Unfinished Modernisations LJ En

7/29/2019 Unfinished Modernisations LJ En

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MAO DEBATE

NEDOKONANE

MODERNIZACIJEMED UTOPIJO INPRAGMATIZMOM

12. - 14. APRIL 2012

MUZEJ ZA ARHITEKTUROIN OBLIKOVANJE

LJUBLJANA

MAO DEBATES

UNFINISHEDMODERNISATIONSBETWEEN UTOPIAAND PRAGMATISM

12 14 APRIL 2012

MUSEUM OF ARCHITECTUREAND DESIGNLJUBLJANA


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PROJECT 2010 2012

UNFINISHED MODERNISATIONSBETWEEN UTOPIA AND PRAGMATISM

ARCHITECTURE AND URBAN PLANNINGIN FORMER YUGOSLAVIA AND ITSSUCCESSOR STATESUnfinished Modernisations is a collaborative, long-term research platform on architecture and urban

planning. The project was initiated by Croatian Architects Association and it brings together partners

from both institutional and non-institutional sectors from South-Eastern Europe: Museum of Archi-tecture and Design, [Slovenia], Maribor Art Gallery [Slovenia], the Croatian Architects Association

and the Oris, House of architecture, Zagreb [Croatia], the Association of Belgrade Architects [Serbia]

and the Coalition for Sustainable Development [Macedonia].

The project is aimed at fostering interdisciplinary research on the production of built environment

in its social, political and cultural contexts. It encompasses the countries that succeeded former

Yugoslavia, spanning the period from the inception of the socialist state until today. The topic of

the research is the way in which divergent concepts of modernisation conditioned architecture, ter-

ritorial transformations, and urban phenomena. The project seeks to detect effective, resilient, and

socially responsible models of architecture and urban planning. While largely unexplored and lacking

appropriate interpretation, many of the models created in the region were original and experimental

and may be used as inspiration for a progressive current practise both inside and beyond the regional

borders. The project also seeks to reconstruct an important segment of the shared history of South-

Eastern Europe and to strengthen cross-cultural respect and understanding through trans-national

collaboration and mobility.

This platform for collaboration in the field of architecture and urban planning gathers 14 interdisci-plinary teams. Over the course of two years, they have researched various architectural and urban

planning phenomena within the social, economic and cultural context of socialist Yugoslavia, and

the reflections of these processes in todays independent states after Yugoslavias demise. The

researches have focused on the ways in which the architecture and urban planning were influenced

by the concepts of modernisation and the social experiment of construction in the self-government

socialist society, and what influence did the architecture and urban planning have on creation of the

social reality. In that sense, architecture and urban planning are seen as an integral part of the proc-

ess of general modernisation of the society, and also as a specific cultural phenomenon. Unfinished

Modernisations have been carried out through a variety of activities: workshops, symposia, lectures,

exhibitions, publications, and interactive web-site\blogs. These efforts culminated in a final exhibition

in Maribor [Slovenia], the 2012 Cultural Capital of Europe.


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Modernist architecture and urbanism in socialist Yugoslavia reveals many original and progressive mo-

dels. The planning of cities and settlements in the period of vital postwar economic growth proves to have

been of a particularly high level. It was comprehensive and well controlled with unprecedentedly greater

responsibility dedicated to the common living environment, as it is perceived today. Architecture presen-

ted and served as a research laboratory for industry and a source of innovation in construction. And the

political elite used modern buildings as a propaganda or communication tool with which to demonstrate to

the world how advanced the country they managed and operated was.

Through various issues, processes and architectural projects in the countries of the former Yugoslavia

the Unfinished Modernisations project definitively fills in some grey areas in the world history of modern

architecture. The topic of this collective research, which concludes with a conference in Ljubljana, is inte-

resting owing to questions emerging from enhanced insight into the architectural production that has been

rejected as irrelevant and outdated since the moment society (here) embraced democracy and the market

economy. Now, when social ideals as well as critical and experimental approaches to building are again at

the forefront of architectural thinking, discourse and practice, it is both highly relevant and revealing to

study the spatial layer that was created with the modern production of space and to try and determine its

legacy for the future. Did we understand modernism, its protagonists and manifestos, well enough or were

we too superficial in our reading of them? What are their key messages to the contemporary production

of architecture? How much does an architect, whose role is now (and forever) changing, still refer to the

heroic times of modernism? Can modernist activism, faith in progress and a collective social conscience,

still be detected within the profession?

