Passport to a MUSICAL WORLD with your ACADIANA SYMPHONY ORCHESTRA

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MARIUSZ SMOLIJ is considered one of the most exciting conductors of his generation. Frequent recording artist for NAXOS International, he has consistently gained international critical acclaim including praise by the New York Times for “compelling performances.” Maestro Smolij has led over 100 orchestras in 27 countries on five continents, appearing in some of the most prestigious concert halls of the world. In North America, he collaborated with Houston Symphony, New Jersey Symphony, Orchestra of the Chicago Lyric Opera, St. Louis Philharmonic, Rochester Philharmonic, Indianapo-lis Symphony, Indianapolis Chamber Orchestra, Hartford Symphony and Symphony Nova Scotia, among others. Internationally, he enjoys a notable reputation appearing with important symphonic ensembles of Austria, Germany, Italy, France, Switzerland, Holland, Israel, South Africa, Columbia, Bolivia, Bulgaria, Hungary, Serbia, Czech Republic, Slovak Republic, as well as his native country of Poland. Maestro Smolij has held the position of permanent conductor with acclaimed orchestras and

musical institutions in the United States and Europe. At the invitation of Maestro Christoph Eschenbach, he served as the Resident Conductor of the Houston Symphony and was Staff Conductor of the New Jersey Symphony Orchestra. In Europe, he was Music Director of one of the oldest European orchestras, The Wroclaw (Breslau) Philharmonic as well as the International Festival Wratislavia Cantans in Poland. The conductor has appeared at major international music festivals: Janacek May in the Czech Republic; Rheingau Music Festival in Germany; La Folle Journée in France, Lutoslawski and Wratislavia Cantans Festivals in Poland as well as prominent cultural centers such as New York’s Carnegie Hall, Lincoln Center, Philadelphia’s Kimmel Center, Salle Gaveau in Paris, Con-certgebouw in Amsterdam, National Cultural Center of China in Beijing, ABC Hall in Johannesburg, Bunka Hall in Japan, National Halls of Bulgaria, Serbia and Cyprus, among many others. Maestro Smolij has introduced American audiences to many unknown works by Eastern European composers, and he regularly performs American orchestral music in Europe. His interests in championing a wide spectrum of repertoire is exem-plified by a long list of recordings he has made for prominent labels including Universal, Hungaroton and Naxos. The Naxos series, featuring Eastern European masters, has been repeatedly met with high accolades from international critics and will enjoy its newest release this season. Maestro Smolij’s reputation as a conducting pedagogue reaches both sides of the Atlantic. He served on the faculty of Northwestern University School of Music, has taught at the International Workshops for Conductors in the Czech Republic, teaches at professional conducting seminars in the USA and Poland and was invited to present conducting master classes at the Zürich Conservatory in Switzerland. Born near Katowice, Poland, Maestro Smolij is an accomplished violinist and was the founder and violinist of the in-ternationally recognized Penderecki String Quartet, performing and recording with this ensemble in Poland, Germany, France, Italy and the United States. After studies in Europe he studied conducting in the United States, earning a doctorate degree from the Eastman School of Music.

Artists bio6

I N T E R I O R S • G A R D E N A C C E S S O R I E S • P R E S E N T S

3 3 1 H E Y M A N N B L V D • O I L C E N T E R • 2 3 3 - 5 0 0 0

Art Gallery Now Opena must see...

Concerto for Two Violins, strings, and basso continuo Antonio Vivaldi

Allegro

Larghetto e spiritoso Allegro

Canzon septimi toni No. 1 and No. 2 Giovanni Gabrieli

ASO Brass Ensemble

(1551-1612)

Gloria Antonio Vivaldi

Program page

Monday, October 22, 20127:00 pm

I. Gloria in excelsis DeoII. Et in terra pax hominibusIII. Laudamus teIV. Gratias agimus tibiV. Propter magnam gloriamVI. Domine DeusVII. Domine Fili UnigeniteVIII. Domine Deus, Agnus DeiIX. Qui tollis peccata mundiX. Qui sedes ad dexteramXI. Quoniam tu solus SanctusXII. Cum Sancto Spiritu

ASO Chorus, Lee Cook, Chorus DirectorULChorale, William Plummer, Chorus Director

in A minor RV522 Op. 3 No.8 “L’estro Armonico” (1678-1741)

“Venice 1712: Jewels of the Italian Baroque”Sunday, October 21, 2012

ACADIANA SYMPHONY ORCHESTRAMariusz Smolij, Music Director

presents

3:00 pm

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St. John’s CathedralLafayette, LA

8

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10In the spotlight

David BennettASWL member since 1989. Bennett is a fourth time President of the ASWL with a love of the music. She is especially proud of the League’s accomplishments in establishing the children’s educational concerts, scholarship program and event hospitality. Her hope is to generate new members and inspire ASWL leadership that will continue the vital volunteer services for the ASO into the future.

