..,:.4 .....:a:.L,r::

:k*slr*|:;*:::lr;ii:*

ffuffi wwww

&ffiffi s'

wts(",_

ffirffi'ffiM

prrrduced his firstlit rgiorr,rIi.;l Iitlrogr.rph (rtc;uar r).

Llrrtillt rl lllrr<' Vullt:y Fo: lltLnt,

i1 rl('l)i( ls Iirrrr nrcn g:rLhcrecl

.rrrrurrrl .r lirt r,r,ilh Lrvo hounds,

onc ol ll:t lrrrnlcrs hlowing a

ltor n lo si1,r,,,1 ,1,., ot.l'rer dogs tcr

rt'1 urn. lri l in lilLrc Vallcy otLtsidc

l(,urs,rs ('il 1,, Ilrc prirtt lbcuscs

orr tlrt :;inrpli' plc.rsurcs o1'rural

lili' irr rriiln,r':rlt't n Arncriclr

lunri is .r rtril,ing cxanrple of'

\ilr, r.,,rrr li,;1i,,rr.rlisrn, Jn .rrir\-Lir' rrovcnrt nl IIr,rl rclbcused

.rrr ilii,,1r ,,il i,,ti',n,rl iJcntitv irr

1l)r' l ') 1O.,, lor'.rlizing thc historvol' lrillr, rlo ovt'r loohcd placcs

"rrrt1 p,,,1,1,:,. Al lilst glancc,

tlit irrt.rl,, i';,r Ilrist.tlgic vic'v o1'

rollint, l.rr nrl.rrrrl .rnrl pasloral

l)Lrsllil.,, lrrrl llrr' :;tarli oullincsol' I]r, tr( ( :r l)i('r('ing Llrc opcrr

sky ili.,trr lr Ilrr' lr,l ntony of'thc

sc( r){ .il lr.rrrtl \\ltt ir rlr:N,llrlt'llr,.

macle this print, I(:rnsas was

rccling liorn thc cllccts of eco-

nomic depression in the l9l0s,conclitions that lbrced srnall

Lri nt,'r's trr .Lh,rndon [.Lrnritrg as

Lhcir m.rin sourcc of livclihood.Aggr;r,alcd by Lhc inlarnous

droueht ar-rd llust Born,l o1' 19 15,

lhrmland in thc southwcst

corncr ol- thc s1a1.c was scvcrcly

damaged but the el'f'ects wcrc

Ie It thror-rghout l(ansas. The

dcep ridges of plowed land draw

attention to the plight ol farming

r'r,ithout any overt ref'ereni:es

to the dire conditions that

h:rd allccted thc f:rrming commu-

nitv. -But 1hc contcntmcnt oft.hc hunl.crs and Lhc hounds,

the gontJc curvcs of cullivatcdlancl, and thc warm glor,r,

ol thc firc sccm a1 odds rn,ith

tl'rc harslr shapcs of trcc

I r urrl.s, l,r.rrr, Ir, s, .rnJ t rvigs

in l}rt'foreeronnd. Jn ir scnsc,

l(r)\rrir\rrr,r)iilrir'\ir1l,r i.oL lltult,\t, )(r.l,itlrogr,rplrorpJpcr,I I I l,lr, li, l, I if( rr'.r (icor,li.r Nlrrs|rrnr ol Art. []nirr:rsilt,ol'(lcortir; tili o[

Nlr rrr,i xl r ill\\, xl!llr.. lll.rrrrl ('.rrl\\.\'lLrllisl\',elass01 'Ol.(tN,t(r\20Ol.ltX)

deMarteily depi.cts the pioneer-

ing spirit of the midwestern

community, resilient in the

face of economic deprivationand natural disasters.

Of special note is the figure

sleeping beneath the tree, identi-

fied as the famous Regionalist

Thomas Hart Benton, deMartelly's

friend and colleague at the

Kansas Ciry Art Institute.

