Theory, 3 - Magister Musicae · Music Theory, Grade 3 S PAPER 2016 The Associated Board of the...
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Music Theory, Grade 3 A PAPER 2016 Appticant reference: Candidate: Centre referencet 44553t+1/113 AMBRA SOFIA VOICULESCU 2O16AIITlMILA/EURI Question Maximum mark Mark awarded 1. Adding time signatures 2. Writing a four-bar rhythm using the given opening 3. Adding a ctef and accidentats to make the named scate and writing a named scate with key signature 4. Giving letter names of notes 5. Naming keys of triads 6. Rewriting a melody using notes of twice the value 7. Describing harmonic intervats 8. (a) Terms and signs (bJ GeneraI questions (cl Writing out part of an extract an octave tower from trebte to bass clef 10 (c 10 tc 10 (o 10 tc 10 ro 10 lo 10 t.c 10 I 10 to 10 tc Pass 66 Merit 80 Distinction 90 N/A = Not answered TOTAL 100 q7 The Associated Board of the RoyaI Schoots of Music A company registered with [imited LiabiLity in Engtand and Wales N0.1926395 Charity registered in Engtand & Wales 12921821 & Scotland [SC043343ì Registered otfice:24 Portland Place, London W1 B 1LU Te[ephone +4410lr20 7636 5400 EmaiI [email protected] wvwv.abrsm.org
Transcript of Theory, 3 - Magister Musicae · Music Theory, Grade 3 S PAPER 2016 The Associated Board of the...
Music Theory, Grade 3
A PAPER 2016
Appticant reference:
Candidate:
Centre referencet
44553t+1/113
AMBRA SOFIA VOICULESCU
2O16AIITlMILA/EURI
Question Maximummark
Markawarded
1. Adding time signatures
2. Writing a four-bar rhythm using the given opening
3. Adding a ctef and accidentats to make the named scateand writing a named scate with key signature
4. Giving letter names of notes
5. Naming keys of triads
6. Rewriting a melody using notes of twice the value
7. Describing harmonic intervats
8. (a) Terms and signs
(bJ GeneraI questions
(cl Writing out part of an extract an octave tower fromtrebte to bass clef
10 (c
10 tc10 (o
10 tc10 ro
10 lo10 t.c
10 I10 to10 tc
Pass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 q7
The Associated Board of the RoyaI Schoots of MusicA company registered with [imited LiabiLity in Engtand and Wales N0.1926395Charity registered in Engtand & Wales 12921821 & Scotland [SC043343ìRegistered otfice:24 Portland Place, London W1 B 1LU Te[ephone +4410lr20 7636 5400 EmaiI [email protected] wvwv.abrsm.org
,
AppLicant reference:
Candidate:
Centre reference:
trtr55341 I 1 l4
MELISSA PETRI
2016A/tr /MtLA/EU Rt
Music Theory, Grade 3
A PAPER 2016
Question Maximummark
Markawarded
1. Adding time signatures
2. Writing a four-bar rhythm using the given opening
3. Adding a c[ef and accidenta[s to make the named sca[eand writing a named sca[e with key signature
4. Giving letter names of notes
5. Naming keys of triads
6. Rewriting a melody using notes of twice the va[ue
7. Describing harmonic intervats
8. [a) Terms and signs
[bJ GeneraI questions
(c) Writing out part of an extract an octave [ower f romtrebte to bass clef
10 tc10 110 tc10 to10 to10 tc10 tc10 (O
10 p10 rc
Pass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 q7
The Associated Board of the RoyaI Schoots of MusicA company registered with [imited Liabitity in Engtand and Wates No.1926395Charity registered in Eng[and & Wates 12921821& Scottand tSC043343)Registered olfice:24 Porttand Place, London WlB 1LU Tetephone +t+4l0l10 7636 5400 EmaiL [email protected] www.abrsm org
Music Theory, Grade 3
S PAPER 2016