Sally BurdetteASWL member since 1990. Known for her active involvement in the Viennese Balls of the 90’s and the annual Madhatter Luncheons, Burdette takes pride in the tremendous support the ASWL has created for the symphony. As a past-President and current Vice-president of the League, she sees ASWL among the strongest “working” women’s boards in Lafayette, with compatibility of members central to the successes.

Acadiana Symphony Women’s League Leadership Legacies

11 In the spotlight

Ann KnightASWL member since 1987. A generous donor and event volunteer, Knight has been actively involved in the ASO children’s concerts. To help raise funds for ASO, she has graciously opened her home for luncheons, teas and 15 symphony suppers, complete with themed costumes! Although her legacy is dedication to the mission of supporting classical music provided by the symphony, her greatest personal joy is the lifelong friendships gained from ASO involvement.

Jeanie RushASWL member since 1989. Rush is a past-President of both the ASWL and the ASO Board. Rush acknowledges the volunteers, patrons, donors and sponsors that have made the ASO growth and stability possible. Paying off the ASO building in 2000 is among the proudest achievements in which she has participated. She cites the symphony as one of the key features in Lafayette and an asset for recruiting corporate business that values cultural options that enhance the quality of life in the region.

Story by Jeanne Solis

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Concerto for Two Violins in A Mino Antonio Vivaldi (1678-1741)Like his great Baroque contemporaries, Bach and Handel, Vivaldi’s output was extensive: forty operas, at least one hundred choral works, twenty-five cantatas, more than seventy sonatas, hundreds of concertos (most of which were written for violin, either solo or as many as four) and numerous miscellaneous pieces. As an accomplished violinist, Vivaldi was able to fully utilize and expand the technical and expressive potential of the instrument. This is clearly evident in the Concerto for Two Violins in A minor where the range and technical detail are far beyond the earlier concertos of Arcangelo Corelli (1653-1713) and Giuseppe Torelli (1658-1719). In Vivaldi’s concerto, there is no hierarchy of position, no dominant or subordinate status with the soloists equally sharing musical content.

Canzon septimi toni No. 1 and No. 2 Giovanni Gabrieli (1551-1612)Giovanni Gabrieli was the nephew and pupil of Andrea Gabrieli (1533-1585), composer and organist at St. Mark’s Cathedral in Venice, Italy. Andrea composed both sacred and secular music, which Giovanni edited for publication after Andrea’s death. Following his uncle’s example, Giovanni composed prolifically, producing a vast quantity of music both sacred and secular. This includes work for instruments, treating them as separate entities rather than subordinate extensions of vocal music.

Quarter notesNotes by Dr. James Burke

The canzon developed by both Gabrielis was originally a composition for organ that soon evolved into a chamber piece for several instruments. Late in life, Giovanni produced a set of canzoni that was published post-humously in 1615. The assignment of parts was not clearly indicated, although there were suggestions that instruments could be applied. Aside from being among the earliest examples of music written specifically for instruments, Gabrieli’s canzoni are enduring works of musical art and welcome additions to brass ensemble literature.

Gloria Antonio VivaldiAlthough ordained for the priesthood in 1703, Vivaldi’s relationship with the Church was continuously problematic. Complaining of chronic poor health, he refused to conduct Mass. Even more incriminating in the Church’s view was his practice of traveling throughout Europe, promoting his compositions, with soprano, Anna Girard. In spite of his shaky relationship with the Church, Vivaldi composed religious music including Magnificat, the oratorio Judiha triumphans, countless hymns, psalms, motets, and one of his most popular sacred works, Gloria. The work reveals Vivaldi’s mastery of instrumentation and polyphonic technique. It is divided into twelve numbers, one for each phrase of the Gloria. Vivaldi’s Gloria strongly influenced Bach in his B Minor Mass, particularly in giving each textual phrase its own musical setting.

