Transmedia Story Development

19

Transcript of Transmedia Story Development

Page 1: Transmedia Story Development
Page 2: Transmedia Story Development

About this presentation

• Synopsis & Concept

• Objectives & Process

• Writer vs Producer Workflow

• Creating suspense across platforms

• More opportunities?

• Narrative calls-to-action & “double impact”

• Immediate next steps…

Page 3: Transmedia Story Development

LowlifeS’ synopsis

• Larry Hayes is San Francisco homicide detective with a drug addiction.

• He has a dead informant, an ex-wife fighting for custody of their daughter and a private eye hired to dig the dirt on him.

Page 4: Transmedia Story Development

High Concept

One story, three perspectives.Told over three platforms: novella, web series, blog.

dETECTIVELARRY HAYES EX-WiFE

(JEN HAYES)PRIVATE EYE(LAUREN ORTEGA)

Page 5: Transmedia Story Development

objectives

• Possible to consume each media independently of any other

• Enhanced satisfaction with each additional media consumption

• Micro-budget

• Freemium distribution model

• Creative Commons licensing to allow audience collaboration

• Simple, commercial, transmedia story (not experimental)

Page 6: Transmedia Story Development

Aim: Whole is greater than sum of parts

Movie Game Book Transmedia

Whole is more satisfying than the sum of the parts: euphoria of collecting and connecting the pieces

Movie Game Book Media Franchise

Whole is less than the sum of the parts: dissatisfying conclusion to consuming all media

Page 7: Transmedia Story Development

Project development

Page 8: Transmedia Story Development

Writer & producer workflow

Page 9: Transmedia Story Development

Making progress…

Page 10: Transmedia Story Development

Reading the source material

• Experience as reader

– Exciting?

– Suspenseful?

– Character likable? Believable? Arc? Etc

• Seek opportunities as producer

– Opportunity to increase payoffs?

– Engagement?

– Revenue opportunities?

– Calls-to-action?

– Meeting objectives?

– Watch for “gotchas”

Page 11: Transmedia Story Development

Finding opportunities in source material

Page 12: Transmedia Story Development

Online “active graphic” crime scene hides clue that creates suspense (reader will know more than character)

Page 13: Transmedia Story Development

Ar marker at end of chapter reveals clue that creates suspense

Page 14: Transmedia Story Development

Each character is hero of their own media

Page 15: Transmedia Story Development

Double impact!

Page 16: Transmedia Story Development

Test against Henry Jenkin’s7-core concepts (my rephrasing)

• Spread vs drill (spreadability vs drillability)

• Continuity vs parallel worlds (Continuity vs multiplicity)

• Physical spaces & merchandise (immersion vs extractability)

• Worldbuilding

• Episodic (seriality)

• Point of view (subjectivity)

• Performance

Page 17: Transmedia Story Development

Next steps

Page 18: Transmedia Story Development

Immediate next steps

• Website & graphics make-over

• Some further web experiments

• Source music (www.audiodraft.com)

• Search for business relationships

Page 19: Transmedia Story Development

To be continued…

Robert Pratten

twitter.com/zenfilms

www.zenfilms.com

www.lowlifes.tv