Vision and Color Theory

104
Institute for Visualization and Perception Research IV P R 1 © Copyright 1998 Haim Levkowitz Vision and Color Theory Haim Levkowitz Institute for Visualization and Perception Research Department of Computer Science University of Massachusetts Lowell

description

Vision and Color Theory. Haim Levkowitz Institute for Visualization and Perception Research Department of Computer Science University of Massachusetts Lowell. Topics. Human & Color Vision Color vs. Luminance Systems Color Deficiencies Color Organization Modeling Complex Visual Themes - PowerPoint PPT Presentation

Transcript of Vision and Color Theory

Page 1: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 1

© Copyright 1998 Haim Levkowitz

Vision and Color Theory

Haim Levkowitz

Institute for Visualization and Perception Research

Department of Computer Science

University of Massachusetts Lowell

Page 2: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 2

© Copyright 1998 Haim Levkowitz

Topics ...

• Human & Color Vision

• Color vs. Luminance Systems

• Color Deficiencies

• Color Organization Modeling

• Complex Visual Themes

• Device Independent Color Displays

Page 3: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 3

© Copyright 1998 Haim Levkowitz

Newton, Opticks 1704, pp. 124-125.• "the rays, to speak properly, are

not coloured. In them there is nothing else than a certain Power and Disposition to stir up a Sensation of this or that Colour."

Page 4: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 4

© Copyright 1998 Haim Levkowitz

The Human Interface• Visual technologies matched to human

visual capabilities

• Print evolved over centuries

• Electronic display revolution-CRT terminals ==> virtual reality in 30 years!

• Requirements for image quality …

• Techn. q's rely on visual percep. of human observer ...

Page 5: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 5

© Copyright 1998 Haim Levkowitz

Requirements for image quality ...

• Sufficient luminance and contrast• No flicker• Effective use of color• Minimized effects of spatial sampling• Perceptually lossless image

compression• Convincing impression of depth

Page 6: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 6

© Copyright 1998 Haim Levkowitz

Techn. q's rely on visual percep. of human observer ...• How do humans process luminance,

contrast, color, motion?

• How do these mechanisms constrain choice of capture, sample, compress, and display information?

Page 7: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 7

© Copyright 1998 Haim Levkowitz

Some Definitions

• Physical stimulus …

• Perception …

• Psychophysics …

• Neurophysiology ...

Page 8: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 8

© Copyright 1998 Haim Levkowitz

Physical stimulus ...

• Measurable properties of the physical world

• Luminance

• Sound pressure

• Wavelength

Page 9: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 9

© Copyright 1998 Haim Levkowitz

Perception ...

• Study sensory phenomena

• Mediated by higher-level processes

• Memory

• Attention

• Experience

Page 10: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 10

© Copyright 1998 Haim Levkowitz

Psychophysics ...

• Study sensations/perceptions physical energies produce

• Brightness

• Loudness

• Color

Page 11: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 11

© Copyright 1998 Haim Levkowitz

Neurophysiology ...

• Study physiological mechanisms mediating sensory information

• Transduction

• Coding

• Communication

Page 12: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 12

© Copyright 1998 Haim Levkowitz

Color: Physics vs. Perception

Luminance

Dominant wavelength

Purity

Physical Perceptual

lightness (objects; reflected light)

hue (hue circle; red vs. purple, etc.)

saturation (vivid vs. pastel)

brightness (light sources; emitted light)

Page 13: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 13

© Copyright 1998 Haim Levkowitz

An Overview of the Human Visual System

• The Eye

• Schematic of the eye ...

• Two lenses-one fixed (cornea); one variable (lens)

• Pupil-operates like camera aperture

• Retina …

Page 14: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 14

© Copyright 1998 Haim Levkowitz

Schematic of the eye ...

Lens

Corneaa

Fovea Muscle

Optic nerve

Retina

Page 15: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 15

© Copyright 1998 Haim Levkowitz

Retina ...

