Tivadar Wanyek - Documents / Tivadar Vanjek - Dokumenti

8/13/2019 Tivadar Wanyek - Documents / Tivadar Vanjek - Dokumenti

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TIVADARVANJEK DOKUMENTITIVADARWANYEK THEDOCUMENTS23.avgust 17. septembar 2010.

Izdava/ PublisherSavremenagalerijaZrenjanin/ConteporaryGalleryZrenjaninSubotieva1, 23000 Zrenjanin

www.galerija.rs

Zaizdavaa/Forthepublisher:Radovanivanki

Umetnikisavet / ArtCouncil:Dr JeaDenegri,Sava Stepanov, SunicaLambi-Fenjev

Autor teksta i izlobe/Author of the text and the exhibition:

SlavicaPopov

Prevodna engleski / Translation intoEnglish:Milica Jovanovi

Dizajn / Design:MarijanBaro

Tehnikapodrka/ Technicalsupport:Ivicauriin,SlavkoKujundi, Saauriin

tampa/Printedby:ARTCONCEPT, 23000Zrenjanin,Nemanjina9

Tira/Printrun:300

Autorkase zahvaljuje institucijmai pojedincimana pomoipri realizacijiprojekta/Author thankfor the helpand support to the following institution and individuals:

Zaviajno odeljenje Gradske narodne biblioteke arko Zrenjanin, Arhiv RTV Vojvodine, Istorijski arhiv Zrenjanin, DraganaSabovljev, Goran ivi, Svetlana uki, Aranka Balint, Marija uka, Zdravko Mandi, Ilonka Janji, Marija Ormai, Duan Juvanin,Karolj Izele, Duan Dejanac

[email protected]


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TIVADAR VANJEK - DOKUMENTI

TIVADAR WANYEK - DOCUMENTS


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TIVADARVANJEK DOKUMENTITivadar Vanjek(WanyekTivadar)(VelikaKikinda 1910 (Ljubljana) Zrenjanin1981)

Savremena galerija Zrenjanin i grad Zrenjanin 2010. godineobeleavaju znaajan jubilej - 100 godina od roenja slikaraTivadara Vanjeka, umetnika zaslunog za aktiviranje likovnogivota u Zrenjaninu, jednog od osnivaa Umetnike kolonije uEki i prvog upravnika Savremene galerijeu Zrenjaninu.U Salonu Savremene galerije Zrenjanin tim povodompostavljena je izloba Tivadar Vanjek Dokumentikoju poredVanjekovih slika ine fotografije, katalozi, televizijske emisije,novinski lanci i druga dokumenata, odnosno sekundarna

muzejska graa. Cilj postavke je da se doivi prolost, krozeksperimentalni pristup, koristei sva raspoloiva sredstva.Muzejski eksponati, odnosno slike,umreeni su sa arhivskom idrugom graom, koja kroz ovaj vid predstavljanja rekonstruieVanjekovivot.Tivadar Vanjek je roen u Velikoj Kikindi 20. septembra 1910.godine. Kada je imao samo tri godine ostao je bez oca pa on,majka i sestraodlaze kod bake u Selmecbanjuna godinudana,tada jedan od veih gradova u Austro Ugarskoj (danasBansk tiavnica u Slovakoj Republici). Zatim odlaze u

Budimpetu, dabi se ve 1915. godine vratili kod bake a potomu Veliku Kikindu. Seanja na detinjstvo obeleena susiromatvom i veoma ranom iskazanompotrebomi smislom zacrte i boju.Da biprehranila dvojedece njegovamajka je izuila

TIVADAR WANYEK THEDOCUMENTSTivadar Vanjek (WanyekTivadar)(GreatKikinda 1910 (Ljubljana) Zrenjanin1981)

In the year 2010, the Contemporary Gallery Zrenjanin and theCity of Zrenjanin arecelebrating important jubilee - a 100 yearssince birth of painter Tivadar Wanyek, artist in charge foractivation of thefinearts life inZrenjanin, one of theestablishersof theArtColony in Ecka and firstmanager of theContemporaryGallery in Zrenjanin.On that occasion, in the Salon of the Contemporary Gallery theexhibition Tivadar Wanyek Dokumenti (The Documents) wasset up. Besides Wanyek's painting, exhibition also consists ofphotographs, catalogues, TV shows, magazine articles and

other documents consisting secondary museum material. Theobject of the exhibition is to revoke the past throughexperimental approach, using all available resources. Museumexhibits, in other words paintingsare being gridded with archiveand other materials that reconstructs through this way ofpresentation Wanyek's life.

Tivadar Wanjek was born in Great Kikinda on September 20,1910. When he was only 3 years old, his father passed away,therefore him, his mother and sister moved to grandmother's in

Slemec spa for a year, in those days one of the bigger cities inAustria-Hungary (currently Bansk tiavnica in SlovakRepublic). Then, they have moved to Budapest, in order toreturn to grandmother's in 1915, and then to Great Kikinda.Memory of the childhood are marked with poverty and veryearly expressed need and sense for drawings and colours. Inorder to feed two children his mother studied photography inVelika Kikinda at the studio of Karoly Lang, and since shecouldn't affording her son's studies in Budapest, she decidedhim to attend the same studio. In the studio of Karoly Lang

Tivadar Wanyek was introduced to the fine arts too. UncleLang gave him his first canvas where he painted his firstpainting Seoski lola (Village flirter) which is part of thecollection of theNationalMuseuminZrenjanin.


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fotografski zanat u Velikoj Kikindi kod Karolja Langa, a potonijemogla dakoluje sinau Budimpeti reila jedai on izui tajzanat. U ateljeu Karolja Langa Tivadar Vanjek se susree i saslikarstvom. Od ika Langa dobija prvo platno gde je sa 10godina naslikao svoju prvu sliku Seoski lola, a koja se danasuvau Narodnommuzejuu Zrenjaninu.

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U Veliki Bekerek dolazi iz Budimpete, nakon pokuaja dastudira slikarstvo u Slobodnoj koli Karolja Patakija, najkasnije21932. godine . U gradu na Begeju se bavio fotografijom

uglavnom kao pomonik, slikao sa Velikobekerekimimpresionistima i pravio dekoracije i scenografije zaamaterska drutva. ak je i dobio nagradu na konkursu zaplakat subotike fabrike pei Zefir. U poetku je slikao ljudskefigure u duhu akademskog realizma (1930-1935) da bi sekasnije posvetio slikanju pejzaa (1935-1945). Jedan odosnivaa Velikobekerekih impresionista Joef Varkonji je

neke prostorije svoje vile na obali Begeja pretvorio u slikarskeateljee gdeVanjek nastavlja sa zapoetim slikarskim studijamai zajedno sa njim odlazi u plener da bi slikao bate, cvenjake,prizore kraj reke i obrise krovova banatskih kua. Prvi put jesvoja dela izlagao oktobra 1938. godine u Subotici na Izlobimladih u subotikom maarskom drutvu Npkr.Petrovgrad naputa 1939. godine kada opet odlazi uBudimpetu i zapoinje po drugi put studije slikarstva. UBudimpeti se pored maleuteevine oslanjaona pomo svogujaka i sestre koja je bila tamo udata, kao i male zarade od

ispomoi u budimpetanskim fotografskim radnjama. Ali ubrzose vraa u Petrovgrad i krajem1940. godine predlae fotografuKremzer Stevanu, koji je tada imao radnju u Kralja Aleksandra

3ulici br.5 i koji je bio u dugovima, da se uortae. U toj radnjisredinom 1942. godine Vanjek upoznaje Katarinu Jano kojadolazi da izui fotografski zanat i koja e mu mnogo godinakasnije postati ena. Posao je ubrzo procvetao, ali je izbio i IISvetski rat. Po izbijanju rata Vanjek je poklonio sav svojslikarski materijal i prestao da slika naredne dve godine. Ubrzoumire fotograf Kremzer i Vanjek posao nastavlja sam pa

novembra 1942. godine registruje svoju fotografsku radnju na

1Veliki Bekerek, Petrovgrad i Zrenjanin je ime istog grada, danas Zrenjanina

2Podatak koji navodi Jelena Kneevi u katalogu Slikarstvo u Vojvodini 1900-1944, Novi

