The "What If" Metropolis OGR pt. 1

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    ONLINE GREENLIGHT

    REVIEW PART 1 - SPACE &ENVIRONMENT - THE

    WHAT IF METROPOLIS

    05/11/14

    Chelsea Butler

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    Contents

    Who is Richard Deacon?

    Definitive Influence Map

    Travelogue

    Initial Thumbnail Designs

    Useful Links

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    Who is Richard Deacon?

    Richard Deacon is a Welch bornsculptor, but also involves himselfwithin areas such as writing andworking with mixed media. Herefers to himself as a fabricator,rather than a constructor.

    Deacons interests come in awide variety, including rocks and

    minerals, animals, skeletalstructures, and even a chain thathe found on the street. Deacon isinspired by anything thatinterests him.

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    Definitive

    Influence MapFor this influence map, I was ratherinspired by Richard Deacons ceramicwork. With the way he has created a

    polished finish on his sculptures gives avery Emerald City sort of appearance,

    which I found rather intriguing. I alsoincluded fluid abstract forms, such as asnakes bone structure, and architecturethat demonstrates negative space. I alsoimagine the potential buildings to havesome form of metal framing to them, asDeacon has been known to use mixed

    media. My idea was to create amysteriously intricate city, with a green

    tint to, so it looks extravagant, but doesntfeel like a homely place. Rather, it would

    be made to feel quite alien.

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    Travelogue

    It has been a while since you last saw any form of life along the dusty, barren pathway. The road ahead is a long one,

    and the rocky terrain at the foot of the towering mountains is a treacherous path to travel. Any traveller is advised to

    remain cautious of the cavernous depths of the mountains pathway. Trekking onwards, the path becomes thinner;

    more narrow, as you progress. But wait. You spy an opening. Perhaps a way out. The light draws nearer as you push

    forward, tip toeing between the tight spaces of the rocks and rubble scattering the path. It gradually becomes closer.

    You finally make it out. And there it is. Amplexus.

    Stumbling through the gap, you venture on to this strange environment. As you gaze upwards, you are only just able to

    decipher the peak of the monuments buildings aligned along the road into the city. Each building varies in height and

    shape. The abstract forms of the mass amount of structures leaves one puzzled, as it is difficult to determine where the

    entrance and exits are placed. The buildings have many features to them, be they incredibly large, or moderately

    sized, with chiselled edges and cubic towers, or curvaceous domes as smooth as porcelain, no two buildings are the

    same. Upon first impressions, one would assume that Amplexus has a thriving trading service as there is a vast amount

    of materials incorporated into the citys structures. From rubber and leather, to glass, ceramics, chrome and metals like

    steel and copper, it diverts any visitors eye to roam across the intricate patterns of each surface.

    If you were to delve deeper into the cities heart, you will find an obscure building. This building has many poles and

    beams supporting the curves of each wall. In the centre of this building, a tower of immense height rises up towards

    the cloudless sky, looking down on the city itself. This tower is of great importance, for it is the main power source, the

    heart, of the entire city. It is uncertain to outsiders as to what this form of energy could be, but if you were to get

    close enough to the tower, even behind the wired fencing, you would be able to feel a heated breeze, as radiation emits

    from the base of the tower.

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    Navigating through Amplexus is quite the task if you dont live there. The twisting and turning of the pavement as you roundthe corner of a building is known to leave one feeling lost. It is advised that you use local transportation as a method of gettingaround the area. A vehicle, resembling that of a tram, pulls up next to the pavement, but there is no specific stop sign to signalit to come to a halt. But this mode of transport is different to any other tram that you may recognise. This, cart, is made ofsteel, with a glossy silver exterior that glistens in the daylight. The large glass window at the drivers end of the cart, at a glance,appears to make the vehicle look like a large metal beast with a gaping maw. As the doors slide open, you expect to see adriver. Or so you thought. But rather, instead of a driver, there is a speaker. Nothing more, nothing less. As the speaker buzzesto life, you just about make out the muffled response of, where are you travelling to?. Trembling ever so slightly at the lack ofhuman interaction, you state where you wish to head, only to then be directed to take a seat. The interior of the cart is simple.With a ceramic ceiling design, large windows that almost replace the walls, wooden flooring, and leather-bound seats that runalong the edges of the cart, creating an aisle down the middle. The cart then whizzes off, running on nothing else but asingular rail running down the middle of each road you come across. Although intimidating, it is for the best to be chauffeuredby this strange contraption. Besides, the carts seem to have a better sense of direction than any life form living here.