• 5 layers of cells at back of eye

• Photoreceptors-light sensitive cells …

• 4 other classes of cells …

Page 16: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 16

© Copyright 1998 Haim Levkowitz

Photoreceptors-light sensitive cells …

• Rods (~120 million) …

• Cones (~8 million) …

• No photoreceptors in the optic disk

• ==> blind spot

Page 17: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 17

© Copyright 1998 Haim Levkowitz

Rods (~120 million) ...

• Achromatic

• Night/low light levels

Page 18: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 18

© Copyright 1998 Haim Levkowitz

Cones (~8 million) ...

• Daytime color vision/color coding

• Major concentration in fovea

• (central one degree of vision)

• 3 wavelength distributions ...

Page 19: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 19

© Copyright 1998 Haim Levkowitz

3 wavelength distributions ...

• S: short-violet ("blue")

• Peak sensitivity 440 nm

• M: medium-yellowish-green ("green")

• 550 nm

• L : long-yellow ("red")

• 570 nm

Page 20: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 20

© Copyright 1998 Haim Levkowitz

4 other classes of cells ...

• Image compression

• Lateral inhibition

Page 21: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 21

© Copyright 1998 Haim Levkowitz

Eye Movements• Saccades (4/sec.)

• 6 muscles point eye to areas of interest

• Clear stable impression of external world

• Minisaccades

• Keep eye in const. movement

• Req'd for perception

• If not, external world fades away

Page 22: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 22

© Copyright 1998 Haim Levkowitz

Sensitivity vs. Resolution

• 1-1 mapping receptors to ganglion cells

• ==> highest spatial resolution (acuity)

• Fovea

• Many-1 mapping

• ==> highest sensitivity

• Periphery

• Greater temporal sensitivity

Page 23: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 23

© Copyright 1998 Haim Levkowitz

60% of brain receives visual input

• Input to decision making, memory, and concept formation processes

• Looking at a display involves ...

• More than questions of image quality and detectability

• How seek out, understand, and use information.

Page 24: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 24

© Copyright 1998 Haim Levkowitz

Basic Visual Mechanisms

• Early Vision: Luminance Perception …

• Contrast and spatial resolution

• Image applications of CSF

• Perceived flicker

• Inexpesive way to reduce perceived flicker ...

Page 25: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 25

© Copyright 1998 Haim Levkowitz

Early Vision: Luminance Perception …

• Sensitivity to luminance variations …

• Apparent brightness: not linear function of luminance ...

Page 26: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 26

© Copyright 1998 Haim Levkowitz

Sensitivity to luminance variations …

• 14 log-unit range: dim star --> bright sunlight …

• At any moment, a 2 log-unit range

• Matched to ambient illumination

• Dynamics of light-and- dark-adaptation

Page 27: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 27

© Copyright 1998 Haim Levkowitz

14 log-unit range: dim star --> bright sunlight ...

• Sun at noon: 108-1010 candles/meter2 (Damaging)• Photopic

• Filament of 100 watt light bulb: 107

• Comfortable reading: 10• Mixed (mesopic): 1• Scotopoic

• White paper in moonlight: 10-2

• Weakest visible light: 10-6

Page 28: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 28

© Copyright 1998 Haim Levkowitz

Apparent brightness: not linear function of luminance ...• Non-linear psychophysical

relationship ...

Page 29: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 29

© Copyright 1998 Haim Levkowitz

Non-linear psychophysical relationship ...• Reflects visual coding

• Perceptual

• "gamma" function

• "Logarithmic"

• range

• Incorporated

• in many color metrics

Luminance

Apparent Brightness

Page 30: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 30

© Copyright 1998 Haim Levkowitz

Contrast and spatial resolution

• Visual angle …

• Contrast sensitivity …

• Minimum modulation to detect grating patterns ...

Contrast =Luminance(object)

Luminance(background)

Page 31: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 31

© Copyright 1998 Haim Levkowitz

Visual angle ...

• For some objects ...

tan /2 = S/2DS = sizeD = distance

Page 32: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 32

© Copyright 1998 Haim Levkowitz

For some objects ...

