3

Leuven University PressSpring 2013

Contents

Music 3

History l 17th Century 6

History l 19th Century and 20th Century 8

Art & Theory 10

Art l Philosophy 12

Philosophy 14

Society, Law & Economics 15

History l Medieval 18

Philosophy l Ancient & Medieval 20

Text & Literature 21

General Interest 22

Ordering Information 23

All our publications are published with care and attention to detail. Prior to publication, all manuscripts are assessed by an independent editorial board and external specialist readers to ensure the highest academic standards. For academic titles we support the Guaranteed Peer Reviewed Content (gprc)-label.

In this Spring 2013 catalogue we are pleased to present you our new and forthcoming titles from February 2013 until August 2013.

5

music

willem elders is Professor Emeritus of Music History before 1600 at Utrecht University and General Editor of the New Josquin Edition.

A comprehensive guide for early music lovers and performersJosquin des Prez and His Musical Legacy is the most up-to-date contribu-tion to the research on one of the most important and internationally famous composers of the Renaissance. This monograph offers factual informa tion on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discus-sion of the thorny issue of authorship. Willem Elders, one of the most dis tinguished scholars of Josquin’s music, also discusses the influence of Gregorian chant as a source of inspiration and explains the various as-pects of Josquin’s symbolic language. Each individual work (including some of those in the old Josquin edition now considered inauthentic) receives a short discussion of relevant contextual aspects and interest-ing musical features. Ranges and lengths are given for each work. The style is adapted to the professional musicologist as well as to the ‘music lover’ and performer.

‘This book is indispensable in the libraries of musicologists, music lovers and musicians and they should keep it close at hand! With every performance or listening to a work of Josquin they will want to spontaneously grab this publication.’ Ignace Bossuyt, Professor Emeritus in Musicology, University of Leuven

Also of Interest

n Guillaume de Machaut. Secretary, Poet, Musician Elizabeth Eva Leach € 49,50 / £44.00, isbn 978 90 5867 876 8, hardback n Recevez ce mien petit labeur. Studies in Renaissance Music in Honour of Ignace Bossuyt.Mark Delaere, Pieter Bergé (eds) € 59,50 / £52.00, isbn 978 90 5867 650 4, hardback

Josquin des Prez and His Musical Legacy An Introductory GuideWillem Elders

n € 35,00 / £29.50n isbn 978 90 5867 941 3n April 2013n Hardback, 16 x 24 cmn ca. 300 p.n 45 figures, 90 musical examplesn English

6

music

n € 19,90 / £17.00n isbn 978 90 5867 948 2n April 2013n Paperback, 10 x 15 cmn ca. 250 p.n English

pieter bergé is Professor of Music History, Analysis and Theory at the University of Leuven. nathan john martin and markus neuwirth are postdoctoral researchers at the University of Leuven. david lodewyckx and pieter herregodts are doctoral researchers at the University of Leuven.

Concise Cadence Compendium A Systematic Overview of Cadence Types and Terminology for 18th-Century Music Pieter Bergé, Nathan John Martin, Markus Neuwirth, David Lodewyckx, Pieter Herregodts

Indispensable pocket guide for music theorists and students of 18th-century musicThis compendium provides a systematic list and description of cadence types in 18th-century music. It includes Latin, Italian, French, German and English terminology, both from historical and contemporary sources. For each cadence type, the compendium presents a short definition, a textbook example, and some basic information on its historical context. As such, it is indispensable for music theorists and students of 18th-century music.

‘The [Leuven Cadence Compendium] project represents the first systematic attempt to provide a comprehensive compendium of concepts and terminology associated with cadence, a project from which the scholarly community should benefit enormously.’ David Sears in Eighteenth-Century Music

By the same author

n Dies irae. Kroniek van het requiemPieter Bergé€ 24,50, isbn 978 90 5867 880 5, paperback n Musical Form, Forms & Formenlehre. Three Methodological Reflections William E. Caplin, James Hepokoski, James WebsterPieter Bergé (ed.)€ 24,90 / £21.90, isbn 978 90 5867 822 5, paperback

7

music

ewald demeyere (www.ewalddemeyere.be) is a harpsichordist, conductor, theorist and Professor at the Royal Conservatory Antwerp.

Johann Sebastian Bach’s Art of FuguePerformance Practice Based on German Eighteenth-Century Theory Ewald Demeyere

A practical guide to the performance of the Art of FugueWith the Art of Fugue Bach delivered a polyphonic composition for key-board of unprecedented proportions and complexity. Notwithstanding the vast existing literature on this brilliant work, a performer does not often find answers in it to practical questions such as ‘Why is this note not flatted?’ or ‘How can one make this peculiar voice-leading work during performance?’ This book by a leading Bach performer is designed to fill this void and provide a practical guide to the performance of the Art of Fugue. The first part contains an overview of four important Baroque topics related to the concept and performance of the Art of Fugue (rheto-ric, metre, syntax, and keyboard technique). The second part basically demon strates, with reference to the first four Contra puncti, how the back-ground presented in the first part often enables possible explanations for both text-critical and conceptual issues to be formulated. The final purpose is to achieve as eloquent a performance as possible of these pieces.

Also of Interest

gold

n Johann Sebastian Bach Christmas Oratorio. (bwv248) Ignace Bossuyt € 25,50 / £22.50, isbn 978 90 5867 421 0, paperback n De Goldbergvariaties van J.S. BachIgnace Bossuyt € 15,00, isbn 978 90 5867 861 4, paperback

n € 39,50 / £35.00n isbn 978 90 5867 940 6 n March 2013n Paperback, 17 x 23 cmn ca. 232 p. n with separate sheet music booklet (34 p.)n English

8

The palace on the Coudenberg around 1649. Van de Velde, J. Curia Brabantiae in celebri et populosa urbe Bruxellensis.