The purpose of Unfinished Modernisations as is reflected in the title is no idealization of the period,

nor of the system in which the architectural and urban production under discussion developed. Because

of its undeniable shortcomings modernisations are not finished, they are incomplete. But at the same time

this incompleteness, with which we are faced daily, presents a situation that we need now and further

in the future to address.

At the closing conference of the Unfinished Modernisations project these and other questions will be ra-

ised, with international architectural critics, theorists and researchers who will respond with their won

particular points of reference: Nicholas Fox Weber (Director of The Josef and Anni Albers Foundation,

Bethany, USA), Owen Hatherley (writer and journalist, London), Hans Ibelings (editor, A10 New European

Architecture, Amsterdam), Breda Miheli (art historian, director of the Urban Planning Institute, Slovenia,Ljubljana), Maroje Mrdulja (project leader, Unfinished Modernisations, Zagreb). On the first day a public

interview will be held with architect Stanko Kristl, one of the main protagonists of modernist architecture

in Slovenia. He will be interviewed by architect Tina Gregoric (Dekleva Gregoric arhitekti, Ljubljana) and

architect Tadej Glaar (Vice-Dean, Faculty of Architecture, Ljubljana). On the second day of the confe-

rence visitors will be able to listen to presentations of the researchers who participated in the Unfinished

Modernisations project: Alenka Di Battista (Slovenia), Luciano Basauri (Croatia), Dafne Berc (Croatia),

Nika Grabar (Slovenia), Jelena Grbi (Serbia), Jelica Jovanovi (Serbia), Ivan Kucina (Serbia), Vinja

Kuko (Croatia), Ana Lovreni (Croatia), Nina Ugljen-Ademovi (Bosnia and Herzegovina), Dragana

Petrovi (Serbia), Divna Peni (Macedonia), Antun Sevek (Croatia), Biljana Spirkoska (Macedonia),

Jasna Stefanovska (Macedonia), Sao Ivanovski (Macedonia), Irena entevska (Serbia) and Ela Turkui

(Bosnia and Herzegovina).


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LECTURERS 13 APRIL 2012 Nicholas Fox Weber /USA/

Owen Hatherley /Great Britain/

Hans Ibelings /Netherlands/

Breda Miheli /Slovenia/

Maroje Mrdulja /Hrvaka/

Stanko Kristl /Slovenia/

MODERATOR Matevelik /Slovenia/

LECTURERS 14 APRIL 2012 Alenka Di Battista /Slovenia/Luciano Basauri /Croatia/

Dafne Berc /Croatia/

Nika Grabar /Slovenia/

Jelena Grbi /Serbia/

Jelica Jovanovi /Serbia/

Ivan Kucina /Serbia/

Vinja Kuko /Croatia/

Ana Lovreni /Croatia/

Nina Ugljen-Ademovi /Bosnia and Herzegovina/

Dragana Petrovi /Serbia/

Divna Peni /Macedonia/

Antun Sevek /Croatia/

Biljana Spirkoska /Macedonia/

Jasna Stefanovska /Macedonia/

Sao Ivanovski /Macedonia/

Irena entevska /Serbia/

Ela Turkui /Bosnia and Herzegovina/

MODERATOR Maroje Mrdulja /Croatia/

ORGANISATION Museum of Architecture and Design, Ljubljana


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PROGRAMME

THURSDAY, 12 APRIL 2012

15.00 Bus departure from Ljubljana to Maribor16.30 UNFINISHED MODERNISATIONS EXHIBITION guided tour

19.00 Return to Ljubljana

Friday 13 April 2012

9.30 Registration and coffee

10.15 INTRODUCTION, Matevelik, MAO

10.30 BETWEEN UTOPIA AND PRAGMATISM

Maroje Mrdulja

(Zagreb)11.15 SLOVENIAN URBAN PLANNING IN THE PERIOD OF MODERNISM

Breda Miheli (Ljubljana)

12.00 Coffee

12.30 LE CORBUSIER: A LIFE

Nicholas Fox Weber (Bethany)

13.15 MILITANT MODERNISM

Owen Hatherley (London)

14.00 Lunch

15.00 THE WESTERN BALKANS ON THE ARCHITECTURE MAP

Hans Ibelings (Amsterdam)

