayride 132Love For Sale 133Love Here Is My Heart 238Love In Bloom 47Love Is Here To Stay 133Love Is Sweeping The Country 213Love Is The Sweetest Thing . 47Love Letters 47Loveliness of You, The 48Lovely Lady 239Lovely To Look At 48Love Me Or Leave Me 192Love Nest, The 193Lover 192Lover Come Back To Me 134Lover Man 49Love Sends A Little Gift ofRoses 273
Love' s Own Sweet Song 239Love Walked In 134Love What Are You Doing ToMy Heart 314
Love (Your Magic Spell IsEverywhere) 48
Lucky Day 134Lucky In Love 135
M ad About The Boy 49Made For Each Other 298Madelon 349Magic Is The Moonlight 298Ma (He's Making Eyes At Me) 328Make Believe Ball Room 50Mam' sel le 350Man I Love. The 50Many Happy Returns of TheDay 239
.Marching Along Together .... 367Margie 193Maria Elena 240Maria Mia 285Mary Lou 135Masquerade 240Maybe 193Me And My Shadow 135Meet Me Tonight In Dreamland 329Memories 240Memories of You 50Memory Lane 241Mem' ries (Golden MemoryDays) 241
Merry-Go-Round Waltz 364Miami Beach Rumba 299Mickey 360Midnight In Paris 241
Mimi 351Misirlou 299Miss You 51Moanin' Low 51Mood Indigo 51Moonglow 52Moonlight And Roses 274Moonlight And Shadows 136Moonlight Bay 329Moonlight Cocktail 52Moonlight Masquerade 274Moonlight On The Ganges .... 53Moon Love 275Moon of Manakoora. The 355Moon Over Miami 53Moon Was Yellow, The 314More And More 136More Than You Know 136Most Beautiful Girl In TheWorld. The 242
M-0-T-H-E-R 329Mother Machree 361Mountain Greenery 137Music Goes "Round And Around,
The 137Music, Maestro, Please 53My Adobe Hacienda 319My Beautiful Lady 242My Blue Heaven 194My Buddy 243My Darling 137My Darling, My Darling 54My Future Just Passed 54My Gal Sal 194My Heart At Thy Sweet Voice 275My Heart Belongs To Daddy .. 138My Heart Stood Still 138My Hero 243My Honey's Lovin' Arms 330My Ideal 55My Isle of Golden Dreams ... 243My Little Girl 330My Mammy 330My Man 350My Melancholy Baby 194My Mother' s Eyes 55My Prayer 55My Reverie 56My Romance 138My Shawl 299My Silent Love 56My Sin 57My Song 57My Toreador (El Relicario) . 318My Wild Irish Rose 244
Nagasaki 195Nature Boy 57Neapolitan Nights 244Near You 139Negra Consentida (My Pet
Brunette) 286Nell ie Kelly I Love You ..,. 244Night And Day 139Nightingale 300Night Is Young And You' re So
Beautiful 58Night Must Fall (Over All) . 301Nobody's Sweetheart 195Noche . . 300
No Greater Love, There Is .. 58Nola 281Now 245
Ubject of My Affection, The 59Of Thee I Sing 214Oh: By Jingo 331Oh: Frenchy 331Oh: How I Miss You Tonight . 245Oh: Lady Be Good 195Oh: Ma-Ma (The Butcher Boy) 365Oh: What A Beautiful Mornin* 245Oh: What A Pal Was Mary 331Oh: You Beautiful Doll 332Okl ahoma 213Old Devil Moon 13901' Man River 140On A Sunday Afternoon 332Once In A While 59One Alone 140One Kiss 246One Night of Love 246One Red Rose Forever 27SOne Rose, The 246One Song 59Only A Rose 141On Miami Shore 24?On The Banks of the Wabash . 332On The Isle of May 276On The Sunny Side of TheStreet 196
Orchids In The Moonlight ... 314Out of Nowhere 60Out of This World 301Over The Rainbow 6OOver There 333
I anama 286Paper Doll 196Paradise 247Paris In The Spring 60Parlez Moi D'Amour 351Passing By 6\Pavanne 276Peanut Vendor, The 287Peggy O'Neil 247Peg O1 My Heart 61Pennies From Heaven 61Pennsylvania Polka 346Penthouse Serenade 62People Will Say We' re InLove 141
Perfidia 302Persian Rug 62Play, Piffle Play 353Play Gypsies-Dance Gypsies . 353Play To Me Gypsy 353Please 62Please Don't Talk About Me
When F m Gone 19fePoinciana 302Polly 281Poor Butterfly 141Precious Little Thing Called
Love, A 63Pretty Baby 63Pretty Kitty Kelly 36»Prisoner of Love 63P.S. I Love You 64Put On Your Old Grey Bonnet 333
Put Your Arms Around Me,Honey 64
uizas, Quizas, Quizas(Perhaps, Perhaps) ...
•magging The ScaleRainRamonaRanger' s Song, TheRed Sails In The SunsetRemember Me?Right As The RainRio RitaRise *N ShineRock-A-Bye Your Baby With ADixie Melody
Rockin' ChairRomance (Romberg)Romance (Donaldson)Romany Li feRoom With A View, ARo-Ro-Rollin' AlongRosalie •Rose In Her Hair, TheRose-MarieRose of The Rio GrandeRose of Washington Square ..Roses For RemembranceRoses of PicardyRosettaRositaRow, Row, RowRoyal Garden BluesRumba-RumbaRunnin' Wild .
Jailin' OnSanSan Antonio RoseSanta Claus Is Comin' To
TownSatan Takes A HolidaySay Not Love Is A Dream ...Says My HeartSchools DaysSemper ParatusSentimental JourneySeptember In The RainSeptember SongSerenadeSerenade In BlueSerenade In The NightShadow WaltzShe Came Roll in' Down TheMountain
Sheik of Araby, TheShe' s Funny That WayS-H-I-N-EShine On Harvest MoonShoe Shine BoyShow Me The Way To Go HomeShuffle Off To BuffaloSiboneySide By SideSigh By NightSiIve^ MoonSi..gin' In The RainSing Something SimpleSioux City Sue
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Skylark 68Sleep 250Sleepy Time Gal 200Smile Darn Ya. Smile 147Smiles 335Smile, Smile, Smile 335Smile Will Go A Long, LongWay, A 147
Smilin' Through 251Smoke Gets In Your Eyes .... 69Smoke Rings 68Snuggled On Your Shoulder .. 69So Beats My Heart For You .. 147So Far 148Softly As In A Morning Sun-
rise 316So In Love 149Solitude 70So Many Memories 70Somebody Else Is Taking MyPlace 201
Somebody Loves Me 148Somebody Stole My Gal 201Someday 251Someday I'll Find You 251Someday My Prince Will Come 252Someday Sweetheart 202Someday (You*11 Want Me ToWant You) 70
Some Enchanted Evening 150Someone's Rocking My Dream-boat 202
Someone To Watch Over Me ... 71Some Other Time 149Something To Remember You By 150Sometimes I'm Happy 203Somewhere A Voice Is Calling 277Somos Diferentes 303Song Is You, The 151Song of Old Hawaii 356Song of Songs. The 278Song of The Islands 356Song of The Vagabonds, The . 151Soon 152South America, Take It Away 288South of The Border 71South Sea Island Magic 357Speak Low 152S'posin' 152Spring Will Be A Little LateThis Year 72
Stardust 72Stars Fell On Alabama 153Stars In My Eyes 252Stars In Your Eyes 304Stay As Sweet As You Are ... 72Stompin' At The Savoy 203Stormy Weather 73Story of Sorrento, The 365Stout Hearted Men 368Strange Enchantment 304Strange Music 153Strike Up The Band 369Strip Polka 347Stumbling 73Sugar Blues 203Summer Night 74Summertime 74Sunbonnet Sue 252Sunday 204
Sunny 214Sunny Disposish 153Sunnyside Up 154Sunrise Serenade 74Sunshine of Your Smile. The 278Surrender 75Surrey With The Fringe OnTop, The 154
Swanee 204Sweet Adeline 335Sweet Georgia Brown 204Sweet Hawaiian Moonlight ... 357Sweetheart of All My Dreams 75Sweet Leilani 357Sweet Lorraine 75Sweet Rosie 0' Grady 336Sweet Sue-Just You 205Swingin' Down The Lane 155's Wonderful 155Sympathy Waltz 253Symphony 76
I aboo 305Take It Easy 288Take Me Back To My Boots AndSaddle 344
Take Me Back To New YorkTown 366
Take Me In Your Arms 76Take The "A" Train 205Tangerine 76Ta-Ra-Ra Boom-Der-E 336Tea For Two 205Tell Me That You Love Me ... 253Temptation 289Tentacion 305Thanks 77Thanks For The Dreams 305Thanks For The Memory 77That Certain Party 155That Old Black Magic 156That Old Feeling 77That Old Gang of Mine 337That's An Irish Lullaby 361That' s How I SpellI-R-E-L-A-N-D 362
That's My Desire 78That' s Why Darkies Were Born 156That Tumble Down Shack In
Athlone 362Then I' 11 Be Happy 157There I Go 78There' 11 Be Some ChangesMade 157
There Must Be A Way 78There's A Long, Long Trail . 369There' s A Rainbow Tlound MyShoulder 157
There' s A Small Hotel 158There' s Danger In Your Eyes,Cherie 351
There' s Yes. Yes In YourEyes 158
These Foolish Things RemindMe of You 79
They Go Wild Simply WildOver Me 158
Thine Alone 278Things I Love, The 80This Can't Be Love 159
This Is It 159This Love of Mine 79Thou Swel 1 159Three Caballeros 320Three Little Words 206Three 0 'Clock In The Morning 253Through 80Tip Toe Through The Tulips
With Me 160Tickle Toe. The 81Tico-Tico 312Tiger Rag 220Till The End of Time 279Till We Meet Again 254Time Was (Duerme) 306Ting-A-Ling 254To Each His Own 81Together 254Tony's Wife 306Too Pat Pol-ka 348Too Marvelous For Words .... 82Toot, Toot, Tootsie (Good-
bye) 160To The Land of My Romance .. 255To The Shores of Tripoli ... 369Touch of Your Hand, The .... 255Touch of Your Lips, The .... 82Toyland 255To You Sweetheart, Aloha ... 358Trail of Dreams 256Trail of The Lonesome Pine,The 337
Truckin' 206True 82Try A Little Tenderness .... 83Tumbling Tumbleweeds 344Tu Sais (You Know) 315'twas Only An Irishman* sDream 362
Twel fth Street Rag 206Twilight Time 282Two Hearts 256Two Hearts That Pass In The
Night 306Two Loves Have I (J* ai DeuxAmours) 84
Two Silhouettes In The Moon-Light 256
Two Sleepy People 83Two Sparkling Eyes 316
Under A Blanket of Blue ... 85Until The Real Thing ComesAlong 84
Valencia 319Varsity Drag, The 160Very Thought of You, The ... 85Vienna Dreams 257
W,Iabash Blues 220Wabash Moon 257Wagon Wheels 345Waiting For The Robert E.Lee 337
Wait Till The Sun ShinesNellie 338
Waltz Dream (Love'sRoundelay) 257
Wang-Wang Blues 221
Wanting You 258Way Down Yonder In New
Orleans 207Way You Look To-Night, The 161We Could Make Such BeautifulMusic 85
Wedding Bells (Breaking UpGang of Mine) 338
We Just Couldn't Say Good-Bye 86We Will Always Be Sweet-
hearts 258What A Diff rence A Day Made 307What Can I Say After I Say
I' m Sorry 207What Do You Want To MakeEyes At Me For 338
What Is There To Say 86What Is This Thing CalledLove 207
When A Gypsy Makes His ViolinCry 354
When Day Is Done 87When Hearts Are Young 161When I Grow Too Old To Dream 259When I'm Not Near The One 1Love 259
When Irish Eyes Are Smiling 363When It' s Sleepy Time DownSouth 87
When It's Springtime In TheRockies 259
When My Baby Smiles At Me .. 87When My Dream Boat ComesHome 162
When The Moon Comes Over TheMountain 260
When You' re A Long, Long WayFrom Home 339
When You' re Away 260When You' re Smiling 208When Your Hair Has Turned ToSilver 260When Your Old Wedding RingWas New 339
When You Were Sweet Sixteen 88When You Wish Upon A Star .. 88When You Wore A Tulip 339Where Are You Now (PrisoneroDel Mar) > 30?
Where Or When 162Where The Blue Of The Night 261Where Tne River ShannonFlows i(..».i... 363
Whiffenpoof song. The 261While Hearts Are Singing 261Whi le We' re Young 262Whispering 208Whisper That You Love Me ... 262White Dove, The 262Who 215Who Cares , 162Who' s Sorry Now? * 20»Why Don't You Do Right? 221Why Shouldn' t I? 163Will You Love Me In December 340Winter Wonderland 163Wishing 88With A Song In My Heart 164With Every Breath I Take ... 89Without You 307
With The Wind And The RainIn Her Hair 89
Wonderful Guy, A 263Wonderful One 263Woodpecker Song, The 366World Is Mine, The 279World Is Waiting For The
Sunrise, The 209Wrap Your Troubles In Dreams 89
Taaka Hula Hickey Dula .... 358Yes Sir, That's My Baby 340Yes, We Have No Bananas 340You Always Hurt The One YouLove 264
You And The Night And TheMusic 164
You Are Everything To Me ... 308You Are Free 264You Are My Lucky Star 164You Are My Sunshine 345You Are Too Beautiful 165You Belong To My Heart 309You Came A Long Way From St.Louis 308
You Can Depend On Me 209You can't Be True, Dear .... 264You Couldn't be Cuter 165You Do Something To Me 166You Go To My Head 90You Have Taken My Heart .... 265You Leave Me Breathless 90You'll Never Know 91You Made Me Love You 91Younger Than Springtime .... 91You're An Old Smoothie 166You' re Blaze' 166You' re Breaking My Heart . .. 366You're Driving Me Crazy .... 167You' re In Love With Everyone 265You' re Mine, You 92You're My Everything 167You're The Cream'In My Coffee 167You' re The One I Care For .. 92You' re The Top 168You're Too Dangerous, Cherie 352Your Eyes Have Told Me So .. 265Yours (Quiereme Mucho) 310You, So It's You 309You were Meant For Me 168You, You, You Polka 347
fcigueuner 266Zing: Went The Strings
of My Heart 169Zip-A-Dee, Doo-Dah 168
J
J
STANDARD FOXTROTS-SLOW MEDIUM
ALONE - (N.H.firown) " A Night At The Opera *
lone A- lone -with a aky of ro-on this night that w*
a* bore A-t*o could uhare
" [ r
Ion* on a night that was meantwith your kiss that could make
C7
Ion Diemand
wait- Inglee
Whoto
feele the waybe your ver-
I
Bb7 Bb»
*J 1
Who ev- er you
Kb
are, are you,
8, B7 Bb7
are you,
Bb7 . a
^own lone A- lone with a heart ifcant 'for you '"'A-
ALWAYS TRUE TO YOU IN MY FASHION-(Porter)"Kiss Me Kate*
If a CUB-torn tatl-ored vet—I've been asked to have a meal
C
Asks me out for setae-thing wet* —By a big ty- coon in steelf_
When theIf the
vet be- gins I cry Hoo-rsyac- cept Imeal in- eludes
But I'm al- ways true to you,
•1-ways true to you, — dar- lln', in my w
oil man known «fl "ex —
keen to give me checks _ And his checks, I fear,
07
I f
, 1 G7-" ~~^ <"""' ' J
r- r-r - •* " ' i1 U_ r331 g m*, = 1
Bat !*•
r r PsO-ways true to you, dar- lln», in my faah- ion,
C D7 • Q7 C
J J J .J J ' 'al- ways true to you, dar- lin' , in my way.
AMONG MY SOUVENIRS - (H. Nichols)Gdim Fto
J l J J
Bb+ EbModerate
r i rThere's no-thing left for me, Of days that used to be. -
Some let- ters tied with blue,— A pho- to- graph or two,.
n* r r — i— r r r ff=1 t-r, 1 ** r r F H 1 f* i -L •I live In mem- o- ry a- mong my sou- ven- Irs.
rose from you
r r i iI I • ' — I
with- in my trea- sure chest.A few more to- kens rest
And tho* they do their bestGdim Po
. r 'tear drops start)Eb
I count them all a- part,
find a bro- ken heart a» mong my sou- ven- irs.
ANNIVERSARY SONG - (Jolson-Chaplin) IvanoviciB7
Oh I how we danced. %n t£e night we were wed— We vowed our true lo\e__
I
ild The world ^wathough a word— wa«-n»t said
Amwas in bloom, there were
B7
r i r o ^ p i rEx- cept ror the few _stars in the akies
On Am Am? D7that were there in your ejes.
Am
Dear, aa I held you so close in my arms..Cdim G __„ Am6
An- gele wereB7
Bing-ing a hymn to your charms— Two hearts gent- ly beat-ing wereRm
mur- mur- ing low *My dar- ling, I love you
APRIL SHOWERS (L. Silvers)D7 G
Slow fox trot
J ,J J may come your wey,E7
Though A - pril show - era
So If it»e raining, have no re-D7 C# Am dim
-cause It is-n't rain-ing rain you know, (it s rain-Ing vl -
up - on the hills,
bluebird And Ii3«-ning for his song, When -ev - er A - pril ehow-ers come a - long.
ASK ANYONE WHO KNOWS (Seller-Marcus-Kaufman)« i Eb i v 1, Cdim Bb7
J J J j ^- i r r r rThere ia no shore with- out an o- cean, > ASK AN- Y- ONE WHO KNCW3,
A. sigh can mean a sweet be- gin- ning, 5PB7 . Bb7
I I I:^ ^ ^ ^ ^ ^ 1 • M P • • • t -mm, » * y j f c j
There Is no love wlth-out de- vo-tion. ASK AH- Y- ONE V/HO KNOWS.It's love that keeps the whole world spinning And heav- en ,1 . A b E B C7 Fra7 Bb7 E b F a
r r r_flrr a_1. Cm
stray, lose Its way If It can't come true.F7 Bb7
I J J J
I 2. G7_Night and day
Cm ra?
£all my dreams are so de- pend-ent on you.Ab Mim Eb C7 IW
on- ly knows,3b7*£ Bb7
i r_j" r r i r r r i r r rhave no heart when we're a- part, It leaves me when you
C.D
[ J J•: • J -
Uf
— • — f**-1 ™' 3 >
r r r=aWj a
And dar- ling if you don't be- lieve me, ASK AN- Y- ONE WHO KNOWS
AS TIME GOES BY (H. Hupfeld) "Casablanca"
Vou must re - wem-ber lfii%, a feiss is slitt a feiss, A aioft t* ^ a *«jnwfienNo loy-era woo, the/ alia saf "I iove fou* On that >(ou "can re- 1
~
fim - da - -men -No mat- ter whal Iht hi" ture
And
BV. Moon-Udhl and love_ songs nev-er out of dat*, Hearts full of pas — sicm,
[eal-ous-v and ftatfc vOo-man -needs man _ and -man-must have his -matt, "That
ia the same old sto-f>|7 a frtht for love and <J)O-T\, Ano OTie can d« - ns.
case of do or die • Tfie World oil! al-\»a^s Wei- come lovJ-ers, AS TIME
AUF WIEDERSEHEN,MY DEAR - (Hoffman-Nelson-Goodhart-Ager)_. fin- . ...I? _ Cm
^a= P__ . _ _ .r r l r P f l - r r i
Come let u» stroll doWn lov/-er'e lane, Once tnore to sind love's old ifc-fravn. Seen vteni
r ^ j p i r =j>EgEEgtft«- dfr-«efiri,A]nr WIC-DER-SEH'N,!" ^in yoin-aTTna I can't re - -mam,
_
J^ r r l r P rSo let me feiss vou once a-aaiti, Soon «e must sav auf VJie-der-sefin. AUT- r,m Tb r? -
r-sefik AUTWiE-DEIf-SEHkMY
Bt«K. Vour love will t\mc to me Tfinsuofitfte kme-iy daytime... gacfinid^will trtT\g to meGm Ab f& fj> Gm fb (**,
"Tnemag-u: of .Maf-tittie. I frnov»-mv fiearf won't betMatn, Un -til tfte da^•"• -'
|
&»ieet-fwart,oood-bve-, auf \»)te-der-sefiVi AUF WrE-
j
uJ
j
Aurumn Nocturne— Slow tempo-C Am?
Lvnc- KimC.jiinon MUMC - Josef Mvrow£7 Ggd-. Dm Am C D» Fm«
WHcn ju - tumn sings her lull- i -bv— And green leaves turn_ to gold Then I re-
n u m - b c r last Scp-tern • ber vou jnd I said good -bye '\vhis-pcr - ing that we woukf
i
hills once more But y o u l o r - g o t _ your vow And here am \ I a-lone with on -I) mem-<
rics. On - ly lone - ly
v • » #2'1 whcnhc leaves arenirn-ing 1 gee a nun-gry yearn infor*youi
when a heart is so-ber it stu-dow>bneh(Oc-to berseoid-enACT? OUai tWr G7 Gt><fai D» Am C
Tn? flam - ingmoon re -minds me of_ The night of love—that we once
Io nuke my au - rumn dreams come true
BALI HA*I (R. Rodgers) "South Pacific"
t, An- y day. In yourof the »eai "Here
Ha'i ( may call youI will whia-pw
P,
heart, you'll bear itI, Your spc-cial
Bb
call yonla- land,*Co«B to
Bb*
aoa Bioon on T.habopaa, Vourown ape- dal
f you tty, You* U find me *har»T tha
Your apa- cial la-land,cthe aaa. Here"" "e»
Ba»i, Ba-l—^3
BELLS OF ST. MURT*3t THEBB7 Kb
(A. £• Adams)Ab
f *1L. lag, Th* low- ball* dull ring out, ring out For
Bb7
Th*jo*
HE STILL, MT HEART (Flynn-Egan) •oderato
r r rh* •ovt go Be •
,tofl thaqgtt wa'll vlM MM
MJH Don't cry, *f hurt* Bv- «n tJioagb our lav* baa gome a-
Bell b«i r i r
Ia« back to us dqrJ r r U.UUI
STH2. 0 HEART.
BEYOND THE BLUE HORIZON (Whiting-Harling)F7 a» gfcfcm. Bt Efrir _ F7 gi
3 S S iBe - vond tfe blue fio - ri
Sb ' <?-
^i
beau - ti - fulHA ^
zon,B? m
Cfdim
bore
AmGood -
C7 F7to things that
mme,
dtdiJoy ts wait- fer
m sme,
mi F7 Mm \ * j 5^see fio - n -r- zon Cm
§g ^ ^
My lifeCmt
fias
on - •u be oun. - vond
m- n - Lies a.
P=i
Slue Ho -
^tug sun..
j
J
J
J
J
J
BIDIN' MY TIME (G. Gershwin) "<3±m Crazy" Mode ato 6*» a
But In» Bid- in' My Time,-
C7 ,Fm7
--- r~ -- "" — s^j-7'
'Cause thafs_ the kind-a-guy I'm, _
bus-y Bid - in' My Time. .Next year;
tin* Iblun- der
_ — you know tfie
ff Prea-
Bb
eon nel- chol- and
Gta Eb Eta J7 Bb
i " | I — i g • y ) i ilots of time I won- der If you're blue
BLUE CHAMPAGNE (Watts-Hycrson)
pb7BLUE CHAM-PAGNE— Pxir- pie shad-ows and BLUE CHAM-PAGNE-,bub-blea iae — lik« a_ .. f pun- tain be- fo
._h-oes that stilJTrem;and they sud-den- Xy crist-al-ize
ZVDUSs-ion of you
QaG C+ P A7
with the ech-oes that
the plans we started all the songs we sang each lit-tle dream we knew. /-Q P — j—-, Q9
M— g j ^ r i r r rlike a boom-er-ang Bljia is. theseems to o-ver take me spar- kle
one iathetang each old re-frain Keeps re-turn-
With my mem'ries and BLUE dflAMPAdTtE to toast the dream that was you_
7 (R, Rodgers) ModerateKb Cm
*====*
BUM yco •e stand-ing a- lone
Bb7 3b Cta
I * J -I dLl. J JWith-out a With-out a love of «y ownans in ngr heart
uet what I waa there —
•ay- lag a pray' r . for
«id-den- ly ap- peared be- fore me^_ The on- ly one my aras Jill ew
hold_ I heard some- bod- y whi.-per Please a- "dore fe!. A when I
looked, the moon had turned to gold I
Bb7 Eb Oft FtaBlue Moon!
Bb7
fiov X'o no long-er
OB fat?
lone Wlth-out a dream in ay heart.
With- out a love of my
J
:TTTI?Q SERENAD2, ABb'
kF. Signorelli) Slow
If there is a Cin- der- el- la look-ing for a stead- , fel- la,TOSB at night up- on my pil- low, mourn-ful ae ft weep- ing wil-lov.,
Eb , B7 PH-? . rTTSb Bb7 || 2. St>
lie- ten tohaunt- ed byAb
1 TS
my ser- •* en-1 ade in blue,my ser- en- ade in
Abm Kb.
blue.
love?
Eb
fish I had Bome-on. to eing to, one that I could kisB and cling to,
B7
no on* hears my ser- wen- ade in blue.
J
J
J
BODY AND SOUL (alo«ly)
Sout! I carTl be-lie* it. Its had to corwexeitTtetjtttaWna-vap \Fir B+- 8 . e rfr B7
gs *'/T 3 JJ JT^Tfrp P r J1! r r J'F-iAe >t>u pre-tendinr, it bohsliKe the end-ing Un-less I couid Ka*c one tnorechaooe to prc»e,d«ar,
BB C 07» Cr+ . C B F__i>gx.._ ^ STI *j"^
I v - J J - J 3 J IWy life ai wreckyou>e mak-'mg, You knowI» jours for jusf fte tak-ing,- I'd
Am g> a - C ct C C» . .C
BOULEVARD OP BROKEN DREAMS^H. Warren)"Moulin Rouge
The 8oa-fe-varcl of B»k-€iv--varc o »p-€iv . am5oc-hotlyour atattered schemes
r«y soul be - hind me—
i r r 3In anoUCa tfe-drat town- Tte jqxti>af>oafe«lhafe>.bcr-ft^_
' " ' ""Wd
sinfa scw?_^cla«a4owc_TfeSeems.
BBQADKAX MELODTEb
« H»
^_^j I J-Bb7
I'oderato
r iDon» t bring to old Eroafl- way vo^ got to
Eb _. Stm 3b .
clona on
jUf t DTUJg ** WW»A \A/ wj.u u* uou~ **ojr voil*V»
Ebr Eb . 'Son
r i" ir i lj . J N- 7 Ion Broad- Vay, *yOur " troub- les there are out of
Eb7
1style, For Broad- way ' al-EJ> Bb7
r i riey flick-
'ears a
Eb7smile, A
- lion heorte beat•11-llon lights they ere, ' A rail
That* a the Broad- way Hel- o- dy.
3 BUT BEAUTIFUL - (J.Van Heuaen) "The Road To Rio"Am?
-ifltafFJw-»4i-J JCdim
I Ir-
n-
-r**-1
mad.pley-•
=^ H '1 "I r___jLTJ " " LJ •" - -4-
[ve £Vn- rw or it'stear-fU. or it's
— r J i r f . u.— J — * \ \ \1 It* B a i good t5 1 heart-
1. G
fall1 2I ^E
tr
D7
. l . r r f-.Bepu-li-f\il
On
And'' I'm thinD7
1 n— 1 1 1
— r -rhing or it'sache eith-er
1 1 I ~-r | f —. to take
=1 fA,
r^ pHsad T Crtay. It'B
Lr~ — jf-bed, 1 D
«ay, )
=*=a
a>J • t
chance •A7
k-ing I would-n't mindG an
.f . ... — tt«t...i..-* cJ— - 1And 'I'm think-iag if
B» F7 G Bb7— 1 1 i — * * *• 1 1E- i.g°
BY0 Jil, *
•/
— f 1
—I
r~
I — 1— « — s P^ — '-j i r rit's qvl- et
a prob-lcnA7
J [ ^ .=UT pi-JVL-
•Arrf7K i r
*—TT-
4=•u — i r •nd if you
An?
J 1 "-at ell.
Am?I 1 F
-f f — ••' 1— 1you were mine I'd nev-A07 Ab7 G
m-Mm 1or it'sor it's
_p 1
flit.
177j j j
fall, you
|1 .j
. r ! .n • r ^cr let you
1 1 *••• •* •' ' 1 1 1-1=1 f J 1- = tW *^*
And that >oul be HIT B^AC-TI- rti I know.
|A WATERFALL (S. Fain) trFootlight Parade"
it _— -n Cnn , , i — i F?^r^T^ j 'fj^pn » j — i i - i ^ j i — : — i rn — J— — I**1 — ij — — = — 1~f A WA-TTR-FA
Taua. "m—
-1-1 — f — -— •*-LL, — I m call -ing
^~^— r r 4Is — | — F — «-M — • — i — " i i^ •be-iieath a ceil-mo, of blue
Et> 07 <•.*! Cm7 F7 C"1?1 1 — 1 h-H
1
0 .day.
=^-rTfierea a
f~* •"H
hiEb
,sBb
— & l-f^HPTT v
" 'J • T^-+— — "..4- -Lwhip-poor- will _
r * Fin.. J 1 0 "r •* i —
drBa^flr LtlO toocfeun Bb ,_Eha
, 1 1 »t'
±=tY"
— i— <
*F
' ~^ [~ 0* -1l-po-<io - 00,
T* ,' — = — — r»~. |_f_vfc'll
-- .-• — •» i r — •* — F — • — rf-/ftete tfie *dh* - pey - tno *» T ten
Cm7> — 2 d J 1 » 3I — 2 — t—t--4- p J J—_ that's call mo
Tf' r " r-|— 1 L_J —
^^n.c^^._i 1— ( — ,M— < 1-Na - ture iing^ to -me. Be - side a
BY THE LIGHT OF THE S3A c
1
'—
" J-•By
L-3—~
Tc
i — I — Jcroonk.Pi .. r.S
Ct—
kccn
1 BT
the light
r JF •*-
want toGdlm *1el .
love's
» — P1 •-
— i — e —Spoon
G7~T~J — = =-1— fil
tun*F
L 1 !••-! I Iiep a shln-lng in June' D7 .^S1 Am
» FT t-P «r 1M 1 I L_be ems will tiring love
m C
Hf ^3'.. .JBT 1 •
c*<foa
^
- • r....g-*4,oo- oo -oo,
CmLF 1 1 —
1 ' " H.ma - Oxc Tn«L
"J— 1 MTV•Wa
IL1
- - — »-i —-ter-fall ».
We car
r ~ ispend a
| *1 U V .
c OL-4V
1 — f=^« — l-jl — •BV A
i . »fiS— — *f^-J 1 L.
3— **tf 1 >- r,^-—1 1 ^J \(\ VOU.
^ERY MOON
^-H in" 1of the sll-?
~- l J»
— 1-— 1>-
. ~-
\
-H baddreeos We'll be
G7 C^M M | j 7Q
1 — = —
»— T -f=mm
Hon -• •••• •••••••M; ^
•n ., — __=sa — F-cud - dlis
i
1 1«-ry
sfBfe*—IT4-fWa
=
f=
W
D7
DOC
e
.£«. .t *nllg-n | ir ».J '-ven - lif
, ft" 1.J. * '
^— F7^ J-_— ..
A-TFR FALL
r r i— i — i — tMotfc-er_
h?- t==^P-p * — II
(Edwards)- ^ ^h: h
=?=?=iTo ny hon-ey I»ll
e_| E ^ .i — 1 d —ey mooi
You:
ig soonw >r r A
n
p eil - v»ryE7-6 A A7
— i
H-B~
By tha'ail - v«r-y noon.
BY THE RIVER SAINTE MARIE - vH. Warren j Moderate
70I left b«r By Th* filv- «r Sainte Ma- rle
The An- ge- liie rang out up- on the ae« _^__?__ .__ -H:
We
pledged our love un- til «- t«r- nl- ty A-
th« p«bbl'- a pa-Ut- ffoa her door"C7
then w« klag^d •- gala aoA part- «d on th« nor*.
gooa
J J .Jand spring Is on
C7 F
'11 nMet her By "Out Riv- er Saint* Ma- rl*.
CAN'T 1VE BE FRIENDS - (K. Swift) AndantlnoCfr
,ciWid|fie man of rrjx dreams. Now it seems Thus is hovffte s{o-ry__or once tt Could-nt go wrorg, Not for long! I can see ife **&y thus—
turn me down and saX.'Cantwe befriends?*
Ncv - er a - gain!_TTiou^iwiffi lovte, ^Tfirot^hv/ittnien!TJ>ey|j(ayfteq game with-out shame,
D , gr D _ eW f Gr cr
atxl whofer to blanie ? manlccddtnot, Whal a bust-'
cr F eh
This is howifie sfory ends'. "ifesi jiD'to turn
CAROLINA IN THE MORNING - (W. Donaldson)C Gdim G7
^3 —tf 4 v ^ 9 1 * m * «?—1 ^^- - jr ~i-itigcoukl fxiftn-er than p be in Car-o- lin-a i<n fc morn-1
[l-irtewiuinr> giri-levwiereu* aev^ LS pearl-y ear-Vy ln the morn- ,- -
^g^i . P , • >." "rr—T—i? ' ' * ' "^^^.in .w svyeel-u; w^ienl meet her tn the morn- mtcP and Kcsseach Ut-tk' but-V-eup at ctawn -t F — Ar BT
Where the morn - tng gb - rtes Tvvine a-round tlie° i x* * y
dcxrr Wlis-per-iRj-J d^ >^SE
-per- ing- pret - - ty
^ If I had A- lad-dins lamp forI long to hear once mone
on - ly a da>d
aiId make a wtsK and here's vvKat Ici sa/;-
JIMIL_I uji_L i • ^DT^-^r^n^-5—€r-2T C
Tfotti-irt*could fefin-er than fo be in Ca)» -o - t.i.n-a f-n the morng=i
ing.
//. CHLO-E - (•• Mor«t)* • A tacet * M 37
IB a trt-jjic manner^ - Ddia
Soae-onecall- in'.
Onp- ty epac- es meet his eyes,REFHAIM G7
I got to go where you areThrough the blpck of
^ If it's wrong or right. I eot"" to go vfcere you are
I'll roam through the ciis- cal swamp-land search- ing for you
'Cause if"— you are lost there Let me be there too
:TJ jogot to go where you are
1 —-V :
chains can bind you,
Love is call-ing ne7^__ I got to go where you Are.
CLOSE TO YOU - (Hoffman-Livingston-Lanpl)
>6u.1L aL-vvaj be neargo
JDft.
\vfefB here b/ iny aide,.
j j j r MI,I rmrf—rr1
No
fe-
mat-ter
i e?-•- - i i | n | i |« | | I I | |
In my dreams III find you there Close to *fao WhatcanI do?
•Am A?+ A»7 ?38 c
It
CS
wants ioto b» CLOSE TO - YOU..
0
COCKTAILS FOR TWO (Johnston-Coslow) Moderate
somese-ciud-ednsn-dex- -V/QUJ _ Thftt ov-er-looks the A-ve-nue, WiAsoaeoiesJannea de-
* E r 1 ^ ' d R r jy=E=^vj J> I^JT^ <ur; *: i - iLight-fu.1 chat, of this and that and cock-tails for two A* ween-jov a. cig-a- retle/_
^ J J |J' S l j - p r JM J- r.r / f lTO some ex-qui-siia chan-son-nette, Two hands aft sune to slv^ meet Beneafc a ser-vt-etie,wt(h
C"7^. r * i F />•*• /> C
cock-tails for two.—o Bui my heart wiff be q; be - di-entC.
M_y headnaygt) i*eel - ing,
in-tox-i.-cat-ing kiss-es— For the prin -ci pal in-ffre-di-ent. T^fasfanyQ-7 ^»»% 6-7 C
r- r ' j ' ' ^ r r ' j ' ilbesogi9dKaeb(*a-live -- Then max-be&i^wii own -plete her pfa^lWatl
COTTAGE FOR SALE,AEb
(W. RoblSOn) ModerateG7 C7
Our lit- tie dream cas-tle with ev-'ry dream gone, Is lone-ly and si- lent,TheThe lawn we were proud of IB wav-ing in hay, Our beau-ti- ftil gear*- den has
Abn Sb7 _« Ato _Bb7. H.
shades are all drawn,And my heart is heav- y as I fcaze up- on— "A Cot-toge For'a-ered a- way, Where you plant-ed roe- es The weeds seem to say
Bb7 Eb G7 C7
I ee« your face ,Sale" "A Cot-tage For Sale," From ev- ry sin- gle win-dow
1 1 1—i 1 w * • 1 • = * | i^—-—BMMI^^™ —rwhen I reach a win-dow, There's emp-ty space. The key's in the mail box the
k/P r r
end of our sto- ry is told on the door A Cot-tage For aale.
CROSS YOUR HEART - (L. B. Gensler) "Queen High"
*j.j. j
Cro-^5 your heart and hope to cffe T' 'i r
sor will.. I,
r P nfo
J.ev - er and for - ev - er and a day !.G AT D ;cn,r
nev- er will you.
ev- er get Morn sngj vve will Ktse
J'eve - nu§ kiss bel - lo; jSun -days we will ' nev- «r be a-
part, sweet-heart. Let d rain! The sunRJ> cr
3m yours
T&r - ev-are mine T&r - ev- er and for - ev- er cross your heart
/3 CJOODBUB OP A LITTLE CLOSER - (K. Hoscima) ModerateG7
coo- lit- tl* clo- «er,»r1Ss»»-~ - ay
r i- a
Like to f ••! your chaeJc so re— ay, LJJea to
tCause I love froa head to
CTNTHIA'S IN LOVE, m(Gish-White) Moderate
blnsh-ing ae ehe gas- sea byt"
her anile la eun-light thro Ve treesThey aee the love-light In her eyea
" Eb+ Ab Bb7
when the etflra a-bove come
ahln-log thruBb
you will fing her in aBh7
I'm glad your love-Jy dream cane truebreathing aigha,Huo, Cyn- thi- aCdin Fm7
J
For I'm the one wtto wor- ship a you
DARLING,JE VOUS ABE BEAUCOUP - "(£• Sosenko)V. F7 Bb Bbm P
G7
Bar- ling, Je vous aime beau-coup,Morn- ing, noon and nifiht-tlmo too
C7 \laf C7 —-'-
Jejr J OJ cv
What tfi .What you
You know, you've conn plete-ly atoli- en my heart.—that's the way I'veF F7 Bb m
felt right from the
Bbm F
atart Ah, Cher- iel my love for youA7 EU7
tree, tree fort.C7
tell you So much more,F
ah ay French were good e- nough,F7 Bb
you com- pree All the things you.
=m — « =d=^
' J J J ^-.
_ ==**p-Vr-^- >
^ --J- fL— '. • • ^ ii
Oar- lingt Je voua alma beau-coup, love you, do.
DARN THAT DREAMma- Van Heusen) Slowly
Darn your jLip«DB6 E7 Art
Darn That Dra«« I dr*« *ach night, you JW yon lovw «• «£.«"arn your lip» and dam your *y*»i tW li*t OM hi^h a- bov* the
G Aaff |l.Ab7
me tight But wben I a- wak* youir* out of eighty oh Darn That Dream.lit ski*ej than I turn- bl* out of Par- a- dia*^ j
7 5 a Q» Fm? Bb+ S> ~ —' , B7
"P IThat Dream. Darn that on* track mind of mln«, it can't un- dw-atand that
r r f t \ \don't car*. Just to coaag* th* rood I 'm liu I'd wel-com* a nie«_
H 'I*3
1*M it tOO,nigbt-oar** Darn That Ore an and b with- out that dr«aa, I nav-erG d l a A a f f D-67 6
would nav* you. But It haunta a won't coo* true, ob Darn That Dreao.
/4
DAY BY DAY - (Cahn-Stordahl-Wes ton )uod«rat*iy slowAm? .
•" J I J JDAY BY DA2"ll I'» fall- ing
you're mak- ingmora inaUU my
11. Bm7
lovedreaaa eoae
with youtrue,
E7
fc^Daycoo*
Bywhat
love seems towant you to
grow, There
(l.)An B7
J \ r fde- vo- tion,
r- JfnA tx> jay It'a
Am? E71 ^ — j L—1 — •• ^1 J « 1 „ J .J J 1r •* y* ^ j^ ,.
1 1 — • ^i r =i — rti— mdeep- ar2. Dm ~~
dear byE7
far than an-Aa7
o- cean, find thatD? G Da
r* r'Know
BT7 Am?I'm yours a- lone
D7and I'm in love te
stay, As w* go through the years, DAY BY DAY.
You>re The Neareet
?fe^_ilL "0 1 = e»
Dear- est I loveGdim 'Sto 3b7
°f you First thing each morn- i37 On
=t±- 1 ^^j^ — . — 1 -=You're in mv ai^ht. mii^- -fryer
Gfcn6 Cdim
Dear- est I'm learn- ingGdim Rn g^y
yearn- ing I 'm on- ly hop-, — F"1, C7 Fm Bb?
•• ! 1 - 1 1 - ! — .L- * F g ' 1 " ~1
Dear- est you're the near- est to
you al- ways thin<Sb
J-V 1 » f • P 'Jag and last thing ' at night
Bb7 G7-^ ^'^ |^» — s * « 1
[ [ 1me right be- lieve me
?m6
1 1 ,-j pWhy I've been
E7 G? C7
ing that we'll nev- er oart .!!h
zjj ~"p ^ n-f — 1 i l * =4my heart.
DEEP NIGHT (C. Henderson) Hodera toF Ft
1 jf { ' : 1Wf-J— 3i *= -' 1 = 1 « " )
" Deep night stars 'in the sky a - bove, Moon - UgV>tS „ G7 C Em E j j F E
{ f~~Z — ^5 P 5 *~~ — P — f"~S
tight -ing; our place of love. Niehl - winds seem to ViaveSone'lo rest,F F Frr, C, J— r OH- C] f f l ° G+ ,
— F^ — ' ft~~ — P »\JS. _ J ^ J J J 1 , P p 5
Two eyes "brigbt-ly wilh loVe are steam -Ing. Come to my arms
\—» 1 — *-5 — h— T 1 1- ~\ 1 t~F m IP I IL. • 1 — 9 r J
— • 1my
1 (* J EM J J * "* 1* ' f F' -fr-zf-a-*-— =£-A-iM— .da rl- ing, my sweet -heart , rny own. "Vbw %at^ouu love me always, and be mine a-
rfi£* i — - — 3K ^r • = P1 ™ J :» '-|»r f""*"'— -lone. Deep rli^il wliis-per- mg trees a-^^bove, ^ Kind a Anight
• _ 1 _ _ " ^ 1 — 4 — f — ' — 1 * t-J~ J --< < — •' 1 •»• ~ j1 '-g y «*--J • • «
brin^-lng you. near:er, dear-er and dear-er , Deep nvs^it deep'm H>e anjij oP love.
DEEP PURPLE (P* De ^se) 31owly/) F Cdim Cm
r^-^— When the
In tfcfC7
walls, arid '.hetifeht, 7ho» you»
U »i JAnd e;
l.Ddio
"*^ ^7back to me,
2.Ddim |
1 P ^P1 «g1— 1 £=
al- *<ays meet
DID I RBiMBl_^ 1 H5>
Did
Bb7
dore you, Andout yoU|* And
I** _T_Efi2
r =-^^I've grovmi
Cm
—} d" :=te-*=^-tJ- =?=Deep Pur- pie falls o- "ver sleep- y x?^r- cl?r.Ctlll of the night once a- gain hold you
- r r r j — j ij j r i- ' ' r j _ * H -1 r i ^ =Cm Dbp F
nist of a mem- o- ry you wr.rj-long as °>y heart will beat, Lov- cr, we
C7 <> ?1 — 1 — -j B-p n =-1 J iJ ^^-L^J *•» T 1
breath-ing my name with a sigh,
Gm7 C7 P==£==-= J J — -.- =S :— r =^==^= i** -1 =
I-.PJ-P jn piy n<"<»p pin-- pie rtrpams.
R (W. Donaldson) ModeratoD7 I^7l7
— p— • 1 p r* it = z ;=E= ' ' r ^= r r j. ^1 Re- nera- ber to tell you I
say ' l » m lost wiRD7 Bb7 11. Eb Bb
- r r j — 3— J ** j — g fjust how mad a- bout you
C7 Rn G71 = 1 J U h- 1* p p 1-, --J i h j • — -1 i "r r — - -
You were in ny anr.s and that
all I knew We were a- lone, we two, What didG D Bb7 p D7 7^7
— i— .. - r — Esay to
Bb7
-J H i
1" 1 1 1 ==E- | L_ t— .-f. iyou? Did I Re- mem- ber to tell you I
ff -4—- 4 J g3 •! ^—gj _T
- — -
[j-
•11
— ,i*
. .
F3 Jth-
= Hi^ J*w a j
,
^ Jj H* B
dorc you, And for- ev- er- more you are mine?
DOLORES (L. Alter)
Ay, ay, ay ,
at KB- t-fe , V Bn - i- Jy . or T>or - is,I was .made to eer- e-nade oo- u> - res ,
She wms-bers Love me.A voicoJZKie mu-sic,
A\\ but she is Vice as as the rose she throws !E7 E+ E7 Ar D7
16
wine Wfiat- a'bf&lf li rcouUmalteDo- lo- res. '"Mine aU
DON'T BLAME HE - (UcHugh)« c . C3m A?, n5T- >Moderate
C: ri^-^—> . G? cJ I J J J J J I J. J I
for fall- ing In love with you I'w^when you do the thinge you
Bleae lieCan't you see
Rn6 J • G7 A7 C G7 112.Pa? G?
ell ButJ J I " n^ ' ** ''
Don't Blame Metun- der your spell But how can I help itI can't con-ceal, the thrill that I'm feel-ingc . r
Don't Blaae
ilAm
r J r i r r r 'ii«t dog-goned moon a- bove .if th'
some- one like ypu to love.G7
e kiss can b« ' A n dFa6 G7
3=^ 3blam* all your charms,That melt in my arms but Don't Blaae
DON'T TAKE YOUR LOVE FROM MEC . Cdia
(fl. Nemo;G7
Slowly
J> J JLLJJTear a star fro» out the eky end the sky feels blue
so that they can't fly.Would you take the wlztga from birds
Tear a pet- al from' a roseWould you take the o-ceaa>s roar Vld ItfLT*
ae weeps too.
Dn7 Kt JXt
mine will sure- ly break, Myr r r"
Take your heart a- way from mine and mine
e, so please keep the spark a- wake.life ia yours to
All this your heart won't let you do.
DCB'T TAKE YOUR LOVEbag of you,
17 DO TOO EVER BUNK Of ME - (K. Bortmtt)Kb
can't live with- out you,' of *•
fcr J r r_ And «b*n youyour eyes dis- guise the saroeVeld
W>7 . a
T r • -i * inv-iqg ll*o,You
M i i ~ll 1.1.. i TJ i i, latell so trad- - - er- ly
|» r
Doep in yourBb7
htart . no- fc«l- lag
SOT* heart you're eteal-lnc do
DREAM - (J* Mercer)Bb
ryi3u think of M.
a
•> 'Jringsthat*a the thing to do
ou'll find your shareA7
rla« in the air
when the day Is thru,
and they aright cone true, are asBb
bad as they MOB, So ZS5AB, 3RSAK, DRSAK. „ ,.
EAST OF THE SUN (Bcfwaan) 51ow
day, LovtewUltwidte \\ttl keeb' ^r
•nd ( "A bar-mo-ny of U,-mcng Ihe s
M jr r 'wrest of Ihe moon, 'cs of 4e mooTTTtll
J
EMBRACEABLf
*
Cfdim ' r>7
rv' »-*.
ITEm-brace i
-crMy sweet em-brace - a-ble you^—
G Em fcwTEm-brace me,
1TJ
fcerr-- You^andyou ad lonebringouJ^ - -sy In met.
my arms a-bou}j/ouEi>^5 G twcaJd
a riaugfc-ty bar by,
- -FComelopa-£>a,CJometo pa-pa,do! Mysweeiem-brace-a-ble
EVERYTHING HAPPENS TO ME (M. Dennis) siow
I mate a d^te kar apir ana you can bet your Lite d rams, I try to .givaa pafvnev-er miss a fKinr'.Ive ratd Trie roeas-tes and the mumps, and, ev-'iy tone I ptay an
(J7 Ddim C"> Dm7 GT !.zCi»> 59 B5
guv up-skuscorn-plains 7l «*i«3 IIIgo thmure Wt cafchin'eoSsspdi,imsm*trains EV-'RYTHINGnAPfB6TB7'lir_pan-tier al-vvaystrumps, I guess Imjaw a' fool wm> nev-cr loote be-fore hejumpjs, ,
! (V^ ^^ •••— .jjr'y F»n» [gW i E1**^9 • E1"*I I J Fj^^^ - T V , . . , . . 1 , , p . *? F IT f I IP p p r ff
I
j r *;> * * * i p' ^ JTEV-RY-THI^GHAP-PE^BTO"ME.__ At first my heart trtotyouCOuUbreakflw jmv fer me, tnat
T? ''P I >_M-^ •'v • . » i r\
love would turn tl« trick to end des- pair, "But noi*'I j iusl can't feoltiiisneaj that tUnksfor me , I've
my cas-tJes in tlie air I've
T V n ~ ;'•
fell intovejudoneeandttenil hadtobewiftyoa.
EV'RY^TIME.WE SAY GOODBYE (PORTER) "Seven Lively Arts"On Eb Cm Kb Cm JW7 Bb7
B»- 'ry timewhen youire ne
Bb7near.
Gb
we * say good- byethere's such -an all
Bb7 Eb Eb7 l.Abn.
fry timeI can hear
die _ a lit-Spring a- bout
we say good- bye — I won- der why a lit-tie,_§ lark some- Where _ be- gin to
why the gods a- bove me Who must be- in the know
singAba
a- bout it, There's no love song fin-er, But bow strange the change fromF7 Bb7 Eb
ma-Jar to mi- _ nor Ev- »ry tine we say good- bye.
FADED SUMMER LOVE,A - (P» Baxter) Andante moderateC&ita
the;?
C7
Leaves come tumb'ling down, Round my head, Some of then are brown, Some are red,—Sway-ing high a- bove in the trees, Ihey were so in love with the breeze
Eh B7. ri^ Bb7
HPiBeau-ti- ful to see, But re- bind-ing'me of a fad- ed sum- mer love. —
the au- tumn wind brings to them the end of a. fad- ed sura-IZ.Bb? Q*
sweet. You are the sweet breeze that tried hard to please, Then swept me off rnyBb7 Eb i Cdim
feet.Sum-mer morn-ing dew turns to frost. Leaves that once were new Pay
r i j. -a a JBeau-tl- ful to see, But re-
FAREWELL TO ARMSfln C
ins of a fad- ed sum- mer love. —
(Wrubel-Silver; ModerateGdiB
to arm* that ca- reased neFare- well to arms,
that ten- der— lylove that once waa mine(57
If J J' -» ' '*' J ""J- J I «Good- bye to dreams that were di- vine.
eart will be with you,
where you are I'll al- ways wor- ship you, And so fare- wellG7
to anas that ca- reaaed me. ^are-well to arms. Pare- well to love.
POOLS RUSH IN (R. Bloom) SlcSwly
Tools Rusk InV t •
where an-gelsferio tread.,where wistmen neV-er go_
and so Iccrnetobitwise wen nev^er
pu, my [pve,tail in love.
If theres a chance for me
-A7 !>»"•then I dont care.
C
JWe
I 7 j U r | rs^PI fell my Ufa
J
FOR AIL WE KNOW(J. F. Coots) Andante Moderato
C7
mFor all we
~— m —know { we may nev- er meet a<
I This may on- ly be a WeC7
mo- ment sweet a- gain,rip- pie on a steam,
Make thisLike a
fore you gocome and go
't say 'Good- night*
mor- row was made forlove me to-2n
all we know
^o
mor- row may
GARDEN IN THE RAIN^A - (.C. Gibbons)Cm On B>7_
ModeratoAb Ab+
BbfflS•Twos Just A GAR- DEN IN TEEThe rein- drops kissed the flow- er beds,
Abm Eb Cdim
Close to aThe bios- coma
Bb7 il.5>^ Bb7
' • • • ' • ^ ^ - ' • ' • ' r ' i j j i +^L#lit- tie leaf- y lane, A touch of col- or 'neath skies of grey. —raised their thirsty heads, A per-fumed thank you they seemed to
12. Eb Cm D7 Gm D7 Gm. . D7 Gm
I JSure- ly here
D7charm be- yond com- pare
view.Bb7 Eb
you. 'Twas Just AC7 Abm
Gar- den In Bain, But then theCdim fat? Bb7- Eb
sun came out a- gain And sent us hsp- pi- ly on our way.
GET OUT OF TOWNGm
- (C. Porter) "Leave It To Ite"Gm6
Get out of town 'ore its too late, my lovet.Gm6
Get out of town,
Be good to me, pleas* —
tire to a farm And be coa-teat-ed to charm The birds off the trees?
Just dl»-ep-pear, _ care for you n too much,-Cm—
when you are near,Sbn
Cloae to me,dear,We touch too much. The thrill when we meet Is so bit-ter sweet
getting aedowa.. So OB your mark, get set, Get out of town.
^VIGHOST OF A CHANCED - (V. Young) n . 9mtti>Um
A7
need your love aothought at laet I'd
D7:
bad- ly, I low you,found you,But oth- er Iowa
•ad- ly, Butround you, And
LJ« *H* p r «.M- cov- er. thiy i i r in1 ^ . • * '
or, that I'm the lov- er meant for you, AndYou might diaC
I'd true, But vbat'a the good of achem-ing,C. Am D7 » •
ii'J rl J i J j r p i r rdream-inc, For I Don't Stand A Cheat Of
I know I mat beOH- C
J J I ••A Chance With You!
GOOD NIGHT SWEETHEART - (Noble-Campbell)F C
Good Night Sweet-heart,
07
Good Night
Tlll weTho' I'
meetm not
to-ba-
mor- rowaide you
Sweet-heart,m
Sweat-heart,
,la-JH» .
— FTear a and
1. C1 — m 1i r J « — -1 — r* r* 1~i r r i
Ore ana en-
F , 07— --, _— — — _ -j 1 1
— F — F F 1— F -1 — J J J „ — : —part- ins •T make ua for- i,
Am Dp G7T — 1 — ; d — 1 — d 1 1 1 1 — iJ 1 I. * 1 * J J J J J *-JLM—bm HI^n~^ a naw day i- bora — So *I»llnBay
1 D7
-f 1— 1 \- — F — f- — Efold you, in each one 1*11 h
07 C'• — d • 1 — -«" -^r
f ] —old you
T^ f = 1
(Kahn-Akst-*hiting)A7. Dm __ ____^_ Of On
Moderate.C7 P.
Is it a sin, — IB it a crime— Lov-ing you, dear, T.ike I do? — •;May- be I'm wrong— dream-Ing of YOU — Dream-ing the lone-ly ni^>t thru.J
If it's a crime then I'm Guil-ty, Guilty orlov-lng you._
C Hia Am6 B7 On
Gull-ty of dreaming of
B7
you. what can I do,, what can I Bay. Af- ter I've tak-- en the blame?
1 '—' nr ' ' i i i i pi t^=^=You aay yovfre thru, You'll go your way But I'll al- ways feel_ just the same.
- A*. Dm. 0 Pa "* »••-•.C+
f^7rF.
—j—i i i i — - i j—^__ Lov-ing you, dear, like
Fm _ G 7
a==^do.
; Cdlm Dm? Pm _^JS'
q_ff-^ p .T3 r i J ,|. i r rIf ita a crime _ then I 'm Quii-ty, Gui*.- ty of lov you.
m
j
HANDS ACROSS THE TABLE-(J.DeLettre)"OontlnentalVarie.t4e /' Ofl,i Eb. On Eb7 __ Ab , _ £+ ~
while the light* «r«Rands a- cross -the ta- ble,
••y, la their tl« *ay, that you fe«- long to me.
HARBOR LIGHTS (Kennedy- Williams)Kb Bb7
31owlyCdla
iI saw the iHar- bor Lights i They on- ly tola me we were
I watch' d the) How could 1 help If tears were eart-i
same old Har- bor Lights That once brought you to Mhe all-bye to ten- der nlghte Be- side the
I longed to hold you n,ir
Now I know lone- 3jr jiights Per all the while my
Some .?«»r jr_ Har- bor Lights . Will steal vour love from me.
HAUNTED HEART - (A. Schwartz) "Inside U.S.A."T-BL Bb7 —9 ww PK*9 PK
In the nightHaunt-ed heart
thewon't tfZJS?" There's a ghost of
you with-ln my hmmt-edsweet, but lone-ly aoag to^
heart Ghost of youTbTBb7 Eb
— Be still. my haunt- ad heart.
HEART AND SOUL (H. Carraichael) "A Song Is Born"EW7 an? C7
Heart and Soul. fOB?
. { I fell H} Love with you. Heart and SoulI begged to be a- dored, Lost eon- trol
P Qrf7 fhfTi P, C7 P
— the way a fool would do.Mad- ly— oad turn-bled o- var board, Glad- ly.
. be-cause you held me tl£ht and stole athat mag- le night we kissed there in the
D7 07 C7 F7 E7 A7
klas in the night moon-mist. Ght but your lips ware thrilling, Much too thrilling.Bb A7. D7 07 C7 >7 B7 C7 P
Nev-ar ba- fore war* mlna ao atranga-ly will- log. Bui now
-brace oan do, Look atP. C7 A7 D7
Had- ly that lit- tie fclaa you stole, Held all ogr Haart and Soul.
lt»a got DM lov- lag
CLittle-Oppenheia-Schuster) Slowly
Hold Mame
Ron- ay won* t yon HoldLet your kiaa-aa thrill
07
. I. J J.
Ju»t likeHer- ar lat ma go.you a-lona omn oo
Taka ma
Bb
^
C7
Ron- ay won't yon taka ma Har-ar to for- aalca m* —
•Caoaa I lorn you so
bid Ma te\fold ma Hev- ar try to Hold yon*
HOME (Van Steeden)Slowly
-* r—*=My thought* are av- arOoea more to ba ra-
the billa con- oaal tha aet-
by light eov- arc all Jtod, for
•*, Svaat will av- ar taka ••
J
HONEY - (Sinona-Gillespie-Whiting)Bb F,
Moderately
I'a In love with you Hon- ey, ay yon love M too
Loved yon team the start,fun- nj, tut it* a true
F A7
Bless your lit- tie heart,Han- ey,
Ev- 3ry day would ba so eun- ny,
W* AM I TO WOW?
Bon- ey, with you.
Valse lenteF7
Oh, How An I To Know? if it's real- ly love That found its
Oh, How Am I To Know? will it lin- ger
:. !•• i" E=M — r—
-
tf ' 1=3
— =•1. ^ «M
an and leave me then,
Bb
dare not ot this
C7
c .range 'lap- pi- ness, for Ch,
: f? " i '-
_>L* : J--J— • £i ivM...i i r !-r =f=~ 1JKnow? can it be that love lias come to stay h«W
HOW ARS TENOS IS OLOCGA, MOSBA. (B»Iane}"FiniansRainboir '
How are things in Gloe-ca Hor-ra? Is thatilit-tle brook gtiU leapi
'-
wll-low tree stiU weeing there fr_
ua- '-£•Through Kll-
mDoes it still run down to Don- ny-cove? — Through
j=r Does that lafl- die with .-the ttrink» lln» ey«_ly-bega, - Kil-
ker- ry and Kil-dare? Cooe whist-lin* by and does he^ walk a- way,Sad andF A7 Bb C7
dream- y there not to see me there?F A7 Bb C7 F
So I ask ea«-h weep- In'
wll- low and each brook a- long the way, And each lad that com** •-
whist-lini Too- ra- lay How are things in Gloc- ea Mor- ra tUs fine day?
HOW SWEET YOU ARE (A. Schwartz) •Thank Tour Lucky Stars"
I J J U>d«ar jour tan*Just the warmth of our
Cdin
thro days . sUifit world's *
ea the stars
n*7 cdua mBOW
e
I CAN BREAM,CAH'T If (S. Fain) j "Right This Way*
You'll nev- er be- long to ae.There's ouch dia- 11- lu- aion there,—
But I can dreavf can* 117
Can't I pre- tend bend of your ea- brace._
And I am drunk With nine.___ For drean* are just lil» wine,
a- dors you al- though we are o- ceansBb? a>
I I .. J I I .. ' ' ipart? I can't mak^e you o- pen your heart. But J can dream, can't I?
I CAN'T BEGIN TO TELL YOU -(J.V.Monaco) "The Doily Sisters' • . TT Qm. A7 tta D7j FIT
X OUT Tr p i ^ j
GXM TO TEIi YOD, How | ouch you
nn. m e . mi™ ^1
^^_ Mw
r P H jhnrrrT^rid would end if «r- er
r
h,Jwe ware through'
Io6If X ctKOA
Cdia K7
•dud like oth- era47.
do. - X make dhch pret- ty , «hett>Dt
t p. rer- er we're a- party But, whan you're near, The words X choose re-ftL. . 07. C OB. A?
^^fuse to le*v» heart. So. takei r n T
swarld h
j i j i ,j. ' i r r r J ' •»'*baa * «v- er known And Bake be-lleve I»v« said the
sweet- eat phras- aaO7
the
^g^
j
CAN'T BEIIEVB THAT YOU'RE IN LOVE WITH ME(Gaskill-McHugo*67 r r* c
ayaa of blue, your klaa»aa too, I nav- ar kaawYoa'ra tall- lag «v- ry ona Z know, I»a on your mlad aaeh
C af7 07
thay eeold do, I can'tlaoa you gotThayC
V rt you'ra la lov« with a*.
bav* al- ways plao«6 youlov* with a*
bow a* just oin't la- ag- la* that youJL
low
And af- tar all la aald and don*, To think that l'm tht
lack* y oaa, X can't ba- Haw that you'ra In low with aa.
I CAN'T GET STARTEDc
- (V. Duke)
plana— I»w a*U tladpar,— Jknd all tba
Pol* I ham char-_ tad. Bat_ tlaaa In Spadta. lh« Karth Po_ aa t* atar. I»w »t a plaea.BBt
»t sat atart-- ad with youaa plaoa with you.
aw? ta A7
I J J J1You*ra aa fa-
» " n*7
lea I wrlta_ of yao,
BV7 Qa7 07
b»«srt-«d 'Caaaa I can't gat atart- ad with you.
I COVER THE WATERFRONT - (J. W. Qreen) *"al «*«»to
ij JTJ j ir rChl bow * y»«rnl wbar* «r«
B7- Ar« you for- g«t-tlng7 Do you r«- MM- baftyou? - Ar« yo
JkZ - J — . JW?
IT r rWill you r«- turn?
• i rco v- «r w*t- «p— !»• watch- lag tte
W__ Q
tar th* I lov* •oon eoaa back. to M.
raw WHY (F. E. Albert)
X dmH know why_ you lite X do,
don't knew why_ you Juvt do. Tonthrill M lite yw do,
oa- ly tlM yott hoXfl M is wfecn woT* d«ic-lng. J <Jon»t know why__
lov* you lite X do, I den't know why
I Don t Wane To Set The World On Fire
X
By Eddie Seller Sol MarcusBennie Beniemen and Eddie Durham
**".Cjl _ ^,
I DON'T WANTTO SET THE WORLD ON FIRE|A+D7|G7+C7|F|
I just want to start'
« flame in your heart In my heart I have but one de- sire __ And that one is youC.7
I've lost all am-hi.— i-tion for world h/ ac-claim.»*l A pi 0».. > G7_ Pm oz_
I j*.* want to be tlje one you love —And with your^d-mis_^ sion that vou (eel the same .
I'lUuve reached the goal I'mdrcam-ing of—be-lieve me1 I DON'T WANTTO SET THE WORLD ONGI-- ^~—~~—^ Bi« C7 G m | CT OptJV^ ~JL G7 C7 F ^
J
LJ
FIRE
I DON'T WANT TO WALK WITHOUT YOO-(J.Styne"Sifeater Girl"n F- BL »7 _?>i r J
I_ _DONTWANT 10WALKWTTH-OUT YOUBU- by Walk _ without myBU W '
i J J J i.r ma-bou t you I thought the day yg.uldt_ me be . hi
=3= I * - d~«* !•• I ff fhind,
_
r p f p i^-r r r i rI'd take a stroll and get— you righf off my mind — but now I find_ that
FT 1o—shineI _____ don't want to walk with - out the sun
B^m C7 Cm? Ebm <- F , , .MJ j uWhy d —r you have to
5* B E^ FtHs rturn off all that sun shine'
G m 7 E _ » C a Eitui F"Oh Ba-by pleasecomeback or you II break my bean for
Mr- J J II DONT WANT TO WALK WITH-OUT YOU. No,
I DREAM OF YOU - (Goetschius-Osser)G7 . . C
'. j ii J U- > rfi ' -iI DREAU OF YOU .
You're mean to me -•MMmore than 'you mean
iI do. How can 1to be, . You Juat csa»t
u. «i r r r i "the way feel.prove to you8oen to •••
real?
Kt7•V ( • | * »
3- J J i-r i^' p f jr r r r HP_ When I
Raclose to you,
Cmthe world !•
mfar a- way)
DU7
1The word* that fill ay heart ay lips can't Been toG7 , 07
J
you ao ^^' V. AV« TJUL>1 *than you'll ev- er knowt.
C
Store, than you 3reaa I do, X XSiEMI OP YOU.
IF I BIDN'.T CAREBb
(Lawrence) Voderato3b P*
!P=PI did- a't care wordsthe 3aae?
If I did- n't care,""• «y «v- ry
would I fe«l thia way? _ _ If •Miia~i.- n't
J Jlove,— then may- be I'a wrong; But why do I lie a- wake al
all day long? pray*r be- gin and end with just your
naoe? And would I be sure that this is love be- yond com-
pare? Would all thie be true If did- n't care for you?
IP I HAD YOU (Shapiro-Campbell-Connelly) Moderato4 , Bfa Bb7 Eb
Ebm
I could< show the world how to smile, I could be £lad all of the} leave the old days be- hind, Leave all my pals. I»d nev- er
Bb Gdlm i F7, i Bblm
whilemind,
J J bJ •! *' " ]f* EE^Ecouldi1 change the grey skies to blue
'start my lire all a- new'if I Had You.
I could climb the enow capp'd noun-tains,A7 EB A7
I could cross the burn- ing ies-crt,Bb7
Sail the might- y o- cean
I J J bJ J V \ PI V \ V \side. I could1 be a king, dear, un-crov;n'd,Kum-ble or
• •^noth-inK I could-n t do If I Hpd You.poor, rich .or. re- ._ nowned. There is
I FOUND A LLILLION DOLLAR B>iBY(Warren )"LillionDollarBabyF or
It wa? a lucky A,, prU showThe ram con -tin-ued tor an houi',
C7 » C iE C7
er , It was trw mosf conve-1lienl ,.--.I nnnffa-n.iundfofniraeor four,
_ 1 if i "~ii" '^- '
_ = 1 1 f ~ * t t t —^ * '^ 1 ._-._! 1 ^
T found A Ma-UpnDoKar Ba-U In A FCvie And 1 Cent Store. p.-.-,, a^j Ten CenlA-rounda ma-liooaol-lar ba -Ky Ln a
Ar Bw A7 Drii
Store.SJieviossell-ing du - na
Of (Jmr crmade Idose e>as
G7 <27 F
I kept buy-
chl-na un-UHlecroidgcl wise In-ci-dent-ljy, Ifyou dwuld run in -to a
F G7 C7 Cdim C7
p door And meet ttiemiHiondol-tar ba-byFhxnthe five andTen Cent Store.
IF T3E CAN1? BE THE SAME OLD SWEETHEARTS -(J.V.Monaco)Kb C7
«• can't bo the aaoo oldBb7
•w*et-hearUf Than we'll
m m.Juat b« the sam« old frlenda, For IEb C7 F7
want aome-one like you,Ju*t" to
tell «y trou- blea to,Bb7
pendeJk
For I've known you too long to for- get you,ma
And my
old dr«aa of love a«v- «r code, Tho X knew you cm? t b* •in«,W« «1U
«u>ft. froai tl«« to And we'll Juat be the «aew old
-
IF YOU WERE MINE -(Mercer-Maineck) "To Beat The Band"
IF YOU Y/ERE MINE
Eb*
S I could be a rul- er( I would live for your love
Eb
of Kings,.a- lone, _
And IF YOU WERE MINETo kneel at your shrine
CdiaI could do such won- der- ful things.I would give up all that I own.—
n" — *rA6 ABb
rW J « 'm •—i-i
r— J J mf—
#~™^-T----
Eb ' D7 Bbm— * F » •-F — E — P— F — r—
— I'd say to a star,— Stop where you are,_ light up my lov- er'eYes, ev- en ay heart— ev- en my life,— I'd trade it all for
30
way, And ev- 'ry star a- bove you
12. C7 Fm Ab
would o-
>fc«y» Say
Bb9 Kb--w~r
you, And think I was luck- y too,m
IF YOU WERE MIME.