The Associated Board of the Royat Schoots of MusicA company registered with timited Liabìtity in Engtand ahd Wates No.1926395Charity registered in Engl.and & Waì.es 1292'1821 & Scoiland 1SC0433431Registered office:24 Porttand Place, LondonWlB lLU Telephone +4410ll21 7 $6 5l+00 Ema il abrsm@a brsm.ac. uk www.abrsm.org
Appticant referencer
Candidate:
Centre relerence:
t+t+55341/412
EVA SISTU
2016B/ITIMIWEURI
Question Maximummark
Markawarded
1. Adding time signatures
2. Writing a four-bar rhythm using the given opening
3. Transposing a metody up an octave from the bass to thetrebte ctef
4. Describing meLodic intervats
5. Adding a ctef and accidentals to make the named scales
6. Naming keys of tonic triads
7. Rewriting a melody, grouping lbeaming) the notesco rrectty and generaI question
8. [a] Terms and signs
Ibl lndicating phrase structure, describing the timesignature, naming a simitarity and a difference andgeneralquestions
Ic) Writing out part of an extract using notes and restsof twice the va[ue
10 lo
10 g
10 lo
10 lo
10 to
10 lo
10 to
10 lo
10 to
10 toPassN4 e rit
6680
Distinction 90N/A = Not answered
TOTAL 100 9s
Music Theory, Gra de 2
A PAPER 2016
Appticant reference:
Candidate:
Centre reference:
4t 553411115
MARTINA CATTAROSSI
2016AltT /MtLA/EU Rt
't
)
Question Maximummark
Markawarded
1. Adding time signatures
2. Writing a four-bar rhythm using the given opening
3. Rewriting a melody from bass to treble ctef, keeping thepitch the same
4. Rewriting time values from shortest to longest
5. Writing named harmonic interva[s
6. Writing the key signature and tonic triad of named keys
7. Giving the [etter names of notes and giving thetime name
8. (a) Terms and signs
Ibl GeneraI questions
[c) Copying of part of an extract
10 IO
10 to10 IO
10 (o
10 lo10 to10 IC
10 I10 I10 rc
Pass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 1tThe Associated Board of the RoyaI Schoo[s of MusicA company registered with [imited tiabiLity in Engtand and Wates N0.1926395Charity registered in Eng[and & Wates 12921821& Scotland 1SC043343]Registered office:24 Portland Ptace, London W1B 1LU Tetephone +44,0lr20 7636 5400 EmaiL [email protected] www.abrsm.org
Music Theory, Grade 5
A PAPER 2016
t
Appticant reference:
Candidate:
Centre reference:
4/-553t+1/116
MATILDE CUDINI
2Ol6AIIT IVILA/EU RI
Question Maximummark
Markawarded
1. Describing metodic intervats, rewriting note using thealto ctef and describing chords
2. Rewriting a passage for SATB from short to open score
3. (a) Terms, naming key and rewriting notes using thetenor clef
Ib) Adding rests, describing time signature, technicaInames and rewriting an enharmonic equivalent asa breve
[c) GeneraI questions, vocaI and instrumentaI questions
4. Writing a scate beginning on a given note, and writing ascate with a named key signature
5. Transposing a passage for ctarinet in Bb f rom written toconcert [sounding) pitch
6. Writing a me[ody for viotin or trumpet or to given words
7. lndicating suitable chord progressions for two cadencesby writing chord names or any other recognisedsymbo[s, or by writing notes on the stave
15 t5
10 IO
10 q
10 o10 to
10 ro
10 (c
15 IL
10 ICPass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 1aThe Associated Board of the Royat Schoo[s of MusicA company registered with [imited tiabil.ity in Eng[and and Wales N0.1926395Charity registered in Eng[and & Wates 12921821& Scot[and (SC0433431Registered otfice:24 Portland Place, LondonWlB 1LU Tetephone +44,Jlr20 7636 5400 [email protected] www.abrsm.org
Music Theory, Grade 3
S PAPER 2016