15.45 STANKO KRISTL, INTERVIEW

with Tina Gregori and Tadej Glaar


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SATURDAY 14 APRIL 2012

9.30 Registration and cofee

10.00 V+II POINTS ON ARCHITECTURE AND IDEOLOGY

Nika Grabar (Slovenia)

10.15 THE ZAGREB FAIR ON THE "RIGHT" BANK OF THE SAVA

Lana Lovreni, Antun Sevek (Croatia)

10.30 UNPLANNED BY PLANNING NEW BELGRADE TRANSFORMATIONS

Ivan Kucina (Serbia)

10.45 SKOPJE URBAN TRANSFORMATIONS,constructing the built environment in different socio-political contexts

Divna Peni (Macedonia)

11.00 Coffee

11.30 SARAJEVO-MARIJIN DVOR, THE PROGRAMME CONCEPTION OF A SOCIALIST CITY

Ela Turkui (Bosnia and Herzegovina)

11.45 NEW CITIES IN SLOVENIA (1945 - 1960)

Alenka Di Battista (Slovenia)

12.00 BELGRADE RESIDENTIAL ARCHITECTURE 1950 - 1970:

A privileged dwelling for a privilege-free society

Jelica Jovanovi (Serbia)

12.15 CONSTRUCTING AN AFFORDABLE ARCADIA

Dafne Berc, Luciano Basauri (Croatia)

12.30 Cofee

13.00 SPLIT 3

Vinja Kuko

13.15 THE CHARACTERISTICS OF PREFABRICATED CONSTRUCTION IN SFR YUGOSLAVIA:

The way from system to technology

Jelena Grbi, Dragana Petrovi (Serbia)

13.30 THE FUSION OF THE MODERN AND THE TRADITIONAL IN BOSNIA AND HERZEGOVINA

Nina Ugljen-Ademovi (Bosnia and Herzegovina)

13.45 CELLULOID BUILDING SITES OF SOCIALIST YUGOSLAVIA:cinematographic fiction and unfinished modernisations

Irena entevska (Serbia)


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MAROJE MRDULJAMaroje Mrdulja (Rijeka, 1971) is an architectural critic, writer and editor of several books on contem-

porary architectural practice, including Contemporary Croatian Architecture - Testing Reality. Since

2005 hes worked at the Architectural Faculty of the University in Zagreb. He serves on the editorial

boards of various professional magazines from the field of architecture, design and art. Among others

he is the editor of Oris magazine, published in Zagreb. He is an independent consultant to the EuropeanPrize for Architecture Mies van der Rohe. As curator Maroje Mrdulja has participated in several ar-

chitectural exhibitions. In 2008 he was a member of the curatorial team that designed the exhibition

"Balkanology" about architecture and urban phenomena in the former Yugoslavia. In 2010, together

with Vladimir Kuli, he conceived the research platform "Unfinished Modernisations", and for the past

two years has coordinated the work of researchers in the project and curated the exhibition "Unfinished

Modernizations" in Maribor. He regularly lectures in Croatia and abroad.


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BREDA MIHELIBreda Miheli (Ljubljana, 1948) is engaged in researching the history of architecture and urbanism in

the 19th and 20 century and is Director of the Urban Planning Institute of the Republic of Slovenia. In

addition to historical research she also deals with urban morphology and architectural typology and

the methodology of urban regeneration and protection of cultural heritage. Within these themes she

also pays particular attention to the period of the turn of the 19th and 20 century. Her master's thesis

entitled "Ljubljana Urban Development ", was published as a scientific monograph nearly 30 years ago,

and still represents a fundamental work on the development of the Slovenian capital into a modern

city. Breda Miheli has published numerous articles both at home and abroad. She has been involved

in many international projects, and since 1999, she has directed and coordinated the Slovenian part of

Project Art Nouveau in Progress / Art Nouveau en Projets, and participates actively in the Art Nouveau

network, also as a member of its board.


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NICHOLAS FOX WEBERNicholas Fox Weber (Hartford, Connecticut, USA, 1947) graduated from Columbia College and Yale

University and for more than 30 years has worked as Director of the Albers Foundation, which oversees

the legacy of Josef and Anni Albers, the only artistic pair within the Bauhaus group, and with whom Fox

Weber was friends. He taught at various schools in the U.S. and was for some time CEO of The Josef

Albers Foundation in Germany. In 1988 he served as visiting curator at the Guggenheim Museum in

New York, where he organised a retrospective exhibition of the work of Josef Albers. He is the author

of several monographs on art and architecture, including The Clarks of Cooperstown, Balthus, Patron

Saints, and The Art of Babar. In 2009 he published The Bauhaus Group, in which through his close

relationship with the Albers pair Weber brings to life the characters and community of protagonists

of this pioneering art school. The year previous, Weber published a biographical work Le Corbusier:

A Life, which is the first biography of one of the most influential, admired and maligned architects ofthe 20th century.


