The Winter Antique - images1.bonhams.com

The Winter Antiqueand Picture SaleThursday 13 February 2014 at 11am Edinburgh

Bonhams22 Queen StreetEdinburghEH2 1JX +44 (0) 131 225 2266 +44 (0) 131 225 2547 fax

International Auctioneers and Valuers - bonhams.com

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Bonhams 1793 LimitedRegistered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

Bonhams 1793 Ltd DirectorsRobert Brooks Chairman, Colin Sheaf Deputy Chairman, Malcolm Barber Group Managing Director, Matthew Girling CEO UK and Europe, Geoffrey Davies, Jonathan Horwich, James Knight, Patrick Meade, Caroline Oliphant, Hugh Watchorn.

Bonhams UK Ltd DirectorsColin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Matthew Bradbury, Harvey Cammell, Simon Cottle, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Charles Graham-Campbell, Miranda Grant, Robin Hereford, Asaph Hyman, Charles Lanning, Sophie Law, Camilla Lombardi, Fergus Lyons,

Paul Maudsley, Gordon McFarlan, Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Iain Rushbrook, John Sandon, Tim Schofield, Veronique Scorer, James Stratton, Roger Tappin, Shahin Virani, David Williams, Michael Wynell-Mayow, Suzannah Yip.

The Winter Antique & Picture SaleThursday 13 February 2014 at 11am22 Queen Street, Edinburgh

Bonhams22 Queen StreetEdinburgh EH2 1JX+44 (0) 131 225 2266+44 (0) 131 225 2547 faxwww.bonhams.com/edinburgh

ViewingSunday 9 February 1pm to 4pmMonday 10 February 10am to 4pmTuesday 11 February 10am to 4pmWednesday 12 February 10am to 4pm Thursday 13 February 10am to 11am

Bids+44 (0) 20 7447 7448 +44 (0) 20 7447 7401 faxTo bid via the internet please visit www.bonhams.com Please provide details of the lots on which you wish to place bids at least 24 hours prior to the sale.

New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bids not being processed.

EnquiriesCarpets, Rugs & FurnitureBruce Addison +44 (0) 131 240 [email protected]

Works of Art and ClocksKenneth Naples +44 (0) 131 240 [email protected]

Paintings Iain Byatt-Smith +44 (0) 131 240 [email protected]

Sale Number: 21699

Catalogue: £10 (£12 by post)

Live online bidding isavailable for this salePlease email [email protected] “Live bidding” in the subjectline 48 hours before the auctionto register for this service.

Customer ServicesMonday to Friday 8.30am to 6pm+44 (0) 20 7447 7447

Please see back of catalogue for important notice to bidders

IllustrationsFront cover: Lot 231Back cover: Lot 144Inside front cover: Lot 191Inside back cover: Lot 284 (detail)

Sale Information

Edinburgh Salerooms22 Queen Street, EH2 1JX+44 (0) 131 225 2266+44 (0) 131 220 2547 fax

Glasgow Office176 St. Vincent Street, G2 5SG+44 (0) 141 223 8866+44 (0) 141 223 8868 fax

London101 New Bond Street, W1S 1SR+44 (0) 20 7447 7447+44 (0) 20 7447 7400 fax

Managing DirectorMiranda Grant

Chairman ScotlandSimon Miller

Valuations, Trusts & EstatesCharles Graham-CampbellGrant MacDougallGordon McFarlanAndrew RobbBelinda Treble

The Scottish SaleMiranda Grant

PicturesChris Brickley Colleen Bowen Iain Byatt-SmithGraham WoodChris Dawson (London)James Holloway (consultant)

Jewellery & SilverClare BlatherwickGordon McFarlanFiona HamiltonAlexis TortolanoLeonie ArminRachel Bailey

Asian Art Ian GlennieAsha Edwards

European Ceramics & GlassKatherine Wright

WineThomas Gilbey

Books, Manuscripts & MapsHenry BaggottFrances Campbell

Arms & ArmourAndrew RobbKenneth Naples

Furniture, Clocks, Oriental Carpets, Works of Art & Scientific InstrumentsBruce AddisonKenneth NaplesFrances Campbell David Jones (consultant)

Toys and Collectors’ ItemsNicholas Oddy (consultant)

WhiskyMartin GreenCharles MacLean (consultant)

The Sporting SaleHenry BaggottFrances Campbell

Important notice to Buyers Please note that all furniture, large works of arts, clocks & carpets not collected from the saleroom by Friday 21 February 2014 will be transferred to the warehouse of D.J. Manning transfer & storage charges will apply.

Small items £10 per week plus VAT

Large items £15 per week plus VAT

Prior to collection from D.J. Manning please contactBruce Addison on 0131 225 2266,[email protected]

Items will be stored at D.J. ManningCarridenBo’nessWest LothianEH51 9SFTel 01506 827 693Fax 01506 826 497

Sale Information

© Bonhams Scotland All rights reserved. Reproduction of catalogue and photographs, in whole or in part is prohibited without acknowledgement to Bonhams Scotland

Edinburgh Salerooms22 Queen Street, EH2 1JX+44 (0) 131 225 2266+44 (0) 131 220 2547 fax

Glasgow Office176 St. Vincent Street, G2 5SG+44 (0) 141 223 8866+44 (0) 141 223 8868 fax

London101 New Bond Street, W1S 1SR+44 (0) 20 7447 7447+44 (0) 20 7447 7400 fax

Managing DirectorMiranda Grant

Chairman ScotlandSimon Miller

Valuations, Trusts & EstatesCharles Graham-CampbellGrant MacDougallGordon McFarlanAndrew RobbBelinda Treble

The Scottish SaleMiranda Grant

PicturesChris Brickley Colleen Bowen Iain Byatt-SmithChris Dawson (London)James Holloway (consultant)

Jewellery & SilverClare BlatherwickGordon McFarlanFiona HamiltonAlexis Tortolano

Asian Art Ian GlennieAsha Edwards

European Ceramics & GlassKatherine Wright

WineThomas Gilbey

Books, Manuscripts & MapsHenry BaggottFrances Campbell

Arms & ArmourAndrew RobbKenneth Naples

Furniture, Clocks, Oriental Carpets, Works of Art & Scientific InstrumentsBruce AddisonKenneth NaplesDavid Jones (consultant)

Toys and Collectors’ ItemsNicholas Oddy (consultant)

WhiskyMartin GreenCharles MacLean (consultant)

The Sporting SaleHenry BaggottFrances Campbell

Lots 1 - 102

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1Franz Bergmann, (Austrian, late 19th/early 20th century)Two cold painted bronze figures of mounted lifeguards Each cast in full ceremonial dress with sword and carbine, reins in the left hands, stamped on the girth ‘Geschutzt’, 13cm wide, 5cm deep, 15cm high (5in wide, 1 1/2in deep, 5 1/2in high), (2)£400 - 600

2Henri Lavasseur (French, 1853-1934)Hebe Atop Jupiter’s Eagle Stamped with foundry mark to the base, 29cm wide, 14cm deep, 48cm high (11in wide, 5 1/2in deep, 18 1/2in high) £200 - 300

3Pierre le Faguays (French, 1892-died circa 1925)An Art Deco patinated bronze lamp Modelled as a reclining female nude with draped cloth and balancing a frosted glass orb concealing light fitting, green patination, on a marble base, signed ‘Fayral’ 50.5cm wide, 12.5cm deep, 34.5cm high (19.5in wide, 4.5in deep, 13.5in high) £400 - 600

4A 19th century bronze figure group depicting the young BacchusOne youth holds a basket of grapes aloft, the others recumbent, one wearing a wreath, the third playing a horn, on a naturalistically modelled base, raised on a circular yellow marble plinth, 20.5cm wide, 20.5cm deep, 31cm high (8in wide, 8in deep, 12in high) £400 - 600

5Felix Pardo de Tavera, (Filipino/Spanish, 1859-1932)Modelled in the form of a young boy standing with hands in his pockets, inscribed to the base ‘F.P de Tavera 1890, 603’, also inscribed to the base ‘C’est Mi !’, (bercks/mer), and smaller foundry marks and 1904, 9cm diameter, 28cm high (3 1/2in diameter, 11in high)£400 - 600

6Neptune taming a seahorseA 19th century bronze group Neptune is presented holding a trident, a vanquished seahorse at his feet, raised on a plinth, dark green patination, 22cm wide, 16cm deep, 63cm high (8 1/2in wide, 6in deep, 24 1/2in high) £300 - 400

In Robert Browning’s poem ‘My Last Duchess’, the speaker, thought to be the 16th century Duke of Ferrara, refers to a bronze of Neptune taming a seahorse which was cast in bronze by Claus of Innsbruck. The poem, published in 1842, was perhaps the inspiration for this group.

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An ivory figure1920’s/1930’s Carved standing, his head turned to sinister and one hand raised to his neck, on shaped ebonized base, 6cm wide, 4cm deep, 23cm high (2in wide, 1 1/2in deep, 9in high) £150 - 200

This piece is reminiscent of the images of sailors by Fernand Léger.

8Luca Madrassi (Italian, 1848-1919)White marble carved with youthful male and female heads conjoined, the male head delivering a kiss to the cheek of the other, engraved to the side ‘L Madrassi Paris’, 30 wide, 14cm deep, 28cm high (11 1/2in wide, 5 1/2in deep, 11in high) £300 - 400

9A late 19th century carved floral alabaster centerpieceCarved in the form of an acanthus and foliate encrusted twin handled urn, raised on a stepped square plinth, 21 wide, 15cm deep, 62cm high (8in wide, 5 1/2in deep, 24in high) £250 - 450

10Roland Piche (British, 1938),Little Deposition at Midnight Resin and fibreglass on a slate base, together with a Roland Piche framed study, and the 1967 exhibition catalogue, 32 wide, 21cm deep, 45cm high (12 1/2in wide, 8in deep, 17 1/2in high) £200 - 400

Provenance: with the Marlborough Gallery.

11Y

Ferdinand Preiss (1892-1943)‘Pierrette’, circa 1925 A cold painted bronze and carved ivory study, modelled as a young girl in red clown hat, wearing a red dress with ruff collar, raised on a marble base, signed in the cast ‘F.Preiss’, (repairs), 18cm high, (7” high).£1,000 - 1,500

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12Y

A 19th century Anglo-Indian engraved and stained bone jewellery casketOf rectangular form with slightly domed lid, inlaid overall with engraved and pierced rectangular panels, enclosing a green leather and velvet-lined interior with removable tray, raised on bracket feet, 27cm wide, 19cm deep, 13cm high (10 1/2in wide, 7in deep, 5in high) £500 - 700

13A George III mahogany knife boxOf bow-fronted rectangular form, the hinged lid centred with a conch shell inlay, the interior refitted for stationary, together with a black lacquered and chinoiserie decorated mantel timepiece, with 3¼ inch gilt dial with Roman numerals, 22cm wide, 26cm deep, 37.5cm high (8 1/2in wide, 10in deep, 14 1/2in high), the timepiece: 15.5cm wide, 10cm deep, 26cm high (6in wide, 3 1/2in deep, 10in high), (2)£250 - 350

14Y

A 19th century Russian bone table casketVeneered with foliate engraved, ink stained and pierced bone fretwork panels, raised on bracket feet, together with a similar example, 23cm wide, 15.5cm deep, 18cm high (9in wide, 6in deep, 7in high), and 22cm wide, 15cm deep, 16cm high (8 1/2in wide, 5 1/2in deep, 6in high), (2)£500 - 800

15An early 20th century black lacquered tea caddyOf octagonal form, with chinoiserie decoration, the interior fitted with two pewter lidded flasks engraved with foliate designs, raised on carved paw feet, 20cm wide, 13cm deep, 13cm high (7 1/2in wide, 5in deep, 5in high) £250 - 350

16A green leather Louis Vuitton bagWith two green leather carry handles, 57cm wide, 22.5cm deep, 33cm high (22in wide, 8 1/2in deep, 12 1/2in high) £200 - 300

17A Louis Vuitton navy and cream leather overnight bagWith brass hardware, two short carry handles, two exterior end pockets, luggage label, the lined interior with a zipped pocket, 42cm wide, 17cm deep, 30cm high (16 1/2in wide, 6 1/2in deep, 11 1/2in high) £150 - 200

18A Louis Vuitton tan leather overnight bagWith brass hardware, leather luggage tag, two end pockets, two short carry handles, the interior lined and with a zipped pocket, 43cm wide, 26cm deep, 28cm high (16 1/2in wide, 10in deep, 11in high) £150 - 200

19A gentleman’s Longchamp black leather weekend bagWith white metal hardware, two short loop handles, branded zipper saddle, lined interior with two pockets and branded dust cover, 45cm wide, 21cm deep, 33cm high (17 1/2in wide, 8in deep, 12 1/2in high) £80 - 120

20A green leather Mulberry holdallWith tartan lining, tan leather trim and green canvas carry handles, 75cm wide, 21cm deep, 32cm high (29 1/2in wide, 8in deep, 12 1/2in high) £200 - 250


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21A Mulberry green leather holdallUnlined, with tan leather trim, Mulberry logo and brown canvas carry handles, 56cm wide, 21cm deep, 33cm high (22in wide, 8in deep, 12 1/2in high) £150 - 200

22A Louis Vuitton A5 bark textured black filofaxTogether with an orange bark effect wallet, with dust cover, (2)£100 - 150

23A red leather Smythson A4 agenderTogether with an Aspinal red leather Blackberry case and a red ‘crocodile’ skin filofax by Louis Vuitton, (3)£150 - 200

24A Hermes brown leather agenderOf A4 size, together with a Smythson A4 ‘crocodile’ leather folio, with fitted interior and propelling pencil, (2)£500 - 700

25A collection of Louis Vuitton accessoriesOf matching green leather and comprising an agender, an A5 agender, two aide memoirs and an LV dust cover, (5)£200 - 300

26A Mont Blanc holdallOf corded green nylon with alligator skin style mounts and trim, the exterior with three pockets, the lined interior with a single zipped pocket, together with two black leather holdalls by Circa, (3)£100 - 200

27A Louis Vuitton black nylon sports bagWith brown leather loop handles, shoe compartment and external pocket, together with a grey nylon Ralph Lauren Polo sports holdall, a Ted Baker sports bag and a Mulholland canvas sports bag, (4)£100 - 200

28A Dunhill brown leather A4 folioTogether with a Smythson brown leather A4 folio, (2)£100 - 200

29A Prada canvas and yellow leather weekend bagWith white metal hardware, twin loop handles, interior lined with zipped pocket, with shoulder strap, together with a Mulholland brown and black leather Gladstone-type bag and a Hackett blue nylon holdall, (3)£150 - 200

30A Tusting brown leather holdallWith loop carry handles, exterior pocket, lined and with pocket, together with a green canvas Tusting holdall with black leather handles, a Hartmann brown leather weekend bag with brass hardware, twin loop handles, twin exterior pockets and a The Bridge brown leather overnight bag, with leather handles, exterior zipped pocket, interior mesh pocket and shoulder strap, (4)£200 - 300

31A Louis Vuitton suit carrier and matching shoe carrierWith LV monogrammed design, brass hardware and tan leather trim, the suit carrier with luggage label and integral hanger, (2)£250 - 300

32A graduated pair of Hackett sporting bagsOf brown canvas with brown leather trim and Horse and Hound 1999 tweed detail, unlined with tweed interior pockets, external pockets, carry handles and shoulder straps, (2)£100 - 200