Sad, 1991,48. daje godinanjegovog dolaska u dananjiZrenjanin1936. morase uzeti sarezervom, jer je u periodu od 1. aprila 1932. do 31. maja 1939. godine Tivadar Vanjek uVelikomBekerekuradio kao pomonikfotografaGoldmanMike ijase radnja nalazilauulici Cara Duana 13, a i sam Tivadar Vanjek u intervjuu Pola stolea jednog sna koji jepriredio eljkoarevi zaTV Novosti,br. 780,7-14.decembar 1979, 2-3.kao godinu svog

dolaskau VelikiBekereknavodi1928.3U ulici Kralja Aleksandra 3-5 su se do ruenja 1964. godine nalazile Ajzentatove kue

gdese u prizemljunalazioniz prodavnicai zanatskihradnji.Danasse na tommestu nalazizgrada Tekstila

1Tivadar arrives to Great Beckerek from Budapest, afterattempting to study Fine Arts in the Open School of Karoly

2Pataki, latest in 1932 . In the city on the banks of river Begej hewas working mostly as assistant photographer, painted with thegroup Impressionists from Great Beckerek and madedecorations and sets for amateur societies. He was evenrewarded on the competition for the poster of the stove factoryZefir from Subotica. At first he was painting human figures in

the spirit of the academic realism (1930-1935) in order todedicate his attention, later on, to painting landscapes (1935-1945). Oneof theestablishersof thegroup Impressionists fromGreat Beckerek Vrkonyi Jzsef converted some rooms in hisvilla on the bench of the river Begej into a studio where Wanyekcontinues to study fine arts and together they were paintinggardens, flowergardens, sightson theriverand contoursof theroofs on Banat's houses. For the first time he exhibited inOctober 1938, in Suboticaon the Izlozba mladih (Exhibitionofthe Youth) in Hungarian Society Npkr. In 1939 he left

Petrovgrad when started again to study fine arts in Budapest. InBudapest, besides small savings, he was supported by his

1Great Beckerek, Petrovgrad and Zrenjanin is the name for the same city, now days

Zrenjanin2Datastatedby Jelena Kneevi inthe catalogue FineArts in Vojvodina 1900-1944, Novi

Sad, 1991, 48. That the year of his arrival to presently Zrenjanin, in 1936, must be taken

considerably, since during the period April 1, 1932 until May 31, 1939 Tivadar Wanjek was

working in Great Beckerek as the assistant photographer in the photo shop of Miksa

Goldman whose photoshop wasin Cara DusanaStreet no.13, andWanyekhimself in theinterviewHalf century of onedream, by Zeljko arevi forthe magazine TV Novosti, no.

780, December 7-14, 1979, 2-3. As the year of his arrival to Great Beckerek he states the

year1928.


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4mestu Kremzerove . Nakon Drugog svetskog rata izuavaslikarstvo sa velikim zanosom pa je njegova fotografska radnjabila jedina koja je radila samo pre podne, posle podne je bilazakljuana, a Vanjek je vreme provodio u svom slikarskomateljeu iza radnje. Susrevi Vasu Pomorica, koji je 1945.godine u Petrovgradu obavljao dunost upravnika Gradskog

muzeja gde je vodio slikarski teaj, prihvatio je njegov nainorganizovanja slika predela. Naputa odjeke impresionizmaprihvatajuiekspresionistike tendencije, a pored pejzaa slikamrtve prirode i fasade kua. Sa grupom zrenjaninskih slikara1954. godine osniva Zrenjaninsku grupu (M.ipo, M.Nikoli,T.Vanjek, J.Janiek, S.er i K.Fajfer) koja kasnije iste godineprerasta u Banatsku grupu kada im se pridruuju M.Berenija,V.Pomoriac, I.Radovi, I.Tabakovi, Z.Petrovi, S.Trumi,

5A.Zarin i S.Duki . Tada je roena ideja o osnivanju Kolonije pazajedno sa Zoranom Petroviem uz podrku velikog broja

slikara 12. jula 1956. godine na osnovu reenja Narodnogodbora sreza Zrenjanin, Sekretarijat za prosvetu i kulturuosniva Umetniku kolonijuu Eki.RazvojUmetnikekolonijeu Eki bio je podjednako i umetnikirazvoj Tivadara Vanjeka. Prvih godina od osnivanja Umetnikekolonije u Eki u Koloniji boravi niz znaajnih umetnika koji susa oduevljenjem priali o Koloniji i njenom upravnikuTivadaruVanjeku. Treba nabrojati samo neka znaajna imena srpskeumetnosti kao to su Jovan Bijeli, Milan Konjovi, VasaPomoriac, Olga Jevri, Aleksandar Zarin, Jovan Soldatovi,

DragoslavStojanovi Sip, IvanRadovi, IvanTabakovi,MilivojNikolajevi, zatim Decembarci Zoran Petrovi, DragutinCigari, Lazar Vozarevi, Lazar Vujaklija, AleksandarLukovi, Milo Baji, Miodrag B. Proti, Stojan eli, MladenSrbinovi.... Ovi umetnici su pribliili savremene likovnekoncepte i geometrizam ostalim uesnicima Kolonije i u skladusa tim Vanjek, nezadovoljan svojim slikarstvom, motive naslikama stilizuje i geometrizira, svodi ih na plone predstave.Uz velikipodsticaj ovih umetnika 1957.godineVanjekdolazidosvog autentinog slikarskog izraza. Najzad je ostvario savet

svoga profesora Karolja Patakija Pokuaj da slika kako drugi6ne slikaju .Vanjek 1975. godine svom gradu, odnosno Narodnom muzejuu Zrenjaninu, poklanja 88 slika i studija, nastalih u periodu od1920. do 1957. godine tako da Fond Savremene galerijeZrenjanin posedujesamojednu sliku iz ovogperiodakonkretnoiz njegove druge, ekspresionistike faze. U pitanju je ulje na

4Po izbijanju Drugog svetskog rata 1941. godine glavna ulica u dananjem Zrenjaninumenja ime, umesto Kralja Aleksandra dobija ime Gring gasse, a nakon osloboenja1944. menja ime u Marala Tita. Danas je to ulica Kralja Aleksandra I Karaorevia5T.Savi, Eka umetnika kolonija, Novi Sad 1965,16-176B. Gui, Slikarska retrospektiva Tivadara Vanjeka TRI DECENIJE SA PALETOM,Zrenjanin, 20 septembar 1969, 5.

uncle and sister who was married there, and some earningswhile working as the assistant in photo shops. Soon he returns

to Petrovgrad and by the end of 1940, suggested tophotographer Stevan Kremzer, who had photo shop in Kralja

3Aleksandra Street, no. 5 , and who was in arrears to enter intopartnership. In that shop in the mid 1942 he meets KatarinaJano, whocame to studyphotography, andwho will becamehiswife many years later. The businessstarted to expand, butsoonSecond World War started.After the War started Wanyek gaveaway all his painting material and terminated his work for twoyears. Soon after the photographer Kremzer passed away,Wanyek continues to work and in November 1942 he registered

4the shopas his own inthe samepremises .After World WarII hestudied fine arts with great enthusiasmtherefore hisphoto shopwas the only one opened in the mornings, and in the afternoonsit was closed, so that Wanyek could spend all afternoon in hisstudio behind the shop. On the occasion when he met VasaPomorisac, who was Acting Director of the City Museum inPetrovgrad in the year 1945, where he was managing fine artscourse, he accepted his method od organizing the landscapespaintings. Therefore he converted from repercussions ofimpressionism to expressionist tendencies and besides

landscapes he started to paint still life andhouse faades. Withthe group of Zrenjanin painters in the year 1954 he establishedZrenjaninska grupa (Zrenjanin group) (M.ipo, M.Nikoli,T.Vanjek, J.Janiek, S.er i K.Fajfer), which later that yearoutgrow into the Banatska grupa (Banat group) when joinedby M.Berenija, V.Pomoriac, I.Radovi, I.Tabakovi,