(Published in Blaeu, J. Novum

ac magnum

Theatrum urbium

Belgicae foederate. Am

sterdam, 1649.)

9

history

dries raeymaekers is Assistant Professor of Early Modern Politics at Radboud University Nijmegen.

One Foot in the Palace The Habsburg Court of Brussels and the Politics of Access in the Reign of Albert and Isabella, 1598–1621Dries Raeymaekers. Translated by John R.J. Eyck

The splendour and enticement of the Archdukes’ Court in BrusselsThe Habsburg Court of Brussels remains one of the few early modern princely courts that have never been thoroughly studied by historians. Yet it offers a unique case, particularly with regard to the first decades of the seven teenth cen tury. Once home to the Dukes of Burgundy, the an-cient palace on the Coudenberg hill in Brussels became the principal resi-dence of the Habs burg governors in the Low Countries and, in the period 1598–1621, that of Arch duke Albert and his wife, the Spanish Infanta Isa-bella Clara Eugenia. Eager to reassert the dynasty’s authority in these parts, the Archdukes ruled the Habsburg Netherlands as sovereign princ-es in their own right. Based on the author’s prize-winning dissertation, this book vividly brings to life the splendour of their court and unravels the goals and ambitions of the men and women who lived and worked in the palace.

Also of Interest

n Conflicting Words. The Peace Treaty of Münster (1648) and the Political Culture of the Dutch Republic and the Spanish Monarchy Laura Manzano Baena€ 39,50 /£35.00, isbn 978 90 5867 867 6, paperback n Madrid y Bruselas. Relaciones de gobierno en la etapa postarchiducal (1621–1634) Alicia Esteban Estríngana € 28,00 / £24.50, isbn 978 90 5867 436 4, paperback

n € 59,50 / £49.50n isbn 978 90 5867 939 0 n May 2013n Hardback, 16 x 24 cmn ca. 440 p.n 10 illustrations, 5 tables & 3 graphsn English

10

architecture l history

leen meganck is Senior Researcher on Architectural History at the Flanders Heritage Agency.linda van santvoort is Professor of Architectural History and Heritage at Ghent University. jan de maeyer is Professor of Church History at the University of Leuven, and director of kadoc (Documentation and Research Centre for Religion, Culture and Society, University of Leuven).

Regionalism and Modernity Architecture in Western Europe 1914 – 1940Leen Meganck, Linda Van Santvoort, Jan De Maeyer (eds)

The complex and shifting relation between regionalism and modernityWith its search for purity, honesty, modesty, and ‘fitness of purpose’, the late 19th and early 20th century concept of architectural regionalism is seminal to the modern movement. In later historiography, however, regio-nalism in Europe was neglected and even labeled ‘backward’. The origins of this drastic change of perception can be traced to the 1930s, when regio nalism as a positive form gradually turned into a ‘closed’ form of re-gionalism, a folding back on one’s own region as a defence mechanism in an economically and politically turbulent decade.In this book internationally renowned researchers investigate the rela-tion between regionalism and modernity in the archi tec ture of Western Europe between the two World Wars, with a focus on Belgium, France, Germany, Italy, and Great Britain. They demonstrate that regionalism can-not be separated from modernity, but is in fact a way of dealing with mo-dernity and its contradictions. Rather than rejecting regionalism as an anti-modern phenomenon, the book’s contributors show that we should interpret regionalism as a striving for continuity within modernity.

ContributorsH. Doucet (University of Strasbourg), K. Krauskopf (Technische Universität Dresden), L. Meganck (Flanders Heritage Agency), B. Mihaïl (Police Museum Brussels), L. Missinne (Westfälische Wilhelms-Universität Münster), B. Rzoska (Groen), M. Sabatino (University of Houston), V. Vanden Berghe (University of East London), J. Van den Mooter (Kempens Landschap), E. Van de weghe (Ghent University), J-C Vigato (École nationale supérieure d’architecture de Nancy)

Previously published in the series kadoc-Artes

n Sources of Regionalism in the Nineteenth-Century. Architecture, Art and Literature Linda Van Santvoort, Tom Verschaffel, Jan De Maeyer (eds)€ 49,50 / £43.00, isbn 978 90 5867 649 8, hardback, kadoc-Artes 9

special offer! Order both volumes on regionalism together and save € 10,00 or £6.50!You only pay € 49,50 or £43.00 per book.

n € 59,50 / £49.50n isbn 978 90 5867 918 5 n February 2013n Hardback, 22,5 x 28 cmn 240 p.n 140 black & white illustrationsn Englishn kadoc-Artes 14

Regionalism and Modernity

Leuven University Press KADOC Artes 14

Regionalism and M

odernity

Architecture in Western Europe 1914-1940

Leen Meganck, Linda Van Santvoort & Jan De Maeyer eds

Leuven University Press

11

history

geraldine reymenants studeerde geschiedenis (Universiteit Gent) en vrouwenstudies (Universiteit Antwerpen en Uni ver siteit Utrecht). Momenteel werkt ze als stafmedewerker bij het Departement internationaal Vlaanderen (Vlaamse Gemeen schap).

