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    Theorising Theseus: structuralism vsfunctionalism

    In this essay, both structuralism and functionalism (charter theory) will be

    employed to examine the effect that each of these interpretive approaches to myth has

    on the heavily constructed narrative surrounding the much-celebrated mythic founder

    of Athens. From the structuralist standpoint oppositions between civilisation and

    barbarism, royal and democratic authority, and lone exploits over the good of the

    community will be considered in relation to this quite paradoxical character of

    Theseus, whose image was formed and transformed over many eras and often

    manipulated as part of political, cultural and social claims of Athenian hegemony and

    primacy. A functionalist approach will then be employed to examine the significance

    of the tradition of manipulation and growth of the Theseus myth in order to address

    Athenian cultural practices expressed through unificationsynoikism, as well as

    political alliances by presenting important intrusions of aetiological explanations in

    relation to geography, and the origins of various festivals and ritual practices in the

    Athenian imagination.

    Structuralism:Firstly, it is important to consider that in the earliest period

    Theseus was known simply for his "heroic" exploits against the Minotaur on Crete

    and it is often argued that the later deeds and indeed many of his character attributeswere ascribed in later periods rather consciously by writers who wished to construct a

    hero suited to their purpose. In many ways this is perhaps true, and is readily

    examinable in Plutarch'sLife of Theseus, which was influenced most greatly by the

    preceding traditions, however the relevance of earlier examples of Theseus'

    representation and characterisation in myth through art, primarily vase-painting, and

    song should not be wholly discredited in favour of the ancients' historicising approach

    that attempted to construct a neat and concise narrative out of such a diverse tradition.

    In the archaic period, the minor character of Theseus is presented in Homer

    and Hesiod as any other heroic-age figure - a warrior who is fierce in battle, a loyal

    companion and perhaps not so loyal when it comes to women.1During the classical

    era of ancient Greece, when placed within a distinctly Athenian context (although it

    cannot be fully argued that the tradition of such representation did not exist well

    before the time of Pisistratus), Theseus comes to be portrayed in Ionic terms - as

    1

    Walter R. Agard, "Theseus. A National Hero," The Classical Journal24, no. 2 (1928): 85; H. A.Shapiro, "Theseus in Kimonian Athens: The Iconography of Empire,"Mediterranean Historical

    Review7, no. 1 (1992): 33.

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    dancer, musician; as a young Athenian ephebe, who would grow into a man

    exhibiting many of the quintessential Athenian civic virtues.2In relation to this still

    quite early tradition of Theseus' characterisation it is important to discuss

    Bacchylides'Dithyramb 17where the seeds appear to be laid for expressing Theseus'

    divine parentage by Poseidon and his connection with the sea (a sign of both Athenian

    naval dominance as head of the Delian League and the pre-eminence of Poseidon over

    Zeus in archaic ritual within Attica), when he is challenged by Minos on-board ship

    and returns with proof, that is both the ring and those gifts bestowed on him by the

    goddess Amphitrite (lines 109-129); there is also early evidence here for Theseus as

    champion of justice over oppression (lines 16-23, 28-29, 39-44).3

    Theseus' deeds continued to grow in this period and were transported to

    mainland Greece where his actions had more relevance to the Athenians, having both

    allegorical and explanatory functions within the Athenian mythic imagination. A

    number of various sights throughout Attica featured in order to emphasise the

    importance of military victories, political alliances and religious practices in Athenian

    thought. In this way, Theseus' encounter with the Centaurs and importantly the

    invasion of the city by the Amazons, represented also in temple reliefs and portraiture,

    stood for the Athenian struggle for freedom over the "barbarian" Persians. This is

    most fully represented by Theseus' defeat of the Marathonian bull and the tale that a

    phantom of the great mythic hero appeared at Marathon during the invasion of Datis

    and Artaphernes.4

    Another important opposition in relation to the figure of Theseus is that, due

    to the manipulation of his character at various stages of history, he is presented in the

    guise of both a heroic-age tyrant king wanaxand quite paradoxically as shepherd of

    the Athenian people, upholder of justice and in the most extreme examples as the

    founder of democracy. What is most significant in the development of these traits is

    that at the same time there is evidence of conscious changes being made in light of

    contemporaneous social and political circumstances, as well as clear signs of

    Athenian cultural practices and popular opinion affecting the tradition. Indeed, at

    various stages Theseus fulfilled many a role in the Greek imagination whereby he

    2Agard, 88; W. Den Boer, "Theseus: The Growth of a Myth in History." Greece and Rome, Second

    Series16, no. 1 (1969): 2.3John N. Davie, "Theseus the King of Fifth-Century Athens." Greece and Rome, Second Series29,

    no. 1 (1982): 26; Den Boer, 10; Shapiro, 37, 40.4Agard, 88-89; Valerij Gou!chin, "Athenian Synoikism of the Fifth Century B.C., or Two Stories of

    Theseus." Greece and Rome, Second Series46, no. 2 (1999): 169-170, 180.

