(The Word) Version IIdpbiro/hadavar_2_excerpt.pdf · Hadavar (The Word) Version II – Dániel...
14
!"#$ (The Word) Version II For Countertenor, Piano, Resonant Gongs and Electronics Dániel Péter Biro (2011) Material Press
Transcript of (The Word) Version IIdpbiro/hadavar_2_excerpt.pdf · Hadavar (The Word) Version II – Dániel...
!"#$
(The Word)
Version II
For Countertenor, Piano, Resonant Gongs and Electronics
Dániel Péter Biro
(2011)
Material Press!
Hadavar (The Word) Version II – Dániel Péter Biró For Countertenor, Piano, Resonant Gongs and Live Electronics (2010-2011) Electronics realized by Reinhold Braig, Kirk MacNally and Dániel Péter Biró at the Experimental Studio and the University of Victoria Premiered on April 2, 2011 – Fromm Concerts at Harvard University, Cambridge, USA Commissioned by Harvard University Text based on the Book of Jeremiah Chapter 34:8-12 8 The word which came to Jeremiah from G’d after King Zedekiah had made a covenant with all the people in Jerusalem to proclaim a release among them 9 that everyone should set free his Hebrew slaves, both male and female, and that no one should keep his fellow Judean enslaved. 10 Everyone, officials and people, who had entered into the covenant agreed to set their male and female slaves free and not keep them enslaved any longer; they complied and let them go. 11 But afterward they turned about and brought back the men and women they had set free, and forced them into slavery again. 12 Then it was that the word of G’d came to Jeremiah from G’d: Electronic Setup Countertenor, piano and gongs should be amplified. Piano and gongs should be amplified with contact microphones. Max/MSP patch and Protools file with Midi automation required. Piano goes into Max/MSP input channel 1 and Voice to input channel 2. Gongs go into mixing board input channel 5 and are routed to output channel 5 (loudspeaker 5). Max/MSP output channels 1-6 go to mixing board inputs/speaker outputs 1-6. Protools output channels 1-6 go to mixing board inputs/speaker outputs 1-6. Speaker Setup A small (Genelec) loudspeaker goes into the piano. The 5 remaining loudspeakers should be placed in the room in the following manner Stage
1 2 Audience
3 4 5
Gongs (with contact microphones) are to be placed in front of Loudspeaker 5. Max/MSP The piece requires two people to control the electronics. One person controls the patch (convolution and spatialization) while the other controls the gong feedback and volume. Player one opens convolution programs 1A – 6B and player two activates the feedback by opening and closing the gong microphone input (indicated in score). The following patch is required:
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Dániel Péter Biró
!"#$ The Word(Version II)
for Countertenor, Piano, Resonant Gongs and Electronics(Performance Score)
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