• Character on CRT at 50 cm: 17'• Diameter of sun, moon: 30'• Lower case pica-type letter at reading distance 40 cm: 13'• Quarter at arm's length, 90 yards, 3 miles: 20, 1', 1"• Diameter of fovea: 10• Diameter of foveal receptor: 30"• Position of inner edge of blind spot: 120 from fovea• Size of blind spot: 7.50 (v), 50 (h)

Page 33: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 33

© Copyright 1998 Haim Levkowitz

Contrast sensitivity ...

• Depends on spatial distribution of light and dark

RelativeContrast Sensitivity (dB)

Page 34: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 34

© Copyright 1998 Haim Levkowitz

Minimum modulation to detect grating patterns ...

• Tuned function of spatial frequency

• Peak sensitivity at 2-4 cycles/degree

• Decreased sensitivity for• Lower (broader)• Higher (finer) spatial

frequency

RelativeContrast Sensitivity (dB)

Page 35: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 35

© Copyright 1998 Haim Levkowitz

Image Applications of CSF

• Application areas ...

• CSF caveats ...

Page 36: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 36

© Copyright 1998 Haim Levkowitz

Application Areas ...

• Image coding …

• Digital halftoning …

• Display quality ...

Page 37: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 37

© Copyright 1998 Haim Levkowitz

Image coding ...

• Gain efficiency

• Greatest BW to regions of greatest spatial frequency sensitivity

RelativeContrast Sensitivity (dB)

Page 38: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 38

© Copyright 1998 Haim Levkowitz

Digital halftoning ...

• Hide sampling noise in regions of lowest contrast sensitivity

Spatial Frequency (cycles/deg)

RelativeContrast Sensitivity (dB)

Page 39: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 39

© Copyright 1998 Haim Levkowitz

Display quality ...

• Evaluate display modulation transfer function (MTF) with human contrast sensitivity function (CSF)

Page 40: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 40

© Copyright 1998 Haim Levkowitz

CSF Caveats ...

• Depends on

• Luminance

• Color

• Temporal modulation

Page 41: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 41

© Copyright 1998 Haim Levkowitz

Perceived flicker

• Depends on luminance, not color

• Factors affecting flicker ...

Page 42: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 42

© Copyright 1998 Haim Levkowitz

Factors affecting flicker …

• Display parameters ...

• Viewing conditions

• Peripheral vs. foveal gaze

• Observer factors

• Age, caffeine, depressants

Page 43: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 43

© Copyright 1998 Haim Levkowitz

Display parameters ...

• Luminance

• Refresh rate

• Interlaced vs. non-interlaced

• Phosphor persistence

• Display size

Page 44: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 44

© Copyright 1998 Haim Levkowitz

Inexpensive way to reduce perceived flicker ...

• Add dark glass, "anti-glare" faceplate

• Reduce luminance

• ==> Reduce perceived flicker

• Increase contrast

• Ambient light attenuated twice

• Emitted light attenuated once

Page 45: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 45

© Copyright 1998 Haim Levkowitz

Introduction to human color vision

• Color vision: Trichromacy …

• Implications of trichromacy

• Second stage: Opponent Processes

• Color deficiencies

Page 46: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 46

© Copyright 1998 Haim Levkowitz

Color vision: Trichromacy ...

• Three broadband filters

• Tuned to three ranges of wavelength

• "Blue," "green," "red"-misnomers! …

• Perceived hue ...

Page 47: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 47

© Copyright 1998 Haim Levkowitz

"Blue," "green," "red"-misnomers! …

• Each one color blind …

• "Blue"

• Peaks at "blue" wavelength

• "Green" and "red"

• Largely overlapping

• Peak at roughly "yellow"

Page 48: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 48

© Copyright 1998 Haim Levkowitz

Each one color blind …

b: “Green”

Wavelength (nm)

Fraction of lightabsorbed by eachtype of cone

400 680440 480 520 560 600 640

.20

.18

.16

.14

.12

0

.10

.08

.06

.04

.02

g: “Red”

a: “Blue”

Page 49: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 49

© Copyright 1998 Haim Levkowitz

Perceived hue …

• Combination across three cone mechanisms …

• Example …

• Metamerism ...

