University of Wisconsin - WhitewaterDEPARTMENT OF

THEATRE/DANCE

UW-Whitewater is accredited by the National Association of Schools of Theatre.This production is possible in part by SuFAC Funding.

February 25 - 28 , 2020 at 7:30 pmFebruary 29, 2020 at 2:00 pmBarnett Theatre, Greenhill Center of the Arts

THE ADDAMS FAMILYA NEW MUSICAL

Book by MARSHALL BRICKMAN and RICK ELICEMusic and Lyrics by ANDREW LIPPA

Based on Characters Created by Charles AddamsOriginally produced on Broadway by Stuart Oken, Roy Furman, Michael Leavitt, Five Cent

Productions, Stephen Schuler, Decca Theatricals, Scott M. Delman, Stuart Ditsky, Terry Allen Kramer, Stephanie P. McClelland, James L. Nederlander, Eva Price, Jam Theatricals/Mary LuRoffe,

Pittsburgh CLO/Gutterman-Swinsky, Vivek Tiwary/Gary Kaplan, The Weinstein Company/Clarence, LLC, Adam Zotovich/Tribe Theatricals

By Special Arrangement withElephant Eye Theatrical

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PRINCIPALSGomez: Jonathon MickelMorticia: Hope O’ReillyUncle Fester: Nahuel RecobaGrandmama: Faith O’ReillyWednesday: Molly Wanless*Pugsley: Kory FriendLurch: Jonathan LottiMal: Simon McGheeAlice: Alexa FarrellLucas: Cade Stowe

ENSEMBLESam BochatBailey Dye Hunter GebauerHarry Heinrich Kathleen Grace Martin Natalie MeikleHans Murtell Koy Peerenboom Samantha PinchardNathan RoleyIvy Steege Ella WillmanErica WrightCarlee Wuchterl**

CAST >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Allison Keller, fluteMaria Artman, fluteKatie Herring, clarinetMorgan Fish, clarinetBrandon Terwilliger, saxophoneQuinn Galvin, saxophoneLily Freeman, trumpetLucas Reisdorf, trombone Emily Landry, piano+

ORCHESTRA >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Lannette Calhoun, pianoJace Banasik, keyboardBraedon Vickerman, guitarMaggie Hillock, drumsMargo Harms, percussionClarie Whitney, violinNoah Schaffrick, violinErik Schmitt, cello Eli Rust, bass, electric bass

Director Bruce Cohen

Assistant Stage Managers: Megan Grove, Moira KowalskiProps Masters: Sienna LoMastro, Jamie LoveMaster Electrician: Mary SportielloLight Board Operator: Samuel HessSound Board Operators: Anna Kugler, Owen PoskinSpotlight Operators: Jacob Ludwig, Laura SchultzCarpenters: Megan Grove, Abby Smith-Lezama, Kathleen Grace Martin, Laura Medley, Samantha Pinchard, Jessica Smith, Nic Sole, Mary SportielloCostume Assistants: Alexa Farrell, Grace Rusch, Alexander Carey, Abrya Schneeburg, Jordan Meyer, Carlee WuchterlCostume, Hair and Makeup Crew: Lydia Oestreich, Abrya Schneeberg, Megan Wroblewski, Lauren WroblewskiPreparation Crew: Ryan Bagwell, Jace Banasik, Lindsay Bland, Isaac Bryne, Rachel Charniak, Michelle Dohm, Kathryn Graham, Allison Heinzen, Katie Huebner, Moira Kowalski, Lyndsay Kranz, Siena LoMastro, Jamie Love, Lauren McLaughlin, Natalie Meikle, Michael Meschke, Lydia Oestreich, Jordan Paullin, Laura Schultz, Mary Sportiello, Hana Srour, Alden Swanson, Megan Wroblewski

The videotaping or making of electronic or other audio and/or visual recordings of this production or distributing recordings on any medium, including the internet, is strictly

prohibited, a violation of the author’s rights and actionable under United States copy right law.