The motif of sleep appears fre-

quently throughout the artisttRegionalist prints and in his

later and more abstract Printsfrom the 1950s. Furthermore,

the three seated men echo the

arrangement of a trio of figures,

lncluding that ol Christ from

deMartelly's earlier etching, T/re

Supper dt Emmc,us (ntcunr z), a

print that focuses on the well-

known Biblical subject painted

by master European artists like

Titian, Caravaggio, Rembrandt,

and VelSzquez. The techniques

used to make the two prints,

their subjects, and deMartellY's

articulation of contour and

shape could not have been

more different in both images.

What then is the story behind

the artist's transition from one

picture to another?

A native of Philadelphia,

deMartelly began his formal

artistic training in l92l at

the Pennsylvania AcademY

of the Fine Arts, An accom-

plished draftsmen from the start,

his passion for drawing created

a strong foundation for Print-making, a form of art he would

first pursue seriously at the

Accademia delle Belle Arti i.n

Florence, Italy, in 1927 and L928.

Although he learned a wide

range of printmaking techniques

there, deMartelly was esPeciallY

attracted to lithography, a tech-

nique he subsequently studied

more intensively at the RoYal

Coliege of Art in London. It was

during his English sojourn

that he focused on coPying o1d

master prints, an exercise

required ofevery young artist

in training at the Royal College

of Art. In 1930. deMartellY

returned to Amedca and moved

to Kansas City where he estab-

lished a studio and offered

printmaking courses. Thus

began his teaching career to

which he devoted himself for

the rest of his lifb. Four years

later, he had joined the faculty

of the Kansas City Art Institute

where he taught printmaking

alongside Benton.

In 1931, deMartellY exhibited

The Supper at Emmaus at

the Women's City Club along

with thirteen other etchings.

Art critics reviewing the exhibi-

tion compared the print withRembrandt's Christ at Emmaus

rNsrDE FRoNT covqe^ Laoking at the Sunshine, c. 1938. Lithograph on paper,

10 1/4 x 12 l/4 inches. Georgia Museum of Art. University ofGeorgia; gift olMr. and Mrs. Carl W. Mullis III and Carl W. Mu11is IV class of '01. GMoA 2001'1o3

(1654), remarking that he had

"a technical mastery ... rarely

seen in the work of contempo-

rary etchers." That same year,

deMartellyt print won the gold

medal in the graphics divisionof the Midwestern Artists'Annual Exhibition held at the

Kansas City Art Institute. By

1936, the practice of lithographyhad surpassed the preference foretching, the most popular print-making technique in the iate

nineteenth century exemplified

by prints made by James

McNeiIl Whistler and MaryCassatt. Pioneered by Joseph

Pennell who taught the firstlithography class in an American

art school in 1922 at the ArtStudents League in New York,

the subsequent popularity of

lithography signaled a r adical

shift away from the Whistlerian

tradition. Like many ol his con-

temporaries, deMartellyembraced the medium that he

had long favored.

The Euangelis, (FrcuRE 3),

an independent Regionalist

lithograph and Greek Boxer

(r'rcunn 4), one of the last prints

deMartelly made before he died,

represent the span of the artist's

versati Ie hand li ng ol lirhography.

The former is one of at least

rhree lithographs he made in

addition to the twelve prints

published by the American

Association of Artists (AAA).Executed in the Regionalist

FrcuRE 2 The Supper at Emmaus, c. 1930. Etching on paper, 6 lfZ x 7 inches.

Georgia Museum of Art, University of Georgia; gift of Mr. and Mrs. Carl W.

Mullis III and Carl W. Mu1lis IV class of '0I. cMoA 200I.95

-3-

style, it depicts Lizzie Ozgood,

deMartelly's neighbor in ruralNew Hampshire, where the

artist and his family spent

their summers. Devoted to

the Bible, Lizzie is shown as a

wizened old woman, the details

of her wrinkled skin contra.sting

sharply with the smooth surfaces

battered prizefighter in a visual

blur of lines and deep shadows.

The barely discernible features

oflnis Boxer in fact recall the

damaged visage of the Hellenistic

fighter, particularly the lefteye rendered like a wounded

"black eye." Similarly, the

curls across the boxer's forehead

repeat the arrangement ofof the furniture and walls.

