Visual styles of maps
43
The visual styles of MAPS José Jácome - Karina Jensen - Thomas Thibault
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Transcript of Visual styles of maps
The visual styles of
MAPSJoseacute Jaacutecome - Karina Jensen - Thomas Thibault
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SIZE
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
DENSITY
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SIZE
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
DENSITY
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
SIZE
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
DENSITY
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
DENSITY
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
DENSITY
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
ORIENTATION
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
TEXTURES amp PATTERNS
DENSITY
ORIENTATION
SIZE
SHAPE
Good for
Good for
Good for
Good for Quite good for
Nominal
Nominal
QUANTITATIVE INFORMATIONS
QUANTITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUALITATIVE INFORMATIONS
QUANTITATIVEINFORMATIONS
Ordinal
Ordinal
Ordinal
Numerical
Numerical
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
SHAPE
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
SHADOWS
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
BRIGHTNESS -SATURATION
MOUVEMENT
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Discrimination with
DEPTH amp LAYERS
BRIGHTNESS -SATURATION
MOUVEMENT
SHADOWS
PERSPECTIVE
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
PERSPECTIVE
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
lsquolsquoSimplicity is about subtracting the obvious and adding the meaningfulrsquorsquoThe Laws of Simplicity John Maeda
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
Scematic mapS
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
tabula peutingeriana
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
DISTANCES
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
DISTORTION
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
POINTS AND LINES
TEXTURESHAPE
COLOR
SIZE
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
OVERLAPPING
SUPERIMPOSITION
NEW SYMBOL
DISPLACEMENT +
+
+
A
A
A B
B
B
A+B
A+B
A+B
+
+
