Tuesday Musical - September 24 Concert

2013 I 2014 CONCERT SEASON

Presenting the Finest

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2013&14

For a complete 2013/14 Season schedule of events or for further informationcall the Thomas Hall Ticket Office at 330-972-7570 or visit us at UAEVENTS.COM.

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Where you turn after you turn off the day.

Now with more news and information programming during the day and more of your classical music favorites in the evening.

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2013 I 2014 CONCERT SEASON

Presenting the Finest

Cantus SEPTEMBER 24, 2013

The Cleveland Orchestra OCTOBER 18, 2013

Brooklyn Rider & Béla Fleck NOVEMBER 12, 2013

Jeremy Denk piano FEBRUARY 4, 2014

A Far Cry with Matt Haimovitz cello MARCH 11, 2014

Susan Graham mezzo-soprano APRIL 10, 2014

For single tickets call 330-972-7570

All concerts are presented at EJ Thomas Hall, The University of Akron, 7:30 PM

330-761-3460MUSIC. PURE + SIMPLE.

tuesday musical concert series 2013 | 2014

Tuesday Musical welcomes the return of its long-time friend The Cleveland Orchestra on Friday, October 18, 2013. Czech conductor Jackub Hrusa will be at the podium leading this august ensemble in Haydn’s Symphony No. 60, Dvorák’s Violin Concerto with soloist William Preucil

and Janácek’s Taras Bulba. Tuesday Musical pays homage to this partnership with the Orchestra that began in 1918 and looks

forward to helping it celebrate its 100th Anniversary in 2018!

October 18, 2013 – The Cleveland Orchestra

Lillian and Lincoln Grieswanted to support childrenand music forever. So, witha bequest in their will, theystarted the Lillian D. andLincoln H. Gries Fund ofAkron Community Foundation.For 58 years, Akron Community Foundation has been helping people from all walks of life become philanthropists with a charitable fund in their name. Let us help you achieve your charitable dreams, too. Call us at 330-376-8522. Or, visityourcharitabledreams.com

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tuesday musical concert series

The University of Akron EJ Thomas Performing Arts HallTuesday, September 24, 2013, 7:30 pm

CantusA Place for UsSomewhere (Introduction) Leonard Bernstein*The Finlandia Hymn Jean SibeliusFiddle Tune Traditional, arr. Chris FossLakota Wiyanki Lakota song, arr. Judith Herrington/Gail WoodsideMy Journey Yours Elise Witt, arr. Michael HolmesPretty Saro Appalachian Folk SongPsalm of the Soil Sarah Kirkland SniderWe Shall Not Be Moved Traditional, arr. Cantus*Anthem: Lamentation over Boston William BillingsGravedigger David John Matthews, arr. Timothy C. Takach*Paradise “Northport” Hymn, arr. Malcolm Dalglish

INTERMISSION

*Nukapianguaq Inuit Chants, adapt. Stephen HatfieldNorthwest Passage Stan Rogers, arr. Ian LoeppkyEl Pajarito Cu Trad. Mexican Folk Song, arr. Evy LucioHole Waimea Trad. Hawai’ian Song, arr. Dorothy K. Gillett / Harold TurneyAmerica Will Be! Paul John Rudoi*This Ol’ Hammer Traditional Work Song, arr. John. W. WorkAin’ Got Time to Die Hall Johnson, arr. Philip Duey*Simple Gifts Joseph Brackett, arr. Stephen Caracciolo *Somewhere Leonard Bernstein

* This work can be found on a Cantus recording.

Season Support:Concert made possible by grants from:




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C. Colmery Gibson Polsky Fund

This presentation is supported by the Arts Midwest Touring Fund, a program of Arts Midwest that is funded by the National Endowment for the Arts, with additional contributions from Ohio Arts Council and General Mills Foundation.

Cantus

TenorsAaron HumbleHometown: Kent, OHEducation: DM and MM Indiana University; BM Millikin University. All Degrees in Vocal Performance and Literature.

Paul J. RudoiHometown: Keene, NHEducation: BM Vocal Performance, The Hartt School

Gary RuschmanHometown: Erlanger, KYEducation: MM San Francisco Conservatory of Music; BM Northern Kentucky University.

Shahzore ShahHometown: Chicago, IL; then Stillwater, MNEducation: BM Vocal Performance, BM Music Education, BA French, Lawrence University Conservatory of Music

David WaltonHometown: Nashville, TNEducation: MM Vocal Performance, University of Mississippi; BME Music Education, Harding University

BaritonesAdam ReinwaldHometown: Eugene, OREducation: BM Vocal Music Education, St. Olaf College

Matthew TintesHometown: Fargo, NDEducation: MM Vocal Performance, University of Wisconsin – Madison; BM Secondary Vocal Music Education, North Dakota State University

BassesChris FossHometown: Council Bluffs, IAEducation: BM Commercial Music, Millikin University; MM Choral Conducting, University of Nebraska

Sam GreenHometown: Webb City, MOEducation: BM Music Education, University of Missouri – Kansas City

Artistic CouncilAaron Humble, Communications

Adam Reinwald, Programming

Paul J. Rudoi, Artistic Operations

Administrative Staff Mary E. Lee, Executive Director

Tim J. Peterson, Director of Marketing and Finance

Jeff Bina, Operations Coordinator

Aaron Humble, Tour Manager

Shahzore Shah, Education Outreach Coordinator

Matthew Tintes, Music and Media Librarian


Acclaimed around the world for its trademark warmth and blend and its engaging performances Cantus travels to

over 35 cities in its 2013–2014 season. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process. The Washington Post has hailed the ensemble’s sound as having both “exalting finesse” and “expressive power” and refers to its music-making as “spontaneous grace.” Cantus performs more than 60 concerts each year both in national and international touring, as well as in its home of Minneapolis-St. Paul, Minnesota. Past performances have brought Cantus to the stages of the Kennedy Center, UCLA, San Francisco Performances, Atlanta’s Spivey Hall, Bravo! Vail Music Festival and New York’s Merkin Concert Hall, to name just a few.