Marie Elisabeth BelpaireGender en macht in het literaire veld, 1900 – 1940Geraldine Reymenants

De positie en invloed van Marie Elisabeth Belpaire in een literaire mannenwereld Naar aanleiding van haar 95ste verjaardag schreef de Vlaamse kunst-criticus Jozef Muls dat Marie Elisabeth Belpaire ‘steeds de vrouw van goede smaak was gebleven. Zij zou haar wezen nooit ontsierd hebben door ambities of werk die niet van haar kunnen waren.’ Hoewel bedoeld als eerbetoon, deed hij haar met die woorden onrecht aan. Marie Elisa-beth Belpaire was immers een van de weinige vrouwen die er in de eer-ste decennia van de twintigste eeuw in slaagde om de domi nantie van mannelijke auteurs, redacteurs en critici in het literaire veld te door-breken. Als eigenares en financier van het gezaghebbende literair-cultu-rele tijdschrift Dietsche Warande & Belfort oefende ze een sterke invloed uit op de ideologische en redactionele lijn ervan. Ze werd de vertrou wens- persoon van tal van (katholieke) schrijvers en kunste naars, politici, pro-fes soren en religieuzen, en verwierf, mede door dat uitge breide net-werk, een niet onaanzienlijke macht in de katholieke Vlaamse (lite raire) wereld.Aan de hand van een analyse van de positie van Marie Elisabeth Belpaire in het tijdschrift Dietsche Warande & Belfort en in de oorlogskrant De Bel gische Standaard biedt Geraldine Reymenants in dit boek inzicht in het begin-twintigste-eeuwse discours over vrouwelijk schrijverschap en in de gegenderde machtsmechanismen die in het toenmalige literaire veld werkzaam waren.

Previously published in the series kadoc-Artes

n Strijd en inkeer. De kerk- en maatschappijkritische beweging in Vlaanderen, 1958 –1990 Bart Latré€ 45,50, isbn 978 90 5867 892 8, paperback, kadoc-Studies 34 n Rechts Vlaanderen. Religie en stemgedrag in negentiende-eeuws België Henk de SmaeleIn prijs verlaagd! Voor maar € 25,00 i.p.v € 39,50isbn 978 90 5867 767 9, paperback, kadoc-Studies 33

n € 39,50 / £35.00n isbn 978 90 5867 944 4 n March 2013n Paperback, 16 x 24 cmn 288 p.n Nederlandsn kadoc-Studies 35

12

Intermedia and Photography after Modernism

Heterogeneous Objects

Raphaël Pirenne, Alexander Streitberger (Eds)

raphaël pirenne is a postdoctoral researcher at the Université catholique de Louvain (ucl) and editor of the art journal sic.alexander streitberger is Professor of Modern and Contemporary Art History at the Université catholique de Louvain (ucl) and director of the Lieven Gevaert Research Centre for Photography.

Exploring the influence of other media on contemporary photographyHeterogeneous Objects provides various essays that explore the encoun-ter of photo graphy with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photo-graph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches, relating photogra-phy to issues of the panorama, sur veillance, sculpture, transformation and processuality, and the development of new media categories. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded hete ro geneous object that is always related to, in contact with, or shaped by other media.

ContributorsDiarmuid Costello (University of Warwick), Steven Jacobs (University of Gent), Joanna Lowry (Univer-sity of Brighton), Marcel Marburger (Universität der Künste, Berlin), Raphaël Pirenne (Univer sité catholique de Louvain), Yvonne Spielmann (University of the West of Scotland), Alexander Streit-berger (Université catholique de Louvain), Hilde Van Gelder (University of Leuven)

Previously published in the Lieven Gevaert Series

n In and Out of Brussels. Figuring Postcolonial Africa and Europe in the Films of Herman Asselberghs, Sven Augustijnen, Renzo Martens, and Els Opsomer T. J. Demos, Hilde Van Gelder (eds) € 29,50 / £25.00, isbn 978 90 5867 919 2, paperback n Minor Photography. Connecting Deleuze and Guattari to Photography TheoryMieke Bleyen (ed) € 34,50 / £30.00, isbn 978 90 5867 910 9, paperback

Heterogeneous Objects Intermedia and Photography after ModernismRaphaël Pirenne, Alexander Streitberger (eds)

art & theory

n € 34,50 / £30.00 n isbn 978 90 5867 943 7 n April 2013n Paperback, 16 x24 cmn 220 p.n 40 images black & white, 1 colour sectionn Englishn Lieven Gevaert Series 15

13

art & theory

Aïm Deüelle Lüski and Horizontal PhotographyAriella Azoulay

Exploring radically new possibilities for contemporary photography by an internationally leading theoristThis book is the product of a unique collaboration between Israeli artist and philosopher Aïm Deüelle Lüski and visual culture theorist Ariella Azoulay. In their longstanding working relationship, they research how to theorize the structure of the contemporary scopic regime and open a space for its civil transformation. On this occasion, Azoulay inter prets a particular series of cameras built by Deüelle Lüski, along with photo-graphs taken by these cameras. Unlike conventional cameras and their vertical photography, Deüelle Lüski’s cameras seek to generate new sets of relations between the camera and the world. Azoulay’s text unfolds four different ‘short histories’ of problems in photography, each of which deconstructs what otherwise might appear as a coherent photographic regime, yet which is shown to be based solely on principles of sovereignty and possession. Through and with Deüelle Lüski’s project Azoulay seeks to ‘potentialize’ the history of photography, that is, to recover long for-gotten, un-materialized possibilities. The book contains 100 images and a conversation between the author and the artist.

