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Twelve Italian Songs
by Albinoni, Caccini, Caldara, Carissimi, da Gagliano, Giordani,
Lotti, Melani, Monteverdi, Pergolese, Pesenti, and Stradella
Arranged by Peter Billam
For guitar accompaniment
© Peter J Billam, 1979
This score is offered under theCreative Commons Attribution 4.0 International
licence; seecreativecommons.org
This edition 15 February 2014.
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Twelve Italian Songs, for voice and guitar
These arrangements were made when I was a guitarist, accompanying the Swiss tenorFranz Anderegg in the late 1970’s.
Page
3 Amarilli , Giulio Caccini (1550-1618), fromLe nuove musiche di Giulio Caccinidetto Romano, Firenze, Marescotti, 1601
6 Ruscelletto Limpidetto, Tomaso Albinoni (1674-1745), Bibl. del Conservatorio,Firenze. Ms D. 772 I, f. 63−65
8 Come Raggio de Sol, Antonio Caldara (1670-1716)
10 Vi ttoria, Vittoria , Giacomo Carissimi, Bibl. Estense, Modena. Ms, Mus. G. 28.
12 Caro mio Ben, Tommaso Giordani
14 Pupille Arciere, Giovanbatista da Gagliano, fromVarie Musiche di Giovanbatistada Gagliano, Libro Primo, Venezia, Alessandro Vincenti, 1623 (Espl. Bibl. NazFirenze)
15 Pur Dicesti, Antonio Lotti
18 Vezzosa Aurora , Alessandro Melani, Biblioteca Laurenziana, Firenze. Ms Ashb1452, f. 13−16
20 Nina, attributed to Giovanbatista Pergolese (1710-1736), in fact written byLegrenzio Vicenzo Ciampi (1719 - ?)
22 Lamento D’Arianna , Claudio Monteverdi, Bibl. Naz. Firenze. Ms Cl. XIX, 114,pp. 18−19. Aria dall’ operaArianna(1608)
23 O Biondetta Lasciavetta, Martino Pesenti, fromArie a voce sola del Signor Mar-tino Pesenti, Libro Terzo, Venezia, Alessandro Vincenti, 1636 (Espl. Bibl. S.Cecilia, Roma, p. 17)
24 Cosi Amor me fai Languir, Alessandro Stradella (1645-1681), from Bibl. Mar-ciana, Venezia. Ms Ital. IV. 466, pp 57−62 or Bibl. Reale, Copenhagen. Ms C I c530, pp 49−50
Peter J Billam, www.pjb.com.au
3Amarilli
Giulio Caccini
arrangement (c) 1979 Peter J Billam
Adagio
44
ma −A −
4444
6e en Re
li , miaril − la , nonbel − cre − di, o, del mio
dol cor − − ce de − si − d’es −o : tu −− ser
mi −l’amor o . − di loCre pur e se ti −
− mor t’as − sa −
cresc . . .
le , di mioquesto pre − − le ,stra
pri m’ila −
f
dim . . .
− pe to e vedrai co −scrit − to in
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4 Amarilli, Giulio Caccini
arrangement (c) 1979 Peter J Billam
p
re : A − ma −
33 3
legato . . .
− − −ril
mp
A − ma −li ,
cresc . . . mf
− ril − −−
mf
li , A − ma −
cresc . . . ff
ril − − li e’il mio a −
dim . . .
mo − −
mp
re !
tempomolto rit . . .
− Cre − di lo
se pur , e ti − sa −mor t’as − le ,
pre − ndi que − sto mio − le ,stra − prim’ il− a
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5Amarilli, Giulio Caccini
arrangement (c) 1979 Peter J Billam
to e vedraipet − − −co scrit − to in
p
A − ma −re :
ril − −−
mp
A − ma −ri , − − −ril
mf
li , A − ma −
cresc . . . ff
li e’il mio a − mo− ril
dim . . .
− −
pp
re ; ma −− A
molto rit . . . accell . . .