Committed to the expansion of vocal music repertoire, Cantus premieres a new work this

season, “Psalm of the Soil” by Sarah Kirkland Snider. Other commissions have come from Nico Muhly, Lee Hoiby, Steven Sametz, Kenneth Jennings, Peter Hamlin, Edie Hill and Robert Kyr. Cantus has received commissioning grants from the National Endowment for the Arts, American Composers Forum and Chamber Music America.

Cantus has a rich history of collaborations with other performing arts organizations, including the Saint Paul Chamber Orchestra, the Boston Pops, James Sewell Ballet and the Minnesota Orchestra. Each holiday season, the ensemble continues to tour its celebrated presentation of “All Is Calm: The Christmas Truce of 1914” throughout the country and has been featured multiple times on A Prairie Home Companion with Garrison Keillor.

The ensemble is the recipient of numerous awards, including Chorus America’s highest honor, the Margaret Hillis Award for Choral Excellence (2009), as well as Chorus America’s

Education Outreach Award (2011). Cantus was also the 2010-2011 Artist in Residence on Minnesota Public Radio and American Public Media’s Performance Today.

Integral to the Cantus mission is its commitment to preserve and deepen music education in the schools. Cantus works with more than 5,000 students each year in master class and workshop settings across the country. Now in its sixth year, the award-winning High School Residency program brings Cantus into Minnesota schools several times a year for mentoring at no charge, culminating in a public concert in the spring.

Cantus has released 14 albums on its own self-titled label, each to considerable acclaim. Of That Eternal Day (2010) The New York Times said, “the Cantus recording offers many satisfactions, none greater than a touching, ineffably simple performance of “The 23rd Psalm (dedicated to my mother)” by Bobby McFerrin.” The next Cantus recording, Song of a Czech: Dvorák and Janácek for Men’s Voices will be released in October 2013.

For additional information contact: [email protected]

Cantus is managed by: Alliance Artist Management 212.304.3538allianceartistmanagement.com

Featured Recordings

On the Shoulders of GiantsThere are artists who have left an indelible mark in music with works that are both timeless and instantly recognizable. Including repertoire that spans nearly a thousand years from “Sederunt” – one of the first known works of polyphony – to U2’s “MLK,” along with works by Sibelius, Mendelssohn, Schubert and Randall Thompson, Cantus delivers performances with its trademark warmth and blend.

Christmas with CantusIn their newest holiday recording, the men of Cantus bring the sounds of the holidays to you and your family. Including audience favorites “Do You Hear What I Hear,” “Carol of the Bells,” “Noel Nouvelet,” “Have Yourself a Merry Little Christmas,” and of course the Franz Biebl “Ave Maria,” this collection of songs old and new is full of light and life.

That Eternal DayThis recording is a wonderful collection of American sacred music. Including audience favorites “There’s a Meetin’ Here Tonight,” “Wanting Memories,” and Bobby McFerrin’s “The 23rd Psalm (Dedicated to my Mother),” this program of music is emotionally invigorating and musically fulfilling. New arrangements of “Keep Your Lamps” and “Simple Gifts” alongside pieces by William Billings, Moses Hogan, and Paul Manz are a comfort to the soul.

Deep RiverDeep River is a treasury of African-American Spirituals. This album features some of the most beloved American folk songs such as “Ezekiel Saw de Wheel,” “Were You There,” “Swing Low, Sweet Chariot” and “Soon Ah Will Be Done.” Deep River also delves into the roots of American roots music by exclusively featuring music by the preeminent first and second-generation African-American composers – Harry T. Burleigh, William Dawson, John W. Work and Jester Hairston – in both well known and long forgotten arrangements of these immortal songs.

Let Your Voice Be HeardThis recording is an eclectic mix of music from all over the world. The selections range in style from “El Yivneh Hagalil,” a Hebrew folk song, to “Dulaman,” an Irish dance, and a unique Georgian wedding song. Familiar favorites “Danny Boy” and “Loch Lomond” and exhilarating performances of pieces such as “What Shall We Do With a Drunken Sailor” and “One By One” add to the energy and diversity of the program.

THESE AND OTHER CANTUS RECORDINGS ARE AVAILABLE AT CANTUSSINGS.ORG

Cantus


Somewhere a place for us.Peace and quiet and open air Wait for us, somewhere.

– Stephen Sondheim

The Finlandia HymnJean Sibelius(ECS Publishing)

This is my song, oh God of all the nations,a song of peace for lands afar and mine.This is my home, the country where my heart is;here are my hopes, my dreams, my holy shrine;but other hearts in other lands are beatingwith hopes and dreams as true and high as mine

My country’s skies are bluer than the ocean,and sunlight beams on clover leaf and pine.But other lands have sunlight too and clover,and skies are everywhere as blue as mine.This is my song, oh God of all the nations;a song of peace for their land and for mine.

– Lloyd Stone

Fiddle TuneTraditional, arr. Chris Foss(Manuscript)

Lakota WiyankiLakota song, arr. Judith Herrington / Gail Woodside(Colla Voce)

Hey ya yoLakota WiyankiNiye cante tanzaIglu Wasa kayya ye yo

Translation:Hey ya yoBeautiful WomenStanding with courageWith pride, you will go forwardya ye yo

– words and original melody given to Gail Woodside by Cara Willowbrook

Program NotesMy Journey YoursElise Witt, arr. Michael Holmes(Non Si Sa Mai Music)Sung in English, Kurdish, Arabic, Mano (Liberia), Amharic (Ethiopia), Bosnian, Vietnamese and Somali

My journey, your journey, my journey, yours.Gashtimin, Gashtakat.Lupia, Tapia.Rechlati hiya, Rechlatak.Yene gozo nayanka.Moje puto vanje tvoje.Hang djing gua toi, Hang djing gua angh.Sodal keyga, Io kaga.

