Visual Rhetoric feb 26

25
Wishin’ on a Boot [then moving on]

Transcript of Visual Rhetoric feb 26

Page 1: Visual Rhetoric feb 26

Wishin’ on a Boot[then moving on]

Page 2: Visual Rhetoric feb 26

We are about to Baudrillard this puppy, but first… I want you to think of this video as an act of public rhetoric.

Page 3: Visual Rhetoric feb 26

• Who is it for?• What does it mean? • Why is it funny? (is it

funny?)• What cultural capital

makes you appreciate the humor?

Page 4: Visual Rhetoric feb 26

• What is the use value? • The exchange value?• Symbolic value?• Sign value?

Page 5: Visual Rhetoric feb 26

Switch.

We’re going to watch some videos.

Page 6: Visual Rhetoric feb 26

PUBLIC RHETORICS.

Page 7: Visual Rhetoric feb 26

That is… rhetoric for a clearly defined public audience. Rhetorical moves that “say something” to society or a particular culture.

Page 8: Visual Rhetoric feb 26

Behold, again, the Space Invader. He is…I know it’s cheesy on some level… “invading” your space. His is a message of art out-of-place or respect for craft lost.

Page 9: Visual Rhetoric feb 26

Or Shepherd Fairey, with his “Obey” motif.

What is he REALLY saying to us? That we should take our advice from Andre the Giant?

Page 10: Visual Rhetoric feb 26

And the high exalted master of the craft , Banksy.

Why does Banksy do these things?

Page 11: Visual Rhetoric feb 26
Page 12: Visual Rhetoric feb 26

Brilliant or simply sarcastic, prolific and often vilified, Banksy uses graffiti to critique culture in ways that are at once obvious and slightly obscured.

What is his point?

Page 13: Visual Rhetoric feb 26
Page 14: Visual Rhetoric feb 26

Sometimes his juxtapositions are obvious.

But he does, indeed, make a point with each thing he “defaces.”

Page 15: Visual Rhetoric feb 26

Your task, then…… is to create a piece of public visual rhetoric and deploy it.

As I have said before, you don’t need to be so brazen as to spray paint something. I don’t want to get you into trouble.

But you want to make something that conveys a public message that you can place in public space.

Page 16: Visual Rhetoric feb 26

Suggestions:1) Think sticker sized. Make stickers and put them

anywhere/everywhere.

2) There are lots of bulletin boards on a college campus and in a college town…

3) A paint stencil might get you in trouble, but a chalk stencil is easy to remove. Just make sure you travel with a camera, because it is also easy to remove. :P

Page 17: Visual Rhetoric feb 26

4. We have an internet full of public space and references.

5. This is still publicity work; it’s just a little off-of-center. So use the same sorts of strategies you’d use to advertise or brand. 5. Customize the medium to your message: what do YOU want to say?

Page 18: Visual Rhetoric feb 26

Brainstorming! For each prompt, write for as long as I give you (about 5 minutes), or sketch, or whatever helps you.

Prompt 1: What are things that matter to you, issues you have something very specific to say about?

Page 19: Visual Rhetoric feb 26

Prompt 2: Remember that this is visual rhetoric, so this needs to be an argument that is more about the visual than the text. What images work with your chosen message?

Page 20: Visual Rhetoric feb 26

Prompt 3: Think about places where your message could best be heard*seen*. What can you put there? How difficult would it be? How legal would it be?

Page 21: Visual Rhetoric feb 26

Prompt 4: Think about the power of memory. How will you get your message to “stick” with the audience? Why will they remember it a day later? A week?

Page 22: Visual Rhetoric feb 26

Prompt 5: What can you use in this space to make this point? Where can you access the materials? Is it cost effective?

Page 23: Visual Rhetoric feb 26

Prompt 6: What are the risks of doing this and can you afford to risk it? If the answer is no, return to prompt 1.

Page 24: Visual Rhetoric feb 26

Armed with these responses, spend some time roughing out a general plan for what you want to create and how you want to deploy it.

You can also get started on the actual design if you can get that far.

Due to the weather and our Lynda timing, the due date for this assignment has changed. It is now due March 21st.

Page 25: Visual Rhetoric feb 26

For next Tuesday:

Make sure you are up-to-date on the readings. We’ll start by looking at hegemonic visualism and work to cover anything that slipped by us these last few weeks in the missed days shuffle.