I HADN'T ANYONE TILL YOU(Ml
Noble; sickly wjthC7 F
J J J II J JJ.JI HAB- JT»T AH- Y- 0KB -
-MLsav« ay love
_ZL
TIU,for
YOU,you,
JI
I was •I ne»- eg
J J Jyon.you*
I used to
He a- wake and won- der. If there could beO . Brf7g_ W AT i3
1si^^
feTone in th« wld* world, Just made for me,. How I sec
=^=&=z^z==3t_=*F fe i M =*t==^=And tbru ay Ion*- ly heart de- mand- ing it
hand in it, — I HAD-H»T AH- Y- OSS rm YOD.
I HEAR A RHAPSODY (*ragos-Bake2>-Gasparre) MOderatQO'H^TG'y 0* A»<^ ^ BH ^2—^ tgKfa.r . ^ .
hear you callt
So Bofl-Ly fo me, I dont hear a
/W wficn^our sj>arttir e tes -6*7 EF ^e C»e JL
areD7
star-lit sloes—I J.RHAP-SO-DY.
"lidiii1 iL dL JL ^S:B'VUy G7 F»Wr G7 CV A^6^-
J IMy heart b^ftf you., so
w/Jt vr«j xhwf •Mwdar-tLmr Vwiirl me tielil and wKi» - t>er" te me .
Thai softHwua stir-
I KISS YOUR HAND MADAMEE" Ofc,
JErWJLn) Uriapte codente
Cdb Q.
ndMBBlkoByor hand, Ma-dame, \br dainty finger- tipa
I'm begging fcr your tvpsr.land, Itfa-dame,
I •» •I f1 J J -=3
hand. Ma-dam*, /Vd pray my dreams come true.
I'LL BE HOME FOR CHRISTMAS Cannon-Kent-Ram; nod««toC Cdim Dirf? G7 C Gm6
I'LL BE HCME FOR CHRIST- MAS,
En Qn6 Dm Dm Jta6 07
You con plan on
C G Am
D7
Please have snow
Am? D7-9 07
and mls-
n G7 C
tie- toe
Cdira
And
pre- seats on
07
the tree.
Qm6 A7
Christ- m
Dm
r ' r —f=as Eve wlU
r 1-find me fhera
C Qn6 A7
the love-
On
light gleams. I'LL BE
i r r "*•! I . ™* ,- , .-
i 'l< J ir [' i f r 'HOB FOR CHRIST- MAS, If on- Oy in ay dreams.
I'LL BE YOURS (J'Attendrai) (D. Olivieri)F7 Eb J7 Bb
:'U B« Yours My world nay lone- ly but,
I'll •- wait I'll Be Yours,your r«- turn
r r i r on- ly and while you re eon*Yours for- ev-
I'U yearn
dream, Dear, you're ev- »ry- where
•ay, nl ht and
J
I»LL QET BT - (F. Ahlert)c 07 e
i* J. J JI»LL OT W
J ' .'07
O7
I'LL NEVER BE THE SAME*
(Malneck-Signorelli)
"Mr Jill i J luJ H •* J IC_L^^Same } Stars nave lost their mean- Ing for me
I Noth-lng's what It once used to beI'll Mev- er Be The Sean 1 Stars have lost their
12, Dn7
And when the song-birdc that eing Tell me It's Spring I can't be-11 eve their
A7 D7 Eb7 D7
(3nc«rbe
i r rI'.:e love was king but kings can
Eb7 D7 _ Qwrong .11 Kev- er Be The
Ihere is such an ache In my heart Nev-er be the seme
• i r CL.T rie know down deiThe' there's a lot tha ta smile may hide
Nev- er Be The Sameside gain
I'LL NEVER SMILE AGABiCdim FW
(R. Lowe)Bb7
ModerateEb
J \>f M
^J4
— }
— \'-
=f=
- — p _ H_,* r rklX NEV- ER
Cdim— i* •• —rnev- er <
.
\ SMI1E A- GAIN Un- til I< love a- gain I m so in
FW7 Bb7 .
:tt
aughrill
— a-._ft-
I I i1 ,J —Jsmile atlove with
> • 1 1.1 1
you
» ,
=x^ "d • d J J 1 :£«1n , What, good would It OoT 'gain to some- bo- dy
Eb
m___ For
^^tears would fill myG D7
eyejCdim
_Ky heart would re- a-Rn7 Bb7 112. Eb?
start to smile a- gain til I smile at you.
33 I»LL SEE YOU IK MI DREAMS - (I. Jones) Moderate
I LOVE 1DQ (Je TfAi»«t) (H. Archer) "Little Jesse James1
cM words I'm say- ing in the
you. ThreeUb7
same old way. I
And now, tny deer, I'mwords that are
wait- ing to heer The. words that ma^e you relne.
I'M GETTING SENTIMENTAL OVER YOU - (Bassman) y«ryJST Cm — ., 07
Hev- er thought I'a fall,—Things you «ay and do, —•
But nowJust thrill me _±hi
P TSZIJSI hear love call, — \ !*•
and throuKh.—- '
=3 1 "J — H£ = ==^^^.i2^ —^ji^T r =3
could live with- out love,C7 F
hap- _ py.
How I nuct ad- ndt love is all I»» thlnk-lng or, Won't youpiease be kind,
make up yourCm ^ E7
_ Tba07
Voull be eweet andC7
rg«n-tle,
^ I i,-a J. -3 i j. .1 a-«.. >"''*ent-al ov- er you.gen-tie with ae, —
L
L
I'M IN THE MOOD FOR LOVE - (J. McHugh) ModeratetI Dm? 07
I'm la The MoodHeav- en Is in y
Cdlm
Loweyea
34-j>- ly be- cause you're near me
Bright as the stars we're un- der
Bat for to- night, for- get it!
Ifll THRU WITH L0VB •
I'm In HM Mood """For " L o v e .
(Malneck-Livingston)Ddlm C7
Moderate
.I»v«
Ft-
I IIhru With Lov*. I»ll nev- er fall a- gain. Said *A-loclced ny heart, 1*11 keep ay feel- ings tHe?e haveBb Bbn
@D7
^Tli J, H I J, 1 JM -I J ^ ^ I p' J "r pdiau" to love.'Don't *v- er call a- gain* Por I must have you or?
stocked my heart with i- cy frig- i- daira, Aad I mean to care for \
no Love.
18.1—F—
P
1-E*• i- L j, n==»' • jz — : — J_^ ( L.=1=
. Cdiffl_Jj 4, . __• ' • i ^p r j 1 j
Love. Why did you lead me to think you could care,
D7 C3
You did- n't need ma, for you had yourr 07 C Gm7
r •" I'had your share,
f r p i Jislaves a- round you
C7f
mbound you and swear, with Deep e- mo-tion, de- vo-tion to you. Good-
r Ddia c?
> a1 Ji J« Ji 1 1 J J' j J J. |J 1bye to Spring, sod all it meant to me, can
P P* Bb Bbm_ P
E 3
^^nev- er bring the thing that used to be, Por^ I
Qm C7 ^have you or
one.' J ,J. J—t-
And so I'm TbThru With Love.
I'M LOOKING OVER A FOUR LEAF CLOVER - (H. Woods) Hoderato
* r- J J l jI»»
J r I'r rlook- ing o- .aa«d ex- piala-li^ the
fourone
leaf clo-Ing
thatla
roe- ea that grow In the laoa
I'M YOURS CJ. Green;E> cdin rr
sfy a-bove drri;cuWBnfa-v»ay you
earth be-low v*1rv I love vp« so,to be^iy i» whi.^-lin^ in fhe dark;
=3^I try dear. ju5E Why,dear, JTn >ouraoM,TnaV«mc -Corne Lafc me' Tm
J
yoM,TnaV«mc,youra How Hap- BY
|B cr ^ Bt
r i r r r EI mould b€ b beg'and DOMTTW, or eor-row with >ou,
E^ Cm rr
E -ven tho' I knew to-
n. ef
d
You'd say we *<ene thraug^i; If we drift a -part. then HI be Loot a-lone,
Cdi. F^ Bl'r E^
use my Vieartjust for a ffep-pwgsfene,H««riI be^dreanin^ of^ou? I love you, Irn
IN A SENTIMENTAL MOOD^fc
la A Sen- ti-fflen-tal HoodQB the wtnga of 4v*ry klas
Dm
I can Bee the stare com thru my roomDrlfta a mel- o- 3y so strange and
D7 Qm Gb7
~ ' eJi* "—H '—' 1 «—I tf»— <toll« your lov- Ijg at- tl- luBe— is like a flaae that lights the-— In this sen- ti- men-tal bllss_ you make my Par- a- dise con-
.Bbia?. Shn
• ^ • I MBBiM^ J " ' |r ^P " ' • ^—
eeew to fall It»« all like a dream to callplete Hone pet-Db Bb7 Sb7 Ao7 Db
Uy heart's a Ught-er thing since you made this night a thin£ ii-
la A Sen-tl- aen-tal llood I'm wlth-ln a world so heav-en-l^
— For I nev-er dreamt that yoTf'd be lov- ing sen- ti- aen- tal me.
INDIAN LOVE CALL(R. Friml) "Rosenarie" AndaBt, lmlam}
Thai means I of-fir my lo*e to you.— to b«^our o*n.
If .you re - Huseme.I *itl be blue_ all a- tone :
hear my love call rin*-insr clear,J* Gf ,Ebr AV ^ g?t tgIs
And I }weryaur an
i r p y . i B i Po, eq dear,
E>
"M" ~
Lov« wtQ. octne true, _ TfouU
our
me, _ Hi be - tony to .you
INDIAN SUMMER (V. Herbert) "An American Idyll"IH
J1 J J J I 61 J J ITou old ,Ip-c(ian Sum-mer _ Youh-lhe tear that come*Some heart That is brok -en By a irero that an«f-
It A»i» i r- 4 1 ~
Ibu see so man-y
•I J. J I J J JSundreams tKal dont come true. Dreams v»te fash-ioned dJicn Sum-mer
time was are here to wafcJi s o -
3E1 ^- - • —-j
^^^
=P=Fof a ro-marxsm June tro - ing a.- »tcay. fad - ing too soon.
Eb? G :Qt ., p.——T-, G6
7. J. i J J J9 * CJ V _ — • ™
to ycu. Iti-dian Sum-rr»er-"_
IN THE BLUE OF EVENING (D'Artega) Slowly with expression
1 N THITHEBUJE OF EVE-N1NG, When you, ah pear Close to me< , While -trtdc-tfei ^aq /Wa&rs w~
J- J ' l J. JThere Ln the dusk we'll share
' i the star - [Itdrear re - v e - rce
g ^"7 C7b9
skyA"
youii to me.
ii^tl well stand, I'll Loach your hand and then , / Soft - lv as your love-(>• eyes en -treat7 FJjB F -B>-7 ,F a-. i *
'TMTFLiV5_VviU meet a - s^a~ ~ THE BUJt Of" EVE N"!NO, SuaM windsa -bove Whispnn^'I love vou.C7I.9 C??j F ^ '
^
I. ONLY HAVE EYES.FOR YOU,, - (A. Dubin) "Dames"
I donM. know If It*
i j j"•il-liona of p«o- l« go
view,
IT ROMANTIC? (R.Rodgers) "Isn1! It Romantic?"BbV Eb BbT '
Is- n't it ro- man-tic?
Bb7 Eb
' JMu- sic in the night, A dream that can tiemere-ly to be young on such R night as
Bb7
heard. Is- n't it ro- nan- tic?this? Is- n't it ro- man- tic?
C7 Pn Bb7
JMov- ing shad- ovs write theEv- »ry note that»s pung is
Cm
olfl-est mag- ic word. I hear the breez^es play-ing in the trees alikt a lov- er'e kiss. Sweet sym-bols in the moon- ligr.t, 5o you
l.Cm Eb7 Ab C7
bove.
G7 Cm F7 Gc'do
While all tjTe™worT5~"i8 say- ing you were meant for love.
Cm6 Abm6 Eb Gdim Bb7 Eb1 —=E=jE
mei
k! ^
an that
• •= — 'Ff=Rr=< ^^ — r —^ tt 1 k^H^ 1 F hdI will fall in love per chance? IS
1 m— 1 —>- n»t i
E=t ro
S.B*** *-«FH *-n- nance?
I SURRENDER DEAROft
(H. Barris)
W«»V* played the gI may sewa proud,
D7 C
of stayI may act
Am,
But it costsIt'a juet a pose,
D7
I»I can pay. With- out you I
not that way, 'Cauae deep down inf?
can't make my way,my heart I say sur-ren- dar
dear. Lit-tie mean thing* we ware do-lag Uuat have been part of the
gaM, Land-lag a api'ee to the woo-iag, — But I don't care who*a to
Why then you'llO7 Of. C
ifcr DOOT heart call. To you •y love, v life, my air l BUT- rea-dar,dear.
j
LL
—
IT AINT NECESARILT SO (G. Gershwin)"Porgy And Bess"C ^—J-—- On C7 . G&B . ' C —; ' ,. Gto
_ez_
It ain't ne— cea-aa- rl- jjr BO. it ojuu't m-Da- vld waa small,but oh myJ U»l Da- vld
— -, Db7 -'.'• • • C7-—L^—^ . Db7 *
'8- aa- rl-waa ama^l but
A? * .
of I &•agr! He
D7 * ,
ir T j r j r' J ^ r -1 r'"J •*' JIH J -1tflaga dat yo» li»- ble To read In de Bl- ble. It ain't n«- cea-'«a~ n- lyr ought big Go- 11- ath Who lay down aa» dl- eth. U'l Da- vld waa aaall but ohll.Gm C7 Eb9
(Wa. doo,)-
Zim ban bod-die- oo, (Zim ban bed-die- oo,/ Hoc- die an da wa da .
(Hoo-dle ah da wa da,) Scat-tjy wah (Scat^ty1^, Y.ah'IJ
IT CAN'T BE V/RONG (M. Steiner) "Now Voyager" Moderate
U J J J
IT HAD TO BE YOU (Jones) Moderate swing
might nev-er be mean
aixi tin - at - k round the somebody \vhoor. trv to tfe boss,— _ _p y — . ^ *^ _ - E "
CouI4 matoeme be true,
could mafceme be Wue And e-ven be glad,— just to fse aad_
. think-ing of youA7 Etn
Some 6ti)-ens lVeseen_ but they wouldn'tATP 7
-c_rr r 'tor no - bod-^
_&av«me a thrill — wfli all vour faults _ I lovevgu st»Il
->V» - - , G - . - = - -
J J J 4;
?IT MIGHT AS WELL HE SPRING« («-*odg*«0 "State Fair"
t*»t>- **» Llk»BUB- y eyed «3 vague- Ijr «*••
pop- pet onJ»p- y Min- gala with- out a aong
why should^heA \ uprise- fe-1 vert5But I taow it IB- n't spring.
I havB ) < When itDH7
la- n't •- v«n spring? I ke«p wiah- ing ww« aome- «ier* else,
Walk- ing down a strange new street) Haar- ing wordo that
man I've yet to meetnev- ei* heard from a
J J Jbus- y as a spi- der spin- ning day dreams, I'm as
gid- dy as a ba- ty on
have- n't T seen a cro- cus or a rose- bud. or a rob- in on the
J J J«3wing, Bat I feel so gay in a mel- an- cho- ly way that it
ii-J- r l ,might aa well be spring. It might as well be spring.
IT'S BEEN A LONG, LONG TIME (J. Styne)
Just kiss me once, then kiss me twice,Then kiss me once a- gain,_rf><5 RKRW iCdim C7 On _______
LONG, * UOTG TIME. Rave- n»t felt like this, my dear, SinceC7 Qp? o p,
1 ^-~^^ ; W~. ^jf ' It ' mumcan't re- mem- ber when, IT»S BEEN A LONG, LONG TBIB, You'll nev- er
•Cm6 D7 an . Bbm
know how man- y dreams I dreamed a- bout you Or"" ju&t how emp-ty theyal3™Beaned witt»-C7 F
So, kiss me once, then kiaa me twice. Then
kiss me once a- gain, IT'S BEEN A LONG, LONG TIME.
J
IT'S aUOICEb
e Styne) "Romance On The_High Seas" 4-0You 1**, the eons be-gina, You •*••* and *•«•*- ^•{^l SUlf ~When wTwalk band In hand the world be-comea a won- der-land, It a »«S-*C'
I 'I I J.I I I I.In yoor eyea.Tt'a »aglS^—£.•axe stare de-eert the aklea and ruah to nee- tie -— --— -^ ^±ex-plain those rain- bowa whan there la no ralntlt a magic.
These things that bap-pen are
true love for you.
IT'S THE TALK OP THE TOWN (Levinson-^ymes-Neiburg)g»
-g>3 J' J J i Jt 3 J J u. ^^J J .J i rf- w d j iX cart ahow ay faee, Can t go aa- y pXac<a,PeopIe atop and etare.Xt'a ao hard to bear i*T-«ry tiaw we Met, Vy beartafclpa a beat,We dorit atop to apeafc,Tnd/lta Juat a weekj
C7 I '». G7 C7— >
' i ' * ! ! * * **. IV • *TbaTaUbD*ThaBv-'ry-bod- y knowa you left aw, Xt'a Toe Talk Of The Town
Town, we aant out ta-vl-tatiaaa.To frlenda and rela-tiooa, m-aamdj* oar wed- ding da/
* \\ "r I isaTrleoda and our relational Gave cdngrat-a-latlonB, How can you face theaffThat can youaayT
Lata aake up art,W« cant atay apart, Dont let fbol-lah prldetCeap yon firoa
Bow can Iowa Ilka onra be
WAS SO BEWTIRJL (H. BarnLs)Eb A7
Moderate
Xt Vaa So Eean- tl- nltl, BO ( woe- der- fol, So( mar- vel- oca,
gar- geoua, so dl- vice, And you were mine,stare a- bove ua sbone. We were ^ lone.
And yon »ertWe were a-
could i let yon go? ' Xt Tea So Beau- ao won- tfer- Ail, SoBb
gor-geoufi, ao dfr- vine, And you were aine And you were Bine.
4-1 I UHDEBSTAHDKa B7 Ddla A9
(M. Wayne) siow.
I un-it's not your
J J JIf wo«n «• ttYea did- n't M
sad dsr- ling you ar« not to blao*bs- csuss your heart baa changed it* «iad
Q . MS.
'it's not the *VM,•n to b* un- kind,
an- ~I an- ~ d«r-»t 'I^
Fbr- get- ting you M ««•- y
Ti grown so used to your ehms, X 11 •!•• that old thrill and no on* can fill tht
r " j_ '.dut if youJ J J' I
Our lov* WM r««l- ly atant toplao* n«r« In
b« Then d«r- '»«^g hur- rgr back to •• •ad I'll un- d*r «t*od.
I WANNA BE LOVED BY YOUC Ct Gt B"
Good Boy"
you, Jual you , and, Just you, and no -Sod -y
•I wan-na be loved by you a -I v»an -na be kissed by you a -
lone,lone,C
I could-rrt.45-
F C
rnake you my own,-
Bb A7 B7
1 wan - na be loved by you-,
C B7 (J7 c
you and no-body else buLyoMrr I wan-na be loved by you a - lone.
JEALOUS (Little Jack Little) UodercU
J2L
of "th« i moon, that shines a- bov*.<pret{- ty flow- era, too -
caua*
_fl_
th.up- on the one I lov»,
th«y a3^ way, g.t fro.
r ii'n I r!>• j««l- otu of tto
U.)bird- ies in th«
M.
sw«et- «st a*l- o- dies.|_J.- '
you.
JUNE IN JANUARY •olto •oderato
It at->wa>8 is Sprn*tn my heart,with you in my arma.ML fee is the tea-am my dear.your
The mag-t-catchanaB.
Q+r G7 C»G7 C» O RK»
- M l ' Mi IAb<
I .' J J J IThe nigbtts cold
F9 . FTthe trees an bans
B-Bui I can
feel the scent or ros-ea in the
be - cause Im in love, But on-Ly be - cause"lVn in lone tnSi you-
V
JUNE NIGHT - (A. Baer)
C7 A7
Juat give MIi '' f I I' J I I J_^
JtBM tt« ucfitG7
yon.=1
In agr with
^
D7 G7
all your c tHeath r T >J-trUTal 4V" feOWf we* 11
JUST A MEMORY (R. Henderson)Db7
you*
Andante expreaalvo
Days knew with you, are/just, ia)
a mea- o- ry, Jturt a
nen- o- ry. f lhat IB all that's left tTI of a love that used to be.—
Bb
Will *• ahare gain?the nlght,_ U»e moon, the stars a- bove
Will I to hope to slug, to smile, to laugh
your face la near to
. And it's dear
JUST ONE MORE CHANCEG O G"? Ddi» D7
(A. Johnston)Gdim D7
1)7
Just one more dieinee.Just one more nlgtt,
Us von a -lqn«. I Cf""*1.the Kiss-es Thai on - chant -me ,
G7
say a tit -Ue, pray Y for Jusf one more cfcsrfce. Just one more chance .o olh-ers t.f;youd grant me
dim C Cm D7 G Ddim E7r r r r—r~==f
Iveleam'dttie meaning of re - pen-tanoa ; Nowyouhsttieju-ry at niy trust. I knowthatlshodtiamerny
Ddim Am Ar ' D7 On D7 G G Gtr p— - — ''-•!'• - -^ r^ 1
sen -t»inee; Still I'm riop-inj all tlic wViile "Vou'll give me Just One more wbrxtr Gd,m D7 " DdiwDT" Gdim D7 G- alt- D7 G
Lf J . '—I — k *i Tr 8, — — -
glMijo startout; Bui no* Im back to cry mv heart out Tor just one more cKanc«.
KDTAJOO, TBS (H.Tierney) "Rio Rita" Aii«groG7 C G+
think you do, You clown a-round you're feel- ing, Cb, so las- y
^ =*=gg-> "i- •a Ji=fiG7. v L
1 J.. H> J -Nyou know you're shout- ing 'Whoop- a- dale- y.' First you feel a
K7 tm t COlM C
J ^ '•!>'! -f- r u e ij'^i^^p »•*••kink or two But h«r»*e the kick for you, Your on* de- sire — ia
to ae- quire. Each move- ment of this daint- y dance will thrill you
thru Cb, I know it will en-trenea von. whan vou *° **** Kink- •»
LAURAtoff
(D.Raksin)—• G
Lau- ra S is the face In the mist- y light< on the train that is pass- <pg thru
C7p9 - r-. _J^r-^ Faa7
Foot-Those
stepseyes
thet you hear down the hallhow fa- mil- iar they eeea
that floats on a gum- mer night
nev- er quite12
And you seeD9
She gaveP7
Fdim ?. •• C D9
_ L J j J iJ^r T p r i r r p iyour ver- y first kiss 'to you That was
Lau- ra but she's on- ly a dream.
LAZY RIVER * Carmichael) Koderato
« —. _ . - - - - — - w Qw old rpill - run , Tkat3 LA-ZY RIV-ER v**>erethe rob- inb 3005 A -
G >*W G9 frey
,.la*y rw^lA" T*e "oon-day e^r, Lvn-ger vn O.dade* of acan ^y -^ F FT ET &
kind csld tree; Thro^ a- way your trou-bteB.elrwma olream wctt tne
FBP - Bdii. m C7-*. S
BUi«s}ilefl up a - bows, cv-'ry one's In (ovfe, Up a LA-71Y RlV-ER.how*
F ET Ur G9 C7 F E^C E** Ffe
-v—~
flap- py you can be, Up a LA-ZY" RIV-ER with me.
LOS - (H.Barris)D7
Moderate
A*=^= r- J I •• 1 ^ .=
LIES that madeF7
bap- PJt LIBS that
madeF ,
na blua _D7
You07
11 td to «« thaC7
dayD7
that you proa- laad
you told to
LILLI MARLENE (i«ap-Schultze-Connor) Slowly
1. Un- der-neath the 1 an-iline would coma for roll
terncall,
by the bar- rack gate,time for ua to part
C C7
Dar-liag I re- aem- bar tha way you uaed to wait; tTwaaI'd ca- rasa you and praaa you to ay heart; And
there thatthere taeath
bold you tight, 'Ve'd Iciaa 'Good - nitfht,"of the
CI__
rs 1 —^
Gdiffl Q& G7_| -J L.S=3E J1 m 1 ^~
C— 1 1 - — -* — a— j — MI
lamp- light, own LIL- LI 'MAR-
LITTLE ON THE LONELY SIDB, A(Robertson-CaTBUMUigh-*«l<loo) A-(oa" c? * r . cat*
' aUglit-tl* _ oa th*
gw-»ry l*t-t*r— that you s*ad— a lit-tl* on the lone-— I read a dot- en Urns or
I k**p
•id*. — Vowwl*h-lng you w*r* by
• _ with. Sodear.— itoen you re not h«re, there's no on* to re- •GB7 CT
4f T»» seen with aoM-on* •!*•— It's Just eome- on* to dance with
Oh, how I ode* your t*n- derlove you more end more
long to hold you tight, I'm • lit- tie— on the lea*- I/ "ide to- night.
LITTLE IHITE LIES (W.Donaldson) aoderatoGil
j r rr^1 i = ' r- r. •+•The wmoon~was all" a- glow anT~ heav-en was in your eyes,The stars all seemed to know that you did-n't mean all those sighs
G D7 ll. f? _, 112. G
* C.J" cJ" J I J. ^]3SThe night that you told me
B F«7
those lit- tie white lies.
J'JlJ Jbut there's no for- get- ting When eve— - nlng ap- pears,
J -rj-n Jsigh, but there's no re-gret- ting In s.pite of my tears.
the night that you told me those llt-tle white lies.
LOUISEr
(Whiting) Moderate
Bv-'iv "***""*"" to vblA-Por-Lou- ise^L Bird* in tha tree* — leca tothat fe«l In nr heert^ Seeas to re- peat, __ Hurt.
.J Hr' Idor* you, Lou- is*. Jn*t to •«« and hear yon Brings Joy I nsv- *rAm 07 07 r*«7 /«>
know. ait to b* oo naar you, thrills aa through through.
An- y- on* can I want- ad your klss,_ It had to b*dlJB en (1*7 C7
JU i JBut the
won- der is - Can it b* tru*«— son*- on* lDc« Loo-is*?
4-1 LOVE IN BLOOMa
(Robin-Rainger) Nolto moderate
I tha tree* that fill UM breezI the spring that aeeaa to bring
i 1 ' T~ . P+Q/
no It ia- n't the trees, It's love In bloosjJ
spring, It's love in bloom
You plant- ed a seed, And this is tha flow-er jAaff D7 . Q
sweetdim
<Sr«aB the Joy «u- pr«n«,TbateEdia 1 . MS7 E7 D7
to ua in th*Q
You know it ia- n't a dream, it's love in bloom.
LOVE IS* THE SWEETEST THING (R.Noble)"Say It With Music"D an _ S7 AT D BBI K7 A7
r rLov» is
I I 1 i t
! the sweet- est thing, What else on earth could ev- — er bring(the strang-eat thing Bo song of birds ap- on —- the
JSuch hap- pi- ness to ev-
in our hearts more sweet—
J J j^'- OMat- ev- er fata may send,
f ., , > , W7What- ev- er heart may da- sire, What- ev- er fata »ay
J •* J J J I J J 1 +il \$JThis ia the tale that nev- er will tire, Tni
?=FThis is the song with- out end.
the great-_ eat thing, The old- eat yet the lat~_ eat thing,
I on- ly hope that fate may »• ato- ry to you.
LOVE LETTERS-V-1-
(V. Young) "Love Letters"
mLove let- tera straight tram your heart
mnear_ while a part ia the night
I i i' ' i
ry lias
ng, then I read a- gala right freai
team your heart.
L
LOVELIHESS OP TOatTHBCQordon-RevclJJCanU
the thrill of TOOT em- brace —it«a Ilk* • breath of Spring —
tooch of your hand
ner- er ccmld re- place ft*e- r««n bear- e&«bot'a the theew of ev- 'ry song I
l.G
Lore- Li- IMS* Of YouLovo- 11- n«B« Of You
07
r r rWhaa we're cheek to cheek-Ing Word* may fall it !• tru«_
to pub- lie apeak-ingBut UQ- ac- cua- toffled as
I'll tell the world— all a- bout you Your charm and your grace — you
ton
know that you are mine I'd need a mil- lion phras- ea
prop- er- ly de- fine The heav- en a- bove- li- nees, The Love-li- neaa Of You.
LOVELY TO LOOK AT (J«Kern) "Roberta" nod«ratoF Ddia C7
Jl i ?-FLove- ly to look at, De- light- ful to know and heav-en to kiae. ... _
IB quitea- tion like thi»
•oat io- poB-Bi-bl« •chea* come true la- ag- izte find- lag a dreaa like yool
at, IV*
For ve're to- geth-er. the moon IB new, And
otu it'a love- ly to look at yen to- night
4-9 LOVEH MAM - (Darl»-Baualre»-Sh• «te 09 n* _ WCB
r haAaa H«r IB* Oh, afcct A
g» t» bad wltk a pray'r **•*
day Wn a*«t *B« yoiin. dry allay
- I»t, Oh «kat *a»v» m w», okJI
LOVE (Your Spell Is Everywhere) (E. Goulding)
•a- gle apall la •»•
aoul to mat*, Baka •* tar- gut, «f >*wlea\hat «hl«- para, 'Wait/
MAD ABOUT THE BOY (N.Coward) "Words And Music"
Mad a- bout the boy, _On th« Sil- var Scraan
I know it»a ato-pid to baEa aalta ay fool- iah baart in
TT 3J. 33^a-bojrt «,« boy,-
*ry ala-la—^-.
— I'a ao a- shaB*a of it, Bat aaat ad-olt Qia aleap-laaa nlflhta tVi had a- boot thaHar.r~ A?:"JhSugb *» qulta a-wara Biat baraamitbarab..
l|Jg*a " _ .B j . i TT ..y
tra-caa of tha cad a-bout tha boy 'a fool girl,
X raal- ly abocld-n't car*. I«rd knova X»» not a aehoolj(lrl,In tha flnr-ry of
ar oloy? _ TMa odd di-var- al- ty of aic-ar-f Irat af- fair. Will it
- ••»• And young a-eaiixAnd all ba-caoaa I»B aad *»
MAKE BELIEVE BALL ROOM (Hazof-Denniker) xC67 Fma79
Lai's dance, An- y man-sion or hall ,dance, It wiliaoub-l* «y chanc-ee/!
07
il r IT r f r nwhile, we're sway-ing, And the band la play-lag, Mu- aid baa It* charmajYou grow Uod-er,
C7 dia &fl C7
f J. N J ^£.
it's on- ly asweet-ly yov sur-render, In my will-lag anna,Let* e done*,
•mall roca, In our MAKE BE-LISVS BALL ROOM Let's dance <
MAN I "LOVE, THE (G.Gershwin) "Lady 3e Good"BbO
r r J»br l^e. r J*T Ire.Sooe day hell cone a- lose. IJie man I love;He'll iook at me and amtle, I'll vm-Jgrfliaaao.
A!hH3o — ^LMn/ _
he'll b* bi @
nHe
r Jr T »~g. comes my way. I' 11 do my beat to make Mm stay.t seems so- «urd,
y J-^yy
* r - - -I know wa both won't, say a word. Hay- be I shall meet him Sun- day, May-be
Cm G7 Cm cm? P7 Fn Cm Edla
r-f — F ? — EE 1 J •• M •
1 r r T r f ±dAb
may- be cot; Still I'm sure to meet him one day, Uay- be Tues-day Will btBb7 Eb Ebm Bbm
r-r r-w fmy good news day. He'11 build a 11 t-tle home, Just meant for two, FromwMchl'llneTerroiC7
VhowouldHRuldyou? And so all else a-bovef I'm wait-ing for the man I love.
MEMORIES OP YOU (Blake)Fm B7 Gm Cm
Moderate
have left a ro - aa - rv of tears
beam* I-n try dnearns. Spit* cf ail, 1
Ev- 'iy. Seerrwtotnng Mem-o-rta.tr T
Wins- •Dv-ling how I MISS YOU? TcO
you CT- er mat jneX
MOANIN' LOW (Kainger) -.-Jar.^ ( s lcwiy)
Moan-In' low Hy sweet aan_ I loveIf sweet nan shouMpa
b«.lH*f« UM kind of man
Don't know m-y rea-oon why ne treat* me so poor-ljr._jrbat hav« I gone _ andT_ don*7
^ - • * ^ ~ • ^ _ f&~^ 9 —trouble double with his wor-rles.Whan sure- ly_ I ain't «Je- eerv-ln' of none.
Is gon- na
I • Mi • Idee* He's the kind of man_ needs the kind of wo-— nan like ae
MOOD INDIGOJb Bb7
(Ellington-Mills-Bigard)3bo7 vr.
Slow
Al- ways get that
Ab Kb? Ab
In- dl- go, Since ay ba- by said good-
Bb7.
In the eve- nln* when lights are low,
I»m so lone- soae I could cry, Cfaise there's r.o- bo- dy wte
E7 Eb7
cares a- bout me, _ I'E juet a soul who's tin- er U.£3 blue _ cam be,
I could ley me fo«n•Chen I get that tie.
Hudson)A7
>Vay up in tha blua,
Daar oas, hold eta fact.'CteS
met nanra bean IKXZMHXSIX atart in pray-lng
That led JM atradjht to you.—Oh Lord* pl«as* let thta laat—P7 E9
ae«n*d to float rtght thru th« air
tod now when tfaara»a UOCB- GUV
I ax- waya ra- gav» na yot>._
. Moonlight CocktailD7
Lyric Kim Gannon Music Lucky Roberts
If1 Slowly
Cou - pi - a iie- gen of moon- lightA7 _ E7 A7
and add a star,.
Pour in the blue of a June night and— 3 •
cou-pi - a dream -ers and there you are lov- ers hailB7 Eni Gnu
MOON-LIGHT COCK TAIL NowA7 E7 A7
a cou—pi'- a flow-en- a drop of dew;
mStir for a cou — pi '
continuedfj t D-'r-.L^ *Z1—L
a hou — rs till dreamsMoonlight Cocktail
A°"
As tothenum-berofkiss-es i t s up £>,_-MOON -LIGHT-COCK -TAILS need a fe»
Serve it in die star-light un - derErai7 . A7
the sum-mer breeze
dis-cov - cr trickslike these— Areneaththe trees —Em,7 A7
sure tomakeyourMOON-LIGHTCOCK-TAILpfcase— FoI-*Tbw thesim-pledi-rect-ions andB7, Emi Gtn»t. A7 Envi, A7_
an- oth - er com-plex- ion, Where you 11 be kingAmi C, Aq D,7 .
youwi l la wake inthe morn-ing and start losing- MOON LIGHT-COCK TAILS are the thing._
MOONLIGHT ON THE GANGES (S. Meyer)Ab+£7 057 C6
Hin- doo When
J3Z_
Whls- per'd —Am6 D7
Low a sweet6
MV o- dy
SOM-
All our dreams and our schemes ca06 BBS BbnS Am6 Ab+S7 G+S7 C
true.
Gun- gesAm6 din
I'11 meet youC dim
one*
•art And I'll kiss youG9 G7
and ca~C
rees you
Where ra- ters kiss the si- lent snore-
MOON OVER MIAMIro '1
(J. Burke)o !£E =eShine on ay loveShin* on as we
C Eb9
•e, _ So we can stroll- be- side the roll, Of the roll- Ing sea.gii, A dream or two *hat nay COM true, When tt»e_ tide comes in.
J J hJ . I hUJ J J J J J I . •trou-ba-oour*. Bark to the throb-Blag gul- tars.Hark to the song of the soil- ing
Af- ter each eong to the'Hear bo* the wares of- fer thun-dar-ous ap- plans*,
stars MOOS VEH HI-r ir r
A- W, You know we're wait- ing
for. lit- tie low, _ Cto Mi- a- mi short
MUSIC, MAESTRO, PLEASEJG B?
(A. Wrubel)
*».Je»-tiae.3wing.- en- jrIdla Am? D7
- ..lilt-ing Ml- o-dlerf,
tlrl rur. _ To heI must for- get howme ease the pain,
G G7 aff _ Q*
need her,
sol- 1- tude can bring. She used to like waltx-es, So plea** don't play •
wait*. She danced dl- vine- ly and I loved her so,— But there go..
•ust- n't think of her, Ho sore o- rles, awlacC7 0
out, . to- nl£ht I must for- get*
!-! T9
Q IS
tf
B «
''« • I ft *«
,.
fi 2 td t
MY IDEAL (Whiting-Chase) ModerateC7
a.1. fcr e*/ and y»Mb* IBl*>t ** —
• ll<htla{] ayaa—
MYIDTHKR'S EYESKb Qa
(A. Baer)b Kb? Jtt>
IOna bright and gul
p rui-dlag
3 =FIboaa ba- by talaa aba told,— Ihat road
ll. Kb _ a»7
That Uught OM wrong ftroa rightlh«t ro«d *U p»vid with golfl,
I found In mfJ I .1 J J i i
ar'a ayaa
Juat Ilka a|J
07 C9
wand- iriag apar-row
X walked ther i
(Mi•OUl|
Bb7
3b
iatralght and nar- row
9 «b7 Ab^^to reach ay goal.
i * rGod*a gift aand from a- bova,— A real on- aelf-iah lova —
Z rouod
,
in
Hf
ay
rmi
motto-
a» f —
ar'a ayaa.
MY PRAYERF
(G» Andante Modern to (Serr.naaej•7
In a dream Ih tsdC - vine.fy
»o £And VOUP lisidose to mine.
£t
*To - night while our heart) are a - glow.CL2 __ CT+
Oh! teU me the words
tl»t Tm lonr-incr to know PRAYER __—. and tt»* an-awerIdwM 1 •"" •' ="h- ; . •j — - — — j*^ i.»^ ' SJ
-• —— J — < J d -^ — 1
+Hey eiill be the same For as lone; as we live.F
r H r_l j IThat^ottTl al-ways be At «ie eml of my
H* REVERIE07
(Debueey)
I can see that this love ws* for
On- ly * P001"
out you
O 071 1J •>— '
— • r
•1 1 h. 1-XUB=j£J
_— — »—
=4=10 i H.r ' i •* R — f"* ^^ lUr* i ^U-l -H- 1 . .-.1 I-.
J |
life will S«v- er be- gin to be
llake ay dreaa a re-
al- i- ty Let's dls-pense with for-aal- 1-
G7 O. C
Come to
«in B«v- er- ie.
MY SILENT LOVE (D. Suesse)
Liv- ing with ay si-lent loveSmould-ring liie my si-lent love How Z
RD-S7
JJ '^ 'Jlong to tell all the things I have planned. Still, it's wrong to tell,
You would not un- der- stand. You H go nev—«r ire as-Ing I
care, Lov- ing ftooe-ixxi- y soae- where. Leav-lnK me my »i_ lent lovesi
Iff SIM (DeSylva-Brown-Henderson)A C E7 A7
f Sin * *ot
1»could not
want-ing you
«**
but too well.
OB
be
J .J J
SinG7
Though you've for- got-
let-ting aw
< =, , -3-F=
c\f Sfn , waa fol-~^T — >7 — i — i" 1low- ing a love that
MT SOV6 (Brown-Henderson)Bb7 Bb
ModorctoCdl*
SongSong
Bb7
will re- veal what I feel in 07 heart.Still yon know what I'M strlv- ing to say.
II, Bb*
ItThe
Cm
won'twords
r i (•h*v« eo
may besuchcrude
of Franz Schu- bert'a touch and
~^7 Bb+~
mcan't be- gin with
C7
m07
r r r
Ir- vlng Her- Un.
17. . W7 Bb7
Die
tun* nay be wrong Be* you'll find sy heart in My Song.
MATURE BOX (E. AhbeZj Andante
There wae a boy,And then, one day,
BB
a ver- y strange, en-chant-ed boy,a mag-ic day he passed my way,
wan- dered ver- y farThey say heAnd while we 8Poke of aao- y things, fools and kings, This he said
seamet The
lit- tie shygreat-eet thing~
and sad of ey«,you'll ev- er learn
Just to love and be loved in re- turn.
NIGHT IS YOUNG AND YOU'KB SO BEAUTIFUL.TEE
la T««W ">d you're ao bean- U- ful,!• set the braa>- aa »ln* af ill
I- I JH«r« a- aeotf til* abad- «nw, beau- U- AilCw't you gat IA- to Uta awing of it,
C Cdia IW? g?—ii s. a? ^ j .II " . J -I IJ .1 I Iop- an your baart. do «•
An y draaa is par
hasrt of a fool.
r jTh« •oon im htgh and you'r* so gl«a>- or- oua.
J,Aod If or- ous,
i-J J•hat ean I
Cdi* 57.
do?
!• aod la LOT* with yon.
NO GREATHER LOVE, There Is (I. JonesJ
H J s J I j |B7
There i« HO OIEAT- m LOVS than what I feal for you, BO QIEAT-
no heart so true. There la no great- er thrill than
what you bring to me, Bo Bweet-er «ong than >what you aiqg to
You're the sweet-eat thing hare ev- armr m G?
And to think that you are mine a- lone There is HO GKEAT-ffl LOVE fa
all the world, lt»a true LOVS than what I feel for you.
OBJECT OF MY AFFECTION, THE (P. Tomlin)Moderate
r r r r-r »p rOB- JECT OF MY AF- FEC- TIOH can change
man- y girls who can thrill me And someBbnf? .Cat
r com-plex-ion froaho can fill me With
Eb7_
white to ro- sy Ted,dreams of hap- pi-neaa,jto.< JS
PITAn- y- time vshe holds ay hand — And tells
but I know T'll nev- «r rest un-til «h«says si
Cause she's not the kind who'll be un- fair.
ButEb7
in- stead trust her im- .plic- it- lyEb+
She can
r r r f r- -Pgo where she wants to go. do what she wants to do, I won't care, Oh Bffi
(D.S.al Pine)
ONCE IN A WHILEEb 5 1
(Edwards)
1fr^+P' 1 ', ' , « "* . C7 1 _j J j J r r i r r r I
Moderately
Or.ve In A While will yon} try to give one lit- tie thought to me[dream of the mo- aents • I shared with you
. H.Eb
Though eoae-one else mayMo- aente be- fore we
3
near- er yourdrift-ed a- part. In
Am? D7
love's smol- der- ing em- ber,
epark may burn a-love still can re-
—i— i |con- tent- ed, with yes- ter- day's mem- o-I know that I'll
[ — s 1ry
irm 3
—r r F—Knew* JJRJ? you t&d nk of
F7 BC7 — -3
me Once Iii A
B1 1
Chile.
J
J
ONE SONG - (?. Churchill)"Snow White & The Seven DwarfsG i , Em C
I have but OHE SONG,
D9
One love that has poa- sessed net
.ASOne love
Bmthrill-ing ffle through,
tSOMG ny heart keeps
- lag one love, on- ly for you.
L
OUT OF NOWHERE (J* Green)Eb7
Modern tc
"You came tu meJ J I M ,i"hn i j ^ j tJ '..-'ut of no- vftiere, . You took ay heartfrom out of no- vftiere,
Am •El
J Jgr\A found it free.
Eb7 J-
• J
Won-der- ful'Sreams, won-der- ful schemes from
no- where; Made ev'- ry hour swatt u • flow- «r for 0t.
baclc to your no- wh*r«. Ltav- ing me withyou should go
a mem- o- ryAm Cm
I'll ax- way a wait for your r«- tarn out ofSWim D7 0
i=a= • 1 J Mlno- Wh*r«j HOD- ins you'll bring your lov* to a*.
OVER THE - (H, 4s*l«nT "Thi ViMrd Of
that I hoard of oaoaOr«B8 that you dcra to Oraav raal
day I'll vinh up- on A t ,«r aod vain «p «bor« ttt
troub-lea a«lt u^M I«B- oa crops, a-
«b«r« yott' 11 fiaA an O- Tfc- Tha Baia- bnr77
fly, ^ irda fljr O- vor Uw Baia-boir. tfnr tfc«n. oh *y eaa't Xt
P1HIS EJ THE SHtTBG ^Cterdon-Revel) "Paris In Spring1
CLJ5LJLJ LE1 P fpjfi-zs IK vat Us, tta < Lovo ia la th* air, i BB —( Baarta b*-gia to daoea >
_- . I Aad iaI ».»
.'17 «lmeo y«2u «afl OB Uoa to ro>
ply o«»t «-
3 • J' •*da fewa ic ttep« to aid eva,
C7 »
to eUan ifCT
a part of P4B- » TXTIt's
PASSIMO BI (Hess-Misraki)Bb Can
ModerateF7
waa on- ly paaa- Ing byj:ane etralOng in- to Yl«
_. And then you caught myI took one IOOK mA
eye. What a thrill 1 Ky heart andtoe*. You were love
Bb
I atood atlll, Utck_ y for „. uj.t
nev- er dreaoed that I'd die
cov- «rD
paaa- er- by who'd be my lov- er.re Qb7 Bb con
now on we" 11 ,Bb
the world will atenEb F7
/S" we go hand In fr.and, You and paae-
PBQ 0» MI HEARTBb
(F. Fisher) Slowly
Peg 0' My Heart
F7
I love you, Don't let us part,
I love you, I al- waya knew, It would be you,
Since I heard your lilt- ing laughter, It s your I- rlsh heart I'm af- ter
Peg 0» Hy Heart, Your glanc-es make my heart say How1 a chance*
VI
\—9J
•=£* \ ^J
1 -«r i — = — ••~* .J
Bb
r™ =1Come, b« my own Come, make your home ii my heart.
PENNIES FROM HEAVEN - (A. Johnston) "Pennies From Heaven"c ? G 7 C7
Ev- 'ry time it rains, it rains PENNIES PROM HEAV-=_ EN.Don't you know each cloud contains PENNIES FROM HEAV-_ EN?.
A7 D7
(r t r
You'll find'
G7
for-tune falling All o- ver town. Be sure that your um-brel-la Is up-
Q9 C D7 F6 &7 c
r f If f f-U J J J r ~rlEdown. Trade them for a pack-age of Sun shine and flow-_ era. If you want the
-C2 . P_ <—, Qa7 Pma7 Jta
Jiinga you love, You must have show- era,.
A9 T)gff-J-
So when you hear it thun-der
•3 , D7 C
Don't run un- dar a tree There'll be PENNIES FROM HEAV- EN, For you
PENTHOUSE SERENADE (When We'w ALonc) Uaaon-Borton)Dfdljm
With hlngea on ohla-naya forJust plc-turea panthouM »way
ew»et alloe of heaven. ly
and I when "iJ-. • .
We'll aee life*we're a - lone
Then w* can tbaolc our luck-y »-t«r«
lit-tla penthouse, m'll aa-way» con-trlvc and ro-manca far
•v-«r a - live, in <ri«w of th« Bud - ton Just o-vtr tb« Drlv* Vb«n
(Kahn-Moret)A7
Par- sian Bug, I can atray,wiah- ea, too,
ar e-all COM true,
In- to theAnd I'm A-a
RD7
dre«aeema07
SlaveC7 F
man
N ^ r r r . 1 J • J rj 1 J J J 1bring to ma
OT
gifts of wealth end
C
apian-dour, Slave girls aing to
Aa
f J, .1love songs ten- der, On my Per- elan Bug, earea of day
D7 Am F 07 G
dr:
1 T— 1Lft a- w«cf . ilavl Ing tha
1 1 1
KC Id pf ay drew. .
PLEASE (Ra Rainger) "The Big Broadcast"
Please lend your lit-tla *ear to my pleaa, Lend a ray of" %SSerto av1st ma hold vou tight In ar arms. -I could find da-llffrt in yovr
B« G+ e Adi» G7^SPK_ Q7 ~~~~"~ f>
1leaa,Tell ma that you lov« me. too— Sv-'ry nlgntoywhole llfn
nar G7 xu?
an- gal, whit* Ma 07
Year eyes re- veal that you hsva the soul of
aaowt Bat how long oust I play tha role of
X7Ob!
ffl_say you re not
Ttt .FV>—lag to
G7=S*!E
th« t.6j>- and T*3JL ae that you aa too.
PRECIOUS LITTLE THING CALLED LOVE A.(Davi»-Coota"ShpwrnAngel1
WH» C7
.— called love — Z M*
Just a- erosa the
PRETTY BABY
tTii • p?a- Aonc'Ut- tie .thing.
(Van Alstyne-Kahn)
called love.
Moderate
Bb7
Ew- »ry- bo- dy loves a ba- by tharta why I'm in love witli you.Pret-
Ba- by, Pret- ty Ba- by> And I'd HJw to be your sis- ter, broth- «r
dad and moth- er Pret-ty Ba- by, Pret-ty Ba- by. Won't
come and let me rock you in. my crad- la of love,
Ba- by and itend- die all the time. Oh! I want a Lov-F7 Bb7
might as well be you,
PRISONER OF LOVE
Pret- ty Ba- by of mine.
(R. Columbo)
Alone from night tonight youllfindme, Too weak to break the chains that bind aa:nr- nnA cm-manri T e-f-Jm^ on^ wo-t-f •«/*•» 1?T*/w«<-vrtA WK^^e maa_ +A*. ^-pFor one com-aand wait now. ProBonawho'e of my Fate now}
I need no shackles to reaiod me, !'• Just a prls->ner of love. I'm Just a priaher ofI can't escape, for it's too late now, ^
j rlove .What's the good of my car- ing) if some-one is shar-ing Those
On D7 G D7. Gv D7with
Bb7
me? Al-though } Bhe has an- oth-er, I can*t have an-oth-ar}For I»m not fro*.Bb7 a > e g
'• h'P C'2 ^ "V (Jreana,a-wake or sleep- ing Up- on my knees to]• creep- ingj
Eb
J J> J> Jkeep.- ing, Urn just a pris-'ner of love.ver- y life is in
(her
P.S. I M)VB TOO(G. Jenkins)
ESdo
CUirFffl
MocierctelyBb7 C7
64-:&:
F7
Dear I thought I 'ddrop a line, the'weeth-er e cool, the folks ere fireYes- ter-day we bad some rain, But all in all. I can't complain
Bb7 Sb Jta II. Bb7 "
I'a in bed each night nt nine,Wte it dust-y on the train?
P. S. love you. love you.
Write to the Browns just as aoon as youre a-ble, They cane around
I burned a hole in the din-Ing-room ta- - ble,
guess that's ell. Noth-lng else for me to say, And so I'll close, but,by ttaIbn7 C7 F7 . , i E.D7 £b _ _Db7^
way, Ev- 'ry- bod- y's think-Ing of you P. S. love you.
PUT YOUR ARMS AROUND ME, HONEY (McGree-Von Tilzer)
T O f i — Jh•*•*£-
Than
rr? — r-" » i i —Bud- dieThen it
1~1 ^ '
Oh,
1. Sb
i r i jI just
G7
' . J-
J J .4J J I^MYOOH ARMS A-they look at
jJ -J
up andstarts a-
babe, Won't
1
i- dol- ize.
Cm F71J 1 ^_y girl
— h? d — rd — E~d — I A & rd — f-e 1— l_f j — in — ij-^ — n — p IJ-* — i— s 1HOUHD HE H0>- BIT Hold a* tightme, my heart to*- gina to float
SdiM Bb7J 1 1 J 1 i J J 1 1-* ipsl -J * H — s ^ ^" 1
cud- die up with »n your might,rock- in Jlke a an- tor boat_ M\« | *t>7 j B> ! j
you roll dam eyes, ^yes that
It. Bb7 *b* Sb G ( C«
Oh! Oh! I nev- er knewH.
Bb7 Sz1 1 1 j — |1 & 1— -,= \—s-. *— I
ilka f&rr •
RAIN (P. De Rose)
BA33L When ya eon- n* rain a- gala? RAXV Orow the sol- deaB«9« »*• the riv-era d**p a- gala, 8API, Ple^e dcrit l*t a»
r^c^"
•«•• la tlM mead- ow and the sheep la the corn They know ttet
Old lipth-er Berth can nev-«r
for my gal
REMEMBER MEt Warren) "Mr, Dodd Takes The Air"
•tool with/on onfl listened toDa TOO n ••*!•! on* frwjit •w?.i«rroo ra-call a cottag»«*allB
• U i i i i r 1 1 J i J- >•FrouT boor- ay-moon? Ha- fin- bar ma? 1
th« boy whoa* on- ly Joj i» lor- ing yoa,wbo war-rie« till b« tar-rias bom when
• I .JIJ" I ,1 f Ij K I j - li* thru And 1% tha guy you ffiv* your good-night kiM-«a to, H«-
•RO-RO-ROLLIN ALONGC K7
(14. Mencber) lloderato
Qhea cares pursue me, I'm nev- er gloom-y IBo need to bur- ry, Ho need to war- ry That
D7
oa slag-in* a song 5ho» thea« gon-na go <rong Like me
_ _
r |ff r r I r r rr rG7 |2.g?
clouds bang low_ I laugi at woe And go i Bo- Ho- Roll-to* A- longAs Ifa }birds that sing- I dream of
£
RolllnfA-Cdim
3*=^ •. rGive me the moon for a blan-ket Give me the stars _ o- ver
, Eh S Ddttm D7 67— — J * 1 1r r r I*, i«r— * e-» — 1 — >» ^_ . >• r* ft rf»- — — i ,f" — i—
bead I'll make the moun-_ tain qyC B7
door-step, I'll make the des- ert my bedF On Fm6
I'll spend the hou-rs A-mong the flow-ers I'll stqy a- way froa the throng LetC Am D7 G7
^ •r c r i r » lrain or ehine,_ the world is mine— As I'm Ho- Ro- Roll- in' A- long.
SHSTPIMBNTAX JOURRET (Green-^BrownfHomer) Ve!ry ^^jyj c . G?
Ai<! f
"J J J' IJ b
Gon- na take a SK-jf-HgRT-AL JOUHHKT, Gon-na set my heart at eaae JGot my bag,I got my res- er- va-tioi, Spent each dime I coSd 5- fordtll
J9 fO6 C G7 ft
Gon-na mainLike a child in SKB-n-JKBT-AI. JCCRHKr To re- new old mem-__
wild an- ti- ci- pa-tlon, Long to hear that *A11 ^C -
5«v-«n,— that's the time we leave, at sev- «n. _ I'll be wait- in' up for
Heav-«n,— Count-ia* ev- »ry mila of rail-road track that take* «* back.—
HOT- er thought •rbaart could be so -y»arn-y.' why did I de- cid« to ro
Got-ta tain this SBt-Tl- •K8T- AL . JOUR- HEY. TI- KEBT- AL JCR-_«KY BttfiTL.
SEPTEMBER IN THE RAIN (H* Warren) Moderatefm
Ifia^BtoTboifftaunetani-bUwpcbiiiB, .re- mem-berr:sun went out just ufe av <fy - tnj em - ber,
r i* r c J ' >^. To ev-'ry woni of love I heard you wV\t»- per,
F7 C»r F7 B^7 fS»7 B^7F>»7B^y B -» E^ Gm O» Gin
the
S IT r r I r r r r i r * r j Ir jrain-drops seemed to play a sweet re - frain,. ngia here, to me itssli
fin mitern -ber, - tem-ber. the rain.
SERENADE IN BLUE (H. Warren) "Orchestra Wives11
When I hear that Ser-e-nadelh Blue, In an- oth-er vwrld_ a -cr
lone vvcUi you, ishar-ing att' the joys we. used to know,C7+
a - Once a-gain your face cones badt fo me,. — justF9
like tiie theme of some fer-got-fen rnel. - - - - o - dy, In the al-bum of my mem-o - r>" C7 FJ "
. 5e»--e>nadeA"
J V N
In Blue. It seems life on -[y yes-iaxtay, a
smaUca-fe, a as we dance fteni^U-way, J hear you sa/Tfr--Fdim fT R^7 p
.' and
then the song be-camea sigh, Tor- Cv-er-more you. m-mainecfui rny heartF9
So teu me cbr-Iin^, is 0>«estlla ^park,
flame We knew,
ne-ly ash-es of theG7G?WC7
I go on wK»t-(ing tn the dark?_ Ber-e -nade.
, <• Blue.
/*7 SERENADE IN THE NIGHT (Bixio-Cherubini)W I 4 O»_ C Cdl
Slowly with expressionG7
Ser- •- nada in tha nightThere ware stars in the iky
»neath a fair la-dy'a wi&- dow,'neath the ros- 68.
— Just the sane sar-e-nade that Z ten- der-ly played on * night long a- go.— But aha gava not * sigh that she'd ev-er be
Pto «- *-
out the south wind bej . G7
and ay low 8to- ry clo»-,«.
toiag- ing it? heart keep on sing- ing it?Cdi»_ 07
from the paat comes to haunt me,
whan I hear that ra- fraln. oh, my heart aches a- train for that lost love of mln«.
ModeratelySHE'S KTNNY THAT WATEb
r r f ff r r r T r r rI'm not. much to look — at, noth-in' to aea, — Just glad Ta 11 v- in* and
I eafft save a dol- — lar, ain't worth a cant,. ate doea-n't hoi- ler ehaVl'!•»> P7 BE?C7
\w r IP r r - i j ^ J a L a i J i mInclc-y to b*._ I got a wo-_ man. cra-iy for ma, —lira in a tanit— I got a wo-_ man, era- «y for ma, —
IShe's Fun-ny That Way.
Eb Bb7
work and slay* for me kv~ 'ryP7_ Bb7 Bb*
She's Fua-ny That way
She'd ha so much bat- tar off if But
r r r r r r i r r r T T r r r rShe'd be un-hap-_ py with*
Eb Rnwhy should l leave— her, why should I go, -
out ma I know, _ I ' got a wo- man, era-cy for ma, — Sha'a Fun-ny That Way*
SHINE ON HARVEST MOON (Nonrorth) Slowly
Ob, Shine on, SHIHK OK HAH- VEST MOCeT
low-— U»' since A- peril, J
I I . I i " .1aln t no Una to
VEST MOQH, for aa and my gal.
SKYLARK-Moderatotl sW BV» E k
Lyric- Johnny Mercer Mmk_- Hoagy Carmclucl
love can be,
AJ>
Is there a mea - dow in the mist,. Where some -one'sAt
wait - ing to be kissed ?Et>
Have you seen * val - ley
green with Spring,
_E7
Where my heart can go a - jour - nev - ing,
fe!O - ver the sha-dows and
Eb _______ A>the rain,
Eb4j"»2.to a bios -som cov - ered
And_in >rour_ lone - ly flight,>17 " _CT f-^-.._ b*
Have - n*t you heard the mu - sicRni Fmi 7 F<fa» Db
in the night,Fmi .
Won-der-ful mu-sic,G
ing the moon— (Oh.)Eb QBU
SKY - LARK, don't know if you can;
find these things,*
But my heart is rid - ing on your wings,.
So, if vou see them an - y where. Wont vou lead me there'.
SMOKE RINjS (E. Gifford)
• r- p iWhere do they go The Sato^f I blow _ each night.
What do they do ctr- cles of blue _. and
pic- ture Then
C7
I--- ^ . J ido the> f stle — ojy phon- ton par- ade _ of love?
SMOKE GETS IN YOUR EYES (J.Kem) "Roberta"
My tnM low WM tru«
X of cour«« r«- plied, Ooau thing her* In- •!*«, Can-not rb«
Th«y ••id mum day you'll find, All *>o lor*
•b«n your heart* • on fir*, Ton nut
1 ch«ff«d_
gay- ly laughvd to think ti»«y could doubt
••, . SBuka «•!*
_J
SNUGGLED ON YOUR SHOULDER (C. LOMBARDO
Bb7
Snug-glad on your ahoul-der, Cod- dliWhil« th« au- »ic>» play- ing I'm in
Cud- died In youry.m
Dr««m-lng «nil« I'm dooc-lngfam a«y- ing,
D7
JThrilled by all your. «h«naa.•1*i» is haw-
Tou'r* aar in- §pi-
BB7•a dans* for- «v- «r,
f J >J. Ibout
Abayour ch
.Snug- gl«d on your •houl-tar. Cud- dl«d in your
(D. Ellington)SOLITUDE
Bb+l_ Bb+ Eb ^—-^Slowly
ith re- ver- lea1
In ay SOL- I- TCDE you i hauntmem- o- rlee
— of days gonethat nev- er
I sit in my chair, I'm
filled with de- epair,There'* no one could be so sad With gloom ev-»ry-wh«r«, I
Cdim Eb Gdim 3b7 Bb+ St>
•it and I stare, I know that I'll soon go ead In,my SOL- I-TODS_
-• T""1i r r r =J- r J J J i t~*I 'm pray- Ing Dear Lord a- boveV
SO MANY MEMORIES (H- Woods) Mo<l«r*to
J T J FJ J Jhat •!*• P J ? w i l l not dlS3o ma- ny thou^hta of you
The hap- pi n»e« you bringThat
You* 11
nev- er know07 C G7
M =-j — J—-=f= M-=f=— F P 1-=-= Tr "^ Itoo, 30 H5f USM- 0- RIBS Of you.
70
SOMEDAl(Tou*ll Want Me To Want You) - (J. Hodges)
1 ^j J
*=p^=
1 j r r J -+- -nT — i_to it you,
-i When I'm In love with some- bod- yWhen I eat strong for some- bod- y
elae,new,
ex-
01EL _Bb_ D7 QD
pect me to be true ^^And keep on lew ing yem
am feel- ing blue, You *M"* I can't for- get you un> til
And tho you don't want me now a- long sooe-
how,and then I »on't want you.
7/ SOMEONE TO WATCH OVER ME - (O.Oersbwin) '"Oh Kay"Adia
There's a saoe-bod-y lrm long- ing to sea. I hopeX'a a lit- tie laa> «ho's lost in the wood._I_Jeow_
»"« «• . . as azz—. >.sb G? i_Aftthat ha
XI- though he may not ba tha Girla think of a*CT F7 Bb7
Won t you tell hla please to put on soae speed, Pol- low
Some- one, to watchOh, how
SOUTH OP THE BORDER (DOWN MEXICO WAY) (Kennedy-Carr)
SCUTE OF THE
Eb
BOB - DEB Down Hex- 1 - co way_pic - ture In old Span-ish lace.
din Bb7
That's where IJust for a
ir P r P I r pfell in love when stars a - bove cten - der while I kissed the smile upKb Eb7 ' —•* —r-i Ab
outon
to play,her face.
M7-
AndFor it was "Pi-
IDC miMy thoughts ev-er stray
And we were so gayi Eb
SOOTH OF TEE BOBSOUTH OF THE BOB
* 9Down Ilex- i - co -wayDown Hex- i - co way
Bb7
» f MShe was a
Ebsighed as she whispered^Ha-
C7
na-na" Hev-er drean^iag that we were part-ing And I lied as
^_ For our to— mar-row nsv—er
Kb
OF THE BCR -DER.
din
I rode back one
There la a vail of whit* by can - die-light she knelt to pray
r T i "That I oust-n't stayThe ais-sion bells told me
faff Bb7-J—
SODTH OF
Do\m Hex- i- co
Ay.' Ay! Ay! A.V! Ay! Ay! Ay!Av!
i—•
~
SPRING WILL BE A LITTLE LATE THIS YEAR(Loesser)Xroas Holidy11
Kb Bb+57 Kb Kdlai » Bb' Sdim
1 , ll, ft.7 Kb At••• - . • r •• — • m _
youUM
have left CM and where la our to- ril ofbeala all thinga, ao X need- n't cling to thla
eld? You have
laft M aad *ln-t«r con-tin- u«e cold, Aa if to Bay fear, It»a
SPRIBG
STAR DUSTOS7
(H • Carinichael) Modarat*
of a eong? The mel- o- i3y haunts ay rev- ""e- fTa,in my anna, the night-in- gale tells hia fair- y tale
r^ ^ nrgy (M^m tr? • • * fu.—
And I am once agfon wl
But that was long a- go« now my con- ao-
in the atar-dust of a song. Be- dream in vain. In my heart it will
main; Uy at«r dust mel- o- dy The men- o- ry of love*a re-rratn.
STAY AS SWEET AS YOU ARE (Gordon-Revel)nCollegeRhythm//
.6 C Fdia 3 . Ci F&im ! M C 57
Stay As Sweet Aa You Are, 5 Don't let a thing 'e'v- er cheSi, (Die- creet as you are you're di- vine,
l& £ affa^ ar?' A^^^v.g a?^*^ J^T f^**llt F m. *" ' vteli m* that you're mine,Dear*
charm you poe- aeee
Your love- li- ness. Dar- ling, the
As Sweet Aa YouNight and day I pray That you'll
STORMY WEATHER (keeps ralnin' all the time)(H. Arlen)
no BUB up in the star. I 3ton». /and •!•- Try •*- »ry- whVe,'
Ab
Keeps rain- to* all— the tiae,Ita wear- y all — t&tDb Ab Adin Bba7
Lift !• tia*.Ab
Wien a- way the blues walked in
Ab
and art w>,
Db Ab
chairDb Ab
will get M,Db Ab
J-
^^All will let aaAdin
the Lord a-
I had is gone. Stora-y weather,— Since my man and I
geth-Bba7
Keeps rai- in*Sb+57
all the tiae.
K*«ps rain- in* all
_J
8WMBLWOa (Z» Confrey)
«-i_t ••! unna.oi !!• i>* the lat- eet stip\that!s
t BWMXUB here and there,Stun-bUnf er- »ry-where And I aust de»»o- tiee all the pep, po-tice all the pep, no-tiee all the pay
J UJ -L.I stepped right on her toes. And ^hen she buajed ay nose,
I fell an| t hen I rose, And told herZ felt a- shaaed
Just a lit- tie bit. Just a lit-tle bit. ouite • lit- tie bit.
SUMMER NIGHT (H. Warren) "Sing Me A Love Song"ft . 07-9 Cm On? G7-9 C» Hal? 07-9 74-
Sum- mer night, _Cu6 D-5,7 Bbm6
star- ry skies,Fm7 Bb7 Eb Ebma7 Eb7
You oaaAb
^^
rsee ray sweet- heart with a thou- sand eyes,Bbm Bb7 Ab Abm G7 Ca Cm?
Why have ICn6 Yl
J I J J r r rtwo. — on-
fat? ___ Bb7 G7-9To be-, hold a thou- •and charms I 1- dol-
Cm 'Dan G7-9 Cm Dm? G7-9
I I I 1* I
ize?.Cd6
_ Sum-D-5,7
mer night,Bfbm6
You ve a rightt>7 Eb Ebraa? Eb?
_ To comeAb Eb+
J |rin her win- dow
Cmwhen the day ia through,
_ .Eb,She tells you all her
.JJ J l J JNoughts, In tiie fad- ing can- die light, Sum- mer night, Oh I how I an- vy you.
SUMKEOTME (G.Gershwin) "Porgy And Bessh AllegrettoAm6 E7
an' the liv- in' is eas- y.Sum- mer time
Am6 £7 Aa6 Do
the cot- tonFish are jump- in
B7 B-57 Am6
an* yo ma ia good-Oh yo' dad- dy's rich,
look-
D7
in', .
Dm?
So hush, lit- tie b«- by,
AD J idon' yo'
SUNRISE SERENADE (F. Carle)
Look a< the grass s'd- Ver in fte sun_heav^y
—-Taed-ln' a" 'otuig" in tl»e sy-ca-mores But you. bet-tar yet on wi,tl» jaut mcrn-ifl'
75 (Benjamin-Weiss)Gdim 3b
Slowly
5UH- REN- DER, '.Thy dojit you SUR-^
ITow long can your-
I 3 l Gtq
I r r r ^=aCm
«> - •! f —— i — j— i=rT? — Ei^ ^r -r r IMr J
lips li^e with-out a kiss?F7
3UR- REN- i>im,
Ft- J3b_
beg you
REK- DER,Bb
How long can your hearti , . Gdim Bb
sfstT I'llBb9
-Fbring you a love you can cling to,
SbA love that won't
^beBb
un- true.Pm G7
So please beCm?
r rten- dsrF7 3b
and dar- ling, 3US
I -.RKN- DER, And love me as lova you.
SWEETHEART OP ALL MY DREAMS (Fitch-Lowe)Moderate
o =^wi J J ICT — \^—Ciaro
^^=
^^«*•
you My life isEb7
do what you may ah at- ev-
^j •» ^ i r r *•" ' r J =*^I'll al- ways love you this way I loi
J? Bb7 Bbnff Sb70 I " I J J J i r rlove you, *T love you, I
Ab
loveF7-
you You are myBb7 .
mEtxa
sweet- heart in dreams, itEbT «> .
seems. Swefit- heart of all dreams.
SWEET LORRAINE0 17 17
(C. BurwellJD7
Moderate
I've Juit found joyA oalr of ejei
AT D7
I'm a* h«i>-py »• a ba- by boy flth ao-oth-er >)rand n«wTnat arc blu-«r than the «um-n«r «kl«, ihen you tea than TOU win
ciioo- choo toy,re- t - lize
07 C
then I 'm with ffly s««et Loi^- rain*;•by I love my swt'et Loi^-
U- 17 .*" C7 T
ralne.
i p r r T r ri i r r•hen It's rain- ing I don't aii* toe «un. for i t '« In ay »«et- le'i «r.lle
Jutt to think t)i&t I'm the ludc-
That DO- bo- dy eteali her heart a- way. Juit can't wait un-tll thatnight I praytl
hap- n day. •hen I mar- ry sweet Lor- ralne.