Previously published in the Lieven Gevaert Series

n Shifting Places: Peter Downsbrough, the Photographs Alexander Streitberger€ 34,50 / £30.00, isbn 978 90 5867 872 0, paperback n The Art of Strip Photography. Making Still Images with a Moving CameraMaarten Vanvolsem€ 34,50 / £30.00, isbn 978 90 5867 840 9, paperback

ariella azoulay is an Israeli art curator, film-maker and theorist of photography and visual culture. She is Assistant Professor of Comparative Literature and Modern Culture and Media at Brown University and former Director of the Photo-Lexic Research Group at the Minerva Humanities Center, Tel Aviv University.aïm deüelle lüski is an Israeli artist and philosopher who invents cameras, each conceived especially for a particular phenomenon or event to be photographed at a specific historical moment.

n € 34,50 / £30.00n isbn 978 90 5867 949 9 n June 2013n Paperback, 16 x 24 cmn 200 p.n 100 imagesn Englishn Lieven Gevaert Series 16

14

general editorHerman Parret (Institute of Philosophy, University of Leuven)associate editorsVlad Ionescu (University of Leuven), Peter W. Milne (Seoul National University)collaborating lyotard specialistsChristine Buci-Glucksmann (University of Paris VIII), Dolorès Lyotard (Université du Littoral Côte d’Opale), Gérald Sfez (Khâgne, Lycée La Bruyère, Versailles), Dalia Judovitz (Emory University, Atlanta), Geoffrey Bennington (Emory University, Atlanta), Sarah Wilson (Courtauld Institute, London), Jean-Michel Durafour (Université Paris-Est, Marne-la-Vallée)

n seven volumes

n previously unpublished material

n original french texts with english translations

n well-known lyotard specialists

The series Jean-François Lyotard: Écrits sur l’art contemporain et les artis-tes / Writings on Contemporary Art and Artists consists of seven volumes that offer all the writings by Lyotard concerning contemporary art and art-ists, some of which have been published only in German, French or English. Others, from Lyotard’s personal archive, are being published here for the first time.Leuven’s seven volumes include the complete original French texts along with English translations on facing pages. Reproductions of the works discussed accompany the texts. All volumes include an introduction by Herman Parret and an epilogue by another Lyotard expert. Publications in the series n Volume 1: Karel Appel, Un geste de couleur / Karel Appel, A Gesture of Colour€ 39,50 / £35.00, isbn 978 90 5867 756 3 Winner Flemish Prize for Best Designed Academic Book 2010 n Volume 2: Sam Francis, Leçon de ténèbres / Sam Francis, Lesson of Darkness€ 39,50 / £35.00, isbn 978 90 5867 781 5Winner Flemish Prize for Best Designed Academic Book 2011 & selected for the 2012 aaup Book Show, category ‘Scholarly Illustrated’ n Volume 3: Les Transformateurs Duchamp / Duchamp’s trans/formers€ 39,50/ £35.00, isbn 978 90 5867 790 7Republishes the version by Editions Galilée (Paris, 1977) and the English translation by the Lapis Press (Los Angeles, 1990) face to face n Volume 4, I + II: Textes dispersés I & II / Miscellaneous Texts I & II € 109,00 / £89.00, isbn 978 90 5867 896 6Two-volume set! n Volume 5: Que Peindre? / What to Paint? Adami, Arakawa, Buren€ 69,50 / £52.00, isbn 978 90 5867 792 1Translated in English for the first time n Volume 6: L’assassinat de l’expérience par la peinture, Monory / The Assassination of Experience by Painting, Monory€ 49,50 /£43.00, isbn 978 90 5867 881 2Final volume in the series - available May 2013

Visit the website www.lyotard.be for an overview of the series.

art l philosophy

Jean-François Lyotard écrits sur l’art contemporain et les artistes Writings on Contemporary Art and Artists

Collection complete

15

art l philosophy

n € 49,50 / £43.00n isbn 978 90 5867 881 2 n May 2013n Hardback, 16 x 23 cmn ca 336 p.n Illustratedn English / Frenchn Jean-François Lyotard: Writings on

Contemporary Art and Artists 6

Final volume in the series Jean-François Lyotard: Writings on Contemporary Art and ArtistsLyotard met the French painter Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contem-porary art since Discourse, Figure. Lyotard’s interest in the plastic arts thus fits fully within the setting of his political pre occupations. The artist- protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is ‘Californian’. Monory’s im-aginary repertoire goes well beyond the masters of modernity and is in line rather with a ‘modern contemporary surrealism’. Both Lyotard and Monory live the ‘dilemma of Americani sation’, the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Mono ry and the aesthetic medi ta tions of Lyotard are in perfect sym-biosis. Sarah Wilson’s epilogue thoroughly outlines both the history of a friend ship and, at the same time, the intellectual and artistic climate of the nineteen-seventies.

herman parret is Professor Emeritus of Aesthetics and Philosophy of Language at the Institute of Philosophy, University of Leuven.

L’assassinat de l’expérience par la peinture, Monory / The Assassination of Experience by Painting, Monory Jean-François LyotardEdited and introduced by Herman Parret. Epilogue by Sarah Wilson

order now the complete collection and receive the final volume for free!Buy the complete collection and you only pay € 297,00 or £246.00 (instead of € 346,50 or £289.00)

Final volume

16

philosophy

wolfgang müller-funk is Professor of Cultural Studies at the Department of European and Comparative Literature and Language Studies (University of Vienna) and research coordinator of his faculty.inge scholz-strasser is Chairwoman of the Sigmund Freud Foundation and Director of the Sigmund Freud Museum in Vienna.herman westerink is Assistant Professor of Psychology of Religion, Protestant Theological Faculty, University of Vienna.