33A collection of Simon Carter gentleman’s bagsComprising two sage-green canvas overnight bags with brown leather trim, comic strip lining and interior pockets, together with a green nylon and brown leather trimmed overnight bag with comic strip lining and pockets; and a black leather satchel with metal hardware, comic strip lining, laptop compartment and pocket, (4)£200 - 300

34A gentleman’s brown leather overnight bag by BallyWith brass hardware, together with a gentleman’s blue leather weekend bag by Bally with lined interior, inside pocket and mobile phone pocket and a black fabric and leather overnight bag by Bally with white metal hardware and lined and pocketed interior, (3)£200 - 300

35A Louis Vuitton weekend bagWith tan leather trim, brass hardware, all over LV monogrammed design, twin carry handles and external zipped pocket, 41cm wide, 23cm deep, 37cm high (16in wide, 9in deep, 14 1/2in high) £100 - 200

36A green leather Louis Vuitton holdallWith two green leather carry handles, 48cm wide, 21cm deep, 30cm high (18 1/2in wide, 8in deep, 11 1/2in high) £150 - 200

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37A Victorian silver plated oil lampConverted for electricity, with cut-glass reservoir raised on a Corinthian column, with stepped square base, 14.5cm wide, 15cm deep, 55cm high (5 1/2in wide, 5 1/2in deep, 21 1/2in high) £300 - 500

38A gilt-metal and mother-of-pearl candlestickThe acanthus moulded sconce within foliate mounts, together with a Victorian walnut tea caddy of domed rectangular form inlaid with Tunbridge bands, the interior with twin compartments and central void well, 17cm wide, 7.5cm deep, 7cm high (6 1/2in wide, 2 1/2in deep, 2 1/2in high) and 28cm wide, 14cm deep, 15cm high (11in wide, 5 1/2in deep, 5 1/2in high), (2)£80 - 120

39A pair of onyx and gilt-metal mounted table lampsConverted for electricity, each with cut-glass reservoir above a Corinthian column on an acanthus moulded square base with hairy lion paw feet, 18cm wide, 18cm deep, 69cm high (7in wide, 7in deep, 27in high) (2)£300 - 400

40An Edwardian gilt-brass standard lampCirca 1900 The fluted shaft embellished with palmettes, on circular base with acanthus carved scroll feet, 142cm high (55 1/2in high)£300 - 400

41A pair of Regency style cast iron standard lampsGreen and gold painted with dished capitals, raised on paw feet and concave bases, 109cm high 42 1/2in high) (2)£250 - 350

42A 20th century bronze table lampIn the form of an Ionic column raised on a stepped square base, 17.5cm wide, 17cm deep, 61cm high (6 1/2in wide, 6 1/2in deep, 24in high) £300 - 500


43P.G. Dodds (British, active 1825-1836)Five various miniatures A gentleman seated black frock coat inscribed to the rear ‘P.G.Dodd London 1826’, contained in a black ebonized frame with gilt-metal mounts; together with two English School examples of ladies contained within red leather covered cases; and an example attributed to Henry Edridge (British, 1769-1821), a gentleman in a blue coat, white frilled chemise, his hair powdered within a gold frame, the obverse with blue velvet; and a continental example of a gentleman in 18th century dress contained within a leather cover case, 7cm x 9cm, 8.5cm x 11.5cm, 9cm x 12cm, 4.7cm x 6cm, 6cm x 7.5cm,. (5)£300 - 400

44Y

French School, circa 1780A portrait miniature of a lady, wearing cream dress finished with green sash ribbon and a posy of flowers to her corsage, gold pendant earrings, her powdered wig worn à la conseilleur, watercolour on ivory, silver-gilt mount, 53mm, (2 1/16in) diameter.£300 - 400

Provenance: The Dyson Perrins Collection; Sothebys, London, 11 December 1958, lot 84

45Y

Samuel Collins (British, circa 1735-1768)A portrait miniature of Mr Chiseldon, wearing blue coat, black waistcoat, white chemise, stock and cravat, powdered physical wig, watercolour on ivory, signed on the obverse and dated S.C/ 1755, gilt-metal frame and fitted fish skin travelling case. Oval, 40mm (1 9/16in) high£300 - 400

46Y

English School, circa 1770A portrait miniature of a gentleman, wearing brown coat, gold embroidered waistcoat, white chemise, stock and lace cravat, his powdered wig worn en queue, watercolour on ivory, gilt-metal frame. Oval, 51mm (2in) high£300 - 400

47A US Model 1860 Cavalry Trooper’s sabre The 88.5cm blade stamped ‘Made by Ames MFc & Co Chicopee Mass’, ‘US G.W.C 1865’, regulation brass three-bar hilt, stamped ‘A.H.K’ to the pommel, ribbed leather bound grip, in its steel scabbard,£200 - 300

48A 19th century katanaWith pierced engraved iron tsuba, contained within a saya; a GRVII Army Officer’s sword; a dha in wooden rattan bound scabbard, and two kris, (5).£300 - 500

49A 19th century firangi backswordThe 80cm blade with single fuller, the iron hilt with spike, 112cm overall.£150 - 200

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50A set of six 19th century painted armorial panelsPossibly coach panels Painted with various shields and crests relating to Hugh Seymour Kerr/McDonnell, 4th Earl of Antrim, damages (6)£150 - 200

Hugh Seymour Kerr (1812-1855) was the son of Lord Mark Robert Kerr, grandson to the 5th Marquess of Lothian, and his wife Charlotte McDonnell, Countess of Antrim. After the death of his mother he adopted her name (McDonnell) and married Laura Cecilia Parker, daughter of the 5th Earl of Macclesfield.

51A 1856 type British service cavalry percussion pistol25cm barrel, border engraved lock stamped with a crown over VR Tower, an ordnance mark and dated 1861 Tower, full stock, regulation brass mounts, stirrup ramrod.£200 - 300

52A pair of Victorian polished slate urnsEach with applied foliate decoration and handles, raised on break-front bases, together with a pair of cast iron urns of campagna form, raised on stepped bases, 25cm wide, 17cm deep, 47cm high (10in wide, 6 1/2in deep, 18 1/2in high) and 15cm wide, 15cm deep, 19cm high (5 1/2in wide, 5 1/2in deep, 7in high), (4)£200 - 300

53A brass and leather club fenderSecond half 20th century The upholstered seat supported on turned spars, raised on a plinth base, 162cm wide, 51cm deep, 61cm high (63 1/2in wide, 20in deep, 24in high) £200 - 300

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54An unusual malachite and alabaster inkstand set with a Chinese ink pot Early 20th centuryThe stand formed in classic Art Deco style and mounted with pen rests and a large malachite ink bottle with small glass liner and carved with boys ascending a tree, 29cm wide, 16.5cm high, (11in wide, 6in high)£500 - 700

55A collection of 19th century beadworkIncluding a beadwork love token of heart-shaped form with central image of a male and female shaking hands, mounted with various beads and studs and embroidered slogan ‘With Best wishes’, together with a large pin cushion of lobed form with differing coloured beads, a shield-shaped purple velvet pin cushion with embroidered VR cypher and gilt-metal crown above, a pink silk and crochet mounted pink cushion, two further smaller examples, and four unfilled examples, (10).£300 - 400

56A cast composition tabletCast in simulated stone with a putto clinging to a Doric column, with a flaming urn and foliage, 56cm wide, 19cm deep, 74cm high (22in wide, 7in deep, 29in high) £150 - 200

57An early 20th century mahogany trayOf cartouche form with moulded scrolling edge and acanthus leaf carved handles, 53cm wide, 38cm deep, 3cm high (20 1/2in wide, 14 1/2in deep, 1in high) £70 - 90

58A 19th century Mauchline/tartanware snuff boxby Machir, Laurencekirk Of rectangular form, decorated on all sides with a black and red chequered pattern, the maker’s name is visible on the inside, length 8.6cm, width 4.5cm, depth 2.4cm£60 - 80

59A set of Victorian carved oak book slidesEach pierced side carved with an armorial shield, 45.5cm wide, 18cm deep, 23cm high (17 1/2in wide, 7in deep, 9in high) £150 - 200

60A 19th century European carved desk standThe vine leaf scrolling structure supporting two inkwells, with foliate stoppers and central lidded compartment surmounted by a pair of birds, together with a 19th century walnut blotter folio with gothic style brass mounts, a 19th century inlaid oak stationary rack, and a miniature 19th century rosewood étagère of three undulating shelves, on turned supports, 43cm wide, 20cm deep, 18cm high (16 1/2in wide, 7 1/2in deep, 7in high), the étagère: 43cm wide, 15cm deep, 36cm high (16 1/2in wide, 5 1/2in deep, 14in high), (4)£200 - 300

61A 19th century lacquered Chinese Export games/card boxThe lid and sides painted overall with foliate and geometric gilt designs, the lid with oval containing the Wedderburn crest of an eagle’s head, clan motto ‘Non Degener’ and monogram ‘JW’, the interior fitted with five boxes, the lids all painted with similar gilt designs and with the monogram ‘JW’, 29.5cm wide, 27cm deep, 7cm high (11 1/2in wide, 10 1/2in deep, 2 1/2in high) £150 - 250

62A small quantity of collectable itemsIncluding three Victorian mother-of-pearl and silver folding fruit knifes, three clay pipe bowls, a church warden clay pipe, an oval stone mounted silver box, a white metal pig-shaped tape measure, a Queen Victoria jubilee bone mounted pocket knife, two Victorian silver-mounted button hooks, eight various intaglios including two signed examples, a large white metal single sided medallion by Mortimer & Hunt with a male figure standing with flaming torch and Felicibvs Avspiciis X Feb MDCCCXL, Mortimer & Hunt, Benj. Wyon SC, a cased quincentenary medal for Glasgow University, a ceramic Mona Toothpaste lid, a mother-of-pearl oval box with brass mounts, a pair of gilt brass lorgnettes, a Perspex paper knife with a piece of cypress wood contained within, an iron button, a German commemorative medal, a 1986 two pound coin, a 1675 Charles II farthing, (poor order), a bronze souvenir of Rome charm, a Genealogical Society Commemorative medal, a cased Simmon’s improved sovereign balance, a bottle stopper, two toy Victorian coins, and various card match strikers, all contained within a glazed and baize-lined mahogany case, (qty).£100 - 200

63Y

A small group of spectacles, cheroot holders, belt buckles, a snuff mull, a scent bottle and a kris handleComprising: three pairs of spectacles, cased, one Mauchline ware example; a tortoiseshell spectacle case; seven cheroot holders, one 9ct gold, four cased; two belt buckles, one gilt brass, the other cloisonne; a horn snuff mull; a double ended cut-glass scent bottle; the carved wooden handle of a kris and a folding ivory ruler, (qty).£200 - 300

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64Archibald Knox for Liberty & Co., circa 1905A Tudric pewter butter dish with green glass liner and matching knife Of rounded rectangular form with Art Nouveau stylized foliate design, stamped ‘Made in England, Tudric, Liberty & Co., and no. 0316,’ 17.5cm wide, 12cm deep (6 1/2in wide, 4 1/2in deep) (2)£300 - 500

65A 19th century brass log binRaised on three lion paw feet with twin ring handles, decorated overall with repousse lions, fleur de lis and foliage, 46cm diameter, 40cm high (18” diameter, 15 1/2” high)£80 - 120

66A pair of black painted wrought iron andironsTogether with a similar large log fork and a fender with rope twist front bars, the fender: 109cm wide (4)£180 - 250

67A Victorian cast iron urnOf campagna form, decorated with floral swags and raised on a socle base, 46cm diameter, 64cm high, (18in diameter, 25in high) and a pair of sandstone square section plinths, 36cm wide, 36cm deep, 58cm high (14in wide, 14in deep, 22 1/2in high) (3)£150 - 250

68A brass alms dish, in 16th century tasteProbably 19th century The dish centre worked with a depiction of the Annunciation to the Blessed Virgin Mary, the edge stamped with floral borders, together with a late 19th/20th century hammered copper dish, with foliate borders and raised projections, 52cm and 50cm diameter, (20in and 19 1/2in diameter) (2)£80 - 120

69A pair of 19th century Japanese copper pricket candlesticksMeji Period Each domed foot repoussé decorated with chrysanthemums, on lapeted shaft with similarly decorated drip tray above, 42cm high (16 1/2in high) (2)£150 - 200

70A Tudric pewter and enamel trayProbably designed by Archibald Knox, for Liberty & Co., Of circular form with Art Nouveau stylised foliate design, 25cm diameter (9 1/2in diameter).£100 - 150

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71Of Royal interest:Five fragments of material framed as one With hand written label inscribed ‘ Pieces of the materials used in the decoration of Westminster Abbey at the Coronation of Her Majesty, Queen Victoria 28th June 1837’, each section with hand written note giving its location and use during the ceremony, contained within a modern frame, 66cm wide, 36cm high (25 1/2in wide, 14in high) £200 - 300

72Three needlework samplersAn early 19th century needlework sampler By Margaret Low Clark, worked in coloured threads, depicting the alphabet, Arabic numerals and Roman numerals and initials, the bottom section depicting a house and a church framed by two birds, potted plants and small dogs, with ‘Margaret Low Clark, Aged 10’ along the bottom, 38.8cm x 40cm, a needlework depiction, dated 1939 in the lower left corner, worked in coloured threads of Scotland with place names and small images in each region and a compass and the initials MGH in the lower left corner, 51.2cm x 37.2cm, a late 18th/early 19th century needlework sampler also in coloured threads depicting the alphabet in a small and large size, numerals and a floral pattern in the lower half of the sampler, 41cm x 18.4cm. (3)£150 - 200

73A Victorian Regimental silk bannerFor the 43rd of Foot, The Oxfordshire and Buckinghamshire Light Infantry The cream field with regimental title above a suspended hunting horn with crown above, crossed standard above an embroidered Oxfordshire Light Infantry badge, contained within a modern gilt frame, 59cm wide, 55cm high, (23in wide, 21.5in high)£80 - 120

74A sitarWith gourd kaddu, and turned kunti, inlaid with bone, 30cm wide, 16cm deep, 123cm high (11 1/2in wide, 6in deep, 48in high) £200 - 300

75A 19th century mahogany and brass violin caseProbably converted from a fowling piece case, the interior fitted for two violins lined in light purple velvet, 79cm wide, 30cm deep, 14.5cm high, (31” wide, 12” deep, 5 3/4” high).£150 - 200

76A group of violinsThe first example height 350mm (13 3/4in), with paper label inscribed ‘Roderich Paesold Bubenreuth anno 1978 mod. Nr 801’, the second example height 315mm (12 3/8in) with paper label inscribed ‘Guangzhou China’, contained in a cardboard case, the third height 310mm (12 3/16in) with paper label inscribed ‘Made in the People’s Republic of China’ contained within a skylark brand case, the fourth example height 310mm (12 3/16in) bearing a paper label inscribed ‘Parrot’, contained within a case, together with seven various bows and a small case, (12).£300 - 500

77A group of violin bowsThe first example ebonized with bone mounts, the second stamped ‘Made in Germany’, the third stamped ‘Japan’, the fourth carved ‘XXXVI’, together with four other examples, (8).£200 - 300

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78A violinheight 350mm (13 3/4in) With label inscribed Sebastian Kloz, 1762, and a German violin, height 360mm (14in) with label inscribed ‘copy of Nicolaus Amati’, (2).£300 - 400

79A violinheight 350mm (13 3/4in) with label inscribed ‘Ole Bull’, made in Germany, and a violin height 350mm (13 3/4in) by Klio, made in Germany, signed. (2)£300 - 400

80A Stroviols phono violinPopular model, with bow stamped ‘Lupot’ contained within a leatherette case,£300 - 500

81A violinheight 370mm (14 9/16in) bearing paper label, inscribed ‘Laurentius Steriom, fecit Cremona 1767’, and a light coloured violin, height 355mm (14 3/4in) with paper label, inscribed ‘Aegidius Kloz in Mitten 1796’, together with two bows, (4).£400 - 600

82A violin by Craigs, Aberdeen,Length of back 355mm (14in) Labelled ‘Craig’s celebrated high class violins Aberdeen 506-1911’, together with a German made bow and another example, contained in a case, (3).£300 - 500

83Two double leatherette violin casesA rectangular canvas covered violin case, a shaped example and a leatherette covered shaped example, (5).£200 - 300

84A cased model of the clipper ship The Kathleen and MayModelled by Commander Masters Normans DSC In full sail, with naturalistically painted sea, contained in a glazed case, sold together with a typed section of Ships Monthly dated 1970 discussing the ship and the various efforts made to restore her, 96cm wide, 26cm deep, 44.5cm high (37 1/2” wide, 10” deep, 17 1/2” high) £500 - 700

The Kathleen and May was built in 1900 by Ferguson and Baird at their Connah’s Quay, Flintshire yard for local shipping company Coppack Bros. She was originally named The Lizzie May after the Captain’s daughters. Mainly used as a coal lugger she was sold to a film company in 1960, then passed into private hands in 1966, one of several owners who wanted to restore her. In 1970 she was sold to the Maritime Museum who failed to secure the funding to restore her, she was then bought by businessman Steve Clarke who was awarded an OBE for his efforts. Based in Bideford on the River Torridge since her restoration, The Kathleen and May now regularly sails across the Bristol Channel and the Irish Sea. She has returned to Youghal.