While she grasps a

weighty volume of the

Bible, her attention,

however, has wavered

away from the book.

Such visual nuances,

including the tiny cru-

cifix on the scroll

hanging on the walljuxtaposed with Lizzie's

tightly woven bun,

and the cat slinking outof the door, reveal the

artistt suspicion oforganized religion.

Compared to this highlycontoured rendering,

deMartelly's Greek

Boxer is a strikingabstract composition

typical of the prints he

produced during the last three

decades of his life. He turns

yet again to a subject from the

past-the famous Terme Boxer,

the Hellenistic bronze sculpture

(3rd-2nd century BC) character-

ized by swollen ears, a broken

nose, and facial scars.

DeMartelly reinvents the

tight curls on the head of the

Terme Boxer.

ln 1943, the dynamic Albert

Christ-Janer invited deMartelly

to teach at Michigan State

University (then Michigan State

College). The artist remained

there until his death in 1979.

He also served as a consultant in

FIGURE 4 Greek Boxer,1979. Lithograph on paper, 10 x 7 inches. Georgia Museum

of Art, University of Georgia; gift of Mr. and Mrs. Carl W. Mullis III and Carl W.

Mullis IV class of '0I. cMoA 2001.163

-5-

:::ntmaking to the Cranbrook

-{cademv of Art in Bloomfield

Hi11s, llichigan, until I960.

It rvas during his teaching career

at -\ISU that deMartelly earned

the moniker "The Wise and

Porverful Wizard," a testimony

to his devotion to teaching as

rvel1 as to printmaking.

The Georgia Museum of Art ishonored to present a retrospec-

tive of deMartelly's prints made

throughout his artistic career,

including his famous Regionalist

lithographs. Complemented by a

selection of drawings and paint-ings, the exhibition has been

organized by curator Romita Ray

from the generous donation ofdeMartelly's drawings and printsgifted to the museum by Mr. and

Mrs. Carl W. Mullis III of Atlantain honor of their son Carl MullisIV a recent graduate of the

University of Georgia. The cura-

tor is also grateful to Carl and

Marion Mullis for loaning kev

paintings and drawings to the

exhibition. In addition, she

thanks Libby Hatmaker for her

meticulous conservation of the

paintings, and Mark Callahan forhis excellent research on

deMartelly's prints.

Selected Bibliography

Adams, Clinton, ed. Second Intpressions: Modern Prints and PrintmakersReconsidered. Albuquerque: University ofNew lr{exico Prers, 1996.

Johnson, Deborah J. Whistkr to Weidenaar: American Prints 1870-1950.Providence: Museum of Art, Rhode Island School of Design, 1987.

North. Bill, The Prints of John S. deMartelly. East Lanslng: Iftesge Art Museum,Michigan State University, 1997.

O' Gorman, James F., ed. Aspects of American Printmaking 1800-1950-Syracuse, New'icrk: Syracuse Uaiversity Press, 1988.

Walker, Barry. The Americln Artist as Printmaker. New York: The BrooklynMuseum, i983.

Zink, Vic. John Stockton deMartel$ 1903-1979. Gaflord, Michigan: Mid-North Printing, 1990.

-6-

^E t 1 e r , ? ...-q-ffiecKlrsE GE 6ire .Erxffilbrffiom rf" "':

eB',fu1

PRIT"{TS

Al)th att tsiqarr, 1950. Edition 10. Lithographon wove paper. Georgia \{useum of Art,Universitv of Georgia: gitt of I{r. and Mrs.Carl W. Mullis III and Carl \\'. \Iul]is 1\., class

of'o1. cuoa 2001.11i. Zink I

Al{ ern.tt i ve ,Yir,,,i.. :i: :-. 1 9i1. Liihograph oD

wove paper. Georgia \tuser:m of Art.University of Georgia: gifi of \tr. and \Irs.Carl W. Mullis III anC Cari \\-. llLrllis I\', ciass

o1"01. cMoa 2001.i28. Zirk l

Btketl Tontilt,, 1965. ECiLor: 20 Lithographon wove paper. Georqia \luseum of Art,Universitv of Georgiar gift ol Mr. and NIrs.

