UNIT 25 LESSON 6. CONNECTIONS WALT We are learning to expand our knowledge of vowel sounds, engorge...
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Transcript of UNIT 25 LESSON 6. CONNECTIONS WALT We are learning to expand our knowledge of vowel sounds, engorge...
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UNIT 2
5
L ES
SO
N 6
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WALT
We are learning to expand our knowledge of vowel sounds, engorge ourselves in new spelling words, practice fluency, reviewing attributes, focusing on idioms, review sentence types, and utilize punctuation.
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WHY IS THIS IMPORTANT?
Using punctuation correctly will change the sentence’s meaning.
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Urge Complex illegible
Pondered Accident manager
Exceed Large apologized
Posted Parcel complicated
Tangible Postmarked incentive
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FLUENCY
Turn to Fluency in the back
PAGE R15
Give your binder to your partner and take theirs.
Each will take turns reading as many words as they can in one minutes. Their partner will write down errors and the last word on their sheets.
Using the count column – calculate the words read per minute.
Place that number on the chart on page R43
http://www.online-stopwatch.com/large-stopwatch/
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IDIOM FOCUS
English learners are often confused by idioms because their meanings differ from the literal meanings of the words. Because idioms such as add fuel to the fire. Students need to know the meanings of common idioms.
Grab an idiom focus
Fat Chance
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ATTRIBUTES
Attributes refine meaning and build associations between words.
An attribute is a characteristic or quality, such as size, part, color, or function.
Turn to page 5 in your hardcover.
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ATTRIBUTESPAGE 38-39
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ATTRIBUTESPAGE 38-39
Minute
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ATTRIBUTESPAGE 38-39
Minute Average
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ATTRIBUTESPAGE 38-39
Minute Average
Miniature
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ATTRIBUTESPAGE 38-39
Minute Average Big
Miniature
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ATTRIBUTESPAGE 38-39
Minute Average Big
Miniature Miniscule
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ATTRIBUTESPAGE 38-39
Minute Average Big
Miniature Middling Miniscule
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ATTRIBUTESPAGE 38-39
Minute Average BigEnormous
Miniature Middling Miniscule
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ATTRIBUTESPAGE 38-39
Minute Average BigEnormous
Miniature Middling BulkyMiniscule
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Middling BulkyMiniscule
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Middling Bulky
GiganticMiniscule
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Middling Bulky
GiganticMinisculeMassive
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Middling Bulky
GiganticMiniscule MedianMassive
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Middling Bulky
GiganticMiniscule Median GreatMassive
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Middling Bulky
GiganticMiniscule Median GreatMassive
Giant
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Little Middling Bulky
GiganticMiniscule Median GreatMassive
Giant
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Little Middling Bulky
GiganticMiniscule Median GreatMassive
GiantVast
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Little Middling Bulky
GiganticMiniscule Petite Median GreatMassive
GiantVast
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ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous
Miniature Little Middling Bulky
GiganticMiniscule Petite Median GreatMassiveMicroscopic Giant
Vast
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ATTRIBUTESPAGE 38-39
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ATTRIBUTESPAGE 38-39
Microscopic
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ATTRIBUTESPAGE 38-39
Microscopic
big
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ATTRIBUTESPAGE 38-39
Microscopic
big
giant
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ATTRIBUTESPAGE 38-39
microscopic
big
giant
average
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ATTRIBUTESPAGE 38-39
microscopic
big
giant
average
petite
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SENTENCE TYPES
Declarative Sentence states a fact or opinion and ends with a period.
Interrogative Sentence asks a question and ends with a question mark.
Imperative Sentence gives a command and ends with a period.
Exclamatory Sentence expresses strong emotions and ends with an exclamation mark.
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PAGE 40
.
.
?
?
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PAGE 40
.
.
?
?
!
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COMPOUND SENTENCES
Compound Sentences are two independent clauses that are joined by a comma conjunction or semicolon.
And is used to combine similar sentences.
But is used for contrasting sentences.
Or is used when a choice is offered in the sentences.
A semicolon take the place of the comma and conjunction.
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PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
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PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.
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PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.
Hearing the poem “Circles” is not enough; it needs to be seen.
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PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.
Hearing the poem “Circles” is not enough; it needs to be seen.
My friend likes poetry by E.E. Cummings; I prefer poetry by Esbensen.
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PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.
Hearing the poem “Circles” is not enough; it needs to be seen.
My friend likes poetry by E.E. Cummings; I prefer poetry by Esbensen.
Read the three poems; choose the one you like best.
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ELEMENTS TO BE DISCUSSED
Thought/Theme: Universal Truth – not limited to space or time.
Forms: Closed, Open, Haiku, and Concrete
CIRCLES IN NATURE
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WHO KNOWS IF THE MOON’S
Listen for information about the definition of experimental poetry.
Be able to answer the following questions:What does the moon become in the poem?Does this poem rhyme?
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CIRCLES IN NATUREPAGE 23-28
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PAGE 42-43
The theme of “who knows if the moon’s” I that our imagination can take us anyplace we'd like to go. The theme of “circles” is that we can observe magnificence in ordinary everyday things as well as in our universe.
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PAGE 42-43
The theme of “who knows if the moon’s” I that our imagination can take us anyplace we'd like to go. The theme of “circles” is that we can observe magnificence in ordinary everyday things as well as in our universe.
Esbensen repeats the phrases did you see, out and out and out, and think of. The phrase out and out and out I stretched across several lines. This adds to the meaning of the poem because it actually shows the words moving out. The phrases did you see and think of make the poem sound like a conversation. The poet uses these phrase to establish intimacy with the reader.
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The narrator imagines the moon as a hot-air balloon taking him and the reader up to a marvelous city in the sky where everything is perfect. The example of the balloon is symbolic; it represents our imaginations: the poet is telling us that our imaginations can take us away; we are not as limited as we may think we are.
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The narrator imagines the moon as a hot-air balloon taking him and the reader up to a marvelous city in the sky where everything is perfect. The example of the balloon is symbolic; it represents our imaginations: the poet is telling us that our imaginations can take us away; we are not as limited as we may think we are.
Cummings uses typography as well as punctuation to make certain words and sounds seem longer. Esbensen puts words on the page in such a way that they look somewhat like half circles, like ripples of previous stanzas bouncing off the sides of the margins. She also uses typography to visually represent the outward movement of some circles in nature, particularly with the lines that include out and out and out.
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The narrator imagines the moon as a hot-air balloon taking him and the reader up to a marvelous city in the sky where everything is perfect. The example of the balloon is symbolic; it represents our imaginations: the poet is telling us that our imaginations can take us away; we are not as limited as we may think we are.
Cummings uses typography as well as punctuation to make certain words and sounds seem longer. Esbensen puts words on the page in such a way that they look somewhat like half circles, like ripples of previous stanzas bouncing off the sides of the margins. She also uses typography to visually represent the outward movement of some circles in nature, particularly with the lines that include out and out and out.
YOU
ANSWE
R