85A mahogany cased 6½ inch black lacquered sextant by William Cary, London.Numbered 2154 on the arc and reading from -5 to 140 degrees on the silvered scale, the index arm with magnifying lens and vernier to 10 seconds, with rosewood handle with ivorine note plate, fitted with screw adjustment to the horizon mirror, three horizon and four sun shades, in a fitted mahogany carrying case, with sighting tube, telescope and inverting scope. £250 - 400

86An early 20th century brass three-drawer telescopeEngraved Broardhurst Clarkson & Co, London With extendable sunscreen and leather case, together with a brass black lacquered box sextant engraved ‘Troughton & Simms, London’ with silvered 0 to 140 degrees scale and vernier, magnifier, rack and pinion adjustment, in brass drum case and leather carrying case, 5cm diameter, 76cm extended, and 7cm diameter, (1 1/2” diameter, 29 1/2” extended and 2 1/2” diameter) (2)£200 - 300

87A 19th century brass 2 inch table telescope Engraved Dollond LondonThe brass tube with focusing knob raised on tapering brass column above folding tripod base, in mahogany case with various accessories, 6cm diameter, 96cm long, (2” diameter, 37” long) £200 - 300

88An early 20th century compound binocular cased microscopeBy Carl Zeiss, Jena 202948 The steel frame with black lacquered finish engraved ‘L.U.A.D 1927’, bearing paper label inscribed ‘Property of Dept Agriculture Entomology’, contained in an oak case with some accessories, 14cm wide, 20cm deep, 39cm high, (5.5” wide, 7.5” deep, 15.5” high), together with a late 19th century compound monocular ‘Continental Model VIa’ cased microscope, by Carl Zeiss, Jena, c.1897, No. 35307, the lacquered brass frame tilting on a spur-shaped base, rack and pinion fine focusing, double objective, fixed stage, the case 32cm high (12.5” high) (2)£200 - 400

89A pair of Second World War 10 X 80 Flak Binoculars by Josef Schneider, KreuznachEngraved to the side ‘D.F. 10 x 80 dkl “KF”, 17120, 20cm wide, 29cm deep, 15cm high (7 1/2” wide, 11” deep, 5 1/2” high) £200 - 400

90A 19th century mahogany Post Office wall clockThe 12 inch white circular enamel dial with Roman numerals inscribed to the dial ‘GPO’, the single chain fusee movement contained within a mahogany case, together with a 19th century mahogany cased wall clock, the 8½ inch white painted dial with Roman numerals inscribed ‘Jos. Rombach & Cie Anderell’, the twin weight driven movement striking a bell, contained with a mahogany case, 41cm wide, 14.5cm deep, 38cm high, (16” wide, 5 1/2” deep, 14 1/2” high), and 32cm wide, 21cm deep, 31cm high, (12 1/2” wide, 8” deep, 12” high), (2)£200 - 300

91A late 18th century oak hooded Dutch wall clockThe 11½ inch arched painted dial decorated with a depiction of a gentleman fishing beside a canal and a windmill, the spandrels decorated with gilt foliage, with Roman and Arabic numerals, central alarm set dial and twin drive train movement, contained within an arched hood with moulded pediment and slightly canted angles, above a trunk with shaped base and bracket support, the glazed pendulum viewing aperture with pierced brass depiction of an seated angel, 36cm wide, 22cm deep, 120cm high, (14” wide, 8.5” deep, 47” high)£400 - 600

92Y

An 19th century brass skeleton clockThe 4½ inch silvered chapter ring with Roman numerals, the single chain drive fusee movement with anchor escapement and six knopped pillars, raised on a rosewood oval base mounted on a mahogany plinth, with glass dome, 31.5cm wide, 15cm deep, 40cm high, (12” high, 5 1/2” deep, 15 1/2” high).£400 - 600

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93An early 20th century mantel clockThe 4 inch silvered dial with engine turned centre and Arabic numerals, the twin drive train movement stamped ‘Made in France’ striking a bell, contained within a black lacquered chinoiserie decorated case surmounted by a swing handle, raised on a moulded plinth with bracket feet, 19cm wide, 12cm deep, 27cm high, (7” wide, 4 1/2” deep, 10” high)£300 - 500

94A large George III style quarter striking bracket clockInscribed Selfe Worcester, late 19th century The 7 inch arched brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary chime/silent, chime on eight bell/Westminster chimes dials within applied pierced spandrels and matted dial centre, the triple drive train movement quarter striking on an array of bells and a gong, contained in an impressive ebonized case surmounted by flaming urn finials and applied metal swags, with canted swing handles and pierced song apertures with gilt-metal grilles, on a moulded plinth with scrolling feet, 47cm wide, 28cm deep, 75cm high, (18 1/2” wide, 11” deep, 29 1/2” high)£1,500 - 2,000

95A William IV mahogany lancet shaped mantel clockThe dial inscribed Thomas Strange and Son, The 4½ inch white enamel dial with Arabic and Gothic Roman numerals, inscribed ‘Thoms Strange & Son clock maker to his R.H. Ye Duke of Clarence, Kingston,’ the twin drive train movement striking a bell, boldly engraved to the back plate ‘Thomas Strange, Kingston’ contained within a lancet-shaped case with ebony lines and lion mask handles, raised on a stepped plinth with brass ball feet, 18.5cm wide, 12.5cm deep, 32.5cm high, (7” wide, 4 1/2” wide, 12 1/2” high).£1,500 - 2,000

This clock featured in ‘Antique Clocks’ July 1989, in an article written by Felix Hudson, and is sold with a photocopy of the article.

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96A George I and later brass mounted ebonized bracket clockDial inscribed William Mathews, London, the movement engraved Thomas Best, London The 9½ inch circular white enamel dial with Roman and Arabic numerals, inscribed William Mathews, London, with date hand, subsidiary strike/silent and advance retard dial, on a polished gilt-brass arched face plate with pierced floral spandrels, the twin drive train movement with verge escapement and knopped pillars striking a bell, the back plate profusely engraved with foliage, contained within an arched ebonized case surmounted by a handle, the sides mounted with pierced panels, on brass base and ogee bracket feet, 37cm wide, 27cm deep, 50cm high (14 1/2in wide, 10 1/2in deep, 19 1/2in high). £3,000 - 5,000

97A Regency mahogany repeating bracket clockInscribed H Griffiths, Birmingham The 7½ inch white enamel dial with Roman numerals, the twin drive train movement striking a bell, contained within a rectangular case with arched top and gadrooned detail, with brass ring handles and pierced brass fretwork sides, raised on a plinth with brass bun feet, 30cm wide, 15cm deep, 40cm high, (11.5” wide, 5.5” deep, 15.5” high)£400 - 600

98Of Royal Interest: A mid-20th century walnut quarter striking bracket clockRetailed by Garrard & Co. Ltd, 112 Regent Street, London The dial inscribed Elliott clock company, the 6¾ inch arched dial with silvered Arabic and Roman chapter ring, chime/silent lever, the triple drive train movement striking an array of gongs and night silence mechanism, contained within a walnut case surmounted by a swing handle, raised on a moulded plinth with brass bracket feet, the case front with applied rectangular plaque engraved ‘To J Ainslie from The Queen and the Duke of Edinburgh, 1960’, 25.5cm wide, 16cm deep, 32cm high, (10” wide, 6” deep, 12 1/2” high).£300 - 400

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99An early 20th century mahogany miniature longcase clockThe 6½ inch arched dial with Roman and Arabic numerals and applied pierced spandrels, the triple drive train movement striking an array of gongs, contained within a swan-neck hood above a trunk with shaped and moulded door with quarter fluted columns, on a canted box base with ogee feet, 26.5cm wide, 20cm deep, 152cm high, (10” wide, 7 1/2” deep, 59 1/2” high)£400 - 600

100An 18th century mahogany, oak and line inlaid longcase clockInscribed Pattison, Halifax The 14 inch arched enamel dial with Roman and Arabic numerals, moon phase to the dial arch and subsidiary seconds and date dials, the spandrels decorated with the seasons, the twin drive train movement striking a bell, contained within a hood with swan-neck pediment, square boxwood-lined tapering columns above a trunk with shaped door centred with an inlaid urn, raised on a box base with bracket feet, 49cm wide, 23cm deep, 240cm high, (19” wide, 9” deep, 94” high)£450 - 600

101A George III and later marquetry inlaid longcase clockEngraved J Wilkinson, Wigton The 13 inch brass dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the dial centre matted and engraved with basket of fruit, the dial arch with applied disk engraved Dumspatas Fugio, the twin drive train movement striking a bell, contained within a swan-neck hood with fluted columns, above a trunk with canted angles and shaped door, heavily inlaid overall, raised on a box base and ogee bracket feet, 52cm wide, 25cm deep, 225cm high, (20” wide, 9 1/2” deep, 88 1/2” high).£700 - 900

102A 19th century mahogany longcase clockWilliam Pringle, Edinburgh The 13 inch arched and painted dial depicting a church in a pastoral landscape, with Roman numerals, subsidiary seconds and date dial, the twin drive train movement striking a bell, contained within a hood with swan-neck pediment and reeded columns, above a trunk with moulded door and reeded quarter columns, raised on a box base with bracket feet, 52cm wide, 23cm deep, 214cm high (20” wide, 9” deep, 84” high)£300 - 500

99


Lots 103 - 362

20 | Bonhams

103William McTaggart, RSA RSW (British, 1835-1910)Portrait of Mary McTaggart, the Artist’s First Wife indistinctly inscribed and dated (lower centre) oil on canvas 91 x 64cm (35 13/16 x 25 3/16in).£1,000 - 1,500

PROVENANCE: Mr and Mrs James L Caw, Edinburgh EXHIBITED: Edinburgh, National Galleries of Scotland, William McTaggart Exhibition, 1989, cat.no.58 LITERATURE: Sir James L. Caw, William McTaggart, - A Biography and an Appreciation, James Maclehose & Sons, Glasgow, 1917, p.252 Mrs McTaggart, née Mary Holmes, died of illness in December of 1884, following the death of McTaggart’s mother in November. Caw writes (p.90) ‘her sympathetic and serene nature, forming a perfect foil to his ardent and eager spirit, with its inclination to impetuosity, had secured for him, amid the trials and misunderstandings seemingly inseparable from the career of a real creative artist, a home atmosphere peculiarly well suited for his development both as an artist and a man.’

104British School, (19th century)Bust length portrait of a lady in a bronze dress oil on canvas 73.5 x 60cm. (28 15/16 x 23 5/8in.)£300 - 500

105Sir John Baptist de Medina (Brussels 1659-1710 Edinburgh)Lady Susan Hamilton bears inscription ‘Lady Susan Hamilton’ (lower right) oil on canvas, oval 74 x 64cm (29 1/8 x 25 3/16in).£1,000 - 1,500

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105

107


106John Oliphant, 19th centuryFull length portrait of a young boy signed and dated ‘John Oliphant 1846’ (lower right) pastel heightened in white 49 x 42cm (19 5/16 x 16 9/16in). together with two other framed pastels, one by the same hand and one oval. (3)£350 - 450

107Richard James Lane (British, 1800-1872)The Princess Victoria pencil and watercolour 16 x 16cm (6 5/16 x 6 5/16in).£300 - 400

108After Bartolomé Esteban MurilloSt Peter and the Lamb oil on canvas 173.5 x 118cm (68 5/16 x 46 7/16in). unframed£700 - 1,000

109Follower of Alexander Nasmyth Taymouth Castle oil on canvas 70 x 90cm (27 1/2 x 35 3/8in).£2,000 - 3,000

110English School (18th century)A French three-masted warship and further ships of the line oil on canvas 40 x 54.5cm (15 3/4 x 21 7/16in).£500 - 700

111Percival Skelton (British, active 1850-1861)Sweetheart Abbey, Dumfries signed ‘Percival Skelton’ (lower right) watercolour, en grisaille 13.5 x 34.5cm (5 5/16 x 13 9/16in). together with another entitled ‘Loch an Eilein, Inverness-shire’ (2)£300 - 500

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112Waller Hugh Paton, RSA RSW (British, 1828-1895)Haystacks, possibly Arran signed with monogram and dated 1864 (lower right) watercolour, lunette 6.5 x 13.5cm (2 9/16 x 5 5/16in). and another similar of a cottage on the coast (2)£600 - 800

113Circle of Horatio McCulloch, RSA (British, 1805-1867)A Scottish loch landscape with castle, thought to be Inveraray signed with initials ‘WM 1860’ (lower right) oil on panel 39 x 60cm (15 3/8 x 23 5/8in).£600 - 800

114Manner of John Russell GreigBoats at harbour oil on board 25.5 x 31.5cm (10 1/16 x 12 3/8in). a pair (2)£500 - 700

115Manner of Patrick NasmythCottage on the lake oil on canvas 41 x 61cm (16 1/8 x 24in).£500 - 700

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116J. van Marcke (1801-1875)Watching the Stream signed and dated ‘J Van Marcke 1837’ (lower right) oil on canvas 89 x 79cm (35 1/16 x 31 1/8in).£800 - 1,200

117Circle of Alexander Nasmyth (Edinburgh 1758-1840)Dumbarton Rock oil on panel 45 x 57.5cm (17 11/16 x 22 5/8in).£2,000 - 3,000

118Joseph Denovan Adam Jnr (British, active 1900-1931)A Highland Mother signed ‘J Denovan Adam’ (lower left) oil on panel 17.5 x 25cm (6 7/8 x 9 13/16in).£300 - 500

119John Campbell Mitchell, RSA (British, 1862-1922)Sheep at pasture signed ‘J Campbell Mitchell’ (lower right) oil on panel 19 x 34cm (7 1/2 x 13 3/8in).£400 - 500

120Thomas Corson Morton (British, 1859-1928)Calves grazing in a sunny wooded landscape signed ‘T Corsan Morton’ (lower right) oil on canvas 39.5 x 49.5cm (15 9/16 x 19 1/2in).£300 - 500

121British School, 19th centuryTerrier oil on canvas 25.5 x 30.5cm (10 1/16 x 12in).£500 - 700

122George Manson (British, 1850-1876)Smuggler’s rest signed and dated ‘G Manson 74’ (lower right) watercolour 38 x 27cm (14 15/16 x 10 5/8in).£500 - 700

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123Flemish School, 19th centuryA Pair of Street Scenes signed indistinctly oil on panel 34 x 26.5cm (13 3/8 x 10 7/16in). a pair (2)£700 - 1,000

124Robert Gemmell Hutchison, RSA RBA ROI RSW (British, 1855-1936)His First Smoke signed ‘R G Hutchinson’ (lower right) oil on canvas 21 x 13cm (8 1/4 x 5 1/8in).£1,000 - 1,500

125J.A. Henderson Tarbet (British, 1865-1938)The Coast at Aberdour, Fife signed ‘Henderson Tarbet’ (lower right) titled on a label attached (verso) watercolour 24 x 34cm (9 7/16 x 13 3/8in).£400 - 600

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126Frederick Arthur Bridgman (American, 1847-1928)The meeting place signed and dated ‘F A Bridgman 1872’ (lower left) oil on canvas 37 x 47cm (14 9/16 x 18 1/2in).£1,500 - 2,000

Frederick Arthur Bridgman (1847–1928) was born in Tuskegee, Alabama. A pupil of the Brooklyn Art Association and the National Academy of Design, he went to Paris in 1866, and in 1867 he entered the studio of the noted academic painter Jean-Léon Gérôme (1824–1904). He was deeply influenced by Gérôme’s precise draftsmanship, smooth glazes, and interest in Orientalist themes. Although he spent most of his time either travelling in the Middle East or in France, he became one of the most popular painters in his home country and this has not waned.