Quarter notes15

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1921 KALISTE SALOOM, STE. 117 • PARC LAFAYETTE, LAFAYETTE, LA • 337-534-8682

Acadiana Symphony Women’s League

Celebrating 25 Years of Service to ASO

16

Time flies when you’re having fun, especially when it involves the Acadiana Symphony Women’s League (ASWL). Celebrating its 25th anniversary this year, the ASWL’s mission remains clear: raising funds to support the Acadiana Symphony Orchestra performances, music education scholarships and children’s concerts. “The legacy of the ASWL is its tremendous support for the symphony,” says 22-year member, Sally Burdette. “We have one of the strongest ‘working’ women’s boards in Lafayette. Our members are compatible, and accomplishing the ASWL’s mission is most important, not who gets the credit.”

Over a “Charter” coffee talk at the Lafayette City Club in 1987, the idea of creating an ASO women’s League was officially introduced. Thanks to a gentle reminder to bring their checkbooks, installation of inaugural Lifetime Members happened quickly to further direct the new ASWL toward creation of a scholarship endowment fund administered by the ULL Foundation. “The League has about 120 Lifetime Members,” David explains. Their one-time $500 dues payments are dedicated to the scholarship endowment. Since the program’s inception, the League has awarded multiple $1,000 scholarships annually to ULL students who are string instrument majors.

“The legacy of the ASWL is its tremendous support for the symphony”

Acadiana Symphony Women’s League17

In both service time and financial contributions, there have been many pillars of the League. Visionary League founders like Jean Hurley, Maggie Danna, Betty Barras, Ruth Saloom and Virginia Sheehee paved the way for subsequent other long-time members like Jeanie Rush and Anne Knight. Memorial recognition is also provided for deceased former members, like Barbara Clardy, who was vital to ASWL’s formation. Bennett is now in her 4th round as President, and points to the children’s educational concerts as her greatest League pride. Initially offered to just two grades of local school children, the performances are now open to all elementary-aged students. It’s a team effort stemming from commu-nity support for League fundraising combined with concert coordination by ASO staff and musicians. With experience comes wisdom. For Bennett, serving as a strategic support system for the ASO is essential to the ASWL’s legacy and future. Generating and inspiring new members is also on her mind this time around. As that new generation of leadership evolves in the 21st century, les cadeaus des femmes remain the Leagues greatest legacy, revealed through an honorable spirit of giving. Viva la League!

In various ways, ASWL members generate funds dedicated to the cause of offering live classical music in Acadiana. Popular Symphony Suppers that occur in the odd-numbered years, superb raffles, teas and luncheons are among some of the special fundraising events hosted by ASWL members. For some members, like Ann Knight and David Bennett, serving as hands-on ushers for the annual children’s concerts is among some of their most rewarding ASWL roles.

“One memorable surprise arranged by Ann was bringing the Ice Gators mascot to a children’s concert,” laughs David Bennett, 2012-13 League President. For many of the young attendees, touching the Gator mas-cot, entering the Heymann Performing Arts Center and attending a symphony orchestra performance of classical music was a trio of first experiences. Witnessing the impact of such encounters on the children has been a joy for ASWL members.

Story by Jeanne Solis

433 Jefferson Street Lafayette, Louisiana

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Lafayette / Convention Hotel

18Social pics

Couture Symphony Fundraiser, featuring Raoul Blanco, September 14, 2012

Proud SuPPorterS of

AcAdiAnA SymPhony orcheStrA And conServAtory

C huck and L isa B oudreaux

Social pics

Linden String Quartet19 Hubbell Chamber Music Season Opening, Vienna 1812, October 6, 2012

Musicians Venice:1712

VIOLIN 1Lauren Baker, Concertmaster, Gerald and Geraldine Hubbell ChairKatarina VaughnMichael BlaneyAja MajkrzakJulia Lang

VIOLIN 2Emil Ivanov, Acting PrincipalLaurentiu NorocelPeiwei XuSam Chu

VIOLAJennifer Cassin, PrincipalChristopher Lowry, Assistant PrincipalCassandra Magee

