Timothy Nohe Artist – Composer | Born 18 October 1960 ...nohe/GAG/NOHECV.pdfResume: 2000-2010...

Timothy Nohe CV, July, 2012

Timothy Nohe Artist – Composer | Born 18 October 1960 Resume: 2000-2010

Associate Professor Faculty Senate President (2011 – present) Granted tenure as an Associate Professor, June 2003 University of Maryland, Baltimore County, Department of Visual Arts FA 111, 1000 Hilltop Circle, Baltimore, Maryland USA 21250 Adjunct Professor Faculty of Humanities and Social Sciences La Trobe University, Melbourne, Victoria, Australia 3086 Associate Centre for Media Arts Innovation, University of Technology Sydney PO Box 123 Broadway, Sydney, New South Wales, Australia 2007 Email: [email protected] | Cell: + 1 410.412.6483 | Fax: 410.455.1053 http://mtod.tumblr.com/ | http://userpages.umbc.edu/~nohe/GAG/

Education: MFA 1996 University of California, San Diego, Visual Arts, terminal degree BFA 1989 Maryland Institute, College of Art, Photography Research Support: Residencies, Grants and Fellowships: 2012 Artist in Residence, Visual Arts Centre, La Trobe University, invited by Paul Northam, Director, July 9 – August 2, Bendigo, Victoria, Australia

Artist in Residence, Centre for Creative Arts, La Trobe University, invited by Norie Neumark, Director, July 5 – 8, and August 3 – 8, Bundoora, Victoria, Australia

Individual Artist Award: Music Composition – Non-Classical, $3000,

Maryland State Arts Council

Research Assistant, 10 hours per week position, “La Trobe University-UMBC Artist Exchange Network,” granted by UMBC Department of Visual Arts, IMDA MFA Program 2011 National Endowment for the Arts, and the William G. Baker, Jr. Memorial Fund, “Our Town Project - Creative Placemaking Grant,” Station North Arts & Entertainment District “Think Big” grant. Funding for My Station North, $2,000 Fulbright Alumni Initiative Grant, Australian – American Fulbright Commission, La Trobe University – UMBC Artists Exchange, $10,000 Summer Faculty Fellowship, College of Arts, Humanities and Social Sciences, La Trobe University – UMBC Artists Exchange, $5,000, UMBC


Artist in Residence, Visual Arts Centre, La Trobe University, invited by Paul Northam, Director, August 8-21, Bendigo, Victoria, Australia

Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe, Director, August 3-8, Sutherland Shire, Sydney, Australia 2010 Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe, Director, August 3-21, Sutherland Shire, Sydney, Australia SRAIS Award, Sounding Botany Bay, Sounding Gamay, $7,335, UMBC Individual Artist Award in Visual Arts: Media, $3000, Maryland State Arts Council 2009 Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe, Director, August 6-21, Sutherland Shire, Sydney, Australia Parks and People Foundation, Neighborhood Greening Grant, $1,000, Gourd Season Undergraduate Research Assistant Student Award, 1 academic year, Gourd Season pilot, Alex Geiger, undergraduate student, Office of the Provost, UMBC IRC Fellows Faculty Course Development Stipend, $2000, Faculty Development, Imaging Research Center, The Crystal Egg, UMBC 2008 Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe, Director, January 5-25, Sutherland Shire, Sydney, Australia Creative Baltimore Grant, $1,000, Baltimore Office of Promotion and the Arts 2007 Artist in Residence, University of Wollongong, Faculty of Creative Arts, School of Art & Design, School of Music, invited by Professors Houston Dunleavy and Jacky Redgate, January 1 – July 25, Wollongong, NSW, Australia 2006 Fulbright Senior Scholar award, granted by the Board of the Australian-American Fulbright Commission, $36,000 School of Art & Design, University of Wollongong, NSW, Australia 2005 Individual Artist Award in Visual Arts: Installation/Sculpture, $6000, Maryland State Arts Council Artist in Residence, Imaging Research Center, W-47 2004 Individual Artist Award in Visual Arts: New Genre, $1000, Maryland State Arts Council Artist’s Stipend, $1500, Eastern State Penitentiary, Philadelphia, PA, 142 Ways to Mark Time, April 1 - November 15 Artist in Residence, Imaging Research Center, W-47, research assistants


2003 Artists in the National Parks Residency, Caldera, Deschutes National Forest, Sisters, OR, January 6 – 24, 2003, residency and $500 travel stipend IRC Fellows Faculty Course Development Stipend, $2000, Faculty Development, Imaging Research Center, *blink* and body/text, UMBC 2002 Residency, The Center for Land Use Interpretation, Wendover, Utah Designated Research Initiative Fund, SRIS, $8400, W-47, UMBC Individual Artist Award in Visual Arts: New Genre, $3000, Maryland State Arts Council Cleveland Institute of Art, $1400, Cleveland, OH, artist’s presentation and critiques 2001 Artists in the National Parks Residency, Crater Lake National Park and the Schneider Museum of Art, Crater Lake and Ashland, OR Mayor’s Advisory Council on Art and Culture, Baltimore, $700, Artscape commission, Binary, sculpture Summer Faculty Fellowship, Office of the Dean of Arts and Sciences, $1500, Program Development, IMDA MFA Program, UMBC 2000 University of Southern California, Digital Art and Digital Animation program, $2500, artist’s presentation and critiques The Contemporary Museum, $500, award, “Video Art 2000” small science, screening Summer Stipend, Office of the Dean of Arts and Sciences, $1500, Program Development, IMDA MFA Program, UMBC Honors Received: 2012 Governor’s Citation, granted by Governor Martin O’Malley, recipient Maryland State Arts Council Individual Artist Award: Music Composition, Non-Classical 2010 Governor’s Citation, granted by Governor Martin O’Malley, recipient Maryland State Arts Council Individual Artist Award: Media 2006 Fulbright Senior Scholar, granted by the Australian-American Fulbright Commission, Canberra, ACT and the Council for the International Exchange of Scholars, Fulbright Commission, Washington, DC 2005 Governor’s Citation, granted by Lt. Governor Michael S. Steele, recipient Maryland State Arts Council Individual Artist Award: Installation/Sculpture 2004 Governor’s Citation, granted by Lt. Governor Michael S. Steele, June 8, recipient Maryland State Arts Council Individual Artist Award: New Genre


2002 Governor’s Citation, granted by Governor Parris N. Glendening, June 4, recipient Maryland State Arts Council Individual Artist Award: New Genre Sound Scores and Video for Dance and Performance: 2011 Candles for Faust and People as Verbs, HD videos with stereo soundscores, at the in/flux gallery, 307 West Baltimore Street, from November 5 – 26

Ashes, Ashes, a classical concert work composed for The National Capital Area Chapter of the Fulbright Association's Commemoration of the 10th Anniversary of the 9/11 tragedy: “9/11 Retrospective 10 Years Later; What Does It Mean?” Sunday, September 11, 4:00pm – 5:30pm at Christ Lutheran Church Inner Harbor, 701 S. Charles Street, Baltimore, invited by Hollis Thoms. Ashes, Ashes featured mezzo- soprano Diane Schaming, flutist Lisa Cella, and percussionist Andy Hayleck. Nohe sequenced the score on computer for waterphone, bowed guitar, media samples, and synthesis, and performed waterphone and water instruments. People Who Became Verbs, 38 minute stereo soundscore, Theatre Project, Baltimore, June 10 and 11. Reneé Brozic Barger choreographer. Composed and performed for sampled business machines, waterphone, ebow electric guitar, bowed acoustic guitar, hand-made electronic circuits, wine glasses, friction percussion, and wavetable synthesis. 2011 30 Oaks, Joseph Beuys Sculpture Garden, UMBC, Baltimore. Choreographed by /10 Meghan Flanigan. Nohe: musical direction for baritone saxophone, tenor saxophone,

percussion. Nohe made percussion instruments fashioned from recycled university rubbish. Performed April 28, 2011 and October 21, 2010 Bend, Oxfringe Festival, Burton Taylor Theatre, Oxford, Oxfordshire, UK. Choreographed by Renée Brozic-Barger. Electro-acoustic sound composition, Nohe. Performed March 31 – April 4, 2010