CREATIVE >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

PRODUCTION CREW >>>>>>>>>>>>>>>>>>>>>>>>>>>>

ConductorRobert Gehrenbeck

Asst. ConductorJace Banasik

ChoreographerPiper Morgan Hayes

Stage ManagerAlexander Carey

Technical DirectorRuth Conrad-Proulx

Scenic DesignerEric Appleton

Asst. Scenic DesignAbby Smith-Lezama

Costume DesignerTracey Lyons

Asst. Costume DesignAbrya Schneeberg

Hair & Makeup DesignerGrace Rusch

Lighting DesignerNic Sole

Sound DesignerHans Pregler

artist profilesJONATHON MICKEL (Gomez) is a senior Electronic Media major emphasizing in Audio Engineering, who looks forward to

pursing a career in music production post-graduation. He's been seen previously as Sir Andrew Aguecheek (Twelfth Night), and Krause (Resort 76). He's been extraordinarly blessed to have taken part in this incredible show and is so grateful to his family who's supported him unconditionally throughout his entire college career.

HOPE O’REILLY (Morticia) is studying for her Psychology Major and is blessed to be working with a wonderful cast

and crew. Her previous shows at UW-Whitewater include Resort 76 (Dramaturge) and Street Scene (Mae Jones). “Death smiles at us all; all we can do is smile back.” - Marcus Aurelius

NAHUEL RECOBA (Uncle Fester) is excited to be playing the role of Uncle Fester in his first UW-Whitewater musical. Nahuel is a Music

Performance major with an emphasis in voice. He has also played the role of Shrek in Shrek: The Musical, and is beyond excited to be playing another fat, bald person!

FAITH O'REILLY (Grandmama) is a senior Communications major with a Public Relations emphasis and Theatre Minor. She has been

previously seen in Resort 76 (Hupert), Triumph of Love (Corinne), Greater Tuna (Track 4), Dear Ruth (Ruth), Strong Poison (Actress Track 4), and 1959 Pink Thunderbird (Elizabeth). She is absolutely thrilled to be part of this production and is grateful for a wonderful creative team and cast. Following her graduation in fall '20, she hopes to pursue a career in PR and acting.

MOLLY WANLESS (Wednesday) is ecstatic to play Wednesday in this production! She is a B.M. Vocal Performance major with minors in

Spanish and Theatre. In the past, she performed in Triumph of Love (Leonide), Hello Dolly! (Minnie Fay), and The Addams Family (Alice). Molly would like to thank everyone in the cast and creative team who made this show possible, as well as her family for their endless support.

KORY FRIEND (Pugsley) Kory Friend is a junior BFA Theatre Performance major. Their previous UW-Whitewater credits

include Twelfth Night (Malvolio), Resort 76 (Yablonka), Triumph of Love (Harlequin), Dear Ruth (Martha Seawright), and Strong Poison (Actrex

Arcati), Mary Mary (Mary), Angel Street (Nancy), Love Loss and What I Wore (Gingy), Rare Birds (Janet), and Dear Ruth (Edith). In the future Ms. Farrell would like to pursue acting and costuming professionally after graduation this May.

CADE STOWE (Lucas) is a freshman BM Voice Performance major. This is his second musical production at UW-Whitewater, as

he previously was Dimas in Triumph of Love. Other highlights include Bye Bye Birdie (Albert F. Peterson), Southern Hospitality (Justin Waverly), and Hello, Dolly! (Cornelius Hackl). Mr. Stowe is very humbled to be a part of this show, and is thankful to share the stage with such wonderful people.

SAM BOCHAT (Ensemble) is a senior BFA Performance major at UW-Whitewater. Previous shows include Resort 76 (Schnur),

Blithe Spirit (Charles), and Angel Street (Rough). After graduating, Sam hopes to pursue graduate school.

BAILEY DYE (Ensemble) is a freshman and is ecstatic to be a part of her first musical at UW-Whitewater, as well as her first musical

ever! She is currently majoring in Psychology with hopes of continuing on to Music Therapy. She hopes you enjoy the show.

