Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’...
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Transcript of Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’...
Traces of declamations in the Frottole of the “Quattrocento”
musical and poetical forms’ analysis of italian collections from the end of
XVth C., in their link with Poliziano’s Orfeo.
Outline
• 1) musical sources
• 2) method of research
• 3) model: criteria of declamation
• 4) examples
Declamatories forms of Orfeo
\ description
form \syllabs poetical struct. mus. struct.
(in Books of frottole)
Strambotto 11 8 verse: abababcc X Y (2 verse)
Capitolo 11 n x 3: aba bcb … X Y Z (3 v.)
Sonetto 11 4 4 3 3:abba abba cdc dcd
X |: Y :| Z (4 v.)
Oda 7 7 7 5 n x 4: X Y Z V
Oda latina 11 11 11 5
(saphic)X Y Z V
repertory
• main source : O. Petrucci, еdition:11 Books of Frottole (1502-09)
• Ms. Rés. VM 676, (1502), 51 unicae
• Ms. Milano (Bibl. Trivulziana 55), ~1501
• later: A. Antico, édition:5 Livres de Frottole (1510-1517)
• О. Petrucci, edition: Franciscus Bossinensis, Tenori e contrabbassi… libro II (1511)
Method:
more elaborate model:criteria of declamation
analysis
working-out
analysis
Meta analysismeta working-out
affinement classification
pre-model (beginning):•external: (liturgy, recitative, oral tradition, …)
•elementary or not carified
repertorymodel serveral rounds
selected repertory :declaimed pieces’ collection
model: Criteria of declamation
• phrase’s structure : body of verse + cadence• cords (general case) • repeated notes (central particular cas)• syllabism + flowing recitation• diminutions• fixed structure (modo di cantar) / composed• criteria appropriate to a litterary genre: sadness
• criteria appropriate to a form (oda, sonetto)
Ex. 1: XII C. theatral declamation
a) Filius Getronis: Adeodat’s motive
b. Filius Getronis: Euphrosine’s motive
Ex.1’: XII C. theatral declamation
Ex. 1: Stramb. used in our perform.Il buon nochier, Poliziano’s stramb. in Petrucci “Bossinensis”
Ex. 2: P.IV, Sonetti
b) “Modo di cantar sonetti”
a) Va posa larcho
Ex. 2’: P.IV, Sonetti
b) “Modo di cantar sonetti”
a) Va posa larcho
Ex. 3: P.IV, free flowing decl.
b) Extract Sonnet: P.IV 28 Pensa donna
a) Oda Scoltatime
Statistics
book\nb pieces fixed clear decl
dubious
decl.
%fixed/tot
%clear decl /fixe
% décl/tot
%tot decl
I 49 12 5 2 24% 42% 58% 14%
II 55 4 0 0 7% 0 0 0
III 63 8 0 0 13% 0 0 0
VIII 57 16 5 4 28% 31% 31% 16%
IX 64 19 7 2 30% 37% 37% 14%
XI 70 9 2 3 13% 22% 22% 7%
Tot Petr 358 65 19 11 18% 29% 46% 8%