CELLOMark Pritchard, PrincipalSusan Morton

BASS Charles Federle, Acting Principal

OBOEPerry Trosclair, Principal

HORNCatherine Roche-Wallace, Acting PrincipalFred ChristiansenArisia Gilmore

TRUMPETHalie Brown, PrincipalPaul MortonAndrew Gerbitz

TROMBONEBrian Logan, PrincipalNicholas Garrison

HARPSICHORDPaul Baker

Mariusz Smolij, Music Director and Conductor

MusiciansOctober 2012

SOPRANOCynthia BenoitAzizi ChaissonKay HamptonMaddie HartmanCarole MathemeierPat OlsonPat PalmerEdna PerkinsRenee ReedMallorie SoulierSarah K. SullivanSylvia TurnerMay WaggonerCori WebrePhyllis Weir

ALTOSonya BranchKim CarterVelma ClementMary Margaret ComeauxSusan DanielsChrista Del Favero Beth Finch Lindsay Finley Rachel GarberConny Hibbeler Rebecca Hightower Barbara Livingston Judy Lormand

TENORSDon Blair Ryan GoudelockeScott Hebert John Kolwe Ed Roy BASSJoseph Handy Gerald Hubbell Tom McNamara

TENORJay BroussardStephen BrunetHolden GreeneTrey HodsonRob JacksonVojislav Petrovic Donnie RoyColin Smith

BASSDylan FullerAustin HansenDylan HebertMichener KruseMatt McelveenJosh MyersMiguel OchoaEthan PelsiaLandon StearsThomas SumrallIan Welch

SOPRANOJordan AuzenneAbby BoudreauxLaura CouvillonTessa Espinosa Stephanie FontenotKaelyn GuilloryBeverly HarltonArianna HerzockVirginia HesseNatalie LoomisKyla LouviereMadeline MagnonAlyssa McMurrayTrashema SmithMeghin TaylorKaitlyn Wheat

ALTOJennifer AndrewsAlexandra BibaeffJa’Lana DespanieGabrielle HildestadSarah JonesHelen KernsJuliet KringLindsay LeblancAnnie MahoneyKimberly MayfieldJalissa MilesShelby RunyanDiamond Williams

Dr. Lee Cooke, DirectorGeraldine Hubbell, Accompanist

ULChoraleAcadiana Symphony ChrousWilliam Plummer, Director

The Foard Group at Morgan Stanley Smith Barney is proud to support the Acadiana Symphony Orchestra

Thomas H. Foard Senior Vice President Financial Advisor

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400 East Kaliste Saloom Road, Suite 1200 Lafayette, LA 70508 337-267-2521 robert.c.foard@mssb.com www.fa.smithbarney.com/foard

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Chorus Soloists

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Cori WebreCori Webre has had a passion for music all of her life, shared equally between singing and playing the piano. While growing up, school choruses, church youth choirs and piano lessons were the constants in her life. She presently sings in the Asbury Choir and is the pianist for Asbury’s Alpha Omega youth choir. Most recently, she has performed the soprano solos in both G.F. Handel’s “Messiah” and Gabriel Faure’s “Requiem.” Cori graduated summa cum laude from Louisiana State University in 2004 and is presently an account executive at Graham Group Advertising Agency. She is married to Brooks Webre and they belong to a Yorkie named Lulu. In addition to music, she enjoys reading, traveling and chronicling every detail in her Franklin Planner. These concerts mark her solo debut with the Acadiana Symphony.

Lindsay Fite FinleyLindsay Fite Finley, a Lafayette native, has sung in choirs since the age of four. Lindsay is a graduate of the University of Arizona where she earned a Bachelor of Fine Arts degree in acting. She studied in New York City for two years before returning to Lafayette in 2006. Lindsay sings in the Asbury Choir, Chorale Acadienne and a local jazz band, the Lafayette Jazz Authority. In speaking of her love of music, she says, “for me, singing is the highest, most fulfilling form of worship!” Lindsay is recently married to Dr. James Michael “Mickey” Finley, her most devoted fan and greatest encourager, along with her adoring, supportive family. Lindsay is thrilled to make her solo debut with the Acadiana Symphony.