Track 1), as well as working as an understudy/swing for Love, Loss, and What I Wore. Kory hopes to pursue acting and writing professionally after they graduate.

JONATHAN LOTTI (Lurch) is grateful to be part of the cast of The Addams Family. He has been seen in previous productions

this year as David Blaustain in Resort 76 and Orsino in Twelfth Night. Jonathan is a senior majoring in Theatre Performance. Upcoming: DanceScapes '20, Miss Lulu Bett.

SIMON MCGHEE (Mal) is a senior pursuing a BFA in Theatre Performance. Some roles you may recognize him from are Hauptmann

in Resort 76 and Sebastian in Twelfth Night. Simon would like to give a tremendous thank you to his friends, family, and professors for helping him come so far in his theatre career. Following graduation he hopes to kick off his professional acting career. With many more years of theatre to come, he hopes to perform for you again.

ALEXA FARRELL (Alice) is a senior BFA Theatre Performance major. Her previous production credits include Twelfth Night (Maria), Resort 76

(Madame Hershkovitch), Blithe Spirit (Madame

artist profiles

HUNTER GEBAUER (Ensemble) is a sophomore BM Vocal Performance major, and is excited to perform in his first production

at UW-Whitewater. Previously, he performed as Uncle Fester at Delavan-Darien High School's production of The Addams Family. He has also played as Horton in Chapel on the Hill's Seussical. He would like to thank his friends and family for their constant support, and he hopes that you enjoy the show.

HARRY HEINRICH (Ensemble) is a sophomore and is excited to be a part of his first production at UW-Whitewater. He is

pursuing a BFA in Theatre Design/Tech and wants to further explore acting. His Senior year of high school he played the role of Race in Newsies, which gave him a passion for performance.

KATHLEEN GRACE MARTIN (Ensemble) is a senior majoring as a BFA in Theatre Performance. You may remember Kathleen

Grace from Strong Poison as Harriet Vane, Love, Loss and What I Wore, and Twelfth Night. Kathleen Grace also participates in Jazz Choir. After graduating Kathleen Grace hopes to write scripts of her own, act professionally and work on safe theatre environment activism.

NATALIE MEIKLE (Ensemble) is a freshman persuing a degree in BFA Theatre Perfomance. She was previously seen in Twelfth Night and Resort 76, and is estatic for her third show at

UW-Whitewater and the future shows to come. Natalie would also like to thank her friends and family for soming to see the show and all the support they give. HANS MURTELL (Ensemble) is very

excited to perform in his second production at UW-Whitewater! He is a Communications major with a double minor in Theatre and Marketing. He is very thrilled

to perform on stage. Some past productions has been DanceScapes '18, Scrooge The Musical, The Wizard of Oz and an extra on the T.V show Shameless! Thank you for coming to the show, and enjoy. KOY PEERENBOOM (Ensemble)

is a junior pursuing a degree in Business Management. He is juiced up to be part of his first UW-Whitewater production, and cannot wait to perform. He

would also like to thank Piper Hayes for making him a better dancer, as well as Dr. Gehrenbeck for making him think more critically about singing, as well as improving his vocal skills. After college, Koy would like to become a booking agent

artist profiles

or work in programming for an arts organization. SAMANTHA PINCHARD (Ensemble) is a senior pursuing a BSE in Theatre

Education and a BA in Music. Her previous credits include Twelfth Night (Olivia), Blithe Spirit (Ruth), Street Scene (Nursemaid #1), A

Midsummer Night’s Dream (Hermia). She also worked as an understudy for Angel Street (Mrs. Bella Manningham) and as a dialect coach and dramaturg for Resort 76. Following her undergrad, Samantha hopes to go to grad school to pursue a degree in performance. She hopes you enjoy the show.NATHAN ROLEY (Ensemble) is a senior pursuing a degree in Music

Education and hopes to teach a middle school band in addition to an elementary music class in the future. He is ecstatic to be

a part of his second production at UW-Whitewater, having been seen previously in Street Scene. He hopes you enjoy the show.IVY STEEGE (Ensemble) is in her sophomore year as a Theatre

