Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill...

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Theatrical Design and Production pter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A reflection of the social and political history of the times that are eventually reflected in the patterns and shifting artistic trends of the period.

Transcript of Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill...

Page 1: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

What is ‘style’?

A reflection of the social and political history of the times that are eventually reflected in the patterns and shifting artistic trends of the period.

Page 2: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Production Style:

A manner of producing a play in which all production elements (costumes, scenery, lights, acting) adhere to a common set of

artistic/philosophical characteristics (e.g. Expressionism)

What is the pattern of elements in this rendering for The Kitchen?

Page 3: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

The problem with style….

Periods in art/history are only indicative – not definitive

Cannot represent historical periods or styles accurately onstage

Designers are from the modern era and reflect their background

Audience expectations won’t allow accuracy

The Solution: Stylization!!!

Use of specific compositional elements characteristic of a particular style or period to create the essence of that style or period.

Page 4: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

More issues with style….

Acknowledge the literary style of

the piece.

Verse vs. prose

Visual style can reflect the literary

style of the drama

Page 5: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Line

Line: A mark that connects two points.Line can have….

Dimension – length & width

Quality – shape, value, contrast

Character – emotionally evocative characteristics

Page 6: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Shape

Any line that encloses a space creates a shape.

Shapes define the outlines of details and silhouettes onstage, giving meaning to what we see!

Page 7: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Mass

MASS

Three-dimensionalmanifestationof shape…

…creates an awareness of depth and spatial

arrangements

Flat mass with no weight

Beginningsof mass due to shadow

3D relationship

Page 8: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Measure

The ability to judge the size of objects and the relative distance between them w/out the aid of measuring devices

Intuitive skill

Page 9: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Position

Relative location of adjacent shapes or masses

What does position indicate in relation to this

design?

Page 10: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Color

One of the most complex elements – See Chapter 6 for more information

Page 11: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: TextureThe visual tactile surface characteristics or appearance of an object

Page 12: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Elements of Design: Texture

The primary element creating texture is fabric…

…texture can be created with light using gobos

Gobo: A thin metal template inserted into an ellipsoidal reflector spotlight to project a shadow pattern of light

Page 13: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Unity

The creation of a stylistic plan to which all parts of the design subscribe.

Production concept = Conceptual plan

Page 14: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Harmony

Sense of blending and unity that is obtained when all elements of the design

fit together to create an orderly whole…

Be aware that too much harmony

can become monotonous…

Page 15: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Contrast

Juxtaposition of dissimilar

design elements

Be aware that too much contrast can destroy unity…

Page 16: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Variation

Create visual interest by repeating a

simple pattern but changing it

occasionally

How is variation created in these patterns?

Page 17: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Balance

Arranging design elements to give a sense of

restfulness, stability, or equilibrium

Symmetrical balance – correspondence in size, form, and relative position of

parts on either side of a center dividing line – mirror balance

Asymmetrical balance – a sense of equality achieved through dynamic tension created by

the juxtaposition of dissimilar design elements

Page 18: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Proportion

Harmonious relationship of the parts of an object to each other or to the whole

The idea of beauty

is based on ideal

proportions

Page 19: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Principles of Composition: Emphasis

Directing the audience’s attention to a specific place…

…such areas of focus are also known as acting areas

Where is the emphasis in this

production image?

How is that emphasis created?

Page 20: Theatrical Design and Production Chapter 5: Style, Composition, & Design © 2006 The McGraw-Hill Companies, Inc. All Rights reserved. What is ‘style’? A.

Theatrical Design and Production

Chapter 5: Style, Composition, & Design

© 2006 The McGraw-Hill Companies, Inc. All Rights reserved.

Design Analysis of The Kitchen

Unity Harmony Contrast Variation Balance Proportion Emphasis

Apply the concepts from this lecture to this image.