2009 The Crystal Egg, December 2-5, 10-13, electro-acoustic sound score for an adaptation of H.G. Wells’ “The Crystal Egg,” directed by Colette Searls. The Crystal Egg featured 3 computer graphic creatures designed at UMBC’s Imaging Research Center that came to life and engaged puppets in real time. Nohe: CGI director and composer, sequencing, and performance on wavetable synthesizer, organ pipes, wine glasses, e- bowed guitar, waterphone, granular synthesis processing, field recordings. Presented at the UMBC Theater AREA 405 Circuit, June 26 & 27, AREA 405, Quad Ruled, debut, choreographed by Renée Brozic Barger. Nohe: prepared electric bass, prepared acoustic guitar, e-bow, waterphone, percussion. Liquid Measure, debut, choreographed by Carol Hess. Nohe: Sequencing and varations on music by J.S. Bach. Rd E3, choreographed by Lauren Withhart. Nohe: ebowed electric guitar, samples, AM radio, waterphone, Nick Prevas: percussion, guitar, and toys


2008 Baltimore Dance Project, February 7, 8 and 9, Echoes, electro-acoustic dance score for Doug Hamby's work of choreography. Nohe: computer granular synthesis, acoustic instruments, samples 2007 Sounding Botany Bay an electro-acoustic score interweaving documentary elements and live instruments was curated by Jamie Allen, and presented at "Tranzducer," LEMURplex, Brooklyn, July 27

Incised Lines, a visual score for Percy Grainger's "Electric Eye Tone Tool" live concert recording broadcast Saturday June 23, 2007, Australian Broadcast Corporation, ABC Classics, “New Music Up Late with Julian Day.” Concert: June 4, Tim Nohe, presented two new works, Incised Lines and Ama :Story : Time at a concert organized by composer Warren Burt, Illawarra Institute of Technology

2005 Common Axis IV, Nohe: video, Baltimore Museum of Art, March 3

Common Axis III, Phoenix Dance Company, February 9 -12, at UMBC

*blink*, and skip|stop, Nohe directed the IRC Fellows in collaboration with movement/addiction, a modern dance company based in New York City and Baltimore, The Patterson Theater, Creative Alliance, February 4 and 5, Nohe performed Moog synthesizer, percussion, water filled vessels, organ pipes, voice; Amanda Massey clarinet and percussion; Chad Eby, Nicole Shiflet; Anna Hansen: laptops, Aaron Basch, guitar 2004 *blink*, and body.text, debut. Nohe directed the IRC Fellows in collaboration with movement/addiction, The Imaging Research Center, UMBC, December 17, Nohe performed percussion, water filled vessels, voice; Amanda Massey clarinet and percussion; Chad Eby, Nicole Shiflet; Anna Hansen, Matthias Kaelcke: laptops, Aaron Basch, guitar Site Visits, Phoenix Dance Company, February 11 – 14, Carol Hess choreography, videography, editing, Nohe: synthesis, organ pipes, found percussion. Travels: Maryland Film Festival, “Avant-Garde Shorts,” Charles Theatre, Carol Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found percussion, May 7. Il Coreografo Electronico, Naples, Italy, May 10—12 Edgewater Park, Phoenix Dance Company, February 11 – 14, Doug Hamby choreographer; Nick Prevas VJ; Nohe: voice with granular synthesis processing 2003 Edgewater Park, Dance Place, Washington, DC, July 18 & 19, Doug Hamby Dance, Doug Hamby choreographer, Nick Prevas VJ, Nohe: voice, granular synthesis Vial, Dance Place, Washington, DC, July 18 & 19, Doug Hamby Dance, Doug Hamby choreographer, Nohe: video, set design, electro-acoustic sound score 2002 Beat Box, T I M E F O R M S, Internet streaming dance and technology Nohe: electro- acoustic performance score and voice-over script, written in collaboration with Sarah Seely and Michael Mersky, (invited)


2001 Nessie on Wheels: The Legend of the Loch Ness Monster, commissioned performance score for Fluid Movement, production presented October 27, 28, 31 in Patterson Park, Baltimore, MD, http://www.fluidmovement.org 08:45, “Utopicode,” Artspaces Unlimited, transmitted by concreteSTREAM, Zagreb, Croatia and Ljublijana, Slovenia, September 14, netcast audio performance with Steve Bradley. Nohe: shortwave, radio frequency scanner, internet-based radio Echoes, Dance Place, Washington, DC, July 13 - 15, Doug Hamby choreographer, February14 -17, with the Phoenix Dance Company 2000 Frankenstein on Wheels, commissioned performance score for Fluid Movement, production presented October 28, 29, 31 in Patterson Park, Baltimore, MD Echoes, Dance Place, Washington, DC, July 14, 15, 16, Doug Hamby Dance, Doug Hamby choreographer, collaborative live interactive computer triggered sound events mixed with granular synthesis digital audio Live Performance: 2011 Ashes, Ashes, a classical concert work composed for The National Capital Area Chapter of the Fulbright Association's Commemoration of the 10th Anniversary of the 9/11 tragedy: “9/11 Retrospective 10 Years Later; What Does It Mean?” Sunday, September 11, 4:00pm – 5:30pm at Christ Lutheran Church Inner Harbor, 701 S. Charles Street, Baltimore, invited by Hollis Thoms. Ashes, Ashes featured mezzo- soprano Diane Schaming, flutist Lisa Cella, and percussionist Andy Hayleck. Nohe sequenced the score on computer for waterphone, bowed guitar, media samples, and synthesis, and performed waterphone and water instruments. 2010 2640 Move/Music, Megapolis Audio Festival, Baltimore, MD, May 16. Multimedia dance event, featuring electro-acoustic music, video, animation, and mixed media. Reneé Brozic-Brager, Meghan Flanigan and Clarinda Mac Low, Carol Hess, Francesca Jandasek, Stephanie Yezek, choreographers. Music Audrey Chen (cello and voice), Tiffany DeFoe (tenor saxophone), Luca Marini (percussion), Timothy Nohe (programming, ebow guitar, percussion), Catherine Pancake (dry ice, percussion), and Shelly Purdy (percussion). Nicole Shiflet (animation, video) 2009 Sounding Botany Bay, Sounding Gamay, invited performance, Fulbright 32nd Annual Conference, East Gallery, U.S. Botanic Gardens, Washington, DC, October 31. Sequenced field recordings and interviews, with improvised prepared electric bass, percussion, and waterphone small processes, The Hexagon, Baltimore, curated by Timothy Nohe, Thursday, January 22. Live improvisational music by Steve Bradley, Marian April Glebes, Andy Hayleck, Bonnie Jones and Timothy Nohe. Nohe: ebow electric guitar, analog and digital effects, percussion, transduced objects, signal generator 2008 Into the Light/Into the Dark, School 33 Art Center, Baltimore, MD, curated by Timothy Nohe, Saturday, November 1. Live improvisational music by Steve Bradley,


Andy Hayleck, Devin Hurd and Timothy Nohe. Nohe: ebow electric guitar, analog and digital effects, percussion, transduced objects, signal generator, analog synthesizers

Avant Audio Answers, Creative Alliance, Baltimore, MD, organized by clarinetist Leon Josowitz, Friday, September 19. Live improvisational music by Andy Hayleck and Timothy Nohe. Nohe: Ama : Story : Time. Nohe: ebow electric guitar, analog and digital effects, water, contact microphones, acoustic recording of daughter’s sleep routine