    As the evenings draw in, pathways are lit by large bulbs trapped in circular cages, held up by stilt like posts, casting beams of

    light onto the stone slabs that is the pathway, and onto the solemn faces of the city folk that reside in the abstract apartmentsand houses. It leaves the mind wandering through each crevice carved out of the buildings. Its like peering through a telescopeinto an other worldly dimension, as if somewhat alien. Perhaps a little outlandish, as some would describe the area. The colourgreen glows and illuminates the cityscape as the moonlight hits the tinted buildings and structures, and yet, one can neither feelat home, nor does he wish to leave just yet.

    Walking through the streets and alleyways, it bewilders you as to how you are capable of seeing the stars so clearly at night,especially with the amount of light pollution the lamps are creating. People have been suspicious about the citys behaviour,including the placement and how each occupant is blissfully unaware of how peculiar their settlement is to an outsider. As ifthey were brainwashed.

    Its strange, Amplexus has been known to fabricate buildings of unimaginable structures. It is forever remodelling andimproving itself. The reason it is a city is due to the fact that it is forever expanding, and consistently creating new buildings.There is a beginning to the city, but no end. Analysing your recordings of your time in Amplexus, each set of buildings appearin one manner, and then as you progress down the streets, you notice that each design of the buildings gradually evolve intoanother form of architecture, giving themselves a new appearance, even to the extent of incoherency. The ever changingmindset of Amplexus is fascinating, and as visitors come and go, they would simply ask the residents, Is the city unfinished? Isit still under construction?, to which they shall reply, We are simply improving. We are moving forward..That is Amplexusmentality. To enlarge, to increase, to improve.

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    Useful Links

    Blog Links:

    http://chelsea-a-butler.blogspot.co.uk/search/label/what%20if%20metropolis

    http://chelsea-a-butler.blogspot.co.uk/search/label/life%20drawing

    http://chelsea-a-butler.blogspot.co.uk/search/label/maya

    http://chelsea-a-butler.blogspot.co.uk/search/label/film%20review

    http://chelsea-a-butler.blogspot.co.uk/2014/11/project-what-if-metropolis-travelogue.html

    External Reference Links:

    http://www.theartsdesk.com/visual-arts/richard-deacon-tate-britain

    http://www.tate.org.uk/whats-on/tate-britain/exhibition/richard-deacon

    http://www.tate.org.uk/context-comment/video/tateshots-richard-deacon

    http://www.lissongallery.com/artists/richard-deacon

    http://www.lissongallery.com/artists/richard-deaconhttp://www.tate.org.uk/context-comment/video/tateshots-richard-deaconhttp://www.tate.org.uk/whats-on/tate-britain/exhibition/richard-deaconhttp://www.theartsdesk.com/visual-arts/richard-deacon-tate-britainhttp://chelsea-a-butler.blogspot.co.uk/2014/11/project-what-if-metropolis-travelogue.htmlhttp://chelsea-a-butler.blogspot.co.uk/search/label/film%20reviewhttp://chelsea-a-butler.blogspot.co.uk/search/label/mayahttp://chelsea-a-butler.blogspot.co.uk/search/label/life%20drawinghttp://chelsea-a-butler.blogspot.co.uk/search/label/what%20if%20metropolis