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Wang Xinyao|Tokyo University of Science
|B.Engineering
Wang Xinyao|Department of Architecture and Building Engineering
|Faculty of Science and Technology
|Tokyo University of Science
|Bachelor of Engineering
|Birthday_1992.06.10
|Address_2641 Yamazaki,Noda,Chiba,Japan
|E-mail _|E-mail [email protected]
|Inspiration from a piece of paper
Canal Tone Museum
When you roll and crumble a piece of paper, one can get mul-tiple shapes and spaces.
This is my design inspiration for the Canal Tone Museum.
PAPER
ARCH.x
SummaryLocation: 349,Higashifukai,Chiba,JapanOverall building surface: 578.6M² Construction area: ~ 1,000 m2Construction ratio: 58%Ratio of construction volume: 121%
Structure: concrete structureStructure: concrete structureFloor: two (one floor below the ground level and one above)Building height: 7 m (1.5 m below the ground)
Design ConceptAs the museum will be used to exhibit the history of the canal, the outside of the museum is in the shape of waves.
PAPER
ARCH.x
PAPER
ARCH.x
Design ConceptThe inside and outside space of the museum is connected by the canal--the inside canal and the outside canal. This is the core of the design.
With respect to the construction space, as With respect to the construction space, as shown by the blue arrow in the left figure, the canal element is present throughout the entire museum, from the entrance to the exit. There is a waterfall at the entrance.The water used for the waterfall is from the Canal Tone on the other side of the building, which allows the water to flow through the museum--the “inside water to flow through the museum--the “inside canal”. The inside of the building is used for exhibition. The underground level, in the shape of the canal, will host exhibits of the canal for visitors to learn about the canal’s his-tory and stroll along the “inside canal”.
Walking outside the exhibitions, visitors may come to the Cafeteria and Terrace to enjoy the real canal--the “outside canal” and the nearby scenery.
PAPER
ARCH.x
ZEN
ARCH.x
Zen in Shinjuku@Kabukicho
While many people consider Zen to be religious, it is actually directly connected with Japan’s traditional culture and history.
Therefore, I choose to design a ZEN Therefore, I choose to design a ZEN style Kabukicho at the center of the city to allow visitors from all over the world to enjoy a special moment here --to connect the histo-ry with our modern life, a joyful and peaceful moment in the mist of the fast-paced dynamic city. fast-paced dynamic city.
Summary
Location: 1-19 Kabukicho,
Shinjuku-ku, Tokyo,Japan
Overall surface area: 13,000M²
Construction size: ~ 1,000M²
Ratio of construction: 60%
Structure: Reinforced ConcreteStructure: Reinforced Concrete
Building height: 54 m
Floor: 18 floors
ZEN
ARCH.x
▶Building functions:
Japanese gardens,
tea houses,
Calligraphy learning
center,
Zen library, Zen library,
Zen practice center,
etc.
About KabukichoKabukicho is an entertainment and red-light dis-
trict in Shinjuku,Tokyo, Japan. It is often called the
"Sleepless Town”.
Design ConceptIn order to spread of sprit of Zen, I found the ele-ment of CIRCULAR through my research (see right picture).In calligraphy, there is a special skill called “dry stroke,” in which empty space is purposefully left where the brush run out of ink. II considered the empty space left by“dry stroke” as the openspace,which connect the inside building and the external building.I also intend to use these streets as the “dry strokes” to con-nect the surroundings so that the building natu-rally expands into the neighborhood.
ZEN
ARCH.x
◀The buildings can be divided as A, B, C.The fine line that connects the three buildings is over-bridge. The passers-by can go across the over-bridge. The buildings and overbridge intersects, taking on CIRCULAR.
|My house after 20 years
Build the house I want to live in at age 40. The site is specified in an actually existing lot in Ogikubo,Tokyo.
Considering the limited resources Considering the limited resources and the high cost for the land, I an-ticipated that in 20 years my future home would be very efficient in terms of land use.
Therefore, I decided to design the space to be a place for both living and professional work, aka SOHO.I assumed I was a photographer who enjoyed working at home and gardening.
SOHOARCH.x
SummaryConstruction area: 118M²
Construction ratio: 46.8%
Ratio of construction volume: 74.8%
Structure: Wood & Reinforced concrete
Floor: Four (one floor below the ground level)
Building height:8.4m (3m below the ground)Building height:8.4m (3m below the ground)
Location: 1 Chome-10-4,Amanuma,
SuginamiTokyo,Japan
Building Area: 55.23M²
Overall building surface: 111.6M²
3F: 21.815M² 2F: 38.41M²
1F: 28.018M² -1F: 23.38M²
Design ConceptInspired by the shape of film negatives,which are frequently used by a photographer, I designed the bird’s view of
the house to be in the shape consists of hexagons.In order to maximize the sunlight exposure in the high density
building environment, each floor is rotated 15° counterclockwise .The space left from the rotation will be used as
terraces and garden(the green part of the illustration).Along with the indoor green plants and trees from outside the
building, I could enjoy the green and gardening amongst the fast-paced busy city.
SOHOARCH.x
One Bedroom My Bedroom
Addtional Room
3F--The two terraces/gardens are connected by the kitchen
and dining room.
2F--The walls for the bedroom area utilize Chinese Pingfeng
and movable book shelves to divide space, block
droughts.This will provide flexibility for space use such as an
additional room for guests and other uses. (See picture above)
2F and 3F will be the living space.
1F 1F--be shared for both my office to meet customers and the
living area.
-1F--studio, as well as change rooms and storage area.
To maximize exposure from
the sun light, the walls facing
the south will be made of
glass.
Giving the house a sense of
space expansion.
SOHOARCH.x
畵 |Drawings As the first step of being an architect, I think it is important to learn to draw. Drawing is not only a necessary skill to
show the idea, but also a way to feel how every part of an architecture is related to each other, which cannot be fully
expressed by photos.
▼The first and second year in university, we have practiced a lot on how to express the architecture by pen, some-
times water color pen. These are some of them.
The John Hancock Tower,Mass.San Diego
California Temple,
California
MetropolitanMuseum,
New York
Tokyo Station,Tokyo
Otaru,Hokkaido
Asama Jinja,Tokyo
Light Cave,Tokyo
Osanbashi Yokohama International
Passenger Terminal,Yokohama
Gyeongbokgung Palace,Seoul
Ihwa-Dong Mural village,
Seoul Gate Gwanghwamun,Seoul
Shanghai
Old Town of Lijiang,Yunnan
Forbidden City, Beijing
Suzhou Museum,Jiangsu
Potala Palace,Tibet
Namsto Lake,Tibet
Wuzhen Water Town,Zhejiang
PAPERARCH.像 |Photos
An old saying in China goes that ‘In order to attain wisdom, it is not enough merely to read books, you must be well travelled as
well.’The same meaning could also applies to the study of Architecture.
I always believe that architecture has its own soul. Buildings should have their distinctive characters,either connected with the
background,site,context, or have some relationship with its own function.These characters make buildings unique in this world.
I always consider Architecture as the frozen poem.
And thank you for reading the poems of mine.