THEATRE HISTORY - ACTING. PRIMITIVE MAN - aware of outside forces that control their existence ...
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Transcript of THEATRE HISTORY - ACTING. PRIMITIVE MAN - aware of outside forces that control their existence ...
Theatre History - Acting
Primitive Man -
aware of outside forces that control their existence
developed rituals to recognize these ‘forces’
Rituals – demonstrated a form of knowledge,
educational, entertainment, or glorify
Example: “Acting out” a successful hunt for the tribe, or sitting
around a fire impersonating, re-telling real events or
mythology
THE EGYPTIANS.3500 – 3000 B.C.
Deity System of belief
Coronation Rituals, Plays
Abydos Passion Play
The Greeks8 and 6 centuries
534 B.C. – Festival and Contest at the City Dionysis Thespis – winner – given credit for the
invention of drama, First tragedy
Tragedy translates into “goat song”Came from dithyrambs, songs and
dances
Roman Theatre H
eavily influenced by the Greeks
C
omedy more popular
N
o more chorus
A
dded music accompaniment to dialogue
T
ragedy – noble deeds, horror, vice, blood
ROMAN THEATRE
Popular forms of Roman
entertainment Chariot Races
Gladiators Wild Animal Fights Mime, Pantomime
Naumachiae (sea battles)
ROMAN THEATREIntroduction of the “archetype” character
Old man
Young man in love who rebels against authority
Clever or cunning slave
Stupid Slave
Hanger-on or flatterer
Courtesan
Braggart Soldier
Middle Ages
1050 – 1300
Towns began forming, mostly for protection
Kings and Princes began to take control
Universities took the place of monasteries as
places of learning
Plays only read in school, never performed.
Middle Ages
C
hurch realized public was uneducatedS
tarted ‘acting out’ Biblical scenes
Liturgical Drama – during services, in Latin
Vernacular Drama – Common language,
performed outside of church
Medieval Theatre1350 - 1550
C
hurch gave up active participation in TheatreA
cting troupes travelled town to town, each actor supplied own costume
Cycle Plays – Wagons pull into town, park in a circle
pattern, each wagon acts out a
different episode of a play. T
ownspeople walk between wagons.
Medieval Theatre1350 - 1550
Types of Medieval PlaysMorality Play – Taught a moral lesson
worried about man’s after life, lectured about seven deadly sins
Miracle Play – Portrayed the lives of the church’s saints and martyrs.Mystery Play – Acted out episodes from the Bible.
Renaissance
Revival of all things Greek and Roman
Neoclassicism1. Verisimilitude – appearance of truth,
real life, no fantasy, no supernatural
2. Teach a moral lesson3. Three unities – Action, Time, Place
one plot, one hour, one place
Renaissance
Commedia dell’Arte
Traveling troupe, 10 – 15 actors
Improvisation and Stock Characters
Stock Character - the same characteristics,
same type of person, performing in a different
situation each time
RenaissanceY
oung Lovers – straight characters, dressed in whiteZ
anni – servants or best friends, silly, offbeatC
apitano – braggart, coward, likes to boastP
antalone – merchant, mask with large hooked noseD
ottore – academic, uses Latin phrases wrongH
arlequin – mischief maker, diamond costume, black
mask, carried a slapstick
Renaissance
Court Masques –
think Cinderella going to the ball
Usually lasted a several days or a week
Short plays, singing, dancing, eating
Usually to honor one person or one event
AmericaSet up like a variety show
Became known as Vaudeville
Most popular form of entertainment in America
Performers sat in a semi-circle
“Tambo” and “Bones” – masters of ceremony
Realism1
860 – 1900’s
M
oscow Arts Theater
K
onstantin Stanislavsky – 1936 -
An Actor
Prepares
“
The Method” – a school of acting training
Realism
Stanislavsky –
An actor’s body should be trained for all demands.
Actors should be schooled in all stage techniques.
An actor should be an observer of reality.
Inner Justification and Emotional Recall