Carl W Mullis lII ar:d Cari \\:. Muilis IV class

of'01. cNrcA 2001.141. Zink 7

'tht'Bircl Stltdtt;r, 1975. Edition 20.

Li&ograph on h,ove paper. Georgia Museumul Arl, Unirer\il\ ol Ceorgiaj giir ot Mr. andMrs. CarI W Mullis III and Carl W. Mullis IV,

class ol '01. GMOA 2001.Io0. Zink 9

Blut \,'tLllc.:; Fo.\ ll[t1t, 1936. Lithograph onwove paper. Georgia Museum of Art,Universiiy of Ceoigia; gift of Mr. and Mrs.Carl W Mullis III aad Carl W Mullis I! class

of 'ol. c\roA 2001.100. /ink lO AAA

t t'.,., ltt. 1942. Lirhogrdph on wove pdper.

Ceorgia Muscum ol An. U1:ver\jlv ol

Ceorgia; gift of X{r. and Mrs. Carl W. MullisIII and Carl 1V- Mu11is I\.. class of '01.Gi\{oA 2001 111. Zinli 12 AAA

lrr',:..,- : l9i-i. Lr:no-graph on l'or.epaper. Georgia -\iii.!euilt o;.-qr:, L ilirersitYof Georgia; gift oi irl:. ;::,i -\I:s. Cari

W Mullis IlI .rni Carl 1\.. l\iu,,rs I\r .iassof '0t. cNlol\2001.1-:1. Z]r li

Ctooil.ech 11, 1954. Frrsi.o...r 1,1:ratlon. Colorlithograph on wo\ie paf<.. Ge.rgta \lliseuno[ Art. Unir.-r<.Lr o-,,o..- -.- o: \lr. a J

Mrs. Carl W Mullis III trni Carl \\'. \Iullis I\r,

class of'01. GMOA2001.12i. Zink 16

[cottorttc Dl.s..l.!sior]. 1916. tithograph on

wove paper. Georgia Museum of Art,University ol Georgla; gift of trdr. and X{rs.

Carl W Mullis III and Carl \\,'. Mullls IVclass of'01. cMoA2OO1.101. Zink l8 AAA

Iti l'|. Fr'!iri.!.ri!t, 1941. lithograph on wovepaper. Georgia Museum of Art, University ofGeorgia; gilt of Mr. and Mrs. Carl W. MullisIII and Carl \{l Mu1lis IV class of'O1.c\', A 2001.109. Zink l9

11 i:r',i:,;. 1966. 1st state. tithograph on woveDacer Ceorgia MuseJm of Afl, Universitv oICeorgid; giu o[ ]\1r. :nd lMrs. Carl W. Uuill.t.ll and Carl \V. -\4ullis tV class o['01.,,\', A 2001. l40. Zink 20

12 lr1liirs, 1966-1970.4th state, second varia-tion. Lithograph on wove paper. Georgia

Museum of Art, Unive.sity of Georgia; giftol Mr. and Mrs. Carl W. Multis lll and Carl

W. Mullis IV. class ot 'Ol. GMoA 2001.148.

Zinl< 20

l) Far lhe Lqt.,e ol Borbttra ALttt, 1942.Ljrhograph on wove pdper. Georgia Museumof Art, University of Georgia; gift of Mr. andMrs. Carl W Mullis lll and Carl W. Mullis IVclass ol '01. !\aoA 200.1.I lO. Zink 8 AAA

t4 l,:t.; I t.( :'.ti.tt. Iqbo. Lithograph on wovepaper. Georgia Museum of Art, University ofGeorgia; gift of Mr. and Mrs. Carl W MullisIII and Carl W. Mullis IV class of '01.cMoA 2001.135. Zink 24

1i Gr|l :il.rirp 1951. Lithograph on wove paperGeorgia Museum of Art, University oICeorgi;:gjJL o- Mr. and Mrs. Carl W MullisIll :no tarl W. Muljis IV, class ol 0l.,rr ,r 200l.lio. Zink 25

]b l;r r i s ir;:-r ,!.i_r, 1937. lithograph on woveDroer. C(orgid Museum of Art, Unjversily ofr-ieorgia: g'ft ol Mr. and Mrs. Cdrl W MullisIIi and Carl W'. Mullis IV class of '01.

r',,r 2001 -02. l:nk 27 AAA

li r;r,'rr /Jl,...r-, 1979. Lithograph on wove paper.