Psychoanalysis, Monotheism and MoralityThe Sigmund Freud Museum Symposia 2009–2011 Wolfgang Müller-Funk, Inge Scholz-Strasser, Herman Westerink (eds)In collaboration with Daniela Finzi

International experts reflecting on psychoanalysis in relation to religion and moralityIn this volume renowned experts in psychoanalysis reflect on the rela-tionship between psychoanalysis and religion, in particular presenting various controversial interpretations of the question if and to what ex-tent monotheism semantically and structurally fits psychoanalytic in-sights. Some essays augment traditional religious critiques of Freudian-ism with later religio-philosophical theories on, for example, femininity. Others explore the relation between psychopathology and morality from the Freudian premise that psychopathology shows in an excessive way aspects or mechanisms of the human psyche that constitute our sub jec-tivity, and as such also our moral capacities and behaviour.

Contributors Andreas De Block (University of Leuven), Fethi Benslama (University of Paris Diderot), Sergio Benve-nuto (istc, Rome), Gohar Homayounpour (Shahid Beheshti University, Tehran), Felix de Mendels-sohn (Sigmund Freud University, Vienna), Julia Kristeva (University of Paris Diderot), Lode Lauwaert (University of Leuven), Siamak Movahedi (University of Massachusetts), Wolfgang Müller-Funk (Uni-versity of Vienna), Gilles Ribault (University of Paris Diderot), Céline Surprenant (University of Sus-sex), Inge Scholz-Strasser (Sigmund Freud Foundation), Herman Westerink (University of Vienna), Joel Whitebook (Columbia University), Moshe Zuckermann (Tel Aviv University).

Previously published in the series Figures of the Unconscious

n A Non-Oedipal Psychoanalysis? A Clinical Anthropology of Hysteria in the Works of Freud and Lacan Philippe Van Haute, Tomas Geyskens € 34,50 / £30.00, isbn 978 90 5867 911 6, paperback n Sexuality and Psychoanalysis. Philosophical Criticisms Jens De Vleminck, Eran Dorfman (eds) € 39,50 / £35.00, isbn 978 90 5867 844 7, paperback

n € 39,50 / £35.00n isbn 978 90 5867 935 2 n March 2013n Paperback, 16 x 24 cmn ca. 220 p.n Englishn Figures of the Unconscious 12

Psychoanalysis, the sigmund freud

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17

societ y, law & economics

li minghuan is Professor at the Institute of Population Studies at Xiamen University, China, and consultant at the Overseas Chinese Affairs Office of the State Council, China.

Co-publication with Zhejiang University PressWorldwide selling rights excl. China

Seeing TransnationallyHow Chinese Migrants Make Their Dreams Come TrueLi Minghuan

Stories and experiences of Chinese migrantsThis collection of essays by Li Minghuan, an early new migrant-scholar her self, documents the extraordinary story of Chinese transnational migra- tion. The book represents over two decades of untiring empirical field research, going where the migrants go – the Netherlands, France, Canada – and where they come from – Wenzhou in Zhejiang, Mingxi in Fujian – in order to observe, and to listen, with an unwaveringly sympa the tic eye and ear, to what they, their families, their neighbours, their brokers, and their local officials have to say. Coupled with the historian’s craft of pain-staking archival research, these village and community case studies not only cover an astounding geographical orbit of sending and receiving areas, but also a broad diversity and range of migrant types and situations both historical and contemporary, from illegal and refugee migration, to official labor export, to the migration of students and profes sionals.

Also of Interest

n The Global Horizon. Expectations of Migration in Africa and the Middle EastKnut Graw, Samuli Schielke (eds)€ 39,50 / £35.00, isbn 978 90 5867 906 2, paperback

Seeing Transnationally

Li Minghuan

SeeingTransnationally

Between the early 19th century and the 1930s more than ten million Chinese coolies were shipped abroad to the European outposts and colonies of the tropical world. � is great wave of Chinese mobility drew to a halt in the early 1950s a� er the midcentury years of war and revolution. However, since 1978, when China’s reform policy li� ed the ban on migration, Chinese subjects from the People’s Republic have been on the move again. � is time, the movement has been directed largely toward Europe and the western world itself.

� is volume of essays by Li Minghuan, an early new migrant-scholar herself, documents the extraordinary story of Chinese transnational migration. It represents over two decades of untiring empirical � eld research, going where the migrants go – the Netherlands, France, Canada – and where they come from – Wenzhou in Zhejiang, Mingxi in Fujian – in order to observe, and to listen, with an unwaveringly sympathetic eye and ear, to what they, their families, their neighbours, their brokers, and their local o� cials have to say. Coupled with the historian’s cra� of painstaking archival research, these village and community case studies not only cover an astounding geographical orbit of sending and receiving areas, but also a broad diversity and range of migrant types and situations both historical and contemporary, from illegal and refugee migration, to o� cial labor export, to the migration of students and professionals.

Li Minghuan is professor at the Institute of Population Studies at Xiamen University, China, and consultant at the Overseas Chinese A� airs O� ce of the State Council, China.