SYMPHONYc
(Alstone)
kl±-±-+--\ a I J J r ; [ .. (*7 *•«., ..VA •» ^—J*"" Hiria nXrt— nv nf 1 A V*
Mo4*rato
^^3yB-t>ho~ mr,Yc« walk la
3y»- poo- ny ofAnd tha Bong b«-
lovaglna,
ln>- aleSlng-lng vl-
£r rbow, Bow doaa itUna atart In my
atart?iMarU
/•fwvTh«n you «p««k Tha rael- o- dy
J BJ H.J IT mw(37
r r i rThan you It algha and It soft- ly dlaa,—
; r i ^^3J»- ny • Ing to OM
iJoA lt»a olnar to M
JU>7•ban yoa'ra naar to ma, yon arc «y
C
TAKE ME IN YOUR ARMS \ Markush)An Aa6
#;P
TAKE KB IN YOUR ARMSLat M thrill a- gain
B7
Ba-fora you taka your IOTB a- way, ,To your car- aaa of yaa- tar- day,.
Sm ll. B7 're~
^rf J
^
ITAKS IIS IN YOUR ARMS,
ma fill a- gain _ My Sart.eart. OM hour of gladne
Aa6 B7
r rThat w« fcnaw In tha paat,»
C7 . B7
mant'a mad- naea,
Al- tiJough it ba tba last.hold nw faat. Blind m« with your charaa,— With all
Aa to/o B7 2a
J J .1 Ir rAndatar duat In the aky, TAXE ME IX YOUR ARIC than good- bye.
Tangerine Paramoum PjrtweThe Ffc« *4n"Sbwly Words-Johnny-.-. ...ii, i -
TAN GE-RINEGo7 C7 F
She if all they cl With her eyes of night
Up* a* bright as flame7
Sen-or - i . tzi stxrc and ca- bal - le-ra* aigh
TOMO to TAN-GfiA ? A _ »
Raiaed in er' - 17 bar a
«rc* the Ar-^en-t ine Yes. the ha t them aN on the run But her
' J I..hcan bc-bng» to jiu: t-sw. Her heart be-longs eo TAN-GE • RINE
THANKS ( Johns ton-Coslcnr)E7 AT
Moderate
P I L-rfor all thfc love-Lv
nhs for un - for - get - 3 -I found in your em - brace ImI .nev- er can re- place And
itHank - fut tho' I know ils end-ing all toomem - o - ries that
P£ Ti».y TW?~~cy c. Dm? c
soon . And
r©-Uti-eer like a haunt- ing tune. It is bet -ter to
vcu dear and lost , tern "nev-er to hav^e loved at all -- It is bet -ter, for no., , -G7 c. _
mat-ter wte»tt« cost I held flmworklui awty an Etn-perorjbr a day./Andthar*5a-i5*fertak:in§nie"on^ tieA7
road to "F&r- a - diae , Vv4 tost our way, bui still Inxrfcon-v*ymy
THANKS FOR THE MEMORYC7 F
CRobii>-Raiiiger<Un C7
Mode r« 1-7
P
Thank, for th« me«n-o-ry oflr
.no-tor txips and burning lips and burning toast and pcpunes,} }fow iav« -co-zy chair andpartiesWharewesaDg"5weat Ad - a - it was 2
j j j irUa-ny's the time that we faast-ed And aa-oy'a the tine that we faat-ed CJh,C Am Dm P t a 6 G 7 Onf7 Bl»6 C7 O
I J J. -j r r j- j j J Jwell, it was swell while it laat-ed; *e did ham fun aod no harm done. And
thanks for the meo-o- ry of sunburns at the shore nights in Singa-por* YouAim _^^^_^ Qn7 dlra Qa Gaff
might have been a headache but you nev-or were a bore, So thank; you so nuch.
THAT OID FBH.IHO (Brc3fwn-Fain)llWalter Wanger's VoguesBbn6 C7
*
mI saw you last night
Once a- gain I seemedand gito f«and got Hi at Oldto feel that old
ft=fe=i£Abm6 157
Foal-Ing,yearn-lag,
J. IWhen you came in sightAnd I knew the spark
I got that Old Peel- ing,
Pie mo- ment tnat you danced by(1J Abm6
I felt fc thrill. And when you
burn-ing, There'll be no new ro-mance for me, it's fool- ish toCm FT Abm Bb7 Eb
start, For That Old Feel- ing,m
is Btill in my heart.
THAT«S MY DESIRE (H. Kresa)
<Uoc« tuil brook of
bear you «bi»- p«r lev
"Cho- rl«." Z
00 (I* **iaer) •to
•ct-lng not soby ay i d«-«iro.Tb«ro»« no gwldan ralo to guido • faol to low.—
ewo-ful, or you'll find that you drooa »•
bowt BW • aiad of it«
tbriXllac-ly la low with you o«*o. Darliac. but 1b«r« Z g».
THERE MUST BE A WAy(Oall0p-SaK>n-Cook)«uW(iyf«ith
a otar in tho okioc Ifcat is- »»t r*-fl«et
THESE FOOLISH THINGS REMIND ME OF YOU (Strachey-LincV)UM C m g * 7 . BMT.
-j. •«• - • J. I J + * J-A ei«- a- rvtt* thatA tiafc- "Hag pla- no In
athe
re
llp- stick*a tra-cea,a- part
maI T' J J- 3 j.. 3 i r -p r i
tie pla- cea,heart •eawt,
yon coo- <jaar'd •» 700 did that. to •*,
y» r rBdi» _1M7..,_ f**7 a> frip jj J jt»J • J J. I y F J ^j J ^
how tfcle had to be. The wind* of march that=^
M7 m \ r aTA tel- e- phone that rlogs but
cling* you.
_J
_/
THIS LOVE OF MJLfllS (Parfce2>-Sanicola)f
tr-^ ^ J J"1 j j.i • «> =E£E r1 j^
THIS LOVE OF MINEG-l-7 C
Goes on 5nd on,
J* m = 1 '^— T... j
•. . -j
^L. J * ...J-,, .. -. — J^= 3 — : —f -j— J, . f .... •
Suiceyoa357
al-Wa>» on rny mind, Tlx>' ouf1
&-* L> e
, _— F — r —t—j 3E3U J ^_l
_ _j — _i —^Cm : '
C m
. 10"" 1
It's lone-some thru the day,0-7
And olv thecr
r J ^^^ j "• rs-T —«J M IW |
^ ( ;^ -1 '1 d 4 , \
— -\ r f. —I cry -my heart -out,_ lS5"bound"*b l)reak,
F ' G-t-7 L C Ainee noft-ing
mai-_ {ersl
1Lei break,
fe 'i ask }ie su.ii _ . 'aM Ik mwr.
T>b9 C - -
stars l/iat ,— \Wats to be - tome of tt, THIS Lot OF M i ME .
J
L
L
THWOS I 10VE. THE (Barlow-Harris) 60D7
SfcTha
Aglowail-
of »un- aat in thavar moon- -beam peep- ing
Etathru
* rnar iklea,the tree*,
A?
The gold- ao flick-er of tha fira fllea,A bad of tu-llpa nod-ding in tha braate,
Tba glean of love-l_«, ...Tha look you glva in ana-war
II. <**•
- ly eyea Thaaa are tha thing* I
Jfc
love
oaoa X thought that
Kb?
thaaa ara tha things
ay heart wae cold,Ufa was Juet a win- tar thing,
than you cane to ma 'and Ilka a breath of spring_ you turnad the
eilvar snow to gold* A rob- In'a ear- en- ede when day la thru,
The bab- bling brook ba-alde our ren- daz-voua, Your awaet voice whiep]
OT toff G+ t C
^^ J J . I r- ilow you" Theaa are tha thlnga love.
L
L
L
THROUGH (How Can You Say We're Through) (j. Monaco)
You mean wa'r« through?— How »*"can you say w«'ra throush?Blua tha world would aeem so blue?
On C7 1.F F7
I nev- er dreamed
t ^^^^^^^ ' '• •!-
ve been throufih. Had hap- -yy houre
lieve you mean to grlava me
wa could part. Through?— ohltake me In your arms and love me,
a» you ueed to
TICKLE TOE, THE (L.A.Hirsch) "Going Up1
A7
How to do the'Tick- le Toey ought to know,
LJ J. J J. J J-_ With TU B»ve-ment aao in- vit- ing, Sort Tof cute and ao ex- cit- ing
"Tide- le ick- le- tick- le Toe,* Make* you feel ao full of go
. . ft^ .H_ Keepe ' girl a- aay- ing M0h, Sir!
Ctol Bv- *ry~ l»d- y outfit to know How to do the*Tick-le TbeXH
10 EACH HIS OWNKb (Livingston-Evans)wTo Each His Own"
FA J-OM— nut re-nudn with the sun M *-•—"i^—' orWhat good— ia a aoog if the word*. ."»* Jh«r«1n — and aJuax dont oeiong
love-ly proa-ise wca't COM true.dreaa ouat be a draan for two
«ach hi* own.
each his own And ay own la you For oe there* a
fl«ne is to grow there auat be a glow, To
each door there** a kay. need you to know, I
can't let you go, Your touch too much to me.
•uat in-aia
nev- er know what love can do. hia own, I've
found my own one and on- you.
TOO MARVELOUS FOR WORDS (Whiting) "Ready,Willing And AbleP9 «Am7
- - j . • -gam-our-ous__ and t&t old sfand-bx am-or-ou3 , Its
LJ I ' I
birds,—*_ To leU.you. that you>* mar-vel-ous, Too marvd-ou» fer words—
Moderate (•moothly) Pox trotTOUCH OP YOUR LIPS, Thoc
Noble)G+
TOUCH Or YOB LIPS
Up* tbot arc cool
^^
j JJ T I f IJ-MM» ** h««rt An* -at c
liaa in their aoft ca07 C . j
I J J J J. -4Wtouch of your bond*. up - on Tte
dte to£EE£ ££
love in your eyeaAb+ P» J—
AndD7-
•tO7
X_ tii« no - di - vine.i r r ir i r
THE TODCT or YOB LZM.
THDE (Sanuela-Whitcup)Ckf7
Itediui Slow
i r r » rTRUE, !TRUB to you on* - ly for- ev- er, — and
I All throu i th« boura tfca mln- ntaa,— thata S7 QB3 J ,lrJ J
ev- er, — I'm 2BUK,aac-ondB,_ it'a you,Ebn Bb
Liv- lag to love,— you aballAn- awar tha atar- - ll^it« tha
be ay—j- an-aoon-ltetit_ that
II. Eb
All T ownGive me all
youra +* lonelove I give
ban-die my heart with
you, . •r'Z iC7iT^B»l
Aii£ you
33 (Woods etc.) SlowlyBinTHT A LITTLE TENDERNESS
C7 P7
She may be we*- ry, Wo- own do get wea- ryYou know Bhe'a waiting, "Juat an-tic-~l- pa-ting
Wea-rlng thettinge aha may nev-fi* poa-
draaa,3033.
riTEb Bb7 l|2. Eb
.r j i f t iAnd when she* a wea-ry, Try A Lit- tie Ten- dar- neao ___
aha'a with-out them07 On
ness_
has her grief andFta
aan- tl- men- tal,. It'a not Juat
care, And a word that*a soft _and een-tle, Ilakea it
•I J al JYou won't regret it, »o- men don't forget it, Love la their whole hajpi.
I Jnesa. :JCt's all ao eas-.y . neasT"
TWO SLEEPY PEOPLE (H.Carmichael) "ThanksForTheMemory11
AUp IW .Bb7 Kb Jfcltojftderato
Look new late it get»._j Two al«ep-y p«o- pie, i tar dawn'a ear- Ijr Ught, Andnra* the Frig- 14- aire^-f i with ooth- ing to aay And
too nuch in lov, to aay -Good- night." too anch In lova to break
the night* 'we u»e3
gear la tha haH7 Fatb- er did- n»t Ilka you at
rlad In the fal!7_ Tbaon Hty we
gat a Wt of rest. We'll
• bout the aaaa,_
ay lit- tla dame Two Bleep- y
a ear-
J
too much In love to aay good- night.
TOO LOVES HAVE I (J'Ai Deux Anours) (V. Scotto)C7 F . __ QafJ r Bbm P
anfl they tear me a- J?88*and the oth- er a flame.
loves haVe IOne is a flowtr
07
Two loves have I
Cm? Bb
both ere in ay heort.but they're not the same.
OB C7 P
p r «"=F=Ilight love I crave.—When I'm in a gay mood. -
er love can make me a slave.Then a- gain at times, my oth
that to both, an true.
you.
UNTIL THE REAL THING COMES ALONG - (Holnfir-Nichols-Cohn-etc
that is- n-t love. ?that la- n»t love, 5
COm
It will Bare
1137
do
CMS D7
Dta- til the real thing eoaea a- lone
With all th« worda, dear, at my com- aand, en't Bake you
»U al- ways love you coae what May,
I «ay7 I'd jighVy heart la yourc, what for yoat I'd
cry for you, I'd tear the at dmn fro* the
hare to til the real thing ceaaa a- long.
UNDER A BLANKET OF BLUE (Levinson) Moderate
UM-DCT A BLANK-ET QFfSUiK. Jud you. and I _ be - nealh tde stars.» * • • • • • ,_r_ Let me .be thrilled tjy all yourcR*'**,
_ .—ife_•L-LJL
13 OUT3. -
i.i^^'" gin your arrri*7±lF7
5^B J T f Ien-thrall-i« me
80. Then«*h*del be Irag-ic . If you woiMit here to share it my dear,ttP7+ P b c .7"
r j j * 1^=*=}Ow^RdwAheav-en a-
r r r r- v
I r' J1 <fcdnsam of love for t»K>,
J1^ J J j J J J I Jsweet TO-mance, UN-DERA BLANKET OF
VERY THOUGHT OP YOU, TheAb
Noble) *°Aer*to <*M •Pm
e«sy swing)
The v* - ry thought of youdea of you
I I I 1 J, -I II. fr J,, I"
And I for- get to do,_The long-ing here for you,.
J r Bb7
The lit- tie or- di - na - ry things that ev- ry -one ought to do.ir know how slow the mo - menta go 'till I'm near to you.You 01
Db
i r Q.Kb?
I I B I p I^
faff ttG+S.?
I'm llv-lnfi In a kind of day-dream, I'm hap - py aa a king,~ see your face in V9 ~ 'ry flow-«r| Your eyes In stars a -
And
I J. J J ~J» I J J
e»-»ry- thlnT^- The mere i -
thought of you,— The v» - ry thought of you, my love.
WE COUU) MAKE SUCH BEAUTIFUL MUSIC - (H. Manners)
jV&
.~j i"
>9+
COULD MAKE SUCH BEAU- TI- FUL UUS - 1C i - . - ,?• .ie_could eing the lew- li- est love-sogge i to- gether (hum)
l , ^dlnAB
ij J r T i r rO"* hearts
r r r r r 7 l r ri ,) our hearts beat in tem-po — the sound of our voi - ces will ring — The
Afr A»ro6 f ^_ j Cm Bt>9 fl>6 G7J
touch of our hands makes us sing— The touch of our lips will be mag-ic. Love-ly chords re-Cm , _ Ahn . E> »dim FW7_ Bb9+ Efr Bb+ Bt>m6 ,
•ouad fro*the blend of a few notes07 Cm
•* J Ij J. IIJJf Ir r r p l r r r J^ •!C7_
IP if f' ir rYou and I and love are the blending of
Cm? F#dim Efr Bt>7+
r r ir r r rIruenotes — no bluenotes. Say the words—the words that I long for. Let them be the
Fla Ahn6 B>7 j——,, Afr Bl7 dim Et
is m ^mtneaeof our aon^ For WE COULD MAKE SUCH BEAU- TI- FUL MUS-IC TO- GETHER..
L
(H. Woods)WE JUST COULEN1? SAT GOODBYE
•.« thought that love was o- ver, that we were real-ly through,The chair and then the so- fa, they broke right down aid cried The
said I did- n't love her, that we'd be- gin a- new —cur-tains start- ed wav- in* for me to come in
And
you can all be- lieve me. We sure in- tend-ed to,tell you con- fi- dent-lally, The tears ' were hard to hide, — ?u£ *•And we
D7 07 Gnf7
= J uJ J b« Ij J 3*S__^J J.J — J •The vlock was strik- Ing
twelve o»- clock. It
fold- ed hands it seemed to eay, We' 11 you if you
went back and kissed her
The room was sing- In' love songs AndI looked a- round,
/_. Q i m
And n«» we're both so hap- py,done- In* up and down—
cause at last we've found,. That we just could- n't say
WHAT IS THERE TO SAT? (V. Duke)ra Bb*
a- bla, so live- »- ble, Tow
•.•art's la a dead-lock, I'd er- •& f«a«
87 WHEN DAY IS DONEBb
(Or*. Katscher)BMim F9
Slow with expression
P7
When day is dona and shadows fall, I dream ofF9 F7 Bbraa? Bb
you; Wh<n
day !• done I think of all the Joya we knew. That yearning
turning to hold you in ay arms, "Von't go love, I know love, with-Bb Bdiffl CM6 F9 Dm Bb Bbdla F9
I »r f I r ' J Ji » * i i i • i 'I 1 1 1 1 i • i I* i •* -«»out you night has loot its charms! Then, day is done and grass is wet with twi - light1 s
57 P9 F7 D __Gm_gdimGlir D7 Bb3
dew, Hy lone- ly heart ia sink-ing with the sun.Ab Bb-*- Ebos? D7-S 07
Al - thouiJh I miss yourQH7 , Dm F7
ten-der kiss the whole day through, I miss you moat of all when day is done.
WHEN IT'S SLEEP! TIME DOWN SOUTH (L & 0 Rene-Muse)Aba Kb
*•!v p.^4-4J=fc
Pale moon shining on the fields below Folks are crooning songs soft and lowSoft winds blowing thru the pinewood trees Folks down there live a life of ease
. _ . . a? Ab Aba '1. Eb 112. Eb D7
£^£ m m ^Heedntt tell me so be-c«uee I know,-I It's Sleep- yWhen oli moo- ay falls up- on her knees >
-&--time down South. South._
Ddlm
on the rlv-er »- COK- in* a- go- in' Splash-ing the night a-Ddim B?
way Hear ihoae banjos ring-In* the folks are a- sing-in', they dance till break ofBb7 4^ ffra Et,
day — Dear old South-land with its dream-;' songs — Takes me back there where
I be- long How ltd love in mam-myis arme When it's Sleep-y-tim* down South
WHEN MY BABY SMILES AT MEBb G Qdim. G
Moderate
For When my ba- by "smiles at
There's such a won-der- ful light in herB> G Gdin G
light that ""means Just love The kind of love7 G
that brings sweet
Eeav- en When my Ba- by
WHEN YOU WERE SWEET SIXTEEN (J. Thornton) Moderate, QQC EV F Ar
love you. a» I nev-er loved be - tore.
I -met you on the vil- lage
E2 F
to me, or -my dream of love
lov« you as I lowed you When you wtore owfe*t, When you WWB Bweet Six - teen.
WHEN YDO WISH UPON A 3MRC *7 Dm
- (L. Harliue)07
Moderate
J jYou Wiah TJp-
If your heart laCdi»
f on A Star,in your firean,
r r r
the aweet ful- flll-ownt of their aecret long-
An- y- thing your heart fle- elreaWhen You Wish Dp-
Ik* a bolt outCdia
blue, Pate step* in andg , G9
e««8 youC
V
When You Wish Up- on A Star your drei
WISHINGr
(De Sylra) "Love Affair
tru«.
Mo6«r*t»
WISE- IK MASK ITof night will
U_?
tod wlaV «e ar* the[tt.f Ca D7
wlah long- _ e-> wlah strong _ •- nough, You will coos
WILL MARK IT
YOU GO TO MY HEAD (F. Coots)a, a» Aba? DO?,
1i00 GO TO 1H HEAD j
EbmTender
•you lin-ger- like a h«mt~ Ing re- frain-a sip of spark-ling Bur- gun- dy brsw •
Bba6 P7
and I find} you spin-ning 'round in my brain— i li'<s1 the far- y aen- tion of you »
bl«" *£. *- er in a
glass of chaa-pagae.ju- lep or two.-
37
TOO Tbe thrill of the thought that you
might givw a thought to '.ay plaa casts a spall '>- ver m « . _
Still I aay to ay- self, G«t a hold of your-3olf,can't you
J J Jsee that it nev- er can be. OO 00 TO ICf HEAD
77 Bb7
with a smile that oMkesa»6 P7
a aua- a«r with atea- p'ra- tore ris«.—
J T J Jin- tox- i- cat* ay soul with your eyes.
heart of nineEb 3 — Cdia Bb7
—i— t —i—has- a't a ghost of a chance in this era- zy ro- aance,
YOU LEAVE ME BREATHLESS - (F. Hollander) "Cocoanut Grove"F An Cdin Bom C7 «M<m Da O9F ta Cdim Bom C7 Sdin Da G
r r r T ij MJ J J ' --^LJYou leave ma i breath-^less. you heaven- ly thing.
I speech-leas, I'm Just like the birda,—Cdia C7 .—.• g 7 l 1. ( > .**(^',^f "Ij8 C7"9 F Eb9
^ r J • ' f r i0' IT »ir j ! • •~0y thingrrir You loo~n : w-i-sy _ _ !»„ fined
won- der-furrl- You»re like a breath of spring.mel- o- ty, But at a losef*^ i— -i
for words•
P
That lit-tle
grin of yours, — that fun-ay chin of yours, Does so much to ay hesrt
Ohl give your lips to oe, for, dar-ling, that would be the fin-al
breath- less, that's alltouch to my heartG9
aay u talc* my breath a- way.
YOU'LL NEVER KNOW (H.Warren)DOT Ga
Mode ra to
Ionnav- er know Just how much— I "J?8. X2Hman*. a_ way and my heart— went with
C7 T P
ou 11 nev-er know— juat how much I care•peak your name in my ay- »ry
And If I tried,—
SSL
You ought to knowt— for_ i if __•till could-n't hid*
have-n't I told— you «o, A mil-lion or more, times? prayer If ._th«ra laBhm *7
— you, I swaar I don't know tow,.
You'll nev-er know If you 4on»t_I— know now.
YOU MADE ME LOVE YOU (J.Vaitonaco)
j r 7 i T i i iTYOD HACK Ml LOVB YDD I
You »ad« mm aUaTfor. I^. T^gy G7 c
Slowly
87
na do It, I did- n'twan- na tall yocul dld-n't i
j. i
iYon mod* •• woat 7009 And all tb« tla* you knarwI _____ %CPv •€•••
ITTTIJ •* ^tt I gtwMi yoo
j i \yoo
— tear Too Md« •» f«*l «o ba77__ lovt that*• tnw,TM I do,De«l I
J J I J» »J
do,You know I do Qim- »«,gl*-«« what X cry_ ftr.Toa know you got thahrand of
P * * _ Ir c r rr i
TDOTTOER THAJf SH»NCT3Ml(R»fiOGER) "SOUTH PACIFIC" fcoderato
Young-er than Snrlng- ti.neGay- er than laugh- ter you,
AmSoft- «r than atar-UghlSw«tt-er than «u- ai(j
of Jur» you*i 1
Warm-er than winds of Jun« ar» th» g«n- tie llp« "youan- gel and lov- er, heav- an Of earth ana you to
me. And when your youthD7 Q
than Spring-tiae ^ aa I, Gay- er than laugh-Q7
An- xel and lov- heav- en and earth am I with you.
froH
fi i
i
Jj
_.ji
,%,.._
ALL THROUGH THE NIGHT - (C. Porter) "Anything Goes"**..Jftfe-
to
When dawn comes to wak - - en
C
me. nev- - er them at all;.
Bcfa, OfIn. | Vl,J J ||,,J. J
.youVe £>r - aak - en
cr Fme
cfc, ATTill the shad- ov»s &U;.
Ive the r«ght
C7 9» crTo be close
ithrotgb the TM«(it-.
AIMOST LIKE BEING IN LOVE - (F. Loewe) "Brigadoon"4__ ?b rr.3*SK r ' r•! • day
There* a a anileCm?
is has been; What * rare aood !••my face for the whole hu- man
Ft Bb
la! iVhy, it'arace.l
-eoat like be- ing in love. All the
D7
• 1C Ofmul
f» seena toD7,
be, Like a thatEb
ring- lag for ne
1 r r r r i r .r.t cAnd from the way that' I feel when
Cm? EW .that
bell et«rt» to peal I would awearBb C7 ^ Bb P7
F «•" * •fall- laSi I could
Bb
swear I waa fall-lair. It'e al- moat like b«- la«r In love.r r T r g
ALONG WITH MS (H.Rone) "Call Me Mister"
in pain QD<? C71 1 —
F1 , | , t ==
^=%^7
&ff| | = =]
You'v*A7
way« b A- LOBG Win MXCU7
true a- gain
AND THE ANGELS SING
_onsc^fleun-dis-ocv-enai 5hord;
j««f a gen-tie* tnur-mur
ANGEL CHILD (Price - Silver - Davis)
APRIL IN PARIS •* (V* Date)» c
moderate
A- prtl in Par-Hoi- 1- day «>- le*
3prtng,»e»- er
X nev-er know m heart could sing, Mev-er Biased a, warnt*—J—. B C
r r »Whom can X run toA -pell la What hav» you done to ay heart?
AT MHG IAST L07B (c. Porter) "You Never Know11
earth quake _ or sin>- ply a
good tur-tle aoup or oere> ly
thia feel-lag of eel the real V* Coy}
Xa it for all time ply a lark?
da I see or on- ly Aa- bu- ry Park?
I I •• I Inet worth think-ing of.
AT TBS BALALAIKA
Car la it At Long Last
re POSford) Moderately
And mal-low mu-olc In the can-diesWhat love-ly mel- o- dy my heart
ir ju' e^_>e»" ' ' ' * ' •—"i^ '^'through _ I hear a vi- o-lln,
FT
Jhave a ren-dez- vernal
Be- fore the night is
r r .iA haxmt-lng gyp- sy
Abmvl- o-
~±_ And when it sighs its strange-ly ten-Bb7 tacet . - Eb
i r psons- that I be-
Bb7
r r j. j ^ i r r t»ng At nJe Ba- la- lai- ka»r r r
long Oh let me lin- ger there till break of
r ' . p =•
Where hearts are young, and Ba-la- .lal-kaa ro m7 4 >I have, .a . vous!
BACK IN YOUR OWN BACK YARD
*
(Jolson-Rose-Dreyer)
r r r rbird' with f •atl£,rt of bln«, _l ••• vour OM* tU la -Bpaift,—
Xathrough your
or
I J "II i
Vaar- y «t Mart back•ooo day yoo'llM7
Yontll find year h*p-D7
Baek^T^ your am.your ayo, _
BAMBALINA (Younans-Stothart) "The Wildflower"
nen1«tmeansl
cing at Ihe fair we ha/e to >Ya4diand ke«ba-vt^re,VtfiensoodoldBaiffmw»l Stand still In >our amc and hold >*xynanaatiU Tor we dare not dance
tiBante-or
Uh- a galls a stop;skij> or Wck or •Hopj
Fm
r r r r r r lhe may choose io stof give me a good ex - cuse io pro)» tny Lit - tte head a -
Q- G7 B" Gr C
gainst my fQri-ner'a cheat;
F C F
J. J J J
^
So
G7
see the rea-aoo wh_y tho*r~r " C
O7J
oth- er danc-es I- may try. I al-wa>4Ufeitie Bam-te-(in- a best.!.
BEST THINGS IN LIFE ARE FREE,THE -(De^rlva-etc) "Good News"3*- Cfl g»
ffii—J-l•n»
tea
r r rb*- long! to «v- try* oaa, Qia baat
»ry- CXM,
97 BIACK BOTTOM - (R. Henderson) • 0. lh±t«»sA . w c y a B> BW BO»
J j>u A J> r ron A new twie-ter; !€»•They call it Black Bot- too
u frtlieyir T
Bot- ton A new twie-ter; !€»• sure got '«av i£»fel-lowB with toa - ba - go And hflfo, yet-lay. 7T-- rtfr - n El*? • , * C7 . * . ghf . -j u
oh, Sia-tari they clap their hands and. do a rag-_ god- y trot,they got They Jung right ia and
* r —•aSr-K=K— Rb. tacetHot!
iI J A - j J.give it all that they've sot! They aay that whan that riv - er
' Kb F7i I j1 J
bot-tom cov_=_ ered -*ith ooz«, Start la to a^ilrm.
a> * - vta Coop - lea dance and
• .thatfethe we_£.aant they use: Just like a worn! Black Sot-ton A new rhyta, Then
Bb Bb7 3b* Bb di« c-i• • • • l r*—• • ^m^^—^^gf—you spot '«*, You go with'em, And do that Black,Black Bot-toa all— &e day Ixngl
BLUE ROOM, THE (R.
_SZ_Girl Frtend"
C7
nin roomsmall roos-
hoi - i - day Be - cause you're tasr - ried to
your wee head up - on ay We will thrive on, keep a - live on
Just nothing but kia - seaC7 f C7
ter <md Kia - sue7
your Vous-seau, Aa-5 Rob - in - son Cm - soe
not so far froa world - ly caeca A» our blue room far a - way up - Stairs!
BOO-HOO (KeyBan-Lombardo-Loeb)
touWopt me ov-tno fir Y0"—e i e dT ^ e _s
her ba-by oft! «o blue Vou left i*r m tte liirrft
I'm ci^-tno. forwait-fno at the efiinrf
fed lilt I do Aid BoM*»4o«>-irf too.
BROADWAY RHYTHM -(N.H.Brown) "Broadway Melody of 1936"
thct Broad-way why-Off,
CbP7
that Broad-wayBb7
that Broad-way Khy- thaD A7
writh-lngD
beat- lagA7
rhy- Urn.D
Got- dance*.
A7
Got- taAT »D
Got- ta
A7
dance; ^A7
: dance! 9-Broad- -*-wayD A7 D A7 ' D
~, It»e gotlT_ me Ev- try- tood- y dance
Out on gay white way In each mer- ry ca- te,
— trae play, Talc- Ing your breath & way"A7 D A7
ith a>E9 Af
d- way8
th^^=^
I " I
*ry-bod- y elng and dance!
L.
BUI NOT FOR ME - (G. Gerstavlji) "Girl Crazy" •Mn.t.
-E2L- — ^\ M f?1*. "*•>— I^d8^ that wsy
^^Lead the waycanx dis- rnias
tee. *»» a of his ktss, I gu«8 he;
Hot for me.
BUTTON UP YOUR OVERCOAT -0
etc)FollowThPtt"A7
2EEE r i r LJ r Bat-ton ap your o- y«r-coat
Bat an ap- pla *v- 'ryday.Whan tha Wind ia >ft-e«G«t to bad toy thraa
' 1. .
car*"'of yotnMM&_ you ba- long
_^a1 J a* (• IBa cara-fol
i r/" i r r r » r r " 'o- oo i Don't aat maata Oo- oolcroaa-lng atraata Oo-
Cot oat awaat* Oo- ool Too' 11 gat a pain and ru- in your to*- toot
bap a- epr««boot- lag hooteb_D7
Taka gosa — ear* of ba- long to
BXE BLACKBIRDf
(R. Henderson^C7.
I I I ' , I ' ' J J J 11 ggm all mar eara and woa Hara I no •tog-Ing low
Modarato
Pack op all »y oara and woaDote C7
I -I r.r r l. ^Mo ona hara can lova and un- dar- stand
Bbo6 C7 f.what hard luck
mlight thi•to- riaa they all hand ma
D7
^It 11 ar- riva lata
^
Uaka ay bad andOm C7
^
tha lightP
night Black- birdi
Bya Bya.
BI HECK - (So R. Henry)Ebta
Iloderato
r r rto torn from Os- lea- loo- aa
•all hia old- aat milk-li« bria- dla cow, said ha
rag'- lar lal- la- pa- loo- aa. Ba^ch yar for—-ty viol- Iws aa« will
*etob tan baaoa; By Back! thla is a rat- live- ly cl- ty. By
—~—^——~^*^— ^^ i ^ L -,. 3 i r —Oodhi Juat look at all tboea 'lac-trie cars. By Qua! it aura- 3y
J
la- a dog- gona pi* tar* Did- n't out a half a do! Tar in - ay
CALIFORNIA (HERE I COME)F
(Jolson-DeSylva)or
CfcUeun - ki«t TWOS- satd!/T5o»?toe LateL
CUT
\*l)ere II can
_OZ
-ed from —-Ly watt-
or
J I »' j r J If Tbloom in the sun Each morn-ing at darti-ing, Bud-tea awt* an'
eri r
ev -Vy-thug. A O - pen mup that Gold-en Gate.
C•' i r r1 i
for - nla h«ne I come.
loo
r i r f j j j M J r J - gWhere bowers of flow-era
1
CAN I FORGET YOU - (J. Kem) "High-Wide And Handsome"ItMMk . 1 r(fcPqilll 1 | ri
Cat IF , C7 ll.F
J.for- got yon
O7
C7
? orC7
' — *:•" * i •* • — — ^ i «Joaco wo walkod la a moon-lit dro•woot you
r Bb1 1 — * — i — &-* —
F7
1 1
Bb
f =
WillBba
f
r
will mr
I J'*• ^-^
m
too, F
r
' i
hoart
F1 —
glo-
;J |«-« k
j
r ' •*?•• i
i HI—J f fdad •* that
'•' r J |— F 5 J • —•ado too «ooo- light
<M7 C7-pa 1 — -« ^ —
nr
X —
osf your
1 J J
s
n«
•T- »ry night r«-
•• Bow aueh want you back a- gala*
CAN'T HELP LOVIN« DAT MAN -(J.Kern) "Showboat"
flch got to nda- and bird* got to fly, — got toT«ll M ha'* la- ty, toll •«%••• Blow,— TH11 MO I»«
Ate B) tti .17 Bb7
lov*. oao
— — • ru » i ^ 'L^J •> OT— * ™ ' f»f•an til Z dlo,— l Can't holp p<*lovla' dat man- of alaa.
i r r r r i r r 1* flno. Tho *nn will ahlaa>And «han ho cone* back dat day
' J I LJof ndn«.
CAN THIS BE LOVE? - (K. Swift) "Fine And Dandy"
SIR ttis bCm*. i>y
bli«.hap v*i>ere rwth-ing aeemo quite real,
U2L
1 wan - der
threat da>S wilb
ET AT
dawn?v
CECILIAc
TeU me. can this
Moderate(D. Dreyer)
Does your Moth- er know you're out C»-
Doe* she know that Urn bout to steal you,
look in your eyesG7 C
get to- getb- er, How a- bout a lit- tie kla« Ce- cl-
Just a kiss you'll nev- er miss Ce- ci- lia, Why do we two
;eep on waBt-ing time, Ob, Ce- cl
CHANSONETTE - (R. Friznl)
ear that you'll be mine. _
~f( fflf \ ' t * ^ i — --•••— ^f'Jm' j «-|i— S ^ Jl
Chan-son - etie , Chap - songleam or the
1 * — + — • — £ — i — 1_ •'ret. For ev-er anda. day , itTuriS nc>i mel-O-dy OL- v(Xa I
'Z FP Rb E, fil. "Af G7 Fn-'>r — »r-i j n -
— — J B » 1v_ The rose that blooms on
Bb cr cr F"
fra - prance snali bor - rt)w fnom
C . J- atle Love N
17100*1 Brings
^ p
jt i ne sta%l- wa^-3 mirie
Ca^m E»— r — F PT-
— +»
• ,F =vas bprn v>a dream^ 7 fc:> <l-] N
D>- sour" . icjp£f, S-M v S"uide .
r~ r— L C £i :eacti to - mor - • row
— I! ^ j , *^.-Z—— i • *you. Chan -son
Fm
^ ^ ei £- ette , Chan -son - ett<
pty Fm Bb'
TieV- er re- gret For -ev-er to be known as m> own Chp»
Ki "TlTi ! T~ — 0-'^ 1"5"* • *~J\ r ^J J Q":" . 'My Chan-son - etle-
. :'a i
i r tt« • r 1 i"Mv Chan -'son - etl*.
«J •
'hen ^fe=>r the
1 J rt. • 41Ev - ' r>
LJ
It's
• . •*
= ^OU \A^iU
Ei»
i-Kon - J>ff^"^
t - ~ ~ .B.1-V^ — — tt 1
1 i
J
CHARLEY, MY BOY (Kahn-Fiorito) Moderate
' r J. L.CHAR- UDT « BOX
/oa
with ahlv- era of Joy.
sort- a bit ofYou've got that kind- a
That make* a* takea BM tell ae what ahall I eay,
read In your glance,
V
?a- gea and gea of love and ro- nance•
Ab7 iu_* it-m • _ .a — 1 : r [f-j j tr . :
J. — J T 1 — P — H•4— F —^ iT1 —f=t=1 •> •1 H,L-"-« 1
They tell nra Ro- me- o wae some IOT- er too,
But boy he should have tak- en lea- aooa froa you, _L
You seen to start
D7
where
I IOh CHAR- LEY MY BOY.
LITTLE EARFUL (H. Warren) "Corned Beef & Roses""b .a — ». —j j) i ji , j
ifl-tll ear-fU]There*a a cheer-ftilStocks can go doim
c?— -ful Qoah 1 oiaa It
bua'-neea slow down But the milk andFtoin At
| » | the well known
Kb?_
X. Eb 112. Eb
ev- »ry play lt»e a aet phrase
get phraae ButBb7
pet phraaeBb7
it 113 do do
roo- it aoft and cu- it Make •• hap- P7JK mcheer-ful lit- tie ear Ail Of the weU known »f lote 1
CLOSE AS PAGES IN A BOOK tS. Roaiberg) "Central Park"
»•»!! b* CloM M P«g- ee In • Book, Mf low ml
I hear your laugh,
««t book !• botnd. We're to
•• in * Book,
COLLEGIATE
pert.
CJaff«-Bonx)
And we havte -ht use for red hot
J
GOME RAIN OR COME SHINE - (H,Arlen)nSt.Louis Woman"
m ' */04
I'm goo- na IOT» 700 Idle* no- bod- y's lortd yon, COM
I guaaa «h«n yon «ot me It was Just on* of thoM things,
Cdla D4U C7 GdUl Odl» G7 C7
But. don't CT-«r b«t »«, 'C«u«« !»• gon- na b« true IT you l«t M.
Yoa'r* goo- na LOT* M I4Jc« no- bod- y'» lowd M rain of COM «V?r»»
g?
Hap- py to- g«th-«r,
•on't it be fln«. Days nay b« clood- y
G7
E.J* P—C r j Jnun- ny, *«'r« in or w«»re out of th« «on- «y» ftrt
!'• with you al-ways, I'n vlth you rain or shin*.
CONTINENTAL,THE - (C.Conrad) "The Gay Divorcee"
l.-V>J-i- iu rnu-sc
ger - ous rhy-witn!
' I j Is. _ . >ur ~ti
IvVo bod-ies staying HireQan-i -
it'sfteaaofrDreoeiWidof love.89X-ingju^»»W^aueflittJ(in5 of; Soteep on dancing1 Thettn-
DANCING IN THE DARK - (A. Schwartz) "The Band Wagon"Ffd.m.7
Till the tune en da, We're
tirjc- in? in the <=*».!?right-en0 up tk> mgh
And it soon ends; We'reI have you, love , Ana
Time hur - nes by w«eVe Kene gone.
geth - er, Danc-lng vn the dark
BARDAHBIIAc
(FlBher-Bernard-Black) Ifcxterato
Down I be-'ii<J« tlM "Oar- d»- n«l- !• B«y,_ tb* Do>- d»- n«lj.«« with glowing «y««,
or-i-ent-al breeiShe looke a-croaa the ae
Abaa and
*Bb-67
A-67re-turn to lurk- e- atan,
. > . , .
j i uJ-i L». iJ ^ - | i ir
atreet D*r-da-n«l- laack for her heart and hand
r P i ra luck- y tel-lowX love your ha- rem eyea,
you,- And he-lah known my loveTo cap- tUi« au.cb a prize, Gb
C
tell* you to Bar- da- nel- la,C
oh bear ay algh,
Hy or- i- en- tal, Oh, Bweet Oar- da- nel-lat
I I IPre-pare the wed- ding wine, be one girl In tar
i M H • i r aha- ram when you*rr nt&e, tent J\iatWe* 11 build a
like the Ail- dretf
sweet Dor- da- nel- la. My atar of love di
DANCING ON THE CEILING - (R. Rodgers) "Evergreen"F A m F t Gm G f T C C M
106
*Go a-vwy.my lov-er, Re not (air/.
F C*»7 CT
But ttti ao grate-fid to di»-cov- er
A* F+ <s« or
He's sUUC EM
love my cetl-inj more Since it i» acr F
BID TOU EVER .SEE A BREAM VTAIJCIHG-H.Revel"Sittlng Rrett#P7
t 1 * eJ. Ij Z did!You Bv- ar Saa A Drtam Walk-
talk- ing?
thrill you with 'Will yoa ba «laa»* Ch, it»a ao grand —
•v- ar aaa a draaa Wall, Old you
f i r fav- ar aaa a drtan ro- IngT Wall, X did!
Did you av- ar find Haav- an right In jrour anu,
A7 t-c«t tan
Say- ing X lova you, X do. Wall tha draan that walk- in» Aad thi
D7 0
^aidraaB that waa talk- la* And tha BMW. an In av anaa waa vati.
107 DOES YOUR HEART BEAT FOR ME (Morgan-Johns on)•at . *a v?
The we §aid'good-*»y«i* the moon ie bub
for me?
o» it one* ueedle the thrill the •ay name,Av B7
to be* •hen you're Ion*- eooe, ewe«t- heart,D7
r i rDOM your h««rt b«at for
DOCOLB-IXXWXX) - (Kassel-Stltzel)o -
Moderate
J J j"r r%el- o- dy ! CallidFleece for DM lat
X7eweet mtl- o-
D7
Doo- die Doo- Doo, — Doo- die doo- doo, - I uke the rest _ "But
J J J Jlike besi_ Is doo- die doo- doo, Doo- die doo- doo.—
Sia- pi- ert thing, ftere»« noth-ing mucb to it, Don* t have to ffngt _ <Tut t
•T- er — _ die doo- doo.
DOWN AMONG TH2 SHELTERING PALMS - (A. Olman)
Dow A- moog The Shel- ter- ing Paljna,Cdim Bb7
0 hon- ey,Eb7
wait for me. 0 hon- ey. wait for me,
down by the old Gold- en Gate,Eb7 Ab7
Out whereDb
the sun goes
down a- bout eight. How my love IB burn- ing, burn- ing, burn-in&Bbm Gb7 Eb7 Ddim Ab
r r r rHow my heart i i r i r i i r • d i =ia yearn-ing, yearn- ing, yearn- ing to be Down
^-- Bb9 Bbm? Eb9 -*»
Sllel-A- mong The ter- ing Palas, — 0 hon- ey wait for me.
DREAM A LITTLE DREAM OP ME (Schwandt-Andree) ModerateQ gb7 D7 G ^___ . —'
^=^=^ j j j t J J I J J J j J I* J r Ji, J =pStars shin-ing bright a-bove you, Night braez-ea seen to whia- per,*I lova-'you,"Say •night-ie-nighfand Idaa ma, Just hold ma tight and tall me you'll alas me;
CMS * G 11 - A7 _ D7 1J -J J ~=liJ J i I —I I : • J ^ •» I 1 1 1
Birds singing in the aye- a more tree, "Dream a lit- tie dream of me-I>m a- lone and blue as can be,
—, Bb7— . , Eb
draaa of m. Stars ^fad-ing.but I Hag- ar on, dear, Still crav-lnv
- ar till dam. daar. Just aay- log
Sweat drcem* till sun-baams find you, Sweet dreams that laava all worries ba-hlnd
1 £ mBut IB yoor dreams what-av-ar they be, Dream a lit- tie dream of sw.
EVELINA (H» Arlen) "Bloomer Girl" Slowly v/ith rhythaBdim ?m7 BO?
E- ve- 11- na, won't ya ev- ar talca a chine to that moon? _
.Bb7
11- n&, ain't ya both- ered by the bo- bo- lirJc'c
Gbn D6 Gdi|ai
keep de- lay- ia» the day Don't ya reck- on it's
Tri- flLin' with A- prll this way? ve- 11- ns, «on»t ya
pay a lit- tie mind to me soon?
G+57 C+57 Bb+57 Q)G7. Rn Db9
Wale* up] 2ie earth fair, the fruit is fine
what', th. uae o» emel- lin' ra- ter mel- ot
roll off that vine an» be mine?
EASY TO LOVE (Ce Porter) "Born To Dance1OB Am * - 117 0
i- dol- ise, all oth- •• ar,that it do«« eeemworth the
So swell to keep «v- «ry 'home-Ore
fU- ture with me, 'Cauae yon'd b« oh. eo eaa- T to
EVERT LITTLE MOVEMENT - (K. Hosehna) "Madame Sherry11Bb7
BY- »ry lit- tie move- meat baa mean- lag all it* own.
feg;»ry thought and feel- lag aome pos- ture can be
•how,— Jtad «y- >rjr low-thought that COMM a- steal- lag
BbV
o'er your
^^3=?r r
b«- lag b« re- mal- tog All ita
peaL- lag lit- tie gee- ture all, all it*
FASCINATING RHYTHM (Q, Oerahwln) "Lady,Be Good"Bb7
Fae-conce it
•-tin.tar
>1 Fae-cl-nat-ing Kfagr-thm I'm all a.;;*han you • tart to patter, I'm eo un-
r *• r ITM. ' _ _ _ • —
J I i i" r r i»oui- ^'vw.What a meaa you're mak-ing; The nelgb-bore want to know why I'moqp- ?/• *on't you take a day off? Da- oloe to rap a- long Somewhere
_ _ j. „ .*>» , 1- n*r -Jmi HEr H rir J. -J r i r TJ
I get upal-waya ahak-lag Juat like a fllw-vw. Eachfar a- way off. And make It aaap-py Oh,
l£3IlD_ __^_^__^^ Of
the
F7-8
awn, (Start a hop-ping ne*-er etopping) To find at nlght.no work hae been
•MI r c-.r cj r . 1loaff to be_ the manI know that long
Fea- cl- nat- ing Rhy- thm, Oh, won't you stop pick-— Ing on mel
F.D.R.JONESD?
(H. J. Roma) "Sing Out The News11 //£
For tt»a JoaaWith aaaaaXt»a"'a big
Vban ha grows — 19
'= Bram- i- ijrIlk* tha ana
««nt I Ml»- tarthay proud- ly pra- ««•IT ««V Plaaaad to M•tr««t,rtltai will
tad bow ba •»»»• It; —
What • o«Mi I'll b«t h« teows it. — With that
hao» Alt bow ea& bo
4J-«J • J»**— Bo'llb* fa- ,*«• f •- ^ Joua
•a, yo»- air-
ySA3HBft TOR NEST (Kendis-Broctanan-Johnson)y G D?
Tba birda ara hun>.low
• go f eath-er yoyrto- gtth- «r wa 11
O
neat,r«at
To- aor- row*a coo- lag,Wbarc oa- ly tma lev*
ao faatb- er your neat. It* UJM forcan w«ath-ar tfc« taai. Don't ba da-
no uaa baa* 1- tat- lag,tha or- gap ia play- *"g|
Tba par-eon ia
Juat wbatb-ar it'a baat.Xn a boa* for
Tba wto^s norM ia Go f«atb- ar your aaatl
/// FOI0W NEEDS A OIB&(R. Kodgers) "Allegro' Moderate
fel- low needs a girl
of a wear- yrest of bis world goes
day.wrongGm
ToTo
sit by his side andhold in his arris and
, -d no on. .—.—-,- on.
prize you' vefun of a job well
^ J raA fel- low needs a home, his own kind of home, But to
own kind of girl kind of girl is you!
FOGGY DAY. A (°* Gershwin) "Damsel In Distress"C7
A Ifog-gyHow long,
T" dayI won- -
in Lea- don ' town ,—- der«d, could this thing last?— But the
•"• C7
of mlr n't paaeed1
I viewed tha Born- jpg
Brit- lab Mu- u«-
den- ly, saw you there
| i r -" — • -•« •fog- gy Lon- don town the sun was shin- ins «v- »ry- where.
PLYING DOWN TO RIO ^V* Y°1imans) "Flying Down To Rio"
ny- lag down to Hi- • wh.ere there'* rby- tta end rhyme
Twirl the* old
Leek- lag down on Bi- from • He**- «a or bin*.
Ck (2>7
With a
QaS Bbf fib?
they'll know and itand by there, ««»Ubig hel- la Ju*
ry- thing will
ing our wey to•ing- ing end wing,
FOR YOU,FOR ME,FOR EVERkORE(Gershwin)ShockingMissPilgrlttEb F7 FW7 Bb7 ~Eb
for ev - «r- more
found toy find- ing each oth-er, -the
ing start*. _ *hat e love- ly world this world will be, With a^ FW7 Bb7 Kb
i iworld of loco in store For yon, for ev- er nore.
PROM NOW OH (C. Porterj "Leave It To Me" ModePato//3 fl B C M7 . 37 .._F_ C G*m
no more phi- Ian- dtriag,
' J JLUno ecat-ter- 'brain.f C rs#w.
down lov-«r»a lan»._Cdim
fun will be me- an- d'rlng With my dar- ling
will nev- er know m«Sdim A7—-—
find I've be- come the kind Peo-ple call "horn- «y• No more yearnBmV Ddim An C . O* F A7 °«7 G7 C_
^ •! J" Jl MIrr i- ifor aome-thing new, dear, My ad-dress ia you, dear, From •tow on.
GEE1 BUT YOU'RE SWELL Moderate
I'm mad a -bout you.l
mt>7 iA<*You're a- boui tte grand-esl thingt|»a{
^I e, - er knew, >buVe gbt else coukl il be_ ±-\^ei?a girl l£ke>ou
c Buff o
T wieao a . hon-est bitt voure sweU...
GMffi A LITTLE KISS.WILL TA HUH? -(Turk-Smitfa-Pinkard)
a Ut- tie klM will 'Y«- Huh? that are -ya* goa- na
you'v. got to lo... AW, -gto- *•' " . ut- tl«
Why «o you -waft- na*»u*. M blue? I would-n't .«, . word if I
uk- la» for the woria.But what* a a lit-tl« MM be-feen «
»*»• ••" a "*• *>• «••» Will'Ya; Huh? And I»ll giT. it right back' to you.
GIRL FRIEND,THE - (R. Rodgera) "The Girl Friend* Hi-C*dw G7 D7+ C
la-n't sf»e Cute! Is- n't she swaAiStogen-tye and mejvtal-lr. naarV oom-rieta. SheisTate her to dance, take herTo teaT By^«&-nu«jFtowcuD-n5MfT*i» (a - e£ can *be. A
Cftiim G7 C F
es ne-fined, How can she be real ? She has Heart she has mind,
C Ctdi» G7FGJ-.CW C CfJim G7 Cdte C E7
^ J J I J- J> J J
Hell, thegMal - deal!F C
Is- r»1 aha 'cute, A* e^4ul ywcldiefull of
E r y*1
piea-sxre to meet. In my dm- ny fadi-ion Im curaed w^Hi a pas-sion ferifw girl friend!
GLORY OF LOVE, THE*q
(B« Hill)P7 O
jg W ^ ' W ^, *" ^^ I •••• ••i —— I -*—Yfeu'v* got to } gin \ • lit-, tie,) tak*\ a lit- tla ( And l«t your poor heart
' laugh' ' cry ' l B»» torm ta« clooda ror
breafcl* lit-tl« That's UM sto-ry of That** the glo-ry of 10v»
— As long M that* tte two of us w«»v» got the world and all it*
eatfh oth- «r*schanw And «hon the world is thm with usIT?. Q m
r r r iapaa.-You«v« got to win a lit- tie, a lit- Us And al-ways have the
blnaa a lit- tie That's the rto-ry of Xhst*s the glo- ry of low.
GOLD DIGGER'S SONG,THE-(H.Warren)"Gold Digger's of 1933"
We're in the n»oo-eyjies a»e sun-nvi
We nev-ersee aE*.
I r r *i T T r J"l I fhead-i'me 'bout a bread-(ine. -fo- /nc(vAen«*eacetJie
Dm? G7 O
look {hat guy riglil in
C Of
We're in tne
lioti- ey,
//<" GOOD NEflS (DeSylva-Brown-Henderson) "Good News"' '*•» * J- D D7 0 .
;ou're bound to doou'r* what I've veit-
D
right her* toWM- nit ftlat-
Coo* richt hera
GOODT-OOOUI - (Hercer-Ualneck) Ikxlarateljr brightC
h**la GOOD. YSo you act on* who act _ you back on your
ana and now you know how it
So you !•*• Ma your haart too —OOCD- T QOCD- TJ
X gnra to you It 5 nt- __ Ua piac- aa,
bow do you do. So you 11* a- waka juat aiag- _ In th* bin** all
C7
rnlght OOOD- Y GOOD- YI So
i r T
i r r r rral of dy-
L
tM"* that lovt'a
r
a ber-
nar- alt*
C
r i r rBoo- ray
0*
i==Nand hal- la-
i r r.in- Jahl ou it in' f y*. GOOD. Y
M I l~ni J-GOOD- Y for hla GOOD- Y OOOD. Y for a*
i 09_ 07-9 C
hop* you'r* a«t- la- fiad you raa- eal ^ yon.
HAPPY DAYS ARE HERE AGAIN (iger) AlleglCoIlodermto 116c & c, _<fr- g
Hi^
» a-gain,-—The skins a-feov»__af* eW-a-gato;—L«L u» »"»5
—of ch«er a-gain Hap-gy day*-art hare a - gain.
HAVE YOU EVER BEEN LONELY (*• Best) «oaer.to
pa«l? Be 4 fit-Had--giy
If you. khewwWlkebeen itwu %n vcuU krw v^r f. ask _/ouj
HEIGH-HO-CF. Churchill )"Snow White And The Seven DwarfsG B7 C G
"
j J IHKIGH- HO, HEIGH- HO, Do aak« your troub- !••
C B7 BB 0«
J I ^ Ego, Just k«ep on sing- ing all
D7G G B7
HO,
C G
HKXGH-
47
BO. HEIGH- HO,
D7
HUGH- HO, BEIGE"-
rj. I J
G
=s=yi- UM- lyBO, Tor if you're f««l- ing low, You po»-
C B7 »• Qi 0 B7
••D t go wrong HEIGH-
r
rr
••x0q os pay 'noX
IK
Sop -AOI ptrw t»o ioa* »j»
•fe£
U
n»9jp
jo »oein.«a •««
J J I I-m
<!H-KI
•pa0g v•noX
fl^ ' "" -i ^J^•aSoojxn.It« »Ipa« • •.»»*
— u •
ns.LA
anoX »a»«tMJ»A-ato TVT* ^>*P»t«T
^
Till 3H3H
H¥Mong
- * <I i yr -
1 r'i=
^| j J J nJ ^^^^1
3HL S3WOO 3H3H
HERE IN Iff ARMS - (Rodgers) "Dearest Enen&*T
Moderate //a
MY- er ta«r«.uk ay «h*r«
r
=£=*=^=a=£It'* te- pCr- »-
HI, NEIGHBOR I (J* Owens) "San Antonio Rose"C E»«r Crn^r FfdimT C6
Lively
j r N ^ gHI. NEIOi-BOR! til, NEIGH-BQR?\Vhat do ya'know___ and
<J7 G9 D6 G^ D*" F D"'ad<le F6 Dm6 G7
•what do ya'Dm C«e4
HI, NElQH-BOll!C6 B7
HI, NEKH60R!. BA.7 C7
Throw all your wor -_ BP Am cr Fi ' i*** .•• ' i
- rtes a - Come on and shake•D,^P7
hand_
J J r ' l rand let a grin
imT Gr9 _thfc rest It makes ya*
- -*" - -ry C 'i
so grand — to get
J J
ciiin off your chest../A7 A9 D9A9
rTm shod-W HI, NEB2I-BOR!
C
j M Mr rTune to play
HONEY SONG, THE
and say,
(Massey*-Gibson)G A7 E»7 .47
blue, •feUmeMLjatU*- stand, TWjbdewetor-C rir c
fcr-W- er buUd-mgB»7 AT ft> A»
dreams, 'Roundjtar(*t% head.it seems, Do >«»*«* to oilny schemed^ By
rKW-a- be mine?AT
I v^iltralr'a, o-cean trip. IfD7 Em7 PA.T>7 "P7
r / r r imil-lion miles. Tb hear>t« say jou love me fcoo-_—
IF I LOVE AGAIN (B. Oakland) "Hold Tour HorsesF cr
If I love a -If 1 love a - sin', I'll find oth - er
F
ITVxs' jjfti some one pew, If I love a-
charms; But III mnta- tx>-
gain,Iveve,
It will still be youYou am - my anns.
In Some-one eL - ses fond em
brace, f'u close my eyes and see your face..
F 8b F C7rz__LmZ___
f — - —i ^ — 1f 1 —r— 1 '!• •* — i
1 ! |— i —
lips whis-per, *I love you, heart will not be true,
111 be lov- ing you, Ev-Vy time I love a -
IF I LOVED YOU (&• Rodgere) "Carousel11 AtuB«tto no<tar-tofVH^t C ^ 0^
1J J -' 'I would try to
-JUt=- y_*VtTim — and »- gain
•hy, I'd let ayLong- in* to tell you, butBb
goia-«n CIMDO- «e
you would go _ in the niat of day
lovad you.
_J
IF THEHE IS SOMEONE LOVELIER THAN YOU(Schwartz)tt^eTrg.W/Mus"C Ittf7 G7 G On G7 C D7
If there Is aoow- one lov«- 11- er
r r \ r r r J i rwith- out a Bind, if there ia
not blind.
• 1—^f. inave trav-ell'd ev- 'ry-whare night find
area- tore half so fair;
you, By all that's beau- ti- ful, such beau- 1y oan't be true.
IP THIS ISH«T LOTS (3. Lane) "Finian»s Rainbow1* LivelyA C G7
/2.0&3E 2 J J *
If this is- n't love1
ITie whole world is era- zy
I J
If this is- n't lo~ovei
I'm daft as a
There's some-thing a
I GET A KICK OUT OF YOU (Porter) "Anything Goes" ModeratoFmT Bb7 E* Gm Fn,7
V535 M=a 0^ ,— .Q.I... -.
^^— rJ
»t no kvcK from cham-pagneFm
Mere al- co- hoi doea-nlOm Fm
1 — ' *'1 f " — L- 1 — *~1 — :£_ E
H-j ^ '
>1 J '• e : —
thrill me at all So UU me why should it be true — ThatFm BP7 & Grm Fm7
1 1 — d —— 4 J — -i L^=±1 «t—1
I O '<v '
/
J ^— J
" 1 J J =3— 1 ' i-J * ^
I get a kick out of >ou?rQm Fm7
Some set a kick •from co -
±
Caine,. Fm sure that if I took ev - en one snifF ThatVIT E^ Om Fm
1 — • J 11 — £ — T" nn 1 ' f\ , \ q
f H'j ' lfj• r» •
i ' — i — l 11 °^-J ** CJ.I=J 1 1 J F^^
-J J *— f-r^ i* fj
/*bore me ter- i'if- i<a.-'ly too
(fm
Yet I s^et a kick out of
1 Q ^~-J
1 J ^ =J
1 9 1 1
1 J' • *— "5 — r — 1~1 — 1= — E — 1— i 1—"~ f ^F — 1\ =^_|
I get a kick eV-'ry time I see you're° C7
;nd - ins there be - foreFm F7
-e-me, a kick tho' its
r to tne^i. You ob^- vious- ly donH a dore me.Fmy
>J d -»-
F^-in
^^
•Mno in a plane,.
T<jm J }- in?b» t>
r | r r (U- r f i* ir . i "vnti> eome JM in
*.
Fmsky Is nw . t - dea of.- noth>inr
_ _ * B»7 6^ 6 toI . — i i i n ,
1 r i ? 1 • : ^=*r— = ..,^ "• 1= == «* " -rf-
do. Yi?t £T«t kick
; 1 I"*'''' ^
I 1 -—a —
out of you . .
/2,/ IF IDU KNEW SUZIE - (B. G. De Sylva) Ko-Jerato
r rifG7
knaw Su - sua U«£ I know Su - sie Oh!
Oh! Oh- what 3 girl! ~T>eres rtone so cla«-sy as this fairG± C Dz G
las- sie_£ C7
Oh!I j J ,J J I
Ho-ly Moa-es.' what a chas-sis!
V\e went ri - dtr«r She dkl-nt batkD7 G7 f
Back from
±
"ibn-kers Im the one that ViacMo walk! If you knew Su-sie like
Su - sie Oh ! Oh! whaf a sjtrl
I -30T PLENTY O1 NUTTIN1 -(G.Gershwin) "Porgy And Bess"
Cb
B7
, _ •—y—iI got plen- ty o nut-tin',
folk* wid plen- igr o' plen-ty -B A S
An» nwU tln'e plen- ty fo*Got a locJc_ on d«
£ A K
').I ' " I
door,G?-
got no'Prald BOB*
D
r—* p*no nuie.
i-y»« a- go- in* to rob *«G Affl? Sm . G Bn
out a- aak- in*B47
Bo6 On as B47 Bn6 Bo
de floor,door, (.Oaf* no «ey to Dcjr kin st«al d«
Dat'e o- k«h wid me, »C«u»« de things dat I prize, Likt d« stars in de
•kit*, all ar« fret.— got plen- ty
nut- Urn's plen- ty
I GUESS I'LL HAVE TO CHANGE IdY PLAN (Schwartz) Little Show
guess TU have to change tnv plan. I should have re-a Iczed thef&d be an- oth-er
Em F*7 O-7 C G+
J J Jman! I o ver-looked thai potrt com-plete-U Un-td the big af - fz»ir be
F Fw G7
Be - fore I knewwbem I was at.p*6 C
I feuwd ny-Seir'ap ontbeshdf.andthatwasEm &
r r r r 1 ithatG
I tried to neack the moon but when I got there, All thcA I couldF6 Dm G7 C
~^™"* —i—.WJ—5etwas the ai-r.M^ teet are bade up. on the ground, IveOlhe one girl I found.
IfLL WALK ALONE - (J. Styne) "Fonow The Boys"
lona- ly,rath- erj
I don't mind toThere are dreaac Iama I mat gath- 1-
^ r 1* »= *' *my heart tells y?«• Qre«B»a w« faeb- loaad the night
(7
^
are lone- lor too.you held ae
QI
I ±tight. I'll al- ways be near you, where* ew~ er you are,— Each
G ~| A7 D_
i r - 'niin ev- »ry prayer. If you call I'll hear, you, no
D Eta Bdln
i"•at- ter now far| m
eyes and I'll beJuat cloae your
and aend your
love end your klaa- •• to guide m».
A7 D7, Ddia A«f7 D7-9
Till you're walk-ing be-sidt
^ r TIUX WALK LONE.
I'LL STRING ALONG WITH TOU - (H. Warren)a> a>
But j un- til the day that one comes a- long, I'll string a-long with you.knd 'And
I'll sing OQT ooag you. For ev- 'ry lit- tie fault that you have, Say!
i 1 1 i~ iI've «ot three or four, The hn-oan llt-tle fault, you do have, Juat make me love
•ore, You may not be an an- gel, But still I'm aura you'll do,
So un-tll the day that one comes a- long 1*11 string a- long with you.
I LOVE LOUISA - (A. Schwartz) "The Band Wagon"Edlm Bb7 FW7 3b7tjD JMUB aai rai juf f" -*" _••••*—
ill r r i i r * Ji j j Tr i j. i ij j r SI love Lou- T- sa, Lou- " l- aa loves me; Ihen we rode on the
fan 3b7 3b 3b Edim
go-round, I kissed Lou- i- sa! And than Lou-
1- sa kissed me;Eb7 . Db Sb7
We were so hap-py, so hap- pySb Db Bb7 j
and free;
M ^ ' r . ' J \r.f\*"_.* A I V_. •«• «V._ * — K
» r rAch, Gottj but she's a beau- ti- ful Lou- i- aa. Ach! when I
Ab . an? 3b7 2b Sdla B7
m 'J r ir J J J ij r*ea 1 love a great big boo- somjchoose 'em I love a great big boo- 0am; Some day Lou-
ML^^tf? . G-S7 C7 Bp Ha . „ . Bb
r l j i- sa, Lou-
- sa will be more than just a " Frau- lein" to me
I MARRIED AN ANGEL - (R. Rodgers) "I Married An Angel1F . C7 F (W7 C7 P
I • sure that theTo hear- an she's
change- '11 becar- rled this
07 C
good f<fel- low " with a
She Is sweet and gen- tie So It la- n't strange
ti- men- tal, SheF ogr
bean-ti-fta change-' U be Uy good for
I'M NOBODY'S BABY (Davis-Ager-Santley) Moderate /if
pray the Lord up a- bov»f
bod-
r r «r *M-F-talc* a chance withWon't soBe-ono hear
•a be- cauae I'm no- bod- y's ba-
IN THE STILL OP THE NIGHTFai
, by now.
(C. Porter) "Rosalie"
^£Fm
the still of the night,•_»
3
AsC7
gaze from my
^J i r
win- dow,F
the moon in its flight, Ky thoughts allC47 C7 F
t— —stray toFa
— a-j^—frl-aanight, *
u.m — -5-
— |youF
L White the
1 1 1 =3=eJ . rt—
-
jf m
worldE7
hsr-.-i — $+
1 J J 1 i JW* the still
Fm
* " ' ICB '
is in slum-
1 E *—* Hf 1
of the£
ber,Am
aay to, the times with- out man- her. Car- ling, when I
on the0*7
rimC7
the hill the chill,Fm6 F
IStill of the night?
I»M SITTING ON TOP OF THE WORID - (R. Henderson)F Bb . F ^, ^
r • rI'm sit-ting onI 'm quit-ting the blues of
P
top of \ the world,'
Jueti roll- ^=I sing-
long,song,Bb
Just roll- Ing a-just sing- ing a
Ddim
long,song,—
— "Glor- y Hal- le- lu-Jah,"
i r r r •* m r r -r^-r i|f r I ••I juflt phoned the Par- son, "Hey, Par get read— to call."
D7. 07 »••< C7, Of
Juat like Hump- ty Dump- ty,F Bb
I 'm go— - ing to fall, I'm
- (H. Tierney) "Irene" Moderately
3JQI J. 3 J. 1 r JI-rene,
ma lit-tle bit of salt and sweet-ness, I rene,_ a dain-tyFdim Gn?_: F. V? ,
JUslip of rare com-pleteness,Man- ner
.finC.
•*i- sm,Gnf? C7^—^—<—!-i Fdia
—^J** t — I T l >•• f*f
mag-net- i- sm, eyes of youth in-vit-ing,C7 F C7 F*
I ^ 1 ^ - l». ^ ~ ^ - J ^ - J — I j lDoic-ing by, wiUiglancing eye,The flush of her ex-cit- ing, Si- ren, 'Hie sort who
FdimBb
cap-tures hearts to charm them, Care-ful, be- ware! Now she's here,now she's thereF . C7 F Gdim
J r rPol-lowed by her set, Up she goes, down she goes, E«- »ry- bod- y's pet,
Hear or far, there you are, Cap-turei in the net, of Tipp-i- ty witch I-reneo'Dare.
_J
IS IT TRUE WHAT THEY SAY ABOUT6
(Lerner-Marks)
what they say
Dots the sunIs a drean
sweet Mag-nol-ias blx>s- son at ev- »ry-bod- y's dobr?
folJcs kesp eat-!ng »posl~l tvx, _ they can't eat ne more? _
Do they laugh._B7 A7
they love, — like they say
— in ev- »ry song?_ if it»ertj-ue,_ F that's where I II be-' ions.
IT LOOKS LIKE RAIN IN CHERRY BLOSSOM LANE( Lsslie-Burle^
IT LOOKS LIKE RAIN IN C^ER - RY DLDS-SOM UXNE ,
IT lorg - er fills tlsun - shine of your smile's no long-er there"cold - en voice no
notes havfe left the old milt stream
Therfes nofh-inff left fer me but just a dream:*i /*>•»
gb _Ay fiP \\ti ^
THEREt>
tHER-RV BLOS-SOM LANE ,
there to teli me that you. aare.
IT»S D»LOVELY (C. Porter) "Red.Hot And Blue" Au«p.ttoo p
The ^Bkjnight is young,— skies are clear_ And
It>« d«- light- ful,_ it»t d«if you wanf_ to T go wallc-ing, dear
11- clous, it'« de- love- ly.— I uo- der- at the
^m rreas- on why_ Youire sent- i- ment- al, 'cause so un I, It's de-
Ddia P G7 C7
r i r-^r p r^ ^^
^light- ful,_ it's de- li- cious, it's de- love- ly.—
f L *'P _ | ' ' Bb> r p ^You can
tell at a glance What a awe"!! nig' a is for ro-mance.You canC7
hear dear lioth— er Na— ture aur- our- ing low.