2007 Illawarra Institute of Technology Concert, organized by the composer Warren Burt, debut of Incised Lines and Ama : Story : Time, June 3. Incised Lines visual score – graphite rubbing on vellum, performed by Nohe and Burt using Percy Granger’s “Electric Eye Tone Tool,” and Ama : Story : Time, Nohe water vortex, sparklers with contact microphones, tea kettle, MD recording of daughter’s sleep routine, Burt: laptop and physical interface 2006 Fanfare for Alison Knowles and Pathetic Science, “1/4 Festival” Solo: Nohe laptop, video projection, candle, water state experiments, contact microphones; University of Wollongong, Wollongong NSW, Australia, October 4

Beroun, Nohe: laptop and synthesis, Klára Dolezálková, Ales Cermák, Pavel Sterec:

circuit bent instruments; Filmová a Televini Fakulta Akadamie Muzich Umeni V Praze, February 25; Skolská 28, Prague, February 26 2004 Crawl/Knot, Kunstradio / art@radio : “jamming radiophonic space,” September 3, with John Sturgeon. Nohe: voice, laptop, AM/FM radios, samples. Live stream: 17:30 – 01:00 GMT, Baltimore, MD, http://art-radio.net/kunstradio/ Kunstradio Stream http://stream.sil.at:7562 Common Axis II, Smithsonian Institution Resident Associate Program/Washington Center for Complexity and Public Policy, collaborative improvisational sound performance with Phoenix Dance Company, with Steve Bradley, sound and Nick Prevas, VJ. Nohe: trautonium and Caldera digital video Washington, DC, May 15 Common Axis I, Dance Baltimore, Baltimore Museum of Art, Baltimore, MD, Collaborative improvisational sound performance with Phoenix Dance Company, with Steve Bradley and Joe Reinsel, electro-acoustic sound. Nohe: voice, organ pipes, laptop, percussion and Baltimore digital video, March 28 2003 I Walk the Line, “Sonic Circuits,” collaborative improvisational sound performance, with Steve Bradley, Nohe: voice, oscillator, signal processing, banjo, samples. IX International Festival of Electronic Music, American Composers Forum, Washington, DC Chapter, Fine Arts Recital Hall, UMBC, September 13. Anna Rubin, curator 2002 Open Air, A Radiotopia, Ars Electronica Unplugged, Baltimore to Linz, Austria streaming Internet Radio collaborative improvisational sound performance. Nohe: voice, turntable, FM radios, percussion, with Andy Hyleck, Soy Jones, Catherine


Pancake, and Steve Bradley, and Ian Nagoski; Nautical Almanac, September 10, 22:00 – 2:00 GMT, http://www.aec.at/radiotopia/, http://wmbc.umbc.edu/~artradio/radiotopia Sound Shift, Artscape, improvisational sound performance, with Steve Bradley, Ricardo Arias, Ernesto Diaz-Infante, Douglas Holden, Michael Johnsen, Amit Saxena, July 26, Decker Gallery of the Maryland Institute College of Art, Baltimore, MD. Nohe: voice, phonograph, percussion, and invented instruments mediated by signal processing and granular synthesis. John Berndt, curator 2001 Suite for Time and Tongue, “BioMedia Forum,” concreteSTREAM, C-3 Budapest, Hungary to Baltimore, MD, October, 29, netcast performance Nessie on Wheels, Fluid Movement, presented October 27, 28, 31 in Patterson Park, Baltimore, MD, radio station performance, sound score and sound effects. Cirque de L’Amour, Fluid Movement, synchronized swimming performance, July 27 - 29, August 3 - 5, Patterson Park, Baltimore, MD, photographs, digital video, http://www.fluidmovement.org 2000 Radio Fro ice[broad]cast, Baltimore to Linz, Austria, with Steve Bradley, Claire McDonald, Laura McGough, Michael Merskey, http://www.fro.at/ 105.00 MHz. Linz, Austria, streaming Internet and radio improvisatory performance for tools, toys, audio cassette, and voice Solo Exhibitions: 2012 My Station North: Sounds Surrounding Us, documentary large scale permanent pigment prints with 5.1 surround-sound audio, Gallery CA, 440 East Oliver Street, Baltimore, June 7 – July 6. Supported by a “Think Big” grant awarded through the National Endowment for the Arts; the William G. Baker, Jr. Memorial Fund, creator of the Baker Artists Awards; Station North Arts & Entertainment, Inc.; and UMBC 2011 Hello, Halt, Help, Hallow, LED sculpture; Candles for Faust and People as Verbs, HD videos with stereo sound scores, at the in/flux gallery, 307 West Baltimore Street, from November 5 – 26. Invited by Sarah Doherty. 2002/3 Occidio, School 33 Art Center, Baltimore, MD, December 14 -January 17, 2003,

DVD projection with computer-controlled audio and sculpture, installation, http://www.research.umbc.edu/~nohe/OCCIDIO 2000 Origin, School 33 Art Center, Baltimore, MD, February 5 - March 12, computer

controlled interactive audio, video, and 3-dimensional animation installation, http://www.research.umbc.edu/~nohe/ORIGIN Two-Person Exhibitions: 2004 Soundings, ISEA 2004, Baltic Sea, August 16 – 18, sound installation in collaboration with Steve Bradley. Nohe: optical theremin sensors, RF scanner, samples, laptop


Group Exhibitions: 2012 People as Verbs, The 8th Annual Berlin International Directors Lounge, February 16, Berlin, Germany. http://berlinlounge.tumblr.com/post/16503568097/dl-selection-vi HD video and stereo sound score 2011 Project Mah Jongg, Museum of Jewish Heritage, New York City, May 4, 2010 through /12 February 27, 2011. Sound design Nohe, exhibition design by Abbott Miller for Pentagram, illustrations by Christoph Niemann, Isaac Mizrahi, Maira Kalman, and Bruce McCall. Exhibition curator Melissa Martens http://www.projectmahjongg.com/ Travels to: Oregon Jewish Museum, Portland, OR, September 21 – December 31, 2011; Maltz Museum of Jewish Heritage, Cleveland, OH, January 24 – April 22, 2012; Skirball Cultural Center, Los Angeles, CA, May – August 19, 2012; Jewish Museum of Florida, Miami Beach, FL, October 15, 2012 – January 15, 2013 Chosen Food: Cuisine, Culture and American Jewish Identity, The Jewish Museum of Maryland. Nohe directed the IRC Fellows in consultation with Karen Falk, Curator of the Jewish Museum of Maryland. Studio and field HD video documentary and audio interviews integrated into exhibition caseworks, October 23, 2011- December 30, 2012. http://chosenfood.org 2010 One Week Receipt included in Everything Must Go, shopping cart with user controlled audio, CD player, amplifier, raw speaker elements, November 8 – December 8, 2010, Cade Center for Fine Arts, Anne Arundel Community College, Shannon Young and Chris Mona, curators.

Shifting Sands: Botany Bay Today, included Sounding Botany Bay, Sounding Kamay, documentary large scale permanent pigment prints with 5.1 surround sound score, August 21 - October 10, Hazelhurst Gallery and Art Centre, Sydney, Australia, curated by Ace Bourke, with catalog Locustream Promenade, “@ Festival MIMI,” July 1-14, 2010, Marseille, Iles du Frioul, France. Sound art installation composed of sonic beams (10 parabolic dishes equipped with sound speakers and small computers). Nohe contributes a live stream gathered from an omni-directional microphone. http://mimi2010.amicentre.biz/wordpress/

“Anarchy in the Kitchen,” Touch Glass, “Umami Food and Art Festival,” March 5, viewing parties at Eyebeam (NYC), Squeaky Wheel (Buffalo), The NonStop Institute (Yellow Springs, OH), and The Center for Art, Design and Visual Culture at The University of Maryland, Baltimore County. Timothy Nohe and Shannon Young sound performance video: wine glasses, guttering candle flames, water and ritual gestures.

http://www.umamifestival2010.com/ Touch Glass, featured in Hive, AREA 405, Baltimore, February 21 - March 27, 2010.