The Associated Board of the Royat Schoots of MusicA company registered with limited liabitìty in Engtand and Wates N0.1926395Charity registered in Engtand & Wates 12921821 & Scottand 1SC0433431Regìstèred office:24 Porttand Ptace, LondonWlB lLU TeLephone +Lla 10)20 7636 5l+00 Email [email protected] lvlvw.abrsm.org
Appticant reference:
Candidate:
Centre reference:
t+t+553411413
ALESSIA CIVASCHI
2016B/ITIM IWEU RI
Question Maximummark
Markawarded
1. Ad d ing time sìgnatures
2. Writing a four-bar rhythm using ihe given opening
3. Transposing a metody up an octave from the bass to thetreb[e ctef
/+. Describing metodic intervats
5. Adding a clef and accidentaLs to make the named scates
6. Naming keys of tonic triads
7. Rewriting a metody, grouping [beaming) the notesco rrectly and generaI question
8. [a] Terms and signs
[b) lndicating phrase structure, describing the timesignature, naming a simi[arity and a difference andgenerat q uestions
{c) Writing out part of an extract using notes and restsof twice the va[ue
10 B
10 I
10 IO
10 to
10 lo
10 IO
10 to
10 lo
10 to
10 lo
Pass 66N4erit 80Distinction 90N/A = Not ansùered
TOTAL 100 q6
Music Theory, Gra de 2
A PAPER 2016
Appticant reference:
Candidate:
Centre reference:
4455341/118
ELISABETTA PLEZHAJ
2016Lltr IMtLA/EU Rt
Question Maximummark
Markawarded
1. Adding time signatures
2. Writing a four-bar rhythm using the given opening
3. Rewriting a metody f rom bass to treb[e c[ef, keeping thepitch the same
4. Rewriting time va[ues from shortest to [ongest
5. Writing named harmonic intervats
6. Writing the key signature and tonic triad of named keys
7. Giving the [etter names of notes and giving thetime name
8. [aJ Terms and signs
[b) GeneraI questions
[c) Copying of part of an extract
10 to10 q
10 I()10 (C
10 lc10 IC
10 810 q
10 I10 lc
Pass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 1+The Associated Board of the RoyaL Schoo[s of MusicA company registered with timited tiabiLity in Engtand and Wales N0.1926395Charìty registered in Engtand & Wates [2921821& Scotland tSC043343]Registered office: 24 Porttand Place, London W1B 1LU Tetephone +44l3lr20 7636 5400 [email protected] www.abrsm.org
Music Theory Grade 2
A PAPER 2016
Appticant reference:
Candidate:
Centre reference:
4tr553411112
AMBRA CIVASCHI
2O16AIIT IMILAIEU RI
Question Maximummark
Markawarded
1. Adding time signatures
2. Writing a four-bar rhythm using the given opening
3. Rewriting a metody f rom bass to treble ctef , keeping thepitch the same
4. Rewriting time vatues from shortest to longest
5. Writing named harmonic intervats
6. Writing the key signature and tonic triad of named keys
7. Giving the letter names of notes and giving thetime name
8. [aJ Terms and signs
[b) GeneraI questions
[c) Copying of part of an extract
10 IC
10 q
10 q
10 to10 rc10 710 {C
10 B
10 lo10 7
Pass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 1+The Associated Board of the RoyaI Schoots of MusicA company registered with [imited tiabil.ity in England and Wates No.1926395Charity registered in England & Wates 12921821 & Scotland tSC043343)Registered officet 24 Porttand Place, London W1 B 1 LU Tetephone +4410120 7636 5400 EmaiI [email protected] vwwv.abrsm.org
Music Theory Grade 5
S PAPER 2016
The Associated Board of the Royat Schoots of MusicA company registered with timited iiabitìty in Engtand and Wates No.1926395Cha.ity registered in Engtand & Wales 12921821 & Scotland 1SC043343)Registered office:24 Po.ttand Ptace, LondonWlB 1LU Tetephone +4410)20 7 636 5t 00 Emaì[ [email protected] www.abrsm.org
Appticant reference:
Candidate:
Centre reference:
/+/+55341/ t+L+
DAFNE COMELLI
2016B/ITIM ILA/EU RI
Question Maximummark
Markawarded