I.' I N l - l j J-J.J.- self go — So please be sweet,_ my chick- a- dee,_ And
r -N rJ JJ J JI kiss _ you,.;)u3u3t say to me _ It's de- light- ftil, . it's de-
li- ciou»,_ It's de- lect- a- bl»,_ it's de- lir- i- ™*ous,_ It's di-
lea- ma it's de- 11- mlt, It s de-lux*, f t»3 de- love- lyl _J
/a? MUST BE TRUE (You Are Mine. All Mine) (H. Harris)
STTJ—^np" "~J~""-"~T P i=*Be- aide a ehad- y nook, A no- menta bites we took to
Cm
J ' j., J)talk of love Be- neath the atara a- bove. I heldBb C7 F7
hand and
JurtBb
a dr« 1-07
die •chame ofQa
mine To
Jl Jl J1H Jfool my heart? And yat
U7it • dl- Tina. It auat
Bb
with you are alaa. all
IT'S.ONL* JL PAPER MOON (H.Arlen) "Take A Chance"
6a>, us on-ly a pa-per moon,•Yes, its on-t>- a tan-*va» sky, ang'-ingover a
^But It Vculd-nt be make bHu*
IU; a Bar-nurnTand Bai - Ley w^d, _JU a"s phpny a,
— Ifyou— be-lie»ted in me-.
So best be- ware
-— ^o don't atray too far from " home. In- ci- den-tal- ly
Juat be wise,
I»VE GOT RINGS ON MY FINGERS (M.Scott) "The Yankee Girl"
r I r f s^ sSnre.Ixe
D7
my
El - e - phants to ride up. on, my lit; tie I-
G I>7 G B7
^^? r r
Rose, 5o come to
E CWiiii 0 Ew7
.your na- bob , and next
Bw D7 G
rickfc
^••—•-* i..^—. -—*•••——
"Be "Mi*- tress "Mum-bo Jurn -bo Ju- ji - boo J. O Shea-
I»VE GOT YOU UNDER MT SKIN (C. Porter) "BornToDance11
Q . M7 Bb7 Ebma? Eb6 Fcf?
I've got youI've got youBT3? Ebma?
un- der my3b6 Pffl?
deep in the heart of me,Pm7
So deep in my heart, You're real-ly a
part of me.Fm7 Bb7
I've got you .Ebma?
not to giveEbma?
said to rny- self, This af-
fair nev- er will go so well." But why should I try to re-
si et,when,dar-ling '
Eb6 Eb FW7
»v« got yon
m— I'd sac- ri- fice an- y-thing,Come what might,for ths sake of hav-ing youSo? ^— . J , RD?—^^-, , s—, Abm
near, In spite of a warn- ing -voice that comes in the night And re-
aod re- peats in ^—* j—know, lit- tie fool,Bb?
i i i iear: — Don't you
you nev-er can win,Eb
Use your men-tal- i- ty,Abm.
*afce up to re-
»r_jfal- i- tyj But each tine I do, just the thought of you makes me
Bbm C7 Rn Bb.7-9 Eb
ftstop,
.be- gin, \ fVe dr y
I WANNA GET MARRIED(Shapiro-Pascal-Carig)Follcwl'heGirls1
i wan-., na gat aplic*d I long to b*Crawl In- _ to a an*ll c I wan- na atagt
knot-tad and rt frlanda pot- t*d I wan- na b* con- f*t-tl*d and rlc*d.my lif* ao- in* tba thing* that
ant waat It takaa _ Bat no on* takM it -O F — ?*
mom and pop uaad to «p«ll*—
a cot- t«g* saall 4har* a . rail- road nev- «r stops
•l*«p la pa- Ja- ma .top* — I :*a-_ na Gat Mar-r
JOSEPHDIB (King-Bivens) Uoderataly brightA7
Thar* n*v ' ar waa a gal I could lev* ,ov* ay Jo-a*pb-iaa»—
Sb**a a flirt,Hh**s a *ctmp, ah*'a th* vanp-
*r eeen. It a**na to m* an*'* al- — ways flirt- lag
with th* f*L-^owa paas- lag by, But when I aay ah* winks Than aba
Thar*'a a cln- dar In
ll*v» It would b« 'tat. t«r if I'd
l*av* bar and for-g»t, Bv- try bo- dy aaya it would b* wloo
go out to dance with *oa*-bo- dy •!•• IBut *aoh tiM that
find ay- a*lf dano- ing with t*ara in my «y**— For
«ho can ba quit* ao •*aano- bo- dy quit* «o nlc«
JUST ONE OF THOSE THINGS (C. Porter)"Jubilee135" I2O
I I I I l l " J U I
flings. One of those bdb thai no* and then
C7 A7
Jt J j J j|> **&• H
of those fab- u - lous
C7
_
trip to the moon on g08-sa- meT wonsqs. Just one. of fhoae
Ihinga. If vve'd thou^A a bit- of the end of it When\*e sUrl-ed paint-
G7
^p;irjn°._j— irg the town,. Wed have been a. wane That our lovfe af- feir Was too
C A7 . D m AS £^ J I J ^J . J
i I * T?
hot not to cool cbwn..
F7
Sogaod-b>c, dear,— and A - men,
G«7 Am BT_r r J r IT j \ \
* ttA. *Here's hop- - ing vvfe meet noW and then, It vvas gnsat fun, But it was
C 7 p A m D m F _F
^
jifet one of those things.
KISS THE BOYS GOODBYE(Schertzinger)"KdssTheBoysGoodbye"
Ms=f=l|. C, J ,^=
^ -=^= 1 • < JSo - 4> let me stay pat late._
- cfy_ let me we5r the vnUiK.7 7)m Em ^ :
I't ,Bie Sa -b/ kuid-^ ceL-'^fe-f;*aCe_ fKi!' nmr"by ^"S--e^7On the Vjnlf I
p
I'm kiss-ing--ffiem sen-it- ment-'lly Keep tke Ub-er-al ^o
view — Be-^au^e I'm break-ing it io tkem gfent - (y Thaf my heart oe-loffgs to
_J • . * •1 — •'. * . ' . •lease re - mem - ber tfus
CTTiat to-
mL^t nie sbowtKem»tanWrv eon-na rjiLss . Kiss tde boys o>'e •
/3/ LAST TIME I SAW PARIS,THE
J' ' ' '( J• Keni) Moderate
Eb7.
The last tlMDtan
saw Par- is Her i heart was warm andI trees were dressed for
Eb7 Ibffl? EbT
j j j i r r f j i*VA 1 ««Wt*_ + A** —..a* V^*. %, . • •< AM AW_ '«««»ard the Iau4h- ter of her heart In ev- 'ry etreet ca- fe I
o»- ere walked be- neath thoae trees, . and blrde fdund aoags to sing.Bb7 »». Bb7 . B> .
dodged the •ane old tax- i- cabs that I had dodged for years. The
r r 1 1oho- rus of their squesk- y horns was mu- sic to my ears The
last tineEton
•«t- tar how they change her I'll re- bar that way.
LIGHTS OUT (B. Hill)Sb Bb+ Sb
Slow
Ab St> Bb F7 3b7One more per- tact
Sdim Bb7
One more per- feet dream coneAb
true We've
IITPLE OLD LAW (Cannichael-Adams)D7 G A7 Moderate
D7
Lit-tie old La-
Lit- tla bit of busi-nesa, hare Lit- tie bit of busl-neaa
win- dow shop- pi - round the
era, Lit- t* oU La- for t55, Her-.,, a kiss two
three, You're Just Ilka that lit^tle old la- dy. I dear to me.
LONESOME AND SORRY (Davis-Conrad) Modarat* 132.
aor- ry
LOOKING FOR A BOY «*• Gershwin) "Tip-Toes". L,oderatofl.if G . i . i Cta C9J J. J -h J t -h
am just It- tie girl who's look- ing forfflH JViSS V 9 "— »—•—• u — n**v~ •• AW» •*-T"O ~£"~ »_ ~~» «i »
Tell me please, where con he be, the lov- ing heG , (IT Gm C9 D7 G D7 llTT~ "~S ItoS
i r J i ~ LJ -1lopk-jlit- tie boy V.*ho'a look-ing for a girl to
bring to melove. The h mo- ay I'o
27
know,dream-An
iag of.Ito6 E7 Am Am6
be good- bye,D
To v.'oe, When he says "Kel- lot' So
h i =r-i
1=4=
— — n< .. "" L i Li 1 u 1> i n 1
am just lit- tie girl who's look- ing form G
J.lit- tie boy Yfho»6 look-ing for ra girl to level
LOUISIANA HAYRIDE (Dietz-Schwartz) nFlying Colors"Q Eaf7 *& D7 Q
Get go- in', \ Lou- ia-Start stun- pin', >
Am? 177.
fo» call-in*
Sit- tin' in de hay! LOT- in' it a- way, Oh, Ob! Pto' d« tine ia abort,
Get yo' lit- k,"e shipcrack yo' lit-J.C. al ?la»
LOVE FOR SALE
I(C. Porter)
Bbm Bb
Moderate
LOT*Bbm Eb
for sale, _. Ab7
Ap- pe- tlz- ing young love for
f I? I.J J J J |bJ h J g
Lovft thatafraah and •tUlunapoiled, Love thats on-ly slight- ly soiled,Love-Bbra Eb Bb Eb
a ale.17
-.1. *will buy?_
KbWho would like
Ab7to
*aan- pi* my sup- ply?Db Bbm P7
—u_J 1 1 i—i 1 1Who's pre- pared to pay the price
Bbm Bbm? Ebntf
For a trip to par- a- dlsa? LoveAb7 Db Ebn7
Let the po-ets
pip* of love In their childish way, I know ev-'ry type of love Bet^ter far that
J IU J .J U J Jthey. If you want the thrill of lore, I've been thru th* mill of love;,Gb Ebm . Edia C7 B7 . . Bdim Bp7 Eb
IT r IT iOld love, newBbn
lov*, Bv- 'ry love but true love. LoveBb
for
J J Jsale. Ap- p*- tix- ing young love
Ab7 Db ,for sale.
r r r rr TIf you waot ta buy ay wares, Pol- low me and cliab the stairs,
for sale.
LOVE IS HBRB TO STAYC7 Bb Gdim Q7
Gershwin) "The Goldwyn Follies"~-~
It's ver- y clear Our love is here
Not for aTo- geth- er
~C7"year
we'reD7
But ev- er and a day.Go- ing a long, long way.
C7 F, : Bb'
lone And the mov-ies that we
u.t.D.; pa**- l^g fan- cies, And in time-nay go.
Hiey're on- ly made 6f tlay, But our love la here °to stay.
LOVER COME BACK TO ME - (S.Romberg) "The New Moon"
The sky was blue, And high a- boreTon eaao at last, Lov» had Its day;
The soon was new And so was love.That day is past, Ton'vegone a- way.
I J J JThis eag-eriSie e«g-«r heart of nine was elne-lngiLow-' er, where can yon be?— ,This ach-lag heart of alae la slng-lngtLow- er, COM back to
tm Am . Bi B . B7 Ff-9YhenB7
I ra-owot-ber ev-'ry lit-tle thins you used to do, I*» «o
BW- >ry road I walk a-loag I'wa walked a- long wit* yon,
— - - - — —- —-
sky is blue. The night is cold, The aoon la now, Bat love is old;*"* -( * m " " "—" "i T i V i
•lng-lng«£oTe-er,coa* back to awlwtolJbBl'a waltlnghffl^Thl* he
LOVE WALKED IN -(G.Gershndja)BTbe Goldwyn Follies"B> 17. Bb47
•had- owe a-glooa of the
•jTm-HrmA right 1& ttd at- eatftt-tore at
nag- Ic BO- neat and ajy heart DsOW That love said*Rel-
n Bb7 llz. :Ab
lo/
raff
SThough not
Aba
word was
Kb C7 fm,
spok- e&*
^ Bb7
found
Kbm ^world con- plete- ly new. When love walked in with you.
LUCKY DAYr
(R. Henderson)
JBb Bba
Moderato
^Boyl!•• 1
G7 C7
lack- ylclo- war,
aay, !"• ladglad all o-
F7 Bb
lack- y!~ i
This IsI want to
r ' - J «•^
Bb7m Da7
I
07
ir r ua horae -Hhoo, Coold-a t go then of course yon
»7
J " J u • J j \ •• I•- long!
i•ay, !•• lack- yl
Gb,
r i iBoyJ !*• lack- 7!
07 C7 >
'Tola is lack- J
LDCKT Hf LOVE (DeSylva-Brown-Henderson) "Good News"F ' «* • - H b ' =» P
Love! Luck- y In Level '.Vhat els* mat- ters, if you re
few, Pew skies are blue,Uick-y In Love? Good breaks
bad luck scat- ters, ev- 'ry tia* I'm with you
mind that "at po- icer I'm green If I stand ace- high with a
I I II Ibeau- ti- ful Aieenl- I'll say I'm Luck- y 5 L o v e If you take me,
I i r i I I mthat- '11 make me Oh, so Luck- y In Love.
MARY LOU (Lyman-Waggner-Robinson) Uo derate
» ^ LJ Iliar- y Lou,
And all the peo-ple are plan- ning pret-tyread- y to ring, —Gdl» 07
Won't you give yourCm G B7
-enta all for you,
\r r r rr r i rprom- iae true? why for miles a- round they're wait-ing,to start the ce- le-
brat- ing, When you say
ME AND MY SHADOW (Jolson-Dreyer)Abo6 Ab6 Ffc
Mod«rato
II I I Inot a aoul to tall our trou- blea to
o»- clock «• cliab tie atairBb? Bb*
nev- *r knock
no- bod- y»d thera~__
dow All a- lone and feel- lag blue.
MOONLIGHT AND SHADOWS (Robin-Hollander)" The JungleFrinceF P+ P? IMS r
Moon- light anAK- van in
Bdiai O*C7 O..P am GW7, c?
la tbfl baa-boo treet_ in. the Jua-gle
you la aor an*part frrm ttxan-llght and
I be- loqg to yon, yon be- long to •»,— aqr aweet
MORE AND MORE (J. Kern) "Can't Help Singing"fl p a«7 c? *»
g 3= *r r rMore and nore this heart of Bin* eon- feoa- e»j
P^More and •or* I»»
fl7
iaught in your ea» reea- ea. _ Warmed by the breath of your 8lghtg;_
J'* i J J J i j. j. j i Ljj. * 1 r rCooled by the blue of your eye«. K01^ •«* •"*.
J J J Jfind it more then thrill-ing
P P7 G7,To share this dreaji that ne«d-ed ful-
J J J J JU '"''' ^fjTi- ing.Poi» 0( 7
More and more !>• lea« and leaa un-, r
II——^p— |y— "~T^—To glv« xip want- lag aor« and nor« of yon.
MORE 1HANTOU KW)W (V.Ioaraans) "Great DayA7-9
1 ^4 _-i—t—mj—^—t mi. _- —- ^nM^^ fr J - _ . _ J_ * . J .. ^MHiWH^B^M jL aJS^^MM^M
Bore than you know, more than you know, •> Man o' my heart,} I love /onWhatb-ar you're riehi, weth- er you* re prong,) l I'll erring a,
Pto j ' i ri.Q7 P7 j -> an? G7 ?~~ ~* C G7 I
on ay alnd, an yon know
Low- ing you'the way that' ICn6 D7 C
•o ilore than you'll *v- er know
nothing I can do a- bout Loving nay be all yov> can give bat~
Cb, how I'd cry, Oh, how I'd cry, If you gothoa~ay, I can't liwo withouA7-9 Da? Pm
•
tired and >aid gjod- by«, More than you'd know.
/37 MOUNTAIN* •*' * C An OB?
(R. Rodgers) "Garrick Gaieties"G7 C Am Dm?
VMle youC P
moun- tain green- er- », Where God paints the seen-— er- y.love your lov- er, let Blue skies be your CQV-- «r-let.m .— i-—-I G . '!• "d**
Just twoit
craz- y peo- — pie to- geth-rains wet 11 laugh at the weath-
And If you're good~I
LJ r .So you can coAm D«7
Em? D7
^^Beans couldC Aa
i n jiWhile I standC Am
ing.
et no ke«n- — «r Re- c«p-a _ _ G7
onJa bean- _ er- y
Bl«ss our tnoun-r » - a
home'.
MUSIC GOES 'ROUND AND AROUND, THE
m r.r r r ^i
(Farley^-Riley)Cdjjn P Edin
^E m
G7
blow thru here; THE MC-SIC GOES'RODHD AHDA-RODHD.Whoa-ho-ho- ho-ho-pushthe first valTtdown The mu-sic goes down and a-round,Vhoa-ho-bo- ho- ha,
C '1- P ffT'fc-C K7 Am
J j Lho and it comes up her"e~mho, And it comes up here.-
Aa E7
J ir r c-rI push the mid-die valve down.— The
Am E7 Am G D7
u nu r; rmu- sic goes down a-round be-low,_ be-low,— be-low,— Dee-dledee ho-ho-ho,
G8 Edim (37 C Dm Cdim C
rList-en to th* Ja-azz come out. I push the oth- er valve down.
CdJa P Ediffl G7 C
J I r__
I J J J jMU-SIC GOSS'ROUND AHD A>- ROUBD.'Xboa-no- bo-bo- ho- bo, and it comes out here
DARLINGEb7
(R.Meyers) "Vanities"
vi
J J J
dar- ling, say youAb
r f * j 3==i — --=dar- ling, you're di- vine to- night. _Bba Bb7
1 e> — 0 1 — » =£=J
OPMB-iDg
,->,. ^— T^ i —H i—
r rdacr* ling)
j - °y j\— j — • —
_1«r.
Ab
J |— — J —make this
Dbog -":•.• =i^_
1-Si
1 J
1 'reet- heart,
1 i= ' J ==
dar- ling, hold miAb
_i__^ _, : L
njght a thrill,Ab BliJ» _.— -f
1—
•re mineEbm
J ^^to- night,
f m c—
Hy
1 1 1=^ 1 1 H* .
.Your kiss is all I'mA7 L Bbm Adim Eb7_ —
1 P fP 1 C •> 1-f-^ — ;: =; fr» F 1
Sweet- heart,
I i 1 1 -$F==±=±
clos- cr
Yn
gZ aF -
^Still
Sb*
a' 117
^ j
- r 'ithis is
a
Ab7
-P — F —hear a
Ab• «»,
1 1love
— o
Hy
-i— T-]-*•-• - J - -
sto- ry
i-flr^=L J_yold but new: Hy
J
dar- ling, I love you.
XT HEAHP BELONGS TOG7 Cm
(Porter)"LeaTe It To lue" 138
m jWhile tear- ing Off— A goneIf golfni£h— *
J J a J••*• • Play forI in- vite_ A boy some ni£ht To dineon my fine fin-nan
. _ <=> _ . _ - _ _ Fa _ . G7 Cap jf i, j i •I do_ I don't, follow through tBUSeny he art] belongs to Dad .
_ r^A w A ' TT4 « MMl#_4««fv ^«»« ra li • T>» * + Ml u V^ «•*•+ J ^Jf *
c - > A uo— j. aon" T- IOJ_LOW tnrougn uauseny nem-T,ibad-die. I juat a- dore Hie aak-tng for more,— But my heart '
— —
Ye a, ay bear! t>«-longs _ to Dad-dy, So I elm-ply could- n't be bad. Ye«
heart be-longs to Dad-dy, Da- da, da- da, da, da-da-da- ad; So I
j j j_-pjpii_ J A ^Z ^B*heart be-longe to dad- dy tuauee my Dad- dyA he treats it so
MY HEART STOOD STILL (Rodgers) "A Connecticut Yankee"f dim Gaff C7 f Pf 0*7 C7
j j i T J EEjE=gtook one look at yoi
3^aook at you. That's all Iatep and wauL_ fer ,flp« couldFT vr i *r r ^
movotoand
And h-art irtood Though not a
fr r »'•sin- gle word waa apok- an, I could
G7tall you knew,
C7un- felt
J J II.J Jjot Told
dim (U7so wall
Fyou knew. _
P+ Bbb4=riI J J m=£==4= j i * * j . =f=
ner- er lived at allC7
On- til the thrill of that
IMO- aaat when
¥heart stood still.
ROMANCE (R. Rodders) "Jumbo"
c does-n»t haw* to ham a aeona ca»- tla rta- lac la Spain,
does- n't need a bin* la- gt-» ataod-lnc by.^»* *•_ • con- atant-ly aur- prle- tag r»-
•ide a- wake X can nmke aqr aost f
tae~ tie draaa* coaw tru*. My ro- • do«a-a>t need a thing but you.
NEAR IOU(F. Craig)
Uodernto
IfC7
just one place formy houre could be
F
•*tspent, '
Hear You. It'aI'd be
C7
J J Jheav- en to bemore than con- tent
HEAR Y<X'. Tinea *hen we're a-
G7
r i •• i J ir r i r rpart, I can't face my heart. Say you'll nev- er stray, more than
Bb.1. C7 \\Z.
i ..Bbra Ddisi
rjust two lips
F
a- way.
D7
J J I J
I'.as.e ay life worth while, by
Qn7 C7 F
tell-ing me that I'll spend theV
rest of my daysI J .1- I
NEAR YOU.
NIGHT AND DAY (C. Porter) "Gay Divorce"
Jpn- ly you be-neath theThat tBls long- Ing for you
B6 Gntf
ooon and un-der the sun.llawBSberever I go?
night ana dqywhere ybu arelone- iy room,teg:
} I tnink T>3r"yxfJ—• Sb
and night Night andAbm Gb Ahn.
un- der the hide of ma-j , Bb
^^ ^
r rr r f iThere's an On,such a him- gry,yearn^
B6
.Ing, burn- log in- side of me.Adda
J. J' IJ J J J UiJ7 ^And it's tor-oent won't be through'Til you
Bb7 Bb47
let ae spend ay life Ic-lng IOVB_ to you,day anonight night and day..
OLD DEVIL MOON (Lane) "Finian'a Rainbow" ModeratoCm? p Cm? p
•oon be- glna be-witch-ingFull of but- ter-flies ln-
me.aide
It's thatWan- na
Db7
11 Moon-cry, wan- na croon,
Gb C7
that y<LVan- na
stole froa the ekieTT—-
too hd^ to hand-le.— Stara fg the night
— blaz-ijg their light Can't h*old a can-die —— to your raz-zle a'azTLe" not-
eyes blinds Be «fth low— '•<>• ^J •—L-»-« L*-* i 1 i 1—I 4— | 1
think I'«__free aff a dove Old Dev-il Moon deep in your
L
OL« MAH BIVER (J.Kera) "Showboat"
in*, Ha Jrst kMps roll-ln» Ito k««p> on
long. HaB>
don't plant *ta- tara, ha don't plant cot- ton,Kb CdlM Bb7 Bb9
dot pint* '«• !• «oon
You on1 >«roll-la1 •• long
Bo- «y all aoh-
lift dot bal*.
land is jail •n* aiek of try- in>,Bb Qi
tired of in»r r P r P i r f P r
ftarod of Ay- in*, But 01* nan riv- er h«
f«7 BD7
M k*«pa roll- in* a* lone.
ONE ALONE (S. Ronioer^) "The Insert Song"
Qna* a- lona to b* ay o*n, a- Ion* _ to know bar ca-
Bl>7 Eb7
a- tar- nal-
ship- ping aoul poa-aeaa- aa
ay Ufa and all aor *lowi «nr dur-
Tbla would ba — a 0ag-lc world to me, If a- lona.
fA.I :NL- A ROSE (R. Friml) "The Vagabond King" voderBb Bb6 Bb
1*11 bring a- long
' I
->
a- ny-oa» Oa- ly a rose fox;. you.
PEOPLE WILL SAY WE'RE IN LOVE (R.Rodgers)"Oklahoma"
^ ^ throwJ3an»t *ig»
boo- queta atand gaz« at
C
^ ±L^. at sty Joke* too ouch•art-nit glow Ilk* Mine
J. u J l l j J .J-hJ. -f I Jcol- i»ct- ing thing* —
p*ct- Ing ttoinga
POOR BDTIERI-'LY
Peo- pi* will «ay **'x>« lov*.
(R« Habbell) Slowly with ™cK expressionSb7
Poor But-ter - fly!C7
" ^ i j1^Hie hour*_
She mur-taura lo%
— to me bye and bye. •W W
But It ^ don't cone b«:k. I nev-er
•Igh or cryoar But-tar - fly..
RIGHT AS THE RAIN (H. Arlen) "Bloomer Girl"C 07 C 07 BB9 G7 C &f? O9
rain that falls fron
Ilk* the spring that breaks thru tin
I can't aay What it «ay bring
«i> gave your eyes thista K m
right to b«- licve —what
i r r r" rl»t be wrong. It** right as the rain thatgave my heart thli
fall* from a- boveand fills the world with the bloom of our lave. —
RID RITAfl F
(H. Tierney)Uoderato
••Hi- Ri- ta, Life "is sweet-er,
OM|
=3=Ri-
J
ta. Wha^=i i
you are neeif.
1 * f — n 1^'* * — = 1 ERi- - - -
»
oC7
Ri- ta, life's com- plet- er,. C7 F.
Ri- ta, have you here.Gnj
D7All
Gin D7
^
ask from a- boveG7, Qt
Is one
1day your lipJ Will say,'I love you.' Ri-
^m- rt* • s
Ri- ta,i i i * • iSeS- or- i- ta, Here is ay heart.
BOOM WITH A VlEtf, A (N. Coward) "This Year Of Grace*«j4 D» G Qj6 D7 Q i
,rj jir fi• _ with a view and
- _^ ,, ,, ^ ^ 1 p | I rj- - t ^ er • • " • » • „« <
A raosi _ with a vi*w and you. AnA no esc to wor- ry ucVe'llgase— at ta« atcy and try To gagas what it • all a-boBt.
fl4<qf r—m Ill—I A^7 P7 h. fl "~" "Il2«j
Se omc t» bar- ryflg-«r«
07 C
this dr««i «•'*•the world it
Cfc, will it •»-««•
/43 ROSALIE (°* Porter) "Rosalie"" * ^"^ A »•» f%** M
Whan atara danced a- bove» T»»
Roa- m- Li«, don't d«- clinacyDflln Edla B7
mak* ray llf« thrill-log, And tell ra« you're
I ) II I 1 I I . V I I -will- ing to be mine, Ros- .a- lie, mine I
ROSE-MARIE (p^ Frjjnl) "ROSeiDarie" "odcr.to .Ith expression
I love you!Cm
Oh, Rose - Ua - rlc I'm al - ways
W
No mat - t-er what I do, I can't fon-dreanj - ing of you.i7
3oa»- tla«B I wish that I had nev- «r met you!
And yat IfCm
IBb7
should Lose you,Ab
Uf« toEb
T P rOf all the queens that ev - er lived
ctiooae you To rule me, *y Rose -Ma - rle
ROSE^CF THE RIO GRANDE Warren)
of the Bor-der word than band In hand
..V. th. preacher'. .Ida rooa H^-py ut-Ue Wld, .adbrid.-
"• it "Ho»e of Hi-
SAMTA CL/DS IS COMET TO TOWNc c?
* F* Coots) ModerateC7I J J J .1 J \
You bet-ter watch out, you bet- ter not cry,HeTs mak-lug • Hat and cbeck-ing it twice,
fm C __M ___ Ba G7
B«t-ter not potrt, !»•Gon- na find out who's
' FIT
J '•tell-ing you whyt San-ta Claus
1>t-y sad nice. San- ta ClausC7
!• COM- In*ln>
•'"toto
r J -C7.
r i r r r IHe sees youD7
you're sleep-in , He knows when you're a-D7
r rr r =P=F:wake,
6 04-He knows if you've been bad
C C7good, b« good for good-neas
C C7
j J I J J fl *Esake. Ohl You bet- ter watch out, you bet- ter not cry, Bet-ter not peat, I'm
C. __!•__. Om G7 Cg ,,„. fti. c i AS1^ ^ J r) I J J J. J
t«il-lng yon whyi San- ta Claua Ir i ••
In to town.
SAYS MY HEARTEdim
(B. Lane) "Cocoanut Grove"C*7 F7 Bb
'Fall in lov«, fall in love*head rules in- stead IS1
Edim1=1
Edim P7 OB? 0+ 07
^
^33 ' J * J J '^- "it's ro- manca^ take a chanceTo the scheme of that gleam
says my he But eachin your eyea
-er orola of nine keeps ring-ing in false a-larailT—Ih'en ay
But the w- ment we're a- part
Ohi you fool that was lovei^ Says my heart.
SEPTEMBER SOHG (K- Weill) "Knick. Holiday*
POh, it'
D7 . ^ FmTr\m UHV tr. n«- r>am_ K»T> But the days COXB a long, long while From May to De- ceo- ber,_
,—G7days grow
i ^-j' I j i , I
en the au- tumn wta- ther—m
short, — When you reach Sep- ten- ber, — Wb
One has-n't got tineturns the leaves to flame,
Oh, the days dwin- down to a pro- clous few
— Sep- ten- ber,
Kb- vem- ber! pre- clous days
I'll spend with you, These pre-clous days I'll spend with you.
SHOW ME THE WAY TO GO HOME U«
G ~— — G7 C
Show m* -the way to go horn*. I'm tired
bad a lit-tie drink a- bout
r rland, or sea, or foam, Yon can al- way* hear m»
sing- ing this song, Show me the way to go home
SHUFFLE OFF TO BUFFALO (H.Warren)"Forty Second Street"« c
1*11 go home and get ay panties .You go home and get yuorec antics, And a-way we'll go;ag- ra in a Bleep-er, There's no hon-ey-aoonthatscheaperAna [
tbetpalngoesairnTmo- . . _ * % i i r ttni? G7 g F* OaiV G7 c 1~G7
'i7'*'1 ' 'i ' ' li ' .1 I ' ', '" V J hi I ' Jl*«. Off.wctre goa-na shuf-fle. ahnr-rio n«- t« n«-r_^^- -i —-" '-—•' To tt-
, the atori may pay a vis- it_ And leave a lit- tie sou- ven-. G. °£ , _S . *-J7 . . **? 0^7 D7
Just lit- tie cute "what- is- it,'!_ But weill dis-cuss that lat>- er.
dear. ?or a lit--tie sil- ver ojiarter.We can have the pull-man por-ter Turn the
lights down low; Ooh! Off,w»*re gon- na shuffle, shuf- fie off to Bnf- fa- lo.
SIDE BY SIDE (H. Woods)Uoderato
r JF • . &*r-rel of man- ey, Jay- be we're rag-ged artDon't know whatfe comin' to- a»r- row, a«y- be it's trou-ble and
"7
Sing-in' athe road, Shar- in' our lo
CZr IP rThru all kinds of weath- er Wiat if the sky should fall _ just as
long as we're to- geth-er, It does- n't mat- ter at all ___ -/hen
all had their quarrels and part- ed V/e'll be the sane 03 we start- od Just
Ml'trav-'lin'a- long sing- in' a song _ Side Side
SIGH BY NIGHT (E» Kalman) "Marinka"Ca D7 (37 Ftafat
ModeratelyG7
Ab
SIGH BY MIGHT, (That's all I seea 'to doI that says for ae In- stead
Ddia Eb C7
J. ISIGH BY NIGHT, The mo ment I leave you,Ten- der things I may have left un- said
*« 1l.Cn . ~
r r iAl- ways I found that theYou'll hear my pleas if the
last fad- ing sound of your
Cdia 07 T^ ca
step will start Cel- los in ay heartl breeze is
07 Cm D7 07 Ca .
- IIright, All ay love in a SIGH BY BIGHT.
SINGH!» IN THE HAH (N.K.Brown)"Hollywood Revue Of 1929s* IM r\ 1-1 £*T* t» T r\Moaerato
»m Sing- in' In Th« Rain, Just Sing- - in' In The Rain, vfhat a
glo- ri-oua feel-ing I'm hap- py a- gain, iTm laugh- ing at clouds 3o
dark up a- bove, «. aun»s_ in my heart__ And I 'm rea-- d;' for
stlove. list the storm- y clouds chase
Ddim D7 , _ ^3v-»ry- one - from the place, Cone
•» jjuim LI i- ^
with the rain, I've a smile on my face, f»»11 walk down theG
pr J I - I—v—«y— —t- H ' <» «—'—^—' *— —r~i —*—lane With a hap-- py re- frein, And sing-ini just 3ing-in» In The Rain.
SING SOMETHING SIMPLE (H. Hupfeld) *>itoD A7 P_ _ _ _ _ . -i ,
* » J J j i j_ jji j J j i J ' f « f - j j l j j j ' J-U-3-jSine some- thing sia-p'K^ a lit- tie dit-ty thatis sweet and al»-plej Yon'ILgetthe••D* stands for dia-ple,_the words are silJy, the song i» siS-fle} And, 'aT-ter
. A7 D as D A7 D_ _
j j- 1 j j j i J iOA. for here's & tuzM that an- y chiflswing of it soon, for here's a tun* that an- y ehil
hear- ing it once, the dnrib- eat dunce can men- o- riteA7 D
^
r r M- A i rre- mi- fa- sol- la- si- dob." you can't go wrong) Oh, say it's
Ba B7 A7 D.
J Jbound to sound Ilka some oth- er song.
A7Lord knows It a
Isin* pie— so get to- geth- «r and let's he sin- pie;— I don't knew_, - A7 D OB. DA7 D Qm D , X?
J ,i i i j i ' I | J J jg
whftlher or not you knew, they call this class- iei " I love you."
SIHIE.DABH IA.S1IILE (M. Rich) Ifoderato
mYou. know this old world la
Op
great world af- ter all.
And right a- way watch *La- dy Luck* pay yon a call
they ere paint- ed, Tine for yob andIhinga are nev- er black
joy to getE7 E-S7 A7
while Coma on and SUHE, BARB YA, 3MHE.
SMILE WILL GO A LONG LONG WAY. A (Davis-Akst)P*K " *
When you're blueJ J \ r \
and iclnd- a lone- ly, too,Hev- er grieve, — juat try and aake be- lieve.
You'll find aThe aky ja
m3b7
smile will go a long, long way.blue al-
^F^Tho you're down,
jl.)
___ don't sit a- round and from. A lit- tie smile will go
long, long way.Bb7
though you know it's aray.
You'll find a smile will go a long, long way.
SO BEATS Iff HEART FOR YOU (3allart>-Henderson-ffaring)
baata th« o- cean aurf up- oaFor jn»t a» con-atant-
yon.
SO FAR - (R. Rodgers) "Allegro"C G7_
J r ' J ^ "J~^T~J=3Moderato
C Cdlm 14-6
noth- ing to re- mem- ber, so
far. So far we have n't walked by night and shared the light of a
star. So far, your heart has nev- er flut- tered so near, so
• J I r r r r ' i" r r r,, We have- n't gone be- yond the var- y
We've just be- gun to know how luc!^- y we are.
1=3 Lrrd — eo
_ ,
1
i — |1 •
11 1
So we have noth- inc to re- nera- ber so
J- — r r i r . r . r r I T r r r *far, so far, But now I'm face to face \rtth you and
C Gta7 C7 F . D7
r r rr I r' r-f-now at least we've met,
C B+- F
And now we can look
G7 C
for- ward to the
r 4 - Imthings we'll nev- er for- get.
SOMEBODY LOVES ME (G.Gershprin)"G.WlS.Scandals of I92h"
I J I I I I
for ev - "ry girl who p
A7 BU7 A7
You were meant to b«
143 LOVE " Porter) WKiss
3trang«,d«ar,Ev- en
Btaa)
but true, dear,with- out you,
with you aadar- llag, irtty
In IOTA with th« night «y«- t«- rl- oti«,
flrwt wwr* th«r«,night when you
lov* with ay Joy
you could car*
you, ay
SOME OTHER TIME (!*• Bernstein) "On The Town"
•> r: J-Where has the time all gone to? Hav»-n't don* >"»11T the thing*This day was just a tolc- en, Too nan- y words are still
P6 C
want to,spoJc- en*
Oh, wen, we'll catch upBbm7
oth-er time.BbB7 Ab
Just when the fun is
Oh, well, we»ll catch up some oth- er tine._J
SOME ENCHANTED EVENING (R.Rodgers) "South Pacific" /$&
J J JG7
HP J J
Some en-chant-ed eve-ning You may see a stran-ger,Some-one may be laugh-ing,—F, C6
1 — i 1^p a l 1 FJ J p ,
— m pi p m 1 —i r r r r i j- j •> j — •[-3i*1 j *You may see a stran-ger — A- cross a
hear her laugh-ing —Dm? E7 i i Am
crow- ded room
C7
And some-how younight af-ter
On ~
know,night,Dm?
You know e- ven thenAs strange as it
07 11.C
That some-where you'11The sound of her
|Z. C
P^see her a- gain and a-laugh-ter will sing in your07 C 07
gain.dree
G7
J J J JWho can ex- plain it? Who can tell you why? Fools give you reas-ona,
Am? D7 G? C
3> J j jWise men nev- er try.
G?
J •< J J j IjSome en-chant- ed eve- ning
When you find your true love,F c —r
yovWhen you feel her call you A- cross ai Dm? E7 y
crowd- ed room,An C2 F
The:nen fly to her sideC 5 1 Dm?
And make her yourG7
rough your li:through y'our life you07 C
mmay dream all
07
a-
•T3 J J J J J J.Once you have found her,
Oaf?Nev- er let her go.
C
Once you have found her, Nev- er let her go.
SOMETHING TO REMEMBER YOU BY (A.Schwartz)"Three »s A Crowd"R C7 F din C7 r >7i * A r r r I r J J j 177 J jggf r r r »
Gb, givelit- tie
some -thing to re - men-ber you *y^ When you «resome-thing ,^>en1nc love can-not dl«t _ fio Mtt-ter
ISE sfar a -
wber* you chance toC7
' 'I I^far you, •Igtrt and day for yon;
C7 F
It will *M
C7 F
M r M r r r ir ' J^Ilk* a Tllljron»r« So (iv* •• to
7 IIr r 1 r ,you bjr. yon
/SI SONG IS YOU,THE U-Kern) "Music In The Air"Moderate
Z hearZ hear
«lc when Z look atan- ale when Z touch your ^Snd,
A beau- tl- fulA beao- tl- ful
Down deep11 In ayth«o« of CT- ry dream I er- er
Xb«n melt *-I feel ItZ b««r It pl«y,
Eta
1. thlc tb« day?Z tear it My,
h«r» b*«rd this low- ly rtrmln,
hwr« heard this glad re-
«^ tl- fbl rbap- ao- dy or love and youth and apt-ing
sweet, Th« vords are true, Th« none !• you.
SONG OP THE VAGABONDS (R.Friml)MThe Vagabond King"C? Pm G7-6 O C7 Rn Oa
Sons of tollC* C F
dao-ger, Will yon MTV*Pal
— a stranger And bow
doom to Bur - gun - dy? Sona of ahaa« and »or - row,
Will yon cheer to -•or-rov For crovn of Bur -gun - dy?
On - ward!F06*
On - ward! Sword* a - galn*t theCm ,dl« Pat-M (77 C
Foe For - ward!Hbo6
U - ly baa -oeri
J
that bound u«, And to Bell with Bur- gun - dy!
SOOH - (G. Gershwin) "Strike -Up The Band"
the lone- ly nights will be
will be blend- ed. I we found the hap- pi- ness I'we
wait- ed for;Ha 3b7 Hb
on- ly girl that3tni . Bba£aa jagg , "um^»
I - i r J r i I i i i .I was
C+fat- ed for.
c? r*m' ,ea»
Oh! Soon a lit- tie eot-tage will find ua safe
with all our cares far be- M«* o»J The day you'r* nine this world
be in tone: Let's sake that day cone soon.
SPEAK LOW (K.Weill) "One Touch Of Venus"t O (587 . C7 * '. Sa7 . C7 '—_—<^_ _5K7 C7—
•Jl I I I j J J mSpeak low _ I when you speak, love,— Our stsa- aer day with-ers a- way too
dar- ling, speak low_ love is a spark lost in the dark too37 Bb 3£>9 . 3ba _»2b9—* , G9 : J .
t_SJ — m— • » i \^ "f J ^= ^•"srr J «nt-j. — j> j —i — »—soon, too soon. Speak low iriien you speak, love,_Cur no- aent is swirt-liJee ships a-
I ff*~l, , nher-ev-er I go tiat tonorrow is near, to-aor-row is
..... .-i--. .- t . .-»= ^=« • y-
..,-. * •]! j ,-— — Ml • • 1 - 1— , ^L- r. . i 1 —i — ^ —
soTiae is so oldC+
ift, we're swept a- part too soon. soon.here aod al-ways too
brief> -Iiova is pure gold and tine a thief. 7ra»r« late dar-ling, we're
V— —9—cur-tain de-sceads, ev- »ry-thir<g ends too soon, too soon I
, dar-liag,I wait _ Tfill j^ou speak low to ae, speak love to me and soon.
S'POSIN (P. Denniker)»nr C7 F
.Moaerato
fVei:: ' - 4 m m =— &-^ — &=^=^=-*-— •
c^l^ , I spxJd fall in love vyitti5K3SIN L ihoula sa\,'Foryoa II IT3S Tar? r?r p— • • — : , — -^ — o F=f=*=^ : m ^
=1
oouli Love me too ?. -IN' r-vshaul<i ho*i you and ca
C7(9 1
-P ^ ,1 . 1
f K| 1 • 1
—ri i p^
l
' 6 -^s— ^-*ness Would it int- press
2 F; AT
Or d£s - tress
Dm F7
cxd of turn?
G7
S'POS-IN' I'd de - dare il, would >ou
C7 F cr F
taKe m> Love and skarfe it? Im rotS'POSJN'. I'm in Lo* witi» you-
STARS FELL ON ALABAMA \F. Perkins). .
t J J Jved our li
iioderato
a i jvedourl i t - tie dra- a a , w e !dsaed inI can't for- get the gla»-ourtyour eyes held
r. c7 rn ??
a field of white,a tend- er n-».»
2^5andand
star* fell on Al- a- ba- aa lastG7 C CdlB
last nlfiht.
•i- tu- a- lion so heav-enplanned In vy io- a- ffL- na- tion —
, and in theland where no one elaa could en--S. 07 C ON
beat like a h52.
ter — ja*t you sod
ama wound a-round you and star* fell on Al- a - b»- na lact
STRANGE MUSIC (Wrights-Forrest) "Song Of Horway"/ L'T b-j. -fe^t> <h -
DdlfflStrange mu- sic ££ "</
Btol7 Q>7 Ibears on- 1> now
. Sfcrf?as you
J J Jspoke, did it start. Could itsStrange mu- sic of the spheres
Yon ap-pear and 1 hearfron my heart?love- }• tun be coo-
let ne hold y°u nearE7
time can nev- er change Tte ctrmge, new nu- sic of love
SUNNY DISPOSISH (p. Charig) "Americana"
A aua-ny di*-po- slab will al- way* you through Vbea upBb7
I I • if n•U.e« are blab stead of b*-ing bin*. Mla-tar trou-ble makes
I I•ay- ing "3o long!"— ^— But • emile will bavw hi* It rwal-ljr do««-o»t
pay to be • glooat- y It's ab- rt- dleV
Uwa- Ijr all . BM nitt May pit^ t«r p*t-tear, It rval-ly 4o*»-o'
•*t-t*r, For life can b« d»- liah With •un- ny die- po- siah.
SUNNY SIDE UP (DeSylva-Br<wn-Hen.etc)" Sunny Side Up*0 C Fta O7 C C* P
Keep yCd
.•our Sun-Sun-
C3tt«ny Side Up Up.
O7 Gdln 07 CdlmHide the side
mon- ey, you know.C* P
be like twe"~HL fried eggs Keep your Sun- ny Side
SURREY WITH THE FRINGE ON TOP, THE^RodSers)llQklahoina"ft > 0 QB«7 06 Q ^_
Chick*Batch that
Qos?
ks andand
06
mgeesa bet»'"tar scur-
sea DOW it flxft-O
ryt*r*
Oa*7
4. T*V«1 take you out in *" the BUT- r*y.When I drive then hi£b step- pin» •tru<Ut*r*.G6 a
Vhen I tak* yobBe*- *T pokes- »U
AO v.' • D7
i*- in- gleae ear- tain* y* eon
roll right
weath- *r. Two bright side light's wink- ia» and bllak- in',
J J J, J=£Egrig, I'm a- think- iss» Yen c»n k**p your
Am AM
Ain't BO fin-
think- la *at I'd
Qaa7J. J II
8
out Inp*«k thrut
B7
ray with thei*> t*r* and their
•hla- y, lit U* rey with the frine*
155 SWINGIN1 DOWN THE LANE - (I. Jones) Moderate
hand inwhen the moon la on the
D7
Ev- »ry- bod- y «ciua T§wing-ln' down the lane,rial, Hon- «y I'm BO blu*,
G
grand, Swing- In' down the lone,- y feel- In'-in' lev-era mak- In* Like w« uaed to
•Uiat's the time I mlae the bliaa That we might have known,
Sti: m wait- In' all•hen the moon ie on the
rain, Should be «win*in' dose. you.
»S WONDERFULEb Eb6
(G. Gershwin) "Funny Face"Eb Eb6 C7 dla_. C7 dla Bb9
*
A teir.po
On
m'S won - der-ful;'S aw - . ful nice
Bb7 ll. Eb6 Eb~
'S mar - ve- lou«I»S bjf - a- disel .
Eb6 Eb mYou should care.
'S what I love.Cn6 G
— forto
D7
me: see
D7
You've
C9
made
B £n~f life so glam - o - rous
F7 Bb9 .B6-9 JM Eb6
can't blame me for feel-ing
Eb Eb6 (in F9
±^ r — r~^ -r — • • —a - nor- oua 'Swon - der - ful *S mar - vel-ous..
CO F7r - '1
Ftn7 dim Ftrf?• J J }'-]• 9 r^ ~— -t
71
Sb
rt -**^" — •*r~ - -j i — II-. - J
That you ahould care. fof
WAT CERTADI PARTY (W, Donaldson)Bb7
Voderato
Hea aha got aangh-ty eywrT T*a, aha haa got naugh-:
You know ifiis on* I r7TPi Sore, you know tha ~ one I
IHAT csa. ttnr tta- rr
i i I ITHT o* KliM.
THAT OLD BLACK MAGIC (H.Arleu)"Star-Spangled Rhytb«" 156
dd black mag
I I Idd black mag - ic thai
Vtitdt -craft wt«>wrc)«s meet ninedon rn/ spine
1 ' j' - J ' ' I I I . 1 1old tin - - gje that I feat in- sub
T*r Ab
p r r i r
I J- J»J J Ilife »Z_ taK—faftagfhfe tideT I should et«x
cr
do.ir: p r p i a r ir
Iheerjiour nan»_ AnA I'm a - flame. flame Mfc wcid
J
Uflton-jy/our kiss. PcanbutoHXihe fire.
Uv- er- Ii j.v«it- ed_ The maU ttat fate _ had me
i r c r r rat- ed_ fcr
' r r r r r j i .ev-*rx — time _ your lips meet. mum.
oota aod_ down— I go, *] and Vxxuidj i
_ I «oI
n
I I . I y I '
J' d J J J Ij- J*J J ' ?in Un-derttat old Uack - ic
THAT'S WHY DARKIES WERE BORN(Hendfsn-Brwn)"G.W«S.ScndlsOfD 34 D G6 D
Some- ona hadBa
pick tSa cot-ton, Soma-ona had to plant. lough ^£ troiab-la, Though ha waa tir- ad and worn:,
BbTll. P Ddj"» P ,,^ Bm E7 A7
Sona-ona had to slave and ba a- ble That*a Vhy Dark-iaa Vara Born.Had to ba con- tent~ ad with an- y o
Biat'a Why Dark-ieavferaliorn.Singi Singt Sing when you're waa-ry and alng whanyou>ra blua.a** i_ Dm -t . rMim —it . TW •* 1*7 n gg D 66A7.
Slugl SinglThaia what you taught all tha whlta folka to do.D D7 Bn
4*V- 11, Shout a- bout a- bri-el'e Horn, Soma-cna had to atoke the
train that would bring Goda Children to Green Paa-turaa Thet»e thy Dark-lea Were Bom.
OHOOHi /DflNIVH V
J Ju
•tutl£>
X. -poq -onU
'jjnv» JCta
i "13J Ul
SCWM S3Q8BHO SWDS 38
3S Till NSKL
THERE'S A SHALL HOTEL (RoRodgers) "On lour Toes'
There'sThere'*
•Mil hO- t«lbrid- al
1*
withcue bright ana neat, Coa>»
•Ign of poo- plot
f ' I
til to- gttb- or.» • •> ~ * ofnight, olooo well," wo'U thank
THERE'S YESJ YESJ IN YOUR EYES (J. H. SantOy)
r_"But there'steU_ me no!
Fm7
^
nor_IF+
yes'. yourEb
I've, been
- r JJust be - came I was - tit
r r r \
rrjru f i'and dream - i-insr. 'Cause at-
07
*f If ' I
Rn C7Tour Ups leU
' *r r rrBut theres in your
THE? 00 WILD SIMPLY WILD OVER MEC CdlB 67
(F. Fisher)
They go wild Bin- pi/ wildEv- 'ry night how tbay fight ,
P. . P* < i . • .1
•at- tor «h«r« !'•
la- dieo thin or
grab »ea off liko that, lo that they eon oee, —Tk«
— The lo- die* look at BO they wont to
040, Iboy go ply
THIS CAH»T BE LOVE (R.Rodgers)"The Boys From Syracuse'
Ihia can't ba IOT* *>•- cauaa fa«l
ttla can't b« lev*. I gtt be
baar it baat
avaat to ba leva. efca't ba laraML m
eaaaa *6
BO «all>_
But atlll I IOT» to look in yotir ayaa.
THIS IS ITc(A. Schirartz) "Stars In Your Eyes"
G EBB G7
aro- nance,a bight
G7 CdiM
wantknowC
to hangthia IB
onso
to this7
on* big cbanca.—and right, And
ulna, My lone- 11- naea diee,•Uio<^bt leva paasad »« by.
Ab7 0?
^53it•tars in
— = m. . . I _ .
I— •—
17• f tf>
m? G7 C— • • '^=r- ^ M=. H
But X auat ad- mit
THOU SWELLrr
thiB ,!• itl
(R.Rodgers) "A Connecticut Yankee."
ThwE . P
T>u"BP7 Fre
r-afc**![i—i^
ncAdsure
niy . hand? Both biine ey«s__ arecufefooJVjiat li^do t>wouia ao; Guteme jusl^ a ptot of, Wot a lot of'
me. Hear me hol-ler ' I cJxxxse a Sweet Lol-la - t>a-loo sa_f32_ os Cy
And Thou
3 s V J •sweU! Thou wi t - ty! ^T Thou grand!
HP TOE THROUGH THE TULIPS WITH ME (Burke V'GoldDiggersOfB/w*-Bt, m iftn Bb* Sb <«
_ win- dow,from your pll- low,
by the win- dow,to the aha - dow
Bb7 Eb
That isOf -. § .
Bb7
| | ^ ' •" ~-^ me^SS—where 1*11 be, Gomel tip- toe thru the tu- lip* withgOTT* ?_ _ *, rw A^4n TVMm (T7
Knee deepGm
inAdin
flow- era we'll strayC7 F9 Bb7 Eb
gar- dan, in the moon- light, Wil*b/ou
tip. toe thru the ta- lips with me.
We'llC7
TOOT, TOOT, TOOTS IE :-(Kahn-Erdman-Russo)n The Jolson Story11Eb F7 Bb
rToot, toot, Toot- sie, Goo' Bye!
Eb Bb7Toot,toot, Toot- sie, don't
Bb+
"thecry,Eb Cdim
e choo choo train that takes me,Bb7 Eb
A- way from you noF7
words can tell how sad it makes me, Kiss me, Toot-sie, and then,Bb Eb7 Ab7 Eb7 Ab7
it o- ver a- gain, —
If you don't get a let- ter then you' 11 know I'm in Jail,—
r- K p 4 i r <* -_^^Tut, tut, Toot-sie don't cry, Toot,toot,Toot-sie, Goo» Byel
VARSITY DRAG.THE (DeSylva-Brown-Herieetc)"Good News*
Here is the Drag, See how it goesHot- ter than hot. New- gi» than n
TlZiDown on the heels, up on the toes
Mean- er than me«q. BlU- er than -
feat's the way to do the Var-_ si- ty Drag.Gets as much ap-
E Am E
plause as wav-_ ing the
You can pass man- y a class, wheth- er you're dumb or
when your pro- fass- orP
cries:Ev- 'ry- bo- dy
^ — — °
on the heels. up on the toes. StayCdim G7 **•
- ter school.
•a how it goes. Ev- 'ry- bo- dy do the Var-_ si- ty Drag.
//./ WAY YOU LOOK TONIGHT, THE (J-Kern) "Swing Tine"/**» /, , Eb Qa Van , . Bb7
When I'm aw- f»lyWith your amila so
low,warn
When the world ia cold.And your cheek ao sort,
Ab
I win feel aThere ia north- Ingn Bb7
firJuat think- ingme but to
Eb
Bbo6 Abm
Oh, but you* re
Db7 G6.
With each
Bbni
word your ten- der- neaa grows, fear
p 1 **'_—
1 r ' -I \*&=4=u cai
— K-f-i_£
i ««I7
-^P — r 'T r — 1part, And that
Db7
laugh that
Bb7
vrlhk- lea your noae —
Touch-as my fool- iah
nev- or, nev- er change, Keep that breath-leaa
Bb7
charm,
Ab
Won't you pleaae ar-
Bb7
range it 'Cauao I
Eb
love
iyou, JUat the way you look to-
WHEN HEARTS ARE YOUN& -(S.Romberg)"The Lady In
land that gleams a - far*
calla youth yourat!
WHEN MY DREAM BOAT COMES HOME (Friend-Franklin)
t«a- dcr love you brine. We'll be sweet- heart*B>7 Ab
for.
WHEIE OR WHEM (R.Rodgers) "Babes In Arms0Ifodarato
Ab
tt seoma wo stood eod talked like this be- fore. We£h« clothes you're wesr-iag are the clothes you wore. The
I J J- J fc-. J.looked at each oth- er in the sane way then, > But I can't re-oen- bersmile you ore sail-tng you
JL._OD_
irtiere o*647
Soae fthii5#9 that hap- pen the. i . wi
4 J^LJL=A±=first time.
JSeea to bo hap- pen- ing a- gala*
H»» Tm
so it* ••ens that we have not be- fore, and laughed be._Qo Zfi Bb?
1 J * ' - J h" '" r^ •..,p..., f — 'T rfore, abd loved be- fore, But who knows where or
WHO CARES? (G. Gershwin) "Of Thee I Sing" Moderate (Brightly)
you
WHY SHOULDN'T I? (C. Porter) "Jubilee" Moderate
a chance tihen ro- oaoca
all tbat IB real- ly
klasad and then You*11 be kissed «- gain, — All da- to- tantes say it's
. a i J »Jgood) — tad ev- 'ry star oat In tsae Hol-3y- wood Seems to glv* It •
WINTER WONDERLAND (F. Bernard)flodemto
Slei -belk ring, arwyou list -'niti'?way is U« blue- bird,
Lanestay
isis a
win-terwon-der-
Land! Gone a- land!G- 322 £
C7at he is ftp-son. Brown,— Jfe'U oa/af»>cumamed?Vell say,*No, man! ButF7 BP7 B> R^r
can do if«job«*wijoul*in tomi.'l La-ter on we'll con- spire- fewe d'reafti bytnes=s
flre_ To face un-a-fraid,_ the plans Hiafwt made, _welk-in» in a win-fer v*bnder - LanHTl
WITH A SONG IN MY HEART - (R.Rodgers) "Spring Is Here"
With a song in ny heartAt the sound of your voice
I be - hold your a - dor - a - ble face,Heav-en op - ens its por -tola to me.
JustCan
a BOOS at the start,I help but re- joice.
But it soon la a hymn to your grace.That a song such ae ours came to be?
Cm D7
r rWhenBut
t»ie mu - sic swellsJ_ al - ways
I'm touching your hand; . It tells that you're
D7-S G7 Bl>7 Cm6"— P 1H f
stand - in
F7O
___ e8 near,
B»' . . . =g=
ss=^ 1
_j " ' .. a^ :^_ £?-\ — •i ^i p — t—4ji —and knew T woulrt
P(rf7 Bt? &I • f _ j P- (_u 1_*-
H 1 1 1 1
5 j-F— -f-=lLive life
\ V J II) J A ||
With a song In ay heart for you.
YOU AND THE NIGHT AND THE MUSIC( Schwartz )»RevengeWithMusic"Cmi J- 04,7 G7 Cm! -j- G7r5 C7 Pud.
You and Ihe night and the mu - sic fill me with flam-ing de - a re,You and the night and the mu - slc , ^thrlllm^ but will we be one.
^
lc_ .thrlllmeVf U+ C
s«t-tlngAft- er .thj
be - Ing com - plete-lyt and ,the mu - ale
onare
fire!P?
rUn • til the pale light of dawn-ing and daylight Our hearts wlllbe throbbing gut.
Dmi CT7 Ab- j Gb+ J- , Fai D7 QI
-tars llorn -ing may cone with-out warn-lng, And take a- way the- 1 , — — i Oni -- •? - 1 G7r5 (^ C7-• MJ. .,
stars If we must live for the mo - ment, Love till the flto- ment isRnl Fas—J——, , •* ,. Cmi , dim D7 Ab9 G7 Cmi
through! Aft -er and the mu - sic die will I hay* you?
YOU ARE MY LUCKY STAR^(N.H.BroTm)»B/way Melody '36."
eyes at ae— they were gle
"•Charms I'B•11 my luck-y
lfou»ve o- pened h«av- en'a por here on «arti;Etatfi
E EEEjEEEEjEEES
tM *5 po or mor- t=!tl You
1 ,j =3EgEEEE EEEEE
Are Vy
, _, ...
Luck-
i ,
y
r^St
L.~m
ar.
/£<" YOU ARE TOO BEAUTIFUI/-(R.Rodgers)wHallelujah,I'm A Bunf/OJ CBT7 G? itf? - A7 . 1*7 _G7 ^
i r r r r i ^ m• • •••••• • ••• •H
You are too beau- ti- ful.jqy dear, t« be true, and I am a fool for_\tar one nen^ji-lone, for one^ luck-y fool ^^
beau-tybe
Fooled by a feel- Ing that be- cause had foundWhen there are oth- jer_ man with eyea of _ their own
youto
Gdifa
could have bound you, too. see with. Love does not atand shar- ing,
ev- 'ry kiss with theirs?G7
Kot If one cares. Have you been coo-par-lng
If on the oth-er hand,I'm faith-ful to you, it'a not thru a senae ofUK? *W» Ddim C J- . Ddla An D? G7 C
<3u_ ty. ,Vou e?e too beau- ti- ful and I am a fool for beau- ty.
YOU COULDN'T BE CUTER (J.Kern) "Joy Of Living"OT Q
T* J J I I r-j j ,. iYou oould-n't be cut^ «r Plus ta»at you ccoXd-n't be saart- »_
U J J J •I Jthat In- I- gent feea yms harv a dts- grace- ful
D7 I J J li 11 r ' r
charm for a*. ou coulfl-s't be keen- er. jou look M>
fraah from the ol«an- «r
Vf mm will abow you
M that »U bar* yon
>[•! U J I" ^ ™ rears andyou'll at- tract all th* rol- a- tivo« «• bar* dodged for
th«y t«U aa?
11 •«/ you coul*. n»t be nlo- *r,what- '11 they tall
eould- n»t be bet- tr, ooulA-a't be aaooth- er
XOU DO SOMETHING TO ME -(Porter)"Fifty Million FrenchmenEb Sb
"Bf
-thing to me. Some_- thing that
ply nys - tl - flea me Tell me, why should itBb7 Wdlin
J- ibe You ,iave the pow'p to hyp - no - tize ma?
Eb
1 *LetBb
feM=
=
pi
am
a*dii
3
l
£
=1l
f i
J 11 :Lve neath your
f . . .H * "iw- -• j/-. i d
n
spell,On
1 — J
fj. H s1 i »^ =
Bb7 Eb-U 4— '1 — sfc 4 1 —
1 i J =_^. .. . | »• 1that
u1 =1i „ io
TOO - ioo that you do so wall, For you doC7 F7 Bb7 EbEb
i •' J•one-thing to ne That no - bod - y else could do.
TOD»HE AN OLD SMOOTHIE(DeSylva-BrcTO-Henderson)i .J |j..r - _J .r
Tou'r* __ aa old t noot2t> f*i_ x'a _« 0 7 ' B"B" *•» — » *'« -* . <*'7 ^ _ n
aa o oft. —ob07
1*T-
l»a Just like put- ty } la th« beX just go nut- ty, J
£lrl Ilka you. you.
Poor me, you placed a* for a »*£»j FOOT ycu,, <37 >wua«> C7
you thought you'd laid a, trap!e*
r r * -[ j-icxlt»« Ua» you kawr, XO«»T» doao Juet wtiatTi want-ad
^_ Craft-— y old wrt -- ** 1-r»»i— ' _ — _ <w _ «•» _ *
I'll atick Ilka put- ty to the bead of • girl Ilka you
YOUfHE BLJISE (°- Hamilton) "Bov^ Bells"C7
Moderat*
J IJ J. ^--idbj.. J J.. Jlj JL^J^Ja eha-aa, — Y«ju^je no ea-tho- si- a- as. — You'.i-eXon'ra deep,— jttat Ilka a cna-«n, — iiju've no en-t*u- si- a- an. — You1 ire
Your day —~ la oaa of lel-rora — In ifclch you oearca for jlea-aare,Yot»e
Uraa aaA un- In- cplrcd, You're ola- a*.bored whea you're a- Sored, You»re bla- ae\
While rtaob-lag for the noon and the atara up la the sky,
-•la- pi* tolaga of nor- aal lift ara •low* ly paaa- lag by.
•I**p, tha aim la ahla-ing, Yon wake tiaw for dli>-lag
aotJv-lng new for you to do*
YOU'RE DRIVINQ ME CRAZY - (W. Donaldson)din <M7 C7 07 07
Moderato
YOU! youV* driving no' ora-qrlM« _£
what did I do? what did I doidin 0*7 C7
oako OY • 'ry-thlnk ha - cy
I f ' ' ' J 'Clouding th« s"i«»
UJ> J M f» • S* 'H J ^ * * < l -J * t^' in. i ' i *-!?"frienda who were near oo, 'to choar aw, bo-lievo J»o thoy'know— »it YOU I wero &«
kind who would hurt a», do - ««rt 00, whon I nood - «d you! YESl
M I1 II'you'r* driy-iqg M era - «jr! to you?.
YOU'RE MY EVERYTHINGe
(H.Warren) Modercto
^ * — —=rolled up In- to oae
Yeu'roar i- doa of a
al- i- tar* Tou'ro wy Aa£ Tb» book I r««d._par- feet p«r- 001• la
_,- Tou'r* •• wjr tMH yeod bo- U«ft And JMt to it b r T r f -
via- tor, «t»- MF. »prln«, «ar «v- *fT- thlag-—
YOU'RE THE CREAM IN MY COFFEE(Brown etc)nHold Evtrrthine/- - ^ Bb7
Tou'r* tbo crtToa'ro tbo
eof- YM Tou'r* tho *«ltcol- la- Yott'ro^h* l«c«_
Tea will «1- _ no- coo- ii- ty I»d bo loot vitb-oat yob.
Yeatro tho •*!! _ of ay low- boat Yeu»r« tao
Too will •!* ways bo noe- o»- at- tar I'd bo* loot with-o&t you*
YOU'RE THE TOP (Porter) "Anything Goes"
SaiYou're the top'
r J J1 J
07
' t t y •—• j-You re the Co-loe-.»e-um, You re the topi
Fta7 Bb7
a ayn-pho- ay— b/Yo* re a «el- o- dyYou're thelouwr'Mn- se- urn,D Ota
jYoxJre a Ban- <J«Itea-__ Mtj A Shake-speare son-_ net, YouVe Micky House.
Yon re the enlleC7
You're the Nile, You're the Tow
U J I Jon the Ho- na Lie- a; I'm a worth- less check, a to- tal wreck.- a
, But if Ba- by, !*• the bot- torn, You're— the topi
YOU WERE MEANT FOR ME (N.H.Broim)C7
Moderato
U J r f iZ •«• meant forYou Were Meant For Me
Xa- tore pat-t«rneo you and when ahe wae done You were all theyou
j ir r r r i r \ r T ir r ijthings rolled up in one You're like a plain-live nel- o- dy
C7 GB A7
i.'1 T ' r r u J i-,^That nev- er lets OM free For I»B con-
J i r -i J iJ N J r r ir itent The en- gels oust have sent you and they meant 'you Just for ne.
ZIP-A-PEE DOO-DAH (A. Wrubel) « Song Of The ,SouthnBb
BiJ P
1. 5b
Zip- a- dee- doo- - - dah. Zip- a- dee- ay,Flen- ty of sun -_ ahfn«. head- in' .jy way,,
Bb ,C7 F7 ng.gb, ^t Bt>-
.^ ^>-_^^ Zin- a - dee- doo- -oh my, — what a won- der- ful
Gm Qn7 Bb P7
Zip- a - dee- doo-
m r r • Tdah, Zip- a- dee- ayl ilia- ter Blue- bird on ayGdiffl Bb C7 F7
"*
shoul- der,r I r r ir \- i*
It's the truth, it's »act- ch'll" Ev- 'ry-thing isBb . Sb . . Bb
aat- 13-JEb
^3fact- ch'll Zip- a- dee-doo- dah Zip- a -
_^ i Bb . Gm ^ C7 E7L_ Bbdee- ayl
Won- der- ful feel- — ing, won- der- ful
ZING; WENT THE STRINGS OF MY HEART(J.F.Hanley)"ThUSfc* Up"
Dear, whan you sailed at m—tor«ath of Spring,
Bb7
heard aheard a
It haunt-ed me from the start,bout a neat set a- part,
AtML Eb
Some-thing in- side of me —All na- ture seemed to be —
Start- ed a aym- pho-ny,_ iIn pur- feet her- mo- ny,— >
BbSB
Bb7 Bb» SbAbm
Zingj went the strings of my heart,
r? Bb? Kb
U' ^ J I I in J.strings of my heart..
Bb7
Your eyes made skies aeea blue a- gain,
Kb C*6 V? Gta
What else could I
J7 Bb7r \ r
do a- gain, But keep re- peat- ing
Bb+57 t Bb . Bb7 Kb
through a- gain "I love you,
tOm 07
Dear, with your lips to mine — A rhap- so- dy di- vine.—
mZing! went the strings of heart.
STANDARD FOXTROTS—SWING TEMPOS
AFTER YOU'VE GONE - (Creamer - Lay ton)F Fin C Em
HoderatoAr
.Af-ta-youitegane, aixl left me cry-ing , Af - teryxo^e gone, Thawnode-njr-ing,py or c c?"
youlifed. U«e,_ ^dou'U fed. sad,_F Fw
^6u)UinissfiedeBr-€sJpalyoiA)fee^-e!p had;
Thereflcornea lime,.AT
nowdontfor-sct tl, Thcr»II oomea lime,_Fn. B1'? O
Borne v4»eh you spov lone - Ly,C
heart will break tike mine andC
AIN'T MISBEHAVIN' - (F» Waller)me. 3b
Moderate
I xnow for cer- tain the one I love,
I»a hap- py on _ t h e shelf,} Aia't ads-be- hiv in', Iti saw-la' my loVsJust you I'a thlnl;-_ Jji» of,
Bb7!g.g> Eb
Like Jaci Homer in the cor- a«r, 4on»t"«B no-where,
what do I care, Your <iss- es are worth wait- in' ror, be- liev» a*
_• »- m r- i • — 1I don't stay out late, don't care to go,
Aba a Sb7I 'm hone
>7a- bout eight, Just
me aod a ra- di- o, Ain't mis- be-haw- ln» I'm s«»- ia»»y low for you
AIN'T SHE SWEET - (M. Ager)Et> A7+ B'V E
Movers 'o
Aui't sheAui't she
G7 C7
swiaet? Seefcer com-UK down the street! Now-nice ? Look her o - ver onoe or twtc.e. Now I
W&7-m.^=^
ask you ve - ry con -ft-den -tial-ly ain't she sweet ?askyouve-ry con-ft-den-tial-fy ain't she
_A»r "u
r r r r Fin her di. - rec - lion.n Oh.me! oh. my?.
A7+
peat, dont youF7
thmkihatskind of neat? And I aek Vou vfe-r-r con-fL-den-ttal-ly Ai/i^t she s>weet?
ALABAMI BOUND - (DeSylva-Green-Kenderson)C9 Marcla (brightly)
jI»m AX - a - baq^ y bound .Tbar«ru be no "He«b - ie J«eb- ies"
D7
^hon-gla* 'round,
I J J M
Just gav» the aean- eat tick- etA7
J J I j
on earthD7 Mia m.