− −ril
tempo
e’l mio a −li
−mo − −
f
−− re . 1
4
3
pp
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6Ruscelletto Limpidetto
Tomaso Albinoni
arrangement (c) 1979 Peter J Billam
Andante32
3434
46 en Re
10 3
4
3 1
4
03
4
2
4
2
1 3
12 22
02
32
mf
−Ru − scel let − to li − mpi − to ,det − I −quando re − ne a te sen ’
vie − ne , lanon cosìfa vez − zo − sa , lanon cosìfa
vez − zo − sa . Ru − scel −
let − to− li − mpi − to ,det − quando I − are − ne te sen ’ vie − ne ,
no , lanon cosìfa vez − zo − za .
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7Ruscelletto Limpidetto, Tomaso Albinoni
arrangement (c) 1979 Peter J Billam
p
no , lanon cosìfa vez − zo − za .
FIN
p
Se co − no − sce i pre − gi suo − i con gl’ a −man − ti el −
la fi − a ipo − più cru − le e piùde − ri − tro − sa ,
mf
con gl’ a − el −man − ti la fi − a ipo − più cru − de − le e più
ri − tro − sa , più cru − le e piùde − ri − tro − sa ,
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8Come Raggio di Sol
Antonio Caldara
arrangement (c) 1979 Peter J Billam
34
3434
Co − me raggio di
sol , mi − te e −se re − no , Co − me raggio di sol ,
se −te e mi − no , re − sovra − pla cidi flut − ti si ri −
dim . . .
− sa ,po
sf
men − tre del men ma − re , deltre − ma − re nel pro −
− dofon
cresc . . .
no− se sta la tem − − pe
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9Come Raggio di Sol, Antonio Caldara
arrangement (c) 1979 Peter J Billam
−
f
−a sta sco − sa !
Co − sì − ri so ta − ga − jo e pa −ler , di con −ca − to ,
diten − to − to in −gioaj un vol − fio − ra , nel suo se −men − tre
cor pia −il gre − to − −ga − s’an − goscia eto
si marto − −ra − !
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10Vittoria, Vittoria
Giacomo Carissimi
arrangement (c) 1979 Peter J Billam
Allegro
34
Vit −
3434
6e en Re
to − ria , Vit − Vit −to − ria , to − ria , Vit − mioto − ria , −cuo Nonre !
la − grimar nonpiù , grimarla − epiù , d’A −sciolta lamo − re
vi −ser −
rit . . .
Vit −tu ,
,
tempo . . .
Vit −to − ria , mioto − ria ,
rit . . .
cuo − Nonre !
tempo . . .
la − grimar epiù , d’A −sciolta lamo − re vi −ser − tu , e
scio − −− −− −− d’A −ta − lamo − re
vi −ser − tu . Gia
ftuoil’empia a fradan − ni distuo − lo consguardi ,
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11Vittoria, Vittoria, Giacomo Carissimi
arrangement (c) 1979 Peter J Billam
vezzi bu − di giardi − gl’in −spose −gan leni , gliaf −frodi nonfanni
hanno più −lo delco , suocrudo efuoco l’ar −speto
− − do re ! Vit − Vit − to − ria , Vit − to − ria , to − ria , Vit − mio to − ria ,
cuo − Non re ! grimar la − non più , grimar la − e più ,
sciolta d’A − lamo − re vi −ser − etu ,
,scio − − −
− − −− d’A −ta − lamo − re vi −− ser tu .
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12Caro mio ben
Tommaso Giordani
arrangement (c) 1979 Peter J Billam
Largetto
44
4444
4 4
1 1 44
41
43
2
p
− ro mioCa cre − di mi al −ben , sen − za dimen , te lan − guisce il
cor . ro mio Ca − sen − ben , za di
lan − te gui − sce il cor .
p
Il tuo fe −
cresc . . .
so − del −pira o
f
ces − gnor , sa cru −
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13Caro mio ben, Tommaso Giordani
arrangement (c) 1979 Peter J Billam
to ri tan − del −
dim . . .cresc . . .
ces − gor , sa cru − tan − del ro ri −
tan − ri −to gor , −
pp
Ca − gor , ro mio
cresc . . .