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OWEN HATHERLEYOwen Hatherley (Southampton, 1981) is a British writer and journalist who lives in London. He blogs

mainly about architecture, urbanism, politics, culture and design. He regularly writes for Icon, The

Guardian, Frieze, and has a column in the magazine Building Design. Recently he completed his Ph.D.

thesis on Americanism in the Weimar Republic and the Soviet Union, at Birkbeck College. He is the

author of two highly acclaimed books: Militant Modernism and A Guide to the new ruins of Great

Britain. Militant Modernism was published three years ago, with the Guardian newspaper declaring

it "an intelligent and passionately argued attempt to "excavate utopia" from the ruins of modernism"

and an "exhilarating manifesto for a reborn socialist modernism". In the book, Hatherley, with charac-

teristically provocative nostalgia, describes a world that was created before he was born, whose me-

aning has been forgotten and the sense of it desecrated. In A Guide to the new ruins of Great Britain

Hatherley criticized soulless and failed projects, which he claims characterize a period of greed and

depletion" in the Blair-era UK.


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HANS IBELINGSHans Ibelings is an architectural critic and historian. He founded the magazine A10, new European

architecture, together with Arjan Groot in 2004, which until recently he ran and edited. He studied art

history and archeology in Amsterdam. As a curator he has worked for several years in the Netherlands

Architecture Institute in Rotterdam. He has taught at various schools in the Netherlands and abroad,

including in Rotterdam, Lausanne and Belgrade. He has written and edited several books on contempo-

rary architecture, including the European Architecture 1890-2010. As an editor, critic and curator Hans

Ibelings encountered architecture in the former Yugoslavia in various capacities and ways. In 2009 he

was a member of the jury for the Golden Pencil in Slovenia, and was Commissioner of the 44th Zagreb

Salon. He is the curator of traveling exhibition RESTART, Architecture in Bosnia and Herzegovina, 1995

to 2010. Currently he is preparing the launch of a new architectural media The Architecture Observer,

intended to become a multi-platform tool for architectural criticism.


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STANKO KRISTLStanko Kristl (Ljutomer, 1922) is one of the main protagonists of modern Slovenian architecture. He

graduated in 1954 from the then Faculty of Technology (Ljubljana). He was the the author of several

landmark projects in the 1960s and 70s, including the famous "Kristl block" in Velenje, Kindergarten

Mladi rod in Ljubljana, the elementary school France Preeren in Kranj, the Emergency Unit of the

University Medical Centre in Ljubljana, and Hospital Building in Izola. He made a number of projects forhospital buildings in Yugoslavia. For his work he has received several Slovenian and Yugoslav awards.

Soon after graduation he became assistant to Edvard Ravnikar and collaborated with him on several

projects, including the urban plan for the new city of Kidrievo (Slovenia). Stanko Kristl taught for

several years at the Faculty of Architecture in Ljubljana and after retiring became a member of the

Slovenian Academy of Arts and Sciences. He is still actively working as an architect. His latest pro-

ject, the extension of the Emergency block of the University Medical Centre, is about to be completed.


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UNFINISHED MODERNISATIONS

V+II POINTS ON ARCHITECTURE AND

IDEOLOGYNIK A GRABAR (Slovenia)

When speaking about the architecture of the former Yugoslavia, we are talking about the architectu-

ral production of a society that no longer exists. The context of this political project provided specific

conditions for its culture. A complex event or development often prevents the outside viewer from

understanding local development, whereas the view from within is too close to establish the neces-

sary distance from the works under discussion.

THE ZAGREB FAIR ON THE "RIGHT"BANK OF THE SAVALANA LOVRENI, ANTUN SEVEK (Croatia)

The leading Yugoslav centres, Belgrade, Ljubljana and Zagreb, as well as a few other centres, had

a tradition of trade fairs that dated back to the period before World War II; however, during the so-cialist period, these fairs grew in both size and number. The decision to shift the Zagreb fair to the

southern bank of the Sava, to an area that had not hitherto been included in town planning, was taken

in September 1955, for after the concerted renewal of countries from the Eastern Bloc it became clear

that the premises of the old fair, even after expansion, were inadequate.