All -!*• worthVacet C9
To put. my toot-slea in an up -per berth _
hear that choo choo sound
i I I i i MlAnd then 1*11 hoi- lar so the world will know
I r r f-\ tHere I
/7/ ALL OF ME - (Simone-Marks) 3
*qr not t«k» allI2rt M witb 4TM
67
iIda took Uw p«rt tturt
r i r JE2 1 1— -— — '^T~ tejHb .
^or not-F — 1tak»
1 1all
f-*-1 1 -T1 1 1 "*r r " J -~i r J =
AM I BLDE ? - (H. Akst)GM6-
Mod era to
e^pror
I v*as his on -\y one,
G«T <? If . ,
the sad and lone one.
Qcz:
gayJ.J
.^a to- hesgone—
1c*rcr F.
* ' »|"v'^r'r ; =and«eVeU«xx«h.— Ami
JJ J' l
ANYTHING GOES (C. Porter) "Anything Goes"
The worid—has gone rnad to-day
^J l r ' ' • jL-lfc-dax_\*Vawrfgu>* C-dax_
r f^ /lIU jurf
A-TISKEP^A-^SKKP (E. Fitzgerald-A. Feldman) Moderately..
r n jr j FA- Tis- ket A-
i .J i r r JGdia
—i __ Tas- ket, A green and yel-
dropped it, I dropped it, Yes on the wayBb
Jbought a bas- ket tor my BOB- ale, On thelit- tie girl- le picked it up And took It
BB7 «»,.. , .. A»S
T ^, <way i oroppeato the mar-_ it,
nue wlth-out a aln— gle thlng_She was truck-in* on down the AvEb* **» Abn
to do.— She was peck,peck,peck-ln' all a- round
on th* ground Taa- ket— She took ay yel- low
M- ket- And if ehe does-n t bring it back, X think that I shall die.
AT arwrovacC7
(W. Donaldson)Gm C7
ModerateP
Ev-»ryIn &
lit-tle breeze is sigh-ing of love un- <Jy- - ing at !lit- tie cot- tage coz- y The world seems ros- y at
Gm C7
Sun-down _
( Ev-(Vfhere
»ry lit-tle bird is rest-'- ing anda lov- ing smile will greet- me And
A7
feath-er nest- -al- ways meet— me
G7
*Sun- dowr 5 Each nt- tie{ I seem to
rose- bud isigh I m insigh, in
sleepheav-
m iWhileWhen
shad- ows are creep- ing
night is fall- ing and love ±a call- ing me home.
AVALCM Al. Jolson Tlneant Boset
PAGE (Davis-Akst)C
Moderatep cfr
J J J. J J r r r I r J J I .JBa - by face.d[r or
the cut - e*t lit - tieFtr G7
_ba - by face.
qtr
O Ar
r'.,r " i - • ' y* i t|fj j ^u_,i>Thenginot an- otb - er one could Lake your place
Off frn^Tyi G7 Ctr Q7_ Of?
i J . j fU r r It P r Jbl lB«'- by face.C
My poor heart.C
ia jump-in" ^ouaure haft sari -edscne-tti*F c Er
7TUJ ^ " ' I rIm up in heav-«n v ien I'm in yourBa - by 'face _
Or i>» F FirAm o cr
I did -n't need a aboveT>T PW 07 C
'Cause I justC _
I f r JTI.J J > J l rJ •,! ^fell in lov» V/i&yvur fcA - ty Ba-by- Face..
BABY WON'T YOU PLEASE COME HOME (Warfield-Williams)4b C7 F7
^^by, won't yon pl«M«m jt
Kb?
coo* boa*—
fta
*C«ia« your
Bb7
10M_ X
B>7
tried
Ab
— in
••'• all
Bb-67
r J P.rain nev- er no nore to call your naoe_
C7 P7
iyou left you broke Be-
Dh7 S7
r "irlcauM X nev- er thought we'd part
Jb C7
Bv- >ry hour in l£e day,_ you will
b««r «e say,— Ba- by won t yon please come hone.
BEI MER BIST DU SCHON(Cahn-Chaplin)"Love-Honor&Behave"Am F7
PMIR 3I3T DU SCHON" t Please let me ex- plain,— "BETl A- gain > l l ex-plain— it
F7 B7S7 F? E7 ii.vuaf tJ* j pn> r P P - r -^L^L-'iTOt BIST DU ScftCN means that you're grandr'eans that my heart's at your com- raand,
P7
"BSI
Am|J J» i*
'could say "3el- la, bel-.1 *" .. j I -" • i i |la," e- ven say 'oon-der-bar_
^m i=f— Each lan-£ua&e on- ly helps me tell you how grand you are,-c<~> Am
^ ^
•=
I've tried to ex- plain "3SI MIR BIST DU SCH01J"2 ^_ _^ i?? E2 k . Am
i? r V nss me and say. you un-_ der- stand.
BYE BYE BLUES - (Hana-Bennett-Lown-Gray) Moderate /74-
CABAVAM (Ellington-Tizol) Moderate
Hi«ht acd st«ra a- bovc that chin* soup- on «y «noul-d«r aa wt
brightcr««p
The ays- > tryA- cro»« tha
that ahlnaa up- on our \ CAR-
ing
EOT Gdla
Baat- - - - in my
Ab C7 F*6 Cdla C7
thrill
Gdla
to the mag- charm* of
1 — -n-=— —1 — — 1 1p 141 - -1- -i - =ft
^ r i 'you
My dr«aa of lov* !•
1^ ^ hJ1th- In our daa-« «rt Car-
/751 CANDY - (David-Wiitney^Kraner)t Ebci , Bb Gdira
Slowly
•Can- dy,stands me
I call my aug- ar J 'Can- dy"my un- der-Btand-ing
SHe-cause I 'm sweet on
An<l Can- dy* s al-waya
Can- dy's sweet on me. when I need syra-pa-
G
thy07
I wish that there wereC7
him _
j j. iso I could love much
F7
more of him He has tak- en my com- plete heart, got a sweet toothF7 Bb7 Bb* Eb . Bbca , 3b
for my sweet- heart, "Can- dy"Gdia _____ Cm?
it'a gon- na be just dan-Bb
The day I t«)ce my "Can- dy" and m£ce hln mine all mine.
CHEATIN' ON MEO?L dm F7 G
(L. Pollack)C <tm Cf7 C G dim
Moccreto
1You're cf«at-ln' on me.
E7 A7i -in' on me.-g^-> din. . FT G-
YouYvnat tteB
if & sweet-heart I footed voa'd be- I— fru^-e^ you, Though — you'd beA°7 . M Ml n!t. Ti '—'
ir *true;__"My Icve was so strong "Nev-er dneam-\r^youd do me
voa're the kindTO FT- G ~
Lo\/e i a same and Ive ptavedi on "the 3qua*fe,_"
for- give.—XT' dim . F7 ft
but sureas^ou U.ve_ — Some-day j/oJregowftobesor- ry ycucSSfedon
CHEROKEE (INDIAN LOVE SONG) (R. Noble)
' ••• O
Ssyiaet In- dUn jnaui - en, Since fir-st .J met,_. or 9the Prai - rlei //Tour LOVR Keetu- c-au
J I ° I3
W *i f»cant for-,heart en - tfrral
r - O - W
ffc
"Dreams of Sum-mer time.Pro _A7n7 D7 G
or
lov-er titne §bne
C7 Gw7 Cr Cm? FT-*
_ _ _
my mera-o- ry_ so
ten-der- and s^fi *My awccL In - dian maid - n OneDm C? C"*y FT
III
Had my arms fold you. Cher - o -
I I
ft- 5
"
m i
o
H ** P V 1'
fti T i s 2'
c 1 € B- 0.
no
c***
AC
T •
;
6- >*ii r*
?K B
, P D
P
"I
• ^
^(?
'c* H
-
'
> J
K e
i»J
!
' §
fcl
» '
1l< •
Io
5!
'V '
w «
•
1
^ s 3 :~ n e a
»ft
dc* 8s"1
i|r **
1'
1 1 a
3 ?? •
c*
ia-
j
*u0 °s pv H
> 3
x~«
• pa ¥ ^^
o a § v»
«
k' $ K oI3
S1 ,.} ; *
7 CHINATOWN, MT CHINATO.VN - CSchwartz)
'Allegro Moderate
- na - town, my Chi. - n» - v>*n,—
dream -y Chi. - na - town. At- mondFm
seems light and
I I I IChi - na - town.In Aresam-y
COQUETTE - (Lonbard-Green-Kahn)Eb QdiB PW7
Moderate
Tall me *>y you kaap fool-Ing, t Lit- tie co-quette?Break- lag hearta you are rul- Ing.)
Bb7 . Bb* fl. H> 17. Bb7 '12.m | J t I I j ^"sfun of the ones into TOT* you.Mak- lag fun of the onea
True heart* ten-dar-ly draaa>- lagof you,
Some day you 11 fadayF7
you'll fall la love aa
_ .I r fI fall la
Bb?lov* with
myou,Bb*
May- ba oaa you lov«r
wil11 juatGdl» fan
fool-lag, AndBb7
i r r r r •" i r *yon'ra all a- lone with
Bb* Kbon- ly r«-gret
L* I r * I r ^ f r~iTj. J. I J¥ou»U know, li'U tie Co- qaatta, "•*• I i fe- you:
CRAZY RHYTHM - (Meyer-Kahn)o
Allegretto moderate
V-K1" * ± J J I * :*: <l' •!=
thm. here* ihedoor-vrary. ? il-v^ have a dW-down.
IJ7T
vourLow - dovvn,
a G D G
frorn now,on ^eVe through..heiWsgsod-bj* to you7r_
They say that
I fi r r. rmeelsa lew -bro* \^lk-iti5a- longBread-way.
G E^r Dr G
p r i p f ire ihehasno brtjwr. Ainlil a ahamc.andjouVeb blame. \VhaJs4euseof Pro-ht-bi- -tion?
Ar A ta G
T&upnxLcefoe oarnecop-dv - tion, Cra-ayWy-thm. fvejjnecra - zy too.
DARKNESS ON THE DELTA (When it1 a) - (J. Levinson)Eb (77 C7j, 3 if,j JL.J
When it'a DP r
57 Bb7
ark-ness— on the D«l-ta, - That* the tine anr heart is light. Vh«ni1hCot- ton all a-round me, - Dark-la* a ing- In* sweet anal low, LoroT«a
Db
i * jLy j. «ii $ f f + j\j. J j. n j. j j.,Dark-ness—on the Del- ta,— Let me ling- er in the ahal-t«r of v
luek-y —that you found me,Vhere thtfaud- dy Mia- a la- sip- pi wa- "tZ 3k> Eb7
7i«id« or
flow.Loung-lag on the Lev-oe,Li8t-'nla' to_J7 _.
way 19 a- bovw.
m r- j hJ IIP p g_r . .,-ter on. the Lev- •«, Bo one a heart Is hesv- y, All Qad'a eMLL*dr«a
g7
=F=F n i j nni i i ni] M ila lasome-one to love .Then it's Dark-ness— on the Dal- ta. Qn-ly
—i 1— • • mt • — ^ T— j ^- — J>T i . nyrsight, When it's Dark-ness — on the-Del-to,—Let aw llng-ar in tie ahal-tarof tAe night
DARKTOWN STRUTTER'S BALL,THE - (S. Brooks)
I»ll be down to get you In a. Tax- i, Hon-ey,You bet-ter be read- y a- boat
be there when the band starts play-ing Re-
get there, Hon- ey, The two- steps, I'm god' to have 'em all,— Coin
dance out both my shoes, When they play the Vel- - ly Roll
I— -1 1 — -*
Blues," 0-^ =i—nor- row nigh
r~T — r"t at the
r V L.- — & = h— F 1
Dark- tijwn StruttersI r'l" :=ip — 1 1' Ball. .
DEAR OLD SOUTHLAND - (T. Layton)— cy F »•
%^iy— | '~M ""Vy ' " "" "" * * * II !••!•• !•• f*m
Daar— old Soutb-lana- nL < I hear you call- teg aa.for you 'my heart is ya
^=ilong — how I long " to ««long Just to see onco aore back to my old^— Kan-^jeV-y hoia
The land X low— the 9wan-«e shore,-2. A
X want to atray
Ut-tu* hrae town.
DIGGA-DIGGA-DO^BH G* an?
(J. Me Hugh)En G*
BrightlySa6
20- lu- man la feel-in* blue, Hear hie heart beat a Ut-tle tat-too, IYou love OM and I love you, And when you love it is na- tar- al to i
B7. En B7 SB
I'm BO ver- y Di- ga Di- ga Doo by na- ture,Am B7
If you don't day» B-S7
Di- ga Di- ga to your mate you're <3on- na 1OM a pa~
Let those fun- ny peo- pie entile, How can there be a Vir- gin Isle With
Dl- ga Di- ga Doo Di- ga Doo Doo, Di- ga Dl- ga Doo Di- ga Doo.
J
DIPSY DOODLE,THE - (L. Clinton)
J-Bb
ModerateBb A
DIP- SY \ DOO-DLSfS a thing to be- ware.—} DOO-DLE is ea- sy to find. -
tun DIP-It»s al-Eb
SY DOO- DLB wlUoat al- ways in
get in your hair.—back of your mind.—Bb
And if it get* youYou nev- er know it
itun-
could- n't betil IV s too
rse _
tMng._you_3ay will come out in re-verBe,•me toings you say WIJLL come out xn re-verse, fu»j • •*«« *w»« *And then you»r« IA such a ter-ri- bl« atatfc,nke the moon Jumped O-TBT
That's the way the DIP- 3Y DOO- OLE workslme love YOU.—cow hey did- die
Fta7 Hb7
at you're era- zy You're the vic-
DOO-DLE But it'sEb
not your mind that'sP7 Bb
zy . It' a yourBb A
tongue that's at fault not your noo-—dieBb Bb A
You'd bet- tar list- en andA Bb A Bb
And try to do all the things that you shouldtry too be good.
You»ll think you»re cra-zy,the things that you'll aay, Ilk* Rhy- tin got I
That's the way THE DIP- 3Y DOO- OLE works!—
J
DINAHG
(Akst)
la th« rtata »f Car- t>-how I IOT»
y- on« fin- «r .bias- la* ,
\ 1* th«r«(with her
show »«r toIf there la and you know »er,to the eyee of Dln-A
b«- caua* ay Din- ah night_ chang* her irlnrt
I would hop an o- caan-if ah* wan-<l«r*d to Chin- a
180
lin- er. Just to b* with Din-ah Lee
DON'T SWEETHEART ME - (Friend-Tobias)
*
m D7,3=iJ
A7Mcxterato
^^»T 3teST- TTRARTDon't taar
MB —heart
if youlike it
don't ••an It,P«r,
3sEsfeIT?
M2. O
<Joa»t talk ow*«t wordsheart
if they're not true .IOVM on- ly r«j
J J J =^ i ••" r11 r r r ii r r'"1
Bi BI7sweat- heart- ing" oth-
D7
rr r j i • •than tend that !'• yours ax- cl»> siv»-
A7.=,*==r==p= J | 0^ J.J J J r^^^
=H•ean what yoo're aay-
un- laaa yorn
EVERYBODY LOVES MY BABY - (Palmer-Williams)Hodarato
I. J J1.J. I. -4Bv- ry-bod-y jwaqta
ba- by don't iiov«{n»- bod- y but(want)
Ho- bo-_ dy bnt *a Utafa plain to
J J I I l l I 1=3She's got a form like Ven- ua, hon-_ est I aint talk-
^ ^^i_ **
ba- tw»en ua aha
r r i r r.Shalt, That's why - *ry- bod- y lows ay ba- by, But my
love no- bod- y but Ho- bod-_ y but me.
181 EXACTLY LUCE YOU <J* McHugh)C C <^A*C VI DT C B» Dr GT
H r •» i r ^ rtoiowvrfy IVe .
\VnjrakouU\ie spendknow why Re bean blue,On a show or b*t>
:— 16u mafe me feel go grandone ex - act -iy LUto you.scenesEx - acl-Jy Like you.
Fm C
— I want-bhandtitt v«rU to you,C Dm
tou aeem to un-der-sfand. 1 Ut-ffe
it
ni , "Dream Cw drean-ing, Now I know
o r G d i » o r F Ai. 07 cL " I r £
true She meanf TTH» for Some-one Ex-
FIVE FOOT WO, EYES OF BLUE - (R* Henderson)c J j ii j |J J JFiva Foot Tw». tyaa Of Blue. But oh. what thoae f iva foot could do ?Turned up noaa, turned down hoie, HeV- er had no- oth- ar be
2. 07I P J r =r J r =
an- y- bod-
— - •* How * if
— j"
la-n't her;^_1 — i — d— "— 1 J . J J J
-^- ' •«**• r j ' - -1— cy » e * n my orj
B7
j.. i r r r yyou run In- t*
wi• r J ^=^-=Dls-ndnd rings and i
C1 f7 f
"But could elia lova,
J 1? J r =— -< — r -J r ==
' — 1 1 — =•! 1 1 — —w- MT *-T. J ... h— -=J
JW_ , — i — _ — _ — _ — 1 — _ — _j — _ — _j — iiM-f — E^-f — f — L-C J- J" J-Ji fiY« foot two, cov-«r*d with fui> _
1 i ^-1 r J ^ — =4== r • — Itil those things ._ Bet- cha' life it
S7 A71 — I 1 1 1
could she woo? Could aha, could she,67 G"f" C
..„ *V ~ ... : — £E — rrz: — . V, _1could ahe coo? Has an- y- bod- y seen BQT girl?
FOR ME AND MI GALA»r
1 r r i r r r(G. Meyer)
Qmoderate
e bells are rin
-An
ine and m/me ana my gal -sons'
»«S- Vwan- inEm B7
or me and n?>.AT
rkncw-ing To a
a(t.
go- ing /MSrweeksftr^eliasiSem'-itTg.— Ev'-rySuSK and BaL.
1>7 Gdun GT[g Rr r r 3=3: P=^
And aomeLltne I'm goin'fo build a Ul-tte home fir b*>,_ Rr _»«« or four_ or
Q.
more l_ovw - Land. Cr me and my
GEORGIA ON MY MINDy> ^ A?
oarmichaelj
the whol« day throught Juat ana aong or you Coax aa
old aweet aong keep*aweet and clear aa
(O«or-gia on ay attnd)
through the pinaa*Cka6 Vaf?
• reach out
tan- der-lyi — ll in peaca-_ Ail I aee _ the
road leads back Oeor-gia,— Qeor-gla,
183.
find, Just « aa
GET HAPPY - (Arlen-Koehler)
r- get your troub-l»s and just GST HAP-PY_ oetterchase ell your cares away_
P ' V IILsigteal-le-lu-Jah, come on, ,GBT H«P-PT_Get read=_ y for the judgement day
— y for the judgement day_ The sun la ahlnin* come on GET HAP-PY The Lord is
aiting to take your band Shout Hal - la - lu-Jah! on. GET HAP-Py_ We're
^r r r i ^— ing to the prattleed land We're head - in* ' cross the Rlv - er,_«aah your
alna »way in the tide. It'a all so peace-AU. on the oth-er aide_ fta--getyour
HDiWStANc(Wanace-Weeks) Moderate
cock proud- ly spread hia
flashed a-cro8s the
met her and the world
/83 HONEYSUCKLE ROSE (F. Waller)
Ev - 'ry hon - ny - be* fills with Jeal-ous- y When they seeyouout withWhen you're pass-In' by flow-era droop and sigh And I know the reas-on
C7 .<J7 C7 F Bb P G7 . C7 P
S d i= I J J7
DM I don't blame themjtgDod-ness knowswhy You're much avreeter )
F7 diji dim J"7 Bb On^
=t=^Rose
Don't buy BUS- act you just have to touch my cup___ You're nor sug- ar
C7 On C7
it's sweet when you stir it upOn C9 Cat? C7 CT C7
| 1=
When I'm tak- in' alps,from your ta*-t.y lipe
P Bb P 07 - C7 P
J. " I .J,Seems thehoney fairly drips You're confection fpodnesa knows— Hoa-ey-suck-la Rose.
HOW MANY HEARTS HAVE YOU BROKENDb P9 3b . An6 OB7 C7
(A*. Kaufman)
That tell such beau- ti- ful liesgreat bifi beau-iti-byj I'll
I don't be-lieve_ you meaa lt;» 3a- by, kiss me a-t _
IT I i i ;' lr 1 1i i —»ji——• » • ineed sonie lov- in', I Just can't re- slat you Sv en tho' I'm wlse_
JTo how man-y hearts you have brok- en with those great big beauti-ful eyes.
I AIN !T GOT NOBODY (s» *ilHa»s) Modesto&r , FT F7 G Ar Cm G
AyNO - - BOD - -
I J atY, And_ no _ bod - y
tt fr G
caresAr
for me; LI got tt<e blues 1 __(The Wear/ blues)A? AcU Ar
lone - - - Ly, Wontsome-tod-y come and take a ckaneewifli me?.C A7 C
r r rer sing sweet loveson«,hon-ex, all the time,y
\ J f 1 ^ LJ" r^ r 1 •^T r b P=rni J~0 IT <IP f r d
If yoa'U comeahdbe my sweet ta- by mine. Cause i AlNTGOTNO-fm <i A~ T\w s* n . f»
NEK Br
\.r £j L. U7
^cT '
V-r
^f-BOD - - - Y. And no-bod- v cares for me.
J
I CAN'T GIVE YOU ANYTHING BUT LOVEG Edi" fa
(McHugh) ISA-
I can't give you an- 7 thing but love, Ba by, That's the on-
•I. \~tItve ?len-ty of, Ba-^_ by, Dream a-while, scheme a-while, We're sure to find.
Hep- pi-ness and I guess those things you veEdim Am D2-
al- ways pined foi>07
Gee I'd like to see you loo*- ing swell, 3a-_by, Dia- mood brace-lets
Jool-worth does-n'tsell, 3a- by, Till that luchV y day, you Know darnedG E7 faff A9 D7 G
weU, 3a- by can't give you an- y- thing but love.
I CRIED TOR TOUP . „ ^M7 D7 G7
(Freed-Arnheim-Lyman)•gr
ModeratelyC7
How it's your turn to cry o- ver
Ev- >ry road has turn- ing That's one
thing you're learn- Ing
fool I used to be. found two eyes just a
lit-tle bit blu er, I found a heart just aF . . ^Anff D7 G7| -J i
lit-tle bit tru- - eC7 , , r
zc
I Cried For You Now it's your turn to cry o- ver
IDA SWEET AS APPLE CIDER (E. }tail8on)D. ^^ _ _ Kf
I- da: sweet as ap- pie ci- derSeems tho» eaa't live with- out you,
th« sllvtry Moon-I- do- !!»•
— than all I know,Ghl Hon- ey dol
Come outlI- dal
U J *J J J J J iof love we'll whia- per,
'2.
so "soft and low!
K7 A7 D
J '_ I love you .1- da, deed I do.
/8S IF I COULD BE WITH YOU (Creamer-Johnson)
If I could be witk^ou I'd love you strong if I could b« *-$»you I'd.
cr
loVe you. long_ I want you to know_ I would -Tit go
tCl I told you lion-ey vvty T love you, so If I could be with you one
Bt Et F»di» Gr Cr
- r 1hour to - nigM if I woe
Frfree to do the thirajs I
E!> or cr FrI'm
tell- ing >ou true. I'd .b?. . . an -> - Hii
I COT IT BAD (And That Ainr t Good)
Yoir:
(D. Enington)
trtat* me «w«tt and £en-tl«Ky poor heart !• sen-ti- nen-^tal
£2
the waynot made
G
heof wood
I Oot It Bad And That Ain't Good.
lion- day rollsBut wban the week- end'a o- ver
no- bod- ydon't love oe like I, love hi*l)i & nl °?
I ^could I Got It ad And air.t Ain't Good.
I MAY BE WRONG - (Ager-Sullivan)A>
Mr r rI in«ybe wrong, but, I thii^ you're won -der-ful! l iI like your style; say, J tKoilryou-nz nwwV«l-{ous. Bat
All of— mytieearea crime. If dear_ inyoulvepidml
Da the vc - 17 f«wl time-r r rTp" r I "r
U>ng,a»x. I tkink you'ne
iI think >o^n» grand; but,
_I may b* wiw^ —
J
j
I»M CONFESSIN« (Daugherty)
M CCB-PESS- ZHt tt«t X K>T«In your «TM I r««4 mob •tr
IV?
ban- «*t XMk-lug ••
you «v- »ry
I86>
Ml Cm
yen go, yen kno* you'll 0ri«m ••,&» Bh
i»« COB- nss- n» tint i x»«» yon o-
I«M GONNA SIT RIGHT DOWN & WRITE MYSEIF A LETTER-(F.Ahlerli
c*Pfry d=fr=«l •» J J * J J * I f J* =1
.*• GOH- NA SIT RIGHT DOW AMD WRITE IDT- SELF A LET- Tfeahop* you'r* f««l-
F A7
I — — •« i gj- - -^ ' I " " "writ* word*, oh, so swMt,_Tb«y»r« jpa-aa knock M offL.)J7 G7
ay f««t. lot or
kiss- asJ J flJ
on "tha bot- torn,"jr_
^^^1*11 ba glad Ii1 ii. .r P i
"3 ' r r 1 ' r ir FI'M GOH- XA STt RIGHT DOWN AMD WRITS M*-
tgbt »«a,
C Ga
agj r i r «^aA LBt- *B»
And aate to*- li«v» It firaa you.
IN A SHAUTY IN OLD SHANTY TOWN (Little-Siras)
-Trt* roof i« w>more Ew, a
raU. toad track. Utea iml- lion-ain»» ran&abn. fe caHEdb.
a queen wail-ing there wtlKa ail* ver-y
crown
cr
shao - ty old 1«m..
INDIANA - (McDonald-Hanley)J|_ "A 0 ^=, E>! .AT
Moderate
Back home a- gain.
fi. G7
n* *" '•I. J
In In -di - an - a And ii seems that 1
C Gdi» G
can
3! ' j. rsee
A7
Th« gleam-ing can-die tight still shin-Ing bright Thru.
syc - a - tnores for
A"7
me. The new mown hay sends att. Cta
En.
rfra - yance From the
B7
fields I used to
dream a - bout the moonli i! on ttie VVa - bash Then I long for my Uv .- an - a home
I NEVER KNEW - (T. Fiorito)Q Qi
Mod*r«to
I NEVER KNEW(I COULD LOVE ANYBODY) - (Pitts)Ifoderato
love an- y- boa- y,nev- cr knew could
Ron- ey^Hlce I'm lov-Dn
anile could
can't eat nev- er kutw aI cen't Bleep.
•la-gle aoul could be so nev- er knew I could
love •- Ing you. —
IN THE MOOD (J. Garland) In The Groove /88
— i fiit*i-v^rea.-\_«u. K|ri,T»iK«i-yiia
-terWhaf-ena- call -urn, rm in-
? * I j *do - in' to - nteR? Flowiyoure iirifte rpood.be-.cause I'mdebt-ed to ybu It all goes to snow wnar good m-
C t . 0\ - 1 - J A
I I • I • j I •
How's a- bout a cor-ner with a ta - Me for two_JNev-er feLt so hap-pxandso ml- ly a -Live.
AL/- f=b«r
feel-in1 just rigKt—fo» - ence can do
^ ithe rnu-8lc's meL-tow irisome gay ren-dez-yous?
eemalrar jarrf and juwip-ir' is a jjow-er-fut jive'Thereanochanecro-rnancing vyilha
-roo has giV-en rr^ a
blue at-ti-tude >&u\fe. got_new ^t - t i - tude My heart
THE MOOD.
ISIE OP CAPRI (W. GTOSZ) Taopo dl Tango
'Twaa on th« Isle of Ca-prl that! found her Be- neath theShe wa« as sweet as a rose at tfce dan- ing, But acme- how
had- nft meant her for me
still see thesailed with the
bloom- IngIn the
I- tal- ian skySum- mer time was near- ly o- v«r
Can you spare a mre«t word of low?*
I kiaaed her? hand, i could ••• She wore a plain gold- en ring on her
fin- ger: 'Twas good- bye. on the of Ca- prl.
I'VE POUND A NEW BABY (Palmer-Williams)
fto«*a_ a newaaS — »e herI'VE FOUHD_ A HE*
Her new kind o*C*f?
Ity fash-_ ion plate be- toy:er eweet_ tur- tie dor- in'_
SveeWeat miss, with a Jd*», AO1 o* bliss,cant r«-8i»t
tells ae lies, but she's wi0e,na«gb-ty eye*
X Jost— taACaff ' r? Bb7 ML
I'VE FOCHD
I»VE GOT THE WORLD ON A STRING (H» Arlen) HModerate
I've got j the< a£
world on a strtng,.song that I sii«, ___
~ DT Db7
ait- in* on a rain- bov.yI can oake the rain go,
j J «nt;
love,_ Life is a b«au-ti-fUl ^things, as long as I hold the strirfc-
rj. a jI'd be a ell- ly ao- and- BO, If I should ev- er let
27 On
'vegotthe world on string,— sit- tin' on a rain-
Got the string a- round my fin- — gar, What a w»rld,what a life, f»B in ioVe!
J
I WANT A GIRLc
(H. Von Tilzer)ModerateC A*
on- lor girl that Dad- dy
fash- ion«d girl with heart so
loves no- bod- y
ixe tha girl that mar- rl«d dear
I WOULD DO ANYTHING FOR YOU (Hill.etc.) Modem u> /90
[WOULD DO AN -Y -THING TORG
YOU,py
o«YOUG
| J I
ChbI'd filad - \y .give a for , - tune. Jurf. to
Gdtf Eb FT t$> FT
r Iyou
i r I r r r r lis ' .t/ hear >^ sa>-7^ LOVIB =1. ^'^ Ev' - v liJ -«* ^**a»»
J | >,. J .Jm^^p r. r i ji jIn my heart Uienss ee-^ta -cv._Eb ^ C>» _ FT
Ion? as you_ have fatfr in -me.P Efc B*» »» E^fi^
I WDUU5 DO -Y-THING FOR ~1W.
(Carlton)17 07
I ||
I I I I j I |I I * 'It'a BO sootb-iag and ap- peal, ing to M,— It goes
Ja Da, Ja Da, Ja Da, Jlng, Jing, JiqgJ
JAZZ ME BLUES. TheC7
(T. DelaneyjJ7_
Slowly
(Jazz- aeT— YonConie oa pro-f esa-or and J
r r r r iknow I like my dan-cin> both day and night, And If I don't gat off jajz-ln
sir will you play it inG
lt» a rag- tine— pieDon't feel rightEZ
Don't want it alowjazz tim~n Don't want It fMt(Jazz- tine)
I've got thoseTake your time pro- fsaa- or play it sweet and low
doff- eone low down jazz me. .lazz me
JERICHO (R. Myers) "Syncopation"T Fa_
K&derato
F
Jer- t- ££ Jer - i - cK> —C A»m Cr F
Was a
— zy old town-F ^ F6.
tong a - goAm
Liked Vier mus - - ic lo*' down..
blew Then Jer - t-,07
JES
Jer - i- cfio-
Fell. the aevtne as do.
JERSEY BOUNCE - (Plater-Bradshaw)
^They call it that JER-SEY BOUNCE A rhy thmthat real- lycounts. The
tem- per'- turc al-ways mounts
Ij» J
pyLj"ii^-ni^they play the fun - ny rhy-iy rhythm they phv. _ If
stjrf- ed on Journa l Square — Andsome- bo-dy heard it there - He put it right on (he airp b nd
inow you hear it cv-ry-whcre
mUp-town gave it new licks Downtown add-edsome tricks
G+ C
ji rJ' •No town — makes it sound the samc_ As where it camefrom1 So if youdon t feelso Go
£^br ''cJirr'iUNCE II make you s wintj. _out to some Jersey-spot. _ Andwhcth-cr you re hep or not The JERSEYBOl
(Qreer)JUST YOU* JUST MEEb Bin C7
Moderate
L*t's find aI've missed an
What arc your charms
F7 Bb7
use your 1m- a- gi
Bb7 HJs Eb7
I'll Us a •round won-der-fullov- er a fcnot you
LOVE ME OR LEAVE MEFm Gr
(W. Donaldson)cr or /93L
ind - ,r kt»- W
*>^be-l^"W , Uove./cuqM-fc, Id^g«-W is my Ume for just rem -i-nis<u$>-
raflver feefirts-ting inrr '
somebody-el^e-h someooay -ebe
* FT- B"
r _-L P£j LJOU ineneu be no_ one un-
it-J- — «i_ — f 1 =£=t•T L- 3 - =JHess that aoma -one is you I tn-tend_ to be in-de-pend-ent-^
Gtn Cr >m
my love Cs your ly/e^ertts no love for
LOVER - (R.Rodgers) "Hallelujah, I «m A Bom of 1933"B7
LOT-r rr r 9 \t A
BMCT
Soft-Till
07
I +^ tt- 1
•tranc-fercctb*
•ie dl«*.
i^
K?
^All
4
orK
Ai- tor* la In
G
^ •tgn Pro- V!M you'll al- ways
MOT
LOVE NEST> THEfl Eb
(M.Hirsch) lll£Bb7 - J - • Eb Eb7
1 — i :• 4 J —
* love nestJust a «mai i room
Kb
Bb7
than a paj.- ace w:1 )Fta C 1
_«t • 9 y ,kitch- en where some rai
*G7 G-57 C7: ., — i 1 - i' — .e J A -j
1 1 j i i 1 1 -_UjL i „ jj J 1 o
Co- *y with chanaT»^ set of blw* —
E67 * • Ab
Bream room for two
j_ J J J " [*:==
*t. of c llru?- 1 vijoeLth a gild- ed
IB F7 Bb7
, . ... J -j 1— -_i^:
gb- ler ros- es twine —
FIB Bb7 J -
1 J A i T 1i-J i j 1LUee a**»pt- *f
A. v«r-B«V t«r
— 5—1 1 3
7)l6Q A
1
• -+ p H
Then a
, Eb
— • — 1— — =^J — •* fl
dome, Ts a love nest You can call hone.
i/Aoorr. (Davis-Conrad-Robinson)MAnLrli
C Dtf7 C7 K
iModerate
My lit- tie Mar- gie, I'm al- ways think-ing of youways think-lng of your Ddim
Mar- gie, I'll tell the world I love yen, Don't for- get your
proa- ise to me I have bought a hoae and ring and
'ry- thing, For *llar- gie, You've been ay in- spi- ra- tioa,
done, There is real- ly on- ^ one, Cbl Mar-gte, Mar- gie, it
(Flynn-ltadden) Moderately
you'll think of me,
Kay- be the one who is
waltzing for n yoB""! will prove un-ltrue Then what trill you d'o._
you'll sit. and sigh, Wish- 'ing that
I were
^
A7 , .then, May- be you'll ask me to'
Eb7 G rta6
come back a- gain, __ And May- ' bebe *ay- be.
MY BUTE HE47W (W« Donaldson) *xl«r«to
L
•nd •v-'nlna !• nigha lit- tl« «hlt« light
Kb
i i rthct's n««- tl*d «b«r« tte ro*-
w«»re lup-py in
GAL SALSlowly and tenderly
They called her friv- o- loua Sal,
With a heart thatSZ
round good rel-Eb
/94-
dead on the
MELANCHOLY BABYEO B»>7 Cdim EP E"
(Burnett)C7
Slowly
Come to me .rny . "MEL-AN-CHO- LYEv - »ry cloud must have a 3U - ver
BA -
knoin'.dcar.^at ITM in lov«wtfc
Smile,™/ Kon-ey dear While I htss a-wayRn Et F9 b
tea»" Or else I shall be met-an-cki - ly
NAGASAKI
Hot gin- ser andThe way they can
G7 . -«, ^(Warren; noaer*to
^ 3 — .1 s <* g f — — » — * • — — i —dy- na- aTte~ There's nothing .but that at ni^t_
?^t^ain
an'-fOUld-hU7ry ^ ^7^ C
— i
a J
\Baek 'in liaSasak-i where the fellers c£ew tobaccy And the wonea '.Tick- y wack- y woo.
| T [ -J-
Oh ?U- ji a- aaM
\if m f •-• 5 — m | V "
In aoite pa- so- da She
! A J — s1—They ^Iss-
L -J 1You set a
— e — iMoa-aer
: k-l 1
tad than your troubles in-creaae -F C, P "»>7 Tft^m j r
-*~T rr^'u M -*- * \>r^^-^*or-lera soda The earth shakes ailk-shanes ten cents a pi-7 ——1^ c dim Q7 . j-n -'L r J^V. I ' t 1 >. 1 S I ^^ »•j j- .-3—4 i — i * * — a * * — f=
ee and hug- ce- nice— 3y Jin-go! it's worth the priAOL CT P din Dm Ab7 - ;Ab7 G7 _J
1
M Jece
m Jce
haBack in Ke^a-saki where the fellers chew tobaccy And the wo- aea wlck-y wack-y woo.
JNOBODY'S SWEETHEART (Kahn) ModerateC * G QD E7 A7
3t — Su JVoutrt
you sone-lieve tl.fct i
'l.i
Vcu'c b'i.. COia 77 c
no- bod-y'wfclic dowr. tl
5
bow.t '£ ycu. —
A7
B OUt Of ]
Fsdc-.-oc. lipc, _*"7 **7.JC — •' rt /
bird ofK7
•p 1 J j
Per- a-
how . *That you're
OH1 LADY BE GOOD
3l G •
"• Oh,I
D7 J
1* - dy, bla - dy, b
D7~\ — r F
i rsweet aod•» ao
o " —• goode good
C• M i_
—3 1 1 1 .
pleaM have son* pit
ttf? m am Anf7N — £ — 1 * '" ' * ' -•» B
clt - y
Gldim
Lr^_^
s^ — \—I tell
C7 j —
— r — p—
c sweet-heart now,,e Av- e- r.ue,L^~ ?^ -^ ™ T~^
~! 1"" g W
?an- cy r.
- r v — « — = —They don' t bab- y
X Just can' t be-Eto
— i -4 j -j —J r^-. • 9 J ^^ose, silk- «r, gowr.,
B7 ,
^lace
• (* —
37
Am QE-p f-
no- bod-
(G.C7
g — . Win youri ^--^f^ — — r
"* ' — 3^S *ovm home t°wr'»^r9F.ec you
' — • — — = ^= • \»—— T-* — F .~ F 1paint-ed eyee, Wear-ing a
T * r—5 9 1—35 9 —J r l Jz '
57«i "! eeems wror^ some- •
G ,— r E c^ ^> _ — ^-&-i — *-
y e Bweet- heart now.
Gershwin) "Lady, Be Good"G__ j dlji
« 0 — _ -^ , , ^_
love - Ijr la -awf* - ly Ha -
G— i ' — P 'J L -!
G
- y
A7-S G
you I 'm
~ j J""
07 Bi1 «a *
I*
-f * ^r T =o o^y, b* c°<xl! ... Chun - d«r-8tood, ... So
I J =— i ^ H — °—- — 35E * BOh,
B-f BB A7
• all a - loo* in this
C7 G j.-» o » i •)
-
a-
i ja—1 j1 j-iJ j= 'ji
m— —
jH? — P — i 1 H — r — • — -$•• — -
just a lone - some bab« in th« wood
0( - i I 1 •
r -^ r- « Hla - dy, b« good
ON THE SUNNY SIDE OP THE STREET (McHugh) Moderate
J Ij JSL-
I• ^' ^ J —W * — ^~Qrab your coat, and get your hat Leave your wor- ry on the door-stepCan't you hear a pit- ter- pat? And that hap- py tune is your step
07 —* Dm G7 II. r-
Just dl- rect your feet To j the sun- ny side —ife can be so sweet On '
of
street, I used to walk in the shade —G7
With those blues on par-adeEdin G7
This Ho- ver crossed o- ver, If- But I'm not a- fraid
new er have a cent I' 11 be rich as Rock- e-
Ii •- ••.—..
., , , , ^Gold dust at my feet
J JOn the sun- ny side — of the street.
PAPER DOLL (J. Black)1)7 G?
Slowlycr
I'm gOui' to buy a PA -PER, DOUfet I can call my own, A doll that olfrer fel • Lovis ca*- not
_F , F™ C
steaF_ Andtinen the flxr-ty, fUr-ty gu>S vvith their flvr-t/, ftir-tx eyesy WillG-7"
C-7 C<<i-» C7 D7 G7 C-7
i^eteftirtvnthdol-liestKatare real. vVhen I oomehomeaLnigitsteWLli te vvait-ing,_ She'll
F t>7 cr 07 Ar r>m6 A7 B^
be thetru-est doll in all thus World-
F Ar
J
r t^n_
I'd rather havfe a PA-PER DOLL to
B*U C7 F
.call rri)- own, than have a Kck- le- mind-ed real Life t^
r^
PLEASE DON'T TALK ABOUT ME WHEN I'M GONE - (Stept)G7 C7
f IJTF
Please don't talk a- bout_ me when I'm gone,If you can't say an- j- thing real nice. Oh, hon- ey,
It's bet-terB7 Bb7
I l> i I MBb«- Eb Adla Bb7~
JLLo L>though our friend-ship ceaa-
ll-F7 Bb7es, froa now on;
Eb Aim EbAnd, lis-
not to talk at all, is ay ad- vice. Tfe're parting,
" • I I — -4 ' i . I | __
I'11 go nine,- its best that we do;Bb7 A? Ab7 Bb-7 Bb* Eb
Here's a kiss I I hope that this brings
lots of luck to you.C7
Hakes no diff'-rence howF7 Bb7
I car- ry on,.Sb
R«_ oca- bar,please dorit talk a- bout me when I»m Sone.
/97 ROCKIN' CHAIRKb
(Carmichael)
Old ROCK- d' CHAIR'S got ma,
gin, son 'for* I tan your hid*, Can't gat from this cab- in go Hi' no-
wher*| Just ait ma her* grab- bi»* at th* fUaa 'round thia ROCK- DP CHABUEb an___ Cm Eb Ca6 OT
be, Sand na tweetdear old Aunt Rar- ri- at
Old ROCK- IS CHAffl'eha» rl- ot, For the and of tha trou- bla aaaAb . Qm
gat's it, Judg- mant- day la hera, Chained to my ROCK- IS* CHAIR.
ROSE OF WASHINGTON SQUARE * n iiod«ratoBb Edim F7
(Hanley)
Roaa | ot Vaah- Ing- ton Squara(I'll nav- er da- part -
A flow-, ar *o fair.But (Jweel — in your heart •
D7
should bios- sooi where the—;—Gm7~-
sun shines Roaa,—SB
for na- tura
id not mean you should blush un- seanCdlm,
•Tut ba the
of some fair gar- den I»ll bring theva to care
aun-beama from the Hea- vens to you and give you kiss- as that
sparkle with daw «y Rose of '.Tash- ing- ton
ROSETTA(Hines-Woode;
HD- TA,told me,
r'My RO- SET- TA*.
that you lor%<l ma f .
07, ll.C7
J f
• — — .1. _£-^•-* i— , J " " '1 S
i i 1" "* rJ ^=d— rm 1
leara me forao on* bod- 7 nawi
Tpu've mada my whole Ufa a dream,
malca it COB* true; RO- SET- XA,
C7 O
SET- TA, Pleaae say, I'm Just the one dear*~J- ' • •r for you.
ROW, ROW, ROW (J. Monaco) Allegro ModerateHb P7 Bb
IJAnd then he'd row, row, row, Way up the BIT- er he would
EH — s — jl- 7 1 7 L_J=J&j=5=^P==*=— «*-T^Fi •
«^5=T=1=1— j —row, row-, row, A bug he'd give bar, Then he'd klM her now and
th4 She would tell Mm when, He'd fool a- round and fool a- round end
then they'd kiss a- gain, and then he'd row, row, row a lit-tle
' ' • r 'Then he'd drop both hie oara,—C7 F7 Bb
furth-er he would row, oh, oh, oh, oh
Take a few more en- cores and then he'd row, row, row.
ROYAL GARDEN BLUES (C.Williams-S.Willlams)
Hem,, don't yon hear that Lrom- bone moan?That Weep-In' mel-an - cho - [y 3train_
Just U»;teri toSay battt's s
sax - o - phoneto the brain
Gee! hear that cla-rt - net and fluteJust Wan-na eel right up and danoe_r
Cor net a-jazz-lh' with a mute_^care ,rU take mosl an -y .chtnce
WakesNo oth-er blues
When hear 'em
care to choose But Roy al Gar - den Blues
BUNHIH' WILD (Gibs-Grey^-Wood)3b7
Moderate
nijht-y bold/Bbn
Feel-in« gay>
C7reck- leas too.
P7
Care free mind3b Bb7
it's not worth while. All-'-'a- lone, run- nin wild.
133 (McPhail-Michaels) Not fastEb7
, sweet- heart Lo- na,A7 D7 G
You said you loved me,Why have you
did you act this way?Eb7 G
'That you haveG
ev- er been un-
done would be the thing ""^to do.B7 A7 Am?
But my heart aches, dear, And it willD? G __ Am G
breakf i * r, dear,
" IIyou don't come back home a- gain to San! J
SATAN TAKES A HOLIDAY (L.Clinton)Zka OanaV Dm? Dm6 Bbma?
Bb?
ie uev- 11 start-ed dancln'. He_was quite en-trancin'.tfhen he dJfl the'JaChe rau- sic was- a»t gqpdBu^t i t— was plenty spooky, That's the way heA7 Do
_om w.ey *Si««bpne« were ratt- lln» loudly/"As he be-gan to shuf-fle proudly— and. day The g*if- tie man pre-fersto lis-ten to ag-gra- va- tin'rhy-thn
Ha. • Bb7 A7 On Cdijn C7 . F V?
ljil_ a^waythat
d f i l l r i f t - i> r r j i ^ 'Try__ Watch out. He'seonia' out] And th
JQ*VwayttiatSA-TA»rAKESAHOL-I-DA^- »atch out. He»scoBla' out| And tiienyoull shout
A7 n , | -| Diana? Dm? Dm6
un-leaayoure good, knock wood. « r«ally rather goofy try in» to be spooky^ut^taia? - rte •<• rw - TV_-^»
_ he has to drfan? Da6
•J tMJ'J >J.« jj,'lt day —*_ by day— fog
less
j) J JMJV'J J,.rn j.-j r "j u j j,j tun-du- rln' Uay _ *>• that's why SA-TAH TATfiS A HOL- I- DAT._
SHEIK OF ARABY. THE/) F7 Bb
(T. Snydeb)Ddlm F7
Moderate
= I I I I Iflf '0 ^ 1 1 -J «U J s^ J «»^
I'm "" the Sheik of Ar- a- by,Bb
— p- 1 — - — r^_^ 1 T^-.longs
^^Bb
sU.stars
way?C7
^ me.
to
^J
In-
thatA-57
to
~ i rto* t At night 1Cm7 F7 FM-
to your tent I'llDdlm F7
_j [ =-=-:
D
love. Y«ii»n
F71 1 1 |-T-=T
The Sheik of Ar
L J 1r-gJ- j —Your
Gdln
*en you'reBb ^(T
J_0 1_
1 1^^ 1 *Will li
G7— _j_= it
Frule this
Bb
a- bv.
J 1 =1-^ _— tlove be-
r?
a- sleep. _7 r?-\ — 1 — 1«^ J — 1
ght our
-^ P"F —land with
— ~~f~i — =-"=fl* J " U
J
SHOE SHINE BOY£. F P7 C7
•federate 2.OO
Shoe Shine Boy, you work* hard all day, I Shoe Shine Boy, 5 got no 'tiae to playYou find joy in the things you do, > , (ael- dan ev- er blue^ ~ ~
Ev-'ry nicic- el helps a , lot, iSo, shine,shine,Shoe Shine Boy.¥ou'r« content with what youve got,)
Shine Boy.
Eta
Peo-ple looic at you with scorn 'Cause your clothes are worn and torn,Stilly^nev- a*
whtne. You keep walk- ing up and down the street, Plead-ing with each337 Bb» C7 P 37 Ga. . i . C7.
a .3ne you meat.
r I rS7
. IBro- ther,can you spare a shine? ShoeShineSoy, soon" i n _ . i C7. P ___ 57 i Sb7 37
' Twill cooe,Shoe Shine Bey.
C7.
soon a"*tune you>ll huo,Sv-»ry nick- el helps a lot, So,shine,shine,Shoe Shine Bdy.__
SLEEP? TIME GAL (Lorenzo-T?hiting)Sb7 37
Moderate
51eep-y tiae gal, You're turn-ing night in- to day,
G
r r =» »* — >« — 'r r _^ — iB ,
1 _^™**1 1 • i' ™
""""H jJ— «J
51ee?-y You've danced the ev- 'nlng a- way» —
Be- fore each ail- ver- jr star Fades out of sight,
'•' L ' 1 -»!— = 5 *
^ ? 2 "~! 1 —J J ^ — • J » i•*— •—m1 1
J 1
Then let us wbia-- p«r*Goodone lit- tie kiss,_Please give at
pil- low's wait- la rIt* a get-tinf
•ban all your dane- ID' la thru.Sleep- y tlae gal,
Sle«p-y tlae gal, _ I'll find • cot- tag« for you,
When you'recook and to aaw,— What's •ore you'll love it, I know
Stay- at- hose, Play-at-hoae, Elght-o- clock,Sleep- y tlae gal.
(Dabney) ModerateEb
S - H - I - N - E
*- »ay your blues-lea,
like new, Shine yourEbo Adla Bb7
male* it look
r r i ° your theae and tno- aieaor two, Shine
11 shine up to_ ya,Bb7 Bb*
fine, Folks•v*- ry- thing will turn out
EY»- ry- one will ho'w- dy- do_ ya,r You'll maJw the whole*
Somebody Eke Is Taking My Place-7
Bb0 I Bty»fSlowly By Dick Howard,Bob Ellsworth,Russ MorganC? F7 Fa«i
SOME-BO-DY ELSE IS tA - KING MY PLACE
F7 Bk Bk7 Eb^Some - bo - dy
dim G7r r r r i r-o^else now shares your em - brace While I am try - ing
C Cdrni C7 F7 B>>
To keep from cry -ing
I.J J J l r J J l r r»r IYou go a -round with a smile on your face Lit - tie you care for vows that you
F7 Fdm F7 Bt B>>7 £t
" F h-p-4 -P. ii J—
— i1 — J •— F — — : ... '.. j
• — i•Hfr\
made Lit - tie you care how much I have paid
Bb Bl>7 «fan G7 C7
My heart is
m . *•' 1 , 1r i r J r i J r r • rach-ing My heart is break-ing For SOME-BO-DY'S TA-KING MY PLACE
SOMEBODY STOLE MY GALEb
(L. Wood)Cdim Bb7 Brightly
BOH-
3ome- bod- y stole ray galThe kiss- ea I loved BO Some-bod-
He »s get- t:
stole my palnow I
.Soaie-bod- y camenand took her " a- -asy~^_
Some-bod- y stole my
J
SOMEDAY SWEETHEART
if'"'1 J 3 j i r ij J i J i" i^ r r Jv €5«m. rtav sweat- rrjM. •" * .25. nwy oe sor- ry forsor- ry for v/hat you've
done i__ to my poor he art7^— * you may re- groT"^_ the vows you'veAm i ET7
i r ij I - ' - i Mbrok-en, _____ The things
Jyou did that made us drift a- part,
and can't see how_You're hap-p> now
so shall youF
will ev- er come to you. But as you sow
dear,and what you reap will make you wtep some day, sweet-
Someone's Rocking My Dreamboat - Slowlyr.mi Fa mi Fmi,7/ •> ~
By Leon Rene, Emerson Scot, Otis Rene
SOME ONE'S R O C K - ING MY ORE A M - B O AT.
Some-one's in -vad-ing my dream.I
We were sail -ing a - long -E^ldon Gmi
peace- f u l and calm,
Fmi.7, - J-
Sud - den - ly some" thing went wrong
B>7
SOME-ONE S ROCK-ING MY
a beau - ti - ful dream,
Who can it bcCmi
This m u - tin - y at sea,
r (Who can it be") A f r icnd- ly breeze gave us a start to a par - a .-JiseCl^6 ' Al»7 . G I G-l Cmi6 D<hm 7
all our own.-i- All at once a stormG J2Zj
blew us a - part, a nd left me drif t- .ingOm FJmi p.mij 3
lone
SOME • ONE'S ROCK • ING MY DREAM BOATAdai F""7
cap - t a i n w i t h - o u t an - y crew But with love as my guideF7| b, Bb7 Eb6
f o l - l o w t h c tide— I ' l l keep sail - mg t i l l I find you.
2,03 SOMETIMES I|M HAPPY (V.Touroans) "Hit The Deck" sio- rox trot
Soate - ttaea I'm blue, My die- po-Sone - times I'm hap- py,
,J J J I Jde- penda on you,
M j I J l r (• l J JIf I can find the sun in your eyes
iJ J J.J J JSome - times I love you, Some - tinea hat* you,
FBut when ICMS dim
I'la "causa love you,F
I'm hap - py
STOHPIN* AT THE SAVOY (GoodmarH^ebb-Sampson) lot too fast
Sa- voy,— tins hone of eweet ro-mance— Sa- voy, it wins you at aYour fora._ just Ilk* a cling-in' vine Your lips, so warp and sweet at* ^—-S-imm —^_^ ll»
•i r^L Sa-voy,.— gives hap-py feet a cnanc
Your cheek, _ ao sort and clove to mineBb7 B7 Bb7 Bb9
to dancedi- vine.
Eb9
/aj>? ^ ' f-ln» and etonp-
'' P 'M J J J J .LJa- voy, . 5.. we can glida a5d sway_par-feet tool- I- day
- 1 Sa- voy, —
SUQAR BUTESc
.(C. Williams)Moderate
Sug- ar Blues Ev- »ry- bod- y»s sing- ing .the
riag-ing, My lov- ia» nan's sweet a* he can b«_ But the
dog-gone fool turned so- ur on I 'm so un- hap- py I
feel so bad,
saj what you choose but I a all con- fused, I've got the sweet,sweet Sug- 'arC E7 A7
Blues, nore aug- ar, I've got the a»eet, aweet Sug- ar Blues.
SUNDAY (Miller-Cohn-Stein)_Cdirn . G7 A7
2,0*.
I'mI
-D7
blue a'v- »ry Mon-sigh all day Tues
G7
day, Think- ingday I cry
o- ver 3un- _ .ayall day Vednes- day
It seems that long for youThat one day when I'm with you,Oh, my! how I
E7
i r t r ' r i eAnd then comes Thurs- day, Geel it's long,— It nev- er goes by.
I'm gon - na die,makes me reel
is ray fun- day,
all day Sun-— day, That one day when I'm with you.
SWANEEF
(G. Gershwin) "Sinbad" AiieSro
id v;e the worldolfe up f= north
vnow .1 Love you How.I love you. MyWatl-injy for me fVay- ing Tor me Xfewn#
See me 710 more— When I go io the Sv*Stn-ee shore XTru) C7 F u O
is j.-_|j. y i*T
C7
am com-ingF D^T C
ack an-ee.
^ love the old folks at home..
SWEET GEORGIA BROWN (Bernie-Pinkard)Moderate
shade *Or, Sweet HdeSd wh^o ste H
^ ffiaaafe- s*,a «&? atfe te w- k^-They all sigh_ and wan-na oiic_
G 'V T
^ouknow_ I don't tie ('«?«,/ Not
mel_ Georgia claimed her Georgia named her
SWEET SUE - JUST YOU(V. Toung)
thU heart of Minedon't know what I'dD7
lira
iall tha time. Sweat Sua. joat 700.
TAKE THE "A" TRAIN (B.Strayhorn)"Reveille With Beverly1
BbmAb(UV 4^T A c, 3
Eb7
GatBrook- _,
a-Ijra
boardor
the "A" trainBroad- way train
Xb
ToYou'll
take a lit- tie ride a- round the ci- ty.see that old Hew York is might- y pret-ty.015 BbT .
Take your
mba- by sub- way rid- ing
Bb9 Eb7-9
That s where ro- manca may be
Bb9
You'll find that it- 'll pay to TAKE THE "A** TRAD?
TEA FOR TWO (y. Youmans) "No No Nanette" ModerateX
-&
wLU brake and you'll a-wake and start to^oate afor tea ,
- ar cake . ForUL r^y-
rpe for you and you for me a - lone.me to take for ail the boy5 to Nb - bod-/ near us b see us or hewus .No
Oi_ _JDm7_ G7 Gt c
m-la -lions on week end va-ca -tions.te woni ha* it ow a teL- e - prone, dear,
FT" E^di* B'L
see. ^Ve w-iU raise a fam - i - Ly, A boy (or _><xt.
i>r! for^-^- I ^, J. J- J » I J - J^ J. pE^FFme oh can't you see how hap - fy ^c would be?
THREE LITTLE WORDSc
(He Ruby) Moderately (with tenderness)
Three lit - tl« word*three lit - tie words
Oh. what I'dThai's all I*d
give forlive for
thatthe
67 C7
| I Iwoo- der- ful phraserest of my daya
J IJ I I ' Ithey tell sin - cere
dim a Ab7 07
Ho oth - er words can tell J*
•• lit - tie words,
on nos G7
let-ters which alop - ly mean, "I low youJ
i (R. Bloom) "Cotton Club Parade11TRUCKINc .— a . m 07
ELT r Ir JWe bad— to haveAa goon a* the news
thing a*w. i dance to dogot 'round the folk* down-town
up
her* la Bar- lea, So,up to Ear- lea, Saw
one atart-ed»ry-bod-
n't talc* long IM- for* tb* High-hat*
t «l r *3uffla-ia* ,Sbuf_ you'll «*e theaScuffla-
D7 G7 CPark Av" e- au- in' it, All o- vw town.
spread Ilk* a for- eat blaze, B*-luck-in* a- long
thanka to Ear- Icea Bow Kv- *ry- bod- y'a Truck-in'.
*
TWELFTH STREET RAG - (Bowman) Moderate texpo07
I. r. •td:. ^i ..j 1 = ' i\Z^ STREET "RAG. have pi, - v „„.. .^^ «,, _mu - sic man V*TK> wrote you knew no SX"1 -
C
mef)«
p- j - j j | r *~a j j i r ^p j i a i r- pHr J^GocK back to Kan-sasCLr tv Aid stob trail -- in« me "You oarse in
rwpe you get his goal, ioo LlKeyom v»wr - ry me_c GI ni
at U* mo-ment When IVe work to do07 Dm fly Dm/ G7
a \ K *
can't
F
you.
't tcavfe and I carrt make >ouD7
Im swing1 bent, rn/brain is senf on a
G7 C
|Srag Wieti I heaHhai U**- Street
WAY DOWN CORKER IN NEW ORLEANS (Lsqrton)
»riu BgifPf- leanswttt> flash -ing eyesIB the land of 4«s»ny.SoFt-lx v*is-per wttti ten-d*r
g»tfan of E - d mean,
if , I" I H1..Bgive yoHr la-dx
PA,
Sfap! OW wont you.
A!r . D
Ut - Ue smile , Stop! TotTocTyour Ufc^oull linger
C Bm TW G- Em _ Gw p ra Ut-Ue There is heav -en right hem on earth Wtfh those beau -ti-
G B*7 PUT P7 G
yen-der m "New Or- Leans.
WHET OWN I SCr <AFTEB I SAT I'M SORRY?G7
(Donaldson etc)c
Vturt B«n—j r r p- i c ican I say, dear, af- terW«B ""P wrong but right or
«oj, u«oi, «i- ter I say I'm BOT- rj'7wrong but right or wrong I don» t blame ••
Ryou
Wtw «I -do.1
J Jto
eome-tl.jBm
prove itbod- y likeGdlm
to you, I'm'— you and
11
SOT- ry?aham* you,
m iI did- p»t aean to ev- er be mean to you.
would-n>t feel like
y. Tand I'm BO Bor- ry
r r r g lSo what oao I say, daar, af-tar I say I'm BOT- ry?
WHAT TS THIS THXKG CALLED LOVE? (Porter)"Wake Up And Dream"-E2L 7m
•tart. is tthie thing. called love?C Cnio C
Ti:rt >J.c coa solveC rj
- t* - py? Why should it make.-BJL
e fool of ^?
You took ay heart
That« why I ask the
have,
o 0>
WORLD IS WAITIHO FOR TffK SUNRISE,THE Rather alowly9- • ---..A im p-fr^-Jd
BT-
Cj 1
throah
F1 T="i r
"1 I V 1 ~*=1J , ^ | I-LJ tff
on* tb« world la
07. C D7— j 1 1 r 1 1 —-»« f—try ,
0* CJ t .
r—ii 1 1 ... , •'1 J Zf" P" — f** Is* JJ •* " F — -H F- 3
wait- leg for the aun- rlae;
07 Of1 1 1 1 i 1
=^=l J J J ' J. i j 1•o»« !• hear- y with daw. ^Ihe
0 C B7
-pi 1 '^' » 1— ad 1 : 1 1— 1 ( 1oa. high, hla alaap- y aata la call- Ing
07 C A? MS 07 Ci i — • 1 i — •* — • n
*g~! J ' r:j-, |p= , uAnd ay heart la
YOU CAN DEPEND ON ME
*
call- lag TOO!
(Carpenter-Dunlap-Hines) "8dM"to
0 An Bdla A» 07 0 *dl«^Anff 97 07* 0-Q6 EM X 'Id C9 06
— *1 —youknow07
1 — f1— Pwlab
A7I 11 rj,
faaa,
O(
— 'youra
J-CAXyo»
-F —you
i'ii
to
— J — 1 — J —Hat** PKHDoan count
— = — i of 1
•oo* eaaa,
40j — -f — H —
be lone-
^OB.
061 v
— 4— F —Loada
D7— tTTS
"3?" " * '
~~f f J 1 —
— j. •» fp,.,,fiaOQ^A
AH
...L — f -.J .1-4 —,.^ai-of hap- pi- neaa, But
AB y Bdlai i — »j ' ^ +—
= ..J-T1' J 1 1lyi If yo»
1— *±« jj 1— the aadf Aad TOD
STANDARD
CAV DB— FBID
FOXTROTS— UP
rneed
07*
-1
TEMP'
-H —a
(J
». .
)S
-«t« y — I
*—a. 1 t 1-f «* **— 1
I nuat eon-
AB W— (— jnr 1
1 f 1frland, I'»
— * 1
FINE AND DANDY (K. ani-t;
Oaa( it»a allyou»ra gona
and dan-Can-
«r Can-gat lone-
Odin
LV rJ J«— - . ^JT* ^ottl
C7
— aoa»| gatgot80
^^Thanf r I fI on-
F=¥= £ SBIjr aaa the
r TT rtroub-
C7 |t.CM7
j. ^_V7
^^Bb
baa Ita
Bbm
^
of
rr r
Vhan you'ra han- _ dy
DUi 07 G7
lt'« «na and dan- —
s j.^ - HBut «h«a you'ra gona what can X do?
HALLELUJAH: - (V. Youmans) "Hit The Deck"Eb Bb Ab
sueJ«fc Gets you
Eb ftT Ate
Bboo thethrough the
Db7
blues a-dark- est day
06 Gb6
cares pur-
Aba6ten —
Bb7
lies a- walt-
Helps to shoo
I FEEL A SONG COMIN1 ON-(McKugh,etc)"Every Night At Eight"—- •"-" Eb Bb7
Song _ Com- in' On
- - Ing ye, It's a vie- to- - ri- ous,o- dy. full of the laugh- ter of
ll.Eb ~Bb? I|2.C
hap- py andchil- dren out
zlo- - rl- oUater the
Ring- in' thru _ ya. Love and glo—
now that my troub— -Eb C7
lea are goneFat?
Let those heav- -
r r p p r ri — • » i i i * * ' i * • ' • i • - 1 i— «n- ly druos go on drum --- min» , cause I Feel A Song _ Con- in'
I GOT RHYTHM - (G. Gershwin) "Gdrl Crazy" Llvely
FT G r**c Edim Cm7 Ff Bb Gm
,— I— epf wu-stz^—dais-Les ln__ green pas-lunes,—
my man_W|io could ask for an-y-fains? tnore?my man-Who could ask for airy- tKngDm Gr C7 B^ Cdi* C9
more? 0(d_>fari Troub -Ie,_ J don!
F7 C7 Fr & Gm
'< Jmind him. _ \bu won't find him 'Round niy door. I 50!
fr Gm/wiliC ^ Edim Cni7- F>- 8b Gm Cm7
star- light,_ got eweet drearriB, ill- got rny man_ Who could
G7
i-1— i ' • ' ' L««] ' ' ' LIJ I ' [ask for ati-y-thin« more, Who could ask for an-y- tning more?
0 J I KNOW THAT YOU KNOW - (V. Youmane) "Oh,crctr t>r
Aw 'C.mS DTyou knew ho* muA I long To hold you in-
_time; Then,in the fttar - light
I'M JUST WILD ABOUT HARRY(S±BSle-Blake)"Shuffle Along11
°J JL!^ J
r r r i r«v*a- Oy bllo*-
OUt, H«»» jMt Wild
I WANT TO BE HAPPY - (V* Younans)C CT
•» bout M.
I MBt tO bap- par.lag
bot
I JC7
l 4till I
Wby e«ft*t?oa
r.
b^p- py,to
toor i
Okies
r ' i J jd yon MQT yon
07 c
or* bin*, 1*11 MnA Hi* no smU-
m ^mmto _ b* hap- py, bot X Wrtft
BEiJ
Till Xr i " i
yon b*p- py, tee.
J
JUNE IS BUSTIN1 OUT ALL OVER (Rodgers)" Carousel"
*TJ JTJ j j r i r r r i r rir r p'^^5*Jan. la boat-la» oot all o-_ wr. _ C All _•-_ *» tha a»ad- aw. art.— fAU
Tha f aal- la*rI
Cd±ala gat- tla»
e
tha
• • hJ J JU J J J I J J J J |J J J J lln», rlv- arda tha ba-
hill.— Buda >ra teat- la* out- a bnah- aa And thatanaa( That tha young Vir- gin- la eraap- ara Hav baaa
, . , ,J J J j | J J
A7
puab- aa Bv- *ryjaap- ara Out- a
Z.Saf?
lit- tla aliaal thatMT T . i •om— laD ^ ^D7
whaala ba-J J «j i^J^a
alda
06
• Bill.
glo- rlaa on tha
06
Ba- eanaa it* a Juaa.
Jana, Jaat ba- eauaa It'a Jtoa,
LIMEHOUSE BLUES (Braham)•.Abafi Allegro •oderato
^^m
Oh.' Llm- hooaa kidGo- lag tha way
roar brok- an bloa- Haont-log and t«int__
log yoa'ra Just kind o' Obi Ob! Ob! Ida*- hn-M
I'va tha raal ;,la«- bouaa£J\
!--=! •» ^
r-V <:&tlnk-— laa thoaa
1logs on TOUT fin- £<sra toA tiiura for yoor ertnM__. '*':-'? »»
?r«afi* - vo •
that la tha ato-I| - ——— , ^ __^mi^s
37 of old Chin- a town.
LIZA (G.Gersh»rin) "Ziegfield Show Girl"Sb Bb7 AdiB C7 Abafi Adlja Btaj6 Bb7 Ab
Modsrato
But If you' aCoaa,kaap M
Cm Caff
theBon- «y- iat>on a- aUn- In domt Wa ahonldaMka a data with
•ban yon ba- long to me clouda-'U roll a- way.
IS SWEEPING THE COUNTRY-(G.Gershwin) "Of Thee I Sing"
Love is sweep- ing the coun-try,dim
»aves are hugG-57
- _ ging the
girl and boyTI £ like, 'shar-lng
_ lag the coun-try,^ Ofcere nev- er was ~s7^^
OKLAHOMA. (R»Rodgers) "Oklahoma"G7
Lustily
la- ho- ma, ( where the wind cooes„ l ev- »ry night »v
sweep-in* down the plainhon- ey lanb and I And the wav- in' wheat can
1 *™a- lone and talk
right be-hind the r an
la- »y clr- cleg in the
know we
V?b«- long to the land And the land we be.
And when we say
ln» You're do- in1
J
meu
s- %-
'm ' I*
H 01 S O O 2 A H W
(J. Kern) "Sunny" allegretto
Ihe •tele heart* J I ^»- wSfl Who
' ' ' ' ' r r r i nhep-
F=^E- neee.
=^g=3^iJ-*^- ^ B
•»- aweri yee, t«T Well, you ought-
STANDARD FOXTROTS-BLUES & DIXIELANDBA1XIW' THE ACK
07(C. Smith)
First you put your two knee* cloee up tight, Then you
to the rl«ht, Step •- round the floort-t ofem to the left, then you
e- round end tviet •- round with
•11 _ your altfht, _
do the K«- gle Rock with ety- le end greee
bring it beas, _ low th*t*e
BASIN STREET BLUES (S. Williams)
- pin Street, is fte street ,_ Where the e - tiie—
JUan' of cJreamS, You'll
n«v-er naat-j^tnean3;Glad fo be, _
Dear to me. Where
I can lose,
J
J
BIRTH OP THE BLUES, THE (R. Henderson)ot- . c
<u sine*
ja cane ne wai —
&at-that1 * *-• »* '*•*•* — ** v* I IAs part _ of the Slues.,— From a wte}>-poor-
Ar
tU Otd on a hill, Tfreytoolca nev/. twfc,
BLACK AND BLUE - (Waller-Brooks; Moderate
Cold eop- ty bed— irpringc hard as lead,—No joy* for me,— no COB- pan- y,
i~ C _ _______ G7,
Pains in n&r head.—B- yen the Bou8e_
"feel like old Heran from my house'
What did I doAll OQ 111* thru
to be «o black and blue?I»ve been eo
Pp t - i r >J~J '' i r iJLJ^^black and blue.