cre − ben , di mi al −
mf
sen − za men , di− gui − te sche illan −
p
mioCa − cor . ro
cresc . . .
cre − di mi al −ben , disen − men , za
pp
te
p
lan − sche ilgui − cor .4 4 4 4
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14Pupille Arciere
Giovanbatista da Gagliano
arrangement (c) 1979 Peter J Billam
Allegretto
44
le ar −Pu − pil − ci a −O lu − voiIo per
4444
−cie − pu re , −ma − lu te , −sen − gra to
ne − pil − re ,le a − ci te ,be − men − ve to ,tor −
ber − reg − gio al − gio d’A −me − chieg − gio rce − delis − cru − del − si − mi
re ,mo − io ,anch’ mi .lu −
quel − levoi te − −me a Da − v’a − −mo e in Pur
se − chete , i − data ,
−tan − d’a to ,
fig − ge − tra − re ,mi vi − te − ta ,ro pia − mo − nto ,
sa − −e che più −tor non so −fo ver −
−te il ta − co −to, o men − Di −ne e nta − fiu
re .o .mi .
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15Pur Dicesti
Antonio Lotti
arrangement (c) 1979 Peter J Billam
Grazioso
2424
di −Pur
sul D . . .
sti , oce − boccabocca , la , obel − boccabocca , la ,bel −
so −quel a − ve e roca − " si " , " si " , fache
to iltut − pla −mio cer , il pla −mio cer .
di −Pur sti , oce − boccabocca , la , obel −
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16 Pur Dicesti, Antonio Lotti
arrangement (c) 1979 Peter J Billam
boccabocca , la ,bel − so −quel ve e− a − ca ro " si " , " si " ,
quel so − − a ve e − ca ro " si " , fache tut − to il
mio pia − −cer − − − , il pia −mio
cer ,− quel so − − a ve e − ca ro " si " , " si " , fache
tut − to il mio pia − −cer − − − , il
tr
mio pia − cer .
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17Pur Dicesti, Antonio Lotti
arrangement (c) 1979 Peter J Billam
_________ 2a
FIN
_________ 1a
o −Per
nor − di fa −sua lacel − uncon ba − cio A − t’a −mor
prì ,− uncon ba − cio A − −t’a mor prì ,
cedol − fen − te go −del der ! Ah −
sul D . . .
− −
− − −
f
sì − ,
rall . . .
−go del der !
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18Vezzosa Aurora
Alessandro Melani
arrangement (c) 1979 Peter J Billam
Andante
34
3434
mp
mp dolce
za Au −Vez − zo − gen −Al − ba
− ra ,ro − − le ,ti −
Vez − za Au −zo − gen −Al − ba
ro − ra ,ti − le ,
deh ,−af
−sor −fret
−−
− gi ,− ta ,
sor − gi ,deh , fret − − ta ilaf
sì ,piè ,
to in −E il pra − do èChè il mon −
−do −vi
− ra,− le ,
to ile il pra − chè il do èmon −
−do −vi
−−
− ra,− le ,
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19Vezzosa Aurora, Alessandro Melani
arrangement (c) 1979 Peter J Billam
pra − il to in −mon − do eil
rado − levi −
do il −tan − por − za sen − di
di .te.
za Au −zo − Vez − gen −ba Al −
− ra ,ro − − le ,ti −
za Au −zo − Vez − gen −ba Al −
ra ,ro − le ,ti −
deh , sor − gita ilfret − af −
deh ,sì , pie , af −
−sor −fret
−−
gi !− ta !−
sa Au −zo − Vez − gen −ba Al −
ra ,ro − le ,ti −
sor − deh , gi ,ta ilfret − af −
sì ,piè ,
sa Au −zo − Vez − gen −ba Al −
ra ,ro − le ,ti −
sor − gi ,deh , ta il fret − af −
sì !piè !