3In the Kralja Aleksandra street, no. 3 -5 untill the reserection 1964. There wehre

Eisenschtadthauseswherein thegroundfloorewerenumber of shopsand craft stores

nowdayson thatspot thereis buildingbetterknown asTekstil4

After the WW II started in 1941, the High street in present Zrenjanin changes its name andinstead of Kralja Aleksandra Street becames Gring gasse and after liberation in 1944

becomesMaral TitoStreet.Todayit is thestreetof KraljaAleksandraI Karaorevia

T.Vanjek, Motiv sa Begeja, ulje na kartonu, 46x58 cm, 1955


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7kartonu pod nazivom Motiv sa Begeja, nastalo 1955. godine.Nju je, pored jo tri slinih naziva, Vanjek izloio na Prvoj

8izlobi slikarske kolonije Zrenjanin 1956. godine . Ova slika jejednaod poslednjihkoje radi u ekspresionistikomstilu.Ostalih dvadeset i pet slika,koje poseduje Savremenagalerija,su raene Vanjekovim autentinim proienim slikarskim

izrazom figurativnoggeometrizma.KakoMiloArsi u kataloguSlikarstvo u Vojvodini 1955 1972. kae Osnovnekarakteristike njegove slike naglaenog geometrizmapredmeta i intimnih enterijera, ostae tokom svih godinanaredne decenije (u pitanju su 60-tegodine XX veka prim. aut.)uglavnom nepromenjene sa oekivanim istraivanjima ispontanim promenama unutar izabrane koncepcije (promenakolorita, od tamne ka svetloj gami, pojava dinamine fakture,

9izvesnabliskostsa metafizikimslikarstvom).Slike nastale u periodu od 1957. do 1966. godine variraju

sline seoske odnosno vojvoanske motive. Vanjek slikaseoske enterijere ispunjene nametajem, preslicama iprostirkama, zatim zabate, golubarnike i seoska dvorita. Onoto je prepoznatljivo na ovim slikama je na prvom mestuodsustvo oveka, ali samo u fizikom smislu jer se njegovoprisustvo osea i o njemu svedoe svi naslikani predmetipostavljeni kao da ih je neko do malo pre koristio. Ovi prazniambijenti su prepuni detalja gde svaki pria priu za sebe.Seoski motivi nose vizionarski duh, Vanjek slikajui prazneenterijere i eksterijere kao da je predvideo migracije iz sela u

grad, odnosno odumiranje sela. U njegovom slikarstvu nemamesta sluajnosti,sve je smiljeno i uproeno.Slika Golubarnik, koja se danas nalazi u Narodnom muzeju uZrenjaninu se za Vanjeka smatra prelomnom. Nastala je 1957.godine i predstavlja poetak i kraj Vanjekovog slikarskograzmiljanja. Ona predstavlja pojavu nove koncepcije uVanjekovom slikarstvu, jedne osobene vizije Vojvodine. FondSavremene galerije takoe poseduje sliku pod ovim nazivom,verovatno nastalu neposredno posle ove prelomne slike, iste1957. godine. Ovakva snana promena u slikarstvu od

ekspresivnog i dinaminog poteza etke ka smirenom,ujednaenom koloritu i intenzitetu boje uticala je i na ZoranaPetrovia, slikara i pisca, bliskog prijatelja Tivadara Vanjeka.Ovaj Vanjekov uticaj e se osetiti u kasnijem Petrovievom

10radudokbudeslikaosvojekapije .

7U inventarnom kartonu stoji napomena da se ova slika u katalogu Prveizlobe slikarske kolonije Zrenjanin naziva Motiv iz Zrenjanina8Slika je otkupljena na izlobi od strane Narodnog odbora Sreza, a galerija ju

je dobila od NOS-a 15.07.1959.9M.Arsi, Slikarstvo u Vojvodini 1955-1972,Novi Sad 1989, 38.10Dr Jasna Jovanov, Tivadar Vanjek na pola puta izmeu nekad i sad,izmeu simbola i znaka, Ulaznica, asopis za kulturu, umetnost i drutvenapitanja, Zrenjanin, jul 2000, br 171, 67 -70.

5Z.Petrovi, S.Trumi, A.Zarin and S.Duki . On that occasion,the idea to establishing the Colony was born and together withZoranPetrovi and with thesupportof greatnumber ofpainters,on the basis of the decision of the National Committee for theCounty of Zrenjanin, Secretariat for Education and Culture,WanyekestablishedArtColony inEcka,onJuly 12, 1956.

Development of the Art Colony in Ecka was in the same timedevelopment of Tivadar Wanyek. In the first few years after

establishing Art Colony in Ecka, numerous important artistsstayed at the Colony who were very enthusiastic about theColony and itsManagerTivadarWanyek. Fewimportant namesof Serbian Art should be mentioned: Jovan Bijeli, MilanKonjovi, Vasa Pomoriac, Olga Jevri, Aleksandar Zarin,Jovan Soldatovi, Dragoslav Stojanovi Sip, IvanRadovi, IvanTabakovi, Milivoj Nikolajevi, then members of Decembergroup Zoran Petrovi, Dragutin Cigari, Lazar Vozarevi,Lazar Vujaklija, Aleksandar Lukovi, Milo Baji, Miodrag B.Proti, Stojan eli, Mladen Srbinovi.... These artists trenched

contemporary fine art concepts and geometries to the otherparticipants at the Colony, and in co-ordnance to that Wanyekunsatisfied with hisown painting, started to style and model themotives on the paintings in geometrical shape bringing thendown to thebasic performances.With thegreat support of theseartists in 1957, Wanyek reaches his authenticable paintersexpression. At last he accomplished his Professor Karolj

6Pataki'sadviceTry topaint like nooneelsedoes .

5T.Savi,Eka ArtColony, NoviSad 1965,16-17

6B. Gui, Painters retrospective ofTivadar Wanyek THREE DECADES WITHPALETTE,

Zrenjanin,September 20,1969,5.


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Josip Broz Tito u poseti Savremenoj galeriji u Eki 19.11.1958.Josip BrozTito visitingThe ContemporarygalleryEcka 19.11.1958.

Osnivanje Kolonije je bila samo uvertira u osnovnu ambiciju

osnivanje Savremene galerije, to je Vanjek uspeo 5. oktobra1958. godine na osnovu poklonjenih i otkupljenih radovaumetnika koji su boravili u Koloniji, a kojih je tada bilo 173.Galeriju je sveano otvorio Aleksa elebonovi, itanjemtelegrama Josipa Broza Tita koji je Savremenu galeriju u Ekiposetio iste te godine19. novembra i ostavio svoj potpisu knjizi

11utisaka . Aprila te iste godine Tivadar Vanjek je imao i prvu12samostalnu izlobuu Grafikom kolektivu u Beogradu gdemu

je predgovor za katalog napisao novinar Politike MomaStefanovi.Nakon toga usledile su brojnesamostalne i grupne

izlobe. Znaajna su uea na Oktobarskom salonu uBeogradu od 1960. do 1969. godine i na I i II Jugoslovenskomtrijenalu likovnih umetnosti u Beogradu. Uestvovao naizlobama likovnih kolonija u Vojvodini. U inostranstvu je savojvoanskimumetnicima izlagao u Briselu,Temivaru, Aradu,Regensburgu, Bratislavi, Galacu, Vroclavu, zatim nameunarodnoj izlobi cvea u Parizu i sa grupom

jugoslovenskih umetnikau Kuvajtu,Nju Delhiju i Beu.Prvi putu inostranstvusamostalno izlae1961.godineu Beu,a do kraja sedme decenije imao je jo nekolio samostalnih

izlobi u inostranstvu, u Briselu, Budimpeti, Veneciji, Vienci,Bekeabi, uli i Varavi.