C Eb7I»K white
.** L , I I . . * D_ It . .i r >'4J * i n,JLJ M r r r ^ ' 'i r iiH
can't hlde_ what
face, oohl I'm oo for-lorn,— life*a Juat a ti»rn,__ Ky heart la torn,—
3Sit don t help my case,.E7 An
'Canae I
was 1 born?_ What did I do to be ao bleck ma blue?
BLUES IN THE NIGHT (H» Arlen) "Blues In The Night"n i
ma-tna<fcnetpl'me— Bon.1-C7
woman's a tmb-6ce,_A wor-rt-some<Witl«)llca*^f aiwr fkRbr J=7+5 f*»,73 Ebr »r
i/itle
I f ^ k j:»r- ti • r^^* • 1 fc" 1 I — T—J
a-call-inV wwo-ce—C>1^ ma-ma oonetd. me,_/Now tte ra'me a-&tl- in' heariPP9
, vvhoo-ee,_^ (Jly
, 01' dtA-e-tycJacfca-ecKo-in'
01-7•aVI / BUOLB CALL RAOcam aw TOf? Bb
- gle call, Yob're <You're bound to fall For the bu
brag 'Bout that bu-gle call rag.
young or old, Shake their shoulder* bold, You're bound to —
Bold M ba- by,Yhila we're danc-lagC7
Let'* ayn- co- patePlease hold me tight.
t * i J j ' j , 1 J I , 1 ' Io- pate *t» that Pfclne1
Mi. P*. dy, AtftStep 11 Ye- ly don't lag,
* —
T* t*te while a break they take ahh.' V^ long to that bu- gle call
rag. —
j
DON'T BE THAT WAT (Goodinan-Sampsore-Parish) f.0aerateiyBb* Eb
Don't cry,The rain
Et* —3
Oh hon- ey, please Don't Ee "Y.i T 'Jaywill bring the vi- o- let* of f.iff
Clouds in the skyTears are in vain,
D7 i Ddin D7
shoulcloulcl nev- er make you feel t>>at *'ey»So hon- ey, please Don't Ee That 'A'ay,
°I I.- l
AsC7
loneCdim C7 rj
see it thru,Pb+
m mYou'U hEb
me,FW7
I'llBb*
have you,Eb Fto7
rreet-Pb+ )-
To- cor- rent ie an- cth- erFW7 Eb+ -
heart, Oh hon- ey, please Uon» t Be "/ay.
DOWN HOME RAG - (W. C. Sweatman;A Eb Fwr
Moderate
Dee-ten dat-ten doo-ten,If you h«ar some-bo - dy toci-Ln' itEb Frj.7
! i * a 1 — « ^ — 2 — * —Dee-ten-dat-ten dooten,T}ialsa mus - i - cai i
EP Ab_<: c!>VA^en they pby tKe>Ve ai a vVav of
^ F» -1— *J-1-
put-tin' lots o' cute ir> it Dee-ten dat-ten doo-1en, It's the DOWN HOME RAG ;_> i ^ &>&.—. &>6^-^
PDown Home theyVe j?ot rhy-tiim an' how_Down_ . Home.^wU(e tliey're
P 6^7 — Et>& _.. -._ £bg /4»g1 — ^ ^ ^ ' "" a 1^ ^ ^ 1 r~j j'Jf'_ a» i • *» "h" — ; —^^—^^
push-in'the plcM/_ Down Hohne thery>e all doo-ten Cl now Oh! the>Ve
1 J — — _1 •
_ « — " ^4 ' • «-^ j a i,.
Dee-ten dat- ten doo -ten to the Down Home Ra.^
FAREWELL BLUESG
(Schoebel) aie>/< g» 1 F m v-»9 " i r r r
Sad- ness Just makesDream- lag of you
D7 G
come to say good- bye,day a- gain we'll meet.
^ c 1 , G , |P 1* b» J 1 3 —
— • = — 1 — 1 —r ' ° ±f=Iff sweet,
B-S7 E7
Al- tho»_ Ky feare
G
•H"- V — J— -H
-4 1 — « 15 — 1 j
I'veSome-
An H)7 G1 Her tbo ^-_U _»« |S 1
I go, I'vefor year* were
J •! — * ' »j^Jgot those fare- well bluee.—
those sad fare- well bluea.— (Fine)ae fare-well bluea make me yearn,
On
dear-(D.C.al
G. - (j. Mercer)C B C C B _ C
This IB the G.*1 1. JIVE, man^a- live,— It etarti'wlth the bug-ler blow-in*Af-ter you waah and drees,more_ or leaa, You go gat your breakfast In a
Cdia .
rev-ei-'11« o- ver your bed whant>eau-ti- ful lit-tie caf- f* they
youcall the ocas.—
Jack, that'a theJack, when you
Edlfl G7
J Ja a ia-G. I. JI\
con- va>- lesce,C6
Roo-tle-tee tooti JXmp in your suit,Out of your seat, in- to the street, make with the
P9 Db9 C9
j j J j, 1xft to IS-lutet (Spoken) Vootl
F9
If yo* r» a
Db9
V. T.
?2_
ty
luta the L- I-
B9 3b9 Eb7
-_ ^ ^ ~ _ - - ^^ ' --- ^^
~E- U- T| But if yon brush the L- I- B
Ab9 G9 07
Q« *• Thle la the
G. I. JIVB, n»an »- live, They give 'you a pri- vate tok, ttat
fea-tkiree a lit-tle de- vice caned flu- id Jack, af- tor
you re- vive, Chunk all your junk, Back in the
trunk, Fall (Spoken)Clunk!
Frankie And Johnny(Ncw)-Medium blues tempo' " C Words Boyd Bunch Music-Bert Lciehton
— 07?+ , r B C7'
1. FRANK-IE AND JOHN NY were sweet- heaits Oh1 what a cou - pie in love>••-< F Y Cdim 7
Frank- ic was loyC
to John-ny_D7 G7
Just as true as stars aC C7 Cdim Fm» C Ab? G7
bovc He was her manC
And this is the end— of try songT.This is the end— of my sto - ry
Frank-ie is down in the jail-house. And she cries the' whole nightr
ites hr, PT P? M r
a 1 j
g
—^
C Pm7 y+H C" «^long "He was my man But he done me wrong."
GOOD MAN IS HARD TO FIND, A (Green) Hoderato
D7A gxxi man is nard to Ttnd, at-
t"gel the'crth-er kind. Just when you think that he is your paL
<f C G7 C A7
bok for hum ard find him fool-uc 'round sane croerH7 .-
ravte yoti eV-«n crave. bo se« him
LTi nts grave, So If your man is ni.ce take my ad -vice and
G-tVe"F»Un p~ie#-ly tov-in',c
KCss riim ev-Vy nchug lurn ir the. c
ueathun ft^W— fbr a good man nova- days Is hard to fCnd-
HOW COME YOU DO ME LIKE YOU DOc w(Austin-Bergere)
C B-fi? *
Bow com* you do IM Ilk* you do, Why do you try to oak* ••
Z. c«a l»«t you do- ln» what yoor* doln» to M Ho* COB* you do OM
do, <Jct| do, Ilk* you do.
I'M A DINO DONO DADDY (FJro» DUBas) v*"» «*"-**=* i ModerateBb "* — . TO) G7 C7p.__^^__i r?.
Baxter), , . , . . aao
You ought to see me do mym a Ding Dong Dad-dy from Du-mas
LJ I !6 tuff. l » S a cleen cut fel- low from Hor- ner'e Cor- ner, You
ought to see me strut. — l'm a ca- per cut- tin' cu- tie, Got a
gal called Ka-tle,She's a lit- tie heav- y la- den but I call her'Ba- by,I'm a
Hb Eb Bb G7 E7 ^ Bb
Ding Dong Dad- dy from Du-mas Y°u ought to see me do my stuff.
(6 more choruses)
TIGBR RAGBb6
(La Rocca)Allegro Hoderato
f:T:=:r Ir PT-/U' p* fere's that Ti- g«rl Where'a thaWhere's 'that ifi- gerl
F7Where
^
J I J -nrJE E
Ti- gerl Where's that Ti- ger!
J J
Hold that Ti- gerl
Bb
J J >J Ihim, poke him.Hold that Ti- gerl Hold that Ti- gerl
F7 , Bb6Choice him,poke hia,
J J J I £ f fthat Ti-
T 'Ti- ger?kick him and eoalc him. Where's that T"i- g'er? Where's that fi- ger?
Bb7 Eb Gdim
^±zi
Where,Bb7
oh where can he be?G7 C7
Low or High- brow,F7 _- _ Bbm r r r
thThey all cry 'Please play that rigger Rag for me.*
fABASH BI/JES - (Ringle-lteinkin)Bb7 MoOerato.
those Sa- bash41* light that
a>
soae soul samy walk- ing
WANOWANO auKS (Mueller-Johneoti-Busse)r c? F
Moderate
I wang, Wang Blues, (She's gone and left me with the?I I»ve got tbe ev- er las t-ing J
Wang Bang
Ddiffl C7
Blues,
Go? Ddlm
and let me tell you Mle- tarI'm on- ly ask- ing
Bbthat my
Ddlm em?
I nav- er knew I'd be aoSweet Sweet- ie will cone back and
blue un-chase a-
til sheway those
It. F Db7 C7 .
• * °[ = • HI1 Mlwent way.
rZt G7 G-67 C7
IWang, Blues.
WHY DON'T YOU DO RIGHT (J. Me Coy)
C7 B7
had
RJ-
r».money nine-teenA«7
tA*o, _ Tou Let oth-er peo-ple tnaKe a
_ 87 Em
of ^.—WHr DON'T You DO RJGMT,B7 Am?
Like sane oft«r men do?_
87 , Em ET»7 C7 B7
Get oui of here and get roe sane mon-ey too.
all a - b o i ^ _ > \ x i am
Em E^r Am6 B7 Am7
exit of neffe fendLite some c^h-cr men do?
Em
get me some money too.
67 &n--T\ Em 7f you hadpffc-parcd
gg
years a-go, TOU wouU-nt be
B7 Em E^y Am6do' to $_V*HfDCNTrou
Am7
— Like some otiier men do?. Get out ^of here '"and
STANDAfiD WALTZES
ALK2E BLUE GOWN - (H. Tierney)"Irene" Tempo dl Valse moder-rto a.axIn my sweet lit-tle A- Uce Blue Gown, Then I first wan-dered
I was 'both proud and
felt ev- »ry eye, But in ev-^»ry "shop vrtn- dow I'd primp, pas a-Ing
by. Then In man-nar of fash-Ion I'd frown.— And the world seen*d to
wore It, I'llsmile all a- round,C A7
al- ways »- dore It, l?y sweet lit-tle A- lice Blue Gown
ALL NT I09BEMm
tAkst-Unapin-Jo±sonja Qa
iD7
i r iALL LOVE is for
for-you
j. Ilone,
OB 'It weeXto 11. Dfiira
aUllJuat
keepcre-
A7
SE & 1grow-lng xfhen nos V oth- er lovesat- ed« ay dear, to be shared
D7
have flom.
|g. A7
Juet th* cam> etant Joy of an
And our dreaoe un- told, that were sc i- deal
A
fade
A7F--H ise
' _ i
M «• Bake thesa real.
Urn
tMa, hy the
1 1 1 1- 1
D7
4~— 1 <t"J' istars a-
A7
bo vet
OBDear, thet I'll
i A7
I J. I J Jspend all ny life
•- Ing you ALL LOVE.
A13 ANNIVERSARY WALTZ (Dubin-fVanklin) Waltz
Te:Bdim
J J "«fit M Z may al- ways dance the AH- SI-VER-SA-
Da G7
ni- ver- sa- ry
this be the an- them to our ta- tore years, To mil- lions of
Us- ten with you.
BEAUTIFUL LJOT IK BLUB. A (J, F. Coots) T«PO
beaa-tl- ful la- dy in bice, We net Juat likeShe thought X
Ck
t*o ahad-•ome oneBb7
shedo. _knew,.
Bot on* wordHer Up« 00
said,wine
ah*
r rBb7
kiBoad me and fled And our lit- tie ro- nance VM through.—not meant for ndne, The night teemed to
Ca7
A boau- ti- fol
n»- ment Witli ti- ful la- dy
APPLE BLOSSOM TIME - (Von Tilzer)as
2.0.4.Tfa- ;, r \ F r r=f-fe* — p E f- p
I'LL BS WITH YOO IS.C
__ _ — .-. i - —»-» —-f — F -L J — a — zJ —with you to change your none to
A7 B7
aay, "Hap- py the bridec a
—„ a _• r
— : \ Fthat a won- der- ful we
S— f m J •*-• ~f 1
„. J =r r -^. 1 '- =_f? « J * *—, ex. p
AP- PLE BLOS- SOK TIME, I'll b«Edla Q7 Gdlra G7 C
fc_ ,*" 1 P» «»
mine, One
5 — In- —1? T
the sun*r". "' J' ==T
day in llay, I'll come andd7 Cdla Edim 07
--(^ — r r.shines on to-
=1 *n
1day."
Pr- ! — -J — — r - " r =0- ding there will be, What a
E7 A7 Adlm A7i =»-. 1 f" *-* -^_F (• 2 p! d <J — - — f=
woo- der- ful day for you and me,D7 Rn6 G7 D7
You will be mine. In an-
— « 1 iChurch- ball* will chime,G7 C
= ^^ '->^r, *—Hr i " r M ==ola blon- aoa tine. -
~ 1
BEAUTIFUL LOVE (Young-King-Van Alstyne) v^. «od«r«toAm6 37
Beau- tl- ful Love, you're allLove, I've roamed
a ndB- tier- yi -your par- a- dlse,
Gi — -j j J J 1 — f**—si — j — j — ** i r
Beau- tl- ful Love,se arch-ing for Love,
n*7 MM
\™r |^r f r i rr ^r r i ' :I was con- tent-Heach- Ing for Keav-
B7 fT. an
i — • = 1 — p —thrill-ing my eoulBeau- ti- ful
1 2. an— "S 1 1r »J ±=
r i rwhat have yo
my dream tAn
— "* ~s 1 — r; — (T ..I. L. -Ted till you c(en, de- pend- ii
Qn7 C7
with your
Gdjm B7T
1 <S*
-J j -1m «t m —u done to« re- a -
••= KJ =
me a-ig on37
eong.
Sm1 ^- 4^
J. ^<
1 — ~^^ 44— j£ 1me?lize,
GdUn C7d 1— 3
longy«ur
tacet |
Beau-tl- ful
1 1 1 1J •
Love, will my dreams come
BEAUTIFUL OHIO (M. Earl) Tempo dl Valae (moderate)
Drift - ing vith the cur - rent <fom a moon - lit stream \YbUe a - bove ffae
J i rAnd the stars on- eos in tteir glo - - iy gleam
Dream - ing of aCr
Beem- ing in a Par- a-dia*of lovfe ai- vine
ofe^esihat looted inFm ^ Fm Fm7
O . in
dreams a-gain I see Vv-sions of what used to be-
X1S BROADWAY ROSE - (Fried-Spencer) ModerateA7
wmy Roaa, thoro'e a tear in your 070,— Broad-"wry ROM, eeema 1
oft* hear you sigh,B7 an
Though you wear fan- cy cothes and you
•how Bilk- en hoce, You're a- lone, as they pass you by,
BroaflJT way Eooe,hide your cares in a emlle For to you tears have
r i • ' -t-1 sof style _goo* out 6f style etilO. at heart you're a gem, though the *tol* warlfl
deem no- one know of your weo, Broad-way Roee
BY THE S:LEEPY (£. Coatea)Qna7 C6'
dl Valee lento*C «*
CALL ME DARLINGh(Reisfeld-.Fryberg^arbat) W.1%11, 3x0,1,
' "*"
ff>e. at a. ^k- crtt fen- 5*$-
J
J
CAROLINA MOON (J. Burke)A „ G C G
Valae Tavpo
T I J. IGAR-O-UN-A MOON heap tstyn -
* • • • rm pin - -' G \2. G
one \vbo \yaifa for meplace I long to
G
3/DuTlgo, Go to therigfrt \vin-dow- scat to-your U^A.SaylJnal-ri^pieasepT Tyr+ Q C
do. TeU her thai I'm Uwe and Lone -
Dream -y CAR-O - LIN - A MOON.
CHAMPAGNE WALTZ, THE£t>' A£m n" "J—
(Conrad-Oakland)
J J y fP?>4« r*'/itim - Witt*..
*»
fm-r£**•>/^
Jtrrcr my
ft*-ti f — J ' ":i=*=i N J 1 1
p
CHERIE, I LOVE YOU (CHERIE JE T'AIME) (L. R. Goodman)
Cher-ie, chcr-ie Cher-ie be mine a
oouki praiae ou a thoue - and ways * J aay it
i r TfJT^ j i i *. i * j iall in tnat oW, svieet phrase • CheY-ie,
I d
<3hrfr-ie, so fair.C7
TeU roe
i r- r r r I 4tell me yoa cane..C7 P^
I love you, love you , Thales what I n»ean Wha» I"&^~- -^D7 Gr >"/o&?S^Gr CT
i r H r r 'C7
rny own I Love Love
i— — — j i''•wen I whw-per my own ny own-
CIEIITO UNDO - (C. Fernandez)
j i r J i J J J>l r r J I J J IHi nev-er for- her The nu^lthat I met her a thousand gut - tare >»wre
FT ,
stars a -J. ' J. J
PTae F7
I J J J I .Jair and my heart wa»
I j
bovfe Wferte eay- ing Ixveis in theFTi i
ing.
M
I thougiio re
pr
- siet her but
- at- \y kiesed her tiTi^n I heard my heart sayI i J
Then wifc a
do teh-^r \veJ I r J | J f =|=pE
to a apCs»>-<lor.
fr''i i 1 i r HUJ- j'Ay, Av Ay Ay, ,., _ v ,
I* " Bet.I — f — A**' ~[ ^-v> 1 — 1 — \ — j j — Hc — 1 — £ J— I — J — J . J — J — »_
7
0— P-— 1—
1" 1 r i Nrial nufht vidsr - , T— T — r — 1 — j 1— t — f 1 fj i 1
- VOi.
G»r rr
\Nnen one lit- tie kCSs
F7
hea-ven-ly Uis» and
my Life vd
E»> Ci
1 — i 1— r1 — 1= U4-
M j J 1 .H3 fJ.^_L^EIS 80 com - plete a - gain.» F*" Cn>7 B*
1 -rr. D f-' J— f ' £ *—
2 E •— £ fAy« -^/' ^y
ML4^ — J J «l — J J IJ — J— J —
That
C«7
L8 n heart tk>'
FT cwr F5-
i r r r M --:-5=^ i i- r L-T r r =ft=fc^^
drifl-ed a- part But someday I know weTl n>eeta-gain.
CINDERELLA, STAY IN MY ARMS (Kennedy^Carr)a
May- b« I»» that
• trlk-lag I'llftrinc* O».
MOP ay heart
plae«A noEt to alaa
Clo-<S«r- •!-!«
ij :
j
CUBAN LOVE SONO-CStotliart-McHugh-Ficlds)11 Cuban Lore Soxg ' 008B> V? Btm CT , **"
br««s« !•««-!» nights» ^for all tli« Joy yon
DEEP IN Iff HEART - (S. ROTberg)" Student Prince"F Ai> T^nk r**v f— f*_ x!7 __ JJ» Vr/ L" ^
i r i rTITpf IIOttlHi t
AMa tirfmrn of
I T r r ryou.c
Fash - - voneci oT star
Bar - funw oT and dew.. Our
*Tnay sev ftd it-
•Ao tfr
i i" » ir^^ ^r~^
DESERT SONGjTEE - (S» Ron±>erg) aD8sert Song)
i ,. i i j. i.jkl*- nag a aooa- A <!••- art br««*«
Tba da«- crt Mag.
«a- tJxrall- <ng Will make you mine.
(Rapee-Pollack) Bo<J«r«to
Heav- «n whanlight- •& the
CT
And tho" ev- >ry- thing's dark allBut no mat- ter where- *v- er
the while
SmllC for me
DON'T.ASK ME WHY (R. Stolz) Valse moderate
• Don't ask me why I'm leav-lng, Don't ask me why.Da7 C A7
Don't ask me why I'mA*.
grlev-lng, Don't ask me why. —D7 07
U J IOh I Just want to tell you
C. D7 Q7
I'll miss you so, And love you for- ev- er, for-get you nev- er.C
" r ".. r — f=3 -P P — f- — -L-— j_^> • _l» — p. f. f. — f-
you may hear me sigh-ing, Don't ask me why.Aa Dm
I know you' 11 see me
cry-tog, Don t ask me why.
You'll whisper you're a true lovej Inen no more you'll be ask- ing me why.
DOW THE RIVER OP GOLDS* DRStte (Klenner-Shilkret)* .4 -U.
Dowi the riv-er of gold- en dreams, _Where the sll-ver- y love- moon beams. — • -
Bb (& F7. 112. Bb
Drift-ing a-We' 11 not be
long, hum-ming a song ofblue un-der the blue fl-
ic ve,bove, —
. Bb
And when we
find the rlv- er's endr r r
WhereC7
the wil- lowsEb Ebm
bend,F7
ie_L—6-There our days we'll spend, to- er.
J
DREAM LOVER (Schertzinger-Grey) Valae moderateA7
430
Dream¥/•
lo-*» ar* fold your an* a»tvo can leave the world be-
ad?.
round•
MIua,
lov«- or. your ro- manca hasbod- y in- die-creet caa
Know- ingheld la your spell.
nev- er tell
3«- creta di- viaa ahar- log with you.
DREAMY" MELODY (Koehler-Magine-Nase-'-.) Valae moderate
don'tlet
mel-
PALLING IN LOVE WITH LOVE (Rodgers) "Boys From Syracuse1'Dm Gm Bb M7Bb
J I J J l j J Jl.lFall- Ing in
inlove withlove with
F7
low lalove one
fall-night
__ for makeen the moon
F7 ^
I j h J *i J J J I J J i J J I• ^^ *—•• ^ C*nl l_4vtrr 4*« 1 «.* _*4 *\. •« — « T«
Bb
Fall-ing inI waa un-
Bb6
love with love lawlae with eyea tto-
theto
Bboa7 Bb6 D47
fooliaee. '-
W f
* *\ rCar-ing too much ia auch a
fell In love with love, WithI f elJu- ve- nllelove ev- er-
Qdia? Cm C7
Learn-ing to truat la Juat Ptar
Q« Ddlfl07 Caf? F7a?±
chll-dren in aohool.
Bb
i3Ut lovt fell out with ae.
PALLING iN LOVE WITH YOU (J» Meyer)
FOR IDa - (Barke)e
I will gstb- er otara•ate a string of p«*rl»
for you.
OMa
And o- var i r" ' rstreet, Ca^-i i i T
pcU Of eJU>-•' -j HW ^ni
lar ** your foot Ck, tt»«r*»» notb- tug in thia world
(S. Clapp)GIRL OF MY DREAMSC G7
low you,
Th«n Ufa
Sinoa you'v» baaa goaa,1 . G7
Ufa don't 8MB tba
Jura's on- 2
J
GIVE ME A MOMENT PLEASE (Whiting-Harling) Moderato
G-iveJnea rno -m«il flease.A mo-ment plSase , one
*S °^«fc A.
you must. you
Could bringer Knew ttial one like you
r. i/.lllft me and Tet
Par-a- disc for
HONEST AMD IKULT•b
(Rose-Wood)BU7
r r i r r i i rjuat wMxta to MM u*
r r "r i ibut with
fc _ C7 1* Bb7 H>»
r i r ' J- ' 3 r r ' J ^ rno- bod- 7 «!M, Hon- ««t aitf tm- Ijr, lt»lt»« you.
IP I HAD MY WAY
MY WAY, clear, for- ev - er/Tnens'dA7_ PT QIL
gar- den of ros- ea-E2 F J*r
forC_
and forJ2Z.
/A thous and andQ7
I i r i Ione things, dear, I would do Just
c J&. VL,JuA lor you., or.-y -you.
O7
IF IE7 - F
(•» • . —
f |J J
V\«V, vvfe would nev- er groW oU, And aun-shine I'd.Cda.
r LJ I "r Jbring-C Ar
would all a - lone Lite aG7
queeti on a throne. IT I HAD MY WAY.
** WRB IN IXTVE lOU'LL Ui.Tierney) "Rio Rita"
you're la lov» you*11 waits,
pair
•y»- pa- thi*«,Q7
You* 11 laugh
get your faults, if you»ra In low yotOl waits.
I GIVE MT HEAHT (C. Millocker) "The DuBarry*
I'LL ALWAYS BE IN LOVE WITH YOU (GoetSChias-Osser)fv <"•*
tn«d aohaid%>TMr QT
me thank you- forC7 E7
sucii ten . dermem-o - rtes
wisli you hap -pior
neas , v^s fcrG7 B7
me , swoet-heart IO . •—
guess , III
3l Love vwihI f ^3
J
j
J
VDU-
I'LL POLLCW 1IT SECRET HEART<»•Coward)"CoOTersatl0nPi*ce''A34-Aii Q G* ** • * —. i 1 1 . i
I til Tol- low ayKB m G O
a«_ cret heart my whola
. I ' j J ' T~£f7~ through, IT" ~HE^ **••* «H «V
haart
I'LL SEE YOU AGAIN - (Coward) "Bitter Sweet11
j C AT Dm PmT
111 see ^ou, a - g8"1 Whai-ev-er
r i •' J i V i.r r r i g^pbreaks through a - gain- Time may lie Iwav-yGy ^ -._ Pm J7/-_ J-'J- J">< ** I .J. I J- J |J J I J
CBut What Has been La pact for- get -
Ar Dm * Tbmf1/1 i d J ' J. rj -u^m^m r o - zy A-CToasthe yaws
Cr F P» E7 A
I r r i f r r r if ir PI r p > ime; Tho'nyviortimaygB a- wiy InnylieartWUeir-cr
J d • • J' j i T j i r TV Ki^tie *lu8t the ech-o of a sigh , good - b/e!_
1*11 FALLING IN LOVE WITH SOMEOKE( Herbert JfcaughtyMariettoff,qy . . i . °y i . r . . . CT .' •) faJ i J • H i J» i j. i . i
For E »• fall- ing in leva with ona
rI «girl) _ I « fall- Ing in low with
j i u ij h i-j.J. 4 Ja- whirl) yea! ^ iTa fall- lag In Iowa with
i j, ij. .1 r—rr r' lr r r »r J~^^plain to aea, l*a aura I could lova aoaa ona
f' Bb A7 V? 07 C7 >
i r I r r i»r r f I'lp r f ifly. If aoaa ona would on- 3jr low M!
I'M FOREVHl BIDDING BUBBLES - (Kcnarovin-Kellettc)
• for- «r-*«r blew- ing bob-tola*
Pret-ty bub- bl««bub- bias
0 A urns SPAHISH vm* (M. Wayne)n
—!•••»- ~-VW^M on • alAt Hi»**** *»*>• y» • »•
IT'S A GRAND NIGHT FOR SINGING
J J I
(Rodgers) "State Fair"
\r ' JJ
j i j iJ J J
i» ir r r i r r~ p in»»ia IIM kl» •••! at tto vkr
lg,B7 C7
i r r r i r r pZ ••
D7
J
I WONEER WHAT»S BECOME OF SALLY (M. Ager) "n : "•'""•Ar D?
fF HF rwon - der whats be - come of Sat
D7 G __ GThat old
B* cri ^ ^
Br EmTh« gun - shines missing from our
Ar DV
way No mat -ier what she is: Where-ev-er she may be , IF
one wants her now Ptease Send her home to nie; ill at- waysw«(Qome back Try
i3aL ly , That
(I
gat of
Of LiUo TU»l (H«»ShlIkret)j i j IJTJ
«ro«« of 11- lK-tlMt Xour «y««, thtgr
•i in 3d?" ac-tim, rotor wla-
chocks blum-lnc; Ilk* the rose, the *&llo, yen ci^h «n«n no-bod- 7
of 11- lw tlae,
you Ola*.
S«Q 0*9- «T di*^ nine. of 11- l«c-tU».
KISS IN THE DARK, A (V.Herbert) "OrangeFf»
L
l i i n
2,37 KISS ME AGAIN - (V.Herbert) "MUe.Modiste" Moderate
^Nrr-S -i )-, , 1 | -IH J. .1 J ' ' ' J ' ' ' ^. ' " .'. ' '
F<S»eet Summer breeze, v^U per • ing treea, St*S n^tn^
I j. I j_ j— j i r 1 — i tfj ' i - f c"Ros es m bloom, waft ed per- <u
i = 1 i 1 1 —1 - r 1 j. J. J 1 ' i H1 J ' '
Safe in your arms , far from a -i — r^ T""5 f* vu 1 — P- * —
v?»ir Ten-der-lv pressed dpse
I—02 i 1 Cl\ J J 1 'l '/ 1 £ £P1 f J- p 1 *L J-*1 -r 1 r r=Kiss me a gain- — ^lSS "*
1 f m 1 1 "1 ' . ' ' ' 1 H 1 I 1 1 ! I f r
=^T I • j •.r • '-"^ ' ** • — 'soil. • ty a - bove,
• * "r — '1 J J «•- ' I— ' 1 ' 1me 5leep-> birds dreaming of Itve
' i T"7 i i"' i i i^ T j .1 J i rlamis, Day -lurfi shall come but inf.:,. " y . _i
^^to ^t>ur
r/ 1 f *a- gair
1 '1
E
) i i LJ =d
breast. Kiss me,AV T>7 <N . _,
4r rj 1 r r — ^^— nr \ -— r > • <i! kiw me! kiss me a-
^ - ^ .« i IF , ?_•i IP * { j--.
KISS WALTZ, THE (j. Burke) "Three Flights Up"0 C rtfcm G7 O G* ,
fl,fj „ =p rrl = p f-s J ' f | J 1 : ' " = * 1ff-* r .J_ i — f — t kP — =4 ^-^~Kias me, sweei>hearl; kin* rp<» , , . , . _
C " ' Cfd™
- - J.J^ - jj"- J— <- T |j l«a«. i»g;-,,. , . ... nn'Wyw/r IcM- now> hT>m D7 "^ ^Bf
1 J ,]• J 1 J F-Z-K 1
Thate what {he Kiss Wall* uiA7 Cfc*«7
— 1 — J j-^TI — J 1mine \7hileweVe away-
Rn Gr
— J »J*^ 1 1 fJ"J 1 F ' fj~- 1 1 . p- 1iiTJ, Oh, my dear! Cant you. hear whai theyte play - it»5 ?
C Ffdim G7 E: • V \ + \J — + ^, - — 4— J =* — -f~- — f—- <" • ir ' •' r ' ' r r**^ ' -^'
This walk is the ktsa Wall*,E7 .Arn C7
r r r I f I I r ="both vfa<A to do; ..... Sot"> A™ Cm A7 D"1 A7 X>f G7
— z j 1 ; — I — i 1 — — f~= —f r jy - 1^ J. 1 J . «i J 4-f-kias tnff! , . . , \VK|»- T Han«vthP Klf*1
LET ME CALL YOU SWEETHEART^t\ m , iJ **1 rf rt J — fflf * j • i f i r -TJ —
LET ME CAU. YOU SWEET - BEAST,
C7 ?7f— f= — "" L J i J id — M —1 9> " p>-« •* «* fJ — 1 — « —
y"" I*9t >^* hfT
Bb dim F7 C7 F7 B1 1 1 1 f 1 2 1 1. —
lOV* me, t<>O ., jfeflp
dim Bb Eb G7 Ci — i 1 — J 1 — d 1 — f- ~~ ~r p1\-^ l-l— * f-* H r-F
tn your ayeff so tima _
Bb O* 07 C7
1 1F
1 ' fhiss n
»GfT — S — h4 i— J-rt&itx with
SThitsondim
i — i — E — i ,Tell - fng us
Fm1 1 4 1
ic! sweet- heart,c. *>* 9^fj.«~ ^ w jc J
•&r-r. LJ1 ^ J
* Slowly (with sentiment)3b Eb 67-- — 1 1 i — 1 1
-J-J • H- * K-#^ 1I'm in lov* with
0*7 tOJ 1 r j I I J .1* 1— p d 1 — J *_J
you whlB - per that you
1 — J • i * l i
the love - light glow-lag
. i? . .rs=*=»I 1ur
=£==I I I 1— 1 P i3 S
SWEET-HEART, I»m in love with
p I-AJ > 1
r ME CAU. voa
i ^, K j- •-4—* P1^ 1YOUr _
LET THE REST OP THE WORLD 00 BY (E.R.Ball)Ab w?
a pal good and trua,I'd
•11 ba- bind, and go and find Sona plaea that'a known to God a-
our owa.Wa' l l find p«P fSt
paaoa, Whara joy* n«v- ar oaaaa, Out thara ba-
mat, And lat tha raat of tha world go by
LITTLE LOVE,A LITTLE KISS,A (L. Silesu)T) A^*1* A1 ^H
le SU ; Ailagr«tto Modarato
•ban tba aoaatad nlgbt of
D B7
OOT- _ ara flald aod oi- ty with bar vail of
full or stray-lag lova-
I aay to
A7 Ddlm
Juat a llt-tla
D 177 B7
a lit-tla klaa,__j
btwa M, And fea lit- tla word that aayabo»a you, And baar you Ala- par-ing,
LOVE HERB XS MY HSART! (Chore A Toi Kon Coeor) (La Silesu)A i Kb rm, Bb7.
Lov», roaa for yot*
Kb
— if1
m
J J •£=
CdlB T^
J J
Bb7
TEii = = ^— W— 'bal». Yours if you kaap it
Kb B7 ta Bb7 Kb
to- day,
LOYEL2 LADY (McHugh) V/nltz Tempo V.oderatoKb? Kb
•yfVf-y ; : 1 1 1ffi^* ,, =^= 1 J J -^ J J af
Love- ly ^Le- dy I 'm fall- ing mad- ly inCiiiin 1-W Bb7 Eb Cdim ttz
I — -~Ls 1 — of- -p-jo 1 1 i 11 \— 13 E^ i =J -j -4- -j
with ;!ou. L It's "a "*Teel-wincBb7 Eb , Pbm6 C7
_, -1 J _~ |_lp _5_ceal- ing, V/hat can I do?fta Bb7 Eb C7
=1=
Take my heart it's yoursF7 Bb7 F:b+ 2b
h i 1 1 1 :
' J J J 1 ^' 1 |[ J~ 1 , J
To keep for- ev- er Love-On? . Bb7 Eb Fta7| ^J : 1 -J -~r-. -•—-=—t^-Lj J J • ^ ^ '•
fall- ing cad- ly in love vlth
^=, iy
"1 =1 L-.
=^==E±==^=^oe- yci.-J cor.
j
a-
Le- d;
you.
J
to
.one
1J 1
•, I 'm
-=j 1 — H: ^-«
J
LOVE'S OWN SWEET SONG (Emmerich)c
Taaco 01 VaiB«
r j rA7.
Ob let ua come and dance with Joy Since* low and
' ' -| ' | ' I3Elife are our a,
CFor youth la strong and blood grows
mwarm Be- neath the scent ^ of flow*raE7 » Am
Mu- sic
MIand lough- tar bright
A7 milSing- lag with
G7our haarta oa
r^ ^ IIfir* love* a own •waat BOOK.
MANY HAPPY RETURNS OP THE DAYF C7 din F A-S7 D7
(J.Burke)
—=£=M=J i r i . 1 i 1 l4 J 1C9
bap- py re- turna ofo re
the day,.Am?
there
1 r r j1 »£-J[-j--...: ..jT^ — «— *L - 1 Vi J J =1
IB- n't muchC
more IA7
can Bay;DBff
ra- call with07
ilT rmar- ried a year
tacetBut I still wish you luck.
C7 dim, F A-S7 D7 07heart that'a ain-
C7r I ,1. I -
cerej— I won't bring an-Qm6 A7
y prea- antOn A TT?
to you,.Bb
I gareBba
•t
you up, what more could I do?.
r jI'll Juat sand a bou- quet, With
G7 <?N Bb7 P_j i
card that 111 aayt 'lian- y hap- py re- turna of the day!
MARIA ELENA (L.Barcelata) "Down Mexico Way"G7
2,4-0'•T r "MA-RI-A*t-LE-NAMA -Rl -At - LE - NA you re •
C7
the am • wer <<>
To me vouCan't you see how much I cire5
And when you're ncir my heart cant «pe»k i
CL C>the ech - o
«g.K. MA • Rl - AF - LE - NA Say tha we. will nev - er part
MA-RI - A E - LE-NA Tike me ' A love likeo your heart
Rrc.ii • - nough for two To share this love is real • ly all I of
MASQUERADE (Webs ter-Loeb jQ Gdia D7 G
Valse brlllent*
j. u. i . i j i j. i » j jTwi- light soon will fade,La- dy dressed in Jede,
I»ll meet you at theHold me tight at the
fas- (juer-
1r r i r r i r rade. While our hearts are swing-ing to vi- o- lins sing- ing till dawn.—
If the am- sic halts, dear, Ihen my heart will waltz, dear.rlgbt oa.—D7 G 11.1)7 Ife. Ba ,
rthe
fTwelve o'- clock is chim- ing on the clock
D , ^ S7. A7 fl7|J f I
up a- hove.— Now if you'll xm- mask your heart »U love you, loveD» G Gdla D7 G .
r i j. i j, i . i j u. M j j u J ' JTTT j ij. im. Hid- night shad- owe fnde, Ilo one's left at the lias- quer- ...-.G^ An E7 An D7. G. P? G[
you. G ii
Ev- 'ry-thlng is through,dear,But my love for you, dear, lives on.
(Van Alstyne)MEMORIESF
Moderate
mllcm- Meun- o- ries, Dreams of love, so
O'er the Sea
P7 G7 C C7
Hen- o- ry
Wild- wood days, A-drift- ing back to Child- hood days,
oong the birds and
An Ca6 D7
bees You left me a- Ions. But
still youre ay own! In ay beau- ti- ful Uea- ries.
2*4*1 MEMORY LANE (Spier-Conrad)With expression
I an with you Won- dor-Ing through lleot-o- ry Lanes LIv-ing thany 3ay- log-Good- bye" there in the dam; Cb- ly a
the
G7
years, Laugh-ter «nd teara, ov- er a- gain,glance WE. of ro- aanc«i and you ware gone! —
I aa dream- ing
67
yat of the night we net When life
LGW7 I IT
waa a
"~~ Q«7
ve- ly
G7
=i=l
frala.
r
You were ao Though my dreaaa are In vain,
j Qoff J CZ F
g L J 1 r J i r J Ileva will ra- aain Stroll-ing a- gain, Mea-o-ry Lane, with
MEM'RIES (Golden Memory Days). B»» F+ &
I fcr'i •. ,
« Sanford)
jj.
* ^
i
U>Wl Ttfe^FF
the
miyeans, Srnilea UmnQh the tears.
FT ^rrrrMem'- lies oome and
F
.&
TeO.CM
you to*te me dear now then.
r I r.Gold- en
a=s=ip
-o - ry
J
MIDNIGHT IN PARIS (Conrad-Magidson) "Here^ To Romance1
C Sdin
BOUT, __ dough hearta areBdlm IW7 G7.
i i rIn. at old- night in
MOST BEAUTIFUL GIRL IN THE WORLD,THE (Rodrers) "Junto"Kdlm
The BOB! beau- tl- ful
Fdim F
£girl in•tar in
thethe
worldrid
Picks •IB- m •
C7
—*^tie*Gar-
i J J) :S: «3E
out,bo,
eata «yIB- p»t
cacn*-Dtwt- rte.
DrlalcBBut S.
mnr
•weetTW
tSckZ
J J. J *~I_ The a»Bt beau- U- ful— who can make me be-
Cm
girl la the world.
C7
^
lias- n't got plat- 1-
J J. J I J
' ' - i ' ' • ' I ' .1«n- 37 bean- U- Ail Ctrl la tha worldl'
BEAUTIFQL LADY (l-Caiyll) "The PinkEb Bb* Eh Bb7 Gdla Bb7
TJ hJ J 7 PToQliaa,
[beau-ti- ful la-I 1 ralaaon light,
Eb Bb»
my «y««> —bright wiag»,.
Cooa, coma, beau-ti- ful
t ' r rDream, dream, dream and for- pain, uae- leaa re- gret,
Love, love, beau- ti- ful la- dy, in my heart aings.
MY BUDDY *-Criim
(Donaldson-Kahn)
—^— ^—know that you un- dar- stand Ity Bud- dy,
I^BB &M «!-• A_^^
Bud- Your Bud- dy you.
HY HERO (0«Straus) "Chocolate Soldier" Andante con >otoBb F7
CoMl CowlF7 Bb
you on-17
3y,
haartES S
tru«, Gomel
I J' I ^
COM!OB
lona-_
long forft-
*=^^you,. COM! COM! can ef-
face you, to brace you.Gl
1 low* yon
MY ISLE OF GOLDEN DREAMSc , r
Tempo dl Valae Lento
Out of the •!•!.tt-ift-lng in dreanrf
bands I nave pressed
lone- ly and blue.
"Heart of_£
beart, no more we'll part!" I hear bar say
But with the dawn, ay dream haa gone a- stray.
j
J
J
J'
J
MY WILD IRISH ROSEC Rn
(Olcott)
take The
NEAPOLITAN NIGHTS (J. S. Zamecnik)
Ob, nights of-I t
ModerateBD7
— tt. love tar- read-stare are weep- de-
p i -r r ^£3=j, nights of laugh- ter, .
DSJCB bell* are peal- lag,
Love's re- grets. love for- get*
NELLIE KELLY I LOVE YOU(G.M. Cohan) Valse moderate
The boys are all mad a- bout Bel- lie]
I I' I I I
long they bring, Flow- ere ail drip- ping with dew
i l l * ' I f " I f^~~Tf. »J. _ '.. »• TJoin in the chor- us of Hel- lie Kel- 3y "l love ynaT '
NOW (Wright-Forrest) "Song Of Norway"F7 Eb
If 11 have ayI. pay the
Bbm
heart* a de- air* pip- ar» a hire
Bbm6 Ra. Abni Bb7
er taught my heart whateart wanta this mo-
How z cov-'*t you"Ho" "no* "no" *no" "no" meant* Love, love,
is change and
Bow, How, Hot for- ev- er but now, I»a youra.
OH, HOW I MISS YOU TONIGHT (Davis-Burke)
OH,Qdla 07
MISS YOUAn.
f<BTj * I j j j_ Miss yon while
mr r rlight* are low
. oai
J J. I J J "J I J
Oh, how IGdln G
need you to-D7 G
night
I J I J *ta^i—-^More then you»U ev-
En
Bach mentE7
r Pthough we're a-1 You're ner- er
D?out of myG Df Dar r r
.one- ly,bent,S7
But I'd rath- er be lon<A7. D7
And wait for youG .
ipal how miaa you to- night.
OH, WHAT A BEAUTIFUL MORNIN' (R« Rodgers)"0klahona"Bb?
J J I J r Tr rthere* a a bright gold- en haxe on the mead- ear - There* a a
Bb Bb7 On Aba Sb
bright gold- en. hazeBb?
on the need- ow The corn la ••
± rhigh aa an el- e- phanfa eye, An.' it looka like lt*i cilab- in* clearBdla Bb7 Eb Ab
i r r r I j I J J r IT 1 1up to the aky.
mOh what beau- tl- ful •ora-
Bb7in*.
I got a beau- tl- fulOb, WhatJ!f* - -
beau-Adlm
tl- ful day. I gotBb7 J Bb
feel- Ev- 'ry- thinff*a way.
ONE KISS (R.Romberg) "New Moon" Allegretto grazloao
Cbe Idas. one man to save .it for
him a- lone. Cbe word, one vow and notl*- Ing more
II i I HTo tell Mm I
night with- in hia
II I I I
M I iman And no oth- er nan In the world.
OMB HIGHT OP LOVE (V<
1 I I .1 j I J._j J ^ I *' J IQBE MUUT V LOVE,
CT
u jrrr r^ i i*"-_ A night to hare and hold,
F
1 ''- ' J !««• la
I find *f low- ar gone,
U>VB.
ONE ROSE,THE - (Lyon-4CcJhtire)
sweet as the red rose In r«June.
Love you, a - ore you, I do Each « i i 0>m Love -land
wan - der, sweet - heart Pell - wig _ love sto - rtes a - new"-••"••-'•• ' " .
J- •Md.Uue sly a dark cloud came roll Break - i ny
•f I I r I I.heartC
in two_ Don't Leave me a - lone , I love on - Iv
You're the one rose ttiats left in hearth
ON MIAMI SHORE r. Jacob!)Uodarct*
•AOZ^* —
PARADISEfl i
(N. H. Brown) F7Moderate
Bb.
hand, IHnlight,
then I un- der- stand (Mm
fire with sire, Then a heav- ea- ly
) He takes ne
J
j
J
O'HEIL (Pease-Nelson-Dodge ) Teopo dl Valae
If her eyes blue as o^iea, That'a
— — £Z—• r^..' —
• =- 1 • r. c=za| «
Peg- gy 0»- 'Neil, If she's smil- ing all theC
Neiir^=r± If- shewhile,Cdia
That'sG7
Peg- gy '0'-lia G7 C Cdin .
i i J i r r r i J- I r ^ r I r r J iallcs 11 ice a sly lit- tie rogue If she talks with awalks
07 On
cute lit- tie brogue Sweet per- son-G7
f rcal- 1- ty, That's Peg- gy 0'-
RAMON* (M. Wayne)Eb Bb7
Valse moderate
Ha- !oon- a, I hear the mls-sion bells a- bove.when day is done youll hear my call. .
J J
II. Eb
mon- a, (they're ring-ing out our song o:( we'll meet be- side the wat-er
L. Bb -^ «?
i r i r r ' rsong of love, I press you, ca-
i r n -r r r rres a you, and bless the day you taught me to care,
r r p iTo ax-ways re-
""112. C7.
ng rose you wear in your hair,
C7.dread the dawn
r- i r -r r if r; -gm
when a- wake to find you
gone, Ra- moft- a I need youLJ * •' J
my own*
ROMANCE - (W.Donaldson) "When Johnny Corns Marching Horn1
r j » r may .come vriBiJh* Springfa Heav-en fSr one "
j j j •'"jftemJBeda*n ofin theaKuesa-
JX>- et - tc vvofda set to LoMe-notes of
for life is. a ypid, Till yoidben->)«adl Ro-mance, swfeMfc- mance'
ROMANCE - (S. Roniberg) "The Desert Song"
Don't *•••
2.4-9 ROSE IN HER HAIR, THE (H.Warren) "Broadway Gondolier"Eta.
*n her eyes there was moon — light,F7 0.7 F7 Cm
3^p'
G Cmand a. rose in her
Vialr,j r
J>7 F7 Cwr F?In rny arms thwe wsas no one,.
B^ Gw 8^
JSo I just put her there
ia Gf G/her
in ny heart was a1)7 G*. T>r Op C»
prom - - vseC«7 Grr>
i r P ir iVWien I ft - nal - \y went, I went homewitii th» scent w
F7 5^ ^——^^E^? jt> F)? 6*
rose in her3^
hair.
HOSES OP PICAHDY07
(Wood) Brightly
row* may b« far Bat therV* on* roM that <31«« note
Pi- oars. dy. »tla tha roaa that kaap ia agr baart!
SAY NOT LOVE IS A DREAM (Lehar)" The Count Of Luxanbourg11
Say not that era-F CM* C7
ftrt* will r«- daaai
J
SHADCMT WALTZ - (H. Warren) With •xpreulonD+ 0
In tha «h«dow», lat M COM and »ing to you,
ltt M clingTakeae In yourI can bring to you;dta Q Ba7 A7
lin - gar long,
ISO
Xa tha win- tar.Iat aa bring 14w aprlng to you, Lat M *aal that X M«B
av»- ry - thine to you;Q BaDdla Vf
old will ba
, _ in the ahal-owa, whan I OO«M and alng to you. -
SILVER MOON (g^ Romberg) Hlly Maryland11
i
thro* th« night Jn
HMTt,
(£* Lebieg) Allagro ooa Bete
eraap
SMILIN* THROUGH (A. A. Penn) "Smilin1 Through11
f\ Kfc» Eb7 A> Bb7
bill Toball. lhar«f«
lit- tl»But in all the
gr«anlong
g»t« — At wboM tr«l- lie Xy**r*_ Wh«n tb« olc»d> brought th«ir
While twoBio«« two
SOME DAT - (R. Friml) "Vagabond King" «oder.to/Jfc n B<7 *L
r ir r r r p p r iyou will M«k ai «od fiafl DM
of tfa* d«y« that •ball
a dr«« that !•
«ban tb« win- t«r
in tlM flocb of th«
bom for bar lov- «r, th« man_L with tb« heart of— a King.
SOMEDAY I'LL FIND YOU (N.Coward) "Private Lives"Eb
i i r i r j i, rr i P r r iSon*- day I'll find you, Hocn-llgnt *>•- vMnd ybu, Brn« to tb«
07 At. ton a.
naar yon Too* 11M7
W« ahall atabdc?
Band in band. I'll leave you n«v-ar. Lov* yon for '*v- *r, all ow J
Son*- day I'll find you f
SOME DAY MY PRINCE WILL COME( Churchill" Sno.White & 7 Dwrfs"A+ Bb D7
DAT_C7_
PRINCE WILLP
CCME,
r i r r i r i r sfind my love, And bow thrill-ing that DO- ment will
rr J r i P=Ir 1=3i r r r i h* * A 4When the Prince of ay
two. Though he'a far
day, Some day whan ay
STARS IN IK (F. Kreisler) Andante
j J I I ,1. |J J ^Stara la my eyea tall bow feel, »ar thia
i r r r i n gtan- dar paa- aion la real.
1 1j^J «i
u_ j ji —
1 "T ' *•*-at — 1 —
-J—
••
=&=J -^J —v*nfi
1 — 1 — P~•* i r =*P— f— h^ IT. 1All that ea- gar long- ing ia
B7 tacat mlaid to raat.
D7ayaa will al-
rtwaya ahlaa
j J iT" iwhile year heart
Dbaata with Btaa.
A711 your low
fi
if r j— far aa diaa, ayaa.
SUNBONNET SUE (WhenA C dim 07
I Was a Kid So High) (G« Edwards)a* e
>• r rUl-boo- nat Soa. Sun- ban- net So*,
O7
If J J Iand
I J I J I 3 J J I j ' Ij J mTOO- as ran sec- oad to
A7you; Ton looked ao nice,
G7X Idaaad you
I* itwice,C
On- darB7
your sun- ban- net blue.. It
i r-imi r ±on- 3jr • kind of a "kid fcUa,"_ But It taa- tad lot*
J I ^ • J IJ J J c, r iale- er than
_Ci f A7 Ab7And the next thing I knew, I
. OB? Q7 C
r r i .Jlead atuck on you, Whan I waa kid ao hlfih..
155 SYMPATHY WALTZ - (R. Friml) "The Firefly" Modcr«to
111 J J *J •! J .J I d J •» J hJ i •> ^1 I ™ I I r =:Ju£t lit- tie bit of ^eym- pa- thy n and11 it- »U change the skies from
gray to blue. Ev- en though you do hot love me, just to know youG+ C Cdim C . C7.
Press a ca- ress up- on my
Know,You un-dar- stand, dear, You make liv- ing "*°rA7 D7 .
the while, by aim-ply giv-lng07 C
iJust bit sym- pa- thy.
TELL ME THAT YOU LOVE ME (C. A* Blxio) TempoA Qm7 C7.
EE=^
Gn7fcat yf°cS-
C7H;
J> I .''•. .. T'I. F Gm?
Fill myIf _ i
heart with end- less de-could be sure this is
light. Your love to
Whll» my armsC7.
hold you tight,
Tall M that you love night!
j
TORSE O'CLOCK IK 1HB MDHNINO (Robledo)
Itf' Thretf ^>f ewe's ^ tta "o"1-
light soon will b«
daun- ing, Just one more waltz
made for us I could just keep right on
J
danc- ing for- ev- er dear
WE MEET AGAINit
(Whiting ) «owi y
roll toy I»1X cam
TING-A-LING (The Waltz Of The Bells) (J.Bb
1 -r j ur KJ. i - rTing- a - Hag) tiag-a- ling, ting-a- ling, I low the
04.
J Iwaltz of the bella.ftrf? ff
Ting- a- ting- a - llJOg, tins- a-Bb
JTI J.ling,TfJ
love theG7
sto- ry It tall*.
r r Ir r m -i -i rwhen bella are ring- lag I nev- e» feel bine, I'm al- way*
Bb Eto .
I Jslag- lag "sweet-heart, I love yon." Tiag-a- ling, ttng-a- ling,
Cf] C7 P7. ^_^____^ Hj||
i .J-> hiJ* i r r P i J J- J? I r' ir^Hag, X love the waltz of the ball*. ,
* *
TOGETHER - (DeSlylTa-Broim-Heiiderson)
rain, to- geth- er, frata. to- »th- er.
T3 | .1 i,JIt would nev-
cried, to- geth- er, Cast love a- aid*
Yontre gone from
al- waya will
TO THE LAND OP MY OWN ROMANCE (V. Herbert)
all come true.. Thru, the darK night fates sil- verC
G7.your in - to mine X found in your first
*CT C7+ C* F_
The hand and the heart that willC o^ ce C E-S ^ g?^ c
WBII r i l lland of n»y own.
irxs - mance..
TOUCH OP YOUR HAND,THE^» » C» D te
(J« Kern) "Roberta"C» D tm C»
th»t lie on th«
G* A. A7
•tJBd. , HOW long for tto« touch of your
JTOYIJLND (V. Herbert) "Bates In Toyland" ^ ^^
Lit- Ue girl
While you dwell with- in it ev- er hap- py
C7 F
Child- hood'a Joy- lend, H«-_ Uc ry Otoy- laodl
__ . c ' *—»'Oao« you p«M It • bor- <Ur0 you can n«V r«- turn •» gain.
- Siran) Valae tempoO 3,56
gleams, Of Orel
TWO HEARTSc
(R. Stolz) Rather «lowly
Two hearts beat with a joi COB - plots,07
m•bet • night tar you and for ae! Two heart* beat with07 07 C
C7so sweet fhile waltz - ing dreaa -
0*6,7 P
J J i J f t i t i i i ' i rZ*ll share your charas till the break of the dawn, Locked in your
07 C C7
r i r P r I J itill the new day is born. Two hearts beat with a
H3 V? 07 C-
I I I I r - f .r i .1 f i r rJoy COB - plate, Walts - lag to par - a -
TW SIIflOOETTES IN THE MOONLIGHT - (C. Kelley)m a* Kb F7
call that Am* night,
j.ay heart.
ous night.I»ll al- wars
SUf HOD- ETTK3nrenr 1KB MOOB
»ry— 'LK3IT. -
VIENNA DREAMS (R* Sieczynski) V»lae modern to
Dan- tfca tha light glaaBai Walts to
haarta will stay in 01*
WABASH MOON (Dreyer-Downey)e a
Val*« moderateC
WALTZ DREAM(LOVE!S ROUNDELAY) - (O.Strauss) "Waltz Dream"a a*
Soft- ly aach «aa-B7
aura, Can't- ly aaeh atralnt11.0 Odin ^ E?
•a with
M- ure. Filled BM
Tonaa of da- light. Sor- row- ful or chaar-— ful, Rang through tha night.
r r i rpain. Song of t&« Spring tlm, Love's month of May Song of
Lov«*a round- e-
j
j
Lora»a month of May, Song of ring- tina»Lova'a round - •- lay.
WANTINO YOU (S. Bonberg) "The New Moon11 *i~ ««.«*
lag 700,— W-*y day X M
BoM you eloe* t» m «••
hop* DM* I'll
r » rBat eling the
r rrMt that you nay hear
Bb7
T i rwain, Far
er find yon
ing you,— no-thing elae la thia world will do,
Bttm
£^P8U7
In thl« world you art
all that I a- dor*.—
oar m __f _"-_ . _
i r r i r~r \ i •
WE WILL ALWAYS BE SWEETHEARTS-(OeStraus) "One Hoar With You"A C Km C MT C
J J l *Day af -ter day, Ve will al- ways be sw«fltheart«( The , sow a* the
09 07 Od G7 C Bi C Ao7 C
day-I j I i I j I J
w» be - -gi&7 -- ^ DOI T I
Do what ha aay. 9e will al - way* be
ay Boy aoA my n» -Bweetbearts for a*C7 P
Be Maa-ea
and mg lip* are 00 will-ing, Bat we a - gree thatAoff C07 Aftia 07
•ay We will
•weet-twarU the
259 WHEN ; GROW TOO OLD TO DHBAM (Ro*toerg)«The Night Is Youig
WHEN I'M NOT NEAR THE GIRL I LOVE-(B.Lane)nFinian«s Rainbow1
— 07 c
»ry *aa»a tb«t flat-
«* 4 '»JLSglauaa yoo*r« "here.nat. ba ^V-lili ••
i p J. J i r JJ i P J* d iJ. L.I i i . jnek* la and not too par- tick-la, I fear. vEan- fW -
Ifc.—. C Cdjau, C C7 -
lr f ji if r p i~r p i J^^ r i r f ii" •L I lova. I lov* the *lrl I* • _ near.
notc
«lrl
WHEN IT'S SFRINOIIMS IN THE BOCKIB3_^ Bb P7
(R* Saner)
galatUM1*11
laaay
r i rtha'I
Rock- lea,low you,
Z aaibird*
lag•ing
backall
totha
ut-
WHEN THE MOON COMES OVER THE MOUNTAIN - (H. Woods)
iOne* a-
MOOD«ain
O- vcr H»a•troll 'Math tb«
F
Thru'>rytSat
bring* a draaa daar of yonco*> arad *ai- lay wt
Ddlai F
Each day ia
r i r iBut tha night ia bright andgray and draar- y
Moon COB»» 0- ver Tha Moun-tala
!•• a- loo*. with ay »rlea of you.
WHEN YOU'RE AWAY • Herbert) "The
F Qa GM7
yon'rayou'ra naar a»,
GW7
— -nmqtfht tiat I atrfT*
Qafi C7
Sawablnato
gray,dear
aaar! ISw ^W
ileft tfce flo**ra!
*, to you!
i r 1Z laear yoa,
Oat na «rt,
W.
»oft lo» word* to a«! *h.di« with- out
butOTUB M> ••« JUl* J-i» A *•»••yom, adna oWt Hold a» •- gala to your
^
F C7 C9 C7IBLOT . Qa? C7
j i r i r- i j. LJ. 1 1 r |J i r n ri i
WHEN YOUR HAIR HAS TURNED TO SILVER Rose)
low you Ju«tma
aat trail wa'll strayi Vbon your hairBb7 Kb
baa turnad to
•11- you aa to- day.
WHERE THE BUTE OP THE NIGHTj Q „ B7
(Turk-Crosby-Ahlert)c .I
where Die BlueAnd the gold
CtoB G
Of She'of her
Nighthair crowns
meets the goldthe blue
* TJof \Y*of her
D7
M- N1 day,eye* Like a
Some-ha-
onelo,
waits forten- der
me.
r i r r
would be!
Qn6
There The Blue
G D7
Of The Night meeta the
G
gold of day,<r- J * "»* -* 1
Some- one waits for me.
WUFFEHPOOF SONG, THE (Minnigerode-Pomeroy-Galloway)Edim Bb7 Rfl7 Bb7
fBK3
Eb1 •£
— • — ti — 3 F5^"— r ii f — j — j-Were poor lit- tie
r-, 1 —' f , ' r r —
Baal We're
Baa!
Bb7 Eb— 1 — d 1 1 —
~t~~^ — f~r~— <- 1 — 1 j-^i -+• <g'
lambs who have lost our way. Beat Eaa!
Edim Bb?r — '" -h "J . — s ^ ±~ — —5 flP J tfJ f P P =5 B —
Lit- tie black sheep who have gone a- stray t
ClU Puff
1 <•*• -£-• h^ * — v — I 1 1Baa! B&f>r ~ Gen- tie- men song-sters off on
Bb? Bb* Eb C7ts » a*= m S * = 1 — =n 1 1
rg"!— -^ -. i ~spree, Doomed from
Fmi j h - i - i==ag=
mer-
WHILE
here to e-
cy on such as we
HEARTS ARE SINGING -(O.S1F
-. m = = 1 1y¥ \ i r =£=Vhil* heart* are slng-
1 1 1 1 r-
—^bring
Cllag-<iTc!
— f*"* —rare
D7
=^= + J. =^-ing love once a-tQg(dra«M will seeo
Ti5" — J J'" j i Jlie It- ing our sad-
±-r*—
a
t=q1 f= — H-p h- ** * —ter- ni- ty Lord have
Bb? Ebj i •
^ Jj^^b^Baa; Baa; Bear~rr_-.
hfTan<3) "Tbe Snii11.r>g Lie«^On
— - — ^ — — .. r --r- ** =• ingiSprlng will re- mala. Hu- V sic J
' ^Lovm la for you, Lips will 1
r\ 1 r— — =tgain; Lls-
i
js j , y— j- — j — i — i —ness In-
^ P
din C7 F _j5 • i^ « 5 _r — -j — i — < r• tear in glad- ness Mel- o-
F M a. F (.. J F^f p=r= H| JSZ2-H1 — 1 — 1 : 1
to the air true.Fdin F
^-i
enant-j—J— r•>••
p-1dy
iis>
-F F i " — * — i 1 1 ^ 1 1 —Spring tine is call- lag, now it is May, Love while it
C7 F C7 F . Bb.—y-* = t—f " f XT-. m = 1 1 1
singsFdlaI rE3
P p I-H 1 1 1 (= " +—to you, Life for to- day, Lia- ten, it calls you
f f f^ 1— j r— -1 1 1-? 0, ^ 7-f f . .ift'^Hi— 1 j- — H •=-f-* -— +-H g 1 ! 1 1 H-
Now It is May) Take what it brings to you, Live for to- day!
WBILB WE'RE YOUNG (Wilder-Palitz)
it MQT to* Just
80
l j J I J j II I J J8blaM b»- for* our •QTM ffirrue w»
Whisper That You Love Me -fl F 1=7
Walpt Words by John Klcnner -Muricby H.Engdminnnr 07 or
WHB-PER THAT YOU LOVE ME.
07
dir
C7 0 C7*
WHIS-PER THAT YOU LOVE ME.
DOVE.THE (F* Lehar) "Rogue Song"CT
X f
2*6:5 WONDERFUL GUY.A - (R. Rodgers) "South Pacific"an? j
'" "" "
nor- mal aa blue- ber- ry pie,vm-tion- al star in my eye.
•«7 D
No more a aaaart lit-tleAnd you will note there's a
I 1. A7
•1 with no heart, I have found me a won- der- ful guy.In my throat When I apeak of that won- der- ful
G7
dai- ay in Kay, A cli- che com- ing true.D
mid- ie and bright aa a moon-hap- py night Pour-ing light on the
E9 A9 D f
J X J I J J J I J r £
aa corn- y aa Kan- saa in Au- gust,
High aa a flag on the Fourth of Ju- If you*11 ex-
cuae an ex- poea-aion I uae, Ivm in love, I'm in love, I»m in
love, I'm in love, I'm in love, with a won- der- ful guy.
VttNDfHFlfL ONE (Whiteraan-Grof e « )_Ab_
ValBe moderate?
Vty won- der-ful one,Vhen- ev- er I'm dream-ing, Love's love-light a-
gleam-ing, I see, won- der-ful one, How my arms ache to
hold dear, To cud- die end fold near' to
you. on- ly you, the shad- ow- y twi In sil-ver- ' y
moon- light there'e noneC7
dore you, myA
life live for ydu, My won- der- ful. won- der- ful one.
YOU ALWAYS HURT THE ONE YOU LOVE - (Fisher.D.-Roberts) £64-
TOO LOVE, Zbe on* yen
tsart. at •st
eat heart, with a hast- y *o«l yon
«am»t last
It»«i r ' r
X low yon aost
YOU ARE FREE (Jacobi) "Apple Blossoms11 Hoito capreaalvO
u g
tip* t«o an, play - lag Low
•ho choose-oa, war - y oft - .so
los6
- es low is nav- sur* to bs ro - osncsJW7 D7 Q
- gar al - -ways lurks In en - plds ar
aimed at you anl MS If you are thlnk-lng of
oth - or girl to love Yon Bay al-*ays kno* that you ar« £Me7I_
YOU CAH'T BE TRUE, DEAR- 5S.75JL"k
CLLS YOU HAVE TAKEN MY HEART I Jenkins) Vaiaa »od«r.to•** "** • te C7 F4n ' | j j j i * T w > . i i i i i . .
YOO aSfe TAK- BB BZLike the aur- aur of
n-l — l-n? irr-r
* — -—* Jl 1 + « 1 ** 3=^
HEART and, it's thrill-ing, YOU HAVrain soft, and tan- dar, Like tfi
C7 F Fdta~h — i 1 — i — F1 — r — r — n — T* "s — i|_J J S p p T T •• 1-J- ] -t^» 1 I 1 --I I I 1 1
TAt- BB MY BBABT and, I'm wlll-lng, Bev- ar ham X known ao* ceanie re- flrain In, it* a apian-dor, If you real-ly want aw
5Tai c? c?
thrill, Ilka this, Bar- •
^aa7 Bb»F >L + \ J J ^pi-f r ' -1 ** ' '
I»U aur- ran- der, YC
m 0*7 <1 — L |__p j 1 — .
TTWJ HAVK "
ot v i
IT haa the world atood atlll like thla.
F FdlB) C7 A-S7_i . u. — 1 -J 1 J 1J- J 1— J J— J L- -i- =^-lID HAvK TAC- BB Iff HBAHT, — — •
37 »
CAT- EV MY HKABT.
YOU'RE IN LOVE WITH EVERY ONE
i ir i T i T—i—(Re Henderson)
RB QJ
You'r* In••fib
levaface
with ••*.'wild
»ry- onegooae-chaae,"
onegood
( =1-f •
=3= —-**Who'a jtime i
_ i tjt~ »
n love wittaid then you'i
1 — T"3*6 T J1 1 &— 1 Ej
11 *
i yo•e th
1 1 — a —' j^^ i rn. Tru.
P+1
— « • HE — 1— •
— B a 1r r =iwatch you
-4 1 1I 4 J 1
win- tar and Fall* ing for ry
IH-67 1 12. Cm
COB-
G7=f=g
—j — -i—
er.
nJ-TJI
— vl i P* ii 1 »- *£v 1 — 1 —Mi 1 1 1 1 ««-) 1 — | a«_
You're in leva with ev~ »ry-
=7=
tmt—i r j , i p1— J « F 1
Bb— r -fg* ' r^ — — 4-r i r i f •* •*
-H— 1
oaa
YOUR EYES HAVE TOLD ME SO
with yon.
(Blaofiiss) theretoC7 0*.
j
J
J
jf m —
M7
Iowa- lightPdla B
* — r — ' — Irs —M 'T 1throughi They :CT
| ' | J ) — p
drean- in|Bfi
^~i 1 i1 • J ^
•y heart haa
i > j i— {I J
laat I 1
I I ^ I I "
•a* /our a;
-T-T-! r T-. 1 « P i-
and t4«v- dar neaC Cola
ftll'd aa tooF
, 1 fj^_1
[. Bo need t, F, _ , »1 • J p F — 1 — f-M (= — i — Htaught me their me
da 07
now your evee
J 1 !=-! 1 r
"* -1 ' J J Jfee, your was- dear- fnl
Qaff C7 77*' ' f - 1 = F 1 f— F — . i ..L r i r
• beaa- ing, they thrl
j i ? j i nwith won- dar- ful dreana
1 i 1 i 1 — j 1 —J 1 «* J ' J ^ J =o apeak, no more ahall Xt? C7 F F*^* 1 — r* p i f' *PF —1 I^-W ttfL—an- Ing and Iowa ha*
C9 C7. »1 a J
= J 1 i nT_have told aM ao» -
-f-| '*— i—1 J J. 'ayaa «Tth
J— ]
W 'IVd M
| | |; i 'CT C*
1 — 1 T — 11 < ^ 'aeek for
Bb1 |F (• |j — {- — icoma at
— Lr-^J '
ZIOEDNER (N.Coward) "Bitter Sweet" dl
Play to MB ttf-neath thoBb7 ». Kb? Eb6 Kb
I J a
^^ rr ' '21- gou - tur! All ask of Ufa la Jvct to 11»- tan To tho
Off
ir r J- r ir f » r r r p «• onguthatyou slng spirit llk» a bird on th* «b«_ your ••1-o-dl** • - dor-
• oar-ing. Call to «e with «o
Fl«r to m» tee Just A hour. 21 - mr*
CLASSICAL & SEMI-CLASSICAL SONGSAH; SWEET MYSTERY OP UFE-V.Herbert-"Naughty Marietta1
B" ^ Cre?