Timothy Nohe and Shannon Young sound performance video: wine glasses, guttering candle flames, water and ritual gestures 2009 Locus Sonus, Nohe participated as the Baltimore node of a global streaming audio research group specializing in audio art. The group is based at École Supérieure d'Art


d'Aix-en-Provence, and École Nationale Supérieure d'Art de Nice Villa Arson. Nohe contributes a live stream gathered from an omni-directional microphone, October Exhibitions include: “Festival Les Nuits de l'Ososphère,” La Laiterie, Strasbourg, January 3 – September 25, 2009; “Biennale de Lyon,” Musée d'art contemporain de Lyon, January 3 – September 16; “Locustream Audio Tardis at the Around sound festival in Honk-Kong,” Hong Kong Academy for Performing Arts, April 29 2008 “Sonic Residues,” The Consortium for Digital Arts, Culture, and Technology

(cDACT) at Stony Brook University, Indicium: an Archeology of the Ubiquitous, beeswax sculptures. Curated by Christa Erickson, April 29 – May 12

2007 “FILE -HIPERSONICA-2007,” F-16 video with electro-acoustic sound score, installation at the SESI Gallery, São Paulo, Brazil, August 14 - 17, 2007 and FILE Rio Symposium, February 27-28, 2008, Rio de Janeiro, Brazil. F-16 was also selected for presentation at the Australian Computer Music Conference 2007, “TRANS: Boundaries / Permeability / Reification,” at The Australian National University, Canberra, June 19-21

“Ice Cream Headache,” Jeffrey Lopez and Lauren Rosati curated Bellagio Caramello an electro-acoustic composition presented via an ice-cream truck traveling through the boroughs of New York City during the American Memorial Day weekend Indicium: an Archeology of the Ubiquitous, mobile phones cast in beeswax. Indicium was presented as part of “Out on the Patio,” an exhibition exchange between the University of Wollongong and Capilano College, Vancouver, Canada between February 5 and March 5, 2007 Locus Sonus, Nohe participated as a Wollongong, Australia node of a global streaming audio research group specializing in audio art. “Symposium 1-4 – Audio Extranauts,” École Nationale Supérieure d'Art de Nice Villa ArsonThe group is based at École Supérieure d'Art d'Aix-en-Provence, and École Nationale Supérieure d'Art de Nice Villa Arson. Nohe contributes a live stream gathered from a custom built parabolic microphone that he built and installed at his studio, September 2006 – July 2007

2006 “+es+ pa++erns” (Test Patterns), Artscape 2006, TERRA mosaic, digital mosaic produced as an offset bus shelter poster installed at Eastern Avenue at Bayview Hospital and Pinkard Gallery, Maryland Institute College of Art, Baltimore, invited by Gary Kachadourian, July 14 – 30

“Odraky,” 4+4+4 Days in Motion, Jungmanova ulice, Prague, Czech Republic Variations on a Theme by Joe Jones, kinetic sculpture with motors and detritus, curated by Milos Vojtechovsky, May 19 – 30

“Winter,” Maryland State Arts Council, James Backus Gallery, Baltimore, MD Caldera, DVD video and W_nt_r, sculptures with music box elements, curated by Gina Pierleoni, January 27 - April 18

2005 gRgu, “ICOLS Strategy Defense and Arms Fair,” DVD with 3-d models. Travels: Centre for Contemporary Arts, Glasgow, Scotland; March 25 - May 15, 2005; The


Performance Space, Sydney, Australia, April 29 - May 21 2005; Side Cinema, Newcastle Upon Tyne, UK, June 2005

Site Visits, “Rosebud Film Festival,” Rosslyn Spectrum Theater, Arlington, VA, Carol Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found percussion, April 9 -10, 2005

In the Near Future Minutes From Now, “Anthologie der Kunst / Anthology of Art”:

ZKM, Zentrum fur Medienkunst, Karlsruhe, June - August 2004. Travels:Akademie der Künste, Berlin, November 18, 2004 - January 9, .2005. Bundeskunsthalle, Bonn, April - May 2005

2004 gRgu, ICOLS Strategy Defense and Arms Fair, DVD with 3-d models. Travels: ISEA 2004, Baltic Sea, August 16 – 18, location Silja Ferry; The LeRoy Neiman Gallery, Columbia University, New York City, September 7 - 28 2004; Oliver Gallery - University of South Florida, Tampa, FL, November 2004 Wendover, Mobilis in Mobili, “Strange Animals” at Los Angeles Contemporary Exhibitions (LACE), October 15 -December 10, Los Angeles, CA. http://www.artleak.org/programs.current.html Free Radio HDTS. Programming curated by Fabienne Lasserre & Christy Gast. “High Desert Test Sites 4” at High Desert Test Sites, Joshua Tree, CA http://www.highdeserttestsites.com/, Airport, Enola Gay Hanger, Rainbow, and Drive Thru

Site Visits, Maryland Film Festival, “Avant-Garde Shorts,” Charles Theatre, Carol Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found percussion, May 7, Travels: “Il Coreografo Electronico,” Naples, Italy, http://www.napolidanza.com, May 10

142 Ways to Mark Time, Eastern State Penitentiary Historic Site, Philadelphia, PA, April 1 – November 15, audio installation with digital images bound in folios, http://www.easternstate.org 2003 Wendover, Mobilis in Mobili, “Sun Valley Research,” Sydney, Australia, digital audio stream of electro-acoustic compositions, Bonneville Salt Flats, Petroglyphs, Rain: Time Zone, David Haines, curator Detritus and Wendover, Utah/Nevada, United States of America, ICOLS, “F I L E, Electronic International Language Festival,” Museu da Imagem e do Som, São Paulo, SP, Brazil, August 7 – 23, digital images – www site, Ricardo Barreto and Paula Perissinotto, curators, http://www.file.org.br/ Wendover, Mobilis in Mobili, ICOLS AUDIO, juniradio Berlin104.1 08-30, http://www.juniradio.net

Annie Creek, “Pulse Field,” Georgia State University School of Art & Design Galleries, Atlanta, Georgia U.S.A., January 18 through February 28, 2003. Curated by Craig Dongoski and Robert S. Thompson


21201, “10 Page Book,” invited by Gary Katchadourian, The Contemporary Museum, artist’s book, digital images printed in an inkjet chapbook edition of 10

2002 08:45, “Violence,”” curated by Wilfried Agricola de Cologne in the framework of Violens Festival Tábor, Czech Republic, August 22 – 26, and published in the “VIOLENCE” - online festival and exhibition, version 1.0, August 17 – 31, http://newmediafest.org/violence/ and http://www.cesta.cz, (juried, www publication), traveled to: Liberarti Festival, Liverpool, UK, October 10 – December 1. Reviewed in “El Pais,” September 19, 2002, “VioLENS reflexiona en Internet sobre el concepto de violencia”, Madrid, Spain, http://www.elpais.es/, “THAW 02,” media festival curated by Adam Burke, University of Iowa, improvised performance with Steve Bradley, recorded September 14, 2001, (catalog)

Detritus and Wendover, Utah/Nevada, United States of America, ICOLS Traveled to:

Museum of Contemporary Art, Sydney, Australia, May 15 – July 28; and “netart_open,” the Irish Museum of Modern Art, Arthur X. Doyle, curator, http://www.stunned.org/imma/netart_open.htm; and “[art meets archive]”, curated by Susan Charlton, State Records Authority of New South Wales, Sydney, Australia, http://www.icols.org/ (catalog)

Annie Creek, “Third Practice Electroacoustic Festival 2002,” University of

Richmond, November 1st and 2nd, curated by Dr. Benjamin Broening, (invited composer’s presentation); http://www.music.richmond.edu/3p/ Travels: Crater Lake Centennial Exhibition,” Schneider Museum of Art, Ashland, Oregon, June 28 – October 5, Mary Gardner, curator; and MIX.02, Danish Institute of Electro- Acoustic Music, Musikhuset, June 10, and MixByNight, Cinema Øst for Paradis, Århus, Denmark, Hans Sydow, curator http://www.daimi.aau.dk/~diem/mix02gb/