Performance BFA and is thrilled to be in the cast! Ivy has been previously seen onstage in Resort 76 (Esther), Angel Street (Nancy US), and Devon's

Hurt (Stephanie). After recieving her

Bachelor's degree, Steege plans on getting her Master's, though she is unsure as to what she wants to study and where. ELLA WILLMAN (Ensemble) is a junior at Whitewater high school and

is so excited to be a part of this production! Ella has learned so much by working with the amazing people at UW-W. She recently

recieved two Jerry award nominations for Outstanding Lead Actress for her roles in The Little Mermaid (scuttle) and The 25th Annual Putnam County Spelling Bee (Marcy Park). Thank you for coming and enjoy the show.ERICA WRIGHT (Ensemble) is thrilled to be in her first performace at UW-Whitewater! She is a Biology major

with a Chemistry minor, and is very grateful for the opportunity to persue her passion of being onstage as well. Some of her past roles

include the Ghost of Christmas Past in A Christmas Carol, the Wicked Witch of the West in The Wizard of Oz, and a Laker Girl in Spamalot. CARLEE WUCHTERL (Ensemble) is a junior BFA Tech and Design major with an emphasis in costuming. Previously, she was seen in

Angel Street (Bella Manningham). She is looking forward to her first understudy role and first time as dance

artist profiles

captain. After undergrad, she hopes to attend graduate school for her Master's degree. BRUCE COHEN (Director) teaches Directing for the Stage, Theater History, and leads the BSE-Theater Education track at UW-Whitewater. He has taught for Denison University, Weber State University, the New World School of the Arts and was Director of the Department of Theater at Arkansas State University-Beebe. A director, actor and produced playwright for close to three decades; Professor Cohen is a full member of the Stage Directors and Choreographers Society, holds affiliation with Actors Equity Association and is a former Arkansas State Chair (Region 6) of the Kennedy Center American College Theater Festival. Prior to his career as a university professor and administrator, Bruce ran several professional theatre companies including the award-winning Utah Musical Theatre. Professor Cohen holds a Bachelor of Fine Arts Degree in Acting from Adelphi University and a Master of Fine Arts Degree in Directing for the Stage from The University of Alabama. http://bruceevancohen.wixsite.com/portfolioROBERT GEHRENBECK (Conductor) is Director of Choral Activities at UW-Whitewater, where he conducts the UW-W Chamber Singers, Concert Choir, and Singing Sirens. He is also Artistic Director of the Madison-based

Wisconsin Chamber Choir. In collaboration with the Department of Theatre/Dance, Gehrenbeck has served as conductor and music director for Street Scene, Sweeney Todd, The Tender Land, Into the Woods, The Coronation of Poppea, The Threepenny Opera, and The Marriage of Figaro. Dr. Gehrenbeck holds degrees from Indiana University, Boston University, and Macalester College.JACE BANASIK (Asst. Conductor) is current a senior at UW-Whitewater with a Music major, Theatre minor, and Music Theory certificate. This is his first production as part of the creative team. Previously, Jace had worked onstage as part the ensemble for Street Scene. Future projects include Sound Design for Ms. Lulu Bett. After graduating, Jace hopes to pursue a Master's Degree in Musical Theatre Composition and work professionally as a composer/orchestrator. He hopes you enjoy the show.PIPER MORGAN HAYES (Choreographer) is an Academic Staff Member at UW-Whitewater teaching various levels of Ballet, Contemporary, Jazz and Tap dance. In her fifth year Hayes has choreographed for several previous musicals including The 25th Annual Putnam County Spelling Bee, Triumph of Love, and The Addams Family. In addition, Hayes choregraphs each year for the only dance minor production, DanceScapes and performs as a soloist throughout