Ah! sttfeet niya-tfer-y of life, at Last IW
rT Bt fl>
thce , Ah! I
Knanf at last the se-cretof ii all; AU the long-ing,seek-irg.striVit^, wail-ing,P Jii.. Q Cdhn C c.4 S" B^
t-die tears ttat fall'—Tor ^Us
And'tis love, and love a- lone,th^ can ne - pay! ""Tiis the
end and all of Uv-ii??,— For it is k»e a-lone tetrodes fir aye!
(Tobias-Be Rose) "Song Of Love"
ii " Tr J J J 17. kj j J j iA* Y«ar« Qo thia low «•
~ jroutb h««Qo
07 Qi
kj J J i"' J J loor lova*• ro—crownad your hood
It will To-Yoe»ll I'll atlll
07
firaiayoa - Ib
*Pof long a- Whan An-
1*I*!- p r- J i I Ji jcall* a laaf that fall* Is so
-fall* Is soon for- got- t«a A brook raw dry *nd
O7 Ab9 O9
J. J) J J Ibird* HOT fly
ia- waway low A* Yoi
r i ••Oe By.
BECAUSE(G. D'Hardelot)
BbPoco Adagio
IE
57
Ba- cauaa you coma to me
07 Cm
with naught save
love,
P47 97
bold
Bb47
my hand and lift aina
Bb7
?a- bova, wl- dap world of hopa and Joy
to ma.
BECAUSE YOU»RE YOU (V. Herbert) "The Red Mill"G
Not that I am fair
Er Am
dear , Not that I am true.
AT XX
my gold- en Hair. dear , Not my of blue,
G
i j j i ' i i • * h- d *•=fcb- -^ ' I ° =4When >ME ask the rea son , WoTtb ans all too fevf!
So I kno«^ I love you,
CAN'T YO1 HEAH ME CALLIN1 CAROLINE (C. Roma) n<xiar.t.i;,
Cant yo'heah me call-in* Car-o-line ,^ Its mah heart a- call-in'
dine. , r»ow 1 miaa yd gal o' mine.
ll J. JWiah dat I could kiss YD* Car-o - line ! Atnt no uae now
fb' de »un lo ehine.Car-o - line. Cor- o - line, Cantyo'heahmah lipa a-Say-in'.
Efc ^R7 &7 £d™, ^" /*•>« BT ^
Can't^o heahmahsoul a-|^ay-in'. Cant >c'heah me call-in', Car-o - line-
J
CHINESE LULLABYAm
(R. H. Bower) "&xsb Is West"An C Am G Ba
* J i T* =»fc •T d J =.fcCut- netSlag, song, slag, song, so bop Toy Al- lee same like CHi- na boy,
Q Am C
But he sel-
(2. A»
j j •* i J J r i r a1. to Bm7 Bb7
^lee girl with Joyt Pi- ty poor King,
EU7 G7 Cm a
Toy!
pi- t y p o o r lUag KyiCm Gko fan Ebma?
life's mys-tie streamDb7 Cm
tossed at wa-
n Onters
Cmwill.
Db9So I dare
Faffdream I'll be,
E7like the poor
3brip-pie
free. when the trou- b wa- "tersr igrow still.
^
DEAR LITTLE BOY OP MINE (E. R. Ball) Moderately with e*Pre..lonC A» ^« 3>" A7 35m Gr 0*
y c
cm
r •u — F 1 — it ——4 •i
=*=|Boy of mine Boy mine, Al- thy ny heart waa
E» B Cdo,.
*^' T 1^ d' 1 r is i
I seemed IP know ya2d w&nt to go, Pride in your man-hoodGr c Em Dm Ar D* 07- G+
Jl J j
Em
^^ *' r ' i 2 is =3vwak - ing.C
Hi be here . wall - ing, dear, TCtt at a glad dawtiijfU c cr F
s J' i r is r T l ring I'll hear
Dm > r Urn &7 O+ Csay you're home
GrT
EEB* SDear lit-tie boy of tmne.
^T J J ± fr i r*Bear lil-U* Ixy of* mine •
DEAR OLD PAL OF MINE- Words by HAROLD ROBE Music by Lieut GITZ RICEGmi7 C7 F1r v^r r 3^
^^c?
Oh how I miss you DEAR OLD PAL
p Db7 Gmi7
OFCg*.
1 — j
MINE"
D»i G5
al wa
uLan - gel
Cmi7
i br rrest voi
i 1 1 i —
J * ' 3=each
Cmi7 C7
1 O
ft mine.
— j-.-. h-r0;— -1 J 1 — sf-
hands ca - rcss
A7 DR
d i 1J J T ni. DEAR OLD PA
r q£night an<
1 P fi. rSweet - heart
G7
Jyou,
• Dt>7
L OF
Iv r J' T r=^day I ora
may God bless
F
1 J ^while swe
F >k i
MINF
1
• 1
y you're
you,
et dreams
^^ 1 — •• — — *i
469 FROM THE LAND OF THE SKY BLUE WATER (c. *. Cadaan)
from tfco Laud of tba Sky-
tod har ejDBfl thay are lit with
Wa- tor, cap- tlTB maid la out*.
PULL MOON AND EMPTY ARMS (Rachmaninoff) Moderatefl . Bb Ab* Bb
nUi'MOOl AHD riQ1-
17
ARMS.
Bb
The noon
O. A-57
J J J U
D7
for a* tothe wg- ic
OB
bat «h«r« are•oaa to wl»h up-
F7
(1.)
J^ J IJJJ J I J J
o- rytruo
And '•»» »ry
c? _ oaJ I
18.
could rtart a
D7
dr«aa for tao.
Yi Bb
i j j r r i r^y « - ^ -r-lf
i r r rfilleb« filed
GLOW WORM,THEA C G7
(P. Uncke)
yon*
01 Gmvtt*
Jl lit- tl« glow-wn,
G7
Su», l«*t too Ocr,
i rLova's swoot veloo Is
I - Ir
call- lag 700- dor! ShlM! lit- Uo
, . i , r. , , __U-J J ir r - IP p r ff r
Ut- von, tb« p«O» b»-
| . . .r J i J J p i rlow, a- bo*«, to lowt.
OYFSX SABRE DANCEIT7
(A. Khaehaturian) "Gayne Ballet")
Z ••• • gyp- «yh« ttorill*d thi« __ b««rt of Bin* it on fir
flm 1mr with PM- »ion to tb« rhy- tfcm of tte •
•~TC cnnea r—e
thrill of it did tb* OP- v •»•
HOUJBAt FOR S1RINQS - (0. Rose)c j f c mi a> ay-» e. -^^m J^>
i r ^ / j » j j j j ijj
I I I I I M jl li M
HDMORESQUE(What A Lovely Afternoon) - (Dvorak)c CT
Id wft I «r« rl tot ia tun* And all b«- loWwith yob*
IF YOU ARE BUT A DREAMC S$ C Gfc C*
(Rubenstein)«i E- Hi
I couid bear to find dur I' m for - uk - en. If TOO Ye a fanc - ta - m Aeo ID£fe_-H_ -*• 1 P!"-. A kc-l . c" I . C^. I _. >l*?.0yu &t i . . ,
M l i iTTTT
b«< I would not djre
J' | J J
I LOOK AT HEAVEN (Austin-Martin)fl *• Ite ta On
, with«• C
J. I J. J J J I .I walk onVhon I look at you
r r 1 i r r iI. I J
tte aoa-rlB* In your love- ly_J
I»M ALWAYS CHASING RAINBOWS (Chopin)04 < Qi ^ -— n
• Cb«6-iag a«u»- bow, Watch-
•cb«a«« arc Juat Ilk* all
in th« «ky f«l-low» look and find tb* •bin* X
" I r n^al- ways look and f lad the rain, SOM f«i- lorn nak* a wia-niag
gala, B»- licvt M, Al- ways Cha»-
Bain- bom, U> find a lit- tit blut-bipd in vain._
IN A MONASTERY GARDEN (A. W.
C7
Andante rellaleso 2/7«L
J J u j j i r pj r >rThrough the mis- ty tort- light fall- lag, Voi- ces froa a-
tt» Qaff C7 Prtra —M=:
tme
fr=1 •*•
— _. 1
are call-
r 1J1 J
=p« —
lag,
— |_J
— |-— 1-
C7
—— *J
— <9 p 1 — 5 _ 1 3 3r. i i r r j= — — iCall- Ing all the wear- y
J — — j 1 _ J 1-••* *-J -J— •" -J ^ 1
bone- ward to their rest,
_CT CnS
The eve- nlag ball la
D7 On
•oft- ty peal- lag, While from out the cloist- era steal- ing ,
C7 P Gaf7 C7 Pm j^fnrCooea this pray'r of oer- cy, . peace- ful and so bleatI
—
INTERMEZZO (H. Provost) "Litermezzo"P - A» F
aa you dream to* night, That fades tfoat
sight when dark-ness dls- ap- pears,C7
J> T- f
Hay-be you will van-iahOf P
too, Ihe mo- nent when to-nor-row's dawn ap- pears* So, ay
1 1 j i rlove while stars a- bove In Heav- en's blue are
beaming and gleaa-ins, Then I'll liwe ia the glo-ry of your love.
IN THE MOON MIST (Godard) "Jocelyn1'. .
j u JModerately Slow
One night I wan-dered by a atre«En7 On G7 C
And you wereG7
I rstand-ing
An1> ITCXK
j uD7
1 thought at first you were—, Rn G7 C Qa7
dreamCT
Un- til you soiled there IJI MOON MISTC An
The first faint
flush of love v;esJ7
or> your star- lit fsceG7 G7
Acd in the
r p rhush of love we cetE7 An 27
Bcr.e ec- brace Kcw till we ceet a- gain I>11
C . G7 C•3-
trea- sure That no- mcnt when kissed tS THE MOON
2.73*•*THINK OP YOU (EUiot-Marcotte)c w c oai»
Moderate
M i i i fIn tte— awa n1ng» aa
*• far tba ana-lc ofOdin JMf G7
r r iC Cdiy Ab.6 HbT.
J J 1-i ^ova •$••! _•-
o- Una57c Da 97 O*-
ALLOF
Z ctnYOO.do .
J-J j J Jing
orof
TOD07
I I J J ''JOn, I oan aaa
I .J
J i•t*nO- ing fter* b»- for*
iX o«o hoar you «hl»-
•7 CP*r you
Cdla C CdUa Abafi
SoC
la fall-iag,r r i ' r
IM7 O7
J J I o iX TKOtt OP YOU x ram YOO.
LITTLE OBEY HOME IH THE WESTC 07
Hodarato
And tba
2?^^^ •»
toil of • long day laC.
o»«rj j j i r—r P J I
Though the road any oa long, in
ba-O7 C7
for* a- haad,, *E»r« tha blue ah&. ova fallCdin
t shall
raati And tba toila of tba 4*7 «rtnoaaa to eon* taot- man07
allc
LOVE SENDS A LITTLE GIFT OF ROSESLk O Bb7
(J* Openshaw)
Low aaada a lit- tla gift of roe- es, Braath- lag a prvy*? «O» to
!MI Torn from ay baart aa twl- light cloa-
baart to grow
A7 D
lit-tla tan- dar,
Two ayaa to glow wltn leva'a own apian- dour. Two lipa to giva in awaat
laa, Juat
j
*i) aavHan^svw i
9» -«OJ
8uT*a) sasoH cwr moniKXH
MOON LOVB
i .1 JICTI(David-Davis-Kostelanetz) (Tschaikowsky)
Will this be moon love -Are these just moon dreams
Gaff C7
noth- lag but n»oon low?Grand While the noon beams?
Will you Be^ut when tH>
r' j irgone when the dawn comes steal- ing through?
Cm,
moon
wayr
wi
D7
fades
Gffl
11 ray dreams come true?_E . » •
Much" J I Jcj ^^y
3=3=I love you bon't leti
C7
love you If must P«y for your kiss with
ITlone- ly tears. Say it's not moon
-i 1 G9love
:j_u J r r ' r j. jTell me it's
C7 P
J J ! • • •true leva Say you'll be mine when the moon dis- ap- pears.
MY HEART AT THY SWEET VOICE (Saint Saena)
I I I f•v heart is thin*•7 heart ft»a youri
mto dome and takeBat not to break
This la the time _to have and hold.
G7
it" I wait with deep de- vo- Uoa
Pa7r r !•• i Bb7 Eb r f Ifor Ufa* a on* great e- tion.
i j r Iay heart is
£2)wait- for your voTce to
Cdimrofci
call me Ilia- ter San- son De-r
11- lahr
r r r ICdim
His- ter Sam- son 'tis De- 11- lab come to me.
J
ONE RED ROSE FOREVER Moderately with exproaaior.
m- 1 — i "j n4£-JP J — fJ E3X give to
G7
•* J — i 1—
a
yoics
0 T
I •!— J " , J =•:=l This OHE RED HOSE
J ^ ^r ^
ouia y«N — 1 — I 1
J' 1 ,J gFOB- BV- BE,
Cm?
f J ^^= r:For you
tscetto
I J l |. l J I
haTa andB,b
hold When love is old,.P Bdia CB
P I J JI give to you This CUE
Pa G7ROSE FOR- EV-
. G? aa G7
L* HI j j^j. 'C9 an? C7
In af- ter years, Through joyCm?
When
ON TBE ISLE OP MAY (Tschaikowsky)Eb
oaim Eb Eb
lai* of ••/.OUT? 91 Cm
laWBBrg Htff
OB HwEb 1 A 90
PAVANNE (M. Gould) Allegretto
An fBass continues,no chortle
Dm Go6
^ * I J J. j J J JMJ
HOSES FOR REMEIBRAHCB (L. Curtis)Ab
Moawato
Juat 'these RoaBbffl? a? Ab
JL77 "SAiun« (Kahn-Borgel-Dvorak)Bb7
HoderatoBb7
Sail- In* On, Sail- in'I J J I
SbO'er
<?7.
blue,Pta
,
r i «. i JSil- ver spray seeoa to
Bb7
Soon I'll
When home to you.
SERENADE (3. Romberg) "The Student Prince"Cm W7 Bb7
th« «oon is beam- Ing, White as bloa-aooa on th*
Bb7
loth- lag la heard bat the song
lag! Could ny heart but still it'sFill- lag all the air
b«at- Ing
From your win- dow glT» greet- ing Sweitr my e- tsr- nal love.
SOMEWHERE A VOICE IS CALLING CA*?»Tate)Slowly with expression
Bb9 Stff
Iteak, and the shad -
Kb 07 C
Auk, and the chad - on
J
J
J
- where a voles is call-in*, Call - tar m.
SONG OF SONGS,THE (Moya) 2.78
t««rt with the Joy one* It night of bliss, night of
G7
the rt*r», *- mid the ros- ••
0 night of whole world of love*
SUNSHINE OF TOUR SMILE,THE - (Ray) lloder&to
i•I J * I J J J J /J
t a anil* for me,Dear face that. holds so swee
world would beJ
place. Lov»'s ra- diaot in your dear, dear f
Giv» «M your aadLlo, Th« love- light in your eyes, Life could not bold a
fair- or Par- a- dise. Give me the right toma
love yoa alla>
the
s ^m* • »>your smile.world for-ev- er, The sun- shine
THINE ALONE (V. Herbert) "Eileen!1
fold me, my be- low- ed!
eyes look fond- 1y in- to
the world could notF7
I swesr that867
And for- «T- er
>>79•*" '
TILL THE END OF TIME (Chopin)Bb
lowly
ITILL THB OP TIMK,
wall* run dry _Long ^ stars sre to the blue-And each raoun- t-9JJ?1 dis- op-Mare,.
J Jl 3
Long
_Sfthere'a a spring.a bird to alng I'll go on lov- Ing youthara for yont to ear* for mi tJimvifltl iTtfrter and through tears_
•a rom- ea bloon in MTILL THK KHD OP TDK.ca§ ra^ .J J I I ••
da«p> «r with av- »ry paaa- Ing dayMy lova for you nil
So taka my haart In mat BUT- ran- dar And tan- dar- ly aay thatMi« Bti i u
•* ^tha ona you'll love and live for TILL THK HID OF TDK.
WORLD IS 1ONE,THE - (G. Posford) "The Gay Desperado"
mto- night, and mlna each sll-var star that ahtoes a-bove in the
of heart'a da- light
G7
aina and av- »ry flow'r that bloa-soma a-naw, You'ra olna, and mine a-
— ' W W J-~~^J " * ' IT»o lips that apaak of love, and two eyes that are bright;
Bdim An Dnff
3o to- nlghtl
PIANO SOLOSAT THE CROSS-ROADS (MALAGUENA) -
C7 DbLecuona)
At theAB the
- RC I couldbid the
seedark,
C
wea- ry ca- ra- vansend- less night good- bye
Juat likeAnd the
'ould the mi-Just be- yond
ir r r fr — -t=if J • — &~awar to ourthe CROSS- ROADS
hopes and our plans lie the
11.)
road wa took? a peace- ful
sky long the road that leads to you.
CANADIAN CAPERSQ
(white-Chandlei^Cohen)D7
ModerateDdlm
180
i_ Right* In thidays— eadi maiden sways _ Right In the anas of her own lov- in»Be-kl-told — the weather* cold — Il» a al- ways win- ter-tlae 19 wher«tll,BortH?ol0
•o — Moat*JT. tpy alght whan all the northern lights are low She *tod-lies— But tiey cut «P c«»- *- diaa Ca- pare If they're wlee—And then
l. diesthey
the Snow- whllVeold winds blow-Bach
Joe—Just watch thaa go— swing to and fro
J * J J " J J ** ' J J * ' J J ' J J **toe) Bow live bean (*»- *** «l>) (show-Ing up) (blow- ing up) (go- lag up1
D7 a
They al-wsys do Can- a-dlaa Ca-pars If the "weather* cold e-nough(hey hey) Hot Stuff
DOLL DANCE (What A Peculiar Tune) (N« H. Brown) Mod(,ratoflu * A7 i - __^_ jm
What11 'a pe- cul- iar tune, Thrniine me night and noon,What a pe-cul- •
A7.
itune. Has such a fun- ny swing, It»s T such a
catch- y thing, Mak-* ln» me like n a loon _
It's in the air,
r r r i r • rtaunt- ing me,It's ev- ry- where, It'a haunt- ing me,
Wh« re-frain, play it a- gain, lffiSc*Tm» me want tlo dance, MaTe-* in» me
prance, UxR #lel-
i 9 i a» «ai ^ i ^ | <p »ei ^ n»want to twirl, Ceep!-in' my brain a- whirl Rhyth^ m Is all hear.
j J- JDoll Dance_ la it's bame.B7 B7
I rdrive you in- sane, Sucb * a pa- cul- ^^j __ *.._ \/-..>.—»« TTJ!iar tune, You>re "gcn-na
D
hum tune.
CONCERTO FOR TWOJE—
(Lawrence-Tchaikovsky)
I ~^«! when weI
6TQ9_astarts.
finv
C7hearts.
^j •» j j i ^ i. ^ ' •* i •• ^"cl we oont speak throagVi the son^
'CFJ J
— - For wottfa are weak . — when love isAr 0>7 G-7
j r i jmo -menr wben1 We nias
And When WeC7
Dn.6gain Oar
*3 tKr£U-m5CON<B?-ToR)RT\M3 For me. and you..
(F. Arndt)
POLLY J (J. S. Zaraecnik) Brightly
TWILIGHT TIME (Baifr-Hevina-Dunn)a — •••—•• i i B? Very SlMOjr
Deep-ly abadea of nightlag «had- owa gatb-
fall-apian- dor
G7aa da/ !• done.,-
of tbe idst your vole* Is call- ing,Fin- ger»" of night will aoon aur- ran- der
it* atbe ae-t-
X count the rao-
Vtb-«r, «tbear you. n* danr.rt TBI-UGHT TUB
la tlie af- ter- glow of day
keep our pen- de»- vooa— ba- i i a _ _ tbe bSa__ H
fall in love a- galat and same old way
— did then.— Deep la tbe dark your kiss will thrill ae daya of old*—
tbe spark of love that fills aeCSa G
tb dre told.—
Bach day I pray for eve- niag just to be with you,
geth- ar at ^last act TWI- LIGHT TDK,
LATIN AMERICAN TJJNES-GUARACHAS & RHUMBAS
ACABASTE -(Sacasas-Pafmoy)r c? Teopo dl aon cubano
P«- ro te pa-ra> ste y fue un ci-c a- so-to a to- da Xa po- bla-clon.
ba-ata ta lo lle-vaa to. *• ca- ba- etc, go- z
L
CU3AN (J« Norman) 2,84
They call M" 1f.. sir. «..„ I
| M'l ' ! ' I ' I I M |
~ -r 4-o t« Jf-«EtJ? «. •»«**-
. play. th.c.
»a- ra- CM ba goM chick, cMck-y bo«,
Ij J J l ft
chick, cMck-yc
, th«y£JL^ 1 r. ** . • - - .
* I I I I
•wing with3
ru*-
&•>• i3Be so foil of spices
r r r i° irp_— *_ * . **—i
HAVANA (J. Schoriberger) Hoderato
Shine en for e»-«r, on
dream incath your silver* y bea^TT*-— Sofb-ly they cone a-ateal-ln£, Oh, nl^ht of
a, Down by the sea •here th« palelove »ae«tb the stars or Ha- vaa-
In _ . my heart I hear ao old re-flrain, Call- - iig to
Won't_ yon cone back to ay flr«a». y Hav-galn,_ To you I a» «p-p«al-
a- a And_ t«ll m* that I'm not long— ing la vain.
LADY IN RED, THE (A. Wrubel) "In Caliente"
vXen fte ton tS tn bed
''irihV i i ' ' i i ^m
? /A workoTartwiikouf a quwion. >i/d bf*rwriH*rrw4er
_ -M«« ^— ^ 1
La tav la- ta^a-xra- ba- ta Ho ma qule- re ya tra-ta —s. ••_ Htw. «/> ca»<- ml- naa Bob el vee- tio. a» » cfa»aa—
ta mag » ea» la, —> tan- ta
plem-te pa ea» b«r ei yo la qule- ro. _ m«- oe.y a*
r r r j ^ i r cP«- ro que bar- ba- rl- da,za toe ce- re- bro»tpo-za toe
i r e-rla->ta_a-rrc- ba- ta ___ con au por- te que al-bo- ro - te toe ao- lar.
LA TELEVISION (Menendez-Fergo) soa-ihmtimoBb
La Te- le- vl- *lo& pron- to
tu me ve- rat blen on- - jar VI*-
que voy a trans- ait-lr ya no_ha -eata me blan vta-ta- oe biaa
bay que lu- clr fl-ga- rln. La ta- la-vft-f al-ta te-ner bue-n» VDC
mi cor-ba-tl- ta
MARIA MIAc
(Borguno-Arres-Stanley)
i-ta bo-ai-ta.
BodaratalrM7 «
plaa UJca a Into. So
J
NEGRA CONSENTIDA (My Pet Brunette) (J.Pardave)
I! I- ,J LJLove me' Ity Pet Bru-nette, love mel
G7 G7won't you think of ne —
e one, Cheer ael_Qf f-
As I think of you?
J ir r J ' ** TI want you, I do!I need but you near met
My pet Brunett*,TaJce me! How can you fox-sake me!— Thy won't you be
Have pit- y on
And an- swer ny plea Dear!
PANAMA (
I live but for You.
Lambert-Dolin) Rhumba Tempo
Ta-na-ma-rna BonnasDream--mosf in-sane ob^ses-sionltor that U. S. A. posses son And-1 lope for one mope ses-aionThae wh
in hoarsesofnaflasSngftar lu rid love Ho-san-nasTo ihe
>rpp all vyoHd -\arHeaV-en- \y the
CCSdies.
r r rckawi to those
Heav-en-l> thisteades ^
B7
Kiss-es taste soa -
In Ihia love re - treat
A 6r E
Be hap-py and (tet&leyou may.
A B7.. E
"- "i ' r f ' iT i
enavea newsen-sa-UonTho'il lacksa>pfiis-tl- ca-tion Its«TC kjfsf>dtofcrea-tioii,PA-N<\-l«1A..
_Am
OR? PEANUT VENDOR, THB^V^« • 0 D7
(M. Sirtons)
hear Ma slag hi* plain- _ ttwt lit- _
r ' Pea- not*, roast-ed t*- da?
fresh-ljr roast- ed to- day;V? G JtT G
If you'r* look-lag for aMia M? . _ P7 ft
nor— B!
K - • • 17 f '—rhis sopa _ fit- ty aU-lion lit- tie non-keys can't be wrong.
RUMBA RUMBA (Rhumba-Guarcha) (j.a Vivo
^ r j-Rum- ba Bum- ba
You'11 swing and sway,—
jRum- ba Rum- bathat Cu- ban way
rr j. JIt seada ymo» fMtrYou'll ahouthor- rabL.
.
JJJ.J -i jJi iJlG7
With a trop- i- cal beat.—For the Rum- ba Rum- ba _
C .
Just male* with tba hip.A7
rKind- a shake like a ship,
.-- . - I - . °. . . °?
And snap like
i i J A iP7
Chit- ti- chi ti- cha Chit- ti- chi Chit-
cha sis- tar SueJ. i-j i • itoo
ma and pa Do the Rum- ba Rum- ba.
SOUTH AMIRICA, TAKE IT AUAK (H • p-one) Rhuraba Teapo2.88
J J JTake back your sam- ba {Ay! your 5rhum-ba}
con- c-a > ' <:«<->.. j
Ji i.con- g« sam-ba >
Ayl your | con-ga ; Ay.yay,' rhuo—ba *
ryayl 5 I can't keep mov-ing Ayl ay chas-sia Ayl an- y lon-ger Ay.yay!
Why can't you send us a lesa atren-u- Ay'.- oua nun-berl
yay. How may- be Lat-I ve got more bumps
TT ^^ I
Lat-ins Ay. in their mid-dies Ay. are builtnow on a cn-
strong-er Ay, yay, yayleum-ber drums are clop-ping like a
mak- ing with the shak- ing leaves me ach- _jump-ing Jack I'm hop- ping with-.out stop-pi
Eo-layl_ Plratyon
1. C9
•> J JT1J j j j j^sshake a-round and set^tle there'— Then you shake a- round and- set-tic here \
1. F6 C9
J J J if J J IThen you shake a- round and set- tie there.— That's e-
ltC9
nough, that's e- nough, take it back, My spine's out of whack! There's a
1. Am C+ An? D9
strange click clack in the back of my sa- cro- 11- i- ac.
I2.A7 Dm\— j — -4 = — 1 — t-H — EI-J — * — -— 4 — i • -
G7 1 • C__j _ _ — — , 1 , . 1 — ,_ —- « ] J J J '
••» ^^SOUTH A- IER-I- CA, 7AKE IT A-
TAKE IT EASY CDe Bru-Taylor-Mizzy)Hhumba .Uodar a to
Talca It Ea- ay, Take It Ea-sy, } Don't you know its more ro-aan-tic When a) We've got lota of time a- head of us the
» rf ~^-~- j i — —•
dance is slow,_ { Take It Ea- ay,night is young, >
D7
Take It Ea- sy. What'3 theDon't you
d of feel- Ing high when all the- sic should be swayed
—«"i —Take your time, take your
D7
stead of swung?
G
time, Dance it with ease,
Take your time, take your time, if you please.
£89 LUC* (N. H. Brown) KoderatoDb J-
You _ were Tenp.
If you were will-Ing
A7 G7
It would be thrill-ing
DB7 C7 B7
L J , J J IBorn to o« klM«a
ta Uon and
Db
you Ttemp- tioa.
LATIN AMERICAN TUNES-BOLEROSADIOS -(E. Madriguera)
c.y FvHitfyai it grieves me to sayA-scrCone-ly " f*>r you on - I/ I sigh andcrx—>ny A
^ .JLJ. gn-7 9 7 - T F
-o-ATIO| ii> this lieartr
Cf, F _ D»fE7 _ Ay
is mem'rx of what used tobe-lcUsar fbr vou. and tne_ get a - part _ "Moorv. F . J m C E7T)" £Z J W A 7 J ? 7 G9 gn.7 C7
j
ADIOS,MARIQUITA LINDA -(M.A.Jimenez)•b
Slow 2,90
•bar you atand»log here,While mia-eion bells art ring-lag from a- bova
lit-tle cha-pel where we fell £ love I know your heart ta wait-
log I'll be there come rain or shineBb F7
aor-rowf r r r_ For we» 11 lweill love a-gain to- mor-row •ina.
ALWAYS IN MI HEART - (E. Lecuona) "Always In My Heart"
ev - en tho you're far a - way, can hear roe mu
the song of love sang with
You are AL-WAYS IN MY HEART and when skies a - bow
re - mem -her that you care and then and
there the sun breaks thru Just be- fore I no toF»
there's a rcn - dez -vous I keep
and the dream I al-ways meet helps me for - get
I don't know ex - act ly when dear
——p **" J'm «urewe'll meet a - gain dearP7 and my dar- ling till we
you are AL^WAYS IN MY HEART
2,91 AMAPOLA - (J. Lacalle;Modarato
mr prat-tar UV- tie pop-py,
JJJI J J j r Jflow ao a*«at and he
rj J J Jround yon And lov-lng you, it aaaaa to beat JU-
PO- LA, prvt-ty llt-tl« pop- py07 Ck
rr«u»t cop- y its
fro* yon*.n
r iA- MA- PO- LA,
i r J r r iBb
A- MA- PO-
* r r ' i*ow lonHow I long to near yon aay *I
AMAR Y VIVIR - £C. Velazquez)
r i r: rr*
tun J' -r-j
you
Moderate BoleroA7
J'-r'J J r^J J JPer qua no ban da aa- bar
si dee-puesqua t« a-oo vi-da ml-me ven llo-ran-doun 41
For qua no ha da d«.al a-ca- ao
clr-lo si Ain-des to al- na con al al- ma ml- agnu-tan di-re qua tc qula-ro — fflu-cho to- oa-
Sa vl- va so-Ia- m«n-te.,u- na vez hay Hua^a-pren-der a qua- r«r ywa vi-tlr
hay qua aa- bar qua la vl- da aewa-la- Ja^y noa da- ja Ho- ran- do qud- me- raa —
— Ho quie-r6_ a-rre-pan'L-tir- ae daa-puaa de lo qua pu-do_ba-bcr si-da, y no fUa
onla-ro go- xar as- ta vi- da ta-nien- do- ta car- ca da aljbaa-te. flu« •na-ra.—
AMOUR f Amor) -Begutne - ':MaryeriteTamej^tMwtfezNltGabriel
is trua.|«J are 3tUl,
^— f r i i i G ^ fl ^ ^ i* ' " " ->^_L-^
i*. S^ivvon'tyoa loVe me.al To your ca- Teas- ej. .=
A -MOUR A - >KXJR .A - "HOUR.,» C6
6 •! 4 it
ts ail me L o V e t t - ut1 =^=
Ei»-fJTet A* i>r
hearta-name^, wildsrteefde-siltyearn'iigyiX! bit-tef pain.;*!? sfw^femyifer;
'-•> D»»?*.. T^ G7 ^ C6wo
ail
fnaffer d)encyou.may bo fir
3ZI
C6l-^ I know I We you. A- nnhe/ And end my lone- tT- ness
'
MOUR A - MOUR.1
J
ANDALUCIA (THE BREEZE AND I) - (E. Leeuona)
a
. =B
BALLERINAA c
(C. Sigman) Moderately
n? r r i
Dance I BAL- LS- HI- HA
*lrtJ
i dance* whirlG7 '
And do your pir- ou-And just ig- nore the
ettechairDa
in rhy- tha with your ach- ing hea?f.entp- ty in the sec- ond row
r j r r iDanceIbis
BAL- LK- RI-ia your mo-
HA dancement girl
C
You must- n't onceAl- tho he's not
for-out
, l|2«
mgth«
E7
a donr cer has1 to dance the partap-plaud-ing as you steal the show .
An
Once
A7.
you
stead I guess that's your con- cern, we live and learn And love is
r r igone, BAL- LB- XI- HA So on with your ca-
reer, you can't «f- ford a back'-ward glance
Dane* on and on and on. A Hum-sand peo- pie here have coae to see the
snow as 'round and 'round you go, So BAL- LE- HI- HA dance dance dance.
BESAME MUCHO (Kiss Me Much) (c. Velaaguea)
BE- SA- MEDaar-est one,
LJU J. . .A| J J
SA- ME MO- CHO} —\t you should leave •*,_A7 D» P7
Bach tine I cling to yourBach lit- tie draam would take
Oi Eta -t—. i f .
r r V r rr iprirklaa I hear aw- ale di-vlaai — }wing and my Ufa wouldb* through; »
' — — . A7 -
BE- _ SA-MC MU-CHO, Hold Ba,my dar-Ung, andLow me for-e\r-er and
..J J .. alwajra "o* mine. 7hi» Joy is something new,My
all my dreamecooa tru«. —(FlnaJIP_enfold- ing you
J. J I
thl* thrill IM- fora)
B7
Who ev-
Bb7
thought I'd be
, A7
kola- ias TOO cloa* to «a, Vhlap *rlag "It»a you I a-
COME CLOSER TO MB °* Farres)C7 •
*i».C.al Pin*
To Wed"C7
OGHB CL06- ^ER f TO IgjLj^; } »° 1 can JgHr h«a^ 1? to y.TBy oaar, j ^ ^ ^ -y
Thrill ma with your fclaa-eaC7 '
than We'll klaa and klaa a- gain, And Ufa will ha dl- vine
l'|J ' f nlAll I ask la__Dar- ling,I'll a- dora you, Live my Ufa juat for you,
U7 CT P
•P 1—plawa give M one more kiBB,and whla- par you'll ha mine.
i
DE CORAZOH A CORAZON - (G. Ruiz) "Itexicana"On 0 an D
De co- rn- zon a co- ra- zon, these vjen derxwords and these alone _So place your hand with-in mr hand and tell my heart you un-deretarri
— "mmean, t>e-lov- ed, to- nightall this lan-guage of
our_ hearts are talk- heart to mheart
1~~ ^ nun"ca rj, That>s just an-oth-er way to say_ That this beau-ti-finmlova will grow, .yes, a- ven the we're o-ceans "a-partj
learned just for you.—Then kiss my lips .and hold me close,dear,as I re-peat in-BZ Cd^e__^ ' V? r
P n
tone,— Da co- ra- zon a co- ra- zon. Oh. dar- ling, I a- dore
r I
nCHAS NEGRAS (Gambling With Love) (J. Rodriguez)
QAB-BUSG 'ms LOVE, _ < That was BoiM-thlog I ahould-n't have done,I waa treat-log you v*r- y un- fair,
^ C . B7 i
I was po's- 1- t(ve I had you won.•I kept tall-ing you I diaVnU care,
1 >. C ^ E7
t wasI had
too sure of you.
12. . i—^ c —-'-^ S7 — .I j J J l - - ' l [ " flf -r w .^^
aoae-bod- y new. I seemed in a trance, Nev- er re- al- Izad
I took • chancy Thought our love was a song and a dance, _ I Just played wlthro-
GAHB-LING WITH UWtfE,07
fool-iah but thought I was
FRENESI
up by loa-ing my heart, I was GM-BLIBQ WITH LOVE.
(A* Dorrdnguez)bt 9me. Eft
• r . IT ' i i r r r • * 4, • I T "Mex - i'-co _ And so I •stopped a wfiile to «ewas Fie- e»- ta. do«ffl tn _
A l«e-ty at -no- ri - ta caught tn<( e^e— I ttood ervchant-ed a» *f>« wan-dened b^—
T.tftat
-H
1 ( m e w / t h a t TRC-ME-Si mtant pkase lexeme And r could %aw TRE-Nt - s\.And nev-«r fenow-lno. that it camt from mt 1 oent-ls sxched TRt-nr — St.. 5 . g ^ —
JSh e5lopp«a atid raised fier e^e» to mine Her Up* iu»t pleacUd to be. 6i»sed
£J>
So fiow was I to re
And now »)itft-out a fttart to call my own A o^reat-er fiap--p\--n«s* Ive -nev - er irnown.Abl EfcZ Ab
j >TSe-oxu«p (WT (ti-it-es are for ifle a-lone Wfio would-n't say FRE-NI - Si
FULL MOON _ 3 _ EngI Lyric-Bob RussellSpan Lvric-GonzaloCuriel^Modcraci)D7 G Gm»j 7 Ami 'G i ' DAin G Music-Gony.alo Curiel& Marcclcnc Odetten iiModcraii.P7 G Gnuj 7 Ami G i ' DAin G Music-Gony.alo Curiel*
Ci if 1 Mr VMM ...i i - : _ v * ' ! J*--— —FULL MOON ,— when love is in flow - er, You re burst-ing with pride>Aug G, Cm. C E7 Ami £7 Amp- Bmi Ami
filled withPJim D7, I
pow - FULL MOONB? C6
" "" •j "" __ . i
^^^
ten - derG
when kiss - es arc> Jim C Ami7 D7
r Don t think its be - cause of your splcn dor FU7 AmifG—,, p^Aug G,,, ^ B7H E7 Gttdin. Afi
FULL
MOON. _ I know what ro-mance isAmi Cftdim Ami
J »
Jnough of your sly. know- ing glanr - es _
, _ i _ Ami-7 Cmi »
3B• Long af - ter stars close their sleep y eyes
C pi Fmi7 . Ai7 C m j 6 C6 E7 Am 7 Ddim D7 G^^ i j. j i . . i ri
And the
^glowfrom a FULL MOON dies, Mv hcari w i l l s t i l l "he f u l l if Iov7
j
j
GREEN EYES (N» Menendez)
"nil-1 ifi'ir • i1 i j i j |r=TQarlth their soft light*, Your eye* thai proa-Taa sweetnight*,.-•* Green Syes with their soft light*, Your eye* thai proa-Tee sweet nighta,..
•>•• cool and linp- id Qrean eye* A pool ^here In my love liel_ll.Bb?
_BrI I .11 I
to ay soul a long-log _deep that In ay search-ing
a thirst for love di- vine.Ptor hap- pi- nes I
dresns I •••a to hold you
Our lip* meet,and our hearts too,12. Mi C7 " ft
with a thrill sosub- liasAdim
ttat they will ev- er haunt ae
tanntme\_But will they ev-er want me Oreen eye* make ay dream* come true
HASTA MANANA (0* Farres)a?" C7
Slowly
HAS- TA MA- song whan you say it,TOP to— aor— row.
Bv- 'ry wordDo TOO think I
love-ly bou-^et, no mreet-er 'way to *ay*Qood- bye.".bar-row a kiss to dream of while I
Bb7sltat-ber to»
aigbtt Could I hear it once be-fore I go, a soft- Jy whis-pered *Ye t»
' ' J l Ja- mo," — With "I love you"ring-lng la ay heart the Urns will1 fly while we're *.
a pray»r I»U be
to say&A9-tADiet the pa-dre will join us some day and
HOW STRANGE - (Stothart-Brent) "Idiot's Delight"Bbm
That youI That all
shoold kiss in theOur beau- ti- ful
light,cas- tie* —
Bbm
Than wbls- par 'Good bye.".should fade with the
>ve- li- ness I drr r. r
And all of theYou whis-pered My lo _
heart is yours - I dreamed I could hold,I vow that my
Has gone with the night, And
change And now you. re gone. Gone with my heart. Row Str'anS*"."
,2.97 I'll. NEVIS LOVE AGMDfiTUtfl
(I. F.Eb? C7
I'll love a- gain
Bb7
you for-get me.
Bb7
My Ixwart won't
Eb
let me. love some one- new I'll r.ev-cr fireani a- gain'Vy heart is youra a- lone
Eb
I'll nev-er thrill a- gain
rSSO-
to
KIM*
I'll adw
(D.S.el Flak)
I I0VB YOU - (C. Porter) "Mexican Hayride"F
•tart to alng a-galaAnd bird* oa. tte wlag a-gatn
And it all be-long* to you and
JUHOLK CRCMS (£e Lecuona) Andante moderate
Buppugh the black ofthrough the trop- ie mace,
Send year MM- cage to ne.with their weird mel- o- dy
G7 C
Bring love*a mea-aage to me.Chant-Ing their mel- o- dy.
Tea
CM
is the ffles- sage they cry,
•tars light the sky.
j
at your call I fly, To the pa-gan love..
LAMP OF MEMORY, TheDn7 <T7 C
(G. Curiel)J , "
3^^^ •<<*! ^*^5^^^^~ •. jt« &MBU ^
iModerate
light, a se-cret light la burn--sleeps, It airways keeps re-turn-iaK — *
Qt '1.C ngFWilg- e tacat
gf3?And through mSUMP OF MEtf- b^oT
titQB
back with me a- gain. It nev-ersee you back with as a-Ughta thepastfor ma a-
Though your eyes shine Aw »• In07 0>
_ That bright iUumi- na-Uon__ is ay lo- ag-ln- a-tion tak-lng pi- tjr on ay
Mart. So night aad day, I have to play A-
tlnroagh-out •- tar- n*-
MADE FOR EACH OTHER (Ta Felicidad) (R. Touzet)Fo7 Bb7
Hodarato
UADE FOR SACK OTH- ER,_ your heart and mine, MADE FCR EACH OTH- EH_ fromOnce in a llfe-tina love comes your way, Bow is the right tineAatan
l^» .»
Blffi Right from the mo-aent I saw you. — I knew that i'dstay,— 'Cause youVe the one that I prayed for,- The love that I
Ab Ata Bb? Kbwas
My rate is planned a-round you. It had to be, this ro-maace of
our*. ^ 4 iong b^ foreBbT. Bn?
you, — Your name and mine had been written in the
EH — like sun and sky. We* each oth-er_ as yearsgo
by, We'll share to-geth-er the dreams that you and OTH-ral
L
MAGIC IS THE MOONLIGHT (Te Qulero Dijiste) (Me Grever)P re F F6 F
1
3=
1C IS TBS MOOS- LIGHTCan't re-sist their pow- er
P6 >»^^— m. C9. C7
Cb this lov-arst June- night.In ttis mooa-Ut hour -—
IJ— As I see the moon- light
Love be- gan to flow- er, —Shin- ing in your ayesj —Oils is tar- a- disa. —
Cat Of F
U.v- ing in the splen- dor,DdiM C7
M=^ =£== I r— make my heart BUT- ran-'
t.Hfnt. ~
J f
To your love *di
5SMore than an- y June- night).is the moon- light,
Hag- ic is the moon- light, For it made you mine.
n
NIGHTINGALEAm
(Cugat-Rosner) II oder a to300
NI3HT-IN- 3AUST"I _ as I lie on aw pil- low. I can hear you In theI tor- get all my sor- row, aa you ser- e-nade to-
Da6
wll- low Sing- ing love- songs to the moon NIOHT- IN-
Uy loved one who is o- vcr the_ must have sent you to cheer me;
NIGHT- IN- GALE, thoi the night seems un-Ttaifi
r'«i JJ.J"a send- ing on the wings of rael- o-1 can hear the love shedy
WOCHEp
(G. Ruiz) "Stork Club"Gm O F Ddia Gm7
M&deratoC+
J J ^ J J J ' J J I J J J JNO- CHE, end your eyes so ex- cit- ing,
Ddia C7
Ten-der lips so in-
Gm
vi-U ing, The night that I first kissed you;
and the spell we were un- der,
C+ F
Can there be an- y won-der That
*=&*X could not re- slst you?
Bb Bbm
I ; J r J. LJ EE=EE£
Moon-light, and the thrill of your
> 1 F
J J J IJ«- «kiss- es, Taught me
IG7.
* >J ' 1
what the mean- inf. of bliss is,.> i C7
J J J I rJ J \^ Vs
Car- ling, what a mem- o- ry
F On Gm O
this is
F Ddia
I. J U J J J J J I J J ,was as light as a danc- er,for- ev- er- more: My heart
When you gave me your an-swer and made my life so di- vine;
now I know what the
Th.at.heav- en- Lv mo- nent. You whie-pered you're mine
NIGHT MUST PALL (Over All)F7
(X. Cugat)Ebm
Moderate
NIGHT MUSThear your
sent,
OUT OF THIS WORLD - (He Arlen) "CXit Of This World"
You're clear _ GOT OF THIS YCRLD. — When I'm look-Ing atGtaa? Bra
DOT OF THIS WORLDBbra
out of a book*You*re rightnor- tal ev- er
ored knightThe fal-ry tale I read «hen I was ao high.Abrf? Ab7 Eb6
- chant- ed by a Lo- re-out of a bookBb7 a>
N• —^^
' E• — i
N= h1" 1 J J 1lei than I. Af- tar
wait-ing so long for the right tine,Cdiffl, Ab9. _ G7-9 Cm?
Af- ter reach- Ing aoAbma?
long for a star,Ca6
All at once, from the long and lone-Cm .. Ab7 _ G7 ^ ^ C7 F7 Bb7
night— tioe And de- spite time, Here you are. I'd
cry _Bb07 Sb
OUT OF THIS WORLD
GtmeC?If you
Sbta6
through.Eb6
Abrn?saidAb7
we were
So let me fly OUT OF THIS WORLDFm7 Bb7 Eb
Anl
6?«ad the next «- ter- ni- ty or two with you.
PERPIDIAC
(A. Dominquez)T>m F!7 . .C -*!—1! All
30JL
eyes. are hfch- S-'inV^ER^FI-DI-A^For I found youFor-get-ful of our
IRT"
I I f • I •' I <rf J «i •love of my life in some- bo- dy el-pro-mise of loveYoure «har-ing an-oth-
i — •• ~" ™ '—ff - L «a>
.fe in some- bo- dy el- se's arms.— YouroveYoure «har-ing an-oth-er's charms.
- . - - ^^^^^^
sad lament,my dreams have fad-ed like_DmS
bro- ken mel- o-
l.JJ.tc_r IWhile the gods of love look down and— -..•* ^ ^ . .i r**7
U.LJ"JI I know ray love was not ' for you,
' ^ f jir a^^M^^^^^^^^ I—I u 1 —^
And so Iill take it back with a sigh,per-fid-i-oue one goo bye.
POINCIANAD7
(N. Simon) Moderate
Pola- ci- f your branch-es speak to me ofL some how I feel the jun-gle heat,
G
9 " ' - -! 'Jf^-love, '71th.
Pale E.OOBin me
Cm
is bast-ing shad-owe ft-om a-there growe a rhyth-mic sav- age
bove.beat.
Edim
ifr^i q» - | i | ^ - ^m — iLove ie ev- »ry-wher«, Itg m«g- ic per- fume fills the air,
D7 Ddim Am D7
To and fro you sway, my heart's in time, I»v« learned to care,
from now un- til the dawn- ing day,
If11 learnrn I "to 1ov« for- ev- er come what may
QUIZAS, QUIZAS, QUIZAS (Perhaps, Perhaps, Perhaps>(0. Farres)B7 —5— an
You "won > t ad-!ou'won»-t ad- mit you love me,— and so Row "am I ev- er^L. toA mil- lion times I've asked you, and then I ask you o- ver_ n-
B7 . , > , Em nn B7 BaEm
«^ J J J~fr—__ —,_ ,„._ ,,^MJ _„, PSR-J'JUPST
gain, You on- ly an- swerA6 . B7 A6 ,B7 E
you can t make your mind up, we'll ncv- er_ get start- ed.
And I don't want to wind up,_ be- ing part- ed,_ bro- ken heart- ed.
So, "if ^you real-ly love me,— say "yes," But if you don»t,dear, ccn_
fese, And please don»t tell me,_ *'PER-HAPS, PQ?-rAPS, n riB- I Sr
(E. Lecuona) Moderate
• Yo« haveYou re-If you've been
•hen _jfou thinkG7 II. Oi
heard « _ dream- ycall this drea«-y
You»v» caught it* _ ftm- ,mr rhyth
I M i I•ad* your~_. sen- ses stray
- liz-iag «el- o "— dy they nl«y7
that»e the tune that
31- bo- nay*
dance that _ they dance at _ the Ca- fe, And thmt
nat- lng,_ cap- tl-
SOMOS DIFERENTES (P.B.Ruiz) 3oler°
Ya me con.-'*' ven- c{ qfle se- gulr-los dosDe-bes de sa- ber TUC ni. tu ni yo
II _ 37
es ini-po- si- ble,nos co.-a-nren- de- aoa,
~~
^ue le voy ha- cer si al bus- car tu^a-aor
rror que^al.o-ra con do-lor pa- ga-aios los dos. Te-ne-sos que_olvidarnos de^ste amor.- Ag ~37
por-que_un aaor a- si no pue-de ser 3i so-raos di- fe-ren-tes ya lo ves
es- ta verdad des-trozajjl corazon. Hoy te digc_i-dio's me^a-le-jo de ti se-rs-na
aen-te to-do_es per ce-.as, no lo oui-so .^ios so- aos di- fe- ren-tes.~
TABOO (M« LeCOUIia) Moderate (tlth pronounced rhythm) Fox trot
K7 Am —•». 1 B* —-T-
- b«r she is - n't for you
BOO, TA - BOO,gm? Em6» A«7
There's some-one that you're prcmiaed to.Aa6 Am? * HT « . B» _ Ff7-6 Em Ba
to aef And thenhold-ing her olos-er
cried, Ob! Why should auclAup-pft - naaaE7
TA - BOO, TA-
BOO,. TA - BOO, TA - B007.
TENTACION(G. Ruiz)
ModerateCdtffl Bb7
Al do- ler ms tu au- sen- eia por tu_l-ma-. gen eus- pi- roCuan- do be- ao_o-^jgrM ho- cat . yo pro- max- cio tu nom- ore
Bo7 flT"
— y_ea mis one- fioa te mi-— y_an ei- Ian- cio mal- di-flT. T. >—i. Kb
rogo
co- oo fra- glT vi- tfion.
ta cruel tan-ta- cion>.
que me qoi- tea la vi- da o me di- gaa que si.
THANKS POR THE DREAM (>H s»5o A.»D (CugaW3onzales,Jr,)Abm6 Blj7 Eb
1 , i • i i — i —j-
THANKS TO! TEE D EAM, it
call- ing your name,Bb+
Cry- ing for you, won- der- ing who put ou£- the flame;
J
_J
thanks juat the same.
TIME WAS (Duerme) . Prado)
Bpg-e-ie--E=f-r r r ' r r r ' r j r J f J 'TIME WAS,},When ^f^p^c^
C Gdim Am7— J .. T? h r-g p-7 A,*7 TY7 l it , a L**7-^},
a- tion rings One love-ly yes-ter- day."cof-fee an<r*ureaming the time a-
way.
Pic-nics and hayrldes and mid-win-ter sleLghrldeB and nev^ "* f" P*^
Hlices In the coun- try And there's more than one tree OnJ£ i — J • 07 G Bm Am—^ •— i f? * 1—, (3m«7 C7,
which I»v« a place In your heart. Darling,ev»- ry to nor- row will b« completec.—•»—». Qn— •>. 1- c, fidia Am?—•» •. 07 D7-9 . G
If all our mo-menta are half as- sweet As all our TIME WAS then.—
TONY'S WIFE (B. Lane)Odi* G7
Moderate
( boys in Ha- va- aa Iowa {I f el- las are fools _. a- boot/
TO- nr*sth*y»re
round the Ca- ba- _ na of I TO- HY»S- fc- Ua» their duels a- bovt)
JO.
slag in a^ •an- _ of tha*aTo- ny*s too la- «y toJL *h
— care- when aba plays oa her goi- tar Me* they
ir i i iYom abould BOO tha that ara break- _ in* np( doah oh
wold Mir- ran- dar his Ufa For TO- n*S KR. _
TWO HEARTS THAT PASS IN THE NIGHT
T«o hearts thatSpass ia tha night, _ in the aag- ie- al< Join la a glance and dls- co^-
E Hb» »BT~
light of the Boon, know-ing ho* soon night ison- ly to fade with the
_EZ_
Must they al- waysKb
lono- .Tjr, a- lea, Two h«ort« that DOSS in the nl£b ?
WHAT A DIPF'RENCE A DAY MADE07— »-
(M. Grever)5-
LJ J J J J J IWhat iT diff-'rence a day made, Twen- ty four lit- tl«
TU^«*M.a « A **b-4*t_ >Ls*«tf KA.There* a a rain- bow be- fore ae^ —
Brought the sun end the flow- era,Skies a- bove can't be storm- y
Where there used to be rain.Since that mo- cient of
yea- ter- day waa blue dear. To- day I'm part of you dear.—
Ily lone- ly nights are thru dear, _ since you eaidyouwere nine.Bbo
blissi That thrill*F
Find ro- mance on yourC7
It's heav-en when you,
. What a diff- 'rence a day made And the difference la you*
WHERE ARE YOU NOW(Prisonero Del Mar) - (L* Arcaraz)C Am D G7 —. C A f l i l t a G7
; ARE YOU HOW By the dan's ear- ly gleaa?.Warm waa your brow And your lips were so red, -
G7
Tell my lone- ly heartI waa yours from ay
—^—where do you (ire an? —heart to my head,
Von- der where you areWon- der where you are now.
Eta E
_ af- ter night in my room, In the gath- er-ing gloom—How the beat of your
don't know howheart haunta me)
j
Don't tavow how much I want to be there With you, where you are now.
WITHOUT YOU (0* Farres)Cm
Moderate
I'm ao lone- ly «nd blue,At th« close of the day
3b9J J J lwhenll'm WITH- DOTWhen)
Bb+ Sb
YOU,
-I I don't know what I'd do,And my heart kneels to pray,
07 On 5b9
sweet- heart, WITH- OUTI pray a- bout
YOU.you.D7
TheYou
Joy andtake a
Jte
tears that lovestar and lead
en-it
dears would have nofar a- way from
mean*heav-
ing, _en,—
IfAnd
Ab7 FtqULJL
G7
Id- n't havestar will be
you.lost
to keep me drean- ing.
YOU ARE EVERYTHING TO ME - (M. Sanchez)C CdiJD fff
soul from roe, Iat
L-J j j
whole life is you.,more can I give?.
You are ev- 'ry-thing to me,-==_ If you left me there would be1»F Km
LJMy heav- en come true
Ho
ev- »ry pray'r
take, A- sleep or a- wake, I an yours.breath that
There'0 no love 00 trueEU7 G7
rea-aon to live.
__ You're my guid-ing star, You are ev-»ry- thing
YOU CAME A LONG WAY FROM ST, LOUIS -(J.B.Brooks)
You came a long way from St. Lou-
{You climbed the lad-der of sue- cess.I You broke a lot- ta hearts be- tween.P.... Dm?
ijve seen the torn and coun-tryI ve met a &ang of gloom-y
rr?
icars that were parked out in front_ of your fan-- cy "*a- d?BSs.guys who v/ere do- In' alll right till you came_ on the scene.F
You blew in from the aid- die West, and cer-tain-ly ia-pressed-
__ the po- pu- la-tion herc-a-bouts. _ Well, ba» by I got nev/s for .you
r i "rI m from Mis- sou- ri, too
You got them drop- pin» by the way- sidegot my doubts,
A feel- in I ain't gon-na know. You came a long way fron St.
G7 C
J. J j. lLou-ls, but ba— by, you still got a long way ^n ,-0.
YOU BELONG TO MY HEART (Solamente Una Vez)Bb7 Eb . Sdim Bb7
now anddo you
not long a- gowhen they met mine;
And our love n«d ita startAnd your eyes threw • kiss
On
gath- er- ing stars while a mil-own all the stars and a mil-
lion gui-' tars played our love BongTHlion gui- tars are still play- ing;—
"I love you,are t£e song
ev- *ry beat ofand You'll
my heart said it
Bb7 Bb7 Eb
r-itoo* * Twaa e mo- lt like al- ways be- long to ay heart.
, SO IT'S WUlMS
(Brown-Brent) "Holiday In Mexico"
=1 'I I I I ISSo It's Ton! when you came in the door, I knew I'd
seen yon be- fore be- side ne So It»s
f===f=3r ••_ — L-aJ.— T—— —On -
i — 1 — d —* 1 •J.
— -j —— I —— •! —=f==*=e»J .
r/1 —E5
1 E — i=*ai •<•. J' '
-* When you start- ed to stare, my heart said 'be- ware*
j. J i 1 '1 r r 1il60 m^r-~~ we »•* he- fore in my la- ag- i- na- tlon,
^^^
.._ £2 P | . GB6 _.
' rr r r r '^ L > J - J | ^ ^^ 'irm our kiss was new! I can't af-ford __Your lips were warm
this fas- el- na-tion Bow that I'm face to face with
ghost from the past,you're hold-ing me to yout — I can* t get a- way,
Yes, it's you!
YOURS (QUIEREME MUCHO)D
- (G. Roig) Tempo Bolero
.J J I ,till-the stars have— no glo- rylB? Bo
I. 1 1 l -
birds fail- to sing!
YOURS tilT.A7
to.?
•Uie end ofD
sto- r/,
I r ' j j I j' r I I ' ' I ' Jl J J I«^^__^^^ •• ill •* ^* •*• •_ _ • _ t 1f^^»T-X-^ J *_1. .bringl voaas in— t.h«This pledge to you,
Here or _ on far din- — tant snores!gray of D«- cam- barA7
• i f I? r r^^love you! Ho* couldD
I»ve nev- loved an- y one the way_
'Jhen I was born to be
LATIN AMERICAN TUNES— SAMBASBRAZIL -BraztlianjSan&a -Mod<?CBNI)
G G G« S*- a
ir r r r i r_Where heartsvidere en-ter-fain-inCJunc ..
Am F A6 F Am.
_ We sbo«i be - n«alh an am-ber moon
A6 . &** & G+ Off B
vi'as an-o+h-er
11>e rnom-ing1 found me iniles a- v*ay
wiit- lion things to sav
OMB 10 THB MiflDI ORAS (Mao Mho La«rl*as) - (M.
Tla>« for 1'hr- fll Creel —
there, Con- fat- tl in her hair Swept a- longLove ia there s the
'til we n«t —that you are,__
me, fast- erC<M troe. COS
CTWMTO LE OUStA (la Parnuada) (Q. Ruiz) "Date With Judy11
J J J ' J J J J J e M J J J J J J I•te le ft*- ta, la ta, la goa- ta, la gua- ta la goa- ta, la
J J J Jta.1.
J a l ' J J J Jta, la
««t- ta cat •»• la1,
J J Jwa fla- im't ted what ara we goa- M
aaa thare, who will be there, What-'U be the bl«
•ay be ae- no- rl- taa with dark and
we won't COM back.
we have- a»t got
go'ln', And we're gon- na have a hap- py tiae
TICO-TICO (Z, Abreu)
Oh TI- CO- TI- CO tick!- Oh TI~ CO H- CO took!— TtH« ^fl- CO-got a heav-y date— a t€t«- a- tfttj at eighV- *>
•—*—; .«- «• «i L,«I i j - •• rTI- CO hes the cuck- oo in my C15ck. And when he sayai'Cuck-oo! — he aeana it»sTI- CO,tell me is It get-ting late? If I»m on tine: 'Guck-oo!"— but if !»•
tiae to woo;_ It's "Ti- co-latei'Vbo-woo;".— The one ray tiae"for all the lov- era in the
mblock. heart has gone to may not want to wait! For just a
bir-die, and a bir- die who goes no- where, He knows of
fp r$=**=•V- »ry
-Lov-
— J-ers Lane
-and how
_ 1— -!-
to go there; For =In -af-
fairs of the heart my Ti- co's ter- ri- bly smart,— H« tella ae:
J J"Gent- ly, sen- ti -meat- 'ly at the start Oh- oh, I hear my lit>-tle i CO-TT- CO
Iif^
call-ing, Be-csuse the time is right and shades of night areladec
love that not- so- cuck- oo cuck- oo in the
clock: TI- CO- TI- CO- TI- CO- TI- CO- TI- CO tock.
LATIN AMERICAN TUNES—TANGOSDONDE ESTAS CORAZON - (M. Serrano)rt C
imoderate
^3^^ i ! «Atar*»A frt»flOb! where are you my heart?— For you throb- blag
Life is emp- ty and chillSine* our Fate bade us part,
But the tears will not startlong- ing to cry,
C
Our deap love on- ly Death could de- ny! Oh,where are you my heart?
DREAM TANOO { tango du R«ve) (E. V. Malderen)
«r»AD
tet-lteartf- War
B>7Ightwaouat P«rt.brealce upon 01*
Ab C7
of a
kiss of lovt,
Tan-Owr.mel- o- di-oua our haarta you*r»•14b-iac,— ted BMB** »-
••11-laCi r*- v»al-tng, In draaoa of lov».
HOUR OF PARTING,THE - (M* Spoliansky)C <" — Q* — C D7
love, the hour of part- Ing is near, And in ay heart I eaa hear0*7 Kbm Of C 07
ntgbt of ro-
n*v-ar will for- get,tna* all b«- gan with a danceK7
«• two w«re aay- lag, Love,— we know that lova eon not
4t«. But now m're aay- tng'Qood-tera.'
JALOUSIE (Jealousy)A-nfl
nort-lncr hoar 1m hare.—
(J. Gade)
That soft yyofti your cruel lips witt
oelve, /4ndl its on - Ly tie
LOVE-WHAT ARE YOU DOING 10 HCf HEART? (T.Barczi)C °-i A». C
Love, what are you do-Ing to ay heart Don't keep pursu- ing my poorlove, . I own a heart not •ads of atoa« So kind- ly I**™ "* h««-t a-
Is sweet- ly yours Be- llev* meyours My ev- »ry ' kiss
what are you do- log to ay heart— so don't de- ceive as Lova
What good is woo-in ' my ooor heart lib- less you love me
MOON WAS YELLOW, THE (F. E. Ahlert)Kt>7 H> __ a DMS
Tango
ic ij j j j•n,.
Qta6
Tel-low i *** tba ntgit was youoST^ A sulle brougM ns to-g*th-«r> Anfl a song was sung, _ That »o-cal^ln- splr-k-
And I was won-dring whether.Save me the in- cli-na-tion,£~ » BB
To give nqr heart a- w
J . j J I •^-LJ*I look th«t f*P?
— >v lovs is mellow— And oqrhopes are a&3Dg')_Aground t2iat CD- pld
=5t-J — I — 1 •* ft* 1 p T ABe-hold!the moon la yel- low. And the niaJit la young!
ORCHIDS IN THE MOONLIGHT-(V.Touinans) "Flying Down To Rio"Db fm
and lov •Wra vow to beWhan or-chlda bloom la the aoon- light
1 ir 'r»r r r r r r i p, r..rX still can dream in the noon- light Of oas dear night that w*
whan or- chida fada in the
They speak of tears and"Good- bye!" Bio' ay dresns are shat~taP*<i
Ltkr the pet- — als sea g^jj^ my love can nev—er die.
3/5" ROSITA (P. Du Pont) Andante Mrto
TU SAIS (You Know) (WalteavWeslyn) Tempo dl Tango
Ddia K-57 A7
Yout»
ta nothing nareat Je ta
trancing Then whan to-getlv-ar w*dou-te Ton char- ae •' st-ttr» at
•«r jro« low* to h*v» ae near you 9» oa»- fart«n de- rou- t0, Ita ve p*»- ••- dM
A g«n- ti« lookT* velx 91! BUT- mure «t qal obaa- t«
Jut are ye*Se fait
m- : lr flirt- lag with M? Wby ip it that you al- way*gp«-r«M* •* !•*- aban-tcT 3n I'*- cou^taut man co«ur •'«
tiurlll M artchaa- t«T
i*J«
my love-ll^ht a- glow?crot* a ton *- aour?
Yon know'.too-Jonral
Ta aaiawor4» BOUna et
ten- derf Mean love that* a av-ten- dreS| Caux qui oe font
6 OB
true)ft
you toJa da- aire
reooVtan-
Tta aatat TOUT arva a-
ai qu'U fant aaQ
bouttai-
you aay you'u net•« pea trou- bier le
D Cdia SB an
armys-
A7_
doubtta-
m«,ra.
And that you ca» a»\ U«a vl«v-«art net You taaow I love but yon.nvua fidt o«-bll- ar La tcr- re: Tu sade si blan m1 ai- n«r. -
SOFTLY AS IN A MORNING SUNRISE-(S.Romberg)"The New Moon"Am Hm Am
~1
Soft- ly, as In a oiorn- in* sun- rise, The Alight of love= co-esing with allthttglow of sun- rise,
J.UV -A.,4^,1* *• «*• -"* "^
A burn-ing kiss is
la-to A new bom day,tray.steal- ing
seal- lagG
far the paa-sioas thatThe vow that all be- trG7
Are the pas-alone thattin-ill love And liftyou high to heav- en,
111 low* And let you fall t« hell! So ends each sto- ry.
The light that gave youas la an eve- ning sun- set
glo-
TWO SPARKLING EYES (0. Strock)tacet . - Go
ModerateD7
spark-ling eyes now look at meknow I nev- ar can for- getget
With ar- dor glow- ingjTheir flash-lag splea- dorj
Two spark-ling eyes lookknow n«v- er
Whan two dirk eyes (look, to- to" mineI can- not die- guise
fS»
Cm6 OB
With rap- tureTheir sweet sur-
show-. lag,tar |
. A7
heav-J
Ught
D7
They brlag the glo- ry asI'm sure that In those spark- i
a- bove! rests my das- tl- ay.
LATIN AMERICAN TUNES—MISCELLANEOUS
BARCEMKAc (T. Evans) Lively
87
mar-ry the -Belle of Bar- ee- Ion-like It so well In Bar- ce- lon-
C RT Vzl
— j -— Thata w&ere-SL
Spain,re-aaln.
— I think Its la Spain. ~" "— ThereI guess 1111 re-main.-
try
night I'll ser- •-
can per- suade her,C
r-"'l\e of Bar-ce- loa- a,
- (M. V. DeCaiapo)(Clap handa)
ale mans Joy,a all be gatf
pH? K (wxap i anon;
If J J IJ * f Ir * H|so clapaad clap filt
** aSl ^ow clapad clap *
S
Mb C?
Vhll*tend
i r irthare'aat
B57
ou- ale, there's »a- glclaat love haa found ma
i i"-. i.ttow'tyour
^=PS
aa- gle, there's love-light to tolamna are a- round me, And tho
t ay hearti the area
Bb7 Sb Bb7 Eb
tha.
chance.U. M j j i j J r{« J ' J •< IT r r ir A p ira
To pro- aanca, while a- ale
EL RANCHO GRANDE (Ramos-Uranga)
I J || J" J J J f j J J» M J ^ H If J,I love to roan out yon- der, Out where the Bttf- f»lo wan- der,_
F.
1J T J? 1 J" j .j . v 'J*_ Fr«« aa tS 11lEag-Ia «JT- ' m
it ty- li l»"«fand
hard- Ing cat*. tie.
GAY RANCHERO,A - (J.J.Espinosa)MA Gay Ranchero"
A Gay Ran- cher-o,G7
cab- al- ler- o Can al-
find aona- one to pet saa- or- It- a,
^^
ft - SW00X J"S"
4
oth-er lovea will aoon for- get If he's in-A7_
aia-tent and she's not dis-tont The_ _ aen- or- it-
S
will con-C i~.
feas Gay Ban- char- o,_D?_ (77
her cab-
Need on- ly aafc and she'll say yes.
LADY OP SPAIN (T.Evans) Moderate can aplrlto
Right firoaWay ahould
I I I ITTMjr heartAll that
MY TOREADOR (El Relicario)On __^ AT
(J. Padilla)
One SUD- ay id- Jy stroll- lag on tte cal- !•'-
ted »et y ne- ro,l r ea- bal- IB- ro, A» proud M »e-_ro, Hjr to-
And bowed ooH« aotlad dia- creet-
— He woo c«*-plate-ly
feet, with gal- lant-A
tpg He apread hie clout with
— ture dla- am-— ing And bum-bly knael- ing With ten-der feel-_lng And gaze «p-
peal-_ ing Made T»ld to sayt "Ah.Ua- de- 11- na, fair ae- no.
ri- na, beg of you on my cloak of blue Press your (lain-
Your footprint clear dear
J.
Till life la through,For a to- ken true that I love but youTH
ADOBE HACIENDAc G7(liassey-Fenny)
D7
Softj J Jjj"1'--" J- j J r J j JM =das-art »ta#I"_. •»* tfi* atrxw or «wl-tar^—
07 CMake ev- > ry
EN- DA
VALENCIA Hoaer»to
p • r ? r- - i r i r r v i,-r
> J "JTJ ^ j 'ji JJJ.J.JJJ. * ffi r F r iI tow JTM Mf»- lr «4LL t* »^ «•»!»• cl«l
«r «o«nt tfea b«r««i« B*-
»jiXa
I T PVm- letv- ei« long a-
to.Ooda
go «• found or Pap- a-
IB that old far a- way B*
naath aklaa of •l- 1y of tan- d«r
glaa*.»a ted swift aa •un- abina that daw:-_ aa
Jhough tixa Qp-
THREE CABALLEROS3b
**•
(M Esperon) "The Three Caballeros" 32* Ob7 Jb ah?