Beat Box, “T I M E F O R M S,” Internet streaming dance and technology

performance, MAMA, Zagreb, Croatia; the Center for Research in Computing in the Arts, La Jolla, CA; Cal Arts, Valencia, CA; UMBC, Baltimore, MD, April 20, (synthesized dance score and voice over) in collaboration with Sarah Seely and Michael Mersky

Detritus, ICOLS, The International Corporation of Lost Structures,

http://www.icols.org/, detritus and digital images, directed by Suzanne Treister and Bronia Iwanczak

2001 Echoes, Second Iteration: Emergence, Caulfield Campus, Monash University, Melbourne, Australia, December 5 – 7, (published audio compilation 2002)

Barron/Barren, “FOLDOVER,” WOBC 91.5 FM, Oberlin College, Oberlin, OH, November 12, http://www.timara.oberlin.edu/~tlopez/foldover/index.html radio broadcast and internet stream, curated by Tom Lopez, (audio CD), Nohe: oscillator and analog synthesis, Steve Bradley: interfaced instrument

Wendover, Utah/Nevada, United States of America, ICOLS, The International Corporation of Lost Structures, http://www.icols.org/, WWW site and photographs, directed by Suzanne Treister and Bronia Iwanczak


Binary, Artscape 2001, “Monuments,” July 20 -March 30, 2002 installed at 1300 Mt. Royal Avenue, Baltimore. Steel and tile mosaic sculpture, Gary Katchadourian, curator

sf|WM, “F I L E, Electronic International Language Festival,” Museu da Imagem e

do Som, São Paulo, SP, Brazil, http://www.file.org.br/ poetry (audio CD, catalog) Ricardo Barreto and Paula Perissinotto, curators Occidio, “Gegenort - The Virtual Mine,” Neunkirchen, Saarland, Germany, http://the-virtual-mine.net/ and http://research.umbc.edu/~nohe/OCCIDIO Curated by Monika Bohr, Claudia Brieske, Leslie Huppert, Fevzi Konuk, Gertrud Riethmüller small science, percussion for 1 candle, “Thaw01,” The Institute for Cinema and Culture, University of Iowa Museum of Art, Iowa City, IA, March 23 - 31, Adam Burke, Alison LaTendresse, Jason Livingston, directors, screening, (catalog) Constructivist Composition, St. Louis, “SNAPSHOT,” Contemporary Museum, Baltimore, MD, November 2 -January 14, 2001, photograph, Gary Sangster, curator 2000 Rrose Demographica, Faculty Biennial, Fine Arts Gallery, UMBC, Baltimore, MD, September 18 - October 22, demographic and printed matter installation mis-connected, “F I L E, Electronic International Language Festival,” Museu da Imagem e do Som, São Paulo, SP, Brazil,http://www.file.org.br/ and http://research.umbc.edu/~nohe/ISO/ Ricardo Barreto and Paula Perissinotto, curators, (catalog)

surveyor, “SCI-ART: Extensions of Being,” Maryland Art Place, Baltimore, MD, May

6 - June 3, two channel video installation with video animation loop, live surveillance camera, video switcher, transparency, sound and sculptural elements, Mina Cheon, curator. http://www.research.umbc.edu/~nohe/SURVEYOR/ (catalog)

small science, percussion for 1 candle, “Video Art 2000,” the Contemporary Museum,

North Holiday Street window installation, Baltimore, March 6 - June 6, single channel video projection, Gary Sangster and Vin Grabill co-curators Curation: 2010 2640 Move/Music, Megapolis Audio Festival, Baltimore, MD, May 16. Multimedia dance event, featuring electro-acoustic music, video, animation, and mixed media. Reneé Brozic-Brager, Meghan Flanigan and Clarinda Mac Low, Carol Hess, Francesca Jandasek, Stephanie Yezek, choreographers. Music Audrey Chen, Tiffany DeFoe, Luca Marini, Timothy Nohe (programming, ebow guitar, percussion), Catherine Pancake, and Shelly Purdy 2009 AREA 405 CIRCUIT, Baltimore, curated by Timothy Nohe, June 27 and 28. Multi- media dance event, featuring electro-acoustic music, video mixing, animation, and mixed media. Carol Hess, Reneé Brozic-Brager, Lauren Withard, choreographers;


bunny & chick, Matt Sterling, Nick Prevas, music. Nicole Shiflet, animation and video installations by Matt Sterling and Nick Prevas

small processes, The Hexagon, Baltimore, curated by Timothy Nohe, Thursday, January 22. Live improvisational music by Steve Bradley, Marian April Glebes, Andy Hayleck, Bonnie Jones and Timothy Nohe 2008 Into the Light/Into the Dark, Concert, School 33 Art Center, Baltimore, MD, curated by Timothy Nohe, Saturday, November 1. Live improvisational music by Steve Bradley, Andy Hayleck, Devin Hurd and Timothy Nohe

Into the Light/Into the Dark, Exhibition, School 33 Art Center, installation of works

on paper, video, installation art, analog circuits and interactive media by Bonnie Crafword Kotula, Phil Davis, John Sturgeon, and Christian Valiente. October 30 December 18, 2008, Baltimore, MD

Antipodes, AREA 405, screening of works on video by contemporary Australian

performance artists, 90 minute program, April 18 and 20, Baltimore, MD

2005 X|Y, “Curator’s Incubator,” Maryland Art Place, Baltimore, August 30 - October 15. Invited artists: Christa Erickson, Christina Hung, Paul Vanouse. Catalog, lecture 2002 small + UGLY, concreteSTREAM, international call for video, film, digital media and animated works, screened October 3, in a one hour program, 4:00 – 5:00 PM, 20:00 – 21:00 GMT. Works presented to an audience at UMBC and netcast via http://concretestream.umbc.edu Publications: 2010 “Mah Jongg: Crak, Bam, Dot,” 2wice Arts Foundation, Patsy Tarr, editor, Abbott Miller, designer, Pentagram Design, New York. 81-pages luxe-edition, 78 images and illustrations. Exhibition catalog: “Project Mah Jongg,” Museum of Jewish Heritage ISBN: 097238863X Shifting Sands: Botany Bay Today, Ace Bourke, curator. Artists include: Micky Allan & Steenus von Steenson, Julie Gough, Fiona MacDonald, Timothy Nohe, Kate Rohde and Sarah Smuts-Kennedy. Hazelhurst Gallery and Art Centre, ISBN: 9781921437199 2005 X|Y, “Curators Incubator,” Maryland Art Place, Baltimore, MD, catalog essay 2004 In the Near Future, Minutes from Now, “Anthologie der Kunst/ Anthology of Art,” DuMont Verlag, Köln 2003 Joe Jones’s Solar Music Hot House, “Intermedia: The Dick Higgins Collection at UMBC,” Lisa Moren, editor, Albin. O. Kuhn Library & Gallery, University of Maryland Baltimore County, ISBN 1-888378-09-3 2002 In the Near Future Minutes From Now, “Anthologie der Kunst/ Anthology of Art,” initiated by Jochen Gerz, School of Visual Arts of Braunschweig, Germany, the


