Tv Sitcom

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Studying TV sitcoms Narrative structure of TV sitcom Here are some of the key features that sitcoms have in common. Try to apply them to some of the new hybrid sitcoms, to see if they are that radical after all: The principal fundamental situation of the situation comedy is that… …Things do not change (Grote, quoted in Neale & Krutnik 1990) Equilibrium – Disequilibrium – Resolution A ‘classical’ narrative structure for each episode – which involves the disruption of a stable situation (within the parameters of that sitcom’s ‘normal’ stable state) and its resolution within the episode – a return to the same equilibrium Three Acts A very clear three act structure – a beginning, middle and an end Simplistic and Reassuring The situation is usually based around a problem, the complication of this problem and its resolution – usually this is a simple and reassuring problem/solution formula for the audience – furthest from the reality of daily problems which are not so easily resolved. However – more recent sit-coms reject narrative neatness for the messiness of real life. Circularity and Modification A recurring process of destabilisation and restabilisation in each episode – narrative transformation relies on narrative circularity, with some modification of the basic situation if no real change. I Don’t Belieeeeve It! Synchronising motifs of clothes, actions and catchphrases Recurrent Themes Family, Work, Home and Authority Aspiration, Pretentiousness Key Narrative Ingredients Conflict and friction; collision of values, identities and lifestyles, including social class, gender, sexuality and race; transgression. (Adapted from McQueen’s TV: A Media Student’s Guide - Arnold) Characters With clearly defined characteristics and behaviour – usually based on stereotypes, who are confined by their situations, so that their actions and reactions can be easily predicted to create familiarity, recognition and the reassurance of shared laughter. Not all sit-coms depend on gender difference to create their humour and situations – try to sub-divide programmes in the genre by what they have in common Comic Modes - Comic traditions - Gag structure, visual and verbal humour, slapstick, dramatic irony

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Tv Sitcom

Transcript of Tv Sitcom

  • Studying TV sitcoms

    Narrative structure of TV sitcom

    Here are some of the key features that sitcoms have in common. Try to apply them tosome of the new hybrid sitcoms, to see if they are that radical after all:

    The principal fundamental situation of thesituation comedy is that

    Things do not change

    (Grote, quoted in Neale & Krutnik 1990)

    Equilibrium Disequilibrium ResolutionA classical narrative structure for each episode which involves the disruption of a stable situation(within the parameters of that sitcoms normal

    stable state) and its resolution within the episode a return to the same equilibrium

    Three ActsA very clear three act structure a beginning,

    middle and an end

    Simplistic and ReassuringThe situation is usually based around a problem, the

    complication of this problem and its resolution usuallythis is a simple and reassuring problem/solution formula

    for the audience furthest from the reality of dailyproblems which are not so easily resolved.

    However more recent sit-coms reject narrativeneatness for the messiness of real life.

    Circularity and ModificationA recurring process of destabilisation andrestabilisation in each episode narrative

    transformation relies on narrative circularity, withsome modification of the basic situation

    if no real change.

    I Dont Belieeeeve It!Synchronising motifs of clothes,

    actions and catchphrases

    Recurrent ThemesFamily, Work, Home and Authority

    Aspiration, Pretentiousness

    Key Narrative IngredientsConflict and friction; collision of values,identities and lifestyles, including social

    class, gender, sexuality and race;transgression.

    (Adapted from McQueens TV: A Media Students Guide -Arnold)

    CharactersWith clearly definedcharacteristics andbehaviour usually

    based on stereotypes,who are confined by

    their situations, so thattheir actions and

    reactions can be easilypredicted to create

    familiarity, recognitionand the reassurance of

    shared laughter.

    Not all sit-comsdepend on

    genderdifference tocreate theirhumour and

    situations tryto sub-divide

    programmes inthe genre by

    what they havein common

    Comic Modes- Comic traditions

    - Gag structure, visual and verbalhumour, slapstick, dramatic irony