Aprila 1962. godine, dok je u Narodnom muzeju u Zrenjaninubila postavljena njegova izloba po izboru Saveta za kulturu

13NO optine Zrenjanin u ast proslave Prvog maja , TivadarVanjek je postavljen za prvog upravnika Savremene galerijeUmetnikekolonijeEka-Zrenjaninkojadobija i svojprvistatut.Do tada je koloniju u Eki vodio kao volonter, i na toj funkciji

11T.Savi, Eka umetnika kolonija, Novi Sad 1965, 18 I 27

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Grafiki kolektiv u Beogradu je osnovala 1949. godine grupa umetnikaizmeu ostalih i Dragoslav Stojanovi Sip kao i neki lanovi Decembarskegrupe (M.Srbinovi, S.eli, L. Vujaklija i A.Lukovi) koji su 1956. i 1957.godine uestvovali u radu Umetnike kolonije u Eki13Katalog izlobe Tivadar Vanjek, Narodni muzej Zrenjanin, 1962.

In 1975 Wanyek donates to hiscity, respectively to theNationalMuseum in Zrenjanin, 88 paintings and studies, originatedduring the period 1920 1957, unfortunately the fund of theContemporary Gallery in Zrenjanin posses only one paintingfrom this period, specifically from his second, expressionisticphase.Thepainting inquestion isoilon thecardboardunder the

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title Motiv sa Begeja, (Motive from Begej) originating from1955. This painting together with three similar titles wasexhibited on the First exhibition of the Fine Artists from

8Zrenjanin, in 1956 . This painting is oneof the last ones paintedin theexpressionisticstyle.The remaining 25 paintings in the possession of theContemporaryGallery werepaintedby Wanyek's authenticablerefined painters' expression of the figurative geometrics. In thecatalogue Fine Arts in Vojvodina 1955 1972, Milos Arsic saidBasic characteristics of his emphasized geometrics and

intimate interior paintings will remain during all years of thefollowing decade (meaning '60 of the XX Century, author'sremark) mostly unchanged with expected research andspontaneous changes within whipped conception (change ofthe colouring, from dark to light tonality, occurrence of dynamic

9facture,certaincloseness withmetaphysical finearts) .Paintings originated during the period 1957 - 1966 reflectsvarious countryside motives, respectively motives fromVojvodina. Wanyek paints countryside interior filled with thefurniture, treadmills and rugs, gables and dovecots and village

yards. What is recognizable on these paintings is the absenceof humans, but only in physical sense, since the absence couldbe felt and the testimony is that the painted objects are posedlike someone had just used them. These empty ambient arefilled with details where each is separate story. Countrysidemotives are carrying visionary spirit, almost as Wanyek bypaintingempty interiors andexteriors predicted migrations fromcountryside to the city, meaning dying of the countryside. In hispainting there is no room for coincidence, everything ispremeditateandsimplified.

The painting Dovecot - Golubarnik, kept in the NationalMuseum of Zrenjanin, is considered as turning point forWanyek. It originates from 1957 and presents the beginningand the end of the Wanyek's meditation as a painter. Itrepresents phenomenon of the new conception in Wanyeks'paintings, one specific vision of Vojvodina. The Fund of the

7Intheinventory chartthereis a note that this paintingin thecatalogueofthe First Exhibition

of thePaintersColonyZrenjanin is named Motive fromZrenjanin8Paintingwas bought by theNationalCommitteeat the exhibitionby, andthe Gallery got it

fromNConJuly15,19599M.Arsi, FineArtsin Vojvodina 1955-1972,NoviSad 1989, 38.


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ostajedo 1973.godine kadaodlazi u penziju.Postavi upravnikGalerijeprestajeda vodisvoju fotografskuradnju.Od 1964. godine Kolonija je pored slikarapozivala i knjievnike,pa je tako u Koloniji est gost bio i likovni kritiar i knjievnikTodor Manojlovi, iako je on u to vreme bioigosan, bez ikakvihprihoda i graanskih prava iv sahranjen. Bela Duranci se

prisea kada ga je Vanjek upoznao sa ika Todoem u Ekidavne 1966. godine koliko ga je potresla Vanjekova briga da14starom pesniku priuti radost druenja u krugu umetnika .

Istorijski arhiv u Zrenjaninu danas uva u Fondu TodoraManajlovia dva pisma koja je Tivadar Vanjek uputio 1966. i1967. godine Todoru Manojloviu gde ga poziva da boravi uUmetnikoj koloniji u Eki, dok nakon nekoliko pretragaregistratorskog materijala Savremene galerije duplikati tihpisama nisupronaeni niti se imeTodora Manojloviaspominjeu bilo komkontekstu.

Te 1964. godine Savremena galerijadobija prostor za izlaganjeu centru Zrenjanina u zgradi Narodnog pozorita Toa15Jovanovi na Trgu Slobode 7 . Ovaj izlagaki prostor je

nazvan Mala galerija i to ime zadrava sve do rekonstrukcijezgrade pozorita1984/85.godine,kadase Galerijaprivremenoizmeta u Komision na Trgu Republike (danas Trg dr Zorana

14B.Duranci, S.Stepanov, 50 godina Umetnike kolonije Eka, Zrenjanin 2009, 31-3215U foajeu Narodnog pozorita Toa Jovanovi su od 12. Januara 1959. godinetradicionalno za svaku premijeru pozorine predstave otvarane izlobe.

Contemporary Gallery also possesses a picture under thesame title, probably originated just after this breakthroughpainting, in the same year of 1957. This strong change in thefine arts from expressive and dynamic brush movements tocalmed, equable colouring and colour intensity influenced onZoran Petrovic, painter and writer, Tivadar Wanyek's close

friend. This Wanyek's influence will be visible in Petrovic10posteriorworkwhilehewaspaintinghis owngates .Theestablishment of theColonywas just an introduction for thebasic ambition establishing of the Contemporary Gallery,whatWanyek successes onOctober 5, 1958 on the basis of thegiftedand bought173 artpieces collectedfromartists whowerevisiting the Colony. Gallery was ceremoniously opened by

Aleksa elebonovi, who was reading telegraph from JosipBroz Tito who visited the Gallery, in the same year, onNovember 19, and left his signature in the book of

11

impressions . The same year, in April Tivadar Wanyek had his12first solo exhibition in the Graphical Collective in Belgradewhere introduction for the catalogue was written by MomaStefanovi journalist of daily Politika. Afterwards numeroussolo and joint exhibitions were followed. Importantparticipations were on October Salon in Belgrade from 1960.until 1969 and on I and II Yugoslav Triennial of the fine arts inBelgrade. He participated on exhibitions of the Art Colonies inVojvodina. Abroad he was exhibiting together with other artistsfrom Vojvodina, in Brussels, Timisoara, Arad, Regensburg,

Bratislava, Galac, Wroclaw, at the International FlowerExhibition in Paris, and with the group of Yugoslav artists heexhibited in Kuwait,NewDelhi andVienna.Hisfirstsoloexhibition abroadwas in1961 inVienna,and by theend of the seventh decade he had several solo exhibitionsabroad, in Brussels, Budapest, Venice, Vincentia, Bekescaba,Gyula andWarsaw.In April 1962 while in National Museum in Zrenjanin, hisexhibition was set up, upon the selection of the Council for theCulture of theNational Committeein Zrenjanin, on theoccasion

13

of the Labour Day (May 1) celebration , Tivadar Wanyek wasnominated forthe first Manager of theContemporaryArtColonyEcka Zrenjanin who gets its first statute. Until then, he was

10Dr JasnaJovanov,TivadarWanyekhalfwaybetween nowand then, betweensymboland

theomen, Ulaznica,Magazinefor cultur,art, andsocial topics, Zrenjanin,July 2000,no.

171,67-70.11T.Savi, Eka Art Colony, Novi Sad1965,18 I 27

12Graphical Collective was established in Belgrade, in 1949 by group of famous artists

amongst whom was DragoslavStojanoviSip aswell assomemembers ofthe DecemberGroup(M.Srbinovi, S.eli, L. Vujaklijai A.Lukovi) who participated in the work of theArt

CollonyinEckain1956and195713Catalogueof theexhibition TivadarWanyek, NationalMuseum,Zrenjanin, 1962

T.Vanjek, Golubarnik, ulje na platnu, 60x73 cm, 1957


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inia).Nakonpovratkau zgradupozoritaSalonSavremenegalerije vie nikada nije nazivan Malom galerijom. IznadMale galerije Tivadar Vanjek je dobio atelje i u njemu je znaoda provodi i do 12 sati. Poetkom 70-tih godina Vanjek se seli unovi atelje koji dobija od optine Zrenjanin atelje u potkrovljuzgrade Tekstila. Interesantno je to je to lokacija njegovenekadanjefotografske radnje.