CeoLgia -\4rseum of Art, Univetsity ofGeorgia; Bilr ol Mr. and Mrs. Car[ W Mullislll ano Carl W. Mullis IV, class of '01., I'n\ 20Ol.l6J. Zink 29

lR h ; i. ( lq4b. Lirhograph on wove pdper.

Georgia Museum of Art, University ofGeorgia; gilt of Mr. and Mrs. Carl W. MullisIII and Carl W. Mullis iV class of '01.

LiM(rA 2002.78. link ]O

: ri ria:h on t\oYe

: :-i.:-::.: {ri, Lnt\,ersitv of.'.lr :.r \1:s. Carl\\i N{ul1is

. l.l: ,:: :1. .1ass ol'01.

- ' .- \:a1e. eoition 20.

- r . -TeT. Ceorgia Muscum

.. ..'. ' CcorBia gill ol Mr.

. -,... \lullis lli and Carl lN.

r<: i,f'01. GMoA 2001.129. Zink 31

Pensiue, 1950. Lithograph on paper' Georgia

Museum of Art, Univenity of Georgia;

gift of Mr. and Mrs- Carl \4/. Mullis I11 and

Carl W. Mullis I\'. class ol '01.

GM0A 2001. 1 14. Zink 49

PlafietLlr! ]]ombadment, 1951. Lithograph on

wove paper. Georgia Museum oI Art,University of Georgia; gift of Mr. and Mrs.

Carl W. Mullis IlI and Carl W. Mullis IV class

of'0]. (;\{o-{ 2001.120. Zink 51

iO Ponte i'...chj0, 1928. 1st Stale. Etching and

aquatint on wove Paper. Georgia l{useum olArt, Universitv of Georgia; gift of \'1r. and

Mrs. Carl W. Mullis IIl and Carl \\'. \Iullis I\'class of '01. t]uoa 2001.9o. Zink 21

jl Portrait oJ' Whistler, 1932. Etching on wove

paper. Georgia ll{useum of Art, University of

Georgia; gift of Mr. and Mrs. Carl W. Mullis

Lll and Carl w. Mullis IV class ol '01.

cvr)A 20t) Lqh. linl< 52

32 RembnntJt Drauing at a \\/ifidou, 1929.

Etching on wove paper. Georgia Museum ol

Art, University of Georgla; gift of Mr. and

Mrs. Carl W. Mullis IIt and Carl w. Mullis IVclass ui .0t.

GVUA 2OOl.gt. Zinl( \s

il Rjdc J Lo(( Horie. Ig40. LithogrdPh on uove

paper. Georgia Museum of Art, University of

Georgia; gih of Mr. and Mrs. Carl W. Mullis

III and Carl W Mul}is IV class of '01.

GMoA 2.,ul.lo- linl.56 AAA

34 The Ristti,1935. lithograph on lvove paper.

Georgia Museum of Art, University of

Georgia; gilt of Mr. and Mrs. Carl W. Mullis1I1 and Carl W Mullis 1V class o['01.cMoA20OI.99. Zink 7i

35 Siffa Pistoiese {Pistoiaft lc?eeJ, 1928 Etching

on wove paper. Georgia Museum ol Art,

Lniler(ill o[Ceorgir: 8i11,'l'Mr' and Mrs.

Crrl W. Mullis Illand Crrl W Mullis tV tla's

of '01. GMOA 200i.91. Zink 3l

)6 The SuPPet qL Effifia1\s,1930. lst State.