– Elise Witt

Psalm of the SoilSarah Kirkland Snider(Good Child Music)

Under meadowgolden furrowbones of heroesthe lonely lay

Among maplessun-struck steepleshidden circlesring out our days

In my memoryhome eludes megone the beautyof who I’ve been

Gone the dutyblood of familysky above mea dome of pain

Hold the newnesslost includedblossoms millionsmeadows grain

Across oceansghosts will beckonland will listenand I will sing

– Nathaniel Bellows

Program Notes

Pretty SaroAppalachian Folk Song(Manuscript)

When I first come to this country in Eighteen and Forty-nineI saw many fair lovers but I never saw mineI viewed all around me, and I found I was quite aloneand me a poor stranger and a long way from home

My love she won’t have me so I understandShe wants a free holder and I have no landI cannot maintain her with silver and goldNor buy all the fine things that a big house can hold

If I were a merchant and could write a fine handI’d write my love a letter that she’d understandSo I’ll wander by the river where the waters o’erflowAnd I’ll dream of Pretty Saro wherever I go

Down in some lone valley, in some lonesome placeWhere the wild birds do whistle, and their notes do increaseFarewell, Pretty Saro, I bid you adoAnd I’ll dream of Pretty Saro wherever I go

We Shall Not Be Moved Traditional, Amerian, arr. Cantus(Manuscript)

We’ll build a mighty union, we shall not be moved.Just like a tree that’s planted by the water:We shall not be moved.When my burden’s heavy, we shall not be moved.We’re fighting for our freedom, we shall not be moved.

Anthem: Lamentation Over BostonWilliam Billings(Manuscript)

By the Rivers of Watertown we sat down and wept, when we remember’d thee, O Boston.As for our Friends, Lord God of Heaven, preserve them, defend them, deliver and restore them unto us.For they that held them in bondage requir’d of them to take up arms against their brethren. Forbid it, Lord.God forbid! Forbid it Lord, God forbid! That those who have sucked Bostonian Breasts should thirst for American Blood!A Voice was heard in Roxbury which echo’d through the Continent, weeping for Boston because of their danger.Is Boston my dear Town, is it my native Place? For since their Calamity, I do earnestly remember it, still.


If I forget thee, if I forget thee, yea if I do not remember thee, let my numbers cease to flow, then be my Muse unkind; then let my tongue forget to move and ever be confin’d.Let horrid Jargon split the Air and rive my nerves asunder; let hateful Discord greet my Ear, as terrible as Thunder.Let Harmony be banish’d hence and Consonance depart; let Dissonance erect her Throne and reign within my Heart.– Psalm 137, ad. William Billings

GravediggerDavid John Matthews, arr. Timothy C. Takach(Colden Grey, Ltd.)

Paradise “Northport” hymn, arr. Malcolm Dalglish(Ooolitic Music)

Dear Lord I wander here below.I sing to you that I may know.Have I a seat in paradise?Is there a love that never dies?

I have some friends before me gone,But I’m resolved to travel on.I vow that I’ll remember them,Their memory a requiem.

By faith my journey I’ll pursue,Heaven on earth thy will to do.You are the flame that lights the way,In cool of night and heat of day.

I cannot say I have no fear,Yet I am glad that I am here.You gave the power to my hand.My arms embrace this promised land.

I want to live in paradise.There is a love that never dies.I want to live in paradise.There is a love that never dies.Glory, Hallelujah.

– Malcolm Dalglish

NukapianguaqInuit Chants, adapt. Stephen Hatfield(Boosey and Hawkes)

This piece (pronounced nukh-ah-pee-ang-guaq) attempts to present Inuit music in a choral setting that remains as faithful as possible to the aesthetics of the original tradition. The Inuit love heterorhythms – rhythms which are played simultaneously, but which are not intended to cohabit a common tempo or time signature. Inuit chants are usually reflective in nature and spiritual in intent. A marked exception is the war chant which finishes the piece. The piece is named for one of the Inuit’s most prestigious singers, and the opening chant was written by his son in tribute.

– Stephen Hatfield, 1993

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Program Notes

Northwest PassageStan Rogers, arr. Ian Loeppky(Kelman Hall Corporation)

Ah, for just one time I would take the Northwest PassageTo find the hand of Franklin reaching towards the Beaufort Sea;Tracing one warm line through a land so wild and savageAnd make a Northwest Passage to the sea.

Westward from the Davis Strait ’tis there ’twas said to lieThe sea route to the Orient for which so many died;Seeking gold and glory, leaving weathered, broken bonesAnd a long-forgotten lonely cairn of stones.

Three centuries thereafter, I take passage overlandIn the footsteps of brave Kelso, where his “sea of flowers” beganWatching cities rise before me, then behind me sink againThis tardiest explorer, driving hard across the plain.

And through the night, behind the wheel, the mileage clicking westI think upon Mackenzie, David Thompson and the restWho cracked the mountain ramparts and did show a path for meTo race the roaring Fraser to the sea.

How then am I so different from the first men through this way?Like them, I lived a settled life, I threw it all away.To seek a Northwest Passage at the call of many menTo find there but the road back home again.

– Stan Rogers

El Pajarito CuTrad. Mexican Folk Song, arr. Evy Lucio(Neil A. Kjos Music Company)

¿Qué pajarito es aquel que ha bajado a beber agua?Que con el pico la turba por no beberla tan clara.Y a muchos no les gusta, la cinta negra, Porque dicen que es triste y a mi me alegra.

Eres mi prenda querida, eres todo mi querer, Rosa de Castilla en grana cortada al amanecer. Eres mi prenda querida, eres mi prenda adorada, Eres aquella paloma que canta en la madrugadaEres aquella paloma que canta al amanecer.

Translation:What kind of little bird has come to the stream for water?He pecks the bottom lightly, disturbing the bottom slightly. And many do not like the black ribbon, Because they say it is sad and I am glad.

You are my darling and you are all my love. Rose of Castile as fresh as morningYou are my dear promise, my beloved one.My tender dove singing at dawn to welcome the rising sun.