Na samostalnoj izlobi u Narodnom muzeju u Zrenjaninu uorganizaciji Savremene galerije 30. septembra 1973. godine

16Tivadar Vanjek izlae 56 novih slika . Izmeu ostalih na tojizlobi su se nale i dve slike iz Fonda Savremene galerij podnazivima No zaljubljenihi Iekivanje. Sve slike na toj izlobi,pa tako i ove dve, karakterie prosvetljena paleta uzzadravanje linearnosti. Ali njegova umetnost dobija jo jednunovu dimenziju koju je najbolje opisao jedan italijanski kritiardovodei nove Vanjekove slike u vezu pokretom metafizikekoleu italijanskoj modernoj umetnosti. Do ove metafizikeVanjek je doao sasvim sluajno. Jednom prilikom prolazeiporedkue jednestareRumunke video je kroz prozorkakosedipored pei ogrnuta belom tkaninom. Kada se malo boljezagledao shvatio je da starica nije u sobi nego da je pored pei

17stolica sa ubrusom . Iz ovog doivljaja poele su da se niunove slike. Umesto enterijera, ermova i zabata, na ovimslikama oivljavajuudne figure sastavljeneod preslicai drugihmaina. Ovi predmeti su osloboeni svoje uobiajenefunkcionalnosti dobijaju magijsku snagu i nastavljaju da ive

16Katalog izlobe Tivadar Vanjek, Narodni muzej Zrenjanin (izdava Savremenagalerija), 1973.17Momilo Aimovi, 80 godina od roenja Tivadara Vanjeka,Ulaznica, asopis zakulturu, umetnost i drutvena pitanja, Zrenjanin, maj 1990, br 121 122, 17.

managing the Colony as the volunteer remaining on that postuntil 1973, when retired. Becoming the Manager of the ArtColonyhe had toquit running a photoshop.Since 1964 Colony was presenting writers as well, thereforeregularguest at theColony wasTodorManojlovic,Art criticsandwriter, though in that time he was forbidden, without any

income, andcivil rights, buriedalive. BelaDuranci remembersthat when Wanyek introduced himto uncleTodosh, in Ecka, in1966, he was shakenwith Wanyek's care to offer to the old poet

14the joy of hanging out with the group of artists . HistoricalArchive in Zrenjanin, in the Fundof Todor Manojlovic,preservestwo letters commenced by Wanyek in 1966 and 1967 to TodorManojlovic where inviting him to spend some time in the ArtColonyin Ecka, until after fewsearchesof thedocumentationofthe Contemporary Gallery, copies of those letter have not beenfound and there is no mention of Todor Manojlovic's name in

any contexts.In 1964 the Contemporary Gallery gets its exhibition hall in thecentreof Zrenjanin, in thebuildingof theNationalTheatreToa

15Jovanovi at the address: Trg Slobode 7 . This exhibition hallwas called Mala galerija (Small Gallery) and keeps that nameuntil reconstruction of the Theatre's building in 1984/85, whenthe Gallery was temporarily relocated to the another facility onTrg Republika (presently Trg Zorana Djindjica). After moving

B.Duranci,S.Stepanov, 50 yearsof theArt Colony inEcka, Zrenjanin2009,31-32

Since January 12, 1959, in the hall of the National Theatre Toa Jovanovi for every

premiere night exhibitions havebeenplaced..

Jovan Bijeli i Tivadar Vanjek u Eki, 1960.

T.Vanjek, Seljaka soba u B.Topoli, ulje na platnu, 61x78 cm, 1960

Jovan Bijelic and Tivadar Wanyek in Ecka, 1960.


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novim ivotom. Na ovaj nain stvoren je ambijent negdeizmeu nadrealnog i simbolinog. Sjedinjanva realnost inerealnost slino snu. Ako paljivo gledamo videemo danaslon stolice dobija oblike ljudskog tela, draperije oivljavajute oblike, tokovi preslica se pokreu. Na ovoj izlobi nisuizlagane slike pod nazivima Par, Panonska madona II i

Naputena kua iz Fonda Savremene galerije iako stilskiodgovarajunovimVanjekovimslikama.Za potrebe izlobi pod nazivom Zrenjaninski oktobar, a koje suposveene osloboenju Zrenjanina od faizma, 1975 i 1976.godine Vanjek pravi programske iskorake, inspiracija u ovimslikama nije folklorna umetnost ve se on prilagoava ratno oslobodilakoj tematici. Njegove slike nose nazive Banat u

plamenu, Partizanska akcija, Sveanost... Na ovim slikamazadravageometrijskuharmonijudvodimenzionalnih povrina,

18do tada je iveo kao podstanar u ul. Narodne omladine 14

back to the Theatre's building the Contemporary Gallery Hall,was never again called Small Gallery. Above the Small Gallery,Tivadar Wanyek, got his studio where sometimes he spent 12hours per a day. In the beginning of the '70, Wanyek moved to anew studio acquired from the Municipality of Zrenjanin, in theattic of theTekstil building. It is interesting that on thesame spot

oncetherewashisphotoshop.On September 30, 1973, in the solo exhibition held in theNational Museum, organized by the Contemporary Gallery,

16Tivadar Wanyek exhibits 56 new pictures . Among them therewere two pictures from the Fund of the Contemporary GalleryNo zaljubljenih (Night of the lovers) and Iekivanje(Temptation). All paintings at the exhibition, these two as well,are characterized with lighter colours preserving linearity. Buthisartgets another dimensiondescribed in thebest manner, by

one Italian critic connecting new Wanyek's pictures to themovement of the metaphysical school in Italian modern art.Wanyek launched this metaphysics quite accidently. On oneoccasion, passing by the house of the old Romanian lady hesawher through thewindow sitting next to the fire place muffledwith the white linen. Having a better look he realised that thelady was not in the room, since next to the fire place there was a

17chair with the towels . This experience brought new paintingsto the light. Instead of interior, gables, wells, strange figuresconsisting of treadmills and other machines were alleviated.

These objects are liberated from its usual functionality andgained magical power and continue to live their own life. In thismanner the ambient of surreal and symbolic was created. Itmerges realism and surrealismsimilar to thedream. If we take acloser look it is visible that the back of the chair gets shapes ofthe human body, curtains alleviate these shapes, and thewheels of the treadmill are spinning.At this exhibition paintingsunder the title Par Couple, Panonska madona II- Madonnafrom Pannonia II and Naputena kua Abandoned house,from the fund of the Contemporary Gallery were not exhibited

though they are style wise a match with Wanyek's newpaintings.For the exhibition Zrenjanin's October dedicated to theliberation of Zrenjanin from fashism, in 1975 and 1976 Wanyekis jumping out of the program scheme, inspiration in thesepaintings is no longer folkloric but it is adjusted to the war liberation thematic. His pictures are carrying titles like Banat uplamenu Banatburning,Partizanskaakcija TheAction of thePartizans, Sveanost - Festivity ... On these paintings he is

16Catalogueof the exhibition TivadarWanyek,NationalMusem Zrenjanin (for the publisher

ContemporaryGallery), 1973.17MomiloAimovi, 80 years sicnebirth of TivadarWanyek,Ulaznica,Magazinefor cultur,

art,and social topics,Zrenjanin, May1990, no.121 122,17.

aliuzveoma jasnu programskuorijentaciju.Posle 1973. godine, nakon odlaska u penziju dobija od optine

18Zrenjanin stanna itnomtrgu i eni se Katarinom Jano. Iako upenziji, na otvaranju svoje druge samostalne izlobe uBudimpeti 13. decembra 1975. godine u Umetnikoj hali