1. Describing chords, naming the key, adding bar-[ines,rewriting an enharmonic equivatent as a breve andgiving a time name
2. Rewriting a passage for SATB from open to short score
3. (aJ Terms, sign and rewriting a chord using thetenor clef
Ibl Describing intervaLs and rewriting a bar fromcompound to simpte time
[cì Naming the key, technicaI names and instrumentaLquestions
4. Writing a scate beginning on the given note, and writinga scale according to the named key signature
5. Transposing a passage for cor ang[ais from concert[sou nd ingl to written pitch
6. Writing a melody for bassoon or cello or to given words
7. lndicating suitabte chord progressions for two cadencesby writing chord names or any other recognisedsymbo[s, or by writing notes on the stave
15 ts
10 S
10 ia
10 to
10 to
10 q
10 lo
15 lil
10 lcl
Pass 66N4erit 80Distinction 90N/A = Not answered
TOTAL 100 q3
Music Theory Grade 2
S PAPER 2016
-fhe Associated Board of the Royat Schoots of f4usicA company registered with timitèd iiabitity in Engtand and Wates No.1926395Charity .egistered in England & Wales 1292'1821 & Scottand [SC043343]Registeredoffice:24PortlandPtace,LondonWlB'lLU Telephone +44lOl2O 7 636 5400 Emait a [email protected]. uk wvvw.abrsm.org
Appticant referenc€:
Candidatè:
Centre reference:
t+455341/4/1
CRISTIANO BRUSINI
2015B/ITIM ILA,/EU RI
0uestion Maximummark
Markawarded
Add ing ba r-[ines
Writing a four-bar rhythm using the g iven opening
Add in g rests
Adding a ctef and accidentats to make named scales
Naming keys as shown by the key sig natures
Rewriting a melody using a key sìgnature
Naming the degrees of a scate and naming a note
(al Terms and sig ns
Genera I questions(bl
Icl Copying of part of an extract
10 lo
10 1
10 to
10 lo
10 to
10 lo
10 \o
10 6
10 lo
10 q
Pass 66M erit 80Distinction 90N/A = Not a nsùered
TOTAL 100 qL
a
AppLicant reference:
Candidate:
Centre reference:
t 4553tr1/117
LORENZO FORTE
2O16AIIT IMILA/EU RI
Music Theory, Grad e 4
A PAPER 201 6
Question Maximummark
Markawarded
1. Terms, rewriting an enharmonic equivatent as a breve,technicaI name, generaI questions and rewriting barsusing notes and a rest of twice the vatue
2. Writing a four-bar rhythm using the given opening, orwriting a rhythm to given words
3. [a) Terms and rewriting bars an octave lower fromtrebte to bass ctef
(bl Adding rests, indicating part of a chromatic scate,describing metodic interva[s and naming anornament
[c) lnstrumentaI questions
4. Adding a ctef and accidenta[s to make the named scate,and writing named sca[e with key signature
5. Rewriting a metody correcting de[iberate mistakes
6. Rewriting atto c[ef notes in bass c[ef, and rewritingtrebte ctef notes in atto c[ef
7. Naming chords and writing named triads withoutkey signatures
15 t3
10 7
10 to
10 ro
10 TO
10 ro
10 5
10 f,c
15 t5Pass 66Merit 80Distinction 90N/A = Not answered
TOTAL 100 1zThe Associated Board of the RoyaI SchooLs of MusicA company registered with timited tiabitity in EngLand and WaLes No 1926395Charity registered in Engtand & WaLes 12921821& Scottand [SC043343ìRegistered office:24 Portland Place, London W1B 1LU Telephone +4410)20 7636 5400 Emait [email protected] www abrsm org
Music Theory, Grade 6
T PAPER 201 5
The Associated Board of the RoyaI Schools of MusicA company registered with Limited Liabìtity in Engtand and Wates No.1926395Charity registered in Eng[and & WaLes ,292182) & ScotLand ISC043343]Registered office:24 Porttand Place, London W1B 1LU Telephone +4410)2076365400 Emaì[ [email protected] www.abrsm.org
AppLicant referehc€:
Candidate:
Centre referehce:
/*383 1 3 91211
CARINA IOANA C IRTIIA
201scl lrlM |LAIEU Rl
Qu estio nMaximumma rk
Ma rkawa rd ed
1. Adding chord indications to meLody by Weal.e orcompLeting bass Line and fiEures of extract from ariaby Handel
2. Writing of harmony for SATB or keyboard according togiven figured bass
3. Continuing Adagio motto for bassoon orALLa sarabanda for vioLin
4. Questions on extract from string quartet
5. Questions on orchestraL extract
15 1L
15 L?
20 ig
25 2s
25 2,.t
Pass 66Merit B0Distinction 90N/A = Not answered
TOTAL 100 qt
Music Theory, Grade 5
S PAPER 2016
The Associated Board of the Royat Schoo[s of MusicA company registered with Iimited tiabitity in EngLand and Wales No.1926395Charity registered in England & Wates 1292182) & Scottand [SC043343]Registeredoffice:24PorttandPlace,LondonWlBlLU Telephone +4410l'2076365t00 EmaiL a [email protected]. uk www.abrsm.org
Applicant reference:
Candidate:
Centre reference:
4455341/t+/5
GABRIELE GANZINI
2016B/ITIM ILA"/EURI
Ouestion Maximummark
Markawarded
'1 . Describing chords, naming the key, adding bar-[ines,rewriting an enharmonic equivalent as a breve andgiving a time name
2. Rewriting a passage for SATB from open to short score
3. (a) Terms, sign and rewriting a chord using thetenor ctef
(bì Describing intervats and rewriting a bar fromcom pou nd to simpte time
[cì Naming the key, technicaI names and instrumentaIq uestio ns
4. Writing a sca[e beginning on the given note, and writinga sca[e according to the named key signature
5. Transposing a passage for cor ang[ais from concertlsou ndingì to written pitch
6. Wrìting a melody for bassoon or ce[[o or to given words
7. lndicating suitabLe chord progressions for two cadencesby writing chord names or any other recognisedsymboLs, or by writing notes on the stave
15 t3
10 7
10 q
10 io
10 lo
10 Iu
10 q
15 t'ì
10 lo
Pass 66N4 e rit 80Distinction 90N/A = Not answered
TOTAL 100 gì
Music Theory, Grade I
S PAPER 2016
The Associated Board of the Royat Schools of MusicA company registered with timited tiabitity in Engtaod and Wates No.'1926395Charity registered in Engtand & Wates 12921821 & Scotland 1SC0433431Registered office:24 Portland Place, LondonWlB 1LU Telephone +4t+ 10]120 7636 5400 Email abrsm@abrsm.èc. uk wwwabrsm.org
Appticant rererence:
Candidate:
Centre relerence,
4t+55341/t+17
ANNA SISTU
2016P/IT|MILNEURI
Question Maximummark
Markawarded
Ad d ing ba r-[ines
Writing a two-bar answering rhythm
Giving the tetter names of notes and givingtime name
the
Writing named harmonic interva[s
lndicating the higher or lower of pairs of notes
Naming scales and indicating semitones
Naming the keys of tonic triads
Ial Terms and signs
Ibl GeneraI questions
Ic) Copying of part of an extract
10 10
'10 8
10 8
10 ro
10 to
10 I
10 to
10 7
10 to
10 lo
Pass 66Merit 80Distinction 90N/A = Not ansWered
TOTAL 100 qr