Li Minghuan

How Chinese Migrants Make � eir Dreams Come True

ISBN 978-90-5867-901-7

9 789058 679017

n € 59,50 / £52.00n isbn 978 90 5867 901 7n June 2013n Hardback, 16 x 24 cmn ca. 328 p.n Illustratedn English

18

societ y, law & economics

n € 39,50 / £35.00n isbn 978 90 5867 938 3 n March 2013n Paperback, 16 x 24 cmn ca. 300 p.n English

Beyond Federal Dogmatics The Influence of EU Law on Belgian Constitutional Case Law Regarding FederalismStef Feyen

Rethinking the relationship between EU law and Belgian national lawThe relationship between EU law and national constitutional law, inclu-ding constitutional law in federalism matters, has been subject to an ongoing scholarly debate. This monograph contributes to this debate in two ways. The author argues for an approach to constitutional law that goes beyond the classic – coined dogmatic – understanding of constitu-tional case law regarding federalism as expounded in Belgian academia. Building on that basis, he sets out to rethink the framework within which the connection between EU law and national constitutional law can be understood. The analysis delves into the relationship (and sometimes tension) between ‘rule-of-law’ values (which may serve as checks upon instru mental forms of reasoning) and the toolbox deployed in constitu-tional court case law to accommodate several rather pragmatic needs.

‘In this book the author confirms his reputation as an outstanding scholar. He combines a thorough knowledge of the law with a strong familiarity with legal theoretical literature. The book provides many fascinating insights, legal dogmatic as well as theoretical.’Jan Velaers, Professor of Law, Antwerp University

stef feyen is Fellow with the Research Foundation – Flanders (fwo), affiliated with the Institute for Constitutional Law (University of Leuven) and promovendus with the Ius Commune Research School (Maastricht University).

19

societ y, law & economics

ezra dessers is a Senior Researcher at the Centre for Sociological Research of the University of Leuven.

Spatial Data Infrastructures at Work Analysing the Spatial Enablement of Public Sector ProcessesEzra Dessers

Must-read for professionals dealing with sdi and spatial enablementSpatial data, also known as geospatial data or geographic information, identifies the geographic location of natural and constructed features and boundaries on Earth, and has become increasingly important in var-ious administrative practices. In order to facilitate access, use, and shar-ing of spatial data among organisations, information is brought together in clustered initiatives known as Spatial Data Infrastructures (sdis). In Spatial Data Infrastructures at Work, Ezra Dessers introduces spatial en-ablement as a key concept to describe the realisation of sdi objectives in the context of individual public sector processes.Drawing on four years of research, Dessers argues that it has become essential, even unavoidable, to manage and (re)design inter-organisa-tional process chains in order to further advance the role of sdis as an enabling platform for a spatially enabled society. Detailed case studies illustrate that the process he describes is the setting in which one can see the sdi at work. This book is must-read material for academics, prac-titioners, and policymakers dealing with sdi and spatial enablement. By extension, the book will also be of great interest to anyone confronted with societal issues that call for an integrated approach, implying in-depth cooperation between multiple organisations.

Also of Interest

n Geographic Data and the Law. Defining New ChallengesKatleen Janssen, Joep Crompvoets (eds)€ 39,50 / £35.00, isbn 978 90 5867 924 6, paperback

n € 49,00 / £40.00n isbn 978 90 5867 937 6 n May 2013n Paperback, 16 x 24 cmn ca. 370 p.n 25 illustrations, 142 graphs & tablesn English

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carlos steel is Professor Emeritus at the Institute of Philosophy and former President of the Institute of Medieval Studies, University of Leuven.john marenbon is Senior Research Fellow, Trinity College, Cambridge and Honorary Professor of Medieval Philosophy at the University of Cambridge.werner verbeke is Professor Emeritus in Medieval History and former secretary of the Institute of Medieval Studies, University of Leuven.

Paganism in the Middle Ages Threat and Fascination Carlos Steel, John Marenbon, Werner Verbeke (eds)

Interdisciplinary study of pagan culture from late antiquity to the emergent RenaissanceIn this volume the persistence, resurgence, threat, fascination, and re-pres sion of various forms of pagan culture are studied in an inter disci-plinary perspective from late antiquity to the emergent Renaissance. Con tributions deal with the survival of pagan beliefs and practices, as well as with the Christianization of pagan rural populations or with the different strategies of oppression of pagan beliefs. The authors examine problems raised by the encounter with pagan cultures outside the Mus-lim world and show how philosophers contrived to ‘save’ the great phi-losophers and poets from ancient culture notwithstanding their paga-nism. The contributors also study the fascination of classic ‘pagan’ culture among friars during the fourteenth and fifteenth centuries and the imita-tion of pagan models of virtue and mythology in Renaissance poetry.

ContributorsCarlos Steel (University of Leuven), John Marenbon (Trinity College, Cambridge), Ludo Milis (Uni-versity of Ghent), Marc-André Wagner † (Paris, Ministère de la Culture), Brigitte Meijns (Univer-sity of Leuven), Rob Meens (University of Utrecht), Edina Bozoky (Université de Poitiers), Henryk Anzulewicz (Albertus-Magnus Institut, Bonn), Robrecht Lievens (University of Leuven), Stefano Pittaluga (Università di Genova), Anna Akasoy (Ruhr-Universität Bochum)

Visit www.lup.be for previously published publications in the series Mediaevalia Lovaniensia.

This series is available on standing order. To sign up for a subscription or for more information, please contact info@lup.be.

history l medieval

n € 59,50 / £52.00n isbn 978 90 5867 933 8n February 2013n Paperback, 16 x 24 cmn 250 p.n 4 b&w illustrationsn English, German, French, Italiann Mediaevalia Lovaniensia 43

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mark riley is Emeritus Professor of Classics at California State University, Sacramento. He has edited John Barclay’s Argenis, as well as several other Neo-Latin texts.