Page 50: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 50

© Copyright 1998 Haim Levkowitz

Combination across three cone mechanisms ...

b: “Green”

Wavelength (nm)

Fraction of lightabsorbed by eachtype of cone

400 680440 480 520 560 600 640

.20

.18

.16

.14

.12

0

.10

.08

.06

.04

.02

g: “Red”

a: “Blue”

Page 51: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 51

© Copyright 1998 Haim Levkowitz

Example ...

• Equal excitation

• to medium

• and long

• ==> "yellow"

Medium

Wavelength (nm)400 680440 480 520 560 600 640

.20

.18

.16

.14

.12

0

.10

.08

.06

.04

.02

Long

Short

Page 52: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 52

© Copyright 1998 Haim Levkowitz

Metamerism ...

• Solution 1

• 550 nm monochromatic

• Solution 2

• 530 nm + 630 nm

• Equivalent sensation

Medium

Wavelength (nm)400 680440 480 520 560 600 640

.20

.18

.16

.14

.12

0

.10

.08

.06

.04

.02

Long

Short

Page 53: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 53

© Copyright 1998 Haim Levkowitz

Implications of trichromacy

• Any hue

• Matched by combination of 3 primaries

• Produced by infinite number of wavelength combinations

• Basis for color TV and VDT technology ...

Page 54: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 54

© Copyright 1998 Haim Levkowitz

Basis for color TV and VDT technology ...

• Very efficient-need only 3 primaries to produce millions of colors

• E.g., does not require "yellow" gun

• Primaries define gamut of colors

Page 55: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 55

© Copyright 1998 Haim Levkowitz

Second Stage: Opponent Processes

• Recombine photoreceptor outputs into 3 opponent channels

R – G Y – BW – Bk

“Red” “Green” “Blue”

Y = R + GRG

Page 56: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 56

© Copyright 1998 Haim Levkowitz

Color deficiencies

• ~8% males, < 1% females have some genetic color deficiency

• Most common: deuteranomaly …

• Others …

• Color deficiencies and visual displays ...

Page 57: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 57

© Copyright 1998 Haim Levkowitz

Most common: deuteranomaly ...

• 5% males, 0.5% females

• Anomalous trichromacy

• Caused by abnormal M-type cone

• ==> abnormal matches/poor discrimination

Page 58: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 58

© Copyright 1998 Haim Levkowitz

Others …

• Missing/abnormal cone type …

• Much less common

Page 59: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 59

© Copyright 1998 Haim Levkowitz

Missing/abnormal cone type ...

• E.g.,

• Abnormal M-type …

• Abnormal L-type ...

Page 60: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 60

© Copyright 1998 Haim Levkowitz

Abnormal M-type ...

Normal

Page 61: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 61

© Copyright 1998 Haim Levkowitz

Abnormal L-type ...

Normal

Page 62: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 62

© Copyright 1998 Haim Levkowitz

Color deficiencies and visual displays ...

• Color deficient people may not be aware

• Simple rule-of-thumb ...

Page 63: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 63

© Copyright 1998 Haim Levkowitz

Simple rule-of-thumb ...• Code important distinctions with

redundancy

• Luminance

• E.g., spell-checker highlights misspelled words

• Red

• Bright

• Size

Page 64: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 64

© Copyright 1998 Haim Levkowitz

Color-luminance interactions

• Luminance vs. color …

• The Luminance Mechanism …

• The Color System ...

Page 65: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 65

© Copyright 1998 Haim Levkowitz

Luminance vs. color ...

• Detect chromatic & achromatic grating patterns

• As function

• of spatial frequency

Blue/Yellow

Red/Green

RelativeContrast Sensitivity (dB)

Black/White

Spatial Frequency (cycles/deg)

Page 66: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 66

© Copyright 1998 Haim Levkowitz

The Luminance Mechanism …

• Mediates high spatial-frequency tasks …

• Has broader bandwidth ...