(Mcsarnok) sebi je priznao da je tek tada postao slikar i


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postigaoono toje oduvekeleo.U poslednjim slikama Vanjek je teei ka savrenijem, dospeodo jedog preienog, venog, metafizikog izraza u kome jevreme zaustavljeno. Predmeti na njegovim slikama dobili sukarakter irealnog, mitskog, inspirisanog svetom mate, snova,nepoznatog, udesnog i arobnog. Tivadar Vanjek na svojimslikama nije priao samo praznu priu, ve je stvorio jedankomplikovan svet koji se kree van granica vremena, daleko uprolost, do samih korena ljudskog postojanja, gledajui ubudunost.Poslednjusamostalnu izlobu za ivotaTivadar Vanjek je imaona istommestu gde i prvu,u Grafikomkolektivu u Beogradu. Utovreme jeboraviou Ljubljani u bolnici, alije svevreme brinuo osvojim slikamana izlobi,molei svogkolegu ZdravkaMandiada organizuje povratak slika nakon zavretka izlobe uZrenjanin. Naalost, 29. maja u Klinikom centru u LjubljaniTivadar Vanjek je preminuo. Sahranjen je 1. juna 1981. godinena Katolikomgrobljuu Zrenjaninu.Iako jebiovrsto vezanza Koloniju u Eki i Savremenu galeriju,nakon odlaska u penziju 1975. godine svom gradu poklanja 88

19Na osnovu inventarnih kartona utvreno je da je u fondu postojala jo jedna slikaSt.inv.br. 909 T.Vanjek, udesna porodica, ulje na platnu, 90x50 cm, 1975, - , otkup1975. godine, izlagana na izlobi Zrenjaninski likovni umetnici u Bekeabi20.decembar 1975.-januar 1976.

preserving geometric harmony of the double dimensions, butwithveryclear programorientation.

After 1973, when retired, Municipality of Zrenjanin is rewarding

18him with the apartment on Zitni Trg and he got married withKatarina Jano. Though retired, on the opening of his secondsolo exhibition in Budapest, on December 13, 1975, at the ArtHall (Mcsarnok) he admitted himself that just now he hadbecamea painterand achievedwhat healwayswanted.In the latest pictures Wanyek, aiming to theperfection, reached

a refined, eternal, metaphysical expression where timestopped. The objects on his paintings got the character ofsurreal, mythical, and inspired by imaginary world, dreams,unknown, miraculous and magical. Tivadar Wanyek, on hispaintings, didn't just telling an empty story but created acomplicated world who correlates out of the time limits, beyondto the past, to the very roots of the human existence, lookingforward.

The last solo exhibition Tivadar Wanyek held at thesame place

as his first one, in the Graphical Collective in Belgrade. Duringthat time, he was hospitalized in Ljubljana, but all the time hewas worrying about his paintings asking his colleague ZdravkoMandic to organize returning of thepaintings to Zrenjanin, afterthe exhibition. Unfortunately, on May 29, Tivadar Wanyekpassed away at the Clinical Centre in Ljubljana. He was buriedonJune1,1981,at theCatholic Cemeteryin Zrenjanin.Thought hehadstrong connectionswith theColony in EckaandContemporary Gallery, after retirement in 1975 he donates tohisCity thecollectionof 88 pictures and studies originating from

T.Vanjek, Panonska madona II, ulje na platnu, 41x51 cm,

T.Vanjek, Sveanost, ulje na platnu, 60x72 cm, oko 1976,

slika i studija, nastalih u periodu od 1920. do 1957. godine, azatim 1977. poklanja zbirku od 36 slika pod nazivom Penderiprijateljstva. Na svoj 70-ti roendan 1980. godine poklanjaZrenjaninu 135 slika i crtea. Sve ove poklonjene slike danasse uvaju u Narodnom muzeju u Zrenjaninu. Njegova dela senalaze i u privatnim kolekcijama u Parizu, Briselu, Rimu, Beu,Budimpeti, Los Anelesu, kao i u javnim kolekcijama Muzejasavremene umetnosti u Beogradu, Galeriji Matice srpske,Narodnimmuzejimau Kikindi,Subotici,Senti...Fond Savremene galerije Zrenjanin danas sadri dvadeset i

18 Until then he was living as a tenant in 14, Narodna omladina St


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19est slika i jedan crte T.Vanjeka , od toga je jedanaest radova20otkupila Galerija, est slika su otkupile druge institucije pa

poklonile Galeriji, samo est je T.Vanjek direktno poklonioGaleriji, a za etri slike se ne zna nain nabavke. Svi ovi radovisunastali u periodu od1955.do1979.godine.Na izlobi Tivadar Vanjek Dokumentiizloen je deo slika

Tivadara Vanjeka iz Fonda Savremene galerije Zrenjanin, dvafilma RTV Vojvodine o Tivadaru Vanjeku, katalozi, fotogafije inovinski lanci u vlasnitvu Savremene galerije Zrenjanin iZaviajnog odeljenja Gradske narodne biblioteke arkoZrenjanin, kopije dokumenata iz Istorijskog arhiva Zrenjanin,kao i nekefotografije i predmetiu privatnom vlasnitvu.Postavku upotpunjuju dve knjige utisaka Savremene galerije

1920 1957, and in 1977 another collection of his 36 paintingscalled Penderi prijateljstva(Windows of friendship). On his

th70 birthday, in 1980, he donated to Zrenjanin 135 paintingsand drawings. All of his donated works of art are today kept inNational Museum in Zrenjanin. His works of art are alsopreserved in private collections, in Paris, Brussels, Rome,

Vienna,Budapest,LosAngeles, also in thepublic collections ofthe Museum of Contemporary Art in Belgrade, Matica SrpskaGallery, NationalMuseums in Kikinda,Subotica, Senta...Fund of the Contemporary Gallery, contains 26 paintings and

19one drawings of T.Vanjek , where out of that number 11 wasbought by Gallery, 6 were bought by other institutions anddonated to theGalleryonly 6 wasdonated byT. Wanyek directly

20to the Gallery , and for 4 paintings the origin is unknown.All oftheseworksareoriginating during1955- 1979.

At the exhibition Tivadar Wanyek Dokumenti (TheDocuments) part of the paintings from the fund of theContemporary Gallery are exhibited, two movies of the RTVVovodina about Tivadar Wanyek,catalogues, photographs andpress clippings in the ownership of the Contemporary Galleryand Homeland Department of the City Public Library arkoZrenjanin, copies of the documents from the Historical

Archives Zrenjanin, as well as some photographs and objectsprivatelyowned.The exhibition is completed by two books of impressions of the

Contemporary Gallery Zrenjanin. First one at the Gallery'sentrance, created in-between 1964 1972, visitors would beonly be able to take a look, and the other one, at the Gallery'sexit, the visitors would be able to write down their impressions.This segment of theexhibition is targeting to place the facility ofthe ContemporaryGallery as the museum exhibit, emphasizingthe continuity in the existence of the institution established byTivadat Wanyekthatexists in present.Many wrote about fine arts of Tivadar Wanyek, and hisimportance for the art life in Zrenjanin, but hundred years after

his birth not many could testify about his life that was parallel tohis art. His life was not only the source of stories for his fine artsbut his unbreakable part, therefore Dokumenti (TheDocuments) are representing the attempt to present TivadarWanyekin overallmanner.

Zrenjanin. Prvu, na ulazu u Galeriju,nastalu u periodu od 1964.do 1972.godine, posetiocie moi samo da prelistaju, dok e udrugoj, na izlazu iz Galerije, moi da upiu svoje utiske. Ovajsegment izlobe ima za cilj da postavi sam prostor Savremenegalerije kao muzejski eksponat naglaavajui kontinuitet upostojanju ustanove koju je osnovao Tivadar Vanjek i kojapostoji i danas.O slikarstvu Tivadara Vanjeka i njegovomznaaju za umetnikiivot u Zrenjaninu su pisali mnogi, ali 100 godina nakonnjegovog roenja retko ko jo moe da svedoi o njegovomivotu kojise paralelno odvijaosanjegovimdelom. Njegov ivotnije bio samo izvor fabula za njegovo slikarstvo ve njegovneraskidiv deo, zato Dokumentiine pokuaj predstavljanjaTivadara Vanjeka nacelokupan nain.