Acadiana Symphony Chorus Soloists

23

Venice

Rural Acadiana bayous are simple compared to the complex maze of waterways in Venice, masterfully navigated by residents, certified Gondoliers and boat taxi drivers. Especially in the cool Fall and Spring months when locals are more plentiful than tourists, a visit to Venice is a bucket list-must-do life experience. Walking the narrow alleyways connected by hundreds of foot-bridges is a great way to feel the unique, historic spirit of the city. Off the beaten path, visitors can attend a traditional Venetian mask-making class, enjoy a roving opera performance, or tour the Murano island glass factory. A more traditional visitor event is feeding the pigeons in St. Mark’s square before a walk through the art-filled church. For a peaceful end of day event, sip some local wine while watching the sun set over the city. It’s a rare sight to behold. It’s extra fun amid a serenaded Gondola party with a driver shouting “Ooooyyyy” at every turn. Disembark into a tiny trattoria for a truffle-inspired pasta and seafood dinner to reflect on the sites and doodle-art the day’s scenes.

But promise to visit soon. Rumor has it that this eclectic city is gradually sinking into the Grand Canal! Ciao, bella Venezia.

Venice:OOOOyyyyyyy......

Story by Jeanne Solis

24

is the universal language of mankind.

–Henry Wadsworth Longfellow

Here’s to another year of beautiful music.

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27

Save the Date 28

Mad HattersAccording to David Bennett, 2012-13 President, the amusing local event was originally modeled after the New Orleans Opera Guild’s annual luncheon, which was attended by some founding ASO Women’s League members in the early 1990s. It started here with a few League members and their guests gathered over lunch to bid on some silent auction items.

Lafayette’s homegrown version gives attendees the feeling of being in the heart of New York City’s stylishness right here in the Oil Center. The event now hosts more than 200 attendees of all ages gathering annually to also enjoy a full-scale fashion show. With the growing popularity, a professional fashion show team has been engaged to produce the runway segment.But fashionable headwear remains the key theme. While some go all out each year to find the perfect new fash-ion, donning previously-worn Madhatter chapeaus are deemed perfectly acceptable! Attending to support the cause is what matters most, since proceeds support the ASO operations including the children’s concerts.

The next Mad Hatter’s luncheon is scheduled for Monday, March 4, 2013, at the Lafayette Hilton.Mark your calendars, pull out your hat boxes and get your tickets early.

It’s sure to be another fantastic League event!

Creativity for the sake of generosity marks the spirit of the ASO Women’s League. With Acadiana children in mind, that spirit has produced a 20-year Acadiana legacy with the annual Mad Hatter’s luncheon.

Story by Jeanne Solis

Take a chair

STRINGSViolin in honor of Aline K. Byrd by Pat Olson FergusonViolin in honor of Lauren Baker by Dr. Carolyn French and Mike HuberViolin in memory of Dr. Gilbert and Alma Stuller by Virginia StullerViola in memory of Elaine Malin Griffin by Jenny ColeViola in memory of James and Margie Hanna by Ben and Ann BlanchetViola in memory of Bob Burdette by Kathy CoxCello in memory of Linda Robison Harris by Dr. Joan Robison Palmintier and Dr. Jon S. PalmintierHarp in memory of Eddy Knight and Scott Myers by Ann Knight and Annette Myers

WOODWINDSFlute in memory of Bella Chappuis Abramson by John and Colleen ChappuisClarinet in honor of Arthur Riedel by Dr. James BurkeClarinet in memory of B.H. and Lorelie DeHart by Brad and Gail DeHartBassoon in memory of Michael Landgrave by David and Connie Landgrave

BRASSTrumpet in memory of Pete de Gravelles by Jane de GravellesFrench Horn in honor of Bella Elisabeth, Anne Marie and Audrey Elise Cortez by Ralph and Cherie Kraft

KEYBOARDSPiano in memory of Elaine M. Dupuis by Anne Dupuis PylePiano in memory of Winnie DuBose by Debra and Carl Sonnier

The Acadiana Symphony Orchestra would like to thank those who have participated in this year’s “Take a Chair” fundraiser. Those who are participating are supporting the musicians of the orchestra while remember-ing someone special. We would like to invite you to participate as well. Here is an opportunity to help support your favorite instrument for the season. Your chair may be named for you - or for anyone else you choose. For a donation of $500, this is a unique way to give the gift of music to your Acadiana community. For more infor-

mation, contact our Women’s League through the Acadiana Symphony website atacadianasymphony.org/get-involved/

30

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