Tyw patterns 2

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Transcript of Tyw patterns 2

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The Yellow Wallpaper

A sumptuous feast of symbolism

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Learning Aims• To understand the use of

symbolism in The Yellow Wallpaper

• To select and explain quotes

• To evaluate the use of symbolism from a feminist perspective.

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You should have re-read TYW

In preparation for this lesson.

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Find quotes that describe the wallpaper

Draw the wallpaper as you see it in your mind’s eye.

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What does it all mean?

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The Yellow Wallpaper

• Is itself highly symbolic.

• Go through the text and identify quotations, discuss the possible significance of the paper

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Identify how Gilman Perkins uses language to suggest alternative readings to the story

Have some explanation of feminist

perspectives

Have a detailed analysis of how language is used to suggest possible alternative readings

Evaluate the text from a feminist perspective

What is the symbolic meaning of the wallpaper?

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There are things in that paper which nobody knows but me, or ever will.   Behind that outside pattern the dim shapes get clearer every day.   It is always the same shape, only very numerous.   And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!

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The front pattern does move—and no wonder! The woman behind shakes it!

Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over.

Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard.

And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so; I think that is why it has so many heads.

They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white!

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The front pattern does move—and no wonder! The woman behind shakes it!

Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over.

Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard.

And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so; I think that is why it has so many heads.

They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white!

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It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.

I see her in that long shaded lane, creeping up and down. I see her in those dark grape arbors, creeping all around the garden.

I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines.

I don't blame her a bit. It must be very humiliating to be caught creeping by daylight!

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The paper reminds ‘one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions—why, that is something like it.’

Rotting, diseased.

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The Yellow WallpaperMetaphorically, the ‘pattern’ of the

wallpaper suggests the configuration of values that govern the relationship between men and women, husbands and wives, male physicians, and female patients.

The pattern is the socially acceptable power that man hold over women.

The wallpaper represents the domestic sphere and women’s entrapment.

The narrator reacts against this pattern.

The pattern is patriarchy.