Page 67: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 67

© Copyright 1998 Haim Levkowitz

Mediates high spatial-frequency tasks ...

• Yellow text on white: hard• Little lum. diff. for high spat.-freq. task• Luminance system has nothing to work

with• High spatial resolution

• Depends on luminance• Independent of hue

Page 68: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 68

© Copyright 1998 Haim Levkowitz

Has broader bandwidth ...

• More BW to encode luminance spatial variations

• Adding color to TV: little add'l BW

• Color info. in between bands

• Compression schemes

• Most BW to luminance

• ==> higher image quality w/fewer bits

Page 69: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 69

© Copyright 1998 Haim Levkowitz

The Color System ...

• More sensitive to low spatial frequencies

• Small color targets achromatic …

• Large color areas more saturated & intense ...

Page 70: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 70

© Copyright 1998 Haim Levkowitz

Small color targets achromatic ...

Page 71: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 71

© Copyright 1998 Haim Levkowitz

Large color areas more saturated & intense …

• Small "pale salmon" paint chip …

• Looks like "mango frenzy" on a large wall ...

Page 72: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 72

© Copyright 1998 Haim Levkowitz

Small "pale salmon" paint chip ...

Page 73: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 73

© Copyright 1998 Haim Levkowitz

Looks like "mango frenzy" on a large wall ...

Page 74: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 74

© Copyright 1998 Haim Levkowitz

Introduction to color calibration

• Device independent color …

• Selecting the correct color space …

• Cross rendering ...

Page 75: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 75

© Copyright 1998 Haim Levkowitz

Device independent color …

• Definition …

• Steps to device independent color ...

Page 76: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 76

© Copyright 1998 Haim Levkowitz

Definition ...

• Color images look comparable

• On CRT

• Projected

• On printer

Page 77: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 77

© Copyright 1998 Haim Levkowitz

Steps to device independent color ...

• Calibrate output devices

• Luminance values?

• Output device calibration …

• Transform to appropriate color metric

• Choose correct optimization

Page 78: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 78

© Copyright 1998 Haim Levkowitz

Output device calibration ...• D/A values to R, G, B guns?

• Not good enough!

• Measure luminance response function for each gun

• Straightforward

• Benefits of calibration …

• Why (uncalibrated) RGB is dangerous ...

Page 79: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 79

© Copyright 1998 Haim Levkowitz

Benefits of calibration ...

• Express image chromaticities in standard metric spaces

• Manipulate color in systematic ways

Page 80: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 80

© Copyright 1998 Haim Levkowitz

Why (uncalibrated) RGB is dangerous ...

• If R, G, B values are D/A values, not luminance values, transformations from RGB to any metric space will be uninterpretable

Page 81: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 81

© Copyright 1998 Haim Levkowitz

Selecting the correct color space …

• Colorimetric approaches …

• Spaces for additive vs. subtractive color devices

• "Uniform Color Spaces" …

• Color naming

• Color constancy

Page 82: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 82

© Copyright 1998 Haim Levkowitz

Colorimetric approaches ...

• Based on color matching data

• Commission Internationale De L'Eclairage (CIE)

• CIE 1931

• Linear transformations of CIE 1931

• Taking luminance into account

Page 83: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 83

© Copyright 1998 Haim Levkowitz

"Uniform Color Spaces" ...

• Pseudo perceptual• Generalized LHS model (Levkowitz)

• Perceptual• Incorporating Opponent Process

mechanisms• Post-receptor processes plus gain

control (Guth)

Page 84: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 84

© Copyright 1998 Haim Levkowitz

Cross rendering ...

• Color information from one device to another

• Difficult: "gamut mismatch" …

• Solving the gamut mismatch problem …

• Answer from psychophysics

Page 85: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 85

© Copyright 1998 Haim Levkowitz

Difficult: "gamut mismatch" ...