II--J J J-l L... •» J U J J.three Cab- cJ.- ler- os, three gay c•three hap- py chap- plea, with snap- py
cl- Icr- oe, Tfceyeer- op- ec, You»li
Eb Bb7
J -Li' r rsay we are birds of a feath- er;find us be- neatb our son- brer- os;
j i r r r rnWe're hap- py a- sd- cos,We're brave and we'll stay so,
Ho mat- ter whereWore bright as a
J | Jways to- geth-er.
pe- so.' Who sez' ao. we say ao, ' the three cab- si- I«r- os.he g°««i one, two and three goes, 7et»« al-
V- 12.
Te»re
SOSGS OF THE GAY NINETIES.
AFTER THE BALL - (C.K.Harris)G C G
Walts Moderately
j i J- i j.I I J/ K
f t it 'I J, ' J I J. I .1 I I '
Man- y the hopes that haveread them aliiG B7 ' Ki
van-
ALL THE WORLD WILL BE JEALOUS OF ME - (E.R.Bali)
Tke °a '- en - blxxim on .your cheek, nd fhe sun e - vfrt
en - vi«s your smile;,C7
The birds in Ike wild -vtood an? still wkn >»,
donH seem half woHh the 77*.
gM in your eyes makes tte brigW sfars grow pale. They're iea - lousE* TM _—ft= ^TVr >i_ cr T*b ofcr^
r r i r-lous But when one word or sI teUbthem
all art mine, All H* worid w{tt be jea-bua of
BIRD IN A GILDED CAGE, A-(K.VonTilzer)"King8ide Maiaie''
Bight think ahe'a hap- py and free ft-oa77
r /I ru«h ahe eeeaecar*, ShVa not, though to be
when you think of ho* vaat- ed life, for youth can- BBt
olA »«»'• gold, 3h««« a bird
BLESS »EM ALL (Hughe»-Lake-Stillraan)
The long and the
»«r- geant'a we h««« toabort and the t«lli
•I r Ir •>bey, Bless all the corp'- ralB who drill us all day, 'Canse we're
good- bye them all. A0 back to theaot a-u
, .-r-«,Uf
— I-* J_J — _4- — L_J_rf p art |_J ,1 J ]_J
bar- racks they crawl;
J r JNo ice- cream andC7 57
cook- ies forBb
J irrrr ^11at 2ZTIr r r
flat foot- ed reok- iea. So cheer up, my lade, BI£SS »EU
BRIGHT EYESG7 C
(Motzan-Jerome)D7
Bright eye«,
G7
I.they
C
know yougive ne
soa
wenr I Brightthrill,— I
I fleye* What ae- crets you
say what youUrn
lieve* a word you Bay, Your eyes are trai- tor*, they
mean- ing you can- not die-guise
bright
BY THE BEAUTIFUL SEA (H. Carroll)Bb7
Ms r-1
i r r rrrBy the sea, by the sea, by the beau-tl- ful sea, sou and
Eb
LjL-j-ifI —-^•^ fr—•- • I - ^^ • " •I, you and I, ohl how hap-py we'll b*3b7 dim Bb7 dim Hb7
'Vhen each wave comes a-
roll-ing in. we- willduck or swim, And v/e'llfloat and fool a-round the wa-ter,
' I" f " Pa is rich, Ma is0 - ver and un - der, and then u? for air,
r r Ir p " T I P Tr rr i r. r rrich,so no-.v what do we care? — love to be be- side your side,3e-side the
sea, be- side the sea - side, By the beau-ti - ful sea.
COME, JOSEPHINE IN MY PLYING MACHINE (F. Fischer)_c
Oome Jo-s^ph- Lne , in my fly - ing ma - chine,Go- ing up she
jTs 1up she goes! Bal- aneeybur-aelf (ike a bird on a.
beam,In the air she goes, there she goesL>^1'*' G7 c01 Up
OJm
Come,Jo- seph - ine
on, 'Good bye.1'
CURSE OF AN ACHING HEART,THE (A. Piantadosi) woderatoC Cdim C C7 m
Fm.You made me v/hat I
C 07a-n to- I hope you're
sat- is- fied, /You dragged and draggedAb7 D7
M I . I I I «•?downC
You* vsun- til My soul with- in ne <ii M,Cdim C, C7 F,
J r~r~ i i i i i J Jshat-
B7tered each
J lii .J.
and ev- •ryP
dream, vou fooled raeCdira
I I I. I I Ifrom the start,
E7 A7And though you re not
27 G7.:ay
—P=J• g-l «*=$* J r J krr
—19 p i
^3^God bless you, That's the curse of an ach- iri£ lieart.
, TTOtPVE BEEN A MOraiR TO MB (F. Fisher) y. «od«.«toBb
Ton altftt b«f* gan« with the boy*
beat
DAUGHTER GT ROSIE O'GBADT.THE - CW. Donaldson)
5ba a *^** A^iatb* teitfi- or Bo-ii? W7
y,Bb7
r i - r- u- LBT old f«Bh- iaaftd girl She la- n't erax- 7 for
lift- aoai rlng», 311k- ea> and ««t-C7
tie 1*1- And
jreu'll aee37
rjy Z'aP7
gladBb7
th«
0» Gra-
Dr AI OLD arm. tBack-Morse) Aadaal* aodercto
T'vaj • sua-Aad you we
in Joaa, Aa3 the ^J? ^ we all In tune, Then tiefalth-fbl wife, Biroogfa the cbang-iag scenes of life, SOI the
D? <J7 CE3H3S 37
«r CM THrl, the rob-preaeb-cr ««id tee «cri» t a n a « us one,Kac-ter call yoor «crc oa «artt WBC doa*.
bove you, 3««r Cli 31_rl, It cpeaic* lov« you, The
" r r -p-=fall" lag, AE ^nir of ay lost pearl. And BT
ie«r-. is :C.l-,lJag, ?tll-i^ for you, ^ezr
J
GANG THAT SANG HEART OP MY HEART, THE (B. Ryan) 32,4-
Heart of my heart X love that mel Heart or ay
heart brings back a
cor- ner of the street* "*Th'. bow we aang ev- 'ry- tiae the gang would Beet.
l°J J J Ij J" I J J J.^L- I .J *J JHeart of «y bfart Meant friends were deer^er then Too bed we hid to
87 «7 A7,aE r
part,IT i r r Br r n
I know a tear would glia-5 E
^1 , I . W
I J J tt| J I - J •«! J i J I Jlia- tan 1 to Tb« Qana That Sang Heart Of Ksr
If once acre0
HINKY DINKY PARLAY VOO (Dubin-McHugh) Moderate
Ibat bas be- COM of *Hln- ky Wn- ky Par^~ ley
true to you and true to the rest of tie
•HIH- Of DIH- Kf PAR-
HOW »YA GONNA KEEP 'EM DOWN ON THE FARM-(W. Donaldson)
• • • * i y ——— 1 i ™
the farm, Af- ter they've seen PaC7 Ddlm f C7
ree?— How »ya gon- na keep icm, -a- way from Broad-way, Jazz-in' a-roun',-F7 Hb Ddiffl P7
and paintin* the town? How »ya gon-na keep »em, a- way flron harnff
That'a a mya-ter- y. They'll nev-er want to see a rake or plow,—C7 Bb
— Ana who the deuce can par- ley- voua a cow? How 'ya gon- na
keep »em down on the fara, Af- ter they've seen Pa- roe?
IF I HAD MY LIFE TO LIVE OVER (Vincent-Tobias-Jaffe)
IP I HADme«t you
E7
MY LIFE TO LIVEwb*n school-day* w«re
O- VSRo- ver And
„-„ do the ••»• thing* a- galawalk thru the laaaa thai we Knew
I'd etill want
rom Bear the plaoe wa called hoae where hap- pi- neaa ne»- ar would
you*
IP I WAS A MILLIONAIRE (G. Edwards)ma
I'd txqr 19 aw- y acHool- houa« la tha aa- tion, I d
wrlta 19- oo the blackboard big and claar, In-ot«ad of on* thare will be two wa>
wouXd-'at be no ecOB
1 whan It was rain-lag, I d let you atay at hoae when it wan
have free ao- da foun- taina, Say I d
build you Ice-creaB awua- talaa If I waa a mil- lioa air*.
IN BI[Y MERRY OLDSMOBILEr>j^ G
(G. Edu-ards)
Come a way with me Lu - ctl« _Churoh wtfU Swift- ly »teal,.
In my merThen our wea -
Olds - mo- bilebelle w\fl
road of life w*ll'ou can firo aor
Au- to - mo - bubb-ling jyou and To the
Em
^^In niy mer - ry
Olds mo - Ute.
IN THE GOOD OLD SUMMER TIME (G. Evans) TeBVO <uBb7
3X6Bb
r r r »r r
your*, ted that's .
tool- M9T «oot- MQT tbo good old
IN THE SHADE OP THE OLD APPLE TREE(E. Van Alstyne)
ITI the
a:lov« in your eyes I could Seebloc- corns as you said to me;
j^ _ j^Ai** ____
When the v^oice that IW<B> a heart that is
5&I mheard , Like the sorg of the bind , SeenTd to whis - per sweet n>u - sic to
cC Cm
me,G
I could true , 111 be wail -
G
for j*ou. , In
_
r"J i j..
i J 1
^^shade of the old ap- pie tree-.
IT'S A SIN TO TELL A LIE. (B. Mayhew) 7
c <jf c7JaltE
lions of hearts have beensvnCdim
bro ken, Just be -cause Hiese wortia v*ereC
- - ken. I loveE.7
**=Fyou, If you break my heart illt /• s~\ <~* f "• ~ rmb *- \jmt>
you. yes I ^do, I loveF A7 'Tim F
^die.. be sure {is true when you say *J loveLif '; Jf }
, __J^^"
Hf- — ^=i\_ry
r i P'- ^^you., It's a sin to tell
W 8 n o s o a •e •j CT O O (t
I
I
I WCNDER WHO'S KISSING HER NOW (Ho>»ard-Orlob)nPrinceOfTonite"
j r J • • >I won-der who's Kiss-ing her now,
B7 C E7 AnWon-
=£=3!der whowho's
B7
teaching herA7 ,
now,±
'on- der who's look- ing in-D7
to her eyes Breath- ing sighs, tell- ing liesi
i f r f i J r J i J._ i J i j i j rwon- der who's buy- Ing the wine For lipa thatwon-B7 K7
For lips that IA7
used to callQ E7
Won- do- •he «v- er
1 5t=£=tells
p
him
— j* P" s — h-^»
OfB r ' i
on--1der
1J ' f
who's klsa-
=*=•in* her
1 1 t « •
now.
K-K-K-KATY (G. 0«Hara) Moderate
TT—i i i ? ' r j iray
Jim- mywaa a sol- dier brave andwith the girls waa Just a
boM,gawk,
tyStut-tered
a»ry
Bb7n
J.maid with hair of gold, Luce an 551 of f«U. Saie waa stand-ing at the gat*
tlM he tried to talk, Still that night »t eight, He waa there at Ka- ty»a gats
ri i ^ i -a . _ _BW
i J. ji|i J j r ' r rI[a7
Watoh-lng all the "boys on dress pa- rada. cry. X- K- K- Ka-Stut-ter-ing to her this lov» sick
beau- ti-ftil
Ka- ty, You're the on- ly g- g- g- girl that I a- dove.-When the m- a- a>»
moon shines, 0- ver the cow-shed, I'U^be w, a k- k- k- )c itch-en door.
MA (He1a Making Eyes At Me)m
ModerateBb7
break-lag ay heartBU7 Kb
cyj Let tolaBb7
r r i r, i v ir r r f in*con-science guide bin! Ma, be wants to oar- ry me,
Bb«^ Eb Bb7 Kb Cdda Bb7Be agr
I * IJ-J ' J r rhon- ay bee.
QUa Bb7Ev- »ry oln- ate be gat* bold- «r,
r r r i" ir r^^Kow he's lean- ing on my ahould-er. Ma. he's Idsa- lug ae! —
309 MEET ME TO-NIGHT IN DREAMLAND (L.Friedman)G+ or cr Fr
i 1 < II' iF7
WEET ME TO- NIQHT IN DREAM - LANDaUj the love Uefrt gteam -
sil-eyes
DREAM
^
Tn-der theIn your dear
r 1 .1.- JJ7»»
i j. *f»
iT »I
"C7MEET ME TO - NIGHT IN
Cdfc. <ST FT
LAND Where love'a sweetEb-. Eb
ro - aes bloom..
me m * land,cr
Dream - Land There Let my dreanrn come tine
_
MOONLIGHT BAYtac«t
S7
sang Love's 014
M-0-T-H-M (A
Song, On
That Mcwis tte World Tb Me)Mta
(T.Morse;
e mil- lion things
*0* means '' on- ly thatF. D7 G7
growing old. is for the tears ware shad to
•E" ror her eyes, with love- light
V a
shin-Db'
"R9 means rtght,«na right she'll al-weye be,OB
J J J J J IPut them all to- geth-er,they spell
G7 C7 F
'MOTH- ER," A that Mane the worldI
j
_
to
HONEY'S LOVIN' ARMSF BU7
(J.Meyer)
I love your lov- in' arma,—I love you more each day,
They bold a world of charm*,When yeara have paaaad •- way,
j j J ' j J Ln 'A place to
i—V""*T1n._g
Seeos to bless ujy
world seems wrong,—G7 . C7
in ay Hon- ay* a lov- In*
MY LITTEB GIRL (Von Tllzer) Mode ra to
Bb KdiM F7 Bb
J J H«MELIT- TLE GIHL, Yon know I love you,
— r = — 1 — 1 —— i r '--^--
— i —— <s»
\" I J_J^ — {^il —.-t¥=^
— i —=£=
4hef=±
1^J •
JJ—
=*=>-* 1
long foreac*» day LIT- TLK GIRL,
P*- Bb Bdte F7
In the wild- wood,
wait- ing,
MAMMYc &
. Donaldsonjc
Slowljrc
07 The aun ablnea Keat, theD7 G7 B7
•on ahinea Weat,47
But
iI've Juflt luarnad where the aun ahinea beat0 Bdia
Vy heart atringa areC7
r rcorn-in* nor- ry that I made you waitP7 G7
mil- lion milea for one of your amllea my ay.
35| OH BY JINGO I (Brown-Von Tilzer) s.m6
Oh, toy G««! by Go ah, byA7 C7
GH! BY JOB- GO,Aw7 P7 06
• H*. IJwon't you b««- our lof»T ¥• win build for you ft but. Yew will b«_ our
' T i p *a=fav'rita out,««»ll h«v« • lot of lit- tie Oh! by Gol- lies. Then tr«»U pot
P»S7 G P»S7 O ^J»S7 G-
lit the Fol- !!••. Qy Jin- 0o •add, by Goab^. by G««, By Ji—_ 1-S»»7
p ' J U=^Uiey all went *-Ple«s« don't botb-«r •• wagr slag-lag Ch! by Ge«,by
M I .Go A by Qn"»by Ju»i by Jin- go. By Ge«.youtr« th« on- ly girl fop a*.
OH! FRENCHY (fihrllcb-Conrad)caia c?
•arcla moderate
Al- tbo" your Ion-,VBEICE- T,F
••7 "Oui onlMAT tO M
Mwcb on!riaSKXf, Y6\iV« won mr low* with your brnt-C7 f F7 Bb C7 Mia
OHl HIBHCB-Y,
OHl WHAT A PAL WAS MARY (?• Wendling-)
God sent hera? */
J
J
j
J
low* lin-c«r« on.
OH, YOU BEAUTIFUL DOLL (N. D. Ayer)Ab Ab7
r r j jEb7
Oh! you beau-ti-ful doll, you great big beau- ti- ful doll
Ab Eb7 Ab Bbm7 B7
T' ^
me put my arms a- bout you, I.
Ab7 F7 Bb7
J J J I rcould nev-er live wi-,h-out you.
Eb7
r r r r r "Oh! you beau-ti- ful doll,—
Ab
r >c_r
You great big beau-ti- ful dolll
E_ If you
i»—-r J.J Jev- er leave me, how my heart will ache, I want to hug you but I
Ab C7 Fta Plrf? Bb7 __Eb7 Ab
r r rfear you'd break Oh! oh! oh! ohl Ohl you beau- ti- ful dolll
ON A SUNDAY AFTERNOON (H. Von Tilzer) j^ ValMCdim C. 07- C
la the mar- ry
Take a trip up
J J | J J J | J J J
down the bay. Take a trol- ley to Co- ney or Rock
Sun- day af- tar- noon
lov- apoon, They work hard on lion- day, ButC
one day that's fun day la day af- ter- noon*
ON THE BANKS OF THE WABASH (?• Dresser)Moderately tl
Oh the moon-light fair to- nighl a- long the \Ya - bash, From the
F
field there comes tlie breath of new mown hay
syc- a- mores the can- die - lights are
F7
gleam- ing, On the
J J J J~ — r^ r ^=^abanks of the Wa-baah Tar a- vv'ay.
OVER THERE (G. M. Cohan) T«npo dl Morela
word* send the word c o- ver there,( to be- ware.
That the Yanks are
Bb Cdlm Gm TJ J J
com-ing, the Yonks are com- ing, The drums rum- turn- ning ev- »ry
57( 2 ,
whereP
»e»U be o-
Bb? Bb Gb7
ver, we're com- ing o-
F7 _________^__ Bb
1
ver, And we won't come back til It'a o- ver o- ver there
PUT ON YOUR OLD GREY BONNETc
Moderate
with the blu« rib-Put on your old grey bon- net
on It, While I
And through the fields of do- ver, Ve'll driv*
D7 G7 C
up to
Do*- ver on our gold- en
RAGGING THE SCALE (E.B.Claypoole) Moderate siring tempo
G D.flC
II
w « (S,t I1
5 f
1 a § g
p
§•
pi T r;
V;
g | 0 2 ^ 0 tf- 1 1 1 I''
| 3 '
i o •V
e ? r t ^ ^ 0 *
r
^ -^ 6 ''[
••
> r s^-
1 8 ?• o
!=>» 0 s
o •
> 1 i g a a H w ^1
^ ' s i« J S IT CO o r s et
•• u IM
* *4 § I
r i1
f r 8 8 • J) i
34 f e* 4 I i 1
1 w I 23
$
SWEET ROSIE O'GRADYBb P7 FV
Valse3b
TAKE ME BACK TO NEW YORK TOWNa BdijB or?
(H. Von Tilzer)
J JYoficTak« ma
Crtln C .back to Htw tcnec,
Cdli 07
I I Mtowa, Hew York town, There* a I long to
f jdaar to - m«,
1 'J . J •1 J J=^ 1 »* f J MAnd
^ r r i J *^".J IB« aid
CT7don't
Ccart an- y
«bar« Hew Yoxk tak* tm thar*.
TA-RA-RA BOOM-DER-E (H*J*Sayers)
Ta- ra- ra Boo«- Ta- ra-
Bb7
Boon- dar- of Ta- rat- ra Boon-
Ta- ra- ra Boom- dar- • Ta- r*-
J"Boon- dar Ta- ro-, ra
B67
Ta— ra- ra Tlnran— riar*_ •' Ta- r*- ra- Booa- dar- 4
337 THAT OLD GANG OP MINE (Henderson)Slowly
Gae
J JI'd give the17
world to ••« HUT OU> (UBB OF
HOMEfib
I o I J.. JI can't for- got that
Gdim Jr7
i rOld qnar- t*tt* ttutt
JM
i r jaaog 'Sweet Ad- Oood- ^H> »»,.J rjr1 J.i
CT
av- er old fel- Iowa and gala, — Good- byeFT. . Bb .
ev- er old
m •i J J Tawaat-baarta and pale
Bbt(God bleaa than)
C7 5*7Xfd
Bbth*
world to aee THAT OLD GANG**
TRAIL OP THE LONESOME PINE, THE (H. Carroll) Moderate/?\ G A7 TfT G-7
rf J- LJ" :£==!the Blue T?idge Mouti-tains of Vir- gin - u» . On the trail of the lone.
£ Qt« A7
fine In the pale noon- atone our hearts en-tvitie.Mbefe s&e canted her nane and
I carved mine Od! June,.
F" ^ ^ F
Like the moun-tains I'm blue Like the
r E /> a or c, -A?j.
pine, I am lone-some for you I« the Hue Ridge Mountains of Ytr-
G? c
gin ia On the trait of the Lone - some
WAITING FOR THE ROBERT E. LEE - (Gilbert-Malr)C7
_ lln'_f.
Go take yourO
beat real pal,
I J r ,J J^LJ f- y j M r t j ^T^
Go
*74*
dowA to. y .
the lew- _ ea I aaid to the lev- — ee
^^Join that abufr lin' throng
Cdia
PC7TTW"
thatCdiao
_CZ_ale and song It* a ly great, maxa.
r r. rWait- In* on th« lavce, Wait- in* for the Rob-art B. Lee.
m
J
j_
WAIT 'TILL THE SUN SHINES NELLIE - (Von Tilzer)
Walt ttlllP7
th«Bb
tun nhla«B
Mel- lie, By. and bye.
WEDDING BELLS (Are Breaking Up That Old dans Of Mine-S.Fa.in)a cdia Bb Pain
Hot a soul down On the cor- ner, That's a pretAll the boys are sing-ing lev* songs, They for-got 'Sweet A-
. Bb E<"» __i 17 " I'?
car- tain sign, That ii- line * Those I
r pr r!--• 1 f. 1 | 1—• 1 r • i \ •—|wed-ding bells are break-log up_ that old gang of
, _ there goes Jim, _
and than _ we meet 4- gain, But they don't seam the same. Gee t
r -T--I r r •a lone- some feel- Ing, Vben I hear the church bella chime, Those
Bb
• p r r i v r r r r iwed-dlug bella are break-ing up that old gang of
WHAT DO YOU WANT TO MAKE THOSE EIES AT ME FOR'Incin.BlondeBb7 li.
So, what do you want to J make those eyes at me, for,1 fool a- round with me for?
don't mean whet the) eay? They cake me glad,- They make me sad,
make me want a lot of things Ive nev-er had. You lead me on, and tnen you run a-
But, nev- er rind. I'll get you a- lone some n
find, You're na- mite, So vmat do youF? Bb7 2b
f3irt-lcg with
went to make those eyee r.t me for. When they don't mean what they eay?
••9oa•jna not
LI r-r_r
r i* i- i r r =^M Jaa Pari ri»TM *rjp -pa* pro xoaX •» 1*<n. «B8Jp qoe* pa* •**« ••* StTM «Tp -pw
j r f i r_ra^Ti J
Ji J • r CH i<s ^ *sDMIU OHiaosm aio HTIOJC
• SKOH NDUd JEW {MH 'OKn V SH.nDi*A» -T» •*
io
SMOH WOIM69 10. A
OfiOl 'DNCn V
WILL YOU LOVE ME Bl DECEMBER? - (K* &* Ball)Bb7 Ab Db F? Hb Bb7
340
in U>* good old faah- iooed
YES SIR, THAT'S MY BABY ( Kahn-Donaldscni)Btff .
3=3taa, aatfai
1h«t»« agr Ba- tqr.«•»«• «U- dd- ad
ir f IrDon't i '*q"- b^
Tea, 'Sir,
YESI WE HAVE HO BAHAHAS (Silvei^Cohn) Tj«ot
and acal- lion* And all kinds ofC F C
ftuit andCnwff C7
34-1Deep In The Heart Ol Texas
Brightn *C7
HILLBILItf TUNESWords-JUNE HERSHEY Music-DON SWANDER
it I 'J J IThe scars at
. .i j j i J J . J*- ' ft^Fn«pbt are big and bright*
~7 C7DEEP IN THE
i r r i] ^ JifX" j 14- j i J » j i j J iHEART OF TEX-AS The prair - ie sky i< wide and
fbpj J J I C7 C«i7 C7 Fl T «*
r r T ' r r i » ihigh, DEEP IN THE HEART .OF ,TEX.-AS.
cfap; '.I™)'Tht
bkmm is
ilike per
-7 C7fume,
C 7DEEP IN THE HEART OF
TEX; Re - mindsn
J I J ' J I
meC7
Nlove,
i > p. r r iof
^
the. oneP
DEEP IN THE HEART OF TEX-
DON'T FENCE ME IN - (C.Porter) "Hollywood Canteen*
TJ «kl«« a-bevtland, lota of
L«t M rid* thru tt« wl<J« o- p«xdon t f«nc« •• in
C7 GH7 C7
coun-try that I lov», Don't f«nc« «M in. Let M b« by ry-«elf in
cot-ton- wood tr«M. Sod M off tor- «T- «r but I Mk you, pl«M«,
don t fane* M in.— Jbat turn M looa«,Let •• ctrad- die my old
• J =;„ , •*. •* ^- J, j 1
^ ^~— J 1sad- die un- der> neath the wee- tarn aklea. Cta «or cay-
i J. g j. g J. g io- v«r yon- der till I aee the amm-tain
1^ride to the ridge vbere the
we»t coa>- «enc- ea Case at the BOOB till I lose my sen- aea
' I I I p r - lCan't look at hob- blea and I cen't atand fen- cea, Don't fence M in.
GOOFUS - (King-Harold)E7
T°mpo dl Rube
born on ajob but I
I- t>- way, Akeep It long, The
D7
flat-lag youth who wa» bound that he'd fly a- way, I packed my grlp and IiMd-ir aald that I played all 4he BOB- Ic wrong, So steppeoTout with an
m m Gdim
grabbed my sax- o- phone.out- fit of my owi.Q*
Can't read notes,but IGot to- geth-er a new
y-thiug by ear,.Iof or-ches-treXAnd
made up tones on thewe all played just theF7 •r-i
used to hear. ' hensounds that 1 used to hear,same goo- fus her- monv y, And
L7 0
ltd start tp play folks UM ^ say, *S«undIa lit- *tle Goo-fus rto me.I oust ad- mlt we mfiSe a hit, GOO- fus has been luck-y for me!
I'M IN OU) COWHAND - U* WWcer) "Rhythm On The Bangs
But my legs ain't bowed .
On Gn
and my cheeks ain't tanned,
Ca
I'm a
cow- boy who nev- *r saw a cow, Nev- er roped a steer 'cause I
r r rdon't know how, And I sho' ain't fix- in' to start in now.
Bb7 Eb Fm Cm6 Bb7 Kb
Yip- py- I- 0- Kl,- Ay, Yip- py- i- o- n- Ay/3
I'M THINKING TONIGHT OF MY BLUE EIES - (A. P. Carter.), P C7 P. D,* D7 G7 .
rr rI would he het » tcr (or us both had we
J. In this
C7J.l J J
wide and wick-ed world ev For the pleas-ures thai we vc boih seen to-
Oh I'M THINK INGC7
TO- NIGHTP
OF MY BLUE"'EYES^
tail - ing \aG7
ver theAfrdin C7
Oh I'M THINK - INGTO NIGHT Of MY
BLUE And won - derrler he think* ol
SAN AUTONIO ROSEBb
(B. Wills)
Deep with- laWhere in
J" »mo, En- •ent strange as
boveC7
litJ 1 . 1 I
that on- lyBb
she would
J i 'j« • J i J J iknow, SU.11 hears torok- en song of love.
rr
SHE CABCE ROLLDJ1 DOWN THE MOUNTAIN (Lippman-Sherwrln-RichiTa^
*
G7
=iDown IB Vest Vlr- gin- la Lived a gal named Han- cy Brown.
Ban- cy and the teach-er CUabed the moon- tain- aide oneII. C • C
I J. J> j J IJ .J ^jJU J J J F "I iner- er aeen such bean- ty In — clt- y or u ^Br town. Soongot up near the auat- adt But — ver- y, ver- y
I J J TJ J J J"*She daw
3EE=gEShe Ci Boll- In** Down the
G7 CMoon- tain* ie Roll- In' Down The
G7
Houn-taln, •'ShecS, Boll- ln> Down T^ie Moon- tain from a- bove.C. C7 F
For aha left her bold COD- pan- ion toD7 e*Ai*i c G7
J 1 J J gEEEEaP
co- yotea In theC
I I J " IIof "*love.ca»- yon When the fel- lar tried to tell 'or words ol
(4 veraea and chorusea)
3IOUX CITY SUE (D. Thomas)67
KoOerato
Itavs<3roYt a herd of cat- tie down From old He- bras- ksI met a girl In I- o- way. Her eyes were big and blue. I
£Z . , , 57^
how I come to be In The state ofasked her what her name was. She sald*SIODX
F C7 CHORDS
o- way.
SIOCX CTT- Y SOB, SIOCX C1T- Y S\E±r
Your hair la red. your eyes are blue swap my horse and
for vouT__
ain't no gal as true As my sweet SIOUX CIT- Y
TAKE ME BACK TO MI BOOTS AND SADDLE( Samels-Whitcup-et<) ^4-4-
j jAm? _ 117
J rJ I .1- JG Modera to
Take me back toram-ble
my Bootsa - long
Am? D7
And Sad- diethe prair-ie _
Am? D7
Ooh-ooh-Ooh-ooh-
G7
J J J Iooh, ooh - ooh- ooh|ooh| Ooh - ooh- ooh,
Ooh- ooh- ooh,Ooh- ooh- ooh,
Let. me see that gen*- ralHop - in* steers on old **Bar
dim D7
r r I * i j j j i j. j i j- •store,Bet me ride that range once more, Give ne my Boots
X," with my bud- dies,Slim and Tex, Give me
I T F T T I'Let me Got a hank-er-in' to be with a ban - jo on my knee
r r r•* .1 r -rstrummin'a pret-ty west - em tune. There's a gal in Cher- o-ke« and she's
wait-in there for me, wait- in be-ncath a Tex - as moon, so take me
back to my Boots And Sad- die,.
Am? 07 Am D7
Ooh- ooh- ooh, Ooh- ooh_
G?
Let ne greet each blaz- in morn, on theooh, ooh - ooh- coh
r ' r r J J J I J. Jranch where I was born, Give me my Boots And Sad- die
Am? D7 Btt G6 G
m r_j- i r -e-
Ooh- ooh- ooh, ooh- coh- ooh. ooh- ooh-
TUMBLING TUMBLEWEEDS (B. Nolan)F i f L . F7 B —M.
~J fc
Slowly
See _ then turn-—bllng down, Pledg- — ing their love to the ground,Care*—of the peat ere be- hinfl, No- where to go, tut I»H find
f 3 j C Bdim -<37 7
-MMi- *^ • ^—i ^-j ' ^ i » - ^ ^ ^ ^ 1> FT^
Lone-— ly but free I'll be found. { Drift- lag a- long with 'theJuet where the trail will windj)
1.C ~ O |lft.e R» (?7
night has
cr r r >p igone that a new world* born at dara, T'll_ keep roll-lag a-
f 1 ) 1 . 1long, Deep — in my heart la a
C Bdim 07 iaong, Here _
3 7
- - - - - . ^ ^
on the rang* be-
long, Drift- ing a- long with the
WAGON WHEELS (p. De Rose) Moderate
307
J J J
valV- in* tor tWLe eot -
Boss ia un » der-«tend-ln' There's at tin end or each
Kb
gon Wheels, Wa
Kfcf?
-to', Roll
i" r . i ilBb7 Cm Ab
» -
Bb7
long,
Ab
Slag your song Wa - gon Wheels,
Kb 07 Ab
- ry •» bo - o
Q} . Bb
I ' J Io - one Wa - gon Whadda, oar ry me hone.
YOTJ ARE MY SUNSHINE (Davis-Mitchell) Kodexvco
Tott'll nev- «r know da
Please don't tale* vy mm- ahine a- wey.
POLKAS
BEER BARREL POLKA - (Brown-Tlimn)Fas' <-,rv--3tr;
Roll out the bar-ml „C7
Well h»«e a ter-nel of
We've 501 the blues on the runF
rar- relE7
Ring out a eongof good cheer.F FdimF G-7 C7
Nows the time to
Jbr the gangs all here..roll the bar-rel
HEL0 POUCH (Gamse-Carroll-Dana) Lively
Ob Hel- en, Hel- an,
rr:Hel- an, You are
When Isuch a love- lyfell i love with
r r jdo? You made all my dreams come true. C*>, how I love to
Bb
ce in ev- 'ry way.
With her my heart will al- ways
PENNSYLVANIA POLKA (Lee-Manners)Brigtrtfbiira \ -Lee—Manners ir\ r
stay.
r rStrifc* up tfie mu- «ic, tfie ban4 fid* be-ouriFoVm.7 C7 C-7
JLU '*TJTurr-— The nnn
va -C7
- fta>O-
r r j r Iout *tjour part - ner and
rJoin in tfie fun
=-*•£•—i— I 1—I —i—r r i r J-u^J. J ia - nia fbl-fa ItFemi-syl - va - nia fbl-fa.
r r \ r j j \ j ;= ==*= i j -jstart-ed- tn Scranton, its now Num-1*r bound to
en - ter - tain ija Ev - i - bo - ma. -— . I re
1 — P d —i r J •— To dc
<im7
tfie
C7— i 1 — iJ J' * *for- Ra ftom
— (9 13E gj
Penti - ivl
FHJ r,
va - n
C7
IA
.F
^-—1 Hk * — a
347 STRIP POLKABb
(J» Mercer) Brlgit Polka TempoB>
J—\ J J I al J* JThere's a bur- lesque the- a- tre where the gang loves, to
N »J ^~=o N^TF=^= J | r r -MTo see Queen- ie the cut- ie of the bur- lesque
F7 Bb
j r ,i j. mAnd the
Cm?
thrill of the eve-nlqg is when out
BbCaff F7 B
U ,J . IN I M I ,,J J J l f
Queen- ie
P7
skips, And the
Bb
band plays the Pol- ka while she strips! "Take it
G7 Cm
r r r 3b. J J I J J J I J soff, "Take it off" Cries a •voice
Bb
from the rear, Take itr?
5§ J J I J Joff, "Take it
Bb
off," Soon it's all you can hear, But she's
G7 Cm .
f r r Eal- ways a la- dy eV- en in
F7 Cm? F7 Bb
pan- to- mime, So she
F7 P9 Aim 71 59
stops I And al-
w Bb
E^
ways just in time.
dim Bb
Queen- ie, Queen of thai
ie, Some- day you'll fall, Some- day
dim
1 ,
Kb Bb GM
\ r J 1—0 2^-
' Cm?
M|-«J
17 Bb
— F —L 1— fchurch-bells will chime, In STRIP POL- KA time..
YOU YOU TOU FOIKA (You Are The One In My HeartV j. Edsrards)C G7
YOU YOJ YOU are my one love, You're
1 cdF==
,, A, .
1 i5=
^
£==== f 1 1the one in
YOU YOU You are the one in my heart*
TOO FAT FOUL/I (MacLean-Richardson)Gdim
Oh! I don't want her, you can have her, she's too fat for me
r r r rShe's too fat for me
C
She's too fat for
F
me I don't want her,
G7
you can have her, ( please do that for me( she's too fat for me
She's too fat, she'B too'fat
She's too fat for me, I get diz- zy, get nuin- bo
1. Gdijn
U J JDm? G7 Gdiffl ||2.
V/hen I 'mF
dan- With my Jum- Jura- Jun- boF
p' J I I - .) IJ*r«! Vn! Vn:
me.Ddlai
C7
Can she prance up a hill?
Gm
j r rNo! No! No!
C7
1No! an she dance a qua- drill*?
Cdim F
-?d J —m-m-J'•" t i u j UJ J i E 1
NO i NO : NO :i D7
Does she fit
Gm-«=»-r r ' r r
er- self sn<By her
F
e's
D7
group Could she pos-
G7 C9 F
•f—F r r i r r- - si- bly Sit up- on my knee? No! No! No"!
BETOND THE SILLF C7
FRENCH SONGS(C. Trenet) "La Mer"
C7iModerato
C7 r
Some-where be-yond the seaiSorae-where wait-ilk ££or me, ffli(He's there watching for me, J-r i COUJQ
C7
— F — ™•^-m; •5 -^ Q» • - '1
1 *—~T3 -^ '1 J, 'I
fly like birds on high,* ft — i - . — A
and watch-es the shipa that gothen straight to his arms I'd go
ing.
sail-ing. It's farG7 C G7
be-yond a star, it's near be-yond the moon,.» • C G7 i J , —i C71 — » . 1 — u
T L
u»-« E3 t-J • 1
— r — F — '•g
| '
'-** pr — , -— °P P • m-Mf r\ i i •r * ; «n
raycim j j '"-
as oe- fore,meet be->ond the shore, we'll kiss just as~~'
Hap-py~7 , P
be be-jond the sea and nev- er a- rain I'll go sail- ing.
. Uoslow; "Uopacabana" Moder«to
hear ffthbse love-ly worde
rie, Je vous a- dore,
lips sang a song of eur- ren- der,On? G7. Cm Gdln
That will live in myEb Gb7 Caff 77 Bb
e voue aime, I na che-heart for-ev-er more
L T AMOUR -TOU JOURS -Lf AMOUR (R« Friffll)Andantmo quasi allegrettoD A?_ A7
L'a- mour tou- Jours 1'a-mour
found me,
D C»7
Love, now
Ddiffl
at last you* v«
EU7 A7
al-Hold <ne and fold me
day, And weave your spell a- round me I
A Bm6 C7 F*7 Bm
Thrill me and fill all
Li a- mour_ tou-jours_ l»a-moar!
C7 D
Sing to me love'a old, old ato-ry
Sfearn- ing,_ burn-ing glo- ry.
MADELON - (C. Robert)
L'a- mour_ tou- Jours_ 1'a-mour!
Marzlale
you are the on-she takes it all in
onefun
SatMa- de-
,e laughs andIonsaysG7
you we'll car- rysee it can't be
on .done.
When I'm reg- i- raent.
I'SELLED7
(E.Moulding) "The Razor's Edge1
6 D7 635*0
*»II J
ca-E7
••^j IT*~ *^rrT^ 'fa,Uaa'aellT^
IJ j J r IJj r . rr ren- dex- voua, Mab-our x- voua, Mab-'aellp.
6
LJ j j»nr J J. J i r J J. J> i rThe vl- o- llna were warm and sweet and ao were you,lias were warm and sweet and ao were you, Mam-'selT5T_
G G? C. On
L J ' J J j l JAnd as the night danced by
G En Am? ^A kiaa be- came a aigh Your love-Cm <j Qa
eyas seamed to spark-la Just Ilka wine doaa Ho heart ev- er yearned the way thatKa7 A7_ D7 G D7 Gmmine does for you
l f > T j J r(AnS yet I k J r ' •• P '
'yet I know too well _ Some day you' 11 aay goodbye _
Then vl- o- Una will cry And ao will I, Man- 'aalle
ItYMAN(M. Ivain)
Moderate da Schottlach aapagnola
I t n COBt me a lot» tmt there'a one thing that I've got It*aHe»o not much for looks, and no he- ro out or booka la
wet, tired you bet
that I soon for- get With —likes as well aa me, But I
my man
love
Em tacet
don't know why I should, Re is- n't good,
1 r J" .— •* 1 ™ j. :i — i — JTJ — • ri j. ' iHe is- n't 'true, He beats me too, that can do?
•h jtr — = •
V7
\ itm ' 1
G
a \mOh, my man I love him ao, he'U nev- er
^1 • »1 =f*
|_|- J-^ 1 J I
care When he* takes~f ^« ^G Ddla D?
aroa the world is bright, allG
way, When I know I'll coma back <on my kneea some day? For what- ev- er my man
33Y MIMI (R* Rodgers) "Love lie Tonight"tan m
M I in ' IYou Am- ay lit- tie good for notb-ing Ml- ol
boa- ay of * Ml- nd,
You've got m* sad sod dream- You could free a*,
If you'd aee
\have a lit- tla eon of a Hi- ml bya and bv«.
PARLEZ MOI D« AMOUR (j. Lenoir). Tempo dl Valae aodarato0
long - ing to bear,
and whla- per thMM
THERB»S DANGER IN YOUR EYES1CH£RIE-"Puttin'Qn The Rltz"
There's dan- ger m yourf eyes' Cher-"*
Gdlm G7
Gdlacharms Cher- i»07 »
~i2? I doa' tBut oh the bllaa"
— I'd give up par-a- dlae Char- ie-— to ilag- ir in your arms } Your love to share Your kiss- M< and
taste like wine / an your lipa meet mine
y sin with you would be di
Just tell me when and whara wt>11 have oup
J.
YOU'RE TOO DANGEROUS, CHERIE - (Louiguy) "To The Victor"
You're too d«v-ger-ous, Che-rie, too Oan-ger-ous for ne, I know I can't re-
1 — L-L-. , -i
&"." . £-± m _
I f P ^ ±*•• " r ' •' . k
•= Mi • =;siet you. You're too beau- ti- ful, Che- rie, what will be-come of
mme, will I re- gret I klsaed you. You re too glam-or-oua, Che-
Fa
rie,so am- or- ous Che- rie so thril- ling in my anas. I know it s fool-ish to.c ! . cdi-" . P". 27p r p ^ i P r p p r p i v r p i Mlove you so much But I for- get to be smart when you touch me^
—«—.——!•-—"~l i G7
1
lly heart tells me to be- ware,You're dan-gev~~ous Che- rie, but
GYPSY SONGSGOLDEN EARRINGS - (V. Young) "Golden Earrings
11
Cm. Adim G7
don t care.
Cm7
There's a sto- ry the eyp- sys know ""is "true Thatold love sto- ry that's known to ver- y few But
D7 G7 I l.Cm
when your love wears gold- en ear-rings he be- longs toif you wear these gold- en ear-rings love will corae to you. An
<2. Cm
the burn- ing fire they will glow with ev- 'ry
•I Ji»i3will hear de- sire whis- per
soul So beCm? 1/7
ny gyp- sy,G7 Rn
make love your £uo.a- .;-__Cm G7
light AndCm
• I I 1 '[ | K ' ^' ^' I I
let this pair of gold- en ear- rings cast their spell wto-
GYPSY LOVE SONG (Herbert') "Fortune Teller" Molto tranqu,110
Slum-her on, fry lit - tie gyp -ay sweel-heart, Dram of the field and the
1 r " = > , i. ^ ; j J i — i — mN=NC7
Can you- hear me, hear me in that dream-tand
lit - Ue gyp- Wild lit - He wood - Land dove,
.. ^_,' — ^^. ti— i C-T' — T ' 1Can you hear the song that tells you . 50 my hearth true Loxe?.
•3-53 PLAY, FIDDLE, PLAY (Deutsch-Altman) Val39 aoder
Play fid- dla, play, |Play| ay loved one a {"^o-^
r* V • ' «* ' .JSing to my love, While the stars swing
the
-n— ..'j i«J * r i' | r. .E . > p *F^ •»
**Sunj And my heart keeps dream- ing, Just dream- ing ofQm
one* So soft- Oy croon, While the moon weaves our two hearti
•bar- no- ny» Play fid- die, Play to my love.
PLAY GYPSIES — DANCE GYPSIES' -(E.Kalman)11 Countess Maritza1D G D Am B7 E7.
* I I r p f- N J I I I i- •' 1 1 Y- ) 1 I H 1 " • gr;
uPlay, gyp-sies! Dance,gyp-sies! Play while you may! We're gyp-siesA7 Buff A7 D dim dim D G
One and all, I say.D AnS H7
i rAnd through our youth's Uay-tiae, Love's play-time
F an E7 A dim D D ,
Hearts ev- er gay, We on- ly live for Just one day. The will- o-A7 D . D7 K7r p
wisp of plea-sure guides, All the fu-ture hides. Love the on-lyA C G
l r r Mf l> r T If \r-r- r f I ,1 J* I -tHr7law o - bey - ing, Youth, • gyp- sy, goes a -straying* Play, gyp-sies. Dance,gyp-sies!
? t , ,=5= fPlay while you may. We're gyp-sies One and all, I say.'
J
PLAY TO ME, GYPSY (K. Vacek) Slowly
Oh! PLAY TO The moon's high ' a- bov«,And when you are gone.
ll. Ab Ebdia Eb7ll2. AOh, Sing to me, gfp- sy,
Oh. Play me your ee- re- nade,Your aong will be haunt-ing me,
The song IAnd ling- 'ring on, —
Be- side your ca- r»- van,Bb7
The camp- fire's bright,Eb7
just for to- night
— Ob'. Play me /our a*- re- nade, The aong I love.
i
sf
DRIFTING AND DREAMING - (Van Alstyne-Schmidt)Moderate
lag and dram- tag
KA-LD-A (J.Kern) "Good Morning^Dearije* Modaratoj C, C7 F
•ban. It's I «oo| I I II
ItIVe I noon- light la Ka- la- a, Kght
Vhw07
this !• ••tVlM*•iM!
Al- th*
roM nd JM- oln« toloon as fair,J . JL^_L.J» ^ u j sp
And lov* la
"ip J.J J sieall- lag through th« sc«nt-«d
J»
, _av-» ry-«har«i_ It
CT
lona- ly In Xa-
In- a, B«- cauaa you arc not
MOON OF MANAKOORA, THE (A.Newman) "The Hurricane11
gar arms
RED SAILS IN THE SUNSETG
(H.Williams)
IN THE SUN -SETe sailed at the dawn-
you.•• —i—«—j^-; ' •—
Swift wings you must tor- row "Make strait for th« shore,-, *•* D7 ^
i i J T i i r n * ' ' ' ' 'And hegbes saiKng TK> more REt> SAILS IN THEWe mar-ry to- nx>r-rovv
SUN -SET 'Way out on theG
one
SONG OF OLD HAWAII, A - (Beecher-Noble) ModeratelyF . C7
T&
I {?=£
ere'B the V«r- %**&«;•; a rain- *•• of a nil-lion flow- erafol- low- ing the show- ere
£E & ECling- ing to the heart of old Ha- wai- i _Bring- ing me a part of old
F F Bb F
There*B a eil- verHa- wai-' i t syin- pho- ny of
stars, There's a hu- tune, And the hum ofC7
tars, mere's the trade- wind sigh- ing the heav-F
Sing- me Song Of Old Ha- wai- i.-
SONG OP THE ISLANDS (Na Lei 0 Hawaii) (C.King)
bluegreen,
G7
and lovethe a-
iszure
truesea.
Where- Your
bain- y airs andfra- groat flowers «o-C7
«Qing
la-
"3-57 SOUTH SEA ISLAND MAGIC (A.I.Long) siowi, .ith feelingQa Wta
SOUTH SEA IS- LAHD
Breezes from the mountains and ma-Bin froai aa-tit* gal- tara. lin-ger aaddreaaj bytheI'm con-tent for ev~ er~gj]B~ to a^» ** A <MB
1 . 1 l ¥ J <•aea. Do you ra- call our Beet-Ing at a camp-fire that biased near the
ay *7 .-— Am diaJ' nT Q ni t i r ^-T e^
o-caan? A sln-gla word of greeting waa the start of an and- less da -CT .| j, i
M+- WTO-tlon. Ifcoa-light,fira- light,atarlight and songs that ere old hut still
CT . — F "b7 F
J J «l =BOOTH SKA IS - LAID MA0-IC.
SWEET HAWAIIAN MOONLIGHT (F* H. KlickmaiUl)C G7 C CT
has Brought mm the mag-lc of you!
Dreaay Walts
'H I ,J Ilove dreaa* so- o - rlac land her
r I P - i r1
gold-en hours,
SWEET LEILANI (Owens) Slowly
Ba-tura faahlonedroa-ea kiaad with- LA -HI— Hear-en- ly Flow-cr,
dew,
CT Ddla
And then aha placed them in
C9 P CT
bow - ar,.
P J7 j
I dreamed of par- a - dlae for
F. Cdlm C7 Ddla CT9
two.
You are ny psr-a-diae con- plet-*d, Y<m are ay dreaa coma true.
TO YOU SY.'EETKEART, ALOHA (Owens)Bb Bb* Kb
Modermto 358
TO YOC, SWEBT-HBAHT, A- LO- HA,77 Bb Bdla 77 Bb
A- lo- ha froa thaCm S 09
gp tha nil* on your lipa, Bruah the tear from yonr
«y«» One «ore A- lo- ha, then It a timeBb* Kb 37 C7
for good-BdJ-i 77
byai TC
And I'll pray for that day *h«awith you, d«ar, to- nightC7
two will meet a- gain, TJn- til than aweat- heart a- lo- ha.
YAAKA HULA HICKEY DBLA (Otoet&-Young-M?endlin?)•jttrn 5 ' , p —f H •* ^ J-7- Tntf -^ -»4J2JZ B £ p 1) J5 1 aJ^ fc 1 1— f s
I'm com- ing back to you, my Hu- la
C7 Yl
Lou, Be- aide tha aea — at "al- id- fci, You* U
Bb ^_^ Bb7 a
play ft^T» lae. - And once a— gain 3
a* Bb1 — 1 9 ^ '4
r iron»ll
— 1 1 i
away, my heart your way, with your
C7 77 H>
hick- ay an-
IRISH SONGS
A LITTLE BIT OF HEAVEN - (B.R.Ball)C EOT IHEIJWD GOTTR HAJE )
Db \ Yl
Moderately, with expression
Q)V
Ab7S&ire, a Ut-tla bit of Haaw-«n fell fron oat the otsjr in* day.
"? /-\ Ab* Db^ - U BbB Ita Hb7 ۥ*
nea-tlad on the ocean la a spot ao far a- way; And tha angel*found lt^hm-a it
looked ao sweet and f aiflDiey aaid^opposa we leave It, for it looka ao peaceful there !So theyF7o Ob [0 Bb7
r r rrraprlakled it with star duat Juat to aalca tha rocn
Db7grow; 'Tie tha1*1
on- ly placayotfll find then, no mat- tar «hara yon got Than they dottad It wltk oll-wr Ttob7 Kba Edi-ii 1% Aim T»» Qb dia BbB Eb-57 Ib Bba Sb7 Ab7 Db
•ake Ita lakes ao grand, And when, they had it flA-iahed ahnrathay called it Ira_ land.
It 15 j b
353 DID YOUR MOTHER COME FROM IRELANDC7 F. I . F7 - _, Bb
(Kers.n?dy~Garr)S7 C7 ff
EbTYOUR M01HER COME FROM IRE-LAUD?'Cos theres some-thing in yoxnd be- fore she left Xil-lar-ney Did your moth- er kiss the
I1..G7 "C7 fl 112. G7 C7
ou
A7
t«ll me Where you get thoee I- riBh eyes,tie touch of brogue you
3can't dis- guiee.
A7
.Ohl 1
Gn
I J.jJ J. "
,Shur«!«id may- b7 we'11 be shar-in» in th« eham-rocle you'll be wearin* on ths
next Saint Pat- rick'e Day. DID YOUR MOTH- ER COME PROM IRE-LAND? 'Couthera'sBb G7 C7 . -' , 9& *>d*n . F an, On? C? . . P
•onw-thing in you f- rlsh, A^d that bit of I- riah steals my htart a- way.
IRELAND MUST BE HEAVEN - (McCarthyWohnson-Fisher)Gdim Bb P7
Ire- land must be Heav- en, for an an- gel came from there,
a= J '"nev- er kne\v a liv- ing soul one half as svreet — oVl— fair, For her
eyes are like the star-lip;ht, And the white clouds match her hair, Sure _
Fin G7 C7 F7 Bb
Ire- land must be heav- en, for my moth-er came from there.
IT'S A GREAT DAY FOR THE IRISH -(Edens)"Little Nellie KellyCdlffl G7 ttn?
. It's a great dayIt* a A Great DayC Cma7
For The _I- rish,
J J Jfor fair I
G7Ihe side-walks of New
D7
J J. JYork are thick with
G7
For ehure you'd think New York was Old Kil-C Cdiffl G7
lor- ney!Dm7
We're feel-ing eo in- spir-ieh, shure be-
ceuee for all the I-rish, It'e great, great
IT'S THE SAME OLD SHILLELAGH (P. White) -oderato
i r r r r r I !Sure HoTtfE SAME OU> SHIL- LE -LAGH me fa - ther brought from I - m - Land.
ft?
div- il a man was proud-er than he as he waited *ifli it in his hand. _HeU Lead the band onC Q Gdi»G T>7 a.
£ 3 • n i r r r r J i r B r * iPad -dys day and twirl vt 'round his -mitt And div-il a bit vdd laugh at it orc»7 T>r G7 C Qy Q4i«i Qy
\> f If f r r r ir P nn irtiadv*ouklha*tea fit 3unewiththe aame old Bhil-l« -Laghme&thei-could Ucka do-zen wen-
c Gr-^ CL... cr G orG7
^
rfast astdey'dget ub, be-o>r-»y,hecl knodCemdowti a - gain—Axlmanystte time he used S on me to
F D7~&7 " Q C7 Ffe R»7 C GT C
rnake me un-der - stand— Thp .-la<4imp.f ner
^ i !•r r T B-re - land-
u
Q
LITTLE TOWN IN THE OULD COUNTY DOWNsv. Bb
In that dear lit- tl. town in th. ould Coun-ty Dow, It will
lin- ger w«y down In my heart, Tno> it n«v- er WM
grnd, it la my fair- y- land, Juat a won- der- ful world set
Oh, my Xr.- land of dream*, you ar. with a.
care not for fan», or r.- nown, Lik. tba black shetp of old. I»U,ca»«
J I i I I i IIback to ti» fold, Lit- tie town. in th. ould Com- ty Down
Q
MICKEYG
(N. Moret) ModerateD»
pret- ty Kick- ey. With your hair of ra- ven
In your emll- ing so b.- gull- ing, lhere*'a a
bit of Kil- lar- ney, bit of the Blar-ney, too.
Like a moun- tain flow'r you grew.
Mick-ey, pret-ty Mick-ey, Con ' you blone tui- y-one for fall-ing in love with you?
MOTHER MACHREE (Ball-Olcott) "Barry Of Ballymore"G7 din 07
Sure, X low* the dear ill- ver that shln*s la jroor
And the trow that's all fur- rowed And win- Icled with
toll- worn rbrdear fln-kiss th«
M, Ob, God bless you. and keep you, Moth- «r Ma- chree!
PRETTY KITTY KELLY (E. G. Nelson)fl C G7 C
PRST- TiTi j
E7137- T3T
P A
i«rjK2L-
JAn
Dm A7She's the on^ ly
^3girl for ne,
A7 D7PEST- T3t KIT- TI
G7
She is allCclim
my eyes(77
can aee.
KEL- LY.
Shure, there'sC On
J J. LJnotA7
col- lecn svfeet-cr,D7 G7
In the land whereG7
sham- rock grows,J ^ I
KEL-S
Than myAm D7 G7
FRET- XIT-
She' s ny Wild r'ish Rose.
THAT'^S AN IRISH LULLABY (J.R.Shannon)"Going % Way*
f r i ira- loo- ra- loo- ral, _
Too- ra- loo- ra- loo- ral,
now, domt you cry. Too- ra- loo- ra- loo- ral,
ra- loo- ra-
loo- ral, That's an I- rish lul- la- by.
THAT'S HOW I SPELL I-ft-E-lA^-4W)-(McCoi^n-Dc»wne^etc.)2b
*I* !• for tte Ir- ish la TOOT tl- njr heart, r det
X ^ 1* for Si-lecn, jroiryon h*v* no rignt to
la for totC7 F7 S>7
com col-lc«n* Then cornea f for An- gel* «too ere *«tcb-ing o- vw ycu
T-* ic fcr 700* Dad-dy's le
THAT TUMBLE DOWNc
SHACK IN ATHLONB (Carlo-Sandcra)
blooB 'round tt» doer
t I J I >'t ga^fL ia> •» BM
'TWAS ONLY AN IRISHMAN'S DREAMi oB*r Et>
(R. CornackV
>*BE»I I - risfc col- Lean-
of Cork, ,AU tfc?^z
rild-ints \*tnt paint - edLsu
Surett*
^
Cw,
^ICC » < • f r l*:
boirad iust like tte J5han-nor,.J
O no» ?ood andGr
^
• f
real itc:
did seem I coula near mot>>-er sir^--Ln' fee SMet
-ar- ajr bells rinj^-iu' IWas c - Ly ar I- rLs-i-manir
WHEN IRISH EYES ARE SMILING - (Ball)D
*****>
mrish eyes
D
i J Uare ami - sur« It's
like a morn In Spring,n B+ B7 E7
LJ* i " r i r .. rIn the lilt of I - rlab
A7
laughter, You can hear the an - gels sing.I I I J A J |
Wh«nt)
[ J — J1 J I J "l— ~u= t=J .1 J l1 j J 1
— * 1riah hearts
aare bap- py,
bright and gay,. And whanE7 A?
riahn
T r i r r i r j_ling, Sure they steal— Your heart a - way.
WHERE THE RIVER SHANNON PLOWS (J. I. Russell) An«j.ate
There o a pret-ty »pot Is Ire-land I al- way* claim for my land,Where the
fair-lea and tbcblarxwy Will nev-er ner- er dlv.Zt'a the land of th« ahlllal-ah
beartgoMtadc there daily To the girl I leftbe-htafl o*When «• kl«»oa and «W good-by*
Where dear old Shan-nan's flow-ing, Where the three lewBb7
rock ^rows, Wher«Sb7
go- Ing, To my little i-rlsh rose, lad the ao-oant that I ne«t hartHh»Bb A B> a? gb
bug a A kisa Al great her, For thereiaot a eol-lean «weet«r.Where th« BlT-«r 3baa-aoa flow*,
ITALIAN SONGSFEHRT-BOAT SEREHADE vE. Di Lazssare) quite
i j J J J i J «L
.ove to ride the fer- ryboys and girls are danc- ing
C. -
whereWhile
mmu- sic is so mer- rysweet-hearts are ro- mane-ing
There's a man who plays a con- cer*
1.G7 _ _ _ _ O C _ I.
na - w» the moon-lit up- per- deck a- re- nai_.ti- na. , L .
Life is like a mar- di- gras Pu- nl- cu- 11 Fu- Bl-G7 On^*=
F^-J J 5^— « j =4pefei§==^K
la Hap- py,G7
as we cling to- geth- hap- py, As weC
' 4 J ' J ^- treth- er hao- py.s.lng .to tdth a Fer- rv- Boat Ser- e-
L
LL
I HAVE BUT ONE HEART (J- Farrow)G7 C Cain Drf?
: -=rafcr-=E 5f-^}:-,~^a-r~J~ • ->* * ==:
Slowly
I HAVE BUT ONE HEART this heart I bring youC G*
JJ J J.i HAVE
T3 r=INP^ £= T-* 1 JMN'V- |—
OKK HEAlBTl_ to ehare with youF C
I have but one <SreanG7
that I can6?
cling to You are the one Orttn _-— i. > An6. B7
r *\«*a«r _ 7*~~^w—-^ »r ^I pray cornea tru
J- j-'l J J.
Em D7
dar- ling, un- til I saw you I n«v- er felt thia way AndG — 3 1 DdJjt A* D7—J • G7 C
rrr. r r1 pir \" i J ino- bod- y elee be-fore you ev- er ha* beard me »ayi
F C
J •<«You are
u .1 j Jry?T
•Or on* love67 C
P' . ^ fJ_
my life I live for you I RAVE BUT CUE HEART to give to
ITALIAN STREET SONG (V. Herbert) "Naughty Marietta"
ing, zing, Zlz-zy, zus-zy, ziiy.zing , Boom, boom, aye
zing, z'tz-zlz, ziz-Zy, zing,zing, Man-do - U - rvw gay.
2in§>, zing, ZLZ- 2y, ziz-zy, zing.zing1, Boom, boom|7 ^ En.7 A7
1 — r r — p 1 1 |T_^J ^ 1 — ~n 1La , La , La , Ha , ha, ha , 2i.ng- , boom
La , La , la. La ha, ha , ha 2,tng. zing aye
MERRY-GO-ROUND WALTZ (Kennedy*-Finn) Bright waitt Tempo
ry- go- ride On the ner- ry- go-
mer- ry- go- round you by my side
While the mer- ry- go- mu- sic goesBb7
But you'll know that we re ho- ney- moon
give you the ring
That I n on the MER- RY- GO- ROUND.
345" OKI MA-MA I (The Butcher Boy) (VallB-Citorello)3b
JTI j=iMa- ma, dear,come o- ver here,and see who's look- log In I ay wln-dow ___Tell me why ha winks his, eye when- ev- er he goes by f
J -h j j J J> u j J1't's THE BUTCH-MR BOY and ohl he's got a bun- die InDaugh-ter,daugh-ter,he B in love, and you're in love, and love
"2. Bb F7 Bb F7 . Bb
r -r-*-hand grand. Oh.' Ma-
r rOhl
getBb
that man forFT
me Oh! Ma- MatJ> I J
Bb
j. ir . m_E|j_
Mow hap- py IG7 Cm
Tra- la-Bb
la tod
-I - P I T
chee-F7
ry- bee- ry- beeBb
Ohl
If I'm gon- na mar- ry It's 1HE BUTCH- SR BCJY for me.
STOHJ OF SORRENTO THE(Russen-Gallagher-Cugat) Jfefercto
Do tbay aen-tlon us mIn HIE 3TO- KY OF 3GR- REB-
eve- alas*Do they tell »- boat theall
07
that I wi»t- fUl- ly re- oell la TBB SID- R* Of SOB*
C
J J * =fRSH- TO «• thereDo they «ey that I
J J.' J ' J 'lown the »a- f of « sweet- «r lore «f»That I've n*Y- er known
r r J i rYour ••» ger lip* Ilk*
Ab Q7
They o- ver- looked • thrill-ing •»- Beat
In THE 3TO- XT OF 3CB-Just M peo- pie of- ten do
Rffll- TO They for- got and BO did you.
J
L_
WJODPECKER SONG , THE (ReglneUa Campagnola) (£» D* Lazzaro)G7 .m
up *ach morn- ing brightC
end
^•ar- ly
1.1 Jup ail neigh- bor- To bring to ev- fry
boy SB&C
IJ J. Ij. I I I I I I I J J Igirl- le ' Hla hap- py B«T- •- node on
G7
wood p J JE«« pick- in* out a Bel-
J J J 3 SW ^ TT =;!=^
Peek, p«ck, peck- in at the aeaw oldj i ^tree B»» a aa
To cor- •- afida your
yon h«ar that
/ J J I J =-t ii 1 y—tick- a -tick-tick tick- a-ticfc- tick
JuSt lla- tan to that
k- .a- tick-tick tick- a-tick-tick hap- P7 lit- tla Vood-pMk- w
YOU'RE BREAKING MY HEART - (Genaro-Skylar)
• y ° « «"i-«ter eome-o- ydepend- *d up-
vbeen thru.*"lea^s afpter ^wise you, ay leva, wnon you'reC . • B7
tbo tear-drops burn. But if so*« day youahoulfl want t«
turn, please hur- ry backG7
- ..-*.-_X,__I "
Til
rj£
tlior.1 1 p
YCu'IiK BIiEAE-~~ UiG iff HEART -§^ -»— -|
MARCHESCAISSONS GO ROLLING ALONG (E. L. Ciruber)
/"jr-? I"; m Tjr- 1*1 r~ ! HTT r • 1 — • -• "". 1 H iW1- S j — RL-e * ^ ^ «*— jt— •* • *
n , ° -V~ e r ml£k' f&W^ bdoa>^fe SEESr— — r - frT _ [ . , . , .:1 — V d J— -L
oais-sons totl Tl .
V,
For it's ' H C 'j"\m-a ry —P i £
Call off your=7 F
C C
-A-^ -*- __,rv^p- TV
V
I LOVE A PJ
A! I—-'" !>•y h t M —
-^ — n— — JH ^= " 1 ^** JTV>[[- ir"?" ^ - ^^g ~^^ Coun-tfi= p
^ — , _) 1 _ 1-
1 i 'j-—- ^ .._
tv "trSlLL wV^r* W O ^ Piv~4 JncJctt »Vni[e u>O^€
9 '" 1 , j \-, — .j_ f jr
1 r- n
Ht! Hee!' in the Field. A r- til- le - ry
, — j _ -j e»^ 1* -i j n o-* f £ ^—
C /^ j. O /*~*rrGdim *-»'— „ ^ 1 j _
— f— i — J <* 5— iS — j-< will al- wa/5 know TM those caia-sons are
, | — J i T
alfhose cats- sons are roll- mj a -
LRADE - (H. Arlen)H*7
— E n 1 — r— I — I h P" I -iJ — \-ri-- — I— J — J1 — J J ^~
lova a pa- rade, ( The trap-Ing of) When I " hear a
l-BbS Bb7 "ire
«vVicre - e'er wi?
1 — ' 1
roli - vrff a° 1 . fl
g-t 1,-e- 5Ptons;. , ,.
Tempo dl Ma re laFW7
4-J JJ — J — «i J Ifeet, I love ev-'ryband I Just want to
P7 Bb P7
*^ *' * ^—^-l-al^l, ' " "' Ti Jt^-=3=~^—J J «l l«"^ -l- -1—.! — 5—5-1
stlrt <£d tihSSr as" thV™"*" coae — That rat- a-t«t- tat, The blare of aBb F? Bb fJ Bb *7
horn, That rat- a- tat- tat, A bright u- nl- form; The eight of aAdi* a
NT} 4. 1 4 1 1 ^ i j — -p — tii ftf f t f ~* — rJ5 — rr J 1 ^~V « 1 p — F — a« f — T-ity»a ' M I * — « — * — ' \\** * * i* * — * — * | {• — * p | - — " — p r J— idrill Till give ae a thrill, I thrill at the skill Of an- y- thing mi 1-1-
^- 1 t f»- 1 ^ — h"" — -P ^ =' — ' *— ' ** — P*" I ' l l h i 1 1 IM l-f^ 1 1t*- ry- T ,„ ,.
Bb7i='' — ; — D r T1— > J* J 9data Or an- y
MAJCH1KO ALGH(4« . Git*-} — i i^t^:=st=^ilarch-ing" A-ir?^
<• \-^~ HJ -M— W -^~
lowe o T>A- rade, A hand-fulj| Eb Bbo^C? Bn
of vets, A line of ca-ns? Bb. .
— r — r F\ >** — iff »t «T11 1— 1 1 1^ "**•Intm a na-rartji-
-„_,
5 TOGETHER (Pola-rSteininger-Dixon^E7 rain,
— \ ~-. ( 1 It— 1 F ^ -"ifr— j: — = i ^- -^ • J J »J - - r r —long — To- geth- er Shar- lug cv- »ry enile and
' ^~ ' J W I J J. IJr 1 T '"' ' * '"'"T"r F ' ' ' ^tear — Earchingff^A-inng To- geth- er Whls-tling till the skies areG — x/~" ^ c
EEEHEEEBS — r— —— • • •— — — • — — »• -^= — — — i1 1 ' ' ' ~d=Clear Swing-Cm
1 rp* "V5 H
«~i5 r — — -*' ' " '" ' ,j r ==^ — iG D7 L G
i f — i-p — •»• i i ^ i i r i i p» i • i r P r ^ 'wide — . — »ltn- out a bu- gie rith- out a dn«a we mean to chase the
r "T i Ga ^ i. °* Gdia DiJinx — <* ruo^ ti- did-3^^ee here we cone we're hap- py Elnk- ey Dinks
g=-^ . I E , » . r-^— 1 r-3 .
^^^^
$==±^=?=_L_ V [ LI -- r d* ^=^Mai- ^ To- geth- er Life is ron- dcr-ful side by side.
L
L
L
L
RANGER'S aoNC.THE 1. Tierney j "Rio Rita* "Tempo <u tiareiaD7 . B7. C.
scoot- in* pals, shoot-In' pals,
otb-
I J
er, Ohen you roll your own,Gdjm Agg
3=3•I "I -I J=*= I
not a- lone forD7 G_
J. I 'when you be- long to the- Lone Star Rang- ere man to n>an!_
SEMPER PARATDS (Always Ready)F
(F.S.Van Boskerck)m
So bar*'a Uw Coaet OoarA llarch-lng Song,9 A7
surf and atom aid bowl- ing
I I I I '
L
STOUT HEARTED MEN (S Ronberg) "New Moon* Mare la
Give me some nan are stout heart-ed •en will fight for tbari^htthey a
dor*. Start me with ten,«bo atout hearted give you ten
bol-der and bol-der they grow aa they go to•ore,Oh! Shoul-derGm On
STRIKE UP THE BAND (G.Gershwin) "Stafclto Up The Band*
the tn» pet call!
the eym- bals ring!
Strike up theCall-lug «•«•
wnrlc to be done, to be 4one!Bsere»» • Mr to b*
COB* *- loog, let's goi Hey, 9trlk« 19 tbe banal
THERE'S A LONG. LONG TRAIL (Z« Elliott J ETOnly with much expression
C7 Bi . 0b
sing- log Andp I P
«blte There's • long, long night of
Pb Ab
I r f > r r- j» i J <\Ab
wait- ing. Da-til drew ell Till th»
Ab din Bb9 Kb?
dsy I'll be go - ing doom That long, long trad with yon.
TO THE SHORES^ OP TRIPOLI (Jtortoe ^yjm)-(L.Z.Phillips)
ties. Ob tbe laod ej
tie, Of U- niv- rinaa.