Etching on wove paper. Georgia Museum oi

Arl, University of Georgia; gift ol Mr' and

Mrs. Carl W. Mullis 1I1 and Carl \v, Mullis IV.

chss ot ,01. cNloA 20r)l q;. zinl, h()

17 The Strinfierl lg50. lithograph on wovc

papcr. Georgia Museum of Art, UniYersitv ol

ircrgir: grtr ,'l .tr4r. anJ Mrs. Carl W. Mullis

rII and Car.l W. Mullis IV class ol '01.

(,vu^ 2O0l,l lb. lirrli hl

, .. -928. 2rd state. Etching on- -- ..( rqld \luseum ofArt,:. :: Georgia; gift of Mr. and Mrs.

l.i:.::s lII and Cari W. Mullis IY- rr-roA 2001.92. Zlnk 67

- -:ll 5rh state, edition 50. Etchirg: :: : . :lf er. Georgia Museum of Art,

- ::. .:::r:1- cl Georgia; gift of Mr. and Mrs.

- :: '.: l,iuilis III and Carl W Mullis IV:.-: : - : r]l . c\'loA 2001 .97. Zink 37

- , - .:::.'rs, ).929. 4tb, state. Etching on

. r ': :n!er. Georgia Museum of Art,,:-:'.::si:r' ol Georgia; gift oI Mr. and Mrs-

-:: ','.. \lullis III and CarlW Mullis iY:-::: :i 01. GNI0A 2001.94. Zink 38

.= .-: :,: .:: t]re Suftshine, f938. I-ithographr : ....r\ e paper. Georgia Muse um of Art,,::r:rsitv of Georgia; gllt of Mr. and Mrs.

-::-'r\'. ],,lullis III and Carl W. Mullis IV:--:s: ..i'01. cI{oA 20O1.1O1. Zink 40 AAA

-r :: ,i" l's;rs, 1968. I-ithograph on wove

:::e:. Georgia Museum ofArt, University

:: Georgia; gift of Mr. and Mrs. Carl W. Mullis.:' :rd Carl W Mullis IV class of '01.

..'.'..r 1001.151. Zink 41

:. '.' i: -i",Jc, 1953. Trial prooi edition 20.

r::iograph on \{ove paper. Georgia Museum

i: .{rI, University ol Georgia; gift of Mr. and

\1:s Car] \,V. Muilis III and Car] W. Mullis IV."ass of'01- GMIIA 2001-I21. Zink 44

l- r .,; ]-t*r; 'fown€ tsauglll a Neu Sctthe. \938.

L::hograph on s'ove Paper. Georgia Museum

.ri Ari, University of Georgia; gift of Mr. and

'rlrs. Carl \\i Mullis lII and Carl W. Mullis IVciass of'01. GxloA 2001-105. Zinh 45 AAA

lS l..r ,"Iron, 1938- Lithograph on wove paper.

Georgia Museum of AIt, University of

Georgiai Bift of Mr. and Mrs (-'arl W MullisIII and Carl W. Mullis I\'. class of '01.

GVOA 200I.104. ZinL .:i .', rA

-8-

Three Graces, 1965. Lithograph on wove

paper. Georgia Museum of Art, Universityof Georgia; gift of Mr. and Mrs. Carl W.

Mullis III and Carl W. Mullis IV class of '01.

cMoA2001.142. Ziak 62

Tropical Flowers,1951. Lithograph on wove

paper. Georgia Museum of Art, Universitv ofceorgia; gift of Mr. and Mrs. Carl W. MullisIII and Carl W. Mullis IV class of '0I.cMoA 2001.118. Zink 63

Two Old Toms,1939. Lithograph on wovepaper. Georgia Museum of Art, Universityof Georgia; gift of Mr. and Mrs. Carl W.

Mullis III and Carl W. Mullis IV class of '0I.GM1A2OOL.11. Zink 64 AAA

Undine, L967. Lithograph on wove paper.

Georgia Museum of Art, University ofceorgia; gift of Mr. and Mrs. Carl W MullisIII and Carl W. Mullis IV class of '0I.cMoA 2001.150. Zink 65

Llnholy One,1950. Lithograph on wove paper.

Georgia Museum of Art, University ofceorgia; gift of Mr. and Mrs. Carl W. MullisIII and Carl W. Mullis IV class of '01.

cMoA 200I.1I3. Zink 66

Westuard (Large Portrait ol a Gifl), 1933.