127Attributed to Alexander Fraser Jnr RSA RSW (British, circa 1828-1899)Woodland Forrest oil on canvas 26.5 x 36cm (10 7/16 x 14 3/16in).£1,200 - 1,800

128John Knox (British, 1778-1845)View from Ambleside signed ‘J Knox’ (lower right), bears inscriptions (verso) oil on canvas 28 x 47cm (11 x 18 1/2in).£700 - 1,000

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129No lot

130William Simpson (British, 1823-1899)Dunrobin Castle watercolour 33.5 x 50cm (13 3/16 x 19 11/16in). Engraved for the Illustated London News, Sept 1866£1,500 - 2,000

131Charles Haslewood Shannon R.A. (British, 1863-1937)Embroidering signed and dated with initials ‘CS 1897’ (upper right) oil on canvas laid on board 28.5 x 28.5cm (11 1/4 x 11 1/4in).£800 - 1,200

132Tomson Laing (British, active 1890-1904)The Ford signed ‘Tomson Laing’ (lower left) further signed to exhibition label (verso) oil on canvas 19 x 24cm (7 1/2 x 9 7/16in).£600 - 800

EXHIBITED: Elgin, Arts and Crafts Exhibition, 1903

133Pollok Sinclair Nisbet, ARSA RSW (British, 1848-1922)Interior Church of Jerusalem, Bruges signed ‘Pollock Sinclair Nisbet RSW/1892’ (lower left) oil on canvas 44 x 54cm (17 5/16 x 21 1/4in).£500 - 700

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134AR

Erskine Nicol, RSA, ARA (British, 1825-1904)Her Ain Bairn signed and dated ‘Nicol 1887’ (lower right) watercolour 28.5 x 41cm (11 1/4 x 16 1/8in).£600 - 800

135AR

James Kay RSA RSW (British, 1858-1942)Yacht at port signed ‘James Kay’ (lower right) watercolour 30.5 x 23cm (12 x 9 1/16in).£500 - 700

136*

William Skeoch Cumming (British, 1864-1929)Crossing the Vaal - South Africa signed and dated ‘W Skeoch Cumming/1903’ (lower left) watercolour 35 x 59cm (13 3/4 x 23 1/4in).£1,000 - 1,500

137British School, 19th centuryAn album of watercolours and drawings depicting scenes of France and Italy, some dated and initialled£200 - 300

138British School, 19th centuryLady with King Charles spaniel watercolour 23 x 20cm (9 1/16 x 7 7/8in).£200 - 300

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139John Crawford Wintour ARSA (British, 1825-1882)Dunkeld, the Tay from Craigiebarns signed with initials and dated ‘J.C.W./1868’ (lower left) oil on canvas 60 x 90cm (23 5/8 x 35 7/16in).£3,000 - 5,000

139


140David Fulton, RSW (British, 1848-1930)The Fishing Monk signed ‘D Fulton R.S.W (lower left) oil on canvas 61 x 41cm (24 x 16 1/8in).£700 - 1,000

141David Fulton (British, 1848-1930)Man with bird signed ‘D Fulton R.S.W’ (lower left) oil on canvas 51 x 41cm (20 1/16 x 16 1/8in).£700 - 1,000

142James Giles, RSA (British, 1801-1870)Lago Di Como signed and dated ‘J Giles 1825’ (lower right) watercolour and pencil 24.5 x 41cm (9 5/8 x 16 1/8in).£400 - 600

143James Giles, RSA (British, 1801-1870)Baiae signed and dated ‘J Giles 1825’ (lower right) watercolour and ink 24.5 x 42cm (9 5/8 x 16 9/16in).£400 - 600

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144John Jack (Scottish, active 1879-1891)Newhaven Harbour signed and dated ‘J Jack 1879 (lower left) oil on canvas 59 x 125cm (23 1/4 x 49 3/16in).£1,000 - 1,500

145Continental School, 19th centuryLake Garda, Italy oil on canvas 43.5 x 77cm (17 1/8 x 30 5/16in).£400 - 600

146John MacWhirter, RA HRSA RI RE (British, 1839-1911)Alpine village signed ‘Mac W’ (lower left) further signed to exhibition label (verso) watercolour 39.5 x 54.5cm (15 9/16 x 21 7/16in).£300 - 400

EXHIBITED: London, Leicester Galleries, 1911

147After Peter De WintGathering Hay watercolour 25 x 35.5cm (9 13/16 x 14in).£150 - 200

148Italian School, 20th centuryVilla on the lake signed ‘Filf Caldini’ (lower right) oil on canvas 51 x 70cm (20 1/16 x 27 9/16in).£400 - 600

149AR

John Murray Thomson, RSA RSW PSSA (British, 1885-1974)An October Day signed ‘J. Murray Thomson’ (lower right), further inscribed to artist’s label attached (verso) oil on canvas 50.5 x 76cm (19 7/8 x 29 15/16in).£200 - 300

PROVENANCE: Sotheby’s 19.4.1999, Lot 214 Mrs F.J. Steven, 1971 EXHIBITED: Edinburgh, Royal Scottish Academy, 1971, no.215

150Charles Cottet (French, 1863-1924)Rays of evening signed ‘Ch. Cottet’ (lower right) oil on board 29 x 35cm (11 7/16 x 13 3/4in).£100 - 150

151John Gutteridge Sykes (British, born 1866)Harbour Scene signed ‘J G Sykes’ (lower right) watercolour 49 x 73cm (19 5/16 x 28 3/4in).£180 - 220

144


152Circle of Joseph Farquharson, RA (British, 1846-1935)A Joyless Winter’s Day oil on canvas 46.5 x 74cm (18 5/16 x 29 1/8in).£600 - 800

PROVENANCE: With David Cross Gallery, Bristol

153AR

George Houston RSA RSW RGI (British, 1869-1947)West Lynn, Dalry bears signature (lower right) oil on board 54.6 x 60.9cm (21 1/2 x 24in).£1,200 - 1,800

EXHIBITED: Caledonian Club, London (on loan) West Lynn, Dalry dates from the end of Houston’s career in the 1930s or 1940s. By now his style was less realist and more painterly and he concentrated on colour and light rather than substance and form.

154Eric Harold Macbeth Robertson (British, 1887-1941)Study of figures dancing and flying in an architectural setting pencil and watercolour 56 x 77cm (22 1/16 x 30 5/16in). unframed£300 - 500

155Eric Harold Macbeth Robertson (British, 1887-1941)Family in a farm landscape signed and dated ‘Eric Robertson 1919’ (lower right) pencil 64 x 11cm (25 3/16 x 4 5/16in). unframed£400 - 600

152

153

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156James Stuart Park (British, 1862-1933)Pink roses signed ‘Stuart Park’ (lower right), oil on canvas, oval 58 x 47cm (22 13/16 x 18 1/2in).£800 - 1,200

156AJames Stuart Park (British, 1862-1933)Cream and Red Roses signed ‘Stuart Park’ (twice, lower left) oil on canvas 75 x 60 cm. (29 1/2 x 23 5/8 in.)£500 - 700

157AR

Katherine (Kate) Cameron, RSW RE (British, 1874-1965)The Mermaid Rose signed ‘K Cameron’ (lower left) further inscribed and signed to artist’s label (verso) watercolour 49 x 38cm (19 5/16 x 14 15/16in).£700 - 1,000

158No lot

157

156

156A


159AR

John Houston, OBE RSA RSW RGI SSA (British, 1930-2008)Sunflowers signed ‘Houston’ (lower right), inscribed ‘John Houston/Sunflowers’ (on stretcher) oil on canvas 60 x 75cm (23 5/8 x 29 1/2in).£2,500 - 3,500

EXHIBITED: Stenton, The Macaulay Gallery, 1981

160AR

Perpetua Pope (British, 1916-2013)Scarlett’s Posy signed ‘Perpetua Pope’ (lower left) oil on canvas 40.5 x 50.5cm (15 15/16 x 19 7/8in).£600 - 800

161AR

Perpetua Pope (British, 1916-2013)Hellebores signed ‘Perpetua Pope’ (lower left) oil on board 38.5 x 28.5cm (15 3/16 x 11 1/4in).£400 - 600

162AR

Jane Soeder (British, born 1934)Late Flowers signed ‘Soeder’ (lower left) further signed, inscribed and dated ‘Late Flowers / J Soeder 1990’ (verso) oil on board 29.5 x 24cm (11 5/8 x 9 7/16in).£300 - 500

159

34 | Bonhams

163AR

Douglas Falconer (British, 1913-2004)Glen Nevis and Loch Afric signed ‘Douglas Falconer’ (lower left and right respectively) and titled (verso) oil on canvas, 50 x 40cm (19 11/16 x 15 3/4in). a pair (2)£600 - 800

164AR

Douglas Falconer (British, 1913-2004)Ben Venue and Loch Achray signed ‘Douglas Falconer’ (lower right) further inscribed and signed (verso) oil on canvas 46 x 61cm (18 1/8 x 24in).£600 - 800

165AR

Henry John Sylvester Stannard, RBA (British, 1870-1951)Driving the flock signed ‘Sylvester Stannard R.S.A’ (lower left) watercolour 31.5 x 53.5cm (12 3/8 x 21 1/16in).£600 - 800

166Mason Hunter A.R.S.A (British, 1854-1921)The Morning Tide signed ‘Mason Hunter’ (lower left) further signed and inscribed (verso) oil on canvas 62.5 x 74.5cm (24 5/8 x 29 5/16in).£400 - 600

165

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167AR

James McIntosh Patrick RSA ROI ARE LLD (British, 1907-1998)Longforgan Station signed ‘McINTOSH PATRICK’ (lower left) watercolour 40 x 30cm (15 3/4 x 11 13/16in).£600 - 900

168AR

James McIntosh Patrick RSA ROI ARE LLD (British, 1907-1998)Old Harbour, Kyle of Tongue signed ‘McINTOSH/PATRICK’ (lower right), inscribed and signed ‘OLD HARBOUR/KYLE OF TONGUE/J McINTOSH PATRICK (verso) oil on canvas 41 x 55.5cm (16 1/8 x 21 7/8in).£3,000 - 5,000

169AR

Donald Shearer (British, born 1925)Ferry at daybreak signed ‘Donald Shearer’ (lower right) gouache 50 x 71cm (19 11/16 x 27 15/16in).£1,200 - 1,600

170AR

Donald Shearer (British, born 1925)Sunset at Morar signed ‘Donald Shearer’ (lower right) oil on canvas 61 x 91.5cm (24 x 36in).£1,200 - 1,600

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170

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36 | Bonhams

171AR

Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981)Atlantic Surf signed ‘W MacTaggart’ (lower right) oil on board 20 x 27cm (7 7/8 x 10 5/8in).£1,500 - 2,000

172AR

David McLeod Martin, RSW RGI SSA (British, born 1922)Beached Boat Bute signed ‘David M.Martin’ (lower right) oil on canvas 61 x 73cm (24 x 28 3/4in).£700 - 1,000

173AR

Mary Nicol Neill Armour (British, 1902-2000)Lemon on a Plate signed and dated ‘60 MARY ARMOUR’ (lower right), signed and inscribed with title on artist’s label (verso) oil on canvas 81 x 50.5cm (31 7/8 x 19 7/8in).£2,500 - 3,000

EXHIBITED: Edinburgh, The Royal Scottish Academy, 1961, cat.no.25

171

172

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174AR

Sir Robin Philipson RA PRSA FRSA RSW RGI DLitt LLD (British, 1916-1992)Bowl of Fruit signed ‘Robin Philipson’ (on backboard) pastel 22 x 39cm (8 11/16 x 15 3/8in).£600 - 800

EXHIBITED: Edinburgh, Aitken Dott, April 1973, cat.no.52

175Sir David Murray, R.A., R.S.A., P.R.I., R.S.W. (British, 1849-1933)Village in Normandy signed and dated ‘David Murray/85’ (lower right) watercolour laid on canvas 44.5 x 29cm (17 1/2 x 11 7/16in).£400 - 600

176AR

William Crosbie, RSA RGI (British, 1915-1999)The Magic Carpet signed and dated ‘Crosbie/XC’ (lower right), inscribed ‘The Magic Carpet/Crosbie/MCMXC’ (verso) oil on canvas laid on panel 30 x 58cm (11 13/16 x 22 13/16in).£1,000 - 1,500

174

176

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38 | Bonhams

177AR

Mary Armour, RSA RSW (British, 1902-2000)Spring Flowers signed and dated ‘Mary Armour 1981’ (lower right) pastel 35 x 38cm (13 3/4 x 14 15/16in).£700 - 1,000

PROVENANCE: With the Macaulay Gallery, Stenton

178AR

David Alan Redpath Michie, RSA RGI FRSA(Scot) (British, b.1928)Chinese State Circus- Acrobats and Chairs signed ‘David Michie’ (lower left) oil on canvas 36 x 46cm (14 3/16 x 18 1/8in).£500 - 700

179AR

John Houston OBE RSA RSW RGI SSA (British, 1930-2008)Still life with pineapple signed ‘Houston’ (lower right) oil on canvas 49.5 x 74.5cm (19 1/2 x 29 5/16in).£600 - 800

178

177

179


180AR

Tim Thompson (born Hull, 1951)Sir Thomas Lipton’s America’s Cup challenger “Shamrock” being saluted off the Statue of Liberty at dusk, 1899 signed ‘Tim Thompson’ (lower right) oil on canvas 45 x 60.5cm (17 11/16 x 23 13/16in).£1,500 - 2,000