Hole WaimeaTrad. Hawai’ian Song, arr. Dorothy K. Gillett / Harold Turney(Manuscript)

Hole Waimea i ka ihe a ka makani.Hao mai na- ‘ale a ke Ki

- pu’upu’u.

He la-’au kala’ihi ia na ke anuI ‘o-’o- i ka nahele o Mahiki.Ku- akula i ka mala a ke Ki

-pu’upu’u

Holu ka maka o ka ‘o-ha-wai a UliNiniau ‘eha ka pua o ke koai’e,Ua ‘eha i ka nahele o Wai-ka-.

Ku- aku i ka pahu,Ku- a ka ‘awa‘awa,Hanane’e ke ki

-kala o ko- Hilo kini

Ho’i lu’ulu’u i ke one o Hanakahi.Waimea is rasped by the shafts of wind

Translation:By gales of the Kipu’upu’u windThe trees stand blighted in the coldThat pierces the Mahiki forest.You are pounded by the Kipu’upu’u windThat set the ohawai blossoms of Uli aswayWearying and bruising the koai’e blossomsThe herbage of Waika is stung by the frost.

Hit by the thrustsHit by the coldThe hips of Hilo’s throngs sagAs they return burdened to the sands of Hankahi.

– Traditional name chant for King Kamehameha

America Will Be!Paul John Rudoi(Manuscript)

Let America be America again.Let it be the dream it used to be.Let it be the pioneer on the plainSeeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed –Let it be that great strong land of loveWhere never kings connive nor tyrants schemeThat any man be crushed by one above.

(It never was America to me.)

Program Notes

O, let my land be a land where LibertyIs crowned with no false patriotic wreath,But opportunity is real, and life is free,Equality is in the air we breathe.

(There’s never been equality for me,Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,I am the (‘black man’) bearing slavery’s scars.I am the red man driven from the land,I am the immigrant clutching the hope I seek –

(‘I am’) the one who dreamt our basic dreamIn the Old World while still a serf of kings,Who dreamt a dream so strong, so brave, so true,That even yet its mighty daring singsIn every brick and stone, in every furrow turnedThat’s made America the land it has become.O, I’m the man who sailed those early seasIn search of what I meant to be my home –For I’m the one who left dark Ireland’s shore,And Poland’s plain, and England’s grassy lea,And torn from Black Africa’s strand I cameTo build a “homeland of the free.”

The free?

For all the dreams we’ve dreamedAnd all the songs we’ve sungAnd all the hopes we’ve heldAnd all the flags we’ve hung,The millions who have nothing for our pay –Except the dream that’s almost dead today.

O, let America be America again –The land that never has been yet –And yet must be – the land where every man is free.The land that’s mine – the poor man’s, Indian’s, (‘Black man’s’), ME –

O, yes,I say it plain,America never was America to me,And yet I swear this oath –America will be!

– Langston Hughes


This Ol’ HammerTraditional Work Song, arr. John W. Work(Galaxy Music Corporation)

This ol’ hammer killed John HenryBut it won’t kill me, won’t kill me.

This ol’ hammer shines like silver,But it rings like gol’ O Lord, it rings like gol’

Take this hammer, to the walkin’ boss,Tell ’im I’m gone

If he ask you any questions, Tell ’im you don’t know!

I don’t mind a skeeter ‘lightin’But Mister Skeeter please! Don’t sit down.

This ol’ hammer killed John HenryBut it won’t kill me, won’t kill me.

Ain’ Got Time to DieHall Johnson, arr. Philip Duey(Boston Music Company)

Lord, I keep so busy praisin’ my Jesus, Ain’ got time to die.’Cause when I’m healin’ de sick (I’m praisin’ my Jesus)’Cause it takes all o’ my time to praise my Jesus, all o’ my time to praise my Lord.If I don’t praise him de rocks gonna cry out: ‘Glory and Honor’.Lord, I keep so busy workin’ for de Kingdom, I ain’ got time to die.Lord, I keep so busy servin’ my Jesus, I ain’ got time to die.’Cause when I’m giving my all, I’m servin’ my Jesus.Now won’t you get out o’ my way, Lemme praise my Jesus!

– Traditional

Simple GiftsJoseph Brackett, arr. Stephen Caracciolo(Neil A. Kjos Music Company)

’Tis the gift to be simple, ‘tis the gift to be free,’Tis the gift to come down where you ought to be,And when we find ourselves in the place just right,’Twill be in the valley of love and delight.

When true simplicity is gained,to bow and to bend, we shan’t be ashamed,To turn, turn will be our delight,Till by turning, turning we come ’round right.

– Joseph Brackett

SomewhereLeonard Bernstein(Warner Chappell Music)

There’s a place for us, Somewhere a place for us.Peace and quiet and open airWait for us, somewhere.

There’s a time for us, Some day a time for us,Time together with time to spare, Time to learn, time to care,

Some day, Somewhere, We’ll find a new way of living,We’ll find a way of forgiving.Somewhere . . .

There’s a place for us,A time and place for us.Hold my hand and we’re halfway there. Hold my hand and I’ll take you thereSomehow, Some day, Somewhere!

– Stephen Sondheim

Leadership Gift $30,000John S. & James L. Knight Foundation

Tribute Donors $2,500 - $10,000Anne Alexander

Marion Goetz AronBetty V. and John M. Jacobson Foundation

Cynthia KnightGertrude F. Orr Trust Advised Fund of Akron Community Foundation

Feld Founders Circle $1,000 - $2,499Ronald C. & Ann G. Allan

John & Betty Dalton

DuWayne & Dorothy Hansen

Helfrich Family Fund Charitable Trust

Margaret & David Hunter

Peter & Dorothy Lepp

Larry & Chris Levey

The Roberta and Stan Marks Charitable Foundation

Zenon & Natalie Miahky

Herbert & Dianne R. Newman

Corrinne & Donald Rohrbacher

Lola RothmanJohn & Verna Vander Kooi

Lee & Floy Barthel Robert W. Briggs

Buchholzer Charitable FoundationRobert & Beverley Fischer

Diana & John GayerMr. & Mrs. Bruce HagelinDr. & Mrs. Tom Jackson

Paul & Linda LiesemBeth Lynch

Janise B. ParryGuy and Renée Pipitone

Betty SloanRobert & Colleen Murphy Tigleman

Donna Valentine

The generous inaugural gifts of our early responders to the Barbara A. Feld Educational Experience Fund of Akron Community Foundation

are heartwarming and greatly appreciated. Our fundraising activities will continue, and we look forward to including you in our list of donors.