artist profiles

artist profilesWisconsin and both nationally and internationally with Li-Chiao Ping Dance Company of Madison, WI. ALEXANDER CAREY (Stage Manager) is a senior currently earning a Theatre BFA with an Emphasis in Stage Management at UW-Whitewater. His other Stage Management credits include SM for All is Calm at Four Seasons Theatre, SM for Resort 76 at UW-Whitewater, ASM for Cymbeline and No Child and SM for Love Labour's Lost at Great River Shakespeare Festival, and PSM for the Irene Ryan Audition Scholarship KCACTF-Region 3 (2018-20). RUTH CONRAD-PROULX (Technical Director) has been a professional theatre manager and technician specializing in production management and technical direction in producing theatrical venues for the past 20 years. She has worked alongside professionals and students alike to meet the ever present challenges each production presents, finding learning experiences everywhere. At UW-Whitewater she oversees the Stage Management program, the scene shop, electrics, sounds and run crew labs in the Department.ERIC APPLETON (Scenic Designer) is the Associate Professor of Scenic and Lighting Design in the UW-Whitewater Department of Theatre/Dance. Recent scenic designs include Triumph of Love, Resort 76, and Angel Street.

Recent freelance lighting designs include Tarzan and The Beggar's Opera, for Milwaukee's Theatre Gigante.ABBY SMITH-LEZAMA (Asst. Scenic Designer) is a junior currently earning a Theatre BFA with an emphasis in Design/Technology at the UW-Whitewater. Other design credits include Lighting Design for Resort 76 and Props for Twelth Night. Abby has also been involved in other production such as Triumph of Love, Angel Street, Mary Mary, and Blithe Spirit. Her future projects include Lighting Design for Miss Lulu Bett.

TRACEY LYONS (Costume Designer) has designed for the CBC, Lincoln Theatre Guild, The Huron Playhouse, Madison Ballet, Madison Theatre Guild, American Folklore Theatre, UW– Madison Music Department and many other theatres. She has toured internationally with Sesame Street Live. Her professional scope includes classical and contemporary theatre, dance, opera, and musicals. She authored Sewing Techniques for Theatre and co-authored Teaching Introduction to Theatrical Design (Focal Press). During the summer of 2017, she directed Rounding Third. Her MFA is in Costume Design and Technology from Wayne State University and BA from CSB/SJU.ABRYA SCHNEEBERG (Asst. Costume Designer) is a senior working towards her BA in Theatre with an emphasis in Costume Design.

She has previously costume designed Love, Loss, and What I Wore, as well as a design for DanceScapes'18, and is currently working on a design for DanceScapes'20.

GRACE RUSCH (Hair & Makeup Designer) is a senior completing her BFA in Technical Theatre and Design with an emphasis in Costume Design. Her design experience at UW-Whitewater includes the Costume Designs for Twelfth Night, and DanceScapes '18 and '19 as well as the Assistant Costume Designer for Dear Ruth, Greater Tuna, and Triumph of Love. Grace would like to thank her friends and family for their support, and she hopes you enjoy the show.NICOLAS SOLE (Lighting Designer) is a junior currently working on his Theatre BFA in Design/Technology with an emphasis in Lighting. His past design credits here at UW-Whitewater include Angel Street and Resort 76. Nicolas has also been involved in other productions in the department including Street Scene, DanceScapes '18, Strong Poison, Devon's Hurt, Ghosts, and Triumph of Love.

HANS PREGLER (Sound Designer) is the Technical Director at Young Auditorium and staff advisor for the Cultural Performing Arts Council. He holds a BA, in Theatre, from the University of Northern Iowa and AA degree from Indian Hills. Previously, Hans was the Artist Series Director and Production Manager at Wartburg College in Waverly, Iowa. Hans has been