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20Nina
attributed to Giovanni Battista Pergolese
arrangement (c) 1979 Peter J Billam
44
Tre
44
son ni che gior − na , cheNi − chena , Ni −
Ni in− na se nete let − − sta − , in
let − nese te sta . f
f
panifari , tim − Pif −
cem − sve −ba − li , te mia Ni −glia − sve −net − ta ,
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21Nina, attributed to Giovanni Battista Pergolese
arrangement (c) 1979 Peter J Billam
te mia Ni −glia − − net − ac −ta , dor − ciò mano
più − − , ac − dor − maciò non Sve −più .
glia − − mia Ni −te ta , net sve −− mia glia − Ni −te
net − ta , ac − dor − ciò manon
_________________ 1a
più .
_________________2a
più . ac − ciò non − dor ma− più .
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22Lamento d’Arianna
Claudio Monteverdi
arrangement (c) 1979 Peter J Billam
44
−La − scia
4444
6e en Re
mi − mo −te − re ,ri tescia − la −
mi mo − re .− ri che E vo −
p
te voi − le −
mi che con − te− for du − racosi in te , sor − cosiin
gran mar −
f
re ? ti − La − − scia te mi mori − re ,
la − tescia − mi mo − ri − re !
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23O Biondetta Lascivetta
Martino Pesenti
arrangement (c) 1979 Peter J Billam
Allegretto leggerio
44
det − ta O bion − la − sci −bel − la O ru − ni − nfalet − ta O Lil − par − go −
4444
rel − vet − ta la, ( lil − la −pas − to − bel − bel − la , la, ( lil − la −nin − fa let − let − ta , ta, ( lil − la −par − go −
rel − la la, ) tut − tapa − sto − freg − gio la, ) D’a − morD’a − mor ma − ta la, ) Lil − la in −Lil − la a −
la !− bel gio !− pre ta !− gra
zo − sa , se fe −Se vez − den − te , pur so −Se ri − can − ti , tra − gli a −Me − tre in
ti mi − ahisto − za ro , io ti mi − ahiven − te ro , io ti mi − ahiman − te ro , io
ro , − spi ahiso − −so − spi −
______________________1a, 2a
ro ! −
______________________ 3a
ro !
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24Così, Amor, me fai languir
Alessandro Stradella
arrangement (c) 1979 Peter J Billam
68
sì , Co − A −sì , Co − A −
6868
6e en Re
fai la −mor, mi fai pe −mor, mi
mi la − − fai nguir , mi pe − − fai nar ,
sì , A −nguir , co − sì , A −nar , co −
fai la −mor, mi fai pe −mor, mi
mi la − − fai nguir , mi pe − − fai nar ,
non enguir ; non minar ;
cio o − de −che mi tan − a −to chi dai
o , mi − − chi si i , mio − − il ma
se guir− − fug ge sac ciar− − be ne
e chi si− deg gio , e mi con −− deg gio ,
ge , mio− nel strug ne , vie non − − chi
− nel miofo co , − chi nona mo ,
− da fug −co ho fo − pur a −a mo
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25Così, Amor, me fai languir, Alessandro Stradella
arrangement (c) 1979 Peter J Billam
a si − chi gir , e con − − mi mor ,
− nel miostrug ge , − chi non vie ne ,
− nel miofo co , − chi nona mo ,
da fug −co ho − fo pur mo a − a −
sì , A −gir . Co − sì , A −mor . Co −
fai la −mor , mi fai pe −mor , mi
fai mi la − − nguir , fai mi nar , pe − −
minguir , minar ,
−la fai −pe fai
− guir ,nar , −
fai la −mi fai pe −mi
guir ,nar ,
fai mi la − fai mi pe −
___________ 1a
guir ,nar ,
___________ 2a
− guir .− nar .
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ccBY
Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to1983, where he studied composition, classical guitar, flute and voice, worked as Musical Directorof the Théâtre Populaire Romand, and as recording engineer, record producer and computerprogrammer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,conducted recorder ensembles and choirs, studied recorder, voice and harpsichord.He foundedwww.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery,taking scores from Composer to Performer in one immediate step.Www.pjb.com.auoffers a newapproach to music publishing. These pieces arewritten to be read, made to be played !