The list reflects gifts received through September 16, 2013

Feld Experience Friends $500 - $999

Inaugural Friends up to $499

Bonnie & Joel AberthAnonymous,

in memory of Ethel Nobil Mr. & Mrs. John Bertsch,

in memory of Pete BirgelesAlan & Sara BurkyMarie Covington

Ann Edwards David & Bobbie Ewbank

Lois & Harvey Flanders Thomas L. Friedman

Donna GellerStephen & May Ann Griebling

Elaine GuregianMr. & Mrs. Robert Handleman

Jarrod HartzlerDavid W. Kellogg

Mr. & Mrs. Kurt LaubingerJohn and Tina Mogen

Charles A. & Elizabeth NelsonAlita & Rick RogersJohn Schambach

Mr. & Mrs. R. Thomas StantonM J Stasell

Susan D. Van Vorst

The Barbara A. Feld Educational Experience Fund

2013-2014 Foundation, Corporation & Government Support

Tuesday Musical wants to thank the following foundations, corporations and government agencies for their support of the 2013-2014 Season.

$25,000+

GAR Foundation

The John S. and James L. Knight Foundation

Ohio Arts Council

$10,000 to $24,999

Mary S. and David C. Corbin Foundation

The Margaret Clark Morgan Foundation

Gertrude F. Orr Trust Advised Fund

C. Colmery Gibson Polsky Fund of Akron Community Foundation

SUMMA Health System

$5,000 to $9,999

Mary and Dr. George L. Demetros Charitable Trust

FirstMerit BankServices

The Haslinger Family Foundation

John A. McAlonan Fund of the Akron Community Foundation

The Burton D. Morgan Foundation

PNC Foundation

The Charles E. & Mabel M. Ritchie Memorial Foundation

The Lloyd L. & Louise K. Smith Foundation

The Welty Family Foundation

WKSU FM

$1,000 to $4,999

Akron Beacon Journal

Arts Midwest Touring Fund

Bruner-Cox, LLP

The Goodyear Tire & Rubber Company

Lehner Family Foundation

The R. C. Musson and Katharine M. Musson Charitable Foundation

OMNOVA Solutions Foundation

The Sisler McFawn Foundation

Target Foundation

Valley Savings Bank

$250 to $999

The Roberta and Stan Marks Charitable Foundation

W. Paul Mills and Thora J. Mills Memorial Foundation

The Laura R. and Lucian Q. Moffitt Foundation

HUGH A. GLAUSER SCHOOL OF MUSIC

From choral to orchestral, from chamber music to solo recitals, from emerging young performers to world-renowned guest artists:

the 2013-2014 season features an impressive variety of programming.

kent.edu/music


Annual Concert Support

$50,000 to $150,000

“Three Graces Piano” – Anonymous

Benefactor $1,200 to $4,999

Bruner-Cox LLP

Cynthia Knight


Richard Shirey

Tim & Jenny Smucker

Lucinda Weiss

Sustainer $600 to $1,199

Richard & Eleanor Aron

Jeanette & John Bertsch

Diana Gayer

Sue Jeppesen Gillman

Howard Greene

Harriet & Herb Herskowitz

Dorothy & Peter Lepp

Dianne Newman

Pat Sargent

R. Thomas & Meg Stanton

Virginia E. Wilson

Patron $300 to $599

Alfred Cavaretta

Jerry Davidson

Robert & Beverley Fischer

Eleanor Freeman

Mr. & Mrs. Paul R. Friday

Joy & Bruce Hagelin

Robert & Pamela Holder

Thaddeus W. Kurczynski

Lawrence Levey

Cheryl & Thomas Lyon

Barbara MacGregor

Natalie Miahky

Charles A. & Elizabeth Nelson

Norman & Sally Richenbacher

Rachel R. Schneider

Betty Sloan

Jorene Whitney

Donor $150 to $299

Harriet Boggs

Patricia Brown

Frank R. Brubaker

Betty Dalton

Barbara Eaton

Helen Elefritz

Alberta Fawcett

Toshie Haga

John & Suzanne Hetrick

David Kellogg

Joseph & Ingrid Kennedy

Kurt & MaryLou Laubinger

Orlene Makinson

Sally Manby

Margaret McBride

Patsy Moyer

Earla Patterson

Barbara Pomeroy

Bettemae S. Ramsey

Claire M. Reinke

Sandra & Ben Rexroad

Betty & Joel Siegfried

Colleen Murphy Tigelman

Ann Waters

Virginia B. Wojno-Forney

Jerry Wong

T•

he Tuesday Musical Association gratefully acknowledges all donors to its 2013-2014 Annual Concert Support Campaign. Every gift plays a significant role in the ongoing success for Tuesday Musical’s Concert Series and Education Programs. Revenue generated through

ticket sales only covers a small portion of what is needed to sustain the artistic excellence of our programming.

This list reflects gifts received through September 13, 2013.