UNPLANNED BY PLANNING NEW

BELGRADE TRANSFORMATIONSIVAN KUCINA, MILICA TOPALOVI

WITH: DUBRAVKA SEKULI, BRANKO BEL AEVI (Serbia)

From the very beginning, the urban development of new Belgrade was highly dependent on politi-

cal circumstances, because it was designed to represent the successful socialist Yugoslav model.

Nevertheless, the urban planning doctrine that was inextricably tied to utopian modernist ideals, failed

to take into account the rapid pace of political and economic reforms that created continual reduc-

tions of and deviations in urban development. As result, new Belgrade has taken on the appearanceof an unplanned concrescence of diversified leftovers comprised of interrupted attempts to achieve

comprehensive urbanity.


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SKOPJE URBAN TRANSFORMATIONS,CONSTRUCTING THE BUILTENVIRONMENT IN DIFFERENT

SOCIO-POLITICAL CONTEXTSDIVNA PEN I, BILJANA SPIRKOSKA, JASNA STEFANOVSKA(Macedonia)When the urban development of Skopje is tracked, it becomes clear that the turbulent history of

the twentieth century (the First and the second World War, the establishment of the common state

of the Yugoslav people, the disastrous earthquake of 1963, the collapse of Yugoslavia) has left a

strong mark, both on the planning of its urban development and on the realisation of its built envi-

ronment. From the first known regulatory plan of 1914, up to the last realised master plan of 1985,

the transition of Skopje goes from an unplanned, spontaneously built city, through visions bearing

the strong creative marks of their authors, up to new strategies for its future urban development.

SARAJEVO-MARIJIN DVOR, THEPROGRAMME CONCEPTION OFA SOCIALIST CITYN

IN A

UGLJEN

ADEMOVI

, ELA

TURKU I

(Bosnia and Herzegovina)

Marijin dvor centre is one of the most attractive parts of Sarajevo, for it lies on the line of contact

between the historical core and the modern part of town. Here the city emerges from the basin and

starts its expansion towards the Sarajevo plain, developing linearly along the main city avenue. As a

result, the Marijin dvor area, from the point of view of both form and content, is the most important

connecting point in the continuity of urban development. Consideration of its conceptualisation

has lasted more than half a century for some 63 years in fact.

NEW CITIES IN SLOVENIA(1945 - 1960)ALENKA DI BATTISTA, MATEVELIK (Slovenija)

Postwar industrialisation in Slovenia was accompanied by precipitated town planning. From 1947

to 1956, projects for three new cities were born: Strnie near Ptuj (later Kidrievo), Nova Gorica

and Velenje. All three cities were built as political and economic projects based on integral townplanning concepts incorporating the international paradigm of a functionalist city. Their planning

was initialised by concepts defended by CIAM in the so-called Athens Charter, by the town plan-

ning ideas of Le Corbusier and by pre-war German rationalism under the influence of the Bauhaus.


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BELGRADE RESIDENTIALARCHITECTURE 1950 - 1970:A PRIVILEGED DWELLING FOR

A PRIVILEGE-FREE SOCIETYTANJA DAMJANOVI CONLEY, JELICA JOVANOVI (Serbia)Belgrade, like the other cities of Yugoslavia, entered World War II with a serious housing shortage.

At the close of the war, they had to come to grips with the problems arising out of the housing cri-

sis, which in Belgrade had particularly serious dimensions connected with the influx of workers,

bureaucrats and officers from all corners of the country.

CONSTRUCTING AN AFFORDABLEARCADIALUCIANO BASAURI, DAFNE BERC, MAROJE MRDULJA, DINKO PERAI, MIRANDA VELJAI(Croatia)

During the mid-1950s tourism developed on the Yugoslavian coast, aimed partially at the domestic

but above all the foreign market. Tourism became an important branch of the economy and the main

source of foreign currency for the whole of Yugoslavia. Simultaneously we saw the development of

integrated planning, covering urban design and architecture, of holidaymaking complexes guided

by modernist principles, with much attention devoted to the protection of natural resources and

controlled building density.