20NOS (Narodni odbor Sreza) je otkupio etri slike Tivadara Vanjeka i sve ih poklonioGaleriji 15. jula 1959. godine, jednu sliku je otkupio SRS i poklonio Galeriji 17. januara1968. godine, a jednu je otkupila SO Zrenjanin i Galeriji je poklonila 1976. godine

19Onthe basis of therecordsit wasdetermined that there wasanotherpaintingat theFund

inv. No. 909 T.Wanyek, udesna porodica (Miraculous family), oil on canvas, 90x50 cm,

1975, -, bought in 1975, exhibited at the exhibition of Artists from Zrenjanin in Bekescaba,

onDecember20, 1975 January 1976.20

NationalCountyCommitteebought4 pictures ofTivadarWanyek anddonatedthemto theGallery, onJuly 15,1959, onepainting wasboughtby SRSand donated itto theGalleryon

January 17, 1968, and one was bought by Municipality of Zrenjanini and donated to the

Gallery in 1976.


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KATALOKI PODACI RADOVA TIVADARA VANJEKA U FONDU SAVREMENE GALERIJE ZRENJANIN

935T.Vanjek, Motiv sa Begeja (u katalogu I izlobe slikarske kolonije Zrenjanin Motiv iz Zrenjanina I) , ulje na kartonu, 46x58cm, 1955, sign.d.l. Vanjek 955, otkup NOSa galerija dobila od NOSa 15.07.1959.

778T.Vanjek, Golubarnik, ulje na platnu, 60x73 cm, 1957, sign.d.l. Vanjek 957. (lat.), otkup NOSa, galerija dobila od NOSa15.07.1959.

880T.Vanjek, Seosko predsoblje, ulje na platnu, 59,5x73 cm, 1957, sign.l.d. Vanjek.T. 957 (lat.), -

926T.Vanjek, Motiv iz Eke, ulje na platnu, 53x73 cm, 1957, sign.l.d. Vanjek (lat.), -

847T.Vanjek, Katel Eka, ulje na platnu, 79x65 cm, 1958, sign.s.d. Vanjek. T. 958. Eka (lat.), otkup sa III izlobe kolonijeEka 06.11.1958.

859T.Vanjek, Seoska kua, ulje na platnu, 52x67 cm, 1958, sign.l.d. Vanjek 958 (lat.), poklon autora 1958

473T.Vanjek, Sveana kapija, ulje na platnu, 58,5x47 cm, 1958, sign. d.l. Wanjek (lat.), poklon autora sa III izlobe Kolonije06.11.1958

884T.Vanjek, Vee, ulje na platnu, 50x64,5 cm, 1959, sign.l.d. Vanjek 959 (lat.) na poleini Vanjek 959, otkup NOSa galerijadobila od NOS 15.07.1959.

1174T.Vanjek, Seoska soba, ulje na platnu, 74x101 cm, 1959, sign. na poleini Vanjek 959 (lat.), otkup NOSa galerija dobilaod NOSa 15.07.1959.

1542T.Vanjek, Bunar u Eki, ulje na platnu, 65x75,5 cm, 1959, sign.l.d. Vanjek 959 (lat.), poklon autora,

780T.Vanjek, Seljaka soba u B.Topoli, ulje na platnu, 61x78 cm, 1960, sign.l.d. Vanjek Tivadar B.Topola '960 (lat.), poklonautora,

900T.Vanjek, Otvorena kapija sa guskama, ulje na platnu, 66x100 cm, 1961, sign. na poleini Vanjek 961(lat.), -

2120T.Vanjek, Seoski vitra, ulje na platnu, 60x73 cm, 1963, -, poklon autora

849T.Vanjek, Zimska mrtva priroda, ulje, 81x65 cm, 1963, sign.l.d. Tivadar Vanjek 963(lat.), otkup sa samostalne izlobe2.12.1967.

871T.Vanjek, Tiina II, ulje na platnu, 50x65 cm, 1966, sign.d.d. T.Vanjek (lat.), otkup 23.12.1966

755T.Vanjek, Par, ulje na platnu, 84x65 cm, 1968, -, otkup SRS sa samostalne izlobe i poklonjeno galeriji 17.01.1968.

803T.Vanjek, Panonska madona II, ulje na platnu, 41x51 cm, -, sign. l.d. Vanjek (lat.), otkup sa XVI izlobe UK Eka 1971

1455T.Vanjek, Naputena kua, ulje na platnu, 35x45 cm, 1972, sign.l.d. T.Wanyeka. (lat.), otkup sa izlobe Pejza usavremenoj umetnosti Jugoslavije

1095T.Vanjek, No zaljubljenih, ulje na platnu, 90x70 cm, -, sign. na poleini No zaljubljenih I (lat.), otkup sa XVII izlobe UKEka-Zrenjanin 1972,


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1464T.Vanjek, Iekivanje (Dve figure), ulje na platnu, 128x160 cm, do 1973, -, -,

3T.Vanjek, Obala Begeja, crte tuem na papiru, 20x29,2 cm, 1975, sign. l.d. Vanjek (lat.), otkup 25.04.1975

895T.Vanjek, Banat u plamenu, ulje na platnu, 40x50 cm, -, -, otkupljeno sa izlobe Zrenjaninski oktobar 1975

878T.Vanjek, Sveanost, ulje na platnu, 60x72 cm, oko 1976, sign. d.d. Vanjek (lat.), otkup sa izlobe Zrenjaninski oktobar1976

494T.Vanjek, Dobrodoli u Zrenjanin, ulje na platnu, 45x80 cm, -, -, galerija dobila od SO Zrenjanin (otkup sa izlobeZrenjaninski oktobar 1976. godine)

742T.Vanjek, Odar (sve do smrti), ulje na platnu, 60x72 cm, 1979(1976), -, otkup sa samostalne izlobe u Zrenjaninu20.11.1979.

1240T.Vanjek, Razgovor stvari, ulje na platnu kairanom na kartonu, 42x52 cm, 1979, sign.d.d. Vanjeky (lat.), otkup sasamostalne izlobe u Zrenjaninu 20.11.1979.

855T.Vanjek, Ponona poseta, ulje na platnu, 83x72 cm, 1979, sign. l.d. Vanjek (lat.), poklon autora 1979

T. Vanjek, Ponona poseta, ulje na platnu, 83x72 cm, 1979.


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TIVADARVANJEK

Samostalne izlobe

1958Grafikikolektiv, Beograd,1. -10.april;1960Narodni muzej, Kikinda,mart (saStevanomDukiem);Narodni muzej, Zrenjanin, maj; izlobaprenetauGrafikikolektiv, Beograd, jun;1961Gradska izlobena sala,Novi Sad, 1 10.april; izlobaprenetauGradska izlobena sala, Subotica, 15. 25.april;Wiener Koncerthaus,Be,5. oktobar 9. novembar;1962Klub Foruma, Novi Sad, 18.mart 5.april; izlobaprenetauGrafiki kolektiv,Beograd,april; izlobaprenetauNarodni muzej, Zrenjanin, april maj; izlobaprenetauDomkulture,SrpskaCrnja, oktobar;1964Galerie d'Egmont,Brisel,april;Fenyes Adolf term, Budimpeta, 18. decembar 1964 10.

januar1965.1965Budimpeta1967Grafiki kolektiv,Beograd,Mala galerija (danas Savremena galerija), Zrenjanin, 19.novembar 10.decembar;Narodni muzej, Kikinda,1968

ula, Subotica;Galleria d'arte S.Stefano, Venecija , 20. - 31. maj; izloba

prenetauGallerie d'arte L'incontro, Vienca, 27. avgust 6. oktobar;izlobaprenetau

Bekeaba, 27.oktobar 10.novembar;1969Varava (saBogomilom Karlavarisom), majGrafikikolektiv, Beograd,11. 21.april; izlobaprenetauNarodni muzej,Kikinda,18. maj 1. jun;Galerija matice srpske, Novi Sad, Tivadar Vanjek, Slike 1933-1969,25.septembar5.oktobar; izlobaprenetau1970Galerija Likovni susret, Subotica, Tivadar Vanjek, Slike 1933-1969,aprilmaj; izlobaprenetauNarodni muzej (izdava Savremena galerija), Zrenjanin,TivadarVanjek, Slike 1933-1969, 20.septembar 4.oktobar;