Original Latin text with English translation on facing pagesIn this essay from 1614 the Neo-Latin poet, translator, and commentator John Barclay describes the manners and mores of his European contem-poraries. He derives the sources of an individual’s peculiarities of beha-vior and temperament from the ‘genius’ – the individual character crea ted by each person’s upbringing, time of life, and profession. Barclay like wise describes each nation’s genius, its national character, and provides some of the geographical and historical background from which he claims this genius arose. The essay is a valuable study, not only for the illustration it offers of a pre-Romantic view of Europe, but for a glimpse into the con-tinuities that mark European civilization. The introduction describes the Classical and Renaissance background to Barclay’s work, with a detailed biography of the author. The Latin text reproduces Barclay’s first edition, with the necessary corrections. The English translation (1631) is that of Thomas May, a skillful translator of Vergil, Lucan, and other classical authors, as well as a playwright in the manner of Ben Jonson. The book features illustrations of selected pages from early editions of the text, and includes contemporary portraits of Barclay and May. About the series Bibliotheca Latinitatis NovaeThe series Bibliotheca Latinitatis Novae, previously pubished by Van Gorcum, offers Latin literature from the later Renaissance and the Early Modern period. By combining each cri ti cal Latin text with an English translation, an historical introduction, and notes, Bibliotheca Latinitatis Novae makes texts accessible to specia lists and general readers alike.

Editorial BoardJan Waszink (editor in chief) (Erasmus University Rotterdam), Corinna Vermeulen, Yasmin Haskell (The University of Western Australia), David Money (Wolfson College Cambridge), Christoph Pieper (Universiteit Leiden) and Wouter Kool (production editor)

Submissions or questions can be sent by e-mail to publish@lup.be

Advisory boardFokke Akkerman (Groningen University), Ann Moss (Durham University), Maurizio Campanelli (La Sapienza, Rome), Andreas Kinneging (Universiteit Leiden), Karl Enenkel (Westfälische Wilhelms-Universität Muenster), Marianne Pade (Aarhus Universitet), Philip Ford (Cambridge University), Chris Heesakkers (Universiteit Leiden), Dirk Sacré (University of Leuven)

This series is available on standing order. To sign up for a subscription or for more information, please contact info@lup.be.

The Mirror of Minds or John Barclay’s Icon AnimorumTranslated by Thomas May (1631). Edited by Mark Riley

text & literature

n € 75,00 / £65.00n isbn 978 90 5867 945 1 n April 2013n Hardback, 16 x 24 cmn ca. 350 p.n Illustratedn English, Latinn Bibliotheca Latinitatis Novae

New seriesThe portrait of John Barclay which first appeared in A

rgenis, Editio secunda, Parisiis, Sumptibus N

icolaj Buon, 1622. The distich by H. G

rotius says: ‘Scottish by race, French by birth, this is the m

an / Who taught Rom

e to speak in the Roman tongue.’ Photo courtesy of the Bancroft Library, U

niversity of California, Berkeley, C

alifornia.

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philosophy l ancient & medieval

n € 69,50 / £59.50n isbn 978 90 5867 946 8 n May 2013n Hardback, 16 x 24 cmn ca. 350 p.n Englishn Ancient and Medieval Philosophy – Series 1 47

Platonic Inspirations Plato and Platonism in Antiquity and BeyondJan Opsomer, Mark Beck (eds)

The most important aspects of Plato’s thought and influence on subsequent thinkersAlthough Plato is to this day one of the most widely read authors in the world, it is only in recent years that the study of his influence has begun in earnest. This volume focuses in a broad way on Plato and the Platonic tradi-tion. While no single volume can ever hope to do justice to such a monumental author, Platonic Inspira tions brings to gether a selection of original contribu tions, by some of the most eminent scholars in the field today. Each chapter engages the reader in an important aspect of Plato’s thought and influence on subsequent thinkers. This volume will be of use to all scholars and students who are interested in Plato and Platonic thought in anti-quity and beyond. For a list of contributing authors (18) go to www.lup.be

jan opsomer is Professor of Ancient Philosophy at the University of Leuven.mark beck is Associate Professor of Classics at the University of South Carolina, Columbia.

n € 94,50 / £81.00n isbn 978 90 5867 947 5 n March 2013n Hardback, 16 x 24 cmn ca. 432 p.n Italian, with English Summaryn Ancient and Medieval Philo sophy – Series 1 48

Elachista La dottrina dei minimi nell’EpicureismoFrancesco Verde

Visit www.lup.be for previously published publications in the series Ancient and Medieval Philo-sophy – Series 1.This series is available on standing order. To sign up for a subscription or for more information, please contact info@lup.be.

The first monograph entirely devoted to the Epicurean doctrine of minimal partsThe Epicurean doctrine of minimal parts (ta elachista) is a crucial aspect of Epicurus’s philosophy and a turning point compared to the ancient atomism of Leucippus and Democritus. This book consists of three chap ters: a philological and theoretical analysis of the primary sour-ces (Epi curus and Lucretius), a reconstruction of its likely historical back ground (Xenocrates, Aristotle, Dio-dorus Cronus), and an examination of the deve lopment of this theory within the philosophical school of Epicu-rus. The examination of ancient sources, combi ned with an analysis of the secondary literature, reveals the sig-nifi cant role played by minimal parts within the Epicu-rean science of nature.

francesco verde is currently a post doctoral researcher in the History of Ancient Philosophy at the Istituto per il Lessico Intellettuale Europeo e Storia delle Idee (iliesi-cnr/Rome).