SPLIT IIIVINJ A KUKO

WITH: VESNA PERKOVI-JOV I(Croatia)

A total of 18 works came in for the Split III competition, from all parts of Yugoslavia, together with

a single entry from Glasgow. The work codenamed njan by Vladimir Braco Mui, Marjan Bean

and Nives Starc was unanimously pronounced the best. These architects introduced the pede-

strian street as the dominant element of the project. The network of housing streets and pedestrian

paths was placed orthogonally, following the centuriation scheme (Roman square grid) that had

been maintained in the Split area for 2000 years, while the two main mixed use commercial and

residential streets, the Dalmatian kale (calle), were placed in the line of the cardo (north-southorientation) of the Diocletian Palace.


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THE CHARACTERISTICS OFPREFABRICATED CONSTRUCTIONIN SFR YUGOSLAVIA: THE WAY FROMSYSTEM TO TECHNOLOGYJELENA GRB I, JELICA JOVANOVI, DRAGANA PETROVI (Serbia)

The history of prefabricated building in the Socialist Federal Republic of Yugoslavia, as in most of Europe,

began with the intention of making good the consequences of the destruction caused in World War II.

Still, Yugoslav prefabrication has a very specific developmental route in the wider European and global

context. Yugoslav firms put prefabrication ambitiously into practice with some considerable delay as

compared with their models in France, Scandinavia and the Soviet Union, and only once suitable condi-

tions had been established.

THE FUSION OF THE MODERN ANDTHE TRADITIONAL IN BOSNIA ANDHERZEGOVINANIN A UGLJEN-A DEMOVI, ELA TURKU I (Bosnia and Herzegovina)

The synthesis of the modern and the traditional in Bosnia and Herzegovina acquired palpable impetus

immediately following World War II, in a former Yugoslavia in which cultural diversity, which presupposedalso diversity of identity, resulted in a particular architectural language. The foundations of modern aspi-

rations in Bosnia and Herzegovina were set by the Sarajevo architects of the time (H. Baldasar, M. Baylon,

J. Finci, D. Grabrijan, L. Kabiljo, R. Kadi, M. Kadi, J. Neidhardt, D. Smiljani, I. Reis, E. amanek), who

had been trained in European centres. But for them these new ideas were at the same time a stimulus

to re-examine the reality of indigenous architecture, to search for integration.

CELLULOID BUILDING SITESOF SOCIALIST YUGOSLAVIA:CINEMATOGRAPHIC FICTION ANDUNFINISHED MODERNISATIONSIRENAENTEVSKA (Serbia)

Despite all of the difficulties, the new Yugoslav state apparatus recognized the particular suitability of

the film industry for the affirmation of new social relations. "Our great building site of celluloid curio-

sity is not far behind in these years; nor in enthusiasm, nor in the effects of all those non-transparentpolygons, where a new world is built from the ash, from new ideology, from a new personal and common

destiny." The film will soon be treated as a new socialist art, founded on the principles of "national rea-

lism". Contemporary social reality through the movie is not presented as it is, but such as should be made

in accordance with (optimistic) expectations.


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TICKETS AND APPLICATIONSTickets and applications

Tickets: 19 / 10 (students)

Payment: MAO ticket office or bank account: 01100-6000034749 held at UJP, SWIFTcode: BSLJSI2X, note Simpozij MAO.

Tickets are available as long as they last.

VENUE

Museum of Architecture and Design, Pot na Fu

ine 2, SI-1000 Ljubljana

BY BUS

Bus no. 20 runs from the centre of Ljubljana to Fuine castle. Get off at the last bus stop.

BY CAR

From the centre of Ljubljana on Zaloka cesta, past the Fuine high-rise residential area.

At the last junction before the Ljubljana Eastern Bypass go right to Chengdujska cesta.

Fuine Castle stands to the right immediately at the bridge across the Ljubljanica river.

From the Ljubljana Eastern Bypass take the exit Fuine and turn towards the centre of

Ljubljana. At the first junction, go lef t at Chengdujska cesta as far as the Ljubljanica

River. Fuine Castle stands to the right immediately at the bridge across the Ljubljanica.

BY BICYCLE

MAO recommends cycling along Ljubljanica from the city to museum in the Fuine castle.

INFORMATIONMuseum of Architecture and Design

Pot na Fuine 2, 1000 Ljubljana, Slovenija

T + 386 (0)1 548 42 70/ 73

F + 386 (0)1 540 03 44

E [email protected], W: www.mao.si


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