Drypoint on wove paper. Georgia Museum

of Art, University of Georgia; gift of Mr.and Mrs. Carl W Mullis III and Carl W.

Mullis IV class of '01. c.NloA 2oo1.98. Zink 68

WhiLe the Sun Shines,1943. lithograph on

wove paper. Georgia Museum of Art,University of Georgia; gift of Mr. md Mrs.

Carl W. Mullis III and Cal \t'. Mullis IV,

class of '01. cMoA 200i. 1 I2. Znk 69 AAA

White Pastures.1939. Lithograph on siove

paper. Georgia Museum of Art, Universityof Georgia; gift of Mr. md Mrs. Cdl w.Mullis III and Cal W. Mulis ry class of '0LGMOA 2001.108. Zink 70 AAA

With Apologies ta Hokusdi,1965. Lithographon wove paper. Georgia Musem of Art,University of Georgia; gift of Mr. and Mrs.

Carl W. Mullis III and Carl W. Mullis IVclass of'0I. cMoA 200I.I45. zink 6

DRAWTNGS

Studl Jbr Hayride, 1946. Graphite on wove

paper. Georgia Museum of Art, Universityof Georgia; museum purchase with funds pro-vided by William U. Eiland and AndrewLadis. cMoA 2003.140

Hillside Farm, I941. Graphite, charcoal,

pen and ink, and watercolor on wove paper.

Georgia Museum of Art, University ofGeorgia; gift of Mr. and Mrs. Cal W. MullisIII and Cal W. Mullis IV class of '01.

cMoA2002.79

Sru.i _tbf Ricle a Cock Horse, 1940. Graphite

and charcoal on thin wove paper. Georgia

Musem of Art, University of Georgia; gift ofMr. md Mrs. Cal W. Mullis III and Carl W,

Mullis I\i class of '01. GMOA 200I.166

Stul', tbr Tro Old Toms, 1939. Graphite and

chacoal on thin wove paper. Georgia Museum

of Art, University of Georgia; gift of Mr. and

Mrs. Cal W. Mullis Itr md Carl W. Mullis IVclass of'01. cMoA 2001.170

Studl for While the Sun Shines, 1938-I943.

Graphite and charcoal on thin wove paper.

Georgia Museum of Art, University ofGeorgia; gift of Mr. and Mrs. Carl W. MullisIII and Carl W. Mullis IV class of '01.

cMoA 2001.17I

Study Jbr Two OLd Toms, 1939. Graphite and

charcoal on thin wove paper. Georgia Museum

of Art, University of Georgia; glft of Mr. and

Mrs. carl w. Mullis III and Carl w. Mullis IVclass of'0i. cMoA 2001.I70

Study for While the Sun Shines, i938-1943.

Graphite and charcoal on thin wove paper.

Georgia Museum of Art, University ofceorgia; gift of Mr. and Mrs. Carl W. MullisItr and Carl W. Mullis IV class of '01. cMoA

2001.171

Stu,lr jor white PastLU'es, 1939. Graphite

on wove paper. Georgia Museum of Art,University of Georgia; on temporary loan

from Cal and Maian Mullis.

PAINTINGS

Sara, 194l-1942. Egg tempera on canvas

mounted on board. Georgia Museum of Art,University of Georgia; on temporary loan fromCal and Marian Mullis.

\\'hile the Sun Shines,1945. Egg tempera on

cdnvds mounted on plywood. Ceorgia

Museum of Art, University of Georgia; on

temporary loan from Carl and Marian Mullis.

48

49

4\5I

45

)f

-9-

Ennara

Checklist numbers 49 and 51 should read as

follows:

49. Old Chris, L939. Graphite on wove paper.Georgia Museum of Arr, Universiry of Georgia; ontemporary loan from Carl and Mari.an Mullis.

51. Sar4 l94l-L942. Graphite on wove paper.Georgia Museum of Arq Universiry of Georgia; ontemporary loan from Carl and Marian Mullis.

The publications depaftment regrets chis error.