181AR

Tim Thompson (born Hull, 1951)Neck and neck in heavy seas offshore signed ‘Tim Thompson’ (lower right) oil on canvas 56 x 76.5cm (22 1/16 x 30 1/8in).£1,500 - 2,000

182AR

Tim Thompson (born Hull, 1951)“Thetis” entering Newport harbour signed ‘Tim Thompson’ (lower left) oil on panel 24 x 29cm (9 7/16 x 11 7/16in).£700 - 1,000

183AR

Tim Thompson (born Hull, 1951)A cutter of the Royal Belgium Yacht Club leads a cutter of the Yacht Club D’Anvers signed ‘Tim Thompson’ (lower right) oil on canvas 31 x 41cm (12 3/16 x 16 1/8in).£500 - 700

184AR

Tim Thompson (born Hull, 1951)French six metre yacht, cruising in company with a four masted clipper signed ‘Tim Thompson’ (lower left) oil on canvas 20.5 x 26cm (8 1/16 x 10 1/4in).£300 - 500

185AR

Tim Thompson (born Hull, 1951)An American yacht running past the Sandy Hook lightship signed ‘Tim Thompson’ (lower left) oil on board 14.5 x 19.5cm (5 11/16 x 7 11/16in).£300 - 500

186AR

Tim Thompson (born Hull, 1951)Sailing boats on calm water signed ‘Tim Thompson’ (lower right) oil on canvas 25.5 x 30.5cm (10 1/16 x 12in).£250 - 350

181

183

182

180

40 | Bonhams

187AR

Stuart Luke Gatherer (British, born 1972)The Geographers signed ‘Stuart Gatherer’ (lower right) oil on canvas 76 x 66cm (29 15/16 x 26in).£1,000 - 1,500

PROVENANCE: With Portland Gallery, London

188AR

Douglas Swan (American, 1930-2000)Ferryden signed ‘D Swan’ (lower left) and further inscribed, signed and dated ‘Ferryden/Douglas Swan 69’ (verso) gouache 34.5 x 55cm (13 9/16 x 21 5/8in).£700 - 1,000

189AR

William Findlay (Scottish/American, 1875-1960)Preparing the boats oil on panel 25.5 x 34.5cm (10 1/16 x 13 9/16in).£300 - 500

188

187

189


190AR

Annie French (British, 1872-1965)Green is Forsaken and Yellow Forsworn and Blue is the Colour True Love to Adorn (Folklore) inscribed with title (centre) ink and watercolour on card 24 x 32.5cm (9 7/16 x 12 13/16in). unframed£700 - 1,000

191AR

John Rankine Barclay (British, 1884-1962)The Golfer signed in pencil ‘John R Barclay’ (lower right) etching 19.5 x 20cm (7 11/16 x 7 7/8in).£200 - 300

192AR

Mardi Barrie (British, 1931-2004)A stretch of winter signed and dated ‘Mardie Barrie/44’ (lower left) further inscribed ‘A Stretch of Winter’ (on frame) oil on canvas 75 x 100cm (29 1/2 x 39 3/8in).£300 - 500

193AR

Donald Watson (British, 1918-2005)Duck Pond signed ‘Donald Watson 53’ (lower left) gouache 25 x 35cm (9 13/16 x 13 3/4in).£400 - 600

194AR

Denzil Smith (British)American ship in full sail signed ‘Denzil Smith’ (lower right) oil on canvas 60 x 90cm (23 5/8 x 35 7/16in).£600 - 800

191

190

42 | Bonhams

195After William DaniellThree views of India titled Thebet Mountains, Distant View of the Mootee Thurna and Tomb of the Moorish Lady, Bengal aquatint (3)£600 - 800

196Follower of Thomas Daniell, RA (British, 1749-1840)An Indian Palace pencil and watercolour 15 x 23cm (5 7/8 x 9 1/16in).£150 - 200

197AR

Charles William Cain (British, 1893-1962)Four drypoint etchings of South East Asia (4)£100 - 200

198 - 201No lots

195

195

195


202A Caucasian rugThe madder field divided by serrated lozenges enclosing flowers, within multiple ivory and and madder guard stripes, (195cm x 129cm)£200 - 300

203A red Turkey carpetWith three rows of conjoined medallions within green and blue guard stripes, (531cm x 340cm)£400 - 600

204A Caucasian runnerThe red field decorated with various coloured medallions, within multiple ivory and pistachio guard stripes, (310cm x 106cm)£300 - 500

205A north west Persian rugThe ivory field all over decorated with stylized flowers and foliage within salmon-pink and blue guard stripes (214cm x 152cm), and a Kashan prayer rug, the burgundy field with a vase of flowers and an urn within ivory spandrels and multiple guard stripes, (repairs and areas of concentrated wear), (191cm x 107.5cm), (2)£200 - 400

206A north west Persian rugThe indigo field with three rows of medallions within madder and ivory guard stripes, (repairs), (269cm x 160cm); a Tekke Turkoman rug, the madder field with three rows of indigo and ivory guls, within multiple guard stripes, (227cm x 133cm); and a Hamadan rug, the blue field decorated with stylized flowers and serrated motifs within multiple guard stripes, repairs, (179cm x 105cm) (3)£400 - 600

204

44 | Bonhams

207A north west Persian rugThe indigo field with central medallion, sky blue spandrels within a salmon pink border decorated with stylized flowers, (208cm x 151cm)£200 - 300

208A west Persian runnerThe madder field decorated with rows botehs, some areas of concentrated wear, (481cm x 98cm)£300 - 500

209A large woolen carpet of European designThe salmon field with central ivory and floral medallion within ivory and green foliate guard stripes, (534cm x 363cm)£300 - 500

210A Kashan RugThe blue field all-over decorated with flower heads and central medallion, within ivory spandrels and multiple guard stripes, (212cm x 131cm)£300 - 400

207 210


211Bakhtiyari tile pattern rugWith depictions of stylized birds and foliage within multiple ivory guard stripes (263cm x 162cm), and a West Persian rug, the blue field with a brown medallion, within multiple guard stripes, (154cm x 124cm), (2)£300 - 400

212A Kashan rugThe blue field with central medallion enclosed by spandrels and multiple floral guard stripes, (210cm x 133cm)£400 - 600

213A Kazak rugThe ivory field decorated with three large star shaped medallions within red and sky blue multiple guard stripes, (213cm x 137cm); a Caucasian prayer rug, the camel field enclosed by formal borders incorporating a depiction of a mosque, within a blue and red chevron guard stripes (144cm x 95cm) and a small Kazak kelin rug the ivory field with a pair of medallions and stylized animals within serrated borders (91cm x 55cm), (3)£250 - 400

214A Tekke Turkoman rugThe madder field with two rows of ivory guls within multiple geometric guard stripes (184cm x 130cm); a Belouch prayer rug, the blue field within formal hooked and foliate decorated borders, (faded), (144cm x 90.5cm); and a Turkey rug with three conjoined red medalions on an indigo field, (138cm x 102cm), (3)£200 - 300

215A Turkoman rugThe abrashed madder field with cruciform design and variously sized guls within multiple geometric borders, (faded), (173cm x 123cm); a small Turkoman prayer rug with two indigo lined medalions, (104.5cm x 77.5cm); a Belouch prayer rug, the indigo field within formal madder, orange and indigo borders, (160cm x 90cm); and a Turkoman trapping, the alternate red and indigo panels enclosing hooked motifs, within geometric borders and having a madder and indigo fringe to one side, (89cm x 28cm) (4) £200 - 300

212

46 | Bonhams

216A Chinese Export solid padouk corner cabinetFourth quarter 18th century The moulded cornice, lacking crest, above a cupboard door enclosing a red painted interior fitted with two shelves, 78cm wide, 42cm deep, 85.5cm high (30 1/2in wide, 16 1/2in deep, 33 1/2in high). £200 - 300

217A 19th century satinwood sofaThe channel-moulded frame with ring-turned terminals enclosing a later upholstered back and seat, raised on three square tapering legs terminating in castors and united by later stretchers, alterations, £600 - 800

218An Aesthetic Movement walnut linen pressFourth quarter 19th century The projecting cornice above a pair of fielded panel doors, each carved with a sunflower, enclosing four slides, the base fitted with two short and two long fielded drawers, raised on a plinth, 143cm wide, 57.5cm deep, 201cm high (56in wide, 22.5in deep, 79in high). £300 - 500

219A George IV mahogany reclining armchairThe adjustable back and seat within moulded arms with scroll terminals, raised on baluster-shaped front legs terminating in brass caps and wooden castors, 71cm wide, 140cm deep, 80cm high (27.5in wide, 55in deep, 31in high). £150 - 200

220A French walnut and gilt-metal mounted vitrine cabinetLate 19th/early 20th century Of bowfronted form, the pierced gallery enclosing a marble top above a cast tassel border and Vetruvian scroll frieze, above a bowfronted door enclosing a velvet-lined interior, raised on cabriole legs with cast capitals and sabots, 68cm wide, 34.5cm deep, 138.5cm high (26.5in wide, 13.5in deep, 54.5in high). £300 - 500

221A late Victorian carved mahogany easelIn the rococo taste The crest incorporating foliate C-scrolls on channel-moulded supports united by a complementary stretcher, raised on scroll front feet, 69cm wide, 92cm deep, 92cm high (27in wide, 36in deep, 36in high). £400 - 600

222A pair of Regency simulated rosewood and gilt side chairsEach incised top-rail and pierced mid-rail incorporating moulded cherubs, above a caned seat, on ring-turned tapering legs, decoration refreshed, 48cm wide, 50cm deep, 83.5cm high (18.5in wide, 19.5in deep, 32.5in high). (2)£100 - 150

217

221


223A Victorian carved oak nine-piece parlour suiteFourth quarter 19th century Comprising of a pair of armchairs, a settle and six side chairs, each carved with a foliate top-rail within turned uprights on corresponding legs carved with flowerheads, the settle: 142cm wide, 62cm deep, 119cm high (55.5” wide, 24” deep, 46.5” high). (9)£400 - 600

224An early 18th century solid walnut gate-leg tableThe oval top incorporating a pair of hinged flaps on ring turned tapering legs united by moulded stretchers, lacking frieze drawer, repairs, 101cm wide, 88cm deep, 72.5cm high (39 1/2in wide, 34 1/2in deep, 28 1/2in high). £150 - 200

225A pair of Victorian burr-walnut and line inlaid beside cabinets19th century and later Each with moulded rectangular top, and cupboard fitted with pair of drawers, raised on plinth base, both cabinets have replacement tops, 43cm wide, 35cm deep, 76.5cm high (16 1/2in wide, 13 1/2in deep, 30in high). (2)£500 - 700

226An Edwardian walnut and burr-walnut low bookcaseThe blind fret-work frieze above a pair of astragal doors and a central cupboard inlaid with an oval panel, raised on claw and ball feet, 137.5 cm wide, 37.5cm deep, 111cm high (54in wide, 14 1/2in deep, 43 1/2in high). £200 - 300

227A George III mahogany bowfront hanging corner cabinetFourth quarter 18th century The inlaid dentil cornice above a door enclosing three shelves, 75cm wide, 53cm deep, 105cm high (29 1/2in wide, 20 1/2in deep, 41in high). £150 - 200

228A George III mahogany mule chestFourth quarter 18th century, North of England The undulating gallery back above a rectangular hinged top enclosing a shallow recess, above nine variously sized drawers, within turned cluster columns, raised of ogee bracket feet, 171cm wide, 57cm deep, 118cm high (67in wide, 22in deep, 46in high). £600 - 900

224

225

48 | Bonhams

229A George III mahogany mule chestFourth quarter 18th century, North of England The hinged rectangular top enclosing a shallow recess, above nine graduated drawers within cluster columns, raised on bracket feet, 171.5cm wide, 55.5cm deep, 104cm high (67 1/2in wide, 21 1/2in deep, 40 1/2in high). £600 - 900

230An unusual George III yew-wood occasional tableCirca 1800 The octagonal top with central disk inlay and radiating veneers, above a boxwood-lined frieze on slender tapering legs, united by a ring turned stretcher and terminating in spade feet, one section of stretcher replaced, 48.5cm wide, 37cm deep, 71cm high (19in wide, 14 1/2in deep, 27 1/2in high). £200 - 300

231A Victorian invalid’s chairBy Leveson & Sons, 90 New Oxford Street, London The reclining buttoned back and hinged arms above a padded seat, raised on turned front supports with pull-out and ratcheted footrest raised on brass spoked front wheels, 69cm wide, 89cm deep, 120cm high (27in wide, 35in deep, 47in high). £2,000 - 3,000

232A George III mahogany tea tableThe rectangular hinged top above a flame veneered frieze, raised on square tapering legs, 92.5cm wide, 45cm deep, 74.5cm high (36in wide, 17 1/2in deep, 29in high). £200 - 300

229

230


233An early 18th century and later cocus-oyster veneered escritoireRemodelled The fall-front enclosing drawers and pigeon holes arranged around a central cupboard, the associated base with two short and three long drawers, raised on bracket feet, 114cm wide, 61cm deep, 136cm high (44 1/2in wide, 24in deep, 53 1/2in high). £700 - 900

234An oak 1920’s stackable bookcaseBy Gunn furniture Co., Grand Rapids, Michigan Made in five sections with retractable glass doors, 87cm wide, 33cm deep, 185cm high (34in wide, 12 1/2in deep, 72 1/2in high). £300 - 500

235A 17th century style oak open armchairBasically 19th century, possibly with period elements The panel back stamped twice I D within scroll arms, above a solid seat, raised on baluster shaped front legs united by moulded stretchers, 57.5cm wide, 43cm deep, 107.5cm high (22 1/2in wide, 16 1/2in deep, 42in high). £100 - 150

236A large Edwardian mahogany and inlaid triptych dressing mirrorThe arched central section flanked by a pair of subsidiary mirror plates, together with a similar smaller example, 119cm wide, 3cm deep, 98cm high (46 1/2in wide, 1in deep, 38 1/2in high). (2)£200 - 300

237A late 17th or early 18th century elm six plank chestThe rectangular top with moulded edge raised on shaped bracket feet, (some worm damage), 115cm wide, 38cm deep, 47.5cm high (45in wide, 14 1/2in deep, 18 1/2in high). £100 - 150

238An unusual ebonized and pottery mounted cabinet-on-standFourth quarter 19th century The projecting cornice above a frieze drawer and a pair of cupboards enclosing an oak lined interior of four short drawers, the base fitted with a long drawer, on turned tapering legs united by a shaped X-shaped stretcher, 68cm wide, 41cm deep, 120.5cm high (26 1/2in wide, 16in deep, 47in high). £300 - 500

231

233

50 | Bonhams

239A George III oak chestFirst quarter 19th century The rectangular top with moulded edge above two short and three graduated long drawers, on bracket feet, 100cm wide, 49.5cm deep, 111cm high (39in wide, 19in deep, 43 1/2in high). £200 - 300

240A George III mahogany wing armchairFourth quarter 18th century The upholstered back, arms and seat on channel-moulded tapering front legs united by an H-shaped stretcher, 74cm wide, 71cm deep, 109cm high (29in wide, 27 1/2in deep, 42 1/2in high). £250 - 400

241A George III mahogany supper tableThird quarter 18th century The circular tip-up top with moulded edge upon a turned vase-shaped column and tripod base with slipper feet, 91cm in diameter, 71cm high (35 1/2in in diameter, 27 1/2in high). £250 - 400