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    stood for a range of sentiments in relation to political power and authority. For the

    classical era Greeks who were borrowing the myth in order to establish theirs and

    Ionic precedence more generally in relation to the mythic past Theseus was but a

    natural choice and the place that the hero occupied within mythic time (despite being

    an age of warrior kings) would lend support to those claims of Athenian eminence;

    what they were able to do however was to present his deeds and establishment of

    various rites, which originally served to bind alliances between various regions and

    Athens, as a type of benefaction towards citizens. This in turn led to the notions that

    Theseus, the great early king of Athens, was a man for the people.5Den Boer argues

    that the classical mind could accept the character of this kingship more readily than

    future generations due to its instability.6The effect of attempts to explain the

    contradictory nature of his rule is juxtaposed at the far end of the spectrum, where in

    Plutarch's narrative we are told that 'to those of greater power he promised a

    commonwealth without monarchy, a democracy or people's government, in which he

    should only be continued as their commander in war and the protector of their laws,

    all things being equally distributed among them' (Plutarch,Life of Theseus, 15.9.1-2)

    but in almost the same breath the author highlights the ego-centric king's behaviour as

    lord over the Athenians, whose hybris- in stealing away the young Helen jeopardises

    the security of all his subjects and creates an opportunity for Menestheus to stir up his

    rebellion among the aristocrats, who quickly abandon their pre-supposition for the

    new regime in favour of factional discord (Plut. Th. 19.1-2, 23-25).7

    The most famous deeds of Theseus occurred when he was travelling from

    Troezen to Athens where upon choosing the more perilous route 'he set forward with

    a design to do injury to nobody, but to repel and revenge himself of all those that

    should offer any' (Plut. Th. 3.1). Nonetheless the deeds he performed, those against

    his most famous victims, meant that the road became safe for travellers and the

    community as a whole; importantly, however, the intention nor the means was not

    exactly that which could be characterised as righteous, noble or even civilised; for in

    the first instance, Theseus was motivated by a desire to achieve glory which rivalled

    that of Herakles and his acts against those most villainous criminals along the route,

    were the same sinister punishments meted out by them, and in the case of the

    5

    Den Boer, 2, 4-5.6Den Boer, 5-6.

    7Davie, 29-31; see also Herodotus, 9.73.

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    Crommyian sow, identified by some as simply a woman, Theseus had gone out of his

    way 'so in order to not seem to perform his exploits out of necessity,' thereby

    questioning Theseus' heroic attributes altogether (Plu. Th. 9.1). One cannot also

    neglect the emphasis that the ancient poets placed upon the selfishness of Theseus in

    his use of Ariadne who laments 'remember to tell them about me too, about how you

    abandoned me on a desolate island. Do not silently leave me off your list of

    conquests!' (Ovid,Heroides 10, 130-132); nor can one discount the differing

    traditions that the nevertheless irresponsible act of forgetting to change the sails upon

    his return from Crete, ascribed both to grief over Ariadne and excitement over the

    success of the campaign, resulted in the death of his father and Theseus' "improper"

    installation as king (Apollodorus,Library, Epitome 1.10-1.11; Plut. Th. 2.2-3).

    Finally, the much celebrated conflict with the Amazons, theAmazonomachiaas it has

    been termed, is said to have been sparked wholly by Theseus' actions in the abduction

    of Antiope, where the Athenians were expected to fight for the cause of but one man

    (Apollodorus,Library, Epitome 1.16-1.17; Plut. Th. 16.1-3), much as in the case

    when later the Dioscuri would wage war on Athens in search of their sister Helen

    (Apollodorus,Library, Epitome 1.23; Plut. Th. 31.1).

    Functionalism:The myth of Theseus and its development gives precedence

    to a number of cultural exploits of the Athenians also. The most significant example

    of this in relation to Theseus' deeds is that of unification or synoikismof Attica,

    whereby Theseus is typically said to have been responsible for bringing the twelve

    townships of Attica under the same jurisdiction (that of the capital - Athens) and

    made the inhabitants 'one people of one city, whereas before they lived dispersed, and

    they were not easy to assemble upon any affair for the common interest' (Plut. Th.