Other Gifts

Nancy T. Allen

Donna Amerio

Nancy & Tom Anderson

Maria Szonert Binienda

Jean Blair

Lois Brock

Sara Burky

Elizabeth Butler

JoAnn Collier

Nicolas Constantinidis

Ann Edwards

Linda Gannon

Candy Gatewood

George Gauthier

Laurie Gilles

Karen & Jerry Hajarian

Donald T. Hanlon

Jack Houlette

Patricia & Timothy Jolly

Eleanor Kear

Charles T. Knorr

Paul & Joan Kolodzik

Sue Larson

Linda Liesem

Mary Jo Lockshin

Barbara Mattern

Magdalena McClure

Robert M. Miskovch

Alice Monroe

Margaret Olds

George Pope

Madeleine Pringle

E. G. Sue Reitz

Mary E. Ross

Joyce & Gary Shorter

Cecilia Speelman

Darwin Steele

Mickey & Cindy Stefanik

Robert & Rochelle Stone

Barbara Thackeray

LeRoy & Marian Tunnell

Mary Frances Yeager

John & Kathleen Zizka

Special thanks for the many in-kind services provided by

Akron Beacon Journal

Cogneato

Fleming’s Steakhouse

Labels and Letters

The University of Akron

TRIAD Communications, Inc.

WKSU FM

427 Design

Scholarship Endowment

Bobbie Eaton

Ann Edwards

Denis & Barbara Feld



Ruth Hewes

Margaret Hunter

JoAnn Marcinkoski

Ruth Smith

Tuesday Musical Association

Tuesday Musical 1887 Society

Jeanne Baxtresser

Jerry Davidson



Mr. & Mrs. Bruce Kenny

Mary Jo Lockshin

Our Lady of the Elms, Sisters of St. Dominic


Carolyn Frye Ryan

Kenneth Sabol

Kenneth F. Swanson, M.D.

Ruth & D.H Todd

Lorrie A. Whitfield

Shirley Workman

Tuesday Musical Endowment

Harvey & Lois Flanders

Winifred J. Masson

125th Anniversary Campaign

Clara I. Knight Circle

$50,000 to $125,000

“Three Graces Piano” – Anonymous

Gertrude Seiberling Circle

$25,000 to $49,999

Kenneth F. Swanson M.D.

Celia Baker Circle

$10,000 to $24,999

Cynthia Knight


GAR Foundation

Mrs. D. S. Bowman Circle

$5,000 to $9,999

Diana & John Gayer

The Haslinger Family Foundation

David & Margaret Hunter


Margaret Baxtresser Circle

$1,200 to $4,999

Ron & Ann Allan

Maria Szonert Binienda

Betty Dalton

James & Betty Davis


Sue Jeppesen Gillman


David & Shirley Levey

Zenon & Natalie Miahky

Dianne Newman

Patrick & Katherine Reilly

E. G. Sue Reitz


Rachel R. Schneider

Richard Shirey

Meg & Tom Stanton

Virginia E. Wilson

Lydia Colopy Circle

$600 to $1,199

Buchholzer Charitable Foundation

Laura Lee Garfinkel

Laurie & Mark Gilles

Bruce & Joy Hagelin

OMNOVA Foundation

Lola M. Rothmann

Pat Sargent

Mary Jo Stasell

Lucinda Weiss

Virginia B. Wojno-Forney

Jane Kaufman Circle

$300 to $599

Marion G. Aron

Jerry Davidson

Howard Greene

Trent & Linda Hershman


Leadership Akron Class XXIX

Mark & Barbara MacGregor

Orlene K. Makinson

Magdalena McClure

Charles & Elizabeth Nelson

John H. Ramey

Grace Scott

Betty Sloan

Sandra & Richey Smith

T•

uesday Musical wishes to thank the many individuals, families and friends who supported its 125th Anniversary Campaign. The campaign honored this milestone in our history as well as celebrated our future!

The goal was to raise $125,000 by June 30, 2013. The generous support received allowed Tuesday Musical to reach that goal and surpass it! Over $140,000 was raised by this campaign!

The list below reflects donors through June 30, 2013. Thank you again for all of your support!