242An Art Deco style parcel-gilt and ochre side tableOf simple rectangular form, on a pair of trestle supports, 137cm wide, 40cm deep, 76cm high (53 1/2in wide, 15 1/2in deep, 29 1/2in high). £200 - 300

243A George III mahogany chestOf two short and three long graduated drawers, raised on bracket feet, 93cm wide, 53cm deep, 106cm high (36 1/2in wide, 20 1/2in deep, 41 1/2in high). £100 - 150

244A Flemish style painted cabinet on an associated baseThe cabinet possibly 18th century and later decorated The rectangular top above a pair of arched panel doors painted to simulate oyster veneers, the inside doors decorated with a townhouse and a castle enclosing twelve fielded and oak-lined drawers arranged around a central cupboard, on an early 20th century painted stand with spiral turned supports, 79cm wide, 48cm deep, 120cm high (31in wide, 18 1/2in deep, 47in high). £800 - 1,200

244


245An early 18th century oak cofferThe hinged quadruple panelled top above a frieze carved with stylized leaves and a central panel carved with the initials ‘KB’, raised on stile feet with undulating brackets, 137.5cm wide, 53cm deep, 67cm high (54in wide, 20 1/2in deep, 26in high). £200 - 300

246A George III parcel-gilt overmantel mirrorMid-18th century and later The rectangular frame incorporating foliate and punched decoration and later lacquered brass sconces, enclosing a Vauxhall glass plate, probably re-gilded, 95cm wide x 3.5cm deep x 46cm high, (37in wide x 1in deep x 18in high)£500 - 800

247A large Victorian mahogany chest of drawersThe rectangular top with moulded edge above a frieze with ebony and boxwood lines, over an arrangement of two short and three long graduated drawers within cluster pilasters, raised on ogee bracket feet, 133cm wide, 55.5cm deep, 131cm high (52in wide, 21 1/2in deep, 51 1/2in high). £300 - 500

248A Victorian oak Gothic Revival hall chairThe panelled back and pierced crest decorated in gothic tracery above a hinged seat and box base carved with linen fold panels, 60cm wide x 51cm deep x 200cm high, (23 1/2in wide x 20in deep x 78 1/2in high)£300 - 500

249A George IV mahogany sideboardPossibly Irish, second quarter 19th century The back with channel-moulded plate rack above a frieze drawer and a pair of panelled cupboard doors, one with bottle rests, on faceted octagonal legs and turned bun feet, 174cm wide, 56cm deep, 93.5cm high (68 1/2in wide, 22in deep, 36 1/2in high). £200 - 300

248

246

52 | Bonhams

250A set of six Regency and later ebonized music room chairsEach with leather covered tablet top-rail, decorated with anthemion motifs with turned mid-rail below, within moulded scroll arms above woven cane seat on fluted sabre-front legs, each applied with a cast brass maiden playing the cymbals, 57cm wide, 47cm deep, 84cm high (22in wide, 18 1/2in deep, 33in high). £1,200 - 1,800

251Y

A George IV rosewood three tier tableSecond quarter 19th century With turned finials above three tiers with egg-and-dart moulded edges, supported by spiral turned columns, raised on brass caps and castors, 41cm wide, 36cm deep, 80cm high (16in wide, 14in deep, 31in high). £300 - 500

252A Scottish Regency mahogany sofa tableThe rectangular top with reeded edge incorporating twin drop flats, above alternate frieze and false drawers, one fitted with a hinged writing surface and pull-out pen tray, within horizontally moulded tablets, on downswept legs with brass caps and castors, 113cm wide, 65cm deep, 72cm high (44in wide, 25 1/2in deep, 28in high). £600 - 800

253A 19th century giltwood and gesso convex wall mirrorThe circular replaced plate within a replaced ebonized slip and ball encrusted frame surmounted by an ebonized eagle applied with girandole brackets and cut glass drip trays, 64cm wide, 22cm deep, 98cm high (25in wide, 8 1/2in deep, 38 1/2in high). £600 - 900

254A mid-18th century oak dresser with later re-constructed backThe projecting cornice above three shelves and two panelled cupboards, the base fitted with three frieze drawers, raised on cabriole legs, 225cm wide, 56.5cm deep, 201.5cm high (88 1/2in wide, 22in deep, 79in high). £800 - 1,200

250 (two of six)

255 (two of twelve)

253


255A set of twelve George III oak dining chairsIncluding a pair of elbow chairs, each chair with yoke-shaped top-rail above a pierced vase-shaped splat and solid seat, on square legs joined by stretchers (12)£800 - 1,200

256An oak extending refectory style tableThe rectangular top on ring turned baluster supports ending in arched feet and joined by a flat stretcher, possibly incorporating some 17th century elements, 183cm wide, 112cm deep, 75cm high (72in wide, 44in deep, 29 1/2in high). £800 - 1,200

257A George I and later walnut chest-on-standThe rectangular quarter veneered top within a cross-banded border above three short and three long graduated drawers, the base fitted with three frieze drawers above a shaped apron, on later ball feet, 93cm wide, 57.5cm deep, 123cm high (36 1/2in wide, 22 1/2in deep, 48in high). £1,000 - 1,500

258A late Victorian mahogany seven-piece parlour suiteComprising of a pair of armchairs, a chaise longue and four side chairs, each with pierced foliate carved cresting rails, striped upholstery and cabriole legs, the chaise longue: 152cm (59 1/2in) wide. (7)£400 - 600

259A George III oak bowfront floor standing corner cabinetThe moulded cornice above two pairs of panelled cupboard doors enclosing shelving, raised on a plinth base, 57.5cm wide, 83cm deep, 193cm high (22 1/2in wide, 32 1/2in deep, 75 1/2in high). £300 - 500

260A George III mahogany D-shaped card tableThe cross-banded top enclosing a baize-lined interior above a line inlaid frieze with lozenge-shaped burr-wood inlay, raised on square tapering legs, 92cm wide, 46cm deep, 75cm high (36in wide, 18in deep, 29 1/2in high). £150 - 250

261A William and Mary and later oak occasional tableThe oval hinged top on ring-turned baluster-shaped supports and trestle base, with some later elements, 81cm wide, 78cm deep, 66cm high (31 1/2in wide, 30 1/2in deep, 25 1/2in high). £250 - 350

257258 (part lot)

54 | Bonhams

263

267

262An early 18th century oak gate-leg dining tableThe hinged oval top raised on ring-turned baluster-shaped supports, united by stretchers and terminating in turned feet, lacking frieze drawer, 135.5cm wide, 122cm deep, 68.5cm high (53in wide, 48in deep, 26 1/2in high). £300 - 500

262AA mid-20th century carved oak altar tableThe frieze carved on three sides depicting leaves and crops emblematic of harvest, the front with five framed panels enclosing pointed arches and pierced trefoils within fielded supports and raised on a stepped plinth base, 166cm wide, 49.5cm deep, 86.5cm high (65in wide, 19in deep, 34in high). £400 - 600

263An Edwardian mahogany marquetry inlaid writing deskThe shaped rectangular top with satinwood cross-banding enclosing a later writing surface, above seven variously sized drawers arranged around a kneehole, on square tapering legs terminating in brass caps and castors, 120cm wide, 65cm deep, 75cm high (47in wide, 25 1/2in deep, 29 1/2in high). £300 - 500

264A small George III and later mahogany chestThe moulded rectangular top above two short and three long graduated drawers within fluted quarter columns, on later bracket feet, 81.5cm wide, 50cm deep, 88.5cm high (32in wide, 19 1/2in deep, 34 1/2in high). £150 - 250

265A George II mahogany chestThe rectangular top with cross-banded sides and moulded edge above a pull-out slide and four long drawers, raised on bracket feet, 85cm wide, 50cm deep, 82.5cm high (33in wide, 19 1/2in deep, 32in high). £250 - 350

266A mid-18th century walnut lowboyThe rectangular top with moulded edge above three frieze drawers and an apron, on square section legs, 76cm wide, 49cm deep, 70.5cm high (29 1/2in wide, 19in deep, 27 1/2in high). £100 - 200

267A 19th century burr oak chestThe rectangular top above a pull-out slide and five graduated drawers, raised on bracket feet, 62.5cm wide, 44.5cm deep, 89cm high (24 1/2in wide, 17 1/2in deep, 35in high). £180 - 250


268A George III mahogany and line inlaid square pianoBy Christopher Ganer, London 1789 The rectangular hinged top enclosing a keyboard and strings, on an associated base, 151.5cm wide, 51cm deep, 80.5cm high (59 1/2in wide, 20in deep, 31 1/2in high). £700 - 1,000

269A 20th century stained beech Cockpen open armchairProbably by Whytock and Reid of Edinburgh The lattice back and open arms above a saddle seat, raised on cluster splayed front legs, 57.5cm wide, 58cm deep, 86.5cm high (22 1/2in wide, 22 1/2in deep, 34in high). £120 - 180

270A George III mahogany and later inlaid occasional tableThe rectangular top with central shell inlay above a frieze drawer, on square tapering legs, 72cm wide, 51cm deep, 75cm high (28in wide, 20in deep, 29 1/2in high). £120 - 180

271A William IV mahogany open bookcaseThe gallery back above two adjustable shelves, raised on a plinth base, 96cm wide, 36cm deep, 110.5cm high (37 1/2in wide, 14in deep, 43 1/2in high). £200 - 300

272A George IV mahogany library armchairThe turned back and arms with scrolled terminals above a woven cane seat on turned tapering legs and castors, terminals missing at back, includes two associated cushions upholstered in a William Morris type fabric, 65cm wide, 70cm deep, 98cm high (25.5in wide, 27.5in deep, 38.5in high). £150 - 200

273An early 19th century satinwood and ebony-lined chestThe caddy top above two short and three long drawers, raised on splayed bracket feet, 82.5cm wide, 42.5cm deep, 89.5cm high (32in wide, 16.5in deep, 35in high). £200 - 300

274A George III and later mahogany bookcase-on-chestThe projecting dentil cornice above a blind fretwork frieze and a pair of panelled doors enclosing three adjustable shelves, the base with a shallow frieze drawer incorporating a hinged writing surface within two short drawers, above four long graduated drawers, raised on bracket feet (alterations), 109.5cm wide, 42cm deep, 207cm high (43in wide, 16.5in deep, 81in high). £300 - 400

275A George II style walnut framed wing armchair19th century, possibly Irish The upholstered back and seat enclosed by arms carved with acanthus leaves and flowerheads, raised on cabriole legs carved with foliate scrolls and terminating in claw and ball front feet, re-upholstered, 81cm wide, 72cm deep, 109cm high (31 1/2in wide, 28in deep, 42 1/2in high). £500 - 700

275272

56 | Bonhams

276A Russian mahogany and gilt-brass mounted display cabinetThe fluted tablet frieze above a pair of glazed doors enclosing four adjustable brass-lined shelves, on bracket feet, 122cm wide, 39.5cm deep, 189cm high (48in wide, 15 1/2in deep, 74in high). £600 - 900

277A George I walnut chest-on-standPossibly Irish The moulded cavetto cornice above above two short and three long graduated drawers, the base fitted with a long drawer above a shaped apron, on cabriole legs and pointed pad feet, 95cm wide, 52cm deep, 156.5cm high (37in wide, 20in deep, 61 1/2in high). £300 - 500

278A set of ten George III style mahogany armchairsFirst quarter 20th century Including: a pair of elbow chairs, each chair with foliate carved cresting rail above a pierced vase-shaped splat and drop-in leather seat, raised on acanthus carved cabriole front legs terminating in claw and ball feet (10)£1,000 - 1,500

276

278 (two of ten)

282


279A large Irish George II style mahogany dining tableFirst quarter 20th century The rectangular draw-leaf top above a foliate carved apron, raised on acanthus carved cabriole legs with lion mask capitals and hairy paw feet, 324cm wide, 137cm deep, 78cm high (127 1/2in wide, 53 1/2in deep, 30 1/2in high). £1,500 - 2,000

280A Irish George II style mahogany serving tableMid-20th century The rectagular top above two frieze drawers and a shaped apron, on foliate carved cabriole legs and hairy paw feet, 167cm wide, 58cm deep, 58cm high (65 1/2in wide, 22 1/2in deep, 22 1/2in high). £400 - 600

281A late Victorian walnut and marquetry inlaid occasional tableThe hinged cartouche-shaped top raised on cabriole legs with gilt-metal mounts and sabots, 97cm wide, 97cm deep, 76cm high (38in wide, 38in deep, 29 1/2in high). £300 - 400

282A pair of kingwood and ormolu mounted standsFirst quarter 20th century Each figured marble top with serpentine edge above a Verni Martin style cartouche-shaped panel to each side, raised on cabriole legs united by a parquetry inlaid undertier terminating in cast sabots, 31cm wide, 31cm deep, 102.5cm high (12in wide, 12in deep, 40in high). (2)£800 - 1,200

283A late 19th/early 20th century walnut and ormolu mounted secretaire vitrineThe top with central pierced mount above a glazed cupboard door enclosing a velvet-lined interior, the bombé front and sides decorated with floral marquetry and parquetry and enclosing a bank of four drawers and a tooled writing surface, on cabriole legs surmounted by cast ram masks and terminating in cloven sabots, 84cm wide, 44cm deep, 175.5cm high (33in wide, 17in deep, 69in high). £1,200 - 1,800

283

279

58 | Bonhams

284Y

A French mahogany and ormolu mounted display cabinet in the ‘Japonisme style’ attributed to Gabriel Viardot,Fourth quarter 19th century The pagoda-shaped top applied with an emerging dragon above and velvet-lined cupboard and open shelf supported by a crane and minogame turtle, (broken at cranes legs), the base fitted with two frieze drawers and a lacquered cupboard door inlaid with a vase issuing flowering branches in bone and ivory, and open shelving, raised on moulded bracket feet with central pierced ormolu panel, 86cm wide x 45cm deep x 159cm high, (33.5in wide x 17.5in deep x 62.5in high)£2,500 - 4,000

Gabriel Viardot opened his own studio in Paris in 1860. His distinctive style was a free and personal interpretation of Chinese and Japanese furniture. In the course of the following four decades the firm won numerous awards including gold medals at The Paris Exposition of 1889 and The Universal Exhibition of 1900.