    14.1). This physicalsynoikismwas all too relevant to the Athenian people and a

    number of cases have been put forward for historical parallels to such a phenomenon

    ranging from the archaic period, with the development of the polis and reliance upon

    commercial activities,8to the evacuations necessitated by the Persian invasions,9to

    the mass displacement of country-folk during the Peloponnesian war under Perikles,

    who advised that citizens would be safe within the improved fortifications of the city

    8

    Davey, 29; Steven Diamant, "Theseus and the Unification of Attica."Hesperia Supplements 17(1982): 47.

    9Gou!chin, 170.

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    (Thucydides,History of the Peloponnesian War, 2.14-16).10

    Gou!chin even goes as

    far as to view the unification brought about by the destruction of the city at the hands

    of the Persians and the subsequent building program as synonymous withsynoikism

    and addresses the social/cultural concerns of contemporaneous Athenians in the midst

    of mass incursions of foreigners and settlement patterns in the Piraeus district, the

    pressure of which led to the passing of Perikles' citizenship laws in 451/0 B.C.11

    As has been mentioned, the character and deeds of Theseus developed

    primarily within a classical Athenian context and can often be traced according to

    power claims being made by political leaders, who used the myth in order to present

    their own agendas.12

    Claims such as these are often made in relation to Kimon's

    efforts to combat piracy in the Aegean.13Due to the popularity of the mythic figure of

    Theseus it is not always easy to discern what traditions were formed within a political,

    cultural, social or religious context, or indeed mixtures of each. Most importantly,

    however, for this study is that the figure himself did develop and the hero came to

    engender many of the important civic attributes that Athenians so prided as exhibiting

    themselves. As the Athenian state came to prominence during the fifth century B.C.,

    there was undoubtedly a cultural necessity to consider the place of its people with

    regards to the surrounding regions, who themselves could boast greater and longer

    lasting traditions as expressed in ritual and myth. The most conscious example of this

    is the adoption and adaption of the relatively obscure and little known figure of

    Theseus as both a national and thoroughly Ionic hero to rival that of the Doric

    Herakles; this was done in order to distance Athens from Sparta but also to offer

    explanations for many of the celebrated rites associated with both heroes and in order

    to make Athenian claims of pre-eminence in relation to mythic-time.14

    Once a few

    more deeds were attributed to their hero, presented thoroughly in opposition to those

    of Herakles - one labouring under a tyrant, employing wild brutish force... the other

    for freedom and justice, employing athleticism, courage and wit in keeping with

    Athenian ideals, there was perhaps little way to go to viewing the glorious statesmen

    as depicted by the tragic poets or as offered in the most extreme example through his

    depiction between personifications of Democracy and the people on the Stoa of the

    10Gou!chin, 178.

    11Den Boer, 6-7; Gou!chin, 177.

    12

    Diamant, 38.13Shapiro, 40.

    14Diamant, 44.

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    Twelve Gods.15

    What is interesting about this mythic construction is that there were

    also conscious efforts to join the traditions of Herakles and Theseus by establishing

    genealogical claims between the two heroes and linking them through their

    adventures such as the expedition against the Amazons (Apollodorus,Library,

    Epitome 1.16) and the katabasismyth, where Herakles rescued Theseus from Hades

    and in turn Theseus gave over his religious rites and all but four sacred places in

    Athens over to his saviour as a token of gratitude (Plut. Th. 30.1, 35.1-2).16

    This brings us to the final point in relation to the popularity of the myth of

    Theseus in the ancient world, that is the importance of sacrificial rites, festivals and

    ritual practices associated with hero-cult worship throughout ancient Greece, which in

    many cases led to his tale being offered as aitionsfor the importance of geographical

    locations tied to various festivals, feasts and customary rites, which may have had

    their origins in other forgotten traditions, as well as providing the impetus for political

    leaders to borrow on the tradition in venerating the mythic founder of the city, itself

    spurred on by the public's need and willingness to be appeased in this fashion. For we

    see that Theseus was highly honoured in Athenian cult practice as Pausanias'

    description of paintings found at the mythic-hero's sanctuary attests (Pausanias,

    Description of Greece, 1.17.2-3), a popularity which undoubtedly led to various

    leaders' own desire to claim a relationship with the city's great mythic founder - the

    most famous example being Kimon's find of the remains of Theseus on Scyros in 475

    B.C.17

    Importantly, Theseus is himself remembered as instigating many of Athens'

    most important religious festivals and his mythic journey parodies a great number of

    sacrificial rites associated with these occasions. Theseus' return to Athens coincided

    with the Pyanopsia and Oschoporia, celebrations in honour of both Delian Apollo and

    Dionysos, in which the feast of the returning heroes and the lamentations of the

    Athenian populous in grief for Aegus' death parallel the traditions associated with

    what is believed to be more ancient fertility rights (Plut. Th. 20.5).18

    It has also been

    argued that the Naxian episode, featuring Dionysos' rescue of Ariadne and the "cross-

    dressing" scene are further attempts to link Theseus with the wine-god and the

    15Agard, 86, 89-90; Davie, 25, 31; Den Boer, 4, 6-7.