• Devices operate at different• Luminance levels• Range of possible hues depends on

luminance• Pigments/phosphors

• ==> Range (gamut) of colors not fully overlapping

Page 86: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 86

© Copyright 1998 Haim Levkowitz

Solving the gamut mismatch problem …

• Pixel-by-pixel chromaticity match …• Selective color preservation based on

image content• Color name preservation• Role of color constancy

• Appearance-preserving uniform transformations?

Page 87: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 87

© Copyright 1998 Haim Levkowitz

Pixel-by-pixel chromaticity match ...

• "Best" match? closest in

• hue, saturation, lightness, some combination?

• In what metric space?

• What combination rule best describes fit?

Page 88: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 88

© Copyright 1998 Haim Levkowitz

Color vision for complex visual tasks

• Color and visual search …

• Visual/verbal interactions

• Color contrast and color constancy

Page 89: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 89

© Copyright 1998 Haim Levkowitz

Color and visual search …

• Color attracts "pre-attentive" vision …

• Applications …

• Theoretic basis: Treisman 80 …

• Color for feature coding: caveats ...

Page 90: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 90

© Copyright 1998 Haim Levkowitz

Color attracts "pre-attentive" vision ...

• Attracts attention

• Facilitates effortless search

• Enables parallel search

Page 91: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 91

© Copyright 1998 Haim Levkowitz

Applications ...

• Draw attention to features of interest

• Identify

• Red car

• Colorfully-dressed child

• Scan for multiple instances of feature

Page 92: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 92

© Copyright 1998 Haim Levkowitz

Theoretic basis: Treisman 80 …

• "Popout" effect in visual search …

• Most salient "popout" features ...

Page 93: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 93

© Copyright 1998 Haim Levkowitz

"Popout" effect in visual search ...

• Time to detect presence of target• Disjunctive target (single feature)

• Parallel: Ind. of # of items • Targets based on conjunction of

features• Serial: linear w/number of items

• Treisman and Gelade (1980) ...

Page 94: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 94

© Copyright 1998 Haim Levkowitz

Treisman and Gelade (1980) ...

Number of Display Items

Time to DetectTarget(Msec)

Conjunctive (green "T")Disjunctive (blue letter)Disjunctive ("S")

1200

800

400

1 5 15 30

T

TS

Page 95: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 95

© Copyright 1998 Haim Levkowitz

Most salient "popout" features ...

• Color

• Depth

• [Nakayama, 1986]

Page 96: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 96

© Copyright 1998 Haim Levkowitz

Color for feature coding: caveats …

• Preattentive features can distract …• Or attract …• Engage powerful preattentive aspects

for trivial ends• Role can be overstated

• Processes requiring attention & analysis also important

Page 97: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 97

© Copyright 1998 Haim Levkowitz

Preattentive features can distract ...

NYMXOLORSEZPGRDBEINGNP

HZMAYTQCJMAK

MWHAIJSE

Page 98: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 98

© Copyright 1998 Haim Levkowitz

Or attract ...

NYMXOLORSEZPGSYBSEINGNP

HZMAYTQCJMAK

MWEAIJSE

Page 99: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 99

© Copyright 1998 Haim Levkowitz

The Stroop Effect (1935) ...

• Task: name color of words

• Nonsense words

• Color naming very fast

• Color names

• Color naming very slow

Page 100: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 100

© Copyright 1998 Haim Levkowitz

The Stroop Effect (1935) ...

BLUEGREENREDYELLOWREDYELLOWGREENBLUE

YELLOWBLUEREDGREENREDBLUEYELLOWGREEN

Page 101: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 101

© Copyright 1998 Haim Levkowitz

Color contrast and color constancy …

• Color contrast ...

Page 102: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 102

© Copyright 1998 Haim Levkowitz

Color contrast …

• Perceived hue depends on surrounding hues …

• Induction of complementary hue …

• Mediated by opponent process mechanisms

Page 103: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 103

© Copyright 1998 Haim Levkowitz

Perceived hue depends on surrounding hues ...

Page 104: Vision and Color Theory

Institute for Visualization and Perception ResearchI VP R 104

© Copyright 1998 Haim Levkowitz

Induction of complementary hue ...