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text & literature

n € 79,50 / £69.50n isbn 978 90 5867 936 9 n April 2013n Paperback, 16 x 24 cmn ca. 528 p.n Englishn Supplementa Humanistica Lovaniensia 33

The vitality and power of expression of Neo-Latin DramaThe essays in this collection illustrate the vitality of Neo-Latin drama in early modern Europe, arising from its combination of classical models with deep-rooted ver-na cular traditions. While the plays were often com posed in a school or university, the dramatists sel dom neglec-ted to appeal to a broad audience, inclu ding non-Latin-ists. Neo-Latin drama in all its forms offered a free dom of expression and form which is rare in other Renaissance literary genres. For a list of contributing authors (13) and the table of content go to www.lup.be.

philip ford is Professor of French and Neo-Latin Literature at the University of Cambridge, a Fellow of the British Academy, Associate of the Belgian Royal Academy, and President of fisier.andrew taylor is College Lecturer in English at Churchill College, Cambridge, specializing in Tudor literature. He is Secretary of the Society for Neo-Latin Studies and the Cambridge Society for Neo-Latin Studies.

The Early Modern Cultures of Neo-Latin Drama Philip Ford, Andrew Taylor (eds)

n € 49,50 / £43.00n isbn 978 90 5867 926 0 n February 2013n Paperback, 16 x 24 cmn ca. 224 p.n Englishn Supplementa Humanistica Lovaniensia 32

Neo-Latin Commentaries and the Management of Knowledge (1400 –1700)Karl Enenkel, Henk Nellen (eds)

Profound study of one of the most important genres within Humanist scholarshipBetween 1400 and 1700 the political, religious, intel lec-tual, and geo graphic landscape was profound ly chan ged by the Reformation, Huma nism, the rise of empiri cal science, the invention of printing techno logy, and the discovery of the New World. The late medieval and early modern intellectuals felt a need to respond to the chan-ges and embarked on a scholarly pro gram me of a quality and extent hitherto unknown: the whole body of the literature of antiquity, including the Bible, was to be re-edited and furnished with com mentaries. This book sheds light on the various ways in which classical authors and the Bible were commented on, the types of com men tary, the com men ting strate gies that were used, the various kinds of knowledge that were collec ted, created, and trans mitted. For a list of contributing authors (13) and the table of content go to www.lup.be.

karl enenkel is Professor of Latin Philology of the Middle Ages and the Early Modern Period, Westfälische Wilhelms-Universität (wwu), Münster.henk nellen is Research Fellow at the Huygens Institute for the History of the Netherlands and Professor in the History of Ideas in the Early Modern Period at Erasmus University, Rotterdam.

Visit www.lup.be for previously published publica-tions in the series Supplementa Huma-nistica Lovaniensia.This series is available on standing order. To sign up for a subscription or for more information, please contact info@lup.be.

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general interest

n € 34,50n isbn 978 90 5867 942 0 n Maart 2013n Hardback, 16 x 24 cmn ca. 250 p.n Nederlands

n Lessen voor de xxiste eeuw 19

pieter d’hoine is docent antieke wijsbegeerte en intellectuele geschiedenis aan het Hoger Instituut voor Wijsbegeerte van KU Leuven. Hij is mee verantwoordelijk voor de ‘Lessen voor de eenentwintigste eeuw’. bart pattyn is hoofddocent aan het Hoger Instituut voor Wijsbegeerte en directeur van het Overlegcentrum voor Ethiek van KU Leuven. Hij is coördinator van de lezingenreeks ‘Lessen voor de eenentwintigste eeuw’.

Tijd, evolutie en duurzaamheidLessen voor de eenentwintigste eeuwPieter d’Hoine en Bart Pattyn (red.)

Negentiende editie van een interdisciplinaire lessenreeksWe beseffen dat tijd voorbijgaat omdat we kunnen nadenken over wat is geweest. Kunnen stilstaan bij wat is gebeurd, genereert tegelijk de moge-lijkheid te denken aan wat zal komen. Daarom creëren we monu menten, daarom doceren we geschiedenis. Architecten en historici lich ten dat in dit boek toe. Ze bevestigen wat Faulkner schreef: ‘The past is never dead. It’s not even past’. Wat in het verleden is gebeurd, drukt zijn stem pel op het heden. Tijd blijkt ook relatief. We denken tijdsverloop in men senmaat. De wetenschap ontdekte hoe futiel de tijd van mensen is in het licht van de tijd van het universum en van de evolutie. Toch blijkt de impact van mensen op de natuur ingrijpend. Niet alleen een men sen leven is fragiel, ook de biodiversiteit op onze blauwe planeet blijkt uiterst kwetsbaar. Daarom lijkt het de opdracht van deze tijd duur zaam heid te creëren. De thema’s in deze lessenreeks kruisen elkaar en zijn complementair. Tege lijk vormt deze bundel een tijdsdocument. In de les sen weerspiegelt zich de tijdsgeest, met zijn angst en hoop.

ContributorsbOb Van Reeth, Kaat Wils, An Goris, Kevin Verstrepen, Mathijs Lamberigts, Jan Hertogen, Helder De Schutter, Manuel Sintubin, Peter Tom Jones, Moritz Diehl, Oliver Honnay, Joris Vandenberghe, Erwin Ooghe, Marie-Christine Janssens

De vorige edities Lessen voor XXIste eeuw, volumes 1 tot en met 18, zijn ook nog beschik baar. Surf naar www.lup.be voor meer informatie.

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