Drs. Frederick & Elizabeth Specht

Annaliese Soros

Nate & Cecilia Speelman

Mabel Graham Circle

$150 to $299

Barbara Ainsworth-Porter

Akron Summit County Public Library

Staff Association

Jeanette & John Bertsch

Harriet Boggs

Rob Briggs

Sara Burky

Jennifer Cassidy

Helen A. Elefritz

Eleanor H. Freeman

Paul & Michele Friday

Sharon Gandee

Jon & Martha Kelly

Kurt & Mary Lou Laubinger

Thomas & Cheryl Lyon

JoAnn Marcinkoski

Anita & David Meeker

Alice Monroe

Graham & Claire Reinke

Bob & Colleen Tigelman

Janet Wright

John & Kathy Zizka

Mary Helen Bowers Circle

$75 to $149

Tom & Nancy Anderson

Eleanor & Richard Aron

Jean Blair

Frank R. Brubaker

Elizabeth F. Butler

Dan & Brigitte Colopy

Mr. & Mrs. Nicolas R. Constantinidis

Jane Davenport

Mary Davenport

Michael Domokur

Carolyn & Jerry Durway

Ann Edwards

Thomas L. Friedman

Jean F. Gadd

Joseph Gains & Wendy Turrell Gains

Joy Garapic

Jeneé & Jennifer Garlando

Candace Gatewood

Laurie Gilles

Mary Ann & Stephen Griebling

Toshie Haga

Mr. & Mrs. Richard Herberich

Marcianne Herr

Patti Hester

Maureen & Gary Iler

Jackson Band Boosters

Mary Ann Jackson

Jerry & Helen Jenkins

Mitchell Kahan & Christopher Hixson

David W. Kellogg

Dr. & Mrs. John C. Kromalic

Lawrence B. Levey

Paul & Linda Liesem

Laura Lillie

Mary Jo Lockshin

Marian Lott

Eugene Mancini

Elizabeth Mapes

Edward and Marcia Mazak

Thomas E. McKenna

Margaret McLane

Eunice I. Miller

Alan & Lori Mirkin

Jonathan Morschl

Earla J. Patterson

George Pope

Claire Purdy

Claire M. Reinke

Carolyn Frye Ryan

John Schambach

Brenda & Wayne Schneider

Jean Schooley

Larry & Peggy Shaffer

Geraldine H. Shank

Betty & Joel Siegfried

Douglas Sims

Ruth A. Smith

Charlotte E. Staiger

Dr. & Mrs. Robert T. Stone

Jack Sutte

Elizabeth & Michael Taipale

Dr. LeRoy & Marian Tunnell

Susan D. Van Vorst

Larry Wallerstein

Lorrie Whitfield

David & Mary Alice Wyatt

Mary Frances Yeager

Other Gifts

Capt. Joseph L. & Mrs. Mavis J. Adelman

Dave & Kathy Blair

Barry & JoAnn Collier

James M. Durbin

Elaine L. Downing

Bobbie & Bill Eaton

Eleanor Freeman

Bill & Nancy Gerdes

Barbara Gillette

Margi Griebling-Haigh

Donald T. Hanlon

Mr. & Mrs. Allan Henderson

Esther & Larry Hexter

Kathryn R. Hibbard


Sharon Horwitz

Henry Jameson

Timothy & Patricia Jolly

Bruce & Cathy Kenny

Jan & Tom Lewis

Mary H. Lindsay

Lisa D. Lyons

Mary Petrich

Louise P. Sandercock

Anna Marie Schellin

Joulia Shuk

Martha Slanta

Marilyn J. Smith

Hank Stevens

Barb Warrington

Robert & Billie Whittum

Craig & Karen Wilde

Nikki Wingerson

Gifts were made In Memory Of

Margaret Baxtresser

Delbert Branz

Don Cassidy

Lydia M. Colopy

Peter Eodice

Richard Freeman

Todd Evan Fulmer

Lanny Glenn

Gladys Gustely

Robert Gustely

Kathyrn M. Hunter

Bonnilyn M. Johnson

Kay Kerns

Emmett P. Monroe, M.D.

Carol E. Ramey

Mrs. Joseph Schreiber

Jeany Stevens

Ruth Todd

Marlene Unger

Richard Bruce Wright II

The birthday of my mother, a retired music

teacher

Gifts were made In Honor Of

Ron & Ann Allan

Barbara Feld

Rick Krochka & Triad Communications

Mr. & Mrs. E. Gordon Warner

John L. McKenna

Gertrude & F.A. Seiberling

Betty Sloan

Justin Tokos & 427 Design

125th Anniversary Campaign


Premiere SponsorsThe University of Akron

EJ Thomas Performing Arts Hall

Grand Sponsor – Video ProductionAnn & David Brennan

Solo SponsorSteinway Piano Gallery – Cleveland

Distinguished SponsorsAkron Children’s Hospital

Akron Community FoundationBuckingham, Doolittle & Burroughs, LLC

Summa Foundation

Host Sponsors Anonymous

Brouse McDowell John D. Dellagnese III

Fifth Third BankThe Maynard Family Foundation

Jim & Vanita Oelschlager

As of August 26, 2013

Gala Sponsors

VISIT OUR NEW AND USED PIANO SHOWROOM, CHURCH ORGAN DISPLAY AND RECITAL HALL AT OUR NEW LOCATION AT ROUTE 8 AND THE OHIO TURNPIKE I-80.

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STEINWAY & SONS is proud to have been the chosen partner of the Tuesday Musical Association throughout their 125 year history.













tuesday musicalMission Statement

The mission of Tuesday Musical Association, as a volunteer-managed non-profit organization, is to provide a premier concert series for the community,

a comprehensive educational and scholarship program for young people, and performing and listening opportunities for its members and guests.

2013-2014 Executive Board of Directors

Executive Committee

President Robert Fischer

Vice President/President Elect Maria Szonert Binienda

Treasurer Cheryl Lyon

Recording Secretary Magdalena McClure

Corresponding Secretary Betty Dalton

Immediate Past President Patricia Sargent

Committee Chairs

Brahms Allegro Chair Cheryl Boigegrain

Development Chair Charles Nelson

Education/Student Voucher Chair Natalie Miahky

Finance Chair Cheryl Lyon

Hospitality Co-Chairs Barbara Eaton & Laurie Gilles

Membership Chair Lorrie Whitfield

Newsletter Editor Jerry Davidson

Member Program Chair Mary Ann Griebling

Scholarship Co-Chairs JoAnn Marcinkoski & George Pope

Staff

Executive Director Jarrod Hartzler

Director of Development & Marketing Jeneé Garlando

Artistic Administrator Karla Jenkins

Finance Administrator Jacqueline Devies

Program art direction by LIVE Publishing Co. Cover design by TRIAD Communications, Inc.

MUSIC.PURE + SIMPLE.

800-686-1181 or clevelandorchestra.com

N E X T M O N T H I N C L E V E L A N D

F A T E F R E E D O M

AN

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22

-26

B E E T H O V E N S H O S T A K O V I C H

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THE CLEVELAND ORCHESTRAIN PARTNERSHIP WITH THE CLEVELAND MUSEUM OF ART AND CLEVELAND CINEMATHEQUE

FR

AN

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M U S I C O F

October 22-26 FATE AND FREEDOM — MUSIC OF BEETHOVEN AND SHOSTAKOVICH

Tuesday October 22 at 7:00 p.m.FILM: A CLOCKWORK ORANGEat the Cleveland Institute of Art Cinematheque

As part of The Cleveland Orchestra’s “Fate and Freedom” festival, this screening of the movie A Clockwork Orange (1971), directed by Stanley Kubrick, includes introductory remarks by John Ewing.

Wednesday October 23 at 6:30 p.m.FILM: THE NEW BABYLONat the Cleveland Museum of Art

As part of The Cleveland Orchestra’s “Fate and Freedom” festival, this screening of The New Babylon (1929), fea-tures Shostakovich’s rst lm score. Preceded by a discus-sion between James Krukones and Frank J. Oteri.

THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorat Severance Hall

Thursday October 24 at 7:30 p.m. BEETHOVEN Symphony No. 3 (“Eroica”) SHOSTAKOVICH Symphony No. 6

PRE-CONCERT: Franz Welser-Möst discusses Shostakovich and Beethoven and their symphonies in an interview begin-ning at 6:30 p.m. on the stage at Severance Hall.