University of Rennes, France, http://www.anthology-of-art.net/, #17, exhibited concurrently with “Jochen Gerz Vidéo et Internet dans l'oeuvre 1969 -2002,” Centre Pompidou, Paris, February 6 – April 22, (CD- ROM and Internet), reprinted in: Lettre International, publication in English, Sommer 2002, Berlin, Germany, pg. 60 (invited by Jochen Gerz, publication) “Information Arts: Intersections of Art, Science, and Technology,” by Stephen Wilson, MIT Press, 2002, pgs. 286 – 288, 2 selections of Nohe’s music contributed to Trace by Teri Rueb, pgs. 708 – 709, Apparitions, by Vital Signs, ISBN 0-262-23209-X 2001 Wild Ideas: An Interview with Geoffrey Batchen, “Link: A Critical Journal on the Arts in Baltimore and the World, Issue 7: Code,” Baltimore, MD Cirque de L’Amour, Fluid Movement, poster, 1 edition of 5000, photograph, 3 color silkscreen, Globe Poster Co., Baltimore, MD, photograph, (commissioned) 2000 Casino, “Link: A Critical Journal on the Arts in Baltimore and the World, Issue 5: Hysteria,” Baltimore, MD, “Hysteria Sound Gestures CD Anthology.” Steve Bradley, curator sf|WM, “Link: A Critical Journal on the Arts in Baltimore and the World, Issue 5: Hysteria,” Baltimore, MD, computer-assisted poem, typography designed by Franc Nunoo-Quarcoo Press: 2010 “Recalling the Craze for a Game of Chance” by Steven Heller, The New York Times, March 15, 2010, Project Mah Jongg coverage. http://www.nytimes.com/2010/03/18/arts/artsspecial/18MAH.html “Dust Off Your Old Game Table: Mah-Jongg Is Making a Comeback Young and Hip Update a Classic for an Era Smitten With 'Mad Men' Chic,” by Lucette Lagnado, The Wall Street Journal, Oct 26 http://online.wsj.com/article/SB10001424052748703631704575552683266650568 .html “CRAK, BAM, DOT,” posted by Macy Halford The Book Bench, The New Yorker, http://www.newyorker.com/online/blogs/books/2010/05/crak-bam-dot.html 2009 The Baltimore Sun, “Drawn Together” feature article in the AE section, with color photographs, Sunday, December 6, by Mary Carole McCauley, online feature with video, on the making of The Crystal Egg, http://www.baltimoresun.com/entertainment/arts/balae.egg06dec06,0,3250527.story small processes concert, “The Short List,” The City Paper, “Pick” with color photograph, by Michael Byrne, January 21 2008 Baltimore Magazine, “Shiny, Happy People,” feature on Fluid Movement by Michael Anft , interview with Timothy Nohe, August 2008


2007 Voice of America video documentary by Ruth Reader and Enoch Chang. Nohe performs a sound score incorporating laptop, percussion and waterphone, and contributes video to a Baltimore Dance Company art and tech dance concert featured in worldwide broadcast and Internet delivery as streaming content, October 10.

Bellagio Caramello featured in Ice Cream Headache exhibition coverage in "Time Out" New York (Time Out New York / Issue 602 : April 12, 2007 - April 18, 2007) and via national broadcasts of National Public Radio, “All Things Considered,” on May 1, 2007: "We All Scream for New Ice Cream Song"

2005 X|Y at Maryland Art Place: “ArtWorks This Week,” broadcast feature on Maryland Public Television, August 17, rebroadcast August 19 and 21. Nohe is introduced in a 7 minute interview segment discussing X|Y. Work by Christa Erickson, Christina Hung and Paul Vanouse is screened “MAP exhibits are a platform for 'emerging curators,' 'Incubator' program nurtures art professionals,” by Glenn McNatt, The Baltimore Sun, September 1 “Year End Top Ten in Art: Critic’s Choice,” X|Y selected by Violet Glaze, The Baltimore City Paper, Baltimore, MD, December 14 – 21 *blink* at Creative Alliance: “ArtWorks This Week,” broadcast feature on Maryland Public Television, February 2, rebroadcast February 4 and 5, Nohe and Reneé Brozic in a 5 minute interview segment with video from the December 17 performance of *blink* “Technology adds a cutting edge to modern dance,” Ann McArthur, The Baltimore Sun, Baltimore, MD, February 3, pg. 12T, “Live” preview with photographs by Nohe, of IRC Fellows and movement /addiction at The Patterson Theater, Creative Alliance, Baltimore “Critic’s Choice,” The Baltimore City Paper, Baltimore, MD, February 2 – 9, preview; *blink* and work in progress review, Radar, Issue 12, Baltimore, MD 2002 08:45: “VioLENS reflexiona en Internet sobre el concepto de violencia,” El Pais, September 19, Madrid, Spain, http://www.elpais.es/ “Fluid Movement” is silly, but not watered down, Chris Kaltenbach, The Baltimore Sun, Baltimore, MD, May 3, preview of Fluid Movement at the Maryland Film Festival “Diving Back In,” Eric Allen Hatch, The Baltimore City Paper, Baltimore, MD, May 1 – 7, preview of Fluid Movement at the Maryland Film Festival 2001 WBAL News, Nessie on Wheels, WBAL Television, Baltimore, MD, October 28, 11:00 PM, broadcast feature


“These Dancers Are All Wet,” Lisa Traiger, The Washington Post, Washington, DC, July 26, Fluid Movement performance preview and feature profile, Cirque de L’Amour “Swimming in Sync and Pregnant, Eat Your Heart Out Esther Williams,” Kevin Cowherd, The Baltimore Sun, Baltimore, MD, July 19, Fluid Movement performance preview and feature profile, Cirque de L’Amour WBAL News, Cirque de L’Amour, WBAL Television, Baltimore, MD, July 27, 11:00 PM, broadcast feature “Doug Hamby's Precious Human Resources,” Sarah Kaufman, The Washington Post, Washington, DC, July 10, performance review of Echoes 2000 “On a Roll,” Sandra Crockett, The Baltimore Sun, Baltimore, MD, October 31, performance review and feature profile, Frankenstein on Wheels WBAL News, Frankenstein on Wheels, WBAL Television, Baltimore, MD, October 28, 11:00 PM broadcast “Hamby, Making the Audience Stretch,” Kirsten Bodensteiner, The WashingtonPost, Washington, DC, July 17, dance review, Echoes “Night Gallery,” Mike Giuliano, The Baltimore City Paper, March 1, Baltimore, MD pg. 35 Social Media – External Publications: Shifting Sands: Botany Bay Today Artist Talk with Timothy Nohe Part 1 http://www.youtube.com/watch?v=ecQrpot5Htw&feature=related Shifting Sands Botany Bay Today Artist Talk with Tim Nohe Part 2 http://www.youtube.com/watch?v=928qO-als5s&feature=related Collections: Alison Knowles, Artist, New York, New York, Wendover, Mobilis in Mobili, vs.1.0, ( audio CD), and, small science, percussion for 1 candle (videotape) The Center for Land Use Interpretation, Los Angeles, Wendover, Mobilis in Mobili, vs.1.0, (audio CD) Lectures, Presentations, Visiting Artist Critiques: 2012 Bendigo TAFE, Lecture, Bendigo, Victoria Australia, July 30

The Maryland Institute College of Art, BFA Studio critiques, March 19 2011 The Corcoran School of Art, Washington, DC, artist presentation and critiques, April 11 2010 Shifting Sands: Botany Bay Today, artist presentation, Hazelhurst Gallery and Regional Art Centre, Gymea, NSW, Australia. August 22


University of Wollongong, Faculty of Creative Arts, Botany Bay presentation, University of Wollongong, Wollongong, NSW, Australia. August 20 La Trobe University, Cinema Studies Program, School of Communication, Arts and Critical Enquiry, Melbourne, Victoria, Australia, Botany Bay presentation, August 16 2009 Visiting Artist, Rhetorics, Communication, and Information Design PhD program, the College of Architecture, Arts, and Humanities at Clemson University, 14-16 October Centre for Media Arts Innovation, University of Technology Sydney, Sydney, Australia, invited presentation by Dr. Norie Neumark, August 17 University of Wollongong, Faculty of Creative Arts, Wollongong, Australia, invited presentation, August 14 2008 Art and Media, UMBC, invited artists’s talk, Mark Alice Durant, November 11