285A George III mahogany chest-on-chestThe dentil moulded cornice and blind fretwork frieze above two short and three long graduated drawers within canted corners, the base with three long drawers, raised on bracket feet, 113cm wide, 53cm deep, 193cm high (44in wide, 20 1/2in deep, 75 1/2in high). £800 - 1,200

286A Regency mahogany side cabinetStamped W. PRIEST, 17 & 24 WATER STREET BLACKFRIARS The raised back incorporating a pair of hinged glazed doors above a pair of panelled cupboard doors with pleated silk fronts enclosing an adjustable shelf, raised on a plinth base, 91.5cm wide, 50cm deep, 137cm high (36in wide, 19 1/2in deep, 53 1/2in high). £600 - 900

284

284 (detail)


287A William and Mary oak side tableFourth quarter 17th century The rectangular top with moulded edge above a fielded panel freize drawer, on bobbin turned legs united by stretchers, 92cm wide, 50.5cm deep, 76.5cm high (36in wide, 19 1/2in deep, 30in high). £250 - 400

288A pair of French Empire mahogany fauteuilsThe padded back and seat enclosed by downswept arms with scroll terminals carved with flowerheads, raised on cabriole lotus-clasped legs and scroll feet, 58cm wide, 63cm deep, 96.5cm high (22 1/2in wide, 24 1/2in deep, 37 1/2in high). (2)£400 - 600

289A George III mahogany bureauThe fall-front above four long graduated drawers, on ogee bracket feet, 98cm wide, 50cm deep, 105cm high (38.5in wide, 19.5in deep, 41in high). £200 - 300

290A George IV mahogany and ebony lined bowfront sideboardThe rectangular top above a frieze drawer and cutlery drawer enclosed by a pair of deep drawers, on reeded tapering legs, 170cm wide x 75cm deep x 91.5cm high, (66 1/2in wide x 29 1/2in deep x 36in high)£150 - 200

291A William IV mahogany breakfront sideboardThe rectangular top and central freize drawer enclosed by a pair of fielded panel cupboard doors, raised on bun feet, 217cm wide, 51cm deep, 94.5cm high (85in wide, 20in deep, 37in high). £300 - 500

292A late Victorian combined snooker dining tableBy E J Riley, Accrington The rectangular slate bed with six detachable leaves, raised on square section fluted legs, 291cm wide, 156cm deep, 75cm high (114 1/2in wide, 61in deep, 29 1/2in high). £1,500 - 2,000

288

286

60 | Bonhams

293An Edwardian onyx and ormolu mounted occasional tableThe circular top within a cast border of foliate swags, on three ring-turned columns clasped with pierced bands depicting nautical scenes, raised on a plinth base and paw feet, 43cm in diameter, 61cm high (16 1/2in in diameter, 24in high). £300 - 400

294A George II style wing armchairFourth quarter 20th century With lemon coloured fabric upholstery on cabriole legs united by turned stretchers, 81cm wide, 80cm deep, 117cm high (31 1/2in wide, 31in deep, 46in high). £300 - 500

295A French late 19th century walnut, amboyna and kingwood occasional tableThe oval cross-banded top inlaid with musical trophies above a frieze drawer, on ebonized legs mounted with chains and lion masks and united by a shaped undertier centred by an urn, 53cm wide, 39cm deep, 80cm high (20 1/2in wide, 15in deep, 31in high). £300 - 400

Bearing a label to the rear of the drawer relating that this table was purchased at the sale of the contents of Glenmayne House, Galashiels, on 14th September 1943 for 8 and a half guineas.

296A French late 19th century red tortoiseshell and boulle bonheur de jourA raised top with a three-quarter gilt-brass pierced gallery and concave frieze above a pair of cast ormolu mermaids and a pair of cupboard doors enclosing a shelf and interior drawers, with two further drawers below, the base with tooled leather writing surface and frieze drawer on cabriole legs, with caryatid capitals and scrolling sabots, 72 cm wide x 46cm deep x 127cm high, (28in wide x 18in deep x 50in high)£1,200 - 1,800

296

295

293


297A set of six George III mahogany dining chairsEach channel-moulded back with yoke-shaped top-rail and pierced vase-shaped splat, above a stuff-over seat with close-nail border, on channel-moulded square section legs united by an H-shaped stretcher, and a pair of later elbow chairs in the same style (8)£500 - 800

298A 19th century yew, ash and elm Windsor armchairOf typical form, with a pierced back splat, moulded solid seat and crinoline stretcher, 50cm wide x 54cm deep x 105cm high, (19 1/2in wide x 21in deep x 41in high)£200 - 300

299A George III mahogany and satinwood banded dining tableSecond half 18th century The cross-banded top with D-shaped end sections enclosing central section and two additional leaves, on channel-moulded tapering legs, 290cm wide, 137cm deep, 72cm high, (114in wide, 53 1/2in deep, 28in high)£500 - 700

300A French carved giltwood and gesso sofaFirst quarter 19th century The slightly curved back with floral and scallop shell crests enclosing an Aubusson upholstered back and seat above an undulating seat rail, raised on four cabriole front legs with scroll feet, 175cm wide, 67cm deep, 109cm high (68.5in wide, 26in deep, 42.5in high). £400 - 600

301An mid-20th century walnut three-piece bedroom suiteIn the manner of Maple and Co., Comprising of a three door wardrobe enclosing hanging space, raised on cabriole legs, 186cm wide, 65cm deep, 205cm high (73” wide, 25 1/2” deep, 80 1/2” high), a dressing table with triptych mirror above a central frieze drawer flanked by two short drawers, 129cm wide, 57cm deep, 170cm high (50 1/2” wide, 22” deep, 66 1/2” high) and a tall boy with a rectangular top above an arrangement of two short and four graduated long drawers and a pair of cupboards, 91cm wide, 50.5cm deep, 126cm high (35 1/2in wide, 19 1/2in deep, 49 1/2in high). (3)£500 - 800

298

297 (two of eight)

62 | Bonhams

302A small Scottish walnut serpentine fronted cabinet1920s, in the manner of Whytock and Reid of Edinburgh The frieze fitted with a single drawer above a cupboard door simulating three drawers, on leaf moulded feet, 61cm wide, 27cm deep, 70.5cm high (24in wide, 10 1/2in deep, 27 1/2in high). £100 - 200

303A Scottish mahogany bureau bookcase1920s, attributed to Whytock and Reid of Edinburgh The glazed top with re-entrant corners enclosing three adjustable shelves, the base with fall-front enclosing a mahogany lined interior of drawers, pigeon holes and a tooled leather writing surface, above four long drawers, on pointed pad feet, 94cm wide, 51cm deep, 211cm high (37in wide, 20in deep, 83in high). £250 - 350

304A Scottish walnut bedside cabinet1920s, attributed to Whytock and Reid of Edinburgh The pierced tray top above a pull-out slide and pair of cupboard doors, on square section legs, 54cm wide, 30.5cm deep, 75.5cm high (21in wide, 12in deep, 29 1/2in high). £100 - 200

305A Scottish mahogany chestFirst quarter 20th century, by Whytock and Reid of Edinburgh The rounded rectangular top with flame veneers above three short and four long graduated drawers, on moulded bracket feet, 107cm wide, 53cm deep, 107.5cm high (42in wide, 20 1/2in deep, 42in high). £300 - 400

306A Scottish mahogany wardrobe1920s, by Whytock and Reid of Edinburgh The moulded cornice above a central cupboard enclosing sliding shelves, with two short and two long graduated drawers below, flanked by hanging cupboards, raised on moulded squat feet, 217cm wide, 57.5cm deep, 193cm high (85in wide, 22 1/2in deep, 75 1/2in high). £200 - 300

307A George II walnut stoolFirst quarter 20th century The drop-in gros-point needlework upholstered seat raised on cabriole legs ending in claw and ball feet, 55cm wide, 39.5cm deep, 35cm high (21 1/2in wide, 15 1/2in deep, 13 1/2in high). £80 - 120

308A Scottish mahogany telescopic dining table1920s, attributed to Whytock and Reid of Edinburgh The D-shaped top enclosing an additional leaf, on faceted club legs and leaf moulded pad feet , 173cm wide, 99cm deep, 73cm high (68in wide, 38 1/2in deep, 28 1/2in high). £250 - 350

309A Scottish mahogany side cabinet1920s, attributed to Whytock and Reid of Edinburgh The cross-banded rectangular top above two short frieze drawers, one long drawer and a pair of cupboards below, within faceted three-quarter columns and pointed leaf-shaped feet (missing one handle), 102cm wide, 47cm deep, 105cm high (40in wide, 18 1/2in deep, 41in high). £150 - 250

310A pair of oak and metal bound stacking bookcases1930s Each bookcase of four sections with retractable leaded glass doors , 87cm wide, 46cm deep, 194.5cm high (34in wide, 18in deep, 76 1/2in high). (2)£400 - 600

305


311A Regency bowfront mahogany chestOf two short and three long graduated drawers, raised on bracket feet, 105.5cm wide, 63.5cm deep, 92cm high (41 1/2in wide, 25in deep, 36in high). £200 - 300

312A George III mahogany and line inlaid serpentine chestFourth quarter 18th century A rectangular top above four long graduated drawers within boxwood lined pilasters, raised on bracket feet, 110cm wide, 60cm deep, 94cm high (43in wide, 23 1/2in deep, 37in high). £700 - 1,000

313A French walnut and burr-walnut veneered armoireFourth quarter 19th century The foliate scroll cornice above an arched panel door with drawer below, enclosed by canted pilasters, 99cm wide, 54cm deep, 208cm high (38 1/2in wide, 21in deep, 81 1/2in high). £300 - 500

314An 18th century and later oak cofferThe hinged top above a later carved panel front, on later extended stile feet, (alterations), 117cm wide, 41.5cm deep, 67.5cm high (46in wide, 16in deep, 26 1/2in high). £250 - 350

315A George IV mahogany three tier dumb waiterThe graduated tiers with moulded edge on a turned column and tripod base terminating in pointed slipper feet and brass castors, 61cm in diameter, 106.5cm high (24in in diameter, 41 1/2in high). £500 - 700

316A George I walnut and inlaid escritoireSecond quarter 18th century The cavetto cornice and cushion moulded frieze drawer above hinged fall-front enclosing eighteen drawers arranged around a central cupboard with four further drawers within, the base with two short and three long drawers, on later bun feet, 106cm wide, 45cm deep, 166cm high (41 1/2in wide, 17 1/2in deep, 65in high). £800 - 1,200

316

64 | Bonhams

317A pair of George III style carved giltwood mirrorsSecond quarter 19th century Each rectangular plate within a pierced foliate frame incorporating a crest of trailing harebells and C-scroll pendant, 64cm wide, 4cm deep, 119cm high, (25in wide, 1 1/2in deep, 46 1/2in high) (2)£1,000 - 1,500

318A 19th century carved giltwood and parcel-gilt drawing room suiteSecond quarter 19th century Including: six open armchairs, each with channel-moulded back centred by a foliate crest within open arms with scroll terminals above upholstered and sprung seats and cabriole legs terminating in horn castors, and a matching sofa, the chairs: 70cm wide, 65cm deep, 98.5cm high (27.5in wide, 25.5in deep, 38.5in high) the sofa: 201cm wide, 84cm deep, 118.5cm high (79in wide, 33in deep, 46.5in high). (7)£2,500 - 4,000

319A 19th century carved pine overmantle mirrorFourth quarter 19th century The projecting breakfront top carved with acanthus leaves, above a border carved in high relief with various flowers and tied ribbons enclosing an armorial shield with three scallop shells surmounted by a knight’s helm, above a rectangular mirror plate within a cushion mount, carved by the owner’s grandmother in 1885, 173cm wide, 15cm deep, 167.5cm high (68in wide, 5.5in deep, 65.5in high). £700 - 1,000

Provenance: High Down, West Sussex. The frame was carved by the owner’s aunt, who was a pupil of Ratte and Kett of Cambridge, in 1885 to a design by Grinling Gibbons. The arms are those of Sir Thomas Dolicra, one of the Grand prior Knights of St. John, who built High Down on 1504. The overmantle is illustrated in ‘Bells of Memory’ by Lady Robertson Nicholl, printed for private circulation only by Headley Brothers, 109 Kingsway, London.

317 317


320A George II style wing sofa and wing armchairLate 19th/early 20th century Each with shaped back and raised on squat cabriole legs, the sofa: 155cm wide, 75cm deep, 105cm high (61in wide, 29 1/2in deep, 41in high).£300 - 500

321A late Victorian solid walnut armchair and a matching side chairEach with undulating top-rail supported on foliate carved stiles, above an upholstered seat raised on cabriole legs, the larger chair: 63cm wide, 67cm deep, 98cm high, (24 1/2in wide, 26in deep, 38 1/2in high). (2)£250 - 400

322Y

A Scottish Regency rosewood and simulated rosewood elbow chairThe carved top-rail and pierced mid-rail enclosed by bugle-shaped arms above a cane seat, lacking cushion and raised on reeded tapering legs, and a Scottish Regency stained beech elbow chair with sash end top-rail, pierced mid-rail and woven cane seat (2)£100 - 150

323A Korean red lacquer cabinetProbably second quarter 19th century The cupboard doors painted with a chinoiserie landscape and enclosing two shelves and two drawers with a lidded recess below, raised on stile feet, 112cm wide, 45cm deep, 177.5cm high (44in wide, 17 1/2in deep, 69 1/2in high). £200 - 400

318 (part lot)

319

66 | Bonhams

324A Victorian burr-walnut, ebonized and gilt metal-mounted étagèreThe pierced gallery above three rectangular tiers lined in boxwood, on fluted supports and brass castors, 93cm wide, 40cm deep, 96.5cm high (36 1/2in wide, 15 1/2in deep, 37 1/2in high). £200 - 300

325An 18th century and later carved oak side tableThe rectangular top above the frieze draw and shaped apron, on club legs and pad feet, (restorations), 71.5cm wide, 55cm deep, 67cm high (28in wide, 21 1/2in deep, 26in high). £150 - 200

326A Victorian painted satinwood étagèreThe lift-off tray top with undulating border and glass base above two oval tiers painted with musical trophies enclosed by tied garlands of roses, on square tapering legs painted with trailing harebells and united by a shaped stretchers, 89cm wide, 56cm deep, 89cm high (35in wide, 22in deep, 35in high). £500 - 800

327An early Victorian mahogany extending dining tableSecond quarter 19th century The rectangular top with moulded edge enclosing three additional leaves, above a tablet moulded frieze and raised on six lapeted tapering legs with brass caps and castors, 310cm wide, 144cm deep, 72.5cm high, (122in wide, 56 1/2in deep, 28 1/2in high)£1,000 - 1,500

328A Victorian walnut duet standMid-19th century With a turned urn finial above lyre-shaped, racheted rests, raised on telescopic column clasped with lotus leaves, terminating in a triangular base, 44cm wide, 19cm deep, 151cm high (maximum), (17in wide, 7in deep, 59in high (maximum)).£500 - 700

329Y

A Victorian rosewood duet standMid-19th century The cast brass finial above a pair of lyre-shaped adjustable rests, on a spiral turned column and tripod base, 45cm wide, 15cm deep, 167cm high (maximum), (17 1/2in wide, 5 1/2in deep, 65 1/2in high (maximum)).£600 - 800

329

328326


330Y

An early Victorian rosewood what-notSecond quarter 19th century The three tiers on spiral turned supports with turned urn finials and a drawer to the base, terminating in brass castors, 53cm wide, 40cm deep, 113cm high (20 1/2in wide, 15 1/2in deep, 44in high). £300 - 500

331A George III mahogany chest-on-chestFourth quarter 18th century The dentil cornice above three short and three long graduated drawers, the base with pull-out slide and three long drawers below, raised on bracket feet, 107cm wide, 51cm deep, 175cm high (42in wide, 20in deep, 68 1/2in high). £700 - 1,000

332An early Victorian mahogany bowfront linen pressSecond quarter 19th century The projecting cornice above a pair of doors enclosing a later hanging rail, the base with two short and two long drawers, raised on turned disk-shaped feet, 132cm wide, 58cm deep, 215cm high (51 1/2in wide, 22 1/2in deep, 84 1/2in high). £500 - 700

333A Victorian mahogany single tester bedThird quarter 19th century The projecting canopy on ring turned front supports and turned bun feet, 104cm wide (40 1/2in wide).£300 - 400

334Y

A mid-19th century rosewood pedestal cupboardThe panel door enclosing three shelves, (50cm wide, 19 1/2in wide), together with an Edwardian mahogany music cabinet with fluted frieze above a panel door enclosing seven shelves, on vase-shaped feet, 67cm wide, 46cm deep, 123cm high (26in wide, 18in deep, 48in high). (2)£250 - 350

