Web viewShot type/Camera Angle: ESTABLISHING SHOT/ EYE-LINE LEVEL of The Grizzly Bear’ Free...

St. Paul’s Catholic College

Unit G324: Advanced Portfolio in Media

Script

Name of Production:

Group Members (Full names):

Lucy Boylett Daniel Ah-Wan

Scene: 1

Character name: N/AShot type/Camera Angle: ESTABLISHING SHOT/ EYE-LINE LEVEL of The Grizzly Bear’ Free House

Voiceover/Non-Diegetic Music: KINGS OF LEON – KNOCKED UP fades in

Action: N/A

Scene: 2

Character name: N/AShot type/Camera Angle: ESTABLISHING SHOT/ EYE-LINE LEVEL of Nail Parlor

Voiceover/Non-Diegetic Music: KINGS OF LEON – KNOCKED UP

Action: N/A

Scene: 3

Character name: A, B, C (MALES) & D, E, F (FEMALES) Shot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL of The Grizzly Bear’ Free House door

MID-SHOT/EYE-LINE LEVEL of Nail Parlor door Voiceover/Non-Diegetic Music: KINGS OF LEON – KNOCKED UP

1

Action: SPLIT SCREEN: 1.) The three males exit the free house, walking out of the door whilst laughing to themselves.

2.) The three females exit the nail parlor, walking out of the door whilst looking at their newly manicured nails

Scene: 4

Character name: A.B,CShot type/Camera Angle: LONG SHOT/ EYE-LINE LEVEL of three males


Action: The three male protagonists walk in the middle of a public road with their hands in their pockets. Character A and C look happy whereas Character B looks anxious, creating an enigma (Roland Barthes Enigma codes theory) Character B positioned in front of Character A and C Cars parked along

the curb line are in view and pedestrians walking past glance at them.

Scene: 5

Character name: A. B, CShot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL of three males


Action: The three male protagonists continue to walk down the road with their hands in their pockets. Cars parked along the curb line are in view and pedestrians walking past glance at them.

Scene: 6

Character name: B Shot type/Camera Angle: MID- CLOSEUP/ EYE-LINE LEVEL of dominant male


Action: Dominant male directly looks into the camera lens (eye-line match), which emphasizes his troubled emotions.

Scene: 7

Character name: BShot type/Camera Angle: CLOSE-UP/ EYE-LINE LEVEL of dominant male


Action: Dominant male continues to look directly into the camera lens (eye-line match) and continues to smirk.

Scene: 8

Character name: D, E, FShot type/Camera Angle: LONG SHOT/ EYE-LINE LEVEL of three female protagonists


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Action: The three females walk in the middle of a public road with their hands on their hips as if to portray their authoritative presence and emphasize their dominance over the male gender, therefore

they are represented as the alpha males (Rebecca Fisseys theory 2007) . The dominant female character is positioned in front of Character D and Character F.

Scene: 9

Character name: D, E, F Shot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL of three female protagonists


Action: They continue to walk down the middle of the public road with same facial expressions. Dominant female (E) reaches into her handbag to pull out lipstick.

Scene: 10

Character name: EShot type/Camera Angle: CLOSE-UP/ EYE-LINE LEVEL of predominant female


Action: Dominant female glances up and smirks directly at the camera lens (eye-line match)

Scene: 11

Character name: EShot type/Camera Angle: EXTREME CLOSE-UP/ EYE-LINE LEVEL of dominant females lips


Action: Dominant female re-applies a layer of glossy red lipstick as she and the two other females (however not in focus) continue to walk down the road.

Scene: 12

Character name: B & EShot type/Camera Angle: INSERT SHOT/CLOSEUP/ EYE-LINE LEVEL of predominant protagonist’s

footwear.Voiceover/Non-Diegetic Music: KINGS OF LEON – KNOCKED UP

Action: SPLIT SCREEN: 1.) Shot of dominant males (B) trainers walking to the entrance of the subway.2.) Shot of dominant females (E) high heels walking near the entrance of Sunbury Tesco.

Scene: 13

Character name: A, B, C, D, E, F

3

Shot type/Camera Angle: LONG SHOT/ EYE-LINE LEVEL of two genders Voiceover/Non-Diegetic Music: KINGS OF LEON – KNOCKED UP

Action: SPLIT SCREEN: 1.) The three males walk down the entrance of subway.2.) The three females walk down the Tesco walkway.

Scene: 14

Character name: N/AShot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL of graffiti art of baby


Action: N/A

Scene: 15

Character name: A, B, C, D, E, FShot type/Camera Angle: MID-SHOT (SIDE ANGLE)/ EYE-LINE LEVEL of both genders


Action: SPLIT SCREEN: 1.) With the graffiti in focus, the three males walk past it. 2.) The three female characters walk past trolley area. Passersby may include mothers/fathers with

children in order to emphasize the social issue.

Scene: 16

Character name: A, B, C, D, E, FShot type/Camera Angle: LONG SHOT/ HIGH ANGLE of train station


Action: The two genders enter the train station simultaneously from the two different entrances of the platforms. They glance at each other in disgust and stand facing opposite each other.

Scene: 17

Character name: A, B, CShot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL PAN of three male protagonists


Action: Camera pans the males (LEFT TO RIGHT) as they stand staring at the females. The predominant male looks slighting uneasy however.

Scene: 18

Character name: D, E, FShot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL PAN of three female protagonists


4

Action: Camera pans the females (LEFT TO RIGHT) as they stand staring at the males.

Scene: 19

Character name: EShot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL of predominant female


Action: The dominant female reaches into her bag and pulls out a pregnancy test. She then waves the pregnancy test and shrugs her shoulders as if to signify she is waiting for an answer.

Scene: 20

Character name: A, B, CShot type/Camera Angle: MID-SHOT/ EYE-LINE LEVEL of three male protagonists


Action: The dominant male opens his mouth and then places his hand on his mouth in complete shock. His facial expression portrays panic and worry. Character A and C who are positioned behind Character

B step forward and turn to look at B in disgust as they squint their eyes and shake their heads. Character B then walks towards the edge of the platform.

Scene: 21

Character name: BShot type/Camera Angle: INSERT SHOT/CLOSEUP/LOW ANGLE SHOT character B’s trainer


Action: The predominant male’s trainer steps an inch over the edge of the platform.

Scene: 22

Character name: A, B, C, D, E, FShot type/Camera Angle: LONG SHOT/ HIGH ANGLE SHOT of two genders


Action: Character A and B turn around and begin to walk out of the train station triggering Character B to look behind and cover his face in sadness. Character E, F & G are also in the scene as they stand

watching Character B. LEADS ONTO THE CONTINOUS UPWARDS TILT.

Scene: 23

Character name: A, B, C, D, E, FShot type/Camera Angle: LONG SHOT/ UPWARDS TILT of train station to overclouded sky

Voiceover/Non-Diegetic Music: KINGS OF LEON – KNOCKED UP fades as VOICEOVER begins

5

NON-DIEGETIC ‘DRONE’ SOUNDPOINT OF CALL NARRATION: ‘Sunbury Cross. Coming soon on weekdays at 8pm on BBC 3’ (Deeply

sincere and melodramatic)

Action: Camera slowly tilts from train station to the over clouded sky in which the Point of Call will fade in and voiceover narration commences.

As it ends, the image slowly faces/dissolves to black.

END

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Web viewShot type/Camera Angle: ESTABLISHING SHOT/ EYE-LINE LEVEL of The Grizzly Bear’ Free...

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