InterArts, UMBC, invited artist’s talk, Alan Kreizenbeck, October 10

2007 Australian National University, Canberra, Australia, “Art Forum”, invited artist’s talk, May 23

University of Technology Sydney, Sydney, Australia, Norie Neumark, faculty, invited

artists talk, April 4 University of Wollongong, Wollongong, Australia, Stephen Ingham, faculty, invited

artists talk, March 12 2006 University of Wollongong, Wollongong, Australia, Post-Graduate Seminar: “Planning Your Creativity”, Faculty of Creative Arts, September 5 University of Wollongong, Wollongong, Australia, Dr. Margaret Hamilton, Theatre, Faculty of Creative Arts, “Fluid Movement, Urban Contexts and Creation”, August 17 University of Wollongong, Wollongong, Australia, Dr. Diana Wood-Conroy, Art & Design, “What is Interdisciplinarity?”, Faculty of Creative Arts Bauhaus-Universität, Weimar, Germany, Moden und öffentliche Erscheinungsbilder der Fakultät Medien. Studio of Professor Christine Hill, invited artist’s talk, May 31

Academy of Fine Arts, Prague, The School of New Media I, Studio of Michael Bielick, invited artist’s talk, March 29

“Senzory a interaktivita, zvukové instalace,” FAMU: Film and TV School of the Academy of Performing Arts in Prague, Milos Vojtechovsky, lecturer, invited artist’s talk, circuit bending workshop, performance February 19 -26


2005 X|Y, “Curator’s Incubator Program,” curator’s exhibition introduction, Maryland Art Place, Baltimore, MD, August 30 142 Ways to Mark Time, “Imprisonment,” College Art Association, panel session paper, Atlanta, GA, February 17. Invited by Dr. Susan Dixon 2004 “Arts of the Virtual: Poetic Inquiries in Time, Space and Motion,” University of Utah, Salt Lake City, UT, September 30 – October 2. Invited by Associate Dean David Zemmels 2002 “Third Practice Electroacoustic Festival 2002,” University of Richmond, November 1st and 2nd, invited by Dr. Benjamin Broening, Annie Creek State University of New York, Stony Brook, presentation and critiques, October 25, Stony Brook, NY, invited, Christa Erickson SIGGRPH 2002, “Weather and Information Visualization,” Occidio, presentation, July 24, San Antonio, TX, (juried) UMBC Board of Visitors, presentation, Occidio, April 16, Baltimore, MD, (invited) Cleveland Institute of Art, Technology and Integrated Media Environment (T.I.M.E.), presentation and critiques, April 1, Cleveland, OH. Invited by Jürgen Faust 2001 Maryland Institute College of Art, presentation, MFA Seminar, October 14, Baltimore, MD. Invited by Rachel Schreiber Maryland Institute College of Art, invited presentation, BFA General Fine Arts Senior Projects Seminar, March 12, Baltimore, MD. Invited by Davina Grunstein 2000 International Society of Electronic Arts, ISEA 2000, Revelation, presentation, “Musique et Son, Music and Sound Panel,” Origin, December 7, Les Halles, Paris, France (juried) University of Southern California, DADA MFA Program, November 28 - December 3, Los Angeles, CA. Invited by Vibeke Sorensen The Society for Photographic Education Western Region Fall 2000 Conference, artist’s presentation, surveyor, November 17, San Diego, CA, (juried) Experience in Higher Education: Current positions: University of Maryland Baltimore County, Baltimore, MD, 2003-present. Associate Professor, granted tenure in May 2003, currently active in IMDA MFA Program, Foundations, and Animation and Interactive Media - Sound Design. President, UMBC Faculty Senate; liaison to University of Maryland System Faculty Senates and Council of University System Faculty


La Trobe University, Melbourne, Victoria, Australia. April 2011 – present. Adjunct Professor, School of Communication, Art and Critical Enquiry

(Media and Cinema Program). Artist at the Centre for Creative Arts 2012 University of Technology Sydney, Centre for Media Arts Innovation, Sydney /09 Australia, invited by Dr. Norie Neumark, Centre Director, affiliated as an Associate of the Centre. Continuing affiliation, to present 2007 University of Wollongong, Faculty of Creative Arts, School of Art & Design, School of

Music Wollongong, New South Wales, Australia, Artist-in-Residence 2006 University of Wollongong, Faculty of Creative Arts, School of Art & Design, Wollongong, New South Wales, Australia, Fulbright Senior Scholar 2003 - University of Maryland Baltimore County, Baltimore, MD Granted tenure as an Associate Professor, May 2003 2001 University of Maryland Baltimore County, Baltimore, MD /99 Graduate Program Director, Imaging and Digital Arts MFA Program 1997 University of Maryland Baltimore County, Baltimore, MD Assistant Professor, Imaging and Digital Arts 1996 University of Massachusetts Boston, Boston, MA Visiting Assistant Professor, Digital Media 1996 University of California, San Diego, La Jolla, CA Visiting Lecturer, Digital Media 1995 University of California, San Diego, Extension, La Jolla, CA Visiting Lecturer, Digital Media and Photography Experience in Other than Higher Education: 1992 NASA, Goddard Space Flight Center, National Space Science Data Center, /89 Greenbelt, MD, Photographer and Videographer 1989 Johns Hopkins Hospital Child Life Center, Child Life Television, Producer 1986 WWFM, 89.1 FM, Public Radio, Producer, Engineer, Editor, and On-Air Host /81 Professional Societies and Associations: 2010 Fulbright Association, United States, current member 2008 Society of Electro-Acoustic Music in the United States, current member 2001 Electronic Music Foundation, current member 1996 College Art Association, current member


Service to the Profession and Community: 2012 Media consultant, “Chosen Food,” Jewish Museum of Maryland, Baltimore, MD 2011 Gourd Season workshops, Baltimore Montessori Public Charter School, k-3 a “green” /10 workshop on the art, culture and stewardship of gourds. Continuing funded project 2008 Promotion and Tenure External Reviewer, Stony Brook University, State University of New York, eCAD Program, Stony Brook, NY, February 2007 Fluid Movement, Board Member, Baltimore, MD, September 2000 – 2007. /00 2006 Review Panel, Workshops, Inter-Society of Electronic Arts (ISEA, 2006, San Jose), reviewer, invited by Steve Dietz, San Jose, CA February 20 -27 2005 Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council, reviewer, Baltimore, MD, August 19 2004 Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council, reviewer, Baltimore, MD, October 29 Sound-Waves Museum of Recorded Sound, consultant, Camden, NJ School 33 Art Center, Annual Juried Exhibition, juror, May 15, Baltimore, MD 2003 Lotta Art, Auction, donor, School 33 Art Center, Baltimore, MD 2002 Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council, Baltimore, MD, March 1 Jewish Museum of Maryland, Internet development consultant, Baltimore, MD 2001 Integrative Arts & Technology Panel, DC Commission on the Arts & Humanities, Washington, DC, June 14 Technology Advisory Panel, Maryland State Arts Council, Baltimore, MD University and Departmental Service: 2012 Faculty Senate President, UMBC President’s Council, UMBC

Strategic Alliance Study Committee, UMBC Faculty Senate Executive Committee, UMBC University Steering Committee, UMBC Sustainability Committee, UMBC Provost Search Committee Smoking Policy Committee 2011 Faculty Senate President, UMBC


President’s Council, UMBC Faculty Senate Executive Committee, UMBC UMB-UMCP Merger Study Committee, UMBC University Steering Committee, UMBC

Climate Change Task Force, UMBC Sustainability Committee, UMBC Maryland Charity Campaign Board Interim Provost Search Committee 2011 Faculty Senate Vice President, UMBC /10 Search Committee, Associate Provost for Faculty Affairs Faculty Senate Executive Committee, UMBC University Steering Committee, UMBC

Climate Change Task Force, UMBC Sustainability Committee, UMBC Interim Provost Search Committee 2010 Faculty Senate Vice President, UMBC /09 Faculty Senate Executive Committee, UMBC University Steering Committee, UMBC