Compositionsat www.pjb.com.auinclude:Five Short Pieces, guitar, 1979;Divisions on an ItalianGround, flute and guitar, 1980;De ProfundisandNacht, on poems by Lama Anagarika Govinda, voice andpiano, 1980;Fünf Bagatellen, piano, 1980;Five Rounds, choir, 1986; Go Forth and Multiply, choir, 1986;Three Violin Duets, 1987; Fable, for piano, 1987;To Erich Jantsch, SAATTB recorders, 1988;A Suite ofCurves, trombone (or horn) and piano, 1990;Two Recorder Duets, alto recorders, or other melodyinstruments, 1991;Tr ombone Quintet, trombone, flute, piano, bass, and percussion, 1994;Three Songs, onpoems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these areavailable), 1994; Piano Study, piano, 1994;Four Dances, various ensembles including recorder quartet,string quartet, 1995;The Poet in the Clouds, on a poem by S. T. Coleridge,SATB choir, 1995;Tr es Casidasdel Diván del Tamarit, on poems by Federico García Lorca, voice and piano, 1997;Three Suites, for thesolo line, piano, and piano and a solo line, 2000;Die Zeiten, on poems by Kästner, Bachman and Jünger,choir (only the second and third of these are available), 2000;Three Duetsfor flutes, 2001;For Four Handsforpiano four hands, 2002;Three Preludesfor piano, 2003;Second Solo Suitefor flute, violin, viola or cello,2003;Guitar Duetfor two guitars, 2006;We Who Mournfor choir, 2007; Trio With Guitar for guitar andtwo clarinets or two recorders or two violas, 2008;Canonsfor two- and four-hand piano, 2009;Flute Trio,2012;Ke yboard Studies, 2013.
Arrangements include: By J. S. Bach:Trio BWV 655, piano and flute;Vor deinen Thron BWV 668,piano;Fugue in F minor BWV 689, SATB recorders;Four Duets BWV 802-5, keyboard;Flute Sonata BWV1031transposed into G major for alto recorder and keyboard;Flute Sonata BWV 1032completed by PeterBillam for flute and keyboard, also in C major for alto recorder, and in G major for descant;Ricercare a 3,from the Musikalisches Opferfor keyboard; Ricercare a 6, for sSATBG recorders, or strings, or twokeyboards;Fuga Canonica in Epidiapentefor keyboard and melody instrument; from theArt of Fugue:Contrapuncti 1, 4 and9 for keyboard, andContrapunctus 14as completed by D. F. Tovey, for keyboard, orfor SATB recorders, or for strings;Passacaglia and Fugue in cfor piano four hands;Chorales with Descantfor melody instrument and piano;Cello Suites I, II and III for flute or alto recorder, Forty Chorales forpiano,Der Geist hilftfor SATB-SATB recorders. By Johannes Brahms:Fugue in Ab minor for organ, forSATB recorders and gamba, in A minor;Choralvorspiele for organplus settings by Isaac, Bach, Praetorius,recorders. John Carr, Divisions on an Italian Ground, flute or recorder and guitar. By G. F. Händel:Concerto Grosso in A minorop 6 no 4, harpsichord and recorders;Recorder Sonata in Bbno 5, in G fortenor recorder and keyboard. Claudio Monteverdi, Ecco Mormorar l’Onde, SSATB recorders.By ArnoldSchoenberg:Verklärte Nacht for piano. By Franz Schubert:Four Songs, voice and guitar;Dances,recorders and guitar, Dances, piano 4 hands.Scriabin, Two Preludes op.67; Five Preludes op.74, piano.Telemann, Twelve Flute Fantasias, recorder. John Wilbye, Draw on sweet Night, SSATTB recorders, andfor flute choir. Twelve Italian Songs, voice and guitar;Fourteen Folk Dance Tunes, recorder and guitar;Bushband Dances, violin, piano accordeon and banjo;Easy Classical Pieces, Bb trumpet and piano.
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• You may copy and redistribute the material in any medium or format.
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