a freelance designer and occasional actor in various theatres throughout Iowa and Wisconsin for over 15 years. He is also a reviewer for Overture Center’s Jerry awards program.MEGAN GROVE (Asst. Stage Manager) is in her final semester with UW-Whitewater as a Scenic Design major. She has had an incredible time learning the ins and outs of technical theatre and is extremely grateful for all of the opportunities that have been given to her during her time here. In the fall Megan was the scenic designer for Twelfth Night, and she is looking forward to being the Assistant Stage Manager for Miss Lulu Bett at the end of the spring semester. MOIRA KOWALSKI (Asst. Stage Manager) is excited to be an Assistant Stage Manager on her second show at UW-Whitewater. She was previously an ASM for Resort 76. Moira is majoring in Theatre with an emphasis on Stage Management. She hopes that you enjoy the show.SIENA LOMASTRO (Props Master) is a prospective BFA Design Tech major. This is her first solo Props Design and before this she worked as a board operator on UW-Whitewater productions and was part of the props team for Twelfth Night. Some of the other shows she has been part of include Ghosts, Mary Mary Blithe Spirit, and Angel Street. Upcoming work includes Assistant Scenic Design with Eric Appleton for Miss Lulu Bett.

artist profiles

artist profilesJAMIE LOVE (Props Master) is a junior this year, pursuing a BA in Theatre and BA in English. She is excited to be delving into the world of props, as she has only been involved in productions as an actor or part of

costume crew before. Recent UW-Whitewater productions include Twelfth Night (Feste) and Blithe Spirit (Elvira). She is grateful for this opportunity and hopes that her work will enhance the magical world of the musical.

COMING SOON MARCH 14 - 17, 2020

This is an oddly wonderful show. Despite its Gothic tone, The Addams Family checks all of the boxes for classic, Golden-Age musical fun. Beneath the monster-movie motif burbles the familiar impetuous whirlwind of young love and the fond and affectionate misunderstandings that families can fall into. Indeed, for a show that has mined the pop culture ocean so deeply for inspiration, this is also a unique story of adorable characters who are well supported with an excellent score by award-winner, Andrew Lippa and a very witty book by Marshall Brickman and Rick Elice. We have a stage full of energetic, young performers, lovely voices under Robert Gehrenbeck's expert direction and captivating dancers translating Piper Morgan Hayes' effervescent choreography. Thank you for joining us for all the creepy kooky, mysteriously spooky and charming, heartwarming oookiness of it all! - Director, Bruce Cohen

The predominant elements in Andrew Lippa’s score are the Spanish and Latin-American musical styles he invokes for Gomez and Morticia, making their music immediately appealing. Other characters’ music fits their personalities as well—Wednesday’s is modern and impulsive, whereas Fester’s is vaudevillian and reflective (with a nod to Claude Debussy’s Clair de lune). Alice Beineke’s bitter lament seems to draw inspiration from the troubled married couples of Stephen Sondheim’s musicals. The Addams Family Ancestors function as an opera chorus, interjecting their commentary into all the major scenes, while also recreating the soundtrack of a typical horror movie from the 1930s on several occasions. - Conductor, Robert Gehrenbeck

As a choreographer, I found inspiration through the tone of voices and atmosphere that the instruments create. Throughout the dance sections we explore ideas of sadness, inspiration, anger, joy, morbidity and even sensuality. Sprinkled throughout the musical you wil find hints of a Latin movement flair, the creation of a character through specific movement choices and a borderline between sass and sexy. There is a smorgasbord of different characters and qualities in this work and I tried my hardest to relate movement to lyrics in order to enhance the work and build up the character as we wish him/her/they to be viewed in The Addams Family. - Choreographer, Piper Morgan Hayes

DIRECTOR’S NOTES

Eric AppletonBruce Cohen

Ruth Conrad-Proulx

Sara J. GriffinBarbara Grubel

Piper Hayes

Tracey Lyons Sarah MartyAmy Slater

THEATRE/DANCE DEPARTMENT FACULTY AND STAFF

Marshall Anderson, Department ChairLinda Allegretti, Academic Department Associate

Office: CA2076 Phone: 262-472-1566

Inclusive Excellence Fellow for DanceAlfonso Cervera, MFA

MANAGEMENT STAFFDirector of Marketing & Events | Audra Lange ‘10

Associate Director of Marketing & Events | Leslie LaMuro ‘82

Academic Department Associate | Linda Allegretti

Publicity Assistant | Audrey Parker

House Manager | Escher Wentz & Allison Heinzen

Box Office Manager | Crystal Benes

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