335A late 19th/early 20th century limed oak bookcaseThe cavetto cornice above four glazed panel doors enclosing adjustable shelving, within fluted Ionic columns, raised on a plinth base, 223cm wide, 49cm deep, 241cm high (87 1/2in wide, 19in deep, 94 1/2in high). £800 - 1,200

336Y

A Victorian rosewood centre stoolThe upholstered seat and undulating rails raised on moulded cabriole legs and brass castors (missing one castor), 69cm wide, 69cm deep, 36cm high, (27in wide, 27in deep, 14in high)£300 - 500

337A set of twelve George III style mahogany dining chairsLate 19th/ early 20th century Including a pair of elbow chairs, each moulded rectangular back enclosing three leaf-moulded spars, above leather stuff-over seats (some with replacement leather covers) and brass close nail decorated rails, on square tapeing legs and spade feet (12)£1,000 - 1,500

337 (two of twelve)

331

68 | Bonhams

338An early 20th century walnut and gilt-metal mounted vitrine cabinetThe bow-fronted top with rouge marble inset and pierced gallery, above a frieze with cast drapery, tassels and Vitruvian scrolls, above a central glazed door enclosing a velvet-lined interior, on cabriole legs, 69.5cm wide, 32cm deep, 129.5cm high (27in wide, 12.5in deep, 50.5in high). £600 - 800

339A mid-19th century mahogany bowfront chestWith two short and three long drawers, within diamond inlaid pilasters, raised on bracket feet, 111cm wide, 53cm deep, 99cm high, (43 1/2in wide, 20 1/2in deep, 38 1/2in high)£150 - 200

340A George II style walnut stoolLate 19th century The upholstered seat on four scallop shell carved cabriole legs and pad feet, 54cm wide, 41cm deep, 43.5cm high (21in wide, 16in deep, 17in high). £100 - 150

341A Charles II and later oak six plank chestThe hinged top above a band of serrated carving, on later bracket feet, locks and hinges are replaced, 154cm wide, 44cm deep, 49.5cm high (60 1/2in wide, 17in deep, 19in high). £250 - 350

342A George II style walnut half-moon tableFirst quarter 20th century The hinged top enclosing a recess, raised on four turned club legs and pad feet, 49cm wide, 24cm deep, 75cm high (19in wide, 9in deep, 29 1/2in high). £200 - 300

343A George III style ‘spiderleg’ tableFirst quarter 20th century The hinged oval top raised on turned legs and pad feet, 61cm wide, 80cm deep, 65cm high, (24in wide, 31in deep, 25 1/2in wide) and an Edwardian mahogany D-shaped tea table of George III design, the hinged top on channel-moulded legs terminating in spade feet, 84cm wide, 41cm deep, 73cm high, (33in wide, 16in deep, 28 1/2in high) (2)£150 - 200

344A 19th century satinwood and ebony-lined side cabinetThe square top with moulded serpentine edge above a cupboard door within fluted, canted angles, raised on bracket feet, with inlay to all four sides, 45cm wide, 43.5cm deep, 83.5cm high (17.5in wide, 17in deep, 32.5in high). £100 - 150

345An Empire style mahogany lit-en-bateau19th century with alterations The front with four turned columns and engine-turned gilt-brass mounts, with arched capitals and feet, 202cm wide, 114cm high (79.5in wide, 44.5in high). £500 - 700

346An Irish George II mahogany supper tableThe dished circular top above a turned bird-cage and raised on a baluster-shaped column, with tripod base and pointed pad feet, terminating in brass barrel-shaped castors, 79cm diameter, 72cm high, (31in diameter, 28in high).£250 - 400

338


347An 18th century and later oak dresserThe plate rack with three shelves above an associated base of three long two short drawers, raised on ring-turned legs,£500 - 700

348A pair of Louis XV style bombé commodesEach with marble top, above three graduated drawers enclosed by gilt-metal mounts and raised on scroll feet, 69cm wide, 43cm deep, 96cm high (27in wide, 16.5in deep, 37.5in high). (2)£200 - 300

349A George III mahogany bureau with associated bookcase topThe moulded cornice aboved a pair of astragal glazed doors enclosing three adjustable shelves, the base with fall-front and four long drawers, raised on bracket feet, 93cm wide, 53cm deep, 208cm high, (36 1/2in wide, 20 1/2in deep, 81 1/2in high)£400 - 600

350An Aesthetic Movement ebonized cabinetAttributed to Cox & Son, fourth quarter 19th century The rectangular top with three-quarter balustrade gallery above an open recess and pair of cupboard doors painted with British birds, the sides with similarly painted panels, with undertier below and vase-shaped feet, 56cm wide, 33cm deep, 105cm high (22in wide, 12 1/2in deep, 41in high). £150 - 200

Cox & Son (1837-1881) were a London firm based near The Strand. From the 1870s they commissioned furniture designs from leading designers including Bruce Talbert, J Moyr Smith and E.W. Godwin.

351A Victorian easy chairFourth quarter 19th century The upholstered frame raised on bun feet and brass castors, 80cm wide, 80cm deep, 90cm high (31in wide, 31in deep, 35in high). £200 - 300

352A small George II walnut chestThe cross-banded top enclosing a quarter veneered centre, above four long graduated drawers, raised on bracket feet, 92cm wide, 44.5cm deep, 76cm high (36in wide, 17.5in deep, 29.5in high). £400 - 600

353A set of four Scottish George III laburnum dining chairsCirca 1800 Each yoke-shaped top-rail and pierced baluster splat above a stuff-over seat, on square tapering legs united by an ‘H’ stretcher (4)£200 - 300

354A George III mahogany chest-on-chestThe projecting dentil moulded cornice and fluted frieze above two short and three graduated long drawers, enclosed by quarter reeded columns, raised on a base with three long drawers and bracket feet, 107cm wide, 53cm deep, 184cm high (42in wide, 20 1/2in deep, 72in high). £600 - 800

354

352

70 | Bonhams

355Y

A Regency rosewood and brass inlaid sofa tablePossibly Irish The rectangular hinged top inlaid with a border of flowerheads and stylized leaves, above pairs of opposing frieze and false drawers within reeded tablets, on turned tapering shaft with lotus collar, with concave base and cylindrical feet terminating in brass castors, 149.5cm wide, 68cm deep, 73cm high (58 1/2in wide, 26 1/2in deep, 28 1/2in high). £600 - 800

356A pair of Norwegian painted dug-out chairsProbably first quarter 20th century Each fashioned from a tree trunk painted with bouquets of flowers on a green gesso ground, 43cm wide, 37cm deep, 82cm high (16 1/2in wide, 14 1/2in deep, 32in high). (2)£300 - 400

357A Scottish 19th century mahogany partners’ deskBearing ivory label for Chalmers & Scott, Cabinet Makers, Edinburgh The rectangular cross-banded top with replacement writing surface raised on a pair of pedestals, each fitted with an opposing bank of four drawers, raised on plinth bases, one frieze drawer, 154cm wide x 116.5cm deep x 79cm high, (60 1/2in wide x 45 1/2in deep x 31in high)£500 - 700

358A pair of ‘Barcelona’ chairsIn the style of Mies van der Rohe Each with chromium plated X-frame and black buttoned leather cushions, 30cm wide, 77cm deep, 73cm high (11 1/2in wide, 30in deep, 28 1/2in high). (2)£300 - 500

356

355


359Philippe StarckAn Aleph bench, manufactured by Driade With a pair of chromium plated back rests above a solid seat and square tapering legs, 137cm wide, 44.5cm deep, 71cm high (53 1/2in wide, 17 1/2in deep, 27 1/2in high). £300 - 400

360A Scottish George III mahogany corner cabinetPossibly Aberdeenshire The moulded cornice above an astragal glazed door with burr-wood inlaid tablet, enclosing two shelves, 80cm wide, 51cm deep, 93.5cm high (31in wide, 20in deep, 36 1/2in high). £100 - 150

361A Scottish George III pine and gesso chimney-pieceLate 18th/early 19th century The projecting cornice above six tablets decorated with nautical themes and with anchor and rope tablet capitals, the fluted jambs with moulded acanthus crests, exterior: 170.5cm wide, 142.5 high (67in wide, 55 1/2in high), interior: 122cm wide, 109.5cm high (48in wide, 43in high).£500 - 700

Provenance: Formerly the property of Aldrick Young.

362An Edinburgh George III plum-pudding mahogany stage-back sideboardThe breakfront stage incorporating a pair of sliding compartments above a pair of frieze drawers and two bowfronted cupboards, raised on square tapering legs with spade feet, 198cm wide, 70cm deep, 110cm high (77.5in wide, 27.5in deep, 43in high). £300 - 500

End of sale

358

359

72 | BonhamsNTB/MAIN/09.13/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

The Winter Antique and Picture Sale | 73NTB/MAIN/09.13/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

NTB/MAIN/09.13/V2

Bidding in personYou should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone (only available on lots with a low estimate greater than £400)If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or faxAbsentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internetPlease visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agentBids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

identity of your client in advance, we will be in a position to address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• ZeroratedforVAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Sterling travellers cheques: you may pay for Lots purchased by you at this Sale with travellers cheques, provided the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000. We will need to see your passport if you wish to pay using travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;


Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.


Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

NTB/MAIN/09.13/V2

19. JEWELLERY

˜ Ruby and JadeiteRuby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

GemstonesHistorically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated WeightsIf a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by KutchinskyWhen the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by KutchinskyHas been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “BillBrandt”:inouropinionaworkbytheartist.• “AttributedtoBillBrandt”:inouropinionprobablyawork

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signedand/ortitledand/ordatedand/orinscribed”:inour opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signedand/ortitledand/ordatedand/orinscribedinanother hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• Thedategivenisthatoftheimage(negative).Wherenofurther date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unlessotherwisespecified,dimensionsgivenarethoseofthe piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• AllphotographsaresoldunframedunlessstatedintheLot Description.

21. PICTURES

Explanation of Catalogue TermsThe following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “JacopoBassano”:inouropinionaworkbytheartist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “AttributedtoJacopoBassano”:inouropinionprobablya work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/WorkshopofJacopoBassano”:inouropinionawork by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “CircleofJacopoBassano”:inouropinionaworkbya hand closely associated with a named artist but not necessarily his pupil;

• “FollowerofJacopoBassano”:inouropinionaworkbyapainter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “MannerofJacopoBassano”:inouropinionaworkinthestyle of the artist and of a later date;

• “AfterJacopoBassano”:inouropinion,acopyofaknownwork of the artist;

• “Signedand/ordatedand/orinscribed”:inouropinionthesignature and/or date and/or inscription are from the hand of the artist;

• “Bearsasignatureand/ordateand/orinscription”:inouropinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and RestorationFor your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the winesIt is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and UllagesUllage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcelsA parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in BondWines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case TermsThe following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton


SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

•, †, *, G, Ω, a see clause 8, VAT, for details.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.

7 COLLECTION OF THE LOT

7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.

7.4 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.


SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

•, †, *, G, Ω, a see clause 8, VAT, for details.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE


Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.


7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.


7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

NTB/MAIN/09.13/V2

8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;

8.1.3 to retain possession of the Lot;

8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.

10.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.


APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

NTB/MAIN/09.13/V2

7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;

7.1.2 to retain possession of the Lot;

7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.


10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.


10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/09.13/V2

“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

82 | Bonhams

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtAlex Clark+61 2 8412 2222

Australian Colonial Furniture and AustralianaJames Hendy+61 2 8412 2222

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Football Sporting MemorabiliaDan Davies+44 1244 353118

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413AUSTRALIAJennifer Gibson+61 3 8640 4088

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471AUSTRALIADamien Duigan+61 2 8412 2232AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Hamilton+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys, Dolls & ChessLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGCarson Chan+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD05/11/13


Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtAlex Clark+61 2 8412 2222

Australian Colonial Furniture and AustralianaJames Hendy+61 2 8412 2222

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Football Sporting MemorabiliaDan Davies+44 1244 353118

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413AUSTRALIAJennifer Gibson+61 3 8640 4088

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471AUSTRALIADamien Duigan+61 2 8412 2232AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Hamilton+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys, Dolls & ChessLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGCarson Chan+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD05/11/13

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1983 282 228

Representative:KentGeorge Dawes+44 1483 504 030

West SussexJeff Burfield+44 1243 787 548

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester New House150 Christleton RoadChester, CheshireCH3 5TD+44 1244 313 936+44 1244 340 028 fax

Carlisle48 Cecil StreetCarlisle, CumbriaCA1 1NT+44 1228 542 422+44 1228 590 106 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

Jersey39 Don StreetSt.HelierJE2 4TR+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EUrOpE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Greece - Athens7 Neofytou Vamva Street10674 Athens+30 (0) 210 3636 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 0990+353 (0)1 4004 140 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 (0)2 4953 9020+39 (0)2 4953 9021 [email protected]

Italy - romeVia Sicilia 5000187 Rome+39 (0)6 48 5900+39 (0)6 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 76 379 [email protected]

Representatives: DenmarkHenning Thomsen+45 2141 [email protected]

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

portugalFilipa Rebelo de Andrade+351 91 921 [email protected]

russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

russia - St petersburgMarina Jacobson+7 921 555 [email protected]

NOrTH AMErICA

USA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

District of Columbia/Mid-AtlanticMartin Gammon+1 (202) 333 1696

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

Florida+1 (305) 228 6600

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SOUTH AMErICA

ArgentinaDaniel Claramunt+54 11 479 37600

BrazilThomaz Oscar Saavedra+55 11 3031 4444+55 11 3031 4444 fax

ASIA

Hong Kong Suite 1122Two Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AUSTrALIA

Sydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseCnr Williams Road& Lechlade AvenueSouth Yarra VIC 3141

AFrICA

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET/1/14

84 | Bonhams

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Preferred number(s) in order for Telephone Bidding (inc. country code)

E-mail (in capitals)

I am registering to bid as a private client I am registering to bid as a trade client

If registered for VAT in the EU please enter your registration here:

/ - -

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make and other terms relating to bidding and buying at the Sale. You should ask any questions you have about the Conditions before signing this form. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your informationWhere we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected].

Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price.

Notice to Bidders.Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference.

If successful

I will collect the purchases myself

Please contact me with a shipping quote (if applicable)

Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Please indicate Telephone or Absentee (T / A)

NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.

General Bid Increments:£10 - 200 .....................by 10s£200 - 500 ...................by 20 / 50 / 80s£500 - 1,000 ................by 50s£1,000 - 2,000 .............by 100s£2,000 - 5,000 .............by 200 / 500 / 800s£5,000 - 10,000 ...........by 500s

£10,000 - 20,000 .........by 1,000s£20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s£50,000 - 100,000 .......by 5,000s£100,000 - 200,000 .....by 10,000sabove £200,000 ...........at the auctioneer’s discretion

Telephone or Absentee (T / A) Lot no. Brief description

MAX bid in GBP (excluding premium & VAT)

Covering bid*

The auctioneer has discretion to split any bid at any time.

Please note that all telephone calls are recorded.

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.

UK/04/13

Please tick if you have registered with us before

The Winter Antique and Picture Sale Thursday 13 February 2014

21699 Edinburgh

The Winter Antiqueand Picture SaleThursday 13 February 2014 at 11am Edinburgh

Bonhams22 Queen StreetEdinburghEH2 1JX +44 (0) 131 225 2266 +44 (0) 131 225 2547 fax

International Auctioneers and Valuers - bonhams.com

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The Winter Antique - images1.bonhams.com

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Transcript of The Winter Antique - images1.bonhams.com