TIVADARWANYEK

Soloexhibitions

1958Graphical Collective,Belgrade,April 1 -10;1960NationalMuseum,Kikinda,March (withStevanDuki);NationalMuseum,Zrenjanin, May;exhibition transposed toGraphical Collective,Belgrade, June;1961City Exhibition Hall, Novi Sad, April 1 10; exhibitiontransposed toCity ExhibitionHall,Subotica,April 15. 25;Wiener Koncerthaus,Vienna, October5 November9;1962Club Forum, Novi Sad, March 18 April 5; exhibitiontransposed toGraphical Collective,Belgrade,April; exhibition transposed toNationalMuseum,Zrenjanin,April May;exhibition transposedtoTheHallof Culture,SrpskaCrnja, October;1964Galerie d'Egmont, Brussels,April;FenyesAdolf term, Budapest,December 18,1964 January 101965.1965Budapest1967GraphicalCollective,Belgrade,Small Gallery (currently Contemporary Gallery), Zrenjanin,November19 December10;NationalMuseum,Kikinda,1968Gyula,Subotica;Galleria d'arte S.Stefano, Venice, May 20 - 31; exhibitiontransposed toGallerie d'arte L'incontro, Vincentia, August 27 October 6;exhibition transposed toBkscsaba,October27 November10;1969Warsaw(withBogomilKarlavaris),MayGraphical Collective, Belgrade, April 11 21; exhibitiontransposed toNationalMuseum,Kikinda,May18June1;Matica Srpska Gallery, Novi Sad, Tivadar Wanyek, Slike(Paintings) 1933-1969, September 25 October 5; exhibitiontransposed to1970The Art Meeting Gallery, Subotica, Tivadar Wanyek, Slike


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1971Galerija ULUV, Novi Sad, Tivadar Vanjek, Slike, 1. 15.novembar;1972Grafikikolektiv, Beograd,1. 10.april;GalerijaLikovnisusret,SuboticaSalon Likovne jeseni, Sombor, Tivadar Vanjek, Retrospektivnaizlobaslika 1938-1972, novembar decembar;1973Galeriede l'Armorial, Brisel,april- majNarodni muzej (izdava Savremena galerija), Zrenjanin, 30.septembar1974GalerijaDomaJNA,Beograd,Rijeka1975Internationaler Knstlerclub sterreichhaus, Be, 12. mart-2.aprilMcsarnok kamaratermben,Budimpeta,13.decembarLinz1977Narodni muzej, Zrenjanin, Vanjekov darNarodni muzej, Zrenjanin, Penderi prijateljstva TivadaraVanjeka1978Likovna galerija Kulturnog centra Beograda, Beograd, 26.april

9. maj1979Mala galerija (danas Savremena galerija), Zrenjanin, 30.Septembar 20.Oktobar;1980Galerie d'Egmont,Brisel,1 20. februarNarodni muzej, Zrenjanin, Izlobaslika Vanjekovdar1981Grafikikolektiv, Beograd,21 30.april

Grupneizlobe

Uestvovao je na kolektivnim izlobama ULUSa, redovnouestvovao na Oktobarskom salonu u Beogradu od 1960 do1969. godine, izlagao na I i II Jugoslovenskom trijenalu likovnihumetnosti u Beogradu, uestvovao na izlobama likovnihkolonija u Vojvodini. U inostranstvu je sa vojvoanskimumetnicima izlagao u Briselu 1963. i 1973, u Temivaru 1969, u

Aradu 1970, u Regensburgu 1972, u Bratislavi 1973, u Galacu1974, u Vroclavu 1976, zatim na meunarodnoj izlobi cvea u

Parizu 1969. i sa grupom jugoslovenskih umetnika u Kuvajtu

(Paintings)1933-1969,April May; exhibition transposed toNationalMuseum (publisher ContemporaryGallery),Zrenjanin,Tivadar Wanyek, Slike (Paintings) 1933-1969, September 20 October 4;1971Gallery of theAssociationof FineArtists of Vojvodina, Novi Sad,TivadarWanyek,Slike (Paintings),November115;1972Graphical Collective,Belgrade,April 1 10;TheArt MeetingGallery, SuboticaHall of the Artistic autumn, Sombor, Tivadar Wanyek,Retrospektivna izloba slika (Retrospective exhibition of thePaintings)1938-1972, November December;1973Galerie de l'Armorial, Brussels,April - MayNationalMuseum (publisher ContemporaryGallery),Zrenjanin,September 301974Gallery of theHallof theArmy ofYugoslavia, Belgrade,Rijeka1975Internationaler Knstlerclub sterreichhaus, Vienna, March 12

April 2Mcsarnok kamaratermben,Budapest, December13Linz1977NationalMuseum,Zrenjanin, Vanjekovdar (Wanyek's gift)National Museum, Zrenjanin, Penderi prijateljstva TivadaraVanjeka (Windowsof the friendship ofTivadarWanyek)1978The Art Gallery of the Cultural Centre of Belgrade, Belgrade,

April 26 May 91979Small Gallery (currently Contemporary Gallery), Zrenjanin,September30 October 201980Galerie d'Egmont, Brussels, February1 20National Museum, Zrenjanin, Izloba slika Vanjekov dar(Exhibition of thepaintings Wanyek's gift)1981Graphical Collective,Beograd,April 21 30

Groupexhibitions

Participated in joint exhibitions of ULUS (The Association of FineArtists of Serbia), regular participants in October Salon in Belgrade

from 1960 until 1969, Exhibited on I and II Yugoslav Triennial of thefine art in Belgrade, participated in exhibitions of the Art colonies inVojvodina. Together with artists from Vojvodina exhibited in


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1973,u NjuDelhiju1975. i u Beu1975.godine.

Nagrade

1961. Izdavako preduzee ForumNoviSad1964. Oktobarska nagradagrada Zrenjanina1970. Nagradazajednice kultureZrenjanin1971.Ordenzaslugazanarodsa srebrnimvencem1973. Nagradaza slikarstvoUK Eka1978. Nagrada na prolenoj izlobi ULUSa i ULUVa uBeogradu1978. Nagrada Skuptine optine Zrenjanin na izlobiZrenjaninski oktobar1980. ZlatnaznakaKulturno- prosvetne zajednice Srbije

Brussels in 1963. and 1973, Timisoara (Romania) 1969, Arad(Romania) 1970, Regensburg (Germany)1972, Bratislava (Slovakia)1973, Galac 1974, Wroclaw (Poland) 1976, as well as InternationalExhibition of Flowers in Paris 1969, withthegroup ofYugoslav artistsinKuwait1973, NewDelhi1975, Vienna1975

Awards

1961. Publishing Office ForumNoviSad1964.October rewardof theCityofZrenjanin1970. Reward of theCulturalAssociation of Zrenjanin1971.Medalof themerits to thepeoplewith thesilvergarland1973.Rewardfor thepaintingsof theArtColony inEcka1978. Rewards at thespring exhibition of theAFAS andAFAV inBelgrade1978. Reward of the Municipality of Zrenjanin at the exhibitionZrenjaninski oktobar(Zrenjanin's October)

1980. Zlatna znaka (Golden Badge) Cultural EducationalAssociation of Serbia


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CIP- ,

75 . 07 .1: 929 (083.824)1 Wanyek T.

,

avgust/septembar 2010. / [tekst Slavica Popov;prevod na engleski Milica Jovanovi]. - Zrenjanin :

Savremena galerija, 2010 (Zrenjanin : Art concept). - [20]str. : ilustr. (delimino u bojama) ; 23 cm

Tira 300.

Tivadar Vanjek : Dokumenti : Savremena galerija Zrenjanin,

ISBN 97 -86-68 063-016-4

) , (1910-1981)COBISS.SR-ID 255145223

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Tivadar Wanyek - Documents / Tivadar Vanjek - Dokumenti

Documents

Transcript of Tivadar Wanyek - Documents / Tivadar Vanjek - Dokumenti