Climate Change Task Force, UMBC Sustainability Committee, UMBC Curriculum Committee, UMBC, Department of Visual Arts 2009 Faculty Senate Executive Committee, UMBC /08 Climate Change Task Force, UMBC, Sustainability Committee, UMBC Organization and University Operations Committee, UMBC Foundations Area Coordinator, UMBC, Department of Visual Arts Curriculum Committee, UMBC, Department of Visual Arts 2008 Faculty Affairs Committee, Faculty Senate, Chair, UMBC /07 Faculty Senate Executive Committee, UMBC Foundations Area Coordinator, UMBC, Department of Visual Arts Curriculum Committee, UMBC, Department of Visual Arts Faculty of Creative Arts, Foundations, Art & Design, University of Wollongong 2005* Honors and Awards, UMBC (*Leave without pay, spring 2006) Alternate-Senator, Faculty Senate, UMBC Faculty Affairs Committee, UMBC Departmental Recruitment, UMBC, Department of Visual Arts Foundations, UMBC, Department of Visual Arts Departmental Promotion and Tenure, UMBC, Department of Visual Arts Graduate Committee, UMBC, Department of Visual Arts 2005 Honors and Awards, UMBC /04 Alternate-Senator, Faculty Senate, UMBC Faculty Affairs Committee, UMBC Departmental Recruitment, UMBC, Department of Visual Arts


Foundations, UMBC, Department of Visual Arts Departmental Promotion and Tenure, UMBC, Department of Visual Arts Graduate Committee, Member, UMBC, Department of Visual Arts 2004 Departmental Recruitment, UMBC, Department of Visual Arts /03 Foundations, UMBC, Department of Visual Arts Departmental Promotion and Tenure, UMBC, Department of Visual Arts Graduate Committee, Member, UMBC, Department of Visual Arts 2003 UMBC Faculty Senate, alternate Senator, UMBC /02 Foundations, UMBC, Department of Visual Arts 2002 IRC Associate Director Search, Imaging Research Center, /01 Computer Policy Committee, UMBC Animation Search Committee, UMBC, Department of Visual Arts Imaging and Digital Arts, Member, UMBC, Department of Visual Arts, 1997 - Graduate Committee, Member, UMBC, Department of Visual Arts, 1999 - Workload Oversight Committee, UMBC, Department of Visual Arts, 1998 - Internet Architecture and Redesign Committee, UMBC, Department of Visual Arts 2001 Graduate Program Director, Imaging and Digital Arts MFA Program, 1999 -2001 2001 Graduate Committee, Chair, Visual Arts Department, UMBC, 1999 – 2001 /00 Photography Search Committee, UMBC, Department of Visual Arts 2000 Computer Policy Committee, Chair, Subcommittee on Retirement Policy, UMBC, /98 UMBC IMDA MFA Program Candidates: Meghan Flanighan, Questioner, 2012 Matt Sterling, Chair, 2011 Andy Hayleck, Committee Member, 2011 Jaimes Mayhew, Committee Member, 2010 Kathryn Williamson, Chair, 2010 Marian April Glebes, Chair, 2009 Christian Valiente, Orals Questioner, April 2009 Shannon Young, Committee Member, 2008 Kelley Bell Thesis Committee, Chair, 2005 (abroad, Spring 06) Nicole Shiflet Thesis Committee, Chair, 2005 (abroad, Spring 06) Diana Jeon, Thesis Committee Member, 2005 Doug Holden Orals Questioner, April 2004 Jon Routson Thesis Committee, Chair, April 2003 Bridget Hanlon Thesis Committee, Chair, April 2003 Barbara Tyroler Thesis Committee, April 2003 Sala Wong Thesis Committee, April 2003 Deborah Gorski Orals Questioner, April 2002 Cyriaco Lopes-Periera Thesis Committee Member, May 2002 Michael Baker Thesis Committee Member, May 2001 Eileen Ragsdale Thesis Committee Member, May 2001 Tiffany G. Holmes Thesis Committee Member, May 1999


Kevin Ley Thesis Committee Member, May 1999 Cheryl Amato Thesis Committee Member, May 1999 Kathy Burdette Orals Questioner, May 1999 Martine Barnaby-Sawyer Orals Questioner, May 1999 Will Brooks Orals Questioner, May 1999 Inga Frick Thesis Committee Member, May 1998 Mary Croke Orals Questioner, May 1998 Tracy Bunnell Orals Questioner, May 1998 Katherine Marmor Orals Questioner, May 1998 Courses Instructed: University of Wollongong: VISA 102, Visual Investigations: Tangible Sonics, Spring 2006 VISA 302, Visual Investigations: Electro-Acoustic Music, Spring 2006 University of Maryland Baltimore County: Visual Concepts I, ART 210: fall 1997; fall 1998; spring 2005 Visual Concepts III, ART 213, fall 2005 Visual Concepts IV, fall 2007, 2008, 2009, 2010 Introduction to Computer Art, ART 282: fall 1997 Introduction to Art and Technology, ART 282: spring 2001; fall 2001, fall 2002, spring 2004 Drawing I, ART 310: fall 1998, fall 2002, winter 2005, spring 2005, spring 2007, spring 2009 Sound Design, ART 383, spring 2008, 2009; fall 2010, spring 2011, spring 2012 Introduction to Computer Animation, ART 384: spring 1999, fall 1999, fall 2000, fall 2001 Special Topics: Advanced Animation, ART 389A: spring 2000 Special Topics: Multimedia on the Internet, ART 389D/C: fall 1997; fall 1998 Special Topics: Sound Art, IRC Fellows, ART 392A/390, spring 2002, fall 2004, fall 2009, spring 2011 Special Topics: Theater Sound and Vision, IRC Fellows, ART 390, fall 2009 History of Imaging and Digital Art, ART 480, spring 2003, fall 2003 Advanced Computer Art, ART 482: fall 1999 IMDA Senior Projects, ART 489: spring 2002, spring 2004 Special Studies, ART 491 Internship, ART 494 Independent Study, ART 495 Graduate Seminar in Imaging and Digital Arts, ART 610, Graduate: fall 2000, fall 2004, fall 2005, fall 2008, fall 2011 Teaching Practicum, ART 638, Graduate, 1997 - Imaging and Digital Studio, ART 640/740, Graduate: spring 1999, fall 2012 Introduction to Computer Animation, ART 649D, Graduate, fall 1999 Sound Art, ART 649J, fall 2004 Independent Studies, ART 790, Graduate Thesis and Exhibition Preparation, ART 792, Graduate Academic Curation: 2011 Chosen Food, The Jewish Museum of Maryland. Nohe directs the IRC Fellows in /12 consultation with Karen Falk, curator of the Jewish Museum of Maryland


http://chosenfood.org 2009 The Crystal Egg, IRC Fellows and Department of Theater students under the direction of Nohe and Associate Professor Colette Searls, at The Theater, UMBC 2006 Beroun, electro-acoustic sound and circuit-bending workshops and performances, FAMU: Film and TV School of the Academy of Performing Arts in Prague Czech Republic, February 18 – 26 2005 *blink*, IRC Fellows and movement/addiction dance company performance at The Patterson Theater, Creative Alliance, Baltimore, MD, February 4 and 5 2004 *blink*, IRC Fellows and movement/addiction dance company performance at the Imaging Research Center, UMBC, Baltimore, MD, December 17 2002 “Red05,” “End Memories,” Dance by Jessica Amato, Jennica Lee, Eileen Mitchell; improvisational dance performance score, vocalized granular synthesis with Matthew Teigen, guitar, Mike Castor, percussion, UMBC T I M E F O R M S, curated and performed artists’ made instruments by students Mark Alcasabas, Trevor McCauley, Jay Langdon Perry, MAMA, Zagreb, Croatia, the Center for Research in Computing in the Arts, La Jolla, CA, Cal Arts, Valencia, CA, UMBC, Baltimore, MD, April 20, Internet performance

Timothy Nohe Artist – Composer | Born 18 October 1960 ...nohe/GAG/NOHECV.pdfResume: 2000-2010...

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