    16Davie, 27; This later development may have come about under Kimon, who also venerated

    Herakles - see Shapiro, 32.17Agard, 88; Davie, 26; Gou!chin, 169.

    18Den Boer, 10-11; Shapiro, 46.

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    Oschophoria (Plut. Th. 23.2).19

    Another claim is that the Marathonian bull episode

    was used in order to create a ritual association with the patron goddess Athena, linked

    to the Synoikia, which culminated in a procession to the Acropolis and the sacrificing

    of oxen.20

    What is immediately apparent from Plutarch's account is, due to the great

    popularity of Theseus in hero-cult worship throughout the ancient world, there built

    up a great number of claims, which attempted to present a ritual association with the

    hero according to practice and geographic location - for Theseus is also credited with

    instituting sacrifices such as the Hecalesia in honour of Zeus and others to

    Delphinian/Delian Apollo (Plut. Th. 14.2, 18.1, 21.1-2), ordaining the common feast

    Panathenaea for all united Attica (Plut. Th. 22.4), establishing the Isthmian games in

    honour of Poseidon in emulation of Herakles (Plut. Th. 25.4-5), even the Amazon

    invasion is remembered in the Boedromion feast, whilst geographic locations

    including Naxos, Crete, Cyprus, Troezen, as well as Salamis, Skyros and Marathon

    feature in relation to the importance of local sacrificial customs and cultural memory;

    Theseus is even claimed to have had a role in the great mystery cult at Eleusis (Plut.

    Th. 30.5), perhaps proving that within a religious context Plutarch's recorded proverb

    "Not without Theseus" held as much sway as it did in a mythic context.

    Upon examining the respective merits and de-merits of these two interpretive

    approaches to the again highly-constructed myth of Theseus it is important to

    consider that when applying a structuralist approach in order to address binary

    oppositions within the narrative, the character of Theseus himself often acts as the

    "bridge" between contradictory claims and in many ways his actions cannot be read

    outside of the context of those key social and political circumstances which helped

    shape this characterisation; both his deeds and transgressions must have contributed to

    the Athenians' reception of such a complex figure. On the other hand, the functionalist

    viewpoint can allow for complex ritual activities to be gleaned in order to better

    understand the cultural context that they evolved in, but in the case of Theseus, who is

    represented to his fullest extent in the narrative provided by Plutarch, much of this

    religious significance as expressed through myth is lost due to the authors' attempt to

    reduce the tale to one of purely historical truth.

    19Den Boer, 11; Shapiro, 44.

    20

    Den Boer, 11-12; Gou!chin, 173; Shapiro, 47; Importantly the Marathonian bull itself is said byPlutarch to have been sacrificed to Delphian Apollo, another site significant to Theseus' story (page 5);

    The Synoikiapresumably being the festival alluded to by Ovid (Metamorphoses, VII. 403-455).

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    Bibliography

    Primary Sources:

    Apollodorus,Library.

    Bacchylides,Dithyramb 17.

    Herodotus, The Histories.

    Ovid,Heroids 10.

    Ovid,Metamorphoses.

    Pausanias,Descriptions of Greece.

    Plutarch. The Lives of the Noble Grecians and Romans.

    Thucydides,History of the Peloponnesian War.

    Secondary Sources:

    Agard, Walter R. "Theseus. A National Hero." The Classical Journal24, no. 2

    (1928): 84-91.

    Davey, John N. "Theseus the King of Fifth-Century Athens." Greece and Rome,

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    Den Boer, W. "Theseus: The Growth of a Myth in History." Greece and Rome,

    Second Series16, no. 1 (1969): 1-13.

    Diamant, Steven. "Theseus and the Unification of Attica."Hesperia Supplements17,

    (1982): 38-47.

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    Shapiro, H. A. "Theseus in Kimonian Athens: The Iconography of Empire."

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    Classical Myth: Primary Sources in Translation. Indianapolis: Hackett Publishing

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