Friday October 25 at 8:00 p.m. BEETHOVEN Symphony No. 4 SHOSTAKOVICH Symphony No.8

PRE-CONCERT: Frank J. Oteri, New Music USA’s composer advocate and senior editor of NewMusicBox, presents a pre-concert talk with Rebecca Mitchell, visiting assistant professor of Russian/Soviet history at Oberlin College, at 7 p.m. in Reinberger Chamber Hall at Severance Hall.

Saturday October 26 at 8:00 p.m. BEETHOVEN Symphony No. 5 SHOSTAKOVICH Symphony No. 10

PRE-CONCERT: Cleveland Orchestra musicians perform chamber music works of Beethoven and Shostakovich at 7 p.m. in Reinberger Chamber Hall at Severance Hall.

Experience a week exploring the highly tempestuous and deeply emotional intermingling of music and politics. Music Director Franz Welser-Möst and The Cleveland Orchestra take a fascinating look at two highly autobiographical composers, whose lives and careers were separated by over a century, yet whose works demonstrate how artists of two eras wrestled with themes of freedom, as well as personal and collective liberty and politics. The festival includes three concerts, plus two fi lm screenings in partnership with the Cleveland Museum of Art and the Cleveland Institute of Art Cinematheque. Pre-fi lm and pre-concert talks, and a chamber music performance by members of The Cleve -land Orchestra, are also featured.

MUSIC. PURE + SIMPLE.

MUSIC. PURE + SIMPLE.

WE HAVE AN IDEA.

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triadadv.com • nextlevelinteractive.com

Parking Beginning at 5:00 pm for evening concerts and 12:30 pm for Sunday concerts, special event parking is available at $5 per vehicle in the EJ Thomas Hall parking deck or in surrounding campus lots.

Late Seating Out of consideration for other audience members and the performers, latecomers will be seated at a suitable pause in the program.

Emergency Numbers Physicians and others expecting calls are requested to leave their name and seating location with the Head Usher upon arrival. Please leave your seat location with the person(s) who may need to reach you in case of an emergency and ask them to call EJ Thomas Hall at 330.972.6828.

Prelude Talks Free Prelude Talks, designed to enrich the concert-going experience, are presented one hour before the Tuesday Musical concerts and last 30 minutes. These talks are funded by the Boggess Memorial Foundation.

Intermission Intermissions are 20 minutes in length. The flashing of the lobby lights is your signal to return to your seat for the start of the performance.

Physically Challenged Patrons If you have special seating requirements, please inform the Ticket Office when you place your ticket order. EJ Thomas Hall has wheelchair accommodations and other seating services for the physically challenged in both the Orchestra and Grand Tier sections. Handicapped parking is available in the EJ Thomas Hall deck and the new parking deck accessed from both Forge St. and Buchtel Ave.; a valid parking permit must be displayed.

Other Special Services A special sound system for the hearing impaired and large print program notes are available, free of charge, with advance notice. Please see the head usher for the sound system device and call the TMA office to request the program notes.

Restrooms Public restrooms are located in the Robertson Lobby (EJ Thomas Hall). The ladies’ room can be accessed from the odd side of the building and the men’s room access is from the even side. The center stairs in the Robertson Lobby lead to both restrooms. Accessible restrooms are located at the bottom of each ramp.

Cameras, Tape Recorders & Video Equipment Cameras, video and audio recording devices of any kind are prohibited at all performances. Our ushers are instructed to retrieve these prohibited items from patrons in the auditorium.

Paging Devices, Phones & Hearing Aids All electronic and mechanical devices – including pagers, cellular telephones, and wrist-watch alarms – must be turned off while in the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing device and adjust it accordingly.

Refreshments Bar service is offered in the center lobby before concerts and at intermission. Soda and light snacks are also available in the lobby. The EJ Café, located in the Herberich Lobby, offers appetizers, desserts, gourmet coffees, espresso and cappuccino. Drinking fountains are located in the center lobby.

Smoke Free Theatre Smoking is not permitted anywhere inside EJ Thomas Hall, but designated smoking areas are located outside the building.

House Notes

Event Cancellation On very rare occasions, severe weather forces EJ Thomas Hall to cancel or postpone an event. Cancellation information is available by calling the EJ Thomas Hall at 330.972.6828 or the TMA office at 330.972.2342.

Security Policy Customer safety and security is of the upmost importance. All patrons entering the facility must have a ticket for that day’s event. There is a police presence both inside and outside of the theatre.

Program Information For information about any Tuesday Musical concert, please call the Tuesday Musical Association office at 330.972.2342 or visit the website at www.tuesdaymusical.org.

Ticket Information

Single Tickets To purchase single tickets to any Tuesday Musical concert, call the EJ Thomas Hall ticket office, 330.972.7570 or TicketMaster, 1.800.745.3000

EJ Thomas Hall 198 Hill Street Akron, OH 44325-0501 Office Hours: Monday-Friday, 10:30 am-6:00 pm Saturday & Sunday, three hours prior to the performance

Releasing Tickets Tuesday Musical subscribers who are not able to attend a concert are encouraged to release their tickets 24 hours prior to the concert. In exchange for their tickets, subscribers may receive tickets to a different 2013/2014 Tuesday Musical concert (some restrictions may apply) or receive a charitable donation receipt for the value of the tickets. Please remember to call the office 24 hours PRIOR to the concert. Your seats are the best ones in the house and someone else would love the experience of sitting just where you do.

DISCOVER NEW PERSPECTIVES

AKRON

ART MUSEUMENJOY THE POSSIBILITIES

So much to experience.Ever-changing collections •

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talks and tours • Compelling

films • Thrilling concerts •

Fun family programs •

Engaging book club •

Cool museum store

AkronArtMuseum.org

AAM2606 TuesMus8-13.indd 1 8/17/13 10:36:04 AM

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Proud member of the


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In tune with the children of our

community.

a k r o n c h i l d r e n s . o r g

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experience though music.